Are you looking for the Best Guitar Pedals For Bass? If so, you’ve come to the right place.
Choosing the Best Guitar Pedals For Bass can be difficult as there are so many considerations, such as Zoom, MXR, ammoon, BOSS, DOD, Electro-Harmonix, TC Electronic. We have done a lot of research to find the top 20 Best Guitar Pedals For Bass available.
The average cost is $136.03. Sold comparable range in price from a low of $23.00 to a high of $299.99.
Based on the research we did, we think Fender Downtown Express Bass Multi Effect Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Guitar Pedals For Bass (20 Sellers)
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$249.99
4.5
Reviewers Noted:
Compact . Ease of use . Weight
Features:
- Multiple effects in one box
- 3-band eq
- Overdrive
$79.99
4.6
Reviewers Noted:
Easy to use . Compact
Features:
- Take your music creativity to the next level with this multi-effects pedal
- Featuring 120 presets to let you choose from wide range of options
- The compact build allows you to carry it conveniently for outdoor events
$147.80
4.4
Reviewers Noted:
Easy to use . Size . Sound quality
Features:
- Built with input and output jack to connect this bass preamp with compatible devices
- Designed with multiple knobs to offer better control over the functions
- Adjustable threshold helps minimize the unwanted sound
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Build quality
Features:
- As new/ never used.
- I asked for this pedal for my birthday, and got two of them.
- This pedal was never used (still has the clear plastic protector sticker over the power jack).
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Storable version of the classic bass driver di
- Optimised for live applications
- Three storable sounds
$45.00
4.5
Reviewers Noted:
Compact . Ease of use . Sound quality . Portability
Features:
- Deliver a powerful performance with the help of its dedicated dials
- V-tone technology helps prevent distortion of signals
- High-quality components provide long-lasting quality to the device
Reviewers Noted:
Easy to use . Sound quality . Size
Features:
- Create high-quality sound effects with this bass guitar pedal
- The active treble control lets you customize the reverb effects conveniently
- Designed with a bypass footswitch to help eliminate signal interference
$130.00
4.9
Reviewers Noted:
Good sound quality . Ease of use . Durability . Visual appeal . Craftsmanship
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$29.00$23.00
4.3
Reviewers Noted:
Ease of use . Sound quality . Size
Features:
- Led indicator helps keep you track on the selected function
- 9 v battery offers an optimal power supply to this pedal
- This pedal allows you to add bass and sound effect to your music
$178.54
4.3
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability . Build quality
Features:
- Unique and awesome effect
- True 12 string emulation, not just an octave boost for all strings
- Played gently in church a few times, has velcro on back
Reviewers Noted:
Sound quality . Size . Weight
Features:
- Xlr balanced output and bass enhancement deliver optimal sound quality
- Built-in chromatic tuner lets you tweak frequencies precisely
- 5 band semi-parametric eq offers efficient control for fine tuning audio
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Craftsmanship
Features:
- The 10v of input power delivers clear and crisp output
- True bypass switching minimizes the distortion to enhance the audio quality
- This pedal allows you to add multiple bass effects during your jamming sessions
Reviewers Noted:
Size . Ease of use
Features:
- Engineered with multiple knobs to manage the sound output conveniently
- The 9v design provides consistent power to the strip
- Xlr connector allows you to attach the effect strip with compatible devices
$160.00
4.7
Reviewers Noted:
Compact . Weight . Ease of use . Sound quality
Features:
- Create rich boost and overdrive sounds with this preamp pedal
- Designed with two controls to help customize the guitar tune conveniently
- The led indicator allows you to monitor the operating status
$35.00
4.3
Reviewers Noted:
Ease of use . Sound quality . Size
Features:
- Add various effects to your bass guitar's sound with this overdrive pedal
- Comes with a pedal to let you switch between effects for heavy distortion patches
- Multiple knobs allow you to adjust the tone of your guitar conveniently
$149.99
4.3
Reviewers Noted:
Size
Features:
- Adds warmth and grit while allowing the sound and feel of your high-end gear to shine
- Thru-hole components personally tested by analog mike
- Boost/od/distortion switch allows you to set the overall attitude of the pedal's output
Reviewers Noted:
Size . Ease of use . Heavy . Sound quality
Features:
- High-impedance offers you a distortion-free audio
- Tuner out jack facilitates quick and easy tuning of the pedal
- Designed with a minimum volume knob to set volume control level
Features:
- Catalinbread sft.
- Same insides but with new artwork!
- The catalinbread sft is an ampeg inspired foundation overdrive that bridges the "get yer ya-ya's out (stones) and the desert sound (stoner) eras.
Features:
- Combines an extremely expressive high-headroom drive engine with a powerful and flexible tone control.
- This circuit gives you a supercharged one-band parametric eq in lieu of a tone control for some serious studio-esque tone sculpting power.
- The core of the tribute is an exacting buffer followed by a drive circuit that is governed by a dual-gang.
Features:
- Classic octave divider pedal for guitars, bass, keyboards, and other instruments
- Authentic recreation of the popular octave divider* from the '70s
- Earth-shaking sub-octave effect for powerful sound creation
1. Fender Downtown Express Bass Multi Effect Pedal
Product Details:
Shape the sound however you want. the downtown express bass station ensures you have the most fundamental tone-shaping tools at your feet. each effect is switchable on its own; if you use multiple effects the signal chain can be ordered how you want. there is also a handy mute switch to kill the signal for tuning. complete with analogue compression, 3-band eq, and overdrive – the express bass station provides a powerful and fundamental tone-shaping device for the stage or studio.refined by expertsdesigned by fender's in-house experts; refined with feedback from musicians. an all-original fender circuit, the downtown express bass station is 100% performance ready. with a lightweight, durable anodized aluminium chassis, the bass station can handle stage wear-and-tear. aesthetically, the amp jewel led provides the classic fender look. led backlit knobs let you see your control settings clearly at a glance for on-the-fly adjustments.
Specifications:
Reviews:
Great pedal, exceptional value for money! Sounds great, can get some real bass tones through it without sacrificing too much and with little to no feedback when cranked up. Only issue is that I’d say better quality switches could be used, feel a little cheap and heavy when switching but other than that, ace! Looks great on the board and the lighting of the knobs makes the whole board light up just the right amount Would recommend !Brett E.
Used this through a JP bass cub bg120 amp and found the overdrive was noisy. Didn’t find the tone to my liking. The compressor just knocks back the volume way too much. Lots of effects, but doesn’t perform very well. Sent back for a refund as I knew I wasn’t going to get on with it.
2. Vox Stomplab 2b Bass Multi-Effects Pedal
Product Details:
The stomplab series of effect pedals pack powerful sounds into compact and sophisticated looking metal bodies. they feature a total of 100 preset programs categorised into styles such as rock, blues, metal and pop. with an easy to use interface, stomplab bii is designed for bassists and provides 61 types of modelling effects plus 20 user programs you can edit and save, using up to eight effect models simultaneously. also features an expression pedal and a built-in chromatic tuner with bypass and mute functions. can be battery or mains powered.
