Are you looking for the Best Cheap Guitar Pedals? If so, you’ve come to the right place.
Choosing the Best Cheap Guitar Pedals can be difficult as there are so many considerations, such as MXR, ammoon, BOSS, DigiTech, Electro-Harmonix, MOOER, TC Electronic. We have done a lot of research to find the top 20 Best Cheap Guitar Pedals available.
The average cost is $94.55. Sold comparable range in price from a low of $23.95 to a high of $299.99.
Based on the research we did, we think TC Electronic Mini Spark Booster Guitar Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Cheap Guitar Pedals (20 Sellers)
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Reviewers Noted:
Compact . Easy to use . Build quality
Features:
- Impedance of 100 ohms helps reduce unwanted noise
- True bypass makes it easy to switch between multiple effects
- Knob control allows you to fine-tune the sound
$69.99
4.8
Reviewers Noted:
Easy to use . Compact . Good sound quality . Build quality . Weight
Features:
- Give smooth distortion and punchy sound to your guitar's voice with this distortion pedal
- The compact and portable design of this pedal makes it convenient to carry while you tour with your band
- True bypass switching lets you change to clean patches and prevent any unwanted noise
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality
Features:
- Three led indicator helps deliver real-time working status and makes the tuning easy
- Manual knobs let you change the swirl setting to rapid tremolo
- This multi-effect pedal helps produce various sound amplification
$59.99
4.4
Reviewers Noted:
Easy to use . Compact . Good sound quality
Features:
- Excellent clean condition, used only a few times.
- Includes rubber feet (attached), both original inserts, original box.
- Functions perfectly.
$29.00
4.6
Reviewers Noted:
Easy to use . Sound quality
Features:
- This metal distortion pedal is designed to provide a high-quality music experience
- 1.4" input jack makes it convenient to use it with your electric guitar
- Input impedance 500 kohms helps reduce the distortion while adding effect to your music
$29.00
4.6
Reviewers Noted:
Easy to use . Sound quality . Portability . Size . Weight
Features:
- Its 3-band equalizer allows you to optimize the sound for high-quality audio
- Constructed with metal chassis to enhance its structural integrity
- Built-in led indicator lets you check the status of the battery
Reviewers Noted:
Easy to use . Sound quality . Size
Features:
- Create high-quality sound effects with this bass guitar pedal
- The active treble control lets you customize the reverb effects conveniently
- Designed with a bypass footswitch to help eliminate signal interference
$29.00
4.6
Reviewers Noted:
Ease of use . Sound quality . Size . Noise level
Features:
- Gain boost circuitry helps you add dual distortion to the audio
- Blue colored led helps you check its working status easily
- Bottom and level controls facilitate convenient usage
$221.30
4.3
Reviewers Noted:
Ease of use
Features:
- This pedal allows you to optimize the sound for high-quality audio
- The built-in control knobs let you configure the bass levels individually
- Nine preset modes offer versatile audio effects
$59.99
4.3
Reviewers Noted:
Ease of use . Size
Features:
- Previously owned mxr m86 classic distortion effects pedal.this pedal is in very good condition with a few very minor scratches.
- Includes original box, owners manual, and sticker.
- Serial #: 125636446. made in taiwan.
$56.30
3.9
Reviewers Noted:
Easy to use . Compact
Features:
- Make sure this fits by entering your model number.
- True bypass.
- Rate knob.
