Are you looking for the Best Beginner Guitar Pedals? If so, you’ve come to the right place.
Choosing the Best Beginner Guitar Pedals can be difficult as there are so many considerations, such as MXR, ammoon, NUX, Behringer, BOSS, DigiTech, Electro-Harmonix, TC Electronic. We have done a lot of research to find the top 20 Best Beginner Guitar Pedals available.
The average cost is $150.85. Sold comparable range in price from a low of $29.00 to a high of $544.99.
Based on the research we did, we think TC Electronic Mini Spark Booster Guitar Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Beginner Guitar Pedals (20 Sellers)
| Product Image | Product Name | Features | Check Price |
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Reviewers Noted:
Compact . Easy to use . Build quality
Features:
- Impedance of 100 ohms helps reduce unwanted noise
- True bypass makes it easy to switch between multiple effects
- Knob control allows you to fine-tune the sound
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality
Features:
- Three led indicator helps deliver real-time working status and makes the tuning easy
- Manual knobs let you change the swirl setting to rapid tremolo
- This multi-effect pedal helps produce various sound amplification
$87.20
4.7
Reviewers Noted:
Easy to use . Compact . Good sound quality . Build quality . Portability
Features:
- Features a red led light that lets you know when the effect is flipped on
- Features a depth switch allows you to adjust the frequency rate
- A rate knob helps you control the amount of alteration
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Build quality
Features:
- As new/ never used.
- I asked for this pedal for my birthday, and got two of them.
- This pedal was never used (still has the clear plastic protector sticker over the power jack).
$69.00$55.00
4.7
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Build quality
Features:
- In perfect working condition!
- This is a thick bass forward overdrive, yet it can work in many different ways.
- If you want a thick sound but don't like fuzz stack this into you distortion or overdrive and you will have tones of sustain.
Reviewers Noted:
Easy to use . Good sound quality . Compact . Build quality
Features:
- Metal chassis with midi input
- Pitch shifting algorithms, with classic and chords shifting modes
- True bypass, 10 whammy settings, 9 harmony settings, 2 detune settings
$64.99
4.6
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Tune your guitar conveniently with its built-in auto chromatic tuner
- Make and edit your creations smoothly with its 103 modeling effects
- The compact size makes it easy to carry
Reviewers Noted:
Easy to use . Sound quality . Size
Features:
- Create high-quality sound effects with this bass guitar pedal
- The active treble control lets you customize the reverb effects conveniently
- Designed with a bypass footswitch to help eliminate signal interference
$149.99
4.3
Reviewers Noted:
Size
Features:
- Adds warmth and grit while allowing the sound and feel of your high-end gear to shine
- Thru-hole components personally tested by analog mike
- Boost/od/distortion switch allows you to set the overall attitude of the pedal's output
$29.00
4.6
Reviewers Noted:
Compact . Easy to use . Good sound quality . Heavy . Visual appeal
Features:
- 4558 ic and ma150 distortion diodes help deliver quality sound output
- Its led indicator allows you to keep a check on the battery level of this device
- 9v battery offers reliable power to this overdrive effects pedal for extended usage
$299.99
4.7
Reviewers Noted:
Easy to use . Good sound quality . Compact . Build quality
Features:
- This pedal allows you to add effects to the guitar during your jamming sessions
- Adjust the playback volume, depth, and speed of the recordings conveniently with its multiple tabs
- Die-cast material offers enhanced durability to the pedal for prolonged usage
$59.99
4.4
Reviewers Noted:
Easy to use . Compact . Good sound quality
Features:
- Excellent clean condition, used only a few times.
- Includes rubber feet (attached), both original inserts, original box.
- Functions perfectly.
Reviewers Noted:
Size . Ease of use . Heavy . Sound quality
Features:
- Space-saving volume pedal features durable aluminum die-cast body design
- Smooth pivot action for maximum signal control
- Stereo i/o for use with stereo instruments and effects
Reviewers Noted:
Compact . Ease of use . Sound quality . Weight
Features:
- Enhance the sound of your guitar with this overdrive boost pedal
- It can be used as a simple boost for a clear and crisp sound effect
$217.20
4.9
Reviewers Noted:
Ease of use . Sound quality . Weight
Features:
- This multi-effect guitar pedal offers an enhanced audio equalization
- It features 6 toggles to deliver optimized audio effects
- Footswitch lets you make adjustments between songs
$104.48
4.6
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability
Features:
- Functions: headphone connection.
- Compatible: electric guitar.
- Black colour.
$62.82
4.0
Reviewers Noted:
Size
Features:
- Collection from se9 area preferable
- Bought for christmas, opened once never used, hence box damage
- All offers considered
Reviewers Noted:
Size
Features:
- 15 new mkii delays drawn from the hx family of amp and effects processors.
- 14 original dl4 delays.
- Echo platter, taken from the rackmount echo pro.
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability
Features:
- Engineered with 4 knobs to adjust the sound output
- Its 1/4" jacks let you attach the pedal with your guitar
- The screen allows you to check the modulation status
Reviewers Noted:
Easy to use
Features:
- Great pedal.
- Has not left the house (smoke free house).
- Comes with the original mooer ge 300 pedalbag.
1. Tc Electronic Mini Spark Booster Guitar Pedal
Product Details:
A tiny pedal with a loud bark, the tc electronic spark mini booster can provide up to 20db of clean boosted power. whether you want to kick it on periodically for some extra punch or leave it on all the time as a tone booster the spark mini can prove useful in many playing situations regardless of genre. because of its diminutive footprint the spark mini can be easily placed in any open space on your board. if you want to add more gain to your sound put the spark mini at the beginning of your signal chain to drive your pedals and amp harder. some guitarists have an always on boost in this configuration to impart some grit on their tone. if you want to just boost your overall volume stick the spark mini at the end of your signal chain either after all of your pedals or in your amp's effects loop. should you for whatever reason want to disengage the spark mini the true bypass switching ensures that the circuitry in the pedal won't affect your tone while disengaged.
Specifications:
| Sensitivity | 20 dB |
| Impedance | 100 ohm |
| Power Output | 9 V |
| Indicator Type | LED |
| Control Type | Knob |
Reviews:
I wanted a button to make me louder for solos etc. and this does exactly that without changing tone. Brilliantly simple: set how much volume jump you want and that’s it, I don’t think I have had the dial past 25% so far. The ‘latching’ function of the foot switch is a great idea. Great price as wellReviewed by Andertons Music Co.
Initially intended to buy an Xotic EP Booster because I wanted to try the Echoplex thing out, but saw this little guy and figured…why not? I like it so much, I don't see the point in ordering the EP Booster anymore! Hits the front end of my Soldano in a way no overdrive has yet, and with no noise. Works equally well in front of my OCD pedal for a lead boost. And to all the people whining about the switch not clicking…whatever. I like that about the TC stuff and wish all pedal companies would make their switches "clickless". Great value, just buy it already! Thanks TC and Sweetwater!
This pedal does exactly what it claims and does it better than other pedals of the same purpose. It is constructed extremely well. For around $50 this pedal's physical casing and switch assembly is made better than pedals I own costing hundreds of dollars more. I don't foresee this pedal ever needing replacement or repair. I'm not particularly fond of the "momentary volume boost" feature but that doesn't change my overall opinion. It's a great item.ethan1957
2. Vox Stomplab Iig Guitar Modeling Effects Pedal
Product Details:
Get the big guitar tones you want in a small package with the vox stomplab iig multi-effects processor. this rugged, all-metal floor processor has the same sound engine as vox's tonelab processors and vt+ amps. the stomplab iig's easy-to-use interface gives you 100 presets at your fingertips. the sounds are separated into music styles. just select the style of music you want to play and then select a tone from that library. styles include rock, blues, metal, jazz, hard rock, and more. vox set aside 20 user programs for you to tweak or create your own sounds. with over 100 different effects you can really nail down your own signature sound. you can use up to eight effects simultaneously in each preset. the stomplab iig includes a built-in expression pedal for real-time control over volume and effects parameters. get a powerful modeling processor in a compact pedal with the vox stomplab iig.