Specifications:
| Dimensions | 17.78 cm x 7.62 cm x 22.86 |
| Display Type | Digital |
| Input Interface | Mono |
| Output Interface | Stereo |
| Color | Red |
Reviews:
I just got it, I'm learning the bass, chose this for my first pedal so far the good stuff they say is on point. That being said I was disappointed with the battery set up. It takes a screwdriver, there is 4 screws the batteries are mounted under the bottom plate with small short thin wires going to the main unit
so it takes a few minutes to recommend getting a power cableCharles Turner
so it takes a few minutes to recommend getting a power cableCharles Turner
This actually had me in tears when I first used it. Funk 1, #69, gain all the way up, you are welcome. Hilarious. It has a great selection of preset tones and really adds a fun variety to your playing. Highly recommend especially at the price. It can’t be beat at the price point for what it offers.Jason
3. Electro Harmonix Battalion Bass Preamp+di Bass Effects Pedal
Product Details:
With the electro-harmonix battalion on your pedalboard, anemic bass tones will be a thing of the past. sculpt your sound with a 4-band eq tailored specifically to bass guitar. forge growling overdriven bass lines with a mosfet distortion circuit. place the eq before or after distortion for an array of interesting tones, or eq your dry tone and blend to taste. add thump and sustain to your playing with a built-in compressor, while a noise gate keeps your signal clean. enjoy easy integration with your rig, by virtue of a range of flexible i/o. whether you use it as a di or as a front end for your amp, the battalion will satisfy your tone cravings.
Specifications:
| Equalizer | Four-band EQ |
| Input | 1 x 1/4" |
| Output | 1 x 1/4", 1 x Balanced XLR |
| Adaptor Type | AC |
| Circuit-Type | All-analog |
Reviews:
The Battalion is great. Spent a long time trying to find the best distorted signal for my playing and finally found the right thing for me. Has plenty of options and a variety of other really useful features. The noise gate, although simple and the envelope being a bit too long is still really useful for it's intention. The Compressor is again basic but works as intended and gives the sound way more punch. The EQ is true and allows for a greater deal of control over the signal. It's just brilliant overall, feels sturdy and can imagine using it for a very long time!Samuel P.
Overall: Excellent sound and flexibility, really love the ability to blend the overdiven and natural bass sounds. good, simple, compressor. XLR output crashed within 6 months. Emailed tech support. literally ZERO response. Very disappointed. We use several of their products but the utter lack of response means we'll be smarter next time.Still gets a 3 for value because it's still usable with the 1/4" but really would like *someone* to reply when I email for help. Cannot recommend, which is a shame because it's a great pedal.James
Overall: I loved this pedal when I first got it. The tone was great, the distortion was decent, and the compression was nice. This being a DI was one of the main selling points for me as I run direct into a set of Bose systems for gigs. I rarely used the distortion, but always tone and compression.After about 5-6 months the distortion stopped working, it would just pop and cut in and out. Around 6 months after that the DI slot stopped working all together, which rendered the pedal useless to me outside of practice. Figured it would last longer for the price.
4. Tc Electronic Mojomojo Overdrive Tube Amplifier Effect Foot Pedal
Product Details:
The tc electronic mojomojo overdrive guitar effects pedal is the overdrive pedal that will breathe life, magic and that certain something into your sound, making your playing stand out. guitarists everywhere are always looking for that little extra push over the cliff, a touch of magic to their sound that gives just that extra bit of bite, body and tone. mojomojo overdrive will give you that flash of perfection every time you engage it, providing a crisp and clear overdrive with a rock-solid bottom end.a sweet blues lead, an extra chunky rhythm tone or a soaring solo, it's all there – and then some. mojomojo overdrive is equipped with separate bass and treble controls and a bass-response voice toggle that prevents your bass frequencies from ever disappearing when you step on the pedal. for maximum mojo, mojomojo overdrive features true bypass, an easy-access battery hatch, a small footprint and the highest-grade components. one of the reasons why this is such a dynamic pedal is the fact that tc electronic use a special circuit that ramps up the voltage to more than 3-4 times the amount of your typical drive pedals.
Specifications:
| Weight | 1.5 lb |
Reviews:
great value; plenty volume on tap; treble and bass very usable; does color tone a bit but in a good thick way; less bass helps clear up the sound a bit. with small toggle switch in down pos perhaps a little more transparent and with toggle up adds a little more girth to the tone. flat response with vol around 1 o'clock, gain at 7 o'clock, bass at around 10 o'clock and treble around 3 o'clock (at least with my circuit…); gain begins to gets very "gainy" adding significant volume at around 10 o'clock and from will continue to increase to an extreme full tone slightly mid scooped distortion. not designed to be a big bumble bee crackly fuzz but like its label states an "overdrive" and will defiantly push your amp into breakup from mild to extreme.baycman
This pedal has gotta be one of the most underrated OD pedals out there…. especially given its price point. I have A,B'd this thing against modded BD-2s, modded OD-3's, and the SD-1W and the Mojomojo is just bigger and less tinty. I dont want it to be, but it is. It is a wonderful sounding OD and is great for OD rhythm sounds. It is in the cranked Marshall class of OD's so not to be confused with the green OD pedal. The only area that some of my modded ODs beat it in is sustain. It does tail off on lead stuff sooner than some more expensive pedals. That is the only area that it doesn't win though. You can also use this as an always on boost as well. All in all this thing always seems to knock more expensive pedals off my board time and time again. Highly recommend this pedal and at it's price point it should be in all OD aficionados collection.KL
I use the MojoMojo on my Fender G-DEC Junior and it helps to make the amp sound warmer, richer and fuller. The MojoMojo when dialed in right adds a very slight and suttle low mid thickness, hard to explain. I find its not a "set it and forget it" type of pedal (i.e. Tube screamer), for each amp setting I have to dial it in or it will sound muddy but with a little tweaking between the amp settings and the pedal settings (usually level settings rather than tone knobs) I can get them matched tonally and sonically, bass tone knob is usually set pretty low. I use low output humbuckers and it works great with these. I can get nice overdrive without changing the amps overall characteristic sound.
5. Tech 21 Sansamp 3-Channel Programmable Bass Driver Di – Bass Effects Pedals – Effects – Pbdr
Product Details:
Really solid preamp with three programmable channels. in good working order and fair aesthetic condition — i'd put it at 6/10 there. there are scratches on all sides of the casing, hook velcro on the back, and i removed the rear battery compartment door so that the pedal sits flat on a pedalboard. the #1 footswitch sticks occasionally, but it was nothing problematic for me during the two years i had it on the road. comes with the original box, though the box has definitely seen better days.
Specifications:
Reviews:
I was recommended this bass preamp almost 20 years ago. I've been through a TON of boutique equipment since then, trying to find 'my sound' and figured..what the heck, let me give this pedal a try. It makes EVERYTHING sound better! If you play on other peoples rigs from time to time, bring this!!! You'll be so much happier you did! You can find 'your sound' on almost any rig with this little guy. I'm a gear snob, I like 'my sound', which is clear, clean, and with a little bit of tube breakup while grinding in on my jazz. My sound is a cross between Flea and Marcus Miller. My boutique equipment gives me this on its own. When I'm forced to play a Behringer single 15" cab with no tweeter and no usable EQ because its the backline, the Sans Amp will be definitely utilized that night! Do yourself a favor and grab one of these pedals! Even if you keep it in you bag as a backup DI. It's like having a preamp and/or a DI at your disposal in case you needed to go straight to the house.DT
Bought this to see about going straight to p.a. And monitor. Initial impressions very good. Even with tone controls flat it seems to improve the sound compared to going straight into the desk. More depth and detail? Not sure if they’re the right words but they’ll have to do! It now sits at the end of the line on my tiny pedal board. Other pedals are boss tuner, boss bass chorus and ebs billy Sheehan pedal. Simples!Reviewed by Andertons Music Co.