$39.99$29.99
3.9
Reviewers Noted:
Easy to use . Sound quality . Size
Features:
- Sturdy, lightweight aluminum case
- True bypass switching
- Easy-to-use gain, tone and level controls
$24.99
4.6
Reviewers Noted:
Easy to use . Sound quality . Portability . Size . Weight
Features:
- Take off with the most extreme and sought-after hard rock or heavy metal distortion
- Multi-gain circuitry to give you super-thick, tube-like distortion plus endless sustain
- Dedicated distortion, 3-band eq and level controls for awesome sound shaping
$180.00
4.8
Reviewers Noted:
Easy to use . Compact . Weight
Features:
- Drive knob helps regulate the distortions for a more crisp sound experience
- Input impedance of 1 mega ohm helps provide enhanced performance
- Switchable enhanced bypass adds to the convenience
$299.99
4.7
Reviewers Noted:
Easy to use . Good sound quality . Compact . Build quality
Features:
- This pedal allows you to add effects to the guitar during your jamming sessions
- Adjust the playback volume, depth, and speed of the recordings conveniently with its multiple tabs
- Die-cast material offers enhanced durability to the pedal for prolonged usage
$178.54
4.3
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability . Build quality
Features:
- Unique and awesome effect
- True 12 string emulation, not just an octave boost for all strings
- Played gently in church a few times, has velcro on back
$123.50
4.4
Reviewers Noted:
Easy to use . Compact
Features:
- Create vocal harmonies with this 11 effects pedal
- Dry and synth control knobs allow you to control the output while jamming
- Manual knobs let you easily fine-tune tone and saturation levels
Reviewers Noted:
Size . Ease of use . Heavy . Sound quality
Features:
- Space-saving volume pedal features durable aluminum die-cast body design
- Smooth pivot action for maximum signal control
- Stereo i/o for use with stereo instruments and effects
Reviewers Noted:
Size
Features:
- Made with aluminum-alloy material to help make this fuzz pedal durable
- Features led indicator to help keep you updated about the active status of it
- Technically engineered to let it work efficiently on a voltage value of 9v ac
Features:
- [versatile distortion pedal]: vangoa distortion guitar pedal with metal's high distortion effect. which is hard clipped, and the gain ranges from low to high which is versatile for kinds of…
1. Tc Electronic Mini Spark Booster Guitar Pedal
Product Details:
A tiny pedal with a loud bark, the tc electronic spark mini booster can provide up to 20db of clean boosted power. whether you want to kick it on periodically for some extra punch or leave it on all the time as a tone booster the spark mini can prove useful in many playing situations regardless of genre. because of its diminutive footprint the spark mini can be easily placed in any open space on your board. if you want to add more gain to your sound put the spark mini at the beginning of your signal chain to drive your pedals and amp harder. some guitarists have an always on boost in this configuration to impart some grit on their tone. if you want to just boost your overall volume stick the spark mini at the end of your signal chain either after all of your pedals or in your amp's effects loop. should you for whatever reason want to disengage the spark mini the true bypass switching ensures that the circuitry in the pedal won't affect your tone while disengaged.
Specifications:
| Sensitivity | 20 dB |
| Impedance | 100 ohm |
| Power Output | 9 V |
| Indicator Type | LED |
| Control Type | Knob |
Reviews:
I wanted a button to make me louder for solos etc. and this does exactly that without changing tone. Brilliantly simple: set how much volume jump you want and that’s it, I don’t think I have had the dial past 25% so far. The ‘latching’ function of the foot switch is a great idea. Great price as wellReviewed by Andertons Music Co.
Initially intended to buy an Xotic EP Booster because I wanted to try the Echoplex thing out, but saw this little guy and figured…why not? I like it so much, I don't see the point in ordering the EP Booster anymore! Hits the front end of my Soldano in a way no overdrive has yet, and with no noise. Works equally well in front of my OCD pedal for a lead boost. And to all the people whining about the switch not clicking…whatever. I like that about the TC stuff and wish all pedal companies would make their switches "clickless". Great value, just buy it already! Thanks TC and Sweetwater!