Specifications:
| Material | Metal |
| Input | Mono |
| Color | Black |
| Number of Preset Programs | 100 |
| Output | Stereo |
Reviews:
I've had this pedal for about maybe 5 months, great pedal. The best thing to do is to always read your manual because this particular pedal shuts off. That feature is to save you battery power, or just being on too long when you walk away. I hadn't gotten use to that at first. It pays to read the manual to figure out how to do it. But the Selections in where the layout is for the different tones, for rock and roll, blues, heavy metal, and R&B is it great pedal.astringmusic
It' easy to blow an afternoon exploring the wide variety of sounds this pedal can produce. While many of the effects are great there are quite a few duds mixed in there. You just have to play. There doesn't seem to be that much logic as to how the effects are grouped. You really need to write down your favorites. Out of 100 effects I think almost anyone can find 20 that they really like. Great pedal for the money.Lenny G.
The Stomplab has some very good patches right out of the box better than most MultiFX units. I rarely get to say that. Since I like to try them all, I think it excels in areas that can outdo expensive pedals. The amps sound really realistic and have beefy snappy mids right in your face with great projection and pop. The tones are designed to sound good as you play with EQ settings the amps seem to stay in the zone of what you would expect an actual amp would do. The best way to really experience this is to plug into a Hi Fidelity home stereo etc. and listen to how detailed the mix is. There is a Tube Screamer that seems to actually enhance just about every amp you try it with when trying to get some edge. The clean amps are some of the best out of the box tube gain style sparkling U2 like rhythms with clearly defined picking separation. This is probably about as good as it gets for these type sounds. Very metal like ballading with chorus and delay. Def Leppard Bringing on the Heartache or Photagraph come off terrific. The crunch sounds are very realistic and the US Hi Gain is about as good as it gets for 80s Metal. I can compare this to the VT Plus series because I have it. This pedal sounds good and really excels with a Tube amp. The VT Plus is a tube hybrid and the 12ax7 single tube does add a touch of edge as it is cranked but the pedal is the same Engine and the edge is subtle and the Tube Screamer SIM sounds close. Any sound can be had and it records from the line out with very good definition. Most of the amp sims are very good with little tweaking and I think it has the most good amp Sims of any other multi fx unit. Has way more variables than the VT Plus amp series and it is one of my favorites for downright realistic amp sounds. Hard to believe it but, it stacks up well against the bigger floorboards in respect to tone alone. More controls on the bigger units sometimes can take you too far off base. It really is well designed and keeps you sounding good.
3. Electro Harmonix Small Clone Analog Chorus Pedal
Product Details:
This item was returned in mint condition. it is free of any performance issues, and has no scratches, blemishes, or other cosmetic flaws.the electro-harmonix small clone analog chorus pedal delivers luxurious analog chorus effects, a distinctive tone, and flexibility that sets it apart from similar guitar effects pedals. a depth switch and single rate knob make this an easy-to-operate stomp box. simple tweaks generate exciting doubling effects, chiming 12-string-style sounds or leslie-like warbles. its solid nickel steel case replicates the highly collectible original. operates on a 9v battery or 9.6 dc-200 power supply (sold separately).
Specifications:
| Material | Nickel |
| Power Source | Battery, AC |
| Voltage | 9V |
| Pedal Type | Analog |
Reviews:
Having gone back and forth between digital / emulated effects and analog / practical effects, I decided to add a Small Clone to my pedalboard. If I had one complaint about the unit, it would be that it has a switch for two different depth settings instead of an adjustment pot. That said, when I plugged in I found that of the two settings available for depth there is one that suits me just fine. The pedal is very quiet, and does not color my tone in any way. True bypass is always an added benefit. Electro Harmonix builds these pedals to last, and I can’t see myself ever moving to another chorus pedal from this one. I’m in love. Rig – Fender USA strat with EMGs into a Peavey 6505 head / cabinet. The pedal adds great modulation to both clean tones and leads. BUY THIS.Nick in NH
The Small Clone gives an awesome chorus effect to your sound! I always wanted that full warm grunge sound and so I figured why not put that icing on that cake and get the gear the legend himself used. The quality build is crisp, the sound I'm getting is satisfying and the price is pocket/wallet friendly!! I must say that I'm far from disappointment! So, sit down or stand up which ever you prefer and know this is your chance of being that one step closer of making that 90's defining sound!!! A little something extra…. I was thinking of cleaning the pedal off before I took the pic but then I thought to myself …….. WWKCD? If you're reading this review I could pretty much guarantee 99.9% of you know what "WWKCD" stands for. 😉 PLACE THAT ORDER! THANK YOURSELF FOR MAKING SAID ORDER! IT'S GUARANTEED, YOU'LL BE SMILING AND PATTING YOURSELF ON THE BACK BECAUSE OF YOUR ACCOMPLISHMENT AND LET'S BE HONEST HERE, YOU EARNED IT!Brian
As a solo acoustic finger style player, I was looking for a very subtle effect to enhance instrumental parts. I've owned other choruses in the past, and was skeptical at its rather large size and single control knob–and only a depth switch. I was pleasantly surprised. I run depth on high, the control knob on low, and get a nice fat–but subtle-melodic sound from my Martin. I haven't experimented with it much, since I'm so pleased with this setting. Good value, well made-though perhaps rather 20th century style–and USA made. Just what I wanted for a slightly different sound to bounce between my vocal parts and instrumental/lead parts. The foot switch is loud, but not enough to affect my performance. All in all, very pleased.2 birds
4. Tc Electronic Mojomojo Overdrive Tube Amplifier Effect Foot Pedal
Product Details:
The tc electronic mojomojo overdrive guitar effects pedal is the overdrive pedal that will breathe life, magic and that certain something into your sound, making your playing stand out. guitarists everywhere are always looking for that little extra push over the cliff, a touch of magic to their sound that gives just that extra bit of bite, body and tone. mojomojo overdrive will give you that flash of perfection every time you engage it, providing a crisp and clear overdrive with a rock-solid bottom end.a sweet blues lead, an extra chunky rhythm tone or a soaring solo, it's all there – and then some. mojomojo overdrive is equipped with separate bass and treble controls and a bass-response voice toggle that prevents your bass frequencies from ever disappearing when you step on the pedal. for maximum mojo, mojomojo overdrive features true bypass, an easy-access battery hatch, a small footprint and the highest-grade components. one of the reasons why this is such a dynamic pedal is the fact that tc electronic use a special circuit that ramps up the voltage to more than 3-4 times the amount of your typical drive pedals.
Specifications:
| Weight | 1.5 lb |
Reviews:
great value; plenty volume on tap; treble and bass very usable; does color tone a bit but in a good thick way; less bass helps clear up the sound a bit. with small toggle switch in down pos perhaps a little more transparent and with toggle up adds a little more girth to the tone. flat response with vol around 1 o'clock, gain at 7 o'clock, bass at around 10 o'clock and treble around 3 o'clock (at least with my circuit…); gain begins to gets very "gainy" adding significant volume at around 10 o'clock and from will continue to increase to an extreme full tone slightly mid scooped distortion. not designed to be a big bumble bee crackly fuzz but like its label states an "overdrive" and will defiantly push your amp into breakup from mild to extreme.baycman
This pedal has gotta be one of the most underrated OD pedals out there…. especially given its price point. I have A,B'd this thing against modded BD-2s, modded OD-3's, and the SD-1W and the Mojomojo is just bigger and less tinty. I dont want it to be, but it is. It is a wonderful sounding OD and is great for OD rhythm sounds. It is in the cranked Marshall class of OD's so not to be confused with the green OD pedal. The only area that some of my modded ODs beat it in is sustain. It does tail off on lead stuff sooner than some more expensive pedals. That is the only area that it doesn't win though. You can also use this as an always on boost as well. All in all this thing always seems to knock more expensive pedals off my board time and time again. Highly recommend this pedal and at it's price point it should be in all OD aficionados collection.KL
I use the MojoMojo on my Fender G-DEC Junior and it helps to make the amp sound warmer, richer and fuller. The MojoMojo when dialed in right adds a very slight and suttle low mid thickness, hard to explain. I find its not a "set it and forget it" type of pedal (i.e. Tube screamer), for each amp setting I have to dial it in or it will sound muddy but with a little tweaking between the amp settings and the pedal settings (usually level settings rather than tone knobs) I can get them matched tonally and sonically, bass tone knob is usually set pretty low. I use low output humbuckers and it works great with these. I can get nice overdrive without changing the amps overall characteristic sound.