Here's why I love this thing. First, I prefer passive basses. Second, when gigging I need fast access to three basic tone signatures — a mid-boosted one for a balanced mix with the band, a bottom-heavy grindy one for heavy lifting, and a scooped one for funk and solos. Program those in, and good to go, with the option to tweak them a bit for conditions without permanently altering the setting. Third, after years of lugging heavy, bulky head units I now feed the Sansamp into a 1000W ultralite power amp and have all the headroom I need, without the pain. Fourth, whenever I meet a new sound man at gigs the first thing I hear is "Sweet, a Sansamp DI." Fifth, hand-built like a tank in NYC. I'm sure I can list more, but you get the idea. I've been using it for three years now and won't ever go back to onboard preamps, either on the bass or on the head unit.Casey Ess
6. Behringer Bdi21 V-Tone Bass Driver Di
Product Details:
Behringer bdi21 the behringer bdi21 is a versatile stompbox. designed to enhance your bass guitar performances in both live and studio sessions. featuring an effective eq, tube/microphone emulation, and a ground lift switch, combating any unwanted hum. offering greater control over a range of sounds. whether its vintage funk to modern overdrive and all points in between. you can then shape your sound to perfection with the onboard drive, treble, level and presence controls. overall, the bdi21 stompbox is an impressive bass di with vintage tube amp emulations. giving you even more control over the sound of your bass guitar.
Specifications:
| Product Type | Bass driver |
| Technology | V-TONE |
| Recording Output | DI |
| Connector Type | XLR |
| Pedals | Drive, Treble, Bass, Level, and Presence |
Reviews:
Wasn't expecting more than a good D. I. Box. After using it at my band rehearsal it's now become essential. It has made my ashdown drive pedal obsolete, cleaned up the bottom end in my tone and the whole band. I use a Spector Legend 6 Bass. I'm In a band with two bassists, drums and vocals. We both Bi-amp. A bass amp and a guitar amp. Getting these to all work together can be a real headache… But this has improved things so much, that the other bassist has one now. Tone very comparable to an ampeg type- Growly, very tight and controllable bottom end, doesn't "fart out" on Max. Top end can be moved between airy and crunchy. Build quality It is plastic, but I have no worries. I'm sure if I stomped on the 1/4" Jack, it would damage, but I keep mine on the pedal board anyway. Value Beyond comparison. I can't think of a better spent 20. The sansamp it's cloning is at least 8 times more expensive. And although it's better in some areas, (metal casing etc), sound-wise there's little to choose between them. At this price, in the unlikely event it broke, I'd just buy another. I have recorded using this, and it has very little noise, But massive tone. If it sounds good in an amplifier, it really comes into its own recorded. Save yourself a couple of grandon an svt, and just use this. Yes, really. I would highly recommend this pedal/D.I.snailsetsnail
Obviously with Behringer you are likely trying to save some cash instead of getting something "name brand." When I would record DI bass guitar, I used to run it through a distortion or fuzz pedal to get a more natural sounding gain. The V-Tone pedal is very good in that regard. Turn the presence, drive, and blend knobs all the way up and adjust the EQ to your liking and you get a mean crunch while keeping the clack of loose strings. That is about the limit of this pedal's potential, at least for me. Any adjustment to those knobs to turn down the distortion results in a sound nearly identical with just a clean DI with no pedal or preamp at all. It's as if turning them up from 1 to 8 has no effect until you get them to 9 and 10. Another flaw I've found is the high gain settings bring along a high pitched whistle that occurs randomly during playing, though it seems to happen with a lot of string rattle from long, held notes. It doesn't stand out when it's mixed with drums and a wall of guitars, though. I've only used it as a DI for recording, never as a preamp or DI for a PA or anything like that, it's possible it could be really good for those. I am happy with it to record bass for my doom, black metal, and mathcore kind of music, but wouldn't go to it for anything else.Jacob
I recently purchased the guitar version (GDI21) and was quick to get this bass version soon after. I own a rack mount Tech21 Sansamp RBI unit which has been excellent for me thru the years live. Also, their V1 VT Bass pedal has been a mainstay for me in a live setting. This is a very good clone of the BDDI with potential issues if used in a live setting. These are: Cheezy and fragile On/Off foot switch, and Illegible knobs. I have no idea where the knobs are set at any given time. Aside from that, I like this as a desk top companion to my other tone shapers such as the MXR M80 and M81 Bass Preamps. For little money, you can't lose in purchasing this for a home studio bass pre.Reed in CA
7. Xotic Rc Booster V2 Effects Pedal
Product Details:
This is a customer returned item in 100% perfect condition. what do the tones of renowned guitarists such as page, evh and johnson have in common? they all used the legendary echo machine ep-3 as a pre-amp. xotic has captured that magic in their pedalboard staple, the ep booster. they've used the highest quality parts available with a discrete fet design and low impedance output. the ep booster provides up to +20db of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. the internal dip switches let you choose the boost frequencies and the eq settings. the rc booster v2, inspired by the scott henderson rcb-sh model, now comes with an added gain channel for even fatter tones with a super transparent 20db+ clean boost. super transparent 20db+ clean boost adjustable +-15db two band active eq run it at 18v for even more headroom!
Specifications:
| Width | 4.39" |
| Depth | 2.38" |
| Height | 1.98" |
| Battery Type | 9VDC |
| Weight | 0.6 lb |
Reviews:
At a point several years back I only owned Active Basses, but in the space of two months proceeded to acquire several High-End Basses with Passive Electronics, I was in need for something in my signal chain to raise the output of the Passives to the level of my Active Basses. I took the advice of a close friend who's a true "Professional Bassist" who also knows a great deal about the technical issues of Pedalboards, Large-Scale Amplification and such and picked up the Xotic Bass RC Booster which was the highest-quality he could recommend (I'd rather spend the money once rather than upgrade from a "Beginner's Pedal" to a "Midrange Model" and so on…) That was once of the best pieces of advice I've been given in terms of gear, as to this day the Bass RC Booster is a main piece of equipment on my Pedalboard. Between the 2-Band EQ, Gain & Volume controls I'm able to raise the level of my own Passive Basses or a Bass that I'm using at a Jam or Open Mic to the levels of my Active Bass, which I have all adjusted to Unity Gain as to cause as little issues as possible. Two surprising use of note: with a minimal increase in Volume the Pedal becomes just as useful as a Volume Boost to both Passive & Active Basses for solos, drum 'n bass breakdowns and other times where it's necessary to step out into the spotlight a bit more. Secondly, when the Gain is pushed towards the higher registers you can even can a quite useable "SVT"-type Overdrive. Even players who play with a clean tone will certainly find this added bonus helpful in both live and studio situations. To sum up the Xotic RC Bass Booster, it's an extremely high build-and sonic quality, low noise & versatile Boost effect. Its additional use as a light Overdrive effects is just as effective in its field. I use this often on my Pedalboard, and would replace it immediately if it were lost or stolen. A bit pricey when initially purchasing, it makes up for that as you're buying a Professional Quality effect, and would not have any need to replace with a "better one" a year or so down the road. This is all one would need to cover this area of effects!