This pedal does exactly what it claims and does it better than other pedals of the same purpose. It is constructed extremely well. For around $50 this pedal's physical casing and switch assembly is made better than pedals I own costing hundreds of dollars more. I don't foresee this pedal ever needing replacement or repair. I'm not particularly fond of the "momentary volume boost" feature but that doesn't change my overall opinion. It's a great item.ethan1957
2. Pro Co Sound Rat 2 – Compact Guitar Distortion Pedal
Product Details:
Rat 2 – compact guitar distortion pedal the rat 2 from pro co sound provides classic rat tone in a compact and portable design ideal for casual or professional guitarists. great as a primary distortion or as a boost to your amp's natural distortion the rat 2 excels at versatility. knobs for filter volume and distortion let you find the perfect settings. turn the filter all the way up to roll off brittle high-end or turn it down to let your guitar's brightness come through. true bypass switching ensures that no unwanted noise enters your signal path when the pedal is off. the virtually indestructible steel construction is made for life on the road. industrial-grade knobs switches and jacks stand up to the rigors of daily use. the sloped face and glow-in-the-dark graphics make for easy stomping and settings changes even during a lighting change. the unit can be operated from a 9v battery or from a wall outlet.
Specifications:
| Material | Steel |
| Color | Black |
| Voltage | 9V |
| Indicator Type | LED |
| Number of Knobs | 3 |
Reviews:
Overall: I have more overdrive pedals then I realistically need but my selection of distortion pedals has always been disappointing for my taste, just never the right tone regardless of the set up. I figured this pedal wasn’t too much and saw good reviews for the pedal historically. Yes there are differences from the originals to the model we have today but this distortion pedal is ridiculously versatile. The distortion pot is very broad and goes from a subtle O\D to a full faced fuzz and then when you sweep thru the filter, that’s where you see how versatile the Rat truly is. Is this a pedal geared towards the modern metal sound? Probably not. Is this pedal a good product for the price? Absolutely! The ease of use with the three control knobs just makes this pedal a great first buy or for those, like myself, who seemed to keep coming up short with distortion pedals, a truly simple and reliable tank of a stomp box. Seriously, you know you want it, or you wouldn’t be looking at it. Make your dayEric
The Rat pedal is a classic and was my first pedal in 1986 when hi gain amps werent affordable to 15 year old kids. That pedal was mean ! It had the original lm308 chip and gave me the Kill Em All sound I craved. Fast forward to 2020 and the pedal has not changed much. Its mean and can give you fuzz to mean hi gain rhythm and violin line like sustain on leads. For $69.99 it is affordable and awesome. Cons : you cant power this pedal with a standard Boss power supply. Its either buy a Rat power supply/wall wart or run it on batteries. Also, the battery compartment is plastic and not as tank like as the rest of the pedal. The changing of chips does make the pedal lose some of its magic. The new chip is fine but I do miss the lm308 and maybe its hype Im falling for. It likely is. So what can you do ? I sent my pedal of to Utah to be rehoused. The pedal itself is hard to adhere to a pedalboard bc it is so heavy and awkward. So mine is being put in a more pedalboard friendly housing. Also, all the components like in and out jacks etc will be replaced/upgraded as well as some cheap components inside the pedal. You also get the lm308 chip. Hell yeah ! For $150 you get a massively improved pedal. Do you need to do this ? No of course not. But if you want the best Rat pedal youcan get ( which in the new housing also allows being powered by a Boss style power supply via wall wart or pedalboard) then the mod will be a fun way to modify an already smoking pedal.swampdonkey90
This is a great pedal and is very versatile. It can go from an overdriven tube amp tone at low gain settings to very thick heavy distortion/fuzz tone. I like to set the gain low to a nice overdriven tube amp tone and then have my boss SD-1 in front of it pushing the pedal harder. It gives it a nice 80s hair metal, Marshall JCM800 type tone. The tone of the pedal is great and it is very versatile and a good deal. It will stay on my pedal board. The other nice thing is is it's extremely easy to use with just 3 knobs and very easy to find a great tone. When I first got this pedal I didn't like how bright it was but that where the filter knob comes into play and you can roll off the brightness to match the guitar and amp you have and get a great tone. This allows you to play it on bright and dark amps a like. I use it with a Gibson Les Paul standard with burst bucket pro pickups into my 65 reissue fender Princeton reverb and I will also run it into my Boss katana MKii 50 watt. This pedal works great on both tube and solid state amps.Rhinosaur
3. Vox Stomplab Iig Guitar Modeling Effects Pedal
Product Details:
Get the big guitar tones you want in a small package with the vox stomplab iig multi-effects processor. this rugged, all-metal floor processor has the same sound engine as vox's tonelab processors and vt+ amps. the stomplab iig's easy-to-use interface gives you 100 presets at your fingertips. the sounds are separated into music styles. just select the style of music you want to play and then select a tone from that library. styles include rock, blues, metal, jazz, hard rock, and more. vox set aside 20 user programs for you to tweak or create your own sounds. with over 100 different effects you can really nail down your own signature sound. you can use up to eight effects simultaneously in each preset. the stomplab iig includes a built-in expression pedal for real-time control over volume and effects parameters. get a powerful modeling processor in a compact pedal with the vox stomplab iig.