5. Tc Electronic Mojomojo Overdrive Pedal
Product Details:
Looking for classic tube-amp-style drive? the tc electronic mojomojo overdrive pedal is your ticket to dynamic tube-style bliss. from bluesy breakup to screaming solos and chunky crunch, the mojomojo covers the spectrum of overdrive boost. just like a real tube amp, the mojomojo responds naturally to your guitar's volume, allowing you to control the character of your drive by simply riding the volume knob. with all knobs set at their detented 12 o'clock positions, the mojomojo provides a perfectly transparent drive with a wholly natural breakup.
Specifications:
| Pedal Type | Overdrive |
| Inputs | 1 x 1/4" |
| Outputs | 1 x 1/4" |
| Power Source | 9V DC power supply (sold separately) |
| Batteries | 1 x 9V |
Reviews:
great value; plenty volume on tap; treble and bass very usable; does color tone a bit but in a good thick way; less bass helps clear up the sound a bit. with small toggle switch in down pos perhaps a little more transparent and with toggle up adds a little more girth to the tone. flat response with vol around 1 o'clock, gain at 7 o'clock, bass at around 10 o'clock and treble around 3 o'clock (at least with my circuit…); gain begins to gets very "gainy" adding significant volume at around 10 o'clock and from will continue to increase to an extreme full tone slightly mid scooped distortion. not designed to be a big bumble bee crackly fuzz but like its label states an "overdrive" and will defiantly push your amp into breakup from mild to extreme.baycman
This pedal has gotta be one of the most underrated OD pedals out there…. especially given its price point. I have A,B'd this thing against modded BD-2s, modded OD-3's, and the SD-1W and the Mojomojo is just bigger and less tinty. I dont want it to be, but it is. It is a wonderful sounding OD and is great for OD rhythm sounds. It is in the cranked Marshall class of OD's so not to be confused with the green OD pedal. The only area that some of my modded ODs beat it in is sustain. It does tail off on lead stuff sooner than some more expensive pedals. That is the only area that it doesn't win though. You can also use this as an always on boost as well. All in all this thing always seems to knock more expensive pedals off my board time and time again. Highly recommend this pedal and at it's price point it should be in all OD aficionados collection.KL
I use the MojoMojo on my Fender G-DEC Junior and it helps to make the amp sound warmer, richer and fuller. The MojoMojo when dialed in right adds a very slight and suttle low mid thickness, hard to explain. I find its not a "set it and forget it" type of pedal (i.e. Tube screamer), for each amp setting I have to dial it in or it will sound muddy but with a little tweaking between the amp settings and the pedal settings (usually level settings rather than tone knobs) I can get them matched tonally and sonically, bass tone knob is usually set pretty low. I use low output humbuckers and it works great with these. I can get nice overdrive without changing the amps overall characteristic sound.
6. Digitech Whammy 5 Expressive Pitch Shifting Guitar Effects Pedal
Product Details:
A legendary effect that's spanned 23 years and graced over 700 million albums.there is no doubt that the digitech whammy pitch-shifting guitar effects pedal is a pedal board must have. pitch shifting effects help a guitar performance stand out, and the whammy pedal has been a core pitch shifting effect for influential artists for over 20 years. whammy artists have won over 60 grammys using the whammy pitch shifting sound to enhance their music.
Specifications:
| Color | Red |
| MIDI input | Yes |
Reviews:
Overall: Finally got another Whammy V after missing my prior one in a "stupid-sell all-great new multi unit dumb idea". Not sure what to say about this pedal as it would seem of the many vids I have seen on it, I cast doubt if anyone really can understand how to use it without having one for a time. I constantly hear this "weeeeoooo" thing and really that might be of use now and then but what nails this pedal for me is the harmonizer mode section. 8va's and 4ths,5ths, utterly amazing. This is not so much a moving the pedal thing as everyone seems to want to do. Most of th etime mine is parked up or dwn for a specific harmony or maybe a sweep of low to high octave, play a version of Dazed and Confused using this and you may just never be the same. The lowered 5th harmonizer mode on this puppy is probably one of the best all time tones I have ever had the pleasure of playing. A harmonizer, with no set key or scale restriction, polyphonic tracking, true bypass, I'd pay more just for that. The DT model is cool but I am not really doing step tuning variants. Anyway, this pedal is sooooo much better than what you will hear being done on typical vids. Mastering this puppy will afford you a range of really cool tone possibilities nothing else can muster. Those who hate this pedal suffer from the terrible videos of it or the old models that glitch and burble from only being monophonic tracking. The buffer has been removed and this is improved poly tracking tech! Full bandwidth 1M ohm and out. Simply no comparison tech wise to the previous models.Whambam
I love how certain players use this pedal. Bucketed is the absolute master of the Digitech Whammy. I like Buckethead and got a whammy to try for myself. The only time I actually use it during performance as a ad-lib bit. The problem is that when its engaged it sucks the life out of your tone. Its like going from an all tube amp to using an iRig to play your guitar through your cell phones speakers. The effects are crazy awesome though. People that don't know gear that hear you play, bug out when they are trying to figure out how in the world you are getting those crazy sounds. The pedal needs recalibrate all the time. For no reason, even when you have the pedal on heel down, when you engage the unit the pitch will shift. The dive bomb effects are crazy for weird rumbling effects. All in all, typical of my experience with Digitech, they aren the best effects tonally. But if you want to go weeeee-ooohhhhh, weed-ohhhhhh a bunch for the fun of it, this is your pedalSpaceman Spiff
Bought this in a heartbeat to replace my Digitech Whammy IV, which is a fantastic pedal but lacks the sound quality and additional features of this latest version: the Whammy V. For the uninitiated: The Digitech Whammy is a versatile pitch-shifting, harmonizer, octave, drop-tune, and chorus pedal used extensively by at least one of your favorite pro guitarists: Johnny Greenwood, Tom Morello, Jack White, Matt Bellamy, Buckethead, and countless others. I use it not just to replicate parts of their songs–Johnny's +2-octave riff in "Just", the solo in "Like a Stone", the "bass" line in "Seven Nation Army"–but in plenty of my own songs, both live and in the studio. The construction is solid and designed for both touring and in-studio use–durable but not too heavy, big but not obnoxious. Next, the upgrades: This new Whammy comes with two huge improvements. The first is true-bypass switching. Previous models are well known for being tone-sucking beasts, and although there is still a noticeable change in your sound when this latest version is on, when it's off it's off. The other massive upgrade is polyphonic tracking while pitch-shifting, which means it can shift entire chords up or down without sounding glitchy or garbled (e.g., "My Iron Lung"). For people who like that glitchy Whammy IV sound and want the option to use it, there's now a Classic/Chords switch which lets you do just that. On the cosmetic side, Digitech renamed a few modes, reorganized the layout, and brought back the Whammy logo on the expression pedal. All of these upgrades are godsends for long-time users. Finally, the drawbacks: First, as always, there is no "intelligent" harmonizer setting, so you're still limited to choosing an interval–4th, 5th, 7th–and not a key–Bb, C#, E–for your harmonies. Also, this latest version keeps the MIDI jack but ditches the dry output, which is a bummer. Overall, the Whammy V is a phenomenal improvement over the IV and a unique pedal in its own right. 5/5Joe B.