I have an Xotic AC Booster and it is one of my fav pedals. At the start of my chain – after the buffer – I have a Compressor, then an old DOD Preamp 250, followed by my AC. I like the sound, but had this setup for a while and was just looking to shake things up. I thought the RC ver 2 would be a great replacement for the DOD as what could be better than 2 xotics in series? Well, not this! The Comp (Wampler Ego; another pedal I like alot) did not play well with the RC. The sound was muddy and lost all definition. The RC alone was OK, but not great. Found the effect of Gain 1 to be pretty darn subtle and really not much better than my old DOD gain pedal. Had to crank RC Gain 1 to full CW to hear much – a very different pedal from the AC which is super responsive. I also found the adjustment for the RC Gain 2 pot to be very awkward for a quick adjustment onstage as is occasionally necessary between songs. So, I was pretty bummed out as I love the AC and I use an Xotic EP booster for regular lead boosts. Just did not work out for me. Hard to decide if I would recommend the RC. Personally, I am very picky about effects, usually use only 2 at most at one time (e.g. Comp + AC; EQ + Delay, etc.) . So I think i would say that I do not recommend…but you may like it.BCY123
I'm surprised at how much I use this pedal. I bought it to boost the signal of passive basses and it does that and a lot more. The EQ points are right where you need them. And because you can preset those as well as the volume, when you switch to a passive bass in the middle of a live performance there is no time wasted fiddling with knobs trying to match the sound of your active bass. Also it's useful as a clean boost on active basses for those times when your hands are busy and you can't adjust your amp in the middle of a song. Just pre-set the pedal to a little boost and any time you need it, you've got it with a quick stomp of the foot. The third use I find for this pedal is with effects. You can use it to put a little boost before any overdrive/distortion pedal it will increase the gain. I love this because I like the sound of the Morning Glory pedal, but it doesn't get quite dirty enough. Most pedals that get as dirty as I want don't sound the way the Morning Glory does so this is perfect for me. And the other way it's useful is to add bottom end to distortion pedals (which are famous for not supporting the low end very well). Preset a little bass boost and when you stomp the overdrive/distortion pedal also click on the Xotic RC.PDGood
8. Xotic Effects – Bb Preamp Pedal
Product Details:
This preamp over drive pedal is in excellent condition has one small scratch on paint near stomp switch (pictured) the pedal sounds excellent and works great. super quiet pedal has a true bypass built in as well as up to 30 db of clean boost and a low and high eq of up to 15 db per frequency. includes original box and candy. i love this pedal but i am taking a direction for a different sound and do not have much of a need for it anymore. can run off standard 9v power supply or battery. (not included) velcro will be removed when sold, unless requested to leave on.
Specifications:
Reviews:
Absolutely the best pedal that I have ever heard. For classic rock, blues, country edge, NOTHING I've heard can beat it. After playing 40 years and amassing more pedals than I care to admit, I lined them all up for a shootout and started selling off the losers. Just recently I became aware of the BB Preamp, after seeing a video of Andy Timmons set-up. It rocketed to the top of my list and knocked my previous favorite pedal (cmatmods Signa Drive) to the number two spot. I was amazed at the tone and responsiveness of the BB Preamp. It enhances your tone, but leaves it alone, with hardly any coloring at all – very transparent. I play a Mesa Boogie Lonestar Special, and honestly, this pedal sounds as good or better than the drive channel of that $2000 amp. Very glad I wasted some time on youtube and ran across this pedal!rs-guitar
gets that deafening svt sound at merely uncomfortable volume. bass knob has just the right freq to be low and fat without mud and boom. treble goes from warm and smooth to nasty. even without any gain it makes a better tone for your whole rig and band. don't let the lack off a clean blend dissuade you. this doesn't need it and sounds more focused and realistic by pushing your entire signal. easily does slight grit to lotsa grind. I use a EP booster in front of it to get more gain and volume when I want it and it sounds huge with tons of sustainJeff
The Xotic Bass BB Preamp was the first "Quality" pedal I purchased when I moved from Multi-Effects Units and Boss/Korg/DigiTech mass-produced effects to Individual Pedals, and while there are a number of high quality/high-end "SVT-In-A-Box" Overdrive/Distortion Pedals on the market now I still consider this to be among the top units. Firstly is it's perfect balance of ease-of-use vs variety of tone: between its overlapping Treble & Bass EQ section & Gain control, it's quite easy to go from adding just a touch of Overdriven "dirt" into an otherwise Clean Bass tone to Lemmy or Type O Negative's Peter Steele full-on "Lead Bass" Distortion, and many different examples in-between (Entwistle, Squire, Lee and Commerford). However, the amount of Gain you choose to use does not overwhelm the inherent sound of *your* playing style and *your* Bass and other gear. A Jazz Bass will continue to sound like a Jazz Bass, a Precision will sound like a Precision, StingRay, Ibanez, etc… Adding the 2-band EQ section into the equation will continue to give you more options: for example, if you're using a "60's"-type Jazz Bass (Alder Body, Rosewood Fretboard) you may very well want to add some additional treble EQ to sound closer to the stereotypically brighter "70's J-Bass" (Ash Body, Maple Fretboard)… or not, if you simply want to add overdrive/distortion. I've found that while other Bass Overdrive/Distortion pedals may have more functions and knobs/switches, I personally find Gain-increasing effects to be better with a minimum of controls. One feature is of great use both in the Studio/Recording setting, or if you should find yourself with a massive "Preamp/Head/Amp Failure" before a show: as its name implies, the Xotic Bass BB Preamp has enough output to drive a Power Amplifiler or to the Mixing Board on its own. This "Emergency Function" alone is worth its weight in gold if you don't have an alternative method of amplification should catastrofic failure happens. And you wouldn't even need to play the show using a distorted tone is your usual is a clean one – by simply not increasing the Gain you still have a perfectly good 2-band Preamp at your foot/fingertips. The quality of the pedal is also second to none. Hand-wired with top-of-the-line parts, its potentiometers & input/output Jacks are all heavy duty, and the footswitch clicks on and off with an audible (and forcefull) "click". The only negative that comes to mind is not only its but most modern pedal: it will drain a 9V battery very quickly. However, as most Bassists as well as myself are switching to pedalboard-mounted multiple pedal power supplies, I doubt this is a true negative to most players. Again, there are many Bass Overdrive/Distortion pedals on the market currently that give you a choice between multiple presets, more bands of EQ, XLR Outputs, and numerous other functions. However, I believe the Xotic Bass BB Preamp combines ease-of-use, a good deal of tones at its potential & high quality craftsmanship at a reasonable price of pedals of its caliber.