Specifications:
| Material | Metal |
| Input | Mono |
| Color | Black |
| Number of Preset Programs | 100 |
| Output | Stereo |
Reviews:
I've had this pedal for about maybe 5 months, great pedal. The best thing to do is to always read your manual because this particular pedal shuts off. That feature is to save you battery power, or just being on too long when you walk away. I hadn't gotten use to that at first. It pays to read the manual to figure out how to do it. But the Selections in where the layout is for the different tones, for rock and roll, blues, heavy metal, and R&B is it great pedal.astringmusic
It' easy to blow an afternoon exploring the wide variety of sounds this pedal can produce. While many of the effects are great there are quite a few duds mixed in there. You just have to play. There doesn't seem to be that much logic as to how the effects are grouped. You really need to write down your favorites. Out of 100 effects I think almost anyone can find 20 that they really like. Great pedal for the money.Lenny G.
The Stomplab has some very good patches right out of the box better than most MultiFX units. I rarely get to say that. Since I like to try them all, I think it excels in areas that can outdo expensive pedals. The amps sound really realistic and have beefy snappy mids right in your face with great projection and pop. The tones are designed to sound good as you play with EQ settings the amps seem to stay in the zone of what you would expect an actual amp would do. The best way to really experience this is to plug into a Hi Fidelity home stereo etc. and listen to how detailed the mix is. There is a Tube Screamer that seems to actually enhance just about every amp you try it with when trying to get some edge. The clean amps are some of the best out of the box tube gain style sparkling U2 like rhythms with clearly defined picking separation. This is probably about as good as it gets for these type sounds. Very metal like ballading with chorus and delay. Def Leppard Bringing on the Heartache or Photagraph come off terrific. The crunch sounds are very realistic and the US Hi Gain is about as good as it gets for 80s Metal. I can compare this to the VT Plus series because I have it. This pedal sounds good and really excels with a Tube amp. The VT Plus is a tube hybrid and the 12ax7 single tube does add a touch of edge as it is cranked but the pedal is the same Engine and the edge is subtle and the Tube Screamer SIM sounds close. Any sound can be had and it records from the line out with very good definition. Most of the amp sims are very good with little tweaking and I think it has the most good amp Sims of any other multi fx unit. Has way more variables than the VT Plus amp series and it is one of my favorites for downright realistic amp sounds. Hard to believe it but, it stacks up well against the bigger floorboards in respect to tone alone. More controls on the bigger units sometimes can take you too far off base. It really is well designed and keeps you sounding good.
4. Mxr M69 Prime Distortion Guitar Effects Pedal
Product Details:
Introducing the jim dunlop mxr prime distortion pedal, a 100% analog distortion pedal with hard-hitting amp like distortion in a compact, little box; a perfect addition to any guitarists toolkit. the mxr prime distortion pedal produces a range of raw, powerful distortion tones with incredible response times, much like the kind you may find on a quality tube amp. being 100% analog, the pedal is designed with low noise op amps, allowing you to increase the gain without any unwanted noise added to your signal. the pedal features output, tone, and distortion controls, giving you more freedom to tweak your sound to perfection. like all mxr pedals, the prime distortion wears a heavy-duty outer shell with road-worthy jacks and switches for extreme durability.