7. Vox Stomplab Guitar Multi-Fx Pedal, 1/4" Inputs And Outputs
Product Details:
Get the big guitar tones you want in a small package with the vox stomplab ig multi-effects processor. this rugged, all-metal floor processor has the same sound engine as vox's tonelab processors and vt+ amps. the stomplab ig's easy-to-use interface gives you 100 presets at your fingertips. the sounds are separated into music styles. just select the style of music you want to play and then select a tone from that library. styles include rock, blues, metal, jazz, hard rock, and more. vox set aside 20 user programs for you to tweak or create your own sounds. with over 100 different effects you can really nail down your own signature sound. you can use up to eight effects simultaneously in each preset. get a powerful modeling processor in a compact pedal with the vox stomplab ig.
Specifications:
| Product Type | Guitar effects pedal |
| Width | 5.7” |
| Depth | 4.92” |
| Height | 2.24” |
| Weight | 20.8 oz |
Reviews:
I purchased this one pedal to be all the pedals I don't want to buy as single units. I have an extensive pedal collection but I have grown tired of hauling around a pedal board filled with effect units I only use every now and then. I decided that a good way to remedy that would be to add a pedal that could function as simple delay, reverb, boost, and modulation. I have greatly reduced the amount of pedals on my board thanks to this unit. The weakness of the VOX Stomplab IG is in the distortion/overdrive/amp selection. I didn't find any that I found pleasing to my ears but I didn't expect to. I did find a few low gain overdrives that were acceptable but nothing I loved. I intended to keep my overdrive and distortion pedals my board anyway, so I wasn't worried about it. The compressor is solid, but a bit noisy. The delays and reverbs are quite good and I consider those alone, worth the price tag. my pedal board is now just a few choice pedals and the VOX stomplab IG serving as single and multi effect pedal. Overall I am very happy with it.Mesa Ari
I absolutely love this pedal. The modeling, especially, is quite wonderful. It's basically everything in the Vox VTS series (I think it's called) in one pedal. Only thing I wish is that distortion/overdrive was as easy to select and control (independently of everything else) as much as the delay is. But that could just mean I still have learning to do. This is a great pedal for home recording or shows that you want to avoid bringing a loud amp. You can plug this right into a PA, choose the amp model you want and it sounds just like you have an amp right there. For the money I think this is a great accessory for any working guitarist to own.
I am trying really hard to like this. With regards to the preset effects, some 9fnthe sound pretty good. But some of them, it's like they are non existent or pretty horrible sounding. The other issue is you are supposed to bypass the effects. But of you do, your volume reduces so significantly that I either have to turn up the volume on the amp, or disconnect this thing all together and connect directly to amp. The last issue is that creating your own defects is pretty hard to understand. The instructions are not very helpful and it is pretty hard to understand the abbreviations used on the box to figure out what effect you are working with. Oh btw, you have to hold the power button down for a couple of second for it to turn on. If you don't it will seem it is not working. So, this thing is not horrible, but the verdict is out as to whether it is something that will end up collecting dust in a cornerJohn, G
8. Xotic Rc Booster V2 Effects Pedal
Product Details:
This is a customer returned item in 100% perfect condition. what do the tones of renowned guitarists such as page, evh and johnson have in common? they all used the legendary echo machine ep-3 as a pre-amp. xotic has captured that magic in their pedalboard staple, the ep booster. they've used the highest quality parts available with a discrete fet design and low impedance output. the ep booster provides up to +20db of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. the internal dip switches let you choose the boost frequencies and the eq settings. the rc booster v2, inspired by the scott henderson rcb-sh model, now comes with an added gain channel for even fatter tones with a super transparent 20db+ clean boost. super transparent 20db+ clean boost adjustable +-15db two band active eq run it at 18v for even more headroom!
Specifications:
| Width | 4.39" |
| Depth | 2.38" |
| Height | 1.98" |
| Battery Type | 9VDC |
| Weight | 0.6 lb |
Reviews:
At a point several years back I only owned Active Basses, but in the space of two months proceeded to acquire several High-End Basses with Passive Electronics, I was in need for something in my signal chain to raise the output of the Passives to the level of my Active Basses. I took the advice of a close friend who's a true "Professional Bassist" who also knows a great deal about the technical issues of Pedalboards, Large-Scale Amplification and such and picked up the Xotic Bass RC Booster which was the highest-quality he could recommend (I'd rather spend the money once rather than upgrade from a "Beginner's Pedal" to a "Midrange Model" and so on…) That was once of the best pieces of advice I've been given in terms of gear, as to this day the Bass RC Booster is a main piece of equipment on my Pedalboard. Between the 2-Band EQ, Gain & Volume controls I'm able to raise the level of my own Passive Basses or a Bass that I'm using at a Jam or Open Mic to the levels of my Active Bass, which I have all adjusted to Unity Gain as to cause as little issues as possible. Two surprising use of note: with a minimal increase in Volume the Pedal becomes just as useful as a Volume Boost to both Passive & Active Basses for solos, drum 'n bass breakdowns and other times where it's necessary to step out into the spotlight a bit more. Secondly, when the Gain is pushed towards the higher registers you can even can a quite useable "SVT"-type Overdrive. Even players who play with a clean tone will certainly find this added bonus helpful in both live and studio situations. To sum up the Xotic RC Bass Booster, it's an extremely high build-and sonic quality, low noise & versatile Boost effect. Its additional use as a light Overdrive effects is just as effective in its field. I use this often on my Pedalboard, and would replace it immediately if it were lost or stolen. A bit pricey when initially purchasing, it makes up for that as you're buying a Professional Quality effect, and would not have any need to replace with a "better one" a year or so down the road. This is all one would need to cover this area of effects!