9. Behringer Bass Overdrive Bod400 Effects Pedal
Product Details:
If you want to add some grind to your bass guitar sound the behringer bass overdrive bod400 effects pedal will give you the rich tube-like distortion smooth sustain and super-fat tone that you're craving. specifically designed for bass the bod400 supports the entire frequency range of the bass guitar including 5 and 6-string models.
Specifications:
| Power Source | Battery |
| Voltage | 9 V |
| Power Consumption | 30 mA |
| Approximate Weight | 0.7 lbs |
| Indicator Type | LED |
Reviews:
I get a variety of good, useable tones out of this one box. In fact, this has replaced the distortion patches I was using on my trusty DOD Bass 30 entirely. To say that I am happy with any stock stompbox is a big deal, because I have only a few left in my collection that I haven't modified the circuitry in to better suit me. This is one of the few originals, and that says volumes. I step on mine regularly, and haven't had any issues with it. I'm not a bass player, but I play one on my records. I've been playing lead guitar for 20 years, and I know good sounds. I say this to inform you that my credentials are in good order. You can get any sort of growl you want, thick or thin- and as much or little of the clean as you need to retain the punch at the same time. The only thing I would change is the color of the box… Since that has absolutely nothing to do with the sound it makes, I'm fine with it. Seriously, I was skeptical too when I saw the price. Don't let it, and the silly color fool you- Let your ears be the judge. Being a man with ears, fingers, and experience beyond my years, I highly recommend it to everyone.Shredprodigy
I got this a while back to add a some gain to play a bit of metal with a bit of overdrive on top as well as fattening the sound of the bass. Unfortunately this will never give you a "smooth" gain sound like having a guitar amp's gain around 2. Having gain down all the way shuts off all sound to the amp, and having it around 2/10 puts on a harsh brittle overdrive no matter the EQ. Sounds a little better with flatwound strings. This pedal goes all out or nothing. If a "Hysteria" sound is what you're going for, this will do it but not a true amp low/med-gain sound.Fear
10. Digitech Mosaic Polyphonic 12 String Effect Pedal
Product Details:
The digitech mosaic polyphonic 12-string effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. the mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar. tailor the mosaic's sound with the independent level and tone controls. level will control the 12-string effect intensity while tone shapes the overall brightness of the effect. the mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. it is true bypass and uses a 9v dc power supply to easily integrate into your existing pedalboard.
Specifications:
| Sample Rate | Sample Rate- 44.1 kHz |
| Frequency Response | 20 Hz to 11 kHz (Effect Enabled) |
| THD | 0.004% @ 1 kHz; ref = 1 dBu with unity gain |
| A/D Conversion | 24-bit |
| Input Type | 1 x 1/4" mono |
| Maximum Input Level | +5 dBu |
| Input Impedance | 1 MOhm (Effect Enabled) True bypass (Effect off) |
| Output Type | 1 x 1/4" mono |
| Maximum Output Level | +10 dBu |
| Output Impedance | 1 kOhm (Effect Enabled) True bypass (Effect Off) |
| Power Consumption | 2.3 W (< 250 mA at 9 VDC) |
| Dimensions | 4.75 x 2.88 x 1.75" / 12.1 x 7.3 x 4.4 cm |
| Box Dimensions (LxWxH) | 5.1 x 4.5 x 3.7" |
Reviews:
The Mosaic pedal is easy to use, and produces a realistic 12 string effect. It comes with it's own power supply, and I recommend using it as it seems to use quite a lot of energy to produce the effect. When I first connected it in my chain, powered by the wimpy Snark power supply, it didn't really work. The light came on when I pressed the on/off button, but the effect wasn't happening. Then I used the power supply that came with it. Suddenly, out came the shimmering sound of an electric 12 string. In short, it might not sound like a Rickenbacker, but its close enough, and much less expensive. If you want the sound of a 12 string, but don't want to spend the money, this may be the perfect substitute.jonaha650
Overall: Ive been using my Roland Gr-55 (w/ GK-3) to add 12 string shimmer to my sound for years. This little box is amazing! Tracking is impeccable, and the controls are so simple I was up and running within seconds! The metal box is sturdily built, and COMES with a muscular 9v, 1.3amp power supply(?!?!) Switching is silent, and the effect tracks tonal changes between pickups well enough that once dialed in, I dont need to touch the tone knob. If I get insanely picky, I kinda wish there was a separate out for the 12string sound, but that would negatively affect the affordable price and kind of defeat the 1 pedal= 2 instrument simplicity. If you never ever wished you had a 12 string, but it antway! You'll see what you've been missingDennis
I have both a 6 string and 12 string Rickenbacker. I don't normally like to take my 12 string gigging because I've got enough other gear to haul around and the 12 string is only used on a few songs. Plus all the associated issues with tuning, string replacement, swapping guitars, etc. The Mosaic does a pretty credible job of making my six string sound like a 12 string. It does not produce a perfect reproduction, but I find it good enough that I'm using it regularly. Considering the technology needed to generate the 12 string sound from a six string instrument, I'm actually very impressed that it does a good a job as it does. And the fact that it is polyphonic is icing on the cake. I've used electronic harmonizers to try and duplicate a 12 string sound, but they always failed in two areas. You could not play chords and the high B and E strings sounded just awful because the harmonizer would try and play notes an octave above on those strings as well (usually rendering this approach useless).. I found that the Mosaic gives a pretty credible 12 string reproduction on the E, A, D, and G strings. Fortunately the upper B and E strings do not get the octave treatment. They remain with the original pitch, but they don't quite have the full tonal resonance of a true 12 string. It isn't bad, just not quite perfect. All in all, I feel its a good product, does a good enough job and I'm happy with the 12 string emulation. I think its a credible option to consider if you need a 12 string sound, but can't justify the cost and issues of owning a true 12 string.bgb92549
11. Trace Elliot Transit B Bass Pre-Amp & Effects Pedal
Product Details:
The transit b pedal is a professional grade preamp for the discerning bassist. built-in tools for tone shaping like pre-shape, 5 band eq and dual band compressor are easy to use and easy to tweak on the fly. features like drive with blend control and built-in bass enhancement add to the tonal options available. the back-lit control panel becomes the chromatic tuner for accurate tuning. built-in pre and post xlr balanced output, dry output and headphone output give the user the ins and outs they need.
Specifications:
| Output Type | XLR |
| Compressor Type | Dual band |
| Number of Band semi-Parametric | 5 |
| Built-In Bass | Yes |
| Color | Multi |
Reviews:
Reasonably compact and robust this gives you a decent range of effects without overdoing it. Handy tuner as well.Simon D.
12. Xotic Effects – Sl Drive Pedal
Product Details:
Famous for its woody, organic and beautiful sounds of saturation, these legendary british amplifiers, the super lead & super bass, have been delivering one of the all-time classic sounds for almost 50 years. players like jimmy page, paul kossoff and countless other relied on this type of tone for their signature sound. xotic has recreated this vintage masterpiece in a rugged small enclosure. the sl drive offers very amp-like response and cleans up nicely with a roll of your guitar’s volume knob. the internal dip switches allow you to choose the sound characteristics of both 1959 models. the “super lead” setting offers a brighter tone with more gain, while the “super bass” setting has more low end with less highs. this compact design is a powerful tool for the working musicians. the sl drive is equipped with true bypass switching and eliminates any signal interference when switched off. power requirements are either 9v battery or ac adaptor (optional).