Specifications:
Reviews:
I love MXR products. I recorded an album heavily using the Classic Overdrive and have loved it. Decided to snag the Prime Distortion because I loved their other stuff and have not been disappointed. It's got an awesome warm tone and can get really crunchy for some excellent hard rock sound. Definitely glad I got this pedal!Don V
There is no unity gain on this. Even with the volume maxed it reduces the volume. I guess brown is a good color for it because it is muddy sounding too, lacks clarity and doesn't cut through a mix. I couldn't get a good sound out of it at any setting. Very disappointing distortion.Jonas
5. Behringer Hm300 Heavy Metal Distortion Pedal
Product Details:
Specifications:
| Power Source | Battery, DC power |
| Weight | 0.73 lb |
| Output Impedance | 1 kOhm |
| Input Port | 1/4" jack |
| Intput Impedance | 500 kOhms |
Reviews:
i wanted to compare this to my boss hm-2 pedal but i can't get to it at this time, so i'll have to do this by itself. this is a very nice distortion pedal. again the plastic casing is durable and inexpensive ,so you're getting a good pedal for the money.the level and distortion controls are sensitive- i consider a plus. i do wish there was more bass in the in the low frequency control. now you might be asking, "why don't i cut back on the high frequency control?". here's why : the high frequency control appears to be a combination high frequency/gain control! the more you turn it up, the more gain. combined with the sensitive dist/level controls this is a nice feature if you want that. i like it . i can always boost the bass on the amp/EQ/whatever. i like to use different dimensions of distortions and if you are like me ,i recommend this.thurstonnalley
I guess I'm more of a roady/studio guy than I am an artist, as I've always got more out of turning knobs then actually playing music lol. I bought this pedal for one reason and one sound only. The Swedish "chainsaw" guitar tone of the 90's that came out of Sunlight Studios that was popularized by bands like Entombed and Dismembered. I think it sounds incredibly good considering I bought it NEW for 25 bones plus shipping! The distortion is sometimes a bit over the top, but cleans up when you roll back the volume knobs on the guitar. I imagine you could really get some interesting tones going if you paired this pedal with a compressor and eq both before and after it in the signal chain (and with Behringer that's actually an affordable option), and of course, a tube amp, as most of the bands with that sound supposedly used Peavey 5150 tube heads. Very nasty distortion pedal, if you could travel back in time to the 90's you could probably sell this to a metal head for absolutely ridiculous amounts of money. If you are not buying this pedal for a certain "Swedish death metal" sound or just metal in general, I would not recommend this pedal, as there are probably much better pedals out there for what you need. Its made out of plastic which I personally don't mind, as I'm not a touring or gigging musician. If I stomped on it several times a night for half a year I dunno how that would work out. Not a big fan of the color, but then again, I didn't buy this pedal for aesthetic value. Behringer makes great stuff for less, I plan on buying a lot more Behringer pedals in the future!James the studio guy
Just great wee pedals and such a great cheap price too. Best discount around at the moment as far as I could see.Reviewed by Andertons Music Co.
6. Behringer Um300 Ultra Metal Distortion Pedal
Product Details:
The um300 effects pedal gives you the most extreme and sought-after hard rock or heavy metal sounds with super-thick, tube-like distortion plus endless sustain. the um300 features dedicated distortion, 3-band eq and level controls for awesome sound shaping. a cool blue status led for effect on/off and battery check plus a first-class electronic on/off switch for highest signal integrity in bypass mode are included. the um300 runs on a 9 v battery or a dc power supply (not included).
Specifications:
| Product Type | Guitar pedal |
| Pedal Type | Distortion |
| Battery Power | 9 V |
| Dimensions | 2.125" H x 2.75" W x 4.8" D |
| Weight | 0.73 lb |
Reviews:
This thing is unbelievably excellent. I’m down with serious chunk and couldn’t find a pedal anywhere that tickled my fancy of fatness of tones and clean as a whistle chugging. If you want metal, this will give you the sound you want, the thing has six knobs and they all do great differences in tone and distortion. My mate is a full blown metaller gtar ist and scoffed at me buying this thing. He came round and I said that I wanted to hear him thru this pedal so he did after I dialed him in to my liking amd he blew himself away with me alongside him He now has one too!!!! HahahaGeoff K.