I have an Xotic AC Booster and it is one of my fav pedals. At the start of my chain – after the buffer – I have a Compressor, then an old DOD Preamp 250, followed by my AC. I like the sound, but had this setup for a while and was just looking to shake things up. I thought the RC ver 2 would be a great replacement for the DOD as what could be better than 2 xotics in series? Well, not this! The Comp (Wampler Ego; another pedal I like alot) did not play well with the RC. The sound was muddy and lost all definition. The RC alone was OK, but not great. Found the effect of Gain 1 to be pretty darn subtle and really not much better than my old DOD gain pedal. Had to crank RC Gain 1 to full CW to hear much – a very different pedal from the AC which is super responsive. I also found the adjustment for the RC Gain 2 pot to be very awkward for a quick adjustment onstage as is occasionally necessary between songs. So, I was pretty bummed out as I love the AC and I use an Xotic EP booster for regular lead boosts. Just did not work out for me. Hard to decide if I would recommend the RC. Personally, I am very picky about effects, usually use only 2 at most at one time (e.g. Comp + AC; EQ + Delay, etc.) . So I think i would say that I do not recommend…but you may like it.BCY123
I'm surprised at how much I use this pedal. I bought it to boost the signal of passive basses and it does that and a lot more. The EQ points are right where you need them. And because you can preset those as well as the volume, when you switch to a passive bass in the middle of a live performance there is no time wasted fiddling with knobs trying to match the sound of your active bass. Also it's useful as a clean boost on active basses for those times when your hands are busy and you can't adjust your amp in the middle of a song. Just pre-set the pedal to a little boost and any time you need it, you've got it with a quick stomp of the foot. The third use I find for this pedal is with effects. You can use it to put a little boost before any overdrive/distortion pedal it will increase the gain. I love this because I like the sound of the Morning Glory pedal, but it doesn't get quite dirty enough. Most pedals that get as dirty as I want don't sound the way the Morning Glory does so this is perfect for me. And the other way it's useful is to add bottom end to distortion pedals (which are famous for not supporting the low end very well). Preset a little bass boost and when you stomp the overdrive/distortion pedal also click on the Xotic RC.PDGood
9. Mxr – Csp039 – Duke Of Tone – Overdrive Pedal
Product Details:
Designed in conjunction with indie pedal builder analog man, the mxr duke of tone overdrive is for players who want to add a touch of warmth and grit to their rig while allowing the natural tone and feel of their high-end gear to shine. based on the prince of tone overdrive, the single-channel version of the king of tone overdrive, this pedal is a vintage connoisseur’s dream come true. analog mike personally tested and matched all of the various thru-hole components to the king of tone overdrive, ensuring that sweet sonic seasoning stays in the line of succession: a warm-yet-clear-and-open sound that allows all of the nuances of your signal chain to come through, from your individual guitar strings to the dynamics of your amp’s tubes. the duke of tone overdrive likewise carries forward the same simple-yet-effective control interface. volume, drive, and tone knobs cover all your basic tweaks while the boost/od/distortion switch allows you to set the overall attitude of the pedal’s output. boost mode gives you a clean-yet-vigorous bump, od mode adds a touch of grit and compression, and distortion mode adds a touch more of each. in all modes, your rig still sounds like your rig. don’t be afraid to get creative—the duke of tone overdrive is excellent when stacked with other gain pedals, and running the pedal on 18v will give you an extra helping of headroom and clarity, especially in boost mode. for a sound that’s yours, but only more of it, you can’t do better than the duke of tone overdrive from mxr and analog man. put one on your pedalboard, and elevate your signal chain.
Specifications:
| Finish | Purple |
| Year | 2022 |
| Made In | United States |
| Pedal Format | Mini |
Reviews:
Ich schätze mich glücklich, schon Anfang Oktober ein Pedal erhalten zu haben, nachdem ich sofort eins kurzentschlossen bestellt hatte. Meins kommt aus England. Das Duke of Tone ist schon wirklich eine Klasse für sich. Ein Super Ton, wie man wohl lange gesucht hat, ist auf Anhieb da. Da kommt auch mein Vemuram Jan Ray nicht mehr mit. Ist natürlich alles absolut subjektiv. Ich bin jedenfalls begeistert, was den Ton betrifft. Die Bedienung ist, wie bei allen Mini-Pedalen z.T. etwas grenzwertig und frickelig. Das kann man aber hinnehmen.
YouTubes gibt es ja schon genug, sodass sich jeder informieren kann, wie das Ding klingt. Allerdings ist einzigartig, wie sich es anfühlt. Es gibt wohl kein anderes Pedal, welches so ein überzeugendes Amp-Gefühl erzeugt. Gain-Reserven gibt es nicht so viele, aber das muss auch nicht sein, dazu gibt’s andere Treter. Wer einen „always on Overdrive“ sucht und / oder viel mit dem Volume-Poti der Gitarre arbeitet, unbedingt antesten!
10. Behringer To800 Vintage Tube-Sound Overdrive Effects Pedal, Green
Product Details:
To-800 by behringer is a super simple overdrive that emulates a classic tube amplifier's overdrive sound, this pedal is well laid out with a "drive" control, "tone" control, and "level" controls. as for the condition this pedal is in pretty good shape with no serious dings or dents.
Specifications:
| Voltage | 9 V |
| Power Supply Type | DC |
| Input Impedance | 500 kOhms |
| Output Impedance | 1 kOhms |
| Output Jack Size | 1/4" |
Reviews:
I normally play flamenco guitar and have a very good acoustic amp I use for flamenco. I acquired an electric guitar, and needed a vintage overdrive sound, but I didn't want to buy another guitar amplifier. This unit does exactly what I need, providing a good range of distortion from mild to heavy, transforming my acoustic amp into what sounds more like a vintage tube amp. My wife likes the sound of the acoustic amp and TO800 combo, which surprised me because she usually doesn't care much for the sound of electric guitars. I'm very happy with this unit. I would highly recommend purchasing a power supply with the TO800. I discovered it goes through batteries much faster than I had anticipated.Timothy
I got this pedal to use with a low gain amp at rehearsals. I didn't want to drag out my regular board or take it apart. I was looking for an inexpensive overdrive pedal. I saw this , read the reviews and said what the heck. I actually got the pedal for free as I had enough reward points. I regularly use a Boss Blues Driver which I have had for over ten years. I got the pedal and hooked it up and was pleasantly surprised. It is very comparable to my Blues Driver. It accepts both my Dunlop nine volt adapters and my One Spot power supplies. The case is metal. I may even incorporate it into my regular board for another degree of overdrive. If you are considering trying an OD pedal, you can't go wrong with this. I am a semi professional guitarist with over fifty years of playing experience. I use tube amps and mainly American Fender guitars. I know what I'm talking about. An OD pedal is not the same as a distortion pedal. The purpose of an OD is to push you're amp to a higher gain level than it may be capable of or to give you a little more guts when playing a lead without changing the settings on your amp. I mainly play blues, classic rock and country rock. I don't need the OD when playing through my Marshall.Doctor J
The Good: The sound of this thing is great for grimy, doom metal. It's easy to use, sounds great, and has a decent depth of customization. The Bad: You have to press in the hinges on the pedal itself as the battery is under the pedal. It was scratched up before I even got to play it because of this. There's no reason the manufacturer could not have just put a small door in the bottom of the unit like every other pedal I've ever used. Also, the first time I changed the battery, the negative wire pulled out of the connector. I've decided that since I already bought it and like the way it sounds, I'm going to jury-rig a battery connector outside the main body. It'll look like cr4p, but I'll be able to use it without damaging it further and won't have to spend extra for a 110v adapter. I had read about the difficulty changing the battery, but figured I'd give it a shot because it's got so low-priced. Had I gone to a brink and mortar store and seen it, I would not have purchased this unit. If someone already has an adapter they plan on using with it, by all means do so.Russ G
11. Digitech Whammy Pitch-Shifting Guitar Effects Pedal
Product Details:
Great condition and totally functional with only minor cosmetic wear as pictured. comes with original box, no power supply. a legendary effect that's spanned 23 years and graced over 700 million albums. there is no doubt that the digitech whammy pitch-shifting guitar effects pedal is a pedal board must have. pitch shifting effects help a guitar performance stand out, and the whammy pedal has been a core pitch shifting effect for influential artists for over 20 years. whammy artists have won over 60 grammys using the whammy pitch shifting sound to enhance their music. its songs echo the hallways of the rock & roll hall of fame, and can be found on over 700 million albums around the world. the legendary whammy pedal is the premier pitch shifting pedal for any guitarist's board, and it only gets better with classic single note whammy bends, chordal pitch shifting and true bypass.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| Length | 8" |
| Width | 6.3" |
| Height | 2.5" |
| Color | Red |
Reviews:
Overall: Finally got another Whammy V after missing my prior one in a "stupid-sell all-great new multi unit dumb idea". Not sure what to say about this pedal as it would seem of the many vids I have seen on it, I cast doubt if anyone really can understand how to use it without having one for a time. I constantly hear this "weeeeoooo" thing and really that might be of use now and then but what nails this pedal for me is the harmonizer mode section. 8va's and 4ths,5ths, utterly amazing. This is not so much a moving the pedal thing as everyone seems to want to do. Most of th etime mine is parked up or dwn for a specific harmony or maybe a sweep of low to high octave, play a version of Dazed and Confused using this and you may just never be the same. The lowered 5th harmonizer mode on this puppy is probably one of the best all time tones I have ever had the pleasure of playing. A harmonizer, with no set key or scale restriction, polyphonic tracking, true bypass, I'd pay more just for that. The DT model is cool but I am not really doing step tuning variants. Anyway, this pedal is sooooo much better than what you will hear being done on typical vids. Mastering this puppy will afford you a range of really cool tone possibilities nothing else can muster. Those who hate this pedal suffer from the terrible videos of it or the old models that glitch and burble from only being monophonic tracking. The buffer has been removed and this is improved poly tracking tech! Full bandwidth 1M ohm and out. Simply no comparison tech wise to the previous models.Whambam
I love how certain players use this pedal. Bucketed is the absolute master of the Digitech Whammy. I like Buckethead and got a whammy to try for myself. The only time I actually use it during performance as a ad-lib bit. The problem is that when its engaged it sucks the life out of your tone. Its like going from an all tube amp to using an iRig to play your guitar through your cell phones speakers. The effects are crazy awesome though. People that don't know gear that hear you play, bug out when they are trying to figure out how in the world you are getting those crazy sounds. The pedal needs recalibrate all the time. For no reason, even when you have the pedal on heel down, when you engage the unit the pitch will shift. The dive bomb effects are crazy for weird rumbling effects. All in all, typical of my experience with Digitech, they aren the best effects tonally. But if you want to go weeeee-ooohhhhh, weed-ohhhhhh a bunch for the fun of it, this is your pedalSpaceman Spiff
Bought this in a heartbeat to replace my Digitech Whammy IV, which is a fantastic pedal but lacks the sound quality and additional features of this latest version: the Whammy V. For the uninitiated: The Digitech Whammy is a versatile pitch-shifting, harmonizer, octave, drop-tune, and chorus pedal used extensively by at least one of your favorite pro guitarists: Johnny Greenwood, Tom Morello, Jack White, Matt Bellamy, Buckethead, and countless others. I use it not just to replicate parts of their songs–Johnny's +2-octave riff in "Just", the solo in "Like a Stone", the "bass" line in "Seven Nation Army"–but in plenty of my own songs, both live and in the studio. The construction is solid and designed for both touring and in-studio use–durable but not too heavy, big but not obnoxious. Next, the upgrades: This new Whammy comes with two huge improvements. The first is true-bypass switching. Previous models are well known for being tone-sucking beasts, and although there is still a noticeable change in your sound when this latest version is on, when it's off it's off. The other massive upgrade is polyphonic tracking while pitch-shifting, which means it can shift entire chords up or down without sounding glitchy or garbled (e.g., "My Iron Lung"). For people who like that glitchy Whammy IV sound and want the option to use it, there's now a Classic/Chords switch which lets you do just that. On the cosmetic side, Digitech renamed a few modes, reorganized the layout, and brought back the Whammy logo on the expression pedal. All of these upgrades are godsends for long-time users. Finally, the drawbacks: First, as always, there is no "intelligent" harmonizer setting, so you're still limited to choosing an interval–4th, 5th, 7th–and not a key–Bb, C#, E–for your harmonies. Also, this latest version keeps the MIDI jack but ditches the dry output, which is a bummer. Overall, the Whammy V is a phenomenal improvement over the IV and a unique pedal in its own right. 5/5Joe B.
12. Mxr M69 Prime Distortion Guitar Effects Pedal
Product Details:
Introducing the jim dunlop mxr prime distortion pedal, a 100% analog distortion pedal with hard-hitting amp like distortion in a compact, little box; a perfect addition to any guitarists toolkit. the mxr prime distortion pedal produces a range of raw, powerful distortion tones with incredible response times, much like the kind you may find on a quality tube amp. being 100% analog, the pedal is designed with low noise op amps, allowing you to increase the gain without any unwanted noise added to your signal. the pedal features output, tone, and distortion controls, giving you more freedom to tweak your sound to perfection. like all mxr pedals, the prime distortion wears a heavy-duty outer shell with road-worthy jacks and switches for extreme durability.
Specifications:
Reviews:
I love MXR products. I recorded an album heavily using the Classic Overdrive and have loved it. Decided to snag the Prime Distortion because I loved their other stuff and have not been disappointed. It's got an awesome warm tone and can get really crunchy for some excellent hard rock sound. Definitely glad I got this pedal!Don V
There is no unity gain on this. Even with the volume maxed it reduces the volume. I guess brown is a good color for it because it is muddy sounding too, lacks clarity and doesn't cut through a mix. I couldn't get a good sound out of it at any setting. Very disappointing distortion.Jonas
13. Boss Fv-30l Foot Volume
Product Details:
Boss fv-30l volume pedal for guitar used model without original box. pedal is in very good condition. the fv-30l is a compact foot volume pedals with kickin new designs. they ve been specially created for saving space on your pedalboard while maintaining the trusted boss standard for sound quality, reliability, and durability. these pedals are 100-percent professional grade, aluminum die-cast units, and feature smooth pivot action that supports subtle changes in volume control. thanks to their small size, the fv-30l offer a huge advantage for traveling musicians and gigging players who need to maximize pedalboard space. fv-30l a low-impedance pedal equipped with stereo input/output for stompboxes, keyboards, and other digital instruments.
Specifications:
| Product Width | 3.19 inches |
| Product Length | 7.56 inches |
| Output(s) | 1/4 in. audio |
| Input(s) | 1/4 in. audio |
| Effect Type(s) | Volume |
Reviews:
Still the best. Price increased only by $10 since inflation hit the pedal market, so not too bad. Tried many others. Still my go-to pedal. Heavy, fits my foot nicely. Not to small or large. L/R in/out, plus exp jack. Tension setting helps for fine tuning volume control. Recommend remove base plate and blow out rheostat once a year or so. Use compressed air (Office Depot/Office Max)mud1105
I needed a pedal to help me get my volume right at shows….Using the gtr volume control and or a volume pedal in front of my pedal board just changes the drive into the FX. I get everything nicely balanced in the studio or at home, and then each venue has odd sound characteristics and sometimes I am too loud in my rhythm and too soft in my leads & no time to get everything adjusted just right. So I wanted a simple master volume pedal after all the FX and before the amp…(did not want to hassle with more cables needed for the FX loop). I have tried them all…none worked well for me….Well, here is what I learned: This pedal has a min volume control which allows more accurate setting of the pedal to the volume I need mid-song. This control was key, allowed me to zero in on the volume easily as small changes in the pedal position did not produce huge changes in volume. The pedal does not cut the quality, at least not in noisy bars and restaurants. So it's very good. But the real point is after years of not doing the volume thing well with my right foot I discovered that I was much better at the task using my left foot…and I am right handed!! This has changed everything. Turns out, the issue was my right leg is way sturdier to stand on and control the volume with my left foot. If you have a problem with this type of thing, just try your other foot. The pedal and this simple foot change basically solved the issue. I am not perfect, but way better than before and I get better with each gig!!BC 123
Our keyboard player also plays steel guitar. We built a stand that integrates with the keyboard, so she can switch between keyboard and steel very quickly. We now own two of these volume controls. The first one is mounted to the effects pedal attached to our keyboard. The other is a spare. We use channel 1 for keyboard volume control and channel 2 for steel guitar volume control. It saves us from cluttering our board with two pedals. I wish we could run stereo keyboard, but we forgo that for practicality. We like the overall feel of the FV-500L Stereo Volume Pedal. The only drawback we can find is its size. It's about a foot long. But overall we like it.Uncle Ronnie
14. J. Rockett Archer Ikon Boost/overdrive Pedal
Product Details:
If touch sensitivity, harmonic content and string clarity are your thing (and they should be) this pedal will provide you all of the aforementioned and more. the dumble needs no introduction and this is where inspiration for this pedal has been taken. the level control adds a clean boost and can function independently of the ratio. the ratio control allows you to find the sweet spot between gain versus boost. this is where you will find that classic ods sound. that sweet spot will depend on your guitar and amp so experiment. the deep control will scoop the mid when you turn it to the left and add a thick low midrange when turned to the right. the dude can go from clean boost to classic dumble sounds to high gain. please be careful with the output this dude is loud! as with all the tour series, the pedal is designed and built to be robust enough for anything the touring musician can throw at it.