Specifications:
| Dimensions | 3.5" W x 1.5" D x 1.5" H |
| Input Power | 9V |
| Input Impedance | 1M ohm |
| Output Impedance | 1K ohm |
| Number of Tone Settings | 2 |
Reviews:
From slight dirt to full on creamy plexi distortion. It’s all there. Cleans up with the guitar volume knob. Pairs well with other exotic effects. I have two SL drives, one for grit and the other set for lead, as well as an exotic AC booster before to add a bit of boost. I run the EP booster at the end for nice volume boost. Synergy with all exotic effects.Charlie
I chose the SL Drive from a huge amount of drives on the market as I wanted something that fit on a small pedalboard, could provide a Marshall style sound at all gain levels as an alternative to amp gain, and which could work well with the BB MB pre-amp also by Xotic. This pedal really delivers. Although it takes time to set up and find the best sounds for personal preference, it provides a variety of useful tones across the spectra of volume, gain, and equalisation. The design is just so thoughtful and I like the possibility of running it at 18v, although at the moment 9v is better to my ears. Recommended as a piece of gear that should fit with most set-ups.Reviewed by Andertons Music Co.
I've had the SL drive for awhile now and try as I might I can't find anything that can kick it off my board. I've tried numerous other amp in a box pedals(Marshall and otherwise),overdrives and distortions but I keep coming back to this little guy. I guess I keep trying because I find it hard to believe that a pedal this small and this inexpensive(relatively) can't be outdone. I use this in conjunction with a standard Tumnus and the 2 together just can't be beat for me and I'm done spending $ trying.mike smith
13. Valeton Dapper Bass Effects Strip
Product Details:
Very convenient pedal that takes up very little space but does a whole lot. it has a quality preamp and di, so you can go straight to the board and leave the amp at home if you wish. you also get some key effects: chorus, octaver, fuzz/synth, boost, and tuner. for a lot of bass players, this maybe all they need. i bought it because i wanted a small set up for my gigs that i wasn't going to need a lot of effects for or need to drastically change my tone from song to song. it served its purpose well until i bought my helix. once i got that, i just had to bring it to all my gigs. so i haven't been using this pedal anymore and probably won't anytime soon, thus why i'm listing it. it still works great but does have a bit of cosmetic wear on it (as shown in the pics).
Specifications:
| Voltage | 9V |
| Interface | Knobs |
| Connector Type | XLR |
| Gain | Up to 12 dB |
| Number of EQ Bands | 3 |
Reviews:
This is a great multi effects pedal/DI. Its all I need. Dont let its small size fool you. Its got some weight to it, so I assume its probably well built. All metal. Each effects sections knobs light up a different color. Tuner is accurate. I didnt give a full 5 stars because I wouldve liked a rate knob in the chorus section & maybe some more options in the compressor section. Overall, I recommend this pedal. Pleasantly surprised with the build & sound quality. I doubt Ill use the Dirty Q (envelope filter) much but its there if I need it. Spend a little time with each section of this pedal & Im sure you will find at least one setting youll like!fuelman1975
GOOD PRODUCT ,EASY TO USE.vALUE FOR MONEY 88888rajakawasa
Great effects packed into one PORTABLE unit! 12.5"long x 2.5"deep x 1.75" high. FX send/return, xlr out, input thru jacks make connections versatile. A ground lift switch helps to quiet noisy ground loops. Control knobs that are wide in control. The Dapper Bass is tuned to bass guitar and the effects can be dramatic compared to standard bass tone alone. It also has a built in standard chromatic tuner. Full metal chassis construction. For me, it is a great compact all-in-one!originaltechken
14. Dod 250 Overdrive Preamp Guitar Pedal
Product Details:
The legendary analog dod overdrive preamp 250 is back, with over 40 years of history and experience behind it. the 2013 version of the legendary dod 250 captures of the classic tone and wild heart of the original but in no way tames its performance. – the 250 is better than ever before with true-bypass, a crisp, blue led indicator, gobs of output, and modern 9v dc power supply input. redesigned with a lighter aluminum chassis, sleek yellow metallic flake and flat black matte bottom paint job, the 2013 dod overdrive preamp 250 pedal is the perfect sonic foundation to carry on the legacy of dod.the dod overdrive preamp 250 (2013) has gain and level controls, like its predecessors. gain controls the amount of distortion, from just a touch of grit to all-out grind. level dials in some subtle body for "always on" performance or huge amounts of boost for boosting solos above a dense stage mix. with the gain all the way down, crank up the level to boost your sound and cut through during your solos. – true-bypass allows your guitar tone to remain pristine even when the dod 250 is off. this is a big difference from the original which would color your bypassed ttrue-bypasscrisp, blue led indicator – modern 9v dc power supply input – lighter, aluminum chassis – sleek yellow metallic flake and flat black matter bottom paint job – gain and level controls
Specifications:
| Indicator Type | LED |
| Chassis Material | Aluminum |
| Paint | Yellow metallic flake |
| Power Supply | 9V DC |
| Number of Controls | 2 |
Reviews:
The addition of the Boss style adaptor plug was a very welcome modification. The indicator light is cool as well. Both were absent in earlier versions of this classic overdrive. I've owned all versions of this pedal, including the original grey and yellow pedals. This is a nice take on them and the lighter weight casing appears to be aluminum. The originals and later reissues used a cast material that was heavy and was a bit of overkill for such a simple circuit. This is a great alternative to those. The circuit has a tendency to be a little bassy especially as the gain is increased. It lends itself to single coil guitars very well(yngwie) but works great with humbucking pickups as well. One of my all time favorite over drives, and I own them all. Stacks well with other pedals. Everyone should try this one, it rips.Duke
I'm in an acoustic jam group and needed some extra punch for my vintage Guild D-40 so it didn't get swallowed up when taking solos. Running a Fisher soundhole pickup through a 25W Danelectro solid state amp just didn't do the trick, but adding this does. I set it very clean with the gain dial at its lowest setting and the level up, using the eq on the Danny to brighten up the highs. A very natural sound, not like through the mic, but good for my purposes. With the gain up a bit, the added sustain on the low end was a pleasant surprise. The LED light is so bright, I'll never forget and leave it on. My one complaint so far is the changing the battery involves unscrewing four screws and taking the back off — why not build it with a slide-open compartment? When I hooked it up to my Tele, it took a little tweaking to get the setting right, but it produces a nice gritty sound. For the price, I'm happySwampy
I have been playing guitar since 1979. I have owned this pedal at least (2) times in my life. Currently I am in a band using EMG loaded Strats and an EMG loaded LP Custom. I play through a "Made in England" JCM 2000 DSL 50 Amplifier. The "Classic" channel has a mode that will give you a 1970's Super Lead or JCM 800 tone. I have used Super Leads all my life until now. So the "Ultra" channel has the gain and sustain you would want for heavier riffs and definitely for guitar solo's. The "Classic" channel, much like my Super Leads, has a great rhythm tone but suffers from a lack of sustain for guitar solos. There's nothing worse than playing a guitar solo and having the vibrato notes fade out too quickly. So I decided a quality boost pedal would goose the front of the amp in "Classic" mode to increase sustain without changing the tone. I looked at Xotic EP Booster's, Xotic SL, MXR Echoplex, and the MXR micro amp. All were very good but I thought they were a little too expensive. When I saw the DOD 250 Overdrive/Pre Amp "on sale" I immediately placed my order. Now for more than half the price I have a pedal that has a level control to goose the front end of my Marshall and the added benefit of a Gain knob should I decide to add a little more Gain. The DOD 250 is a transparent OD/Boost pedal with big head room. You can tell it doesn't mess with your tone too much. So, if you are looking for a boost pedal like what I stated above, I strongly suggest checking out the DOD 250. Save money and get the boost you need and the added gain knob as an extra feature. 100% satisfied and I feel great about saving money. A win win pedal.