The distortion operation is like MT-2. Sound and operation is similar, But it has differernt knobs for min settings. Distortion levels quickly passes overdrive/crunchy so it it not usable for that. Bass level is not usable after 2 o'clock setting. Treble and mid levels and mid frequency levels change a lot sound. Level setting is use fun if you don't want to load the amps input and cause additional distortion… Battery changing is easy.
7. Xotic Rc Booster V2 Effects Pedal
Product Details:
This is a customer returned item in 100% perfect condition. what do the tones of renowned guitarists such as page, evh and johnson have in common? they all used the legendary echo machine ep-3 as a pre-amp. xotic has captured that magic in their pedalboard staple, the ep booster. they've used the highest quality parts available with a discrete fet design and low impedance output. the ep booster provides up to +20db of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. the internal dip switches let you choose the boost frequencies and the eq settings. the rc booster v2, inspired by the scott henderson rcb-sh model, now comes with an added gain channel for even fatter tones with a super transparent 20db+ clean boost. super transparent 20db+ clean boost adjustable +-15db two band active eq run it at 18v for even more headroom!
Specifications:
| Width | 4.39" |
| Depth | 2.38" |
| Height | 1.98" |
| Battery Type | 9VDC |
| Weight | 0.6 lb |
Reviews:
At a point several years back I only owned Active Basses, but in the space of two months proceeded to acquire several High-End Basses with Passive Electronics, I was in need for something in my signal chain to raise the output of the Passives to the level of my Active Basses. I took the advice of a close friend who's a true "Professional Bassist" who also knows a great deal about the technical issues of Pedalboards, Large-Scale Amplification and such and picked up the Xotic Bass RC Booster which was the highest-quality he could recommend (I'd rather spend the money once rather than upgrade from a "Beginner's Pedal" to a "Midrange Model" and so on…) That was once of the best pieces of advice I've been given in terms of gear, as to this day the Bass RC Booster is a main piece of equipment on my Pedalboard. Between the 2-Band EQ, Gain & Volume controls I'm able to raise the level of my own Passive Basses or a Bass that I'm using at a Jam or Open Mic to the levels of my Active Bass, which I have all adjusted to Unity Gain as to cause as little issues as possible. Two surprising use of note: with a minimal increase in Volume the Pedal becomes just as useful as a Volume Boost to both Passive & Active Basses for solos, drum 'n bass breakdowns and other times where it's necessary to step out into the spotlight a bit more. Secondly, when the Gain is pushed towards the higher registers you can even can a quite useable "SVT"-type Overdrive. Even players who play with a clean tone will certainly find this added bonus helpful in both live and studio situations. To sum up the Xotic RC Bass Booster, it's an extremely high build-and sonic quality, low noise & versatile Boost effect. Its additional use as a light Overdrive effects is just as effective in its field. I use this often on my Pedalboard, and would replace it immediately if it were lost or stolen. A bit pricey when initially purchasing, it makes up for that as you're buying a Professional Quality effect, and would not have any need to replace with a "better one" a year or so down the road. This is all one would need to cover this area of effects!