Specifications:
| Battery | 9 volt |
| Dimensions | 7.25" x 5.125" x 2.55" |
| Weight | 1.6 lbs |
| Size | Standard |
Reviews:
Super pedal …. has alot of character, and very flexible for complementing one's setup. If this circuit is indeed the closest yet to a true Klon, then I now see what all the hoopla has been about …. though I would never have even considered going after one of those ridiculously priced after-market Klon's. But with a price under $200, this is definitely a good deal. I would recommend this pedal for any player who wants a top-drawer clean boost, and the extended flexibility of merging in various levels of tasty overdrive. Also, the Ikon works very well with other pedals in one's chain, both before & after the Ikon. Rgds.abradfordajb
This is the most versatile overdrive I have ever had. Not only does the gain offer a wide – and always clear – range, the tone actually does something! Quite a lot, actually. The video on this v the silver model v an original Klon were very useful. I chose this one as it seemed a tad warmer, better suited to my mainly humbucker sound. But I would say I have found some great tones also with a Tele, Strat & Ricky, so that ‘best ever’ rating.Reviewed by Andertons Music Co.
This pedal is very versatile drive pedal. I could easily see 2 of these on my board. As a clean boost, it works very well and creates a very smooth creamy tone, but when the drive gets set above 10 oclock, you start to see some crunch added in. Around 12 and above, you hit some serious overdrive/distortion. This replaced a Tumnus Deluxe, which is also a great pedal, but it did pretty much what my tubescreamer did, but this pedal stands out! I've used this for Rhythm and Lead guitar with many different guitars and it works well with gain around 11am-1pm, level around 12, and treble around 12. I get lots of compliments on my tone and I'm glad I purchased this.Eric j
15. Electro-Harmonix Turnip Greens Multi-Effect Pedal
Product Details:
Latest in electro harmonixs line of crazy and unique guitar pedals is the turnip greens dual effects pedal. despite its zany title, turnip greens combines 2 of electro harmonixs most accessible effects to make a powerful and fantastic sounding unit. the power of twositting in the turnip greens enclosure you will find a convenient combination of the soul food overdrive and the holy grail max reverb. with the option to switch them on separately or combine them together for a rich and detailed tone, there is a whole spectrum of individual guitar sounds that you can create. you can even swap the order of the two effects for even more control of how your tone behaves. the soul food produces a powerful yet transparent overdrive that wont destroy your existing guitar tone. stick it on low and you have a fantastic clean boost, or turn it right up loud for some vintage distortion. to control your tone you get a simple trio of volume, treble and drive that give responsive adjustments.the soul food is perfectly combined with the holy grail max, a truly versatile reverb pedal that provides all the ambience that you need for your performance. featuring 4 different reverb settings that consist of spring, hall, plate and the slightly unusual reverse reverb, you can feel like your performing anywhere, from a small room to a cathedral. even another dimension isnt out of the question. whatever your style from blues to surf rock, you will be able to find the right setting.inspirational powerwith the turnip greens pedal, you have a powerful tool at your disposal to create something completely new. the range of amazing tones you can get will fire your inspiration into overdrive and endless possibilities will keep you going when writers block approaches. with send/return jacks and the option of true bypass or buffered bypass via an internal switch, you can rest assured the turnip greens will fit nicely with the rest of your rig.
Specifications:
| Adapter Type | AC |
| Width | 4.75" |
| Length | 5.75" |
| Height | 2.5" |
| Number of Toggles | 6 |
Reviews:
Always heard a lot about the Holy Grail and the Soul Food pedals, and wondered what the fuss was all about. Found out.I have a half dozen od pedals ( Ts-808, BD,DOD) and they all have there place on the board, but this one has a different growl than the others. Not as brittle as the BD, yet not as smooth as the TS. Not overpowering, just the "right " amount. Needed a reverb pedal too.The Defender amp I use has Dark Vader spring reverb, but not on a foot switch. There is a switch that let's you choose between spring, hall, and plate reverbs, as well as a reverse reverb. The first three sound very good. Can't really find a use for the reverse though. Maybe it sounds different to me mites in Austrrrralia , since everything is supposed to be backwards down under. If I was stranded on a desert island and could only take one pedal, this would be it. Remember, life is too short NOT to have good tone!Gerald
16. Mooer Ge150 Amp Modelling Multi Effects Pedal
Product Details:
The mooer ge150 is the newest entry in the ge line of multi-effects pedals from mooer. the ge150 comes packed with 55 high-quality amp models and 151 different effects, a straight forward and intuitive ui, topped off with a fully-functioning expression pedal. with otg capabilities, users can record directly into a compatible device from anywhere 55 high quality amp models that utilize mooer s non-linear digital amp modelling technology from the preamp series. up to 9 effect types. 151 different effects in total. 26 user slots to load in your favorite 3rd party ir files to recreate the dynamics and feel of a real tube amp. 200 preset patches. tap tempo function. programmable expression pedal. firmware update via usb port. up to 80 seconds recording time with a built-in looper. headphone output for silent practice. aux in allows you to play audio files from your device. 40 types of drum rhythms and 10 metronome settings. otg function supports smart phone recording.
Specifications:
| Num of Effect Block | 151 |
| Input | 1/4” mono jack |
| Output | 1/4” mono jack*2 |
| AUX IN | 1/8” stereo jack |
| OTG Port | MICRO USB |
| Sampling Rate | 44.1 KHz |
| Sampling Accuracy | 24 bit |
| IR Format | WAV |
| IR Sampling Rate | 44.1K |
| IR Sampling Points | 512 |
| Power Supply | DC 9V,300 mA,negative inside |
| Dimension | 230 mm X 155.99 mm X 32.8 mm |
Reviews:
This pedal works perfectly with my current gear. Using a tube amp with a lot of gain, I needed a noise gate wich reduced considerably the noise generated by my guitar. The result is amazing: – Really easy to use (only one parameter to manage) – The pedal reduce the noise without modifying the original sound of my guitar Above all of this, the shipping was, as always, really quick and in a well protected package. Thanks Musicstore!
17. Mooer Lofi Machine Sample Reducing Effects Pedal
Product Details:
Crunchy, digitized glitch effects, modes for guitar, bass, and keyboard, bit crunching / sample rate control, mix control for dry/wet blend, true bypass switching, on/off led indicator. the lofi machine from mooer is a micro series pedal for creating lo-fi crunchy digitized glitch effects with modes specially designed for guitar bass and synth/keyboard.the top-mounted toggle switches between synth guitar and bass modes. controls are provided for bit depth (bit) sample rate (sample) and dry/wet blend (mix). the bit control allows the bit depth to be set as high as 16-bit or as low as 5-bit. the sample knob controls the sample rate from 60 to 31 250 hz. the mix control adjusts the blend of dry and wet signal. as with all mooer micro series pedals the lofi machine is compact features true bypass switching and has an on/off led indicator. it is powered by a 9 vdc power supply (available separately).