15. Behringer – Bod400 Pedal Bass Overdrive
Product Details:
The behringer bod400 bass overdrive pedal is an affordable model that delivers tube-like distortion and overdrive, alongside a smooth sustain and incredibly full tone. the bod400 comes equipped with a range of controls that let you shape your sound to suit your style. use the balance control for the perfect blend between the overdriven and dry bass sound, ensuring the maximum punch and clarity. also featured are a dedicated 2-band eq, level, and gain control to provide you with versatile sound shaping. add the bod400 to your pedalboard for an incredible sound.
Specifications:
| Indicator Type | LED |
| Number of Knobs | 5 |
| Voltage | 9 V |
| Dimensions | 8.58" L x 4.49" W x 2.36" H |
| Number of EQ Bands | 2 |
Reviews:
I get a variety of good, useable tones out of this one box. In fact, this has replaced the distortion patches I was using on my trusty DOD Bass 30 entirely. To say that I am happy with any stock stompbox is a big deal, because I have only a few left in my collection that I haven't modified the circuitry in to better suit me. This is one of the few originals, and that says volumes. I step on mine regularly, and haven't had any issues with it. I'm not a bass player, but I play one on my records. I've been playing lead guitar for 20 years, and I know good sounds. I say this to inform you that my credentials are in good order. You can get any sort of growl you want, thick or thin- and as much or little of the clean as you need to retain the punch at the same time. The only thing I would change is the color of the box… Since that has absolutely nothing to do with the sound it makes, I'm fine with it. Seriously, I was skeptical too when I saw the price. Don't let it, and the silly color fool you- Let your ears be the judge. Being a man with ears, fingers, and experience beyond my years, I highly recommend it to everyone.Shredprodigy
I got this a while back to add a some gain to play a bit of metal with a bit of overdrive on top as well as fattening the sound of the bass. Unfortunately this will never give you a "smooth" gain sound like having a guitar amp's gain around 2. Having gain down all the way shuts off all sound to the amp, and having it around 2/10 puts on a harsh brittle overdrive no matter the EQ. Sounds a little better with flatwound strings. This pedal goes all out or nothing. If a "Hysteria" sound is what you're going for, this will do it but not a true amp low/med-gain sound.Fear
16. Mxr – Csp039 – Duke Of Tone – Overdrive Pedal
Product Details:
Designed in conjunction with indie pedal builder analog man, the mxr duke of tone overdrive is for players who want to add a touch of warmth and grit to their rig while allowing the natural tone and feel of their high-end gear to shine. based on the prince of tone overdrive, the single-channel version of the king of tone overdrive, this pedal is a vintage connoisseur’s dream come true. analog mike personally tested and matched all of the various thru-hole components to the king of tone overdrive, ensuring that sweet sonic seasoning stays in the line of succession: a warm-yet-clear-and-open sound that allows all of the nuances of your signal chain to come through, from your individual guitar strings to the dynamics of your amp’s tubes. the duke of tone overdrive likewise carries forward the same simple-yet-effective control interface. volume, drive, and tone knobs cover all your basic tweaks while the boost/od/distortion switch allows you to set the overall attitude of the pedal’s output. boost mode gives you a clean-yet-vigorous bump, od mode adds a touch of grit and compression, and distortion mode adds a touch more of each. in all modes, your rig still sounds like your rig. don’t be afraid to get creative—the duke of tone overdrive is excellent when stacked with other gain pedals, and running the pedal on 18v will give you an extra helping of headroom and clarity, especially in boost mode. for a sound that’s yours, but only more of it, you can’t do better than the duke of tone overdrive from mxr and analog man. put one on your pedalboard, and elevate your signal chain.
Specifications:
| Finish | Purple |
| Year | 2022 |
| Made In | United States |
| Pedal Format | Mini |
Reviews:
Ich schätze mich glücklich, schon Anfang Oktober ein Pedal erhalten zu haben, nachdem ich sofort eins kurzentschlossen bestellt hatte. Meins kommt aus England. Das Duke of Tone ist schon wirklich eine Klasse für sich. Ein Super Ton, wie man wohl lange gesucht hat, ist auf Anhieb da. Da kommt auch mein Vemuram Jan Ray nicht mehr mit. Ist natürlich alles absolut subjektiv. Ich bin jedenfalls begeistert, was den Ton betrifft. Die Bedienung ist, wie bei allen Mini-Pedalen z.T. etwas grenzwertig und frickelig. Das kann man aber hinnehmen.
YouTubes gibt es ja schon genug, sodass sich jeder informieren kann, wie das Ding klingt. Allerdings ist einzigartig, wie sich es anfühlt. Es gibt wohl kein anderes Pedal, welches so ein überzeugendes Amp-Gefühl erzeugt. Gain-Reserven gibt es nicht so viele, aber das muss auch nicht sein, dazu gibt’s andere Treter. Wer einen „always on Overdrive“ sucht und / oder viel mit dem Volume-Poti der Gitarre arbeitet, unbedingt antesten!
17. Boss Stereo Volume Pedal – Fv-50l
Product Details:
The boss fv-50l foot volume controller is the perfect way to get control over your sound. whether you're playing guitar, keyboards, or any other instrument, this volume pedal gives you the power to dial in just the right sound level. the minimum volume knob ensures that you never have to worry about being too loud or too quiet, and the tuner out jack makes it easy to keep your instrument in tune on stage. the low-impedance design enables direct control of stereo keyboards and effects units. minimum volume knob lets users set minimum volume as desired. convenient tuner out jack enables speedy tuning on stage. low-impedance fv-50l enables direct control of stereo keyboards and stereo effects units.