I have an Xotic AC Booster and it is one of my fav pedals. At the start of my chain – after the buffer – I have a Compressor, then an old DOD Preamp 250, followed by my AC. I like the sound, but had this setup for a while and was just looking to shake things up. I thought the RC ver 2 would be a great replacement for the DOD as what could be better than 2 xotics in series? Well, not this! The Comp (Wampler Ego; another pedal I like alot) did not play well with the RC. The sound was muddy and lost all definition. The RC alone was OK, but not great. Found the effect of Gain 1 to be pretty darn subtle and really not much better than my old DOD gain pedal. Had to crank RC Gain 1 to full CW to hear much – a very different pedal from the AC which is super responsive. I also found the adjustment for the RC Gain 2 pot to be very awkward for a quick adjustment onstage as is occasionally necessary between songs. So, I was pretty bummed out as I love the AC and I use an Xotic EP booster for regular lead boosts. Just did not work out for me. Hard to decide if I would recommend the RC. Personally, I am very picky about effects, usually use only 2 at most at one time (e.g. Comp + AC; EQ + Delay, etc.) . So I think i would say that I do not recommend…but you may like it.BCY123
I'm surprised at how much I use this pedal. I bought it to boost the signal of passive basses and it does that and a lot more. The EQ points are right where you need them. And because you can preset those as well as the volume, when you switch to a passive bass in the middle of a live performance there is no time wasted fiddling with knobs trying to match the sound of your active bass. Also it's useful as a clean boost on active basses for those times when your hands are busy and you can't adjust your amp in the middle of a song. Just pre-set the pedal to a little boost and any time you need it, you've got it with a quick stomp of the foot. The third use I find for this pedal is with effects. You can use it to put a little boost before any overdrive/distortion pedal it will increase the gain. I love this because I like the sound of the Morning Glory pedal, but it doesn't get quite dirty enough. Most pedals that get as dirty as I want don't sound the way the Morning Glory does so this is perfect for me. And the other way it's useful is to add bottom end to distortion pedals (which are famous for not supporting the low end very well). Preset a little bass boost and when you stomp the overdrive/distortion pedal also click on the Xotic RC.PDGood
8. Behringer Hd300 Heavy Distortion Pedal
Product Details:
The behringer hd300 heavy metal distortion effects pedal gives you the tools to create high levels of crushing distortion and sustain with ease. there's serious sustain on offer, giving you the ability to get really sludgy, crushing sounds with ease. the expanded 4-knob layout gives you total control over your tone with a dedicated 'bottom' knob perfect for optimising the pedal for lower tunings or 7+ string guitars. if you need to go heavier, go with the hd300.
Specifications:
| Battery Capacity | 9 V |
| LED Color | Blue |
| Power Supply | DC |
| Number of Settings | 5 |
| Indicator Type | LED |
Reviews:
This line of pedals is a great entry-level/affordable effects option if you want to experiment with new sounds, but it's equally good if you know what you want, and what you want is nothing fancy or bizarre sounding, just some perfectly "standard" effects. And this particular unit is one of the most handy and usable distortion units of the line IMHO. It provides a great range of distortion tones, and most of them perfectly usable/suitable for metal, hard rock, etc. I mean, it's not easy to find a bad setting in this pedal, one that generates a truly disgusting sound (unlike other units… like the ultra metal or the heavy metal… which require some precaution in their knob tweaking). The enclosure is plastic, and replacing the battery is a little bit tricky, but that's very easy to tolerate when you see the price tag. And, It just sounds good to me. I have no complain.
9. Electro Harmonix Bass9 Bass Machine Guitar Pedal
Product Details:
Electro harmonix bass9 bass machine guitar pedal – turn your guitar into a bass with the electro harmonix bass9 bass machine guitar pedal – the polyphonic bass9 bass machine transforms a guitar into nine different basses and requires no special pickups, midi or instrument modifications. it relies on the same technology powering all ehx 9 series pedals, like the award winning mel9 tape replay machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking. – a rotary switch allows the user to select the sound of their choice, as follows:precision: pays homage to the iconic fender p bass – longhorn: emulates the danelectro 6-string bass, ideal for baritone type tones – fretless: features both electric and standup fretless basses. synth: a tribute to the classic taurus synthesizer – virtual: lets the user adjust the bass’s body density and neck length for a variety of bass sounds – bowed: classic bowed bass split bass: makes it possible for the guitarist to play bass on the lower strings (all notes below f#3) and chords or melody with the higher strings.3:03: a polyphonic salute to the sought after roland tb-303 vintage bass synth – flip-flop: inspired by ehx’s octave multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches. – the pedal is equipped with independent effect and dry volume controls so guitarists can precisely tune their mix at the effects output jack, plus an always-active dry output jack that outputs the input signal at unity gain. controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. for example, in precision, ctrl 1 controls the sub-octaves while ctrl 2 imitates the original instrument’s tone control. the bass9 comes equipped with a standard ehx 9.6dc200m – a power supply. guitar pedals, chuck levin's washington music center, electro harmonix, electro harmonix bass9 bass machine guitar pedal
Specifications:
| Product Type | Bass machine pedal |
| Pedal Type | Bass guitar modeling |
| Power Usage | 100 mA |
| Power Source | 9 V DC |
| Bypass Switching | Buffered |
Reviews:
Put in about two hours of playtime on this, stored it for a few months safely right next ot all my other EHX pedals. All of them work perfectly, this one just doesn't. Musician's Friend won't replace it, and EHX is making me pay to ship it back to fix it. Which is absurd as it's basically new.Ian
10. Mxr M86 Classic Distortion Effects Pedal
Product Details:
The m86 classic distortion joins the ranks of mxr classics such as the phase 90 and dyna comp compressor, setting a new benchmark in distortion tone and quality. developed from the ground up using carefully selected components, the classic distortion delivers everything from sweet-singing overdrive to massive distorted crunch. its natural and amp-like distortion is versatile enough to appeal to any playing style, and it's transparent enough to let your guitar's personality shine through.elevate your distortion tone and quality. order today.
Specifications:
| Finish | Black |
| Year | 2000s |
| Made In | United States |
| Pedal Format | Standard |
Reviews:
Classic sounds not overpoweringJcrash
It's a good pedal for what it was designed to do, and for the price it's a no brainerJames
I use it to give a little extra through my amp for a little more. I mic my amps for recordingRick
11. Electro-Harmonix Nano Clone Chorus Guitar Pedal
Product Details:
The electro-harmonix nano clone chorus effect pedal is everything you love about the small clone in an even more compact, die-cast package. this compact battery operated chorus pedal features a simple, effective rate knob, with an led function indicator. to produce the chorus effect, the nano clone bends the frequency slightly from the input source and mixes this altered signal with some direct unaffected signal. the combination produces a doubling effect. the depth switch controls the amount of frequency change that occurs in the altered signal. the rate knob controls the rate of alteration between raising and lowering the frequency. the red led indicates when the effect is switched on. the footswitch engages and disengages the chorus effect.
Specifications:
| Year | 2006 – 2022 |
Reviews:
It's a good, simple pedal. Not the greatest but something you can cut your teeth on if you're unfamiliar or uncomfortable with effects pedals. Has a nice chimey almost a touch of flange effect along with the chorus to give it a unique voicing. A little tiny bit noisy but its to be expected of warm analog sound. I find it best to put it in the effects loop on your amp. Doing this quiets it down a bit and takes care of a small volume drop in the pedal. Overall I'm happy with the pedal. It's pretty good. Not glorious but pretty good for its simplicity.hatchetjosh
For people who don't know about chorus pedals, this is an equivalent to the MXR Micro chorus, which first came out in 1981. It is a very satisfactory pedal for its type. It made its debut with the 'XO' series of compact Electro Harmonix pedals. In my opinion, it is complimentary to the variety of chorus pedals that Electro Harmonix has, and it DOES provide great expression.MFH
12. Rogue Distortion Guitar Effects Pedal
Product Details:
The rogue distortion pedal creates an edgy distortion effect reminiscent of the hard rock tones of the '70s and '80s. it also lets you overdrive your favorite tube amp or solid state amp, creating harmonically rich, sustaining tones.three control knobs let you quickly adjust the amount of distortion, high-end bite and overall volume of the effected sound. a true bypass switch engages and disengages the effect. an led indicator shows you when the effect is engaged and gets dim when it's time to change the battery.the rogue distortion pedal is made of aluminum and built to last.
Reviews:
This was one of my first pedals; it was the first distortion pedal that I added to my rig. Obviously, you know what you're getting when you see a pedal retail such a low price. That said, I've since added a lot of other