Specifications:
Reviews:
Because of the sampling rate is static, you'll simply hit notes you can't create. This is a no-go for me.j0hnwats0n
This is very nice. you can use it alone, but also can combined with other effects and this is sick! The reason that I give 4 stars is that at its exorbitances you cant play many things like full chords. It becomes extremely noisy but that's the point at least maybe I think .maximilian pegasus
18. Line 6 Dl4 Mkii Delay Pedal
Product Details:
The new updated industry standard delay pedal has just gotten better!! 22 years ago line 6 unleashed the game changer, green delay pedal that quickly became the industry standard and was a mainstay on almost every pedal board. midi in/out, mic input and an extra exp pedal jack for more real time control over your effects. the dl4 mkii comes jam-packed with 15 new mkii delay models, 15 original delays (now rebranded as legacy delays, with “rhythmic delay” replaced by echo platter – a binson echorec model) and 15 “secret” reverb models, as well as an expanded internal memory that allows the looper to record 120 seconds in mono or 60 seconds in stereo at full speed (half-speed doubles the recording time). the new mkii delays are from line 6’s hx family, with models like ducked (tc electronic 2290 ducking delay), transistor (maestro ep-3 echoplex model with enhanced tape saturation), cosmos (roland re-201 space echo) and adriatic (modded boss dm-2 model with increased delay time). the secret reverbs are engaged by holding down the alt/legacy button and turning the rotary model selector knob to choose one to inject into any delay model and using the remaining knobs to adjust mix, decay time, parameters and even reverb-delay routing. these original reverbs are all culled from line 6’s popular hx effects and cover all the classic room, spring, hall and plate ‘verbs along with some spacious studio-quality ones. the 4-switch looper is still activated in the six o’clock position from the model selector knob regardless of which bank is selected. in this case it's easy being green!!
Reviews:
19. Zoom Ms50g Multistomp Guitar Pedal
Product Details:
Choose from 55 classic effects and famous amps with the size and weight of a typical single stompbox, the ms-50g includes a thorough lineup of high-quality effects types. it features 47 stompbox effects and 8 amp models. along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio gear. intuitive, easy-to-use we have further refined the simple user interface that was revolutionary in our g3 and g5. the lcd shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. with this intuitive, easy-to-use interface, creating amazing sounds is a breeze. use up to six effects all at once the ms-50g allows you to utilize up to six effects simultaneously, as well as arrange them in any combination. this gives you the ability to craft classic sounds, as well as lush, complex tones. leave the rules you learned behind and enjoy creative freedom with the ms-50g.
Specifications:
| Number of Stompbox Effects | 47 |
| Indicator Type | LCD |
| Number of Amp Models | 8 |
| Output Jack Size | 0.25" |
| Number of Output Jacks | 2 |
Reviews:
I could spend all day yapping about this pedal…In my travels i've tried countless pedals, but got tired of having 'too many' pedals. The weight, the time it took to hook it all up. I also busk, or play where electricity isn't available, and wanted a setup where i could make one trip with everything, and keep the weight down. I've always been a fan of ZOOM products, so trying out the Multistomp series was a no-brainer for me. The 50G met all my requirements, and exceed them all after i got one and started using it. Tones that are as good as any higher priced pedal, the versatility is second to none, and the price is killer for what this pedal can do. I would say the the Bluetooth version was my favorite, then the 70CDR, then the 50G, with the 50G's new 3.0 update, the 50 G is now my favorite pedal…period. The 50G started with maybe 50 patches, now it has 172, and best of all it has the Exciter patch, which to me is required on any pedal board. All i can suggest is watch the countless demo videos of this pedal. I would recommend this pedal for any level of guitarist, i would also recommend the MS-70CDR, watch the demo videos of the 70-CDR vs Strymons…amazing I cant say enough good things about the 50G, i believe it's near the perfect all around pedal. The Multistomp series are easily, in my opinion, the best bang for the buck pedals madeLocorogue
The MS-50G pedal is first class. It is every bit as clean, quiet, and well built as the Boss pedals. It is not a replacement for the Boss line. Zoom pedals have a character of their own. Personally, I like the Zoom tone. But I'm not a guitar player. There is a great ~15 minute YouTube instructional video for the MS-50G. I got over the learning curve for writing and storing effects by watching this video, then I bought pedal. It replaces several pieces of my high quality studio gear when I need fast results that are of high level audio quality. Zoom delivers with this product. After I watched this video I purchased the pedal. I also like my G1X as a companion to this pedal. The G1X has a nice volume/expression pedal.Sean
I needed something for my living room and practicing while watching TV late at night without a full pedal board or multi-effects box. This along with a Boss RC-3 and a mini mixer for my wireless headphones provides everything I have in my studio at a mini level. The sounds are good enough. There are enough options in sound to play most anything. Eventually I'll try this little beast as a sub for my full pedal board and see how it works in a live jam. One pedal to do everything. It's not perfect but it is great. I wish Zoom would provide updates to it and a better manager. It's pretty old by today's standards and if Zoom provided updated files they would sell even more if these great little boxes. B&H had the best deal available and as always they provide excellent service. Thank you B&H. I'll Be Back, lolThomas G
20. Mooer Ge300 -Effects Pedal Multi
Product Details:
This is a very intuitive and great sounding unit with excellent reviews. feature-rich with plenty of effects as well as a 30 minute(!) looper and synthesizer. cosmetically it's in quite nice shape with home studio use only. after the latest firmware was installed, for some reason the backlight on the display will sometimes flicker. it's always legible and everything works like it should. maybe just a simple software bug, though as stated perfectly usable/readable at all times. original power included with a repair on the cord as shown. overall an excellent user piece.
Specifications:
Reviews:
Das Pedal nutze ich aktuell mit Anschluß an die Return Buchse eines Röhren Amps. Für die Inbetriebnahme habe ich zunächst die Studio Software auf dem Notebook installiert und danach zunächst die Firmware des Boards aktualisiert (völlig problemlos). Nach dem Einschalten überraschen zunächst die blinkenden LEDs, die Verwirrung hat sich bei mir aber sofort gelegt da man auf Anhieb auch ohne Bedienungsanleitung direkt einen Überblick über die wichtigsten Funktionen erhalten kann. Positiv für mich ist das sehr gut ablesbare TFT Display, lediglich die Beschriftungen auf dem darunter liegenden Effektblock sind für mich als Brillenträger etwas zu klein. Auch die sonstige Optik lässt im Hinblick auf dezente Farbgestaltung keine Beanstandung zu. Die Umschaltung der Presets über die Bänke mit je 4 Sounds pro Bank war bereits beim 2. Blick als gute Idee eingestuft. Die Navigation wird durch sinnvolle Eigengestaltung der Bänke enorm erleichtert. Klanglich stufe ich die normalen Effekte als sehr gehobenes Mittelfeld ein. Die Klangvielfalt "erschlägt" im ersten Moment (sooo viele Effekte brauche ich eigentlich gar nicht). Innerhalb weniger Minuten konnte ich bereits eigene Presets mit Amp Modelling und Effekten herstellen (intuitiv ohne Anleitung). Aufgrund fehlender Expertise kann ich den Sound schwer mit anderen Boards vergleichen. Jedenfalls klingen die Sounds sehr gut. Testweise habe ich ein eigenes Preset basierend auf einem Cleanen Mesa Mark IV erstellt und mit dem Klang des physischen Mesa Studio Caliber DC2 verglichen. Der Board Sound ist in der Default Einstellung vielleicht etwas transparenter im Klang es fehlt im direkten Vergleich jedoch etwas an tiefen Mitten und Bässen. Mit etwas Tweeking konnte dies sehr schnell mitigiert werden. Der physische Verstärker hat zusammengefasst deutlich mehr Druck und ein wenig bessere Ansprache. Betonen möchte ich dass durch den Synthie und das ToneCap Feature das Board einen enormen Zusatzwert generiert. Die Synthie Presets finde ich bereits sehr gut und der erste ToneCap einer Jazz Gitarre war ebenfalls erfolgreich (sehr einfach durchzuführen und das Resultat hat mich sehr positiv überrascht – einen Jazz-Sound mit einer Strat hinzubekommen war bisher nicht in meinem Ideenfeld). Zusammengefasst bin ich bisher sehr zufrieden.
I love it. Great product.poject
After loads of research, I finally found the floor effects board for me. Great sounds and effects.Steve S.
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