Specifications:
| Number of Inputs | 2 |
| Number of Outputs | 2 |
| Width | 86 mm |
| Height | 54 mm |
| Voltage | 9 V |
Reviews:
Still the best. Price increased only by $10 since inflation hit the pedal market, so not too bad. Tried many others. Still my go-to pedal. Heavy, fits my foot nicely. Not to small or large. L/R in/out, plus exp jack. Tension setting helps for fine tuning volume control. Recommend remove base plate and blow out rheostat once a year or so. Use compressed air (Office Depot/Office Max)mud1105
I needed a pedal to help me get my volume right at shows….Using the gtr volume control and or a volume pedal in front of my pedal board just changes the drive into the FX. I get everything nicely balanced in the studio or at home, and then each venue has odd sound characteristics and sometimes I am too loud in my rhythm and too soft in my leads & no time to get everything adjusted just right. So I wanted a simple master volume pedal after all the FX and before the amp…(did not want to hassle with more cables needed for the FX loop). I have tried them all…none worked well for me….Well, here is what I learned: This pedal has a min volume control which allows more accurate setting of the pedal to the volume I need mid-song. This control was key, allowed me to zero in on the volume easily as small changes in the pedal position did not produce huge changes in volume. The pedal does not cut the quality, at least not in noisy bars and restaurants. So it's very good. But the real point is after years of not doing the volume thing well with my right foot I discovered that I was much better at the task using my left foot…and I am right handed!! This has changed everything. Turns out, the issue was my right leg is way sturdier to stand on and control the volume with my left foot. If you have a problem with this type of thing, just try your other foot. The pedal and this simple foot change basically solved the issue. I am not perfect, but way better than before and I get better with each gig!!BC 123
Our keyboard player also plays steel guitar. We built a stand that integrates with the keyboard, so she can switch between keyboard and steel very quickly. We now own two of these volume controls. The first one is mounted to the effects pedal attached to our keyboard. The other is a spare. We use channel 1 for keyboard volume control and channel 2 for steel guitar volume control. It saves us from cluttering our board with two pedals. I wish we could run stereo keyboard, but we forgo that for practicality. We like the overall feel of the FV-500L Stereo Volume Pedal. The only drawback we can find is its size. It's about a foot long. But overall we like it.Uncle Ronnie
18. Catalinbread Sft Overdrive Pedal
Product Details:
Same insides but with new artwork! the catalinbread sft is an ampeg inspired foundation overdrive that bridges the "get yer ya-ya's out (stones) and the desert sound (stoner) eras. weve always been smitten by ampeg. early on the company was a jazz purist company, completely overlooking (possibly looking down on) more popular genres like country & western and rock that fender and marshall openly embraced. from a design standpoint they took more queues from the hifi world than they did from guitarists as evidenced by their tube complements, gain stages without cathode capacitors, and implementation of the baxandall tone controls. and they were no slouches to innovation either, flip-top combos is a great example. not to mention there is at least one model of amplifier that had a torsion bar to adjust the tightness of the speaker baffle!
Specifications:
Reviews:
This pedal does what it is supposed to. Everything from clean platform to Stones to roaring fuzz. After trying the Tweed pedals, I prefer this all day long. Better, more powerful EQ that is easily tailored to multiple guitars. I love being able to have bassy mush as well as tight, focused overdrive. So many tones in this one, and ultra tweakable.aparrotlooksat40
Greatt for getting that old Ampeg sound.Reviewed by Andertons Music Co.
Still trying to work all the settings out But so far so goodReviewed by Andertons Music Co.
19. Catalinbread Tribute Parametric Overdrive Pedal
Product Details:
Featuring an all-analog circuit, the tribute combines an extremely expressive high-headroom drive engine with an obscenely powerful and flexible tone control. ahoy ahoy, you ve just accessed the lore of the tribute, a pedal that literally every guitarist needs. yes, even you, outlaw country fan, and you, person wearing indecipherable metal logo band shirt.
Specifications:
| Product Dimensions | 5.6 x 4.5 x 2.9 inches |
| Country of Origin | USA |
| Color Name | Gold, black, white |
| Signal Format | Analog |
| Voltage | 9 Volts |
20. Behringer Octave Divider
Product Details:
The behringer octave divider is a recreation of a classic 70s pedal, designed to bolster your low end. use it with guitars, bass and keyboards – creating a powerful sub-octave effect. you can also use bass only mode for only playing the shifted sound, changing your guitar's purpose at the stamp of a button. additional controls allow you to modify the effect's tone, shaping the prominent harmonics you'll hear. switch on the ringer effect to bolster the modulating sound of the octave divider, or use the stabilise switch for more accurate pitch tracking.
Specifications:
Reviews:
Hatte früher den Boss OC-2, der leichte Schwächen im Tracking der hohen Saiten zeigte, aber dennoch sehr brauchbar war. Kam auch auf die Tonabnahme an, ob Single Coil (Strat) oder Humbucker (Di Marzio). Tauschte diesen später gegen ein Boss Multieffekt ein. Den nächsten Versuch mit einem Octaver startete ich vor kurzem mit dem Behringer UO 300. Das Ergebnis war leider mehr als dürftig, obwohl angeblich ein Klon des OC-2. Ob Serienstreuung oder Designfehler, das Pedal konnte nicht bleiben. Kurzzeitig half der Pitch Shifter des Behringer FX 600. Auch bei diesem Pedal gibt es eine Serienstreuung. In meinem Fall mit durchaus brauchbaren Effekten. Letzter Versuch in Sachen Octaver dann mit dem im Vergleich zum Boss OC-5 etwas günstigerem, jedoch zum UO 300 deutlich teurerem Behringer Octave Divider. Bin begeistert. Sauberes Tracking in fast allen Lagen, auch ohne den Stabilize Schalter nutzen zu müssen, kaum Matsch mit Ringer, sehr feinfühlige Ansprache von Tone und Mix-Regler. "Bass only" erspart den Dreh am Mix nach ganz links. Sehr überzeugend. Das Gerät bleibt.
Bought this product because the real one was a bit above budget 😉. And I must say, it beats the real one by far. The sound is amazing, both on guitar and bass. A nice addition to the family that I will be using a lot. The build is sturdy, and it gives your guitar a warm synthie sound. I can recommend this pedal to anyone who wants that little bit extra.
Ich dachte zuerst das Ding ist silbern, aber nee es ist weiß und die Dreher sehen sehr gut aus! Aber das wichtigste ist der grundsolide saubere vintage octaver sound incl. Mojo. Mit einigen Einstellungen kann man schön kranke fette Bässe erzeugen! Mit der Bass Gitarre besonderes verrückt! Aber auch ein analog Bass Synthesizer hatte ich schon dran und den durch den octaver gejagt, dannach durch den Bassamp und, wow fett mann, mit Mikrofon abgenommen wie damals in den 70zigern.! Alter das Ding fetzt! Ist mir doch recht wenn Behringer drauf steht! Auch das Preisschild ist beruhigend anzuschauen! Besonders jetzt wo so manches Energieunternehmen durchdreht. Da musste ich zuschlagen und jetzt donnert das Ding! Kreativer Einsatz wird hier belohnt! Das ist keine digitale simulation, wie uns von vielen anderen Herstellern angedreht wird, sondern alles analoge ehrliche elektronik! Find ich total gut. Das ist schon ein coole Socke dieses Teil! Ich habs am Bass, dort wars erwartungsgemäß nicht so beeindruckend weil ein Bass ohnehin schon sehr tief gestimmt ist und dann noch ne octave runter, das ist doch sehr tief, aber als Effekt schön, vor allem wenn man only Bass Taste drückt. An der Gitarre dagegen Volltreffer. Wunderbarer superschnelle tracking, da rein analoge Technik benutzt wird, vintage eben! Mit Distortion packt die Kiste richtig zu, da fliegen die Fetzen, natürlich alles monophon. Das ist kein Whammypedal das polyphonie beherrscht, aber es klingt richtig cool! Einfach kaufen für den Preis.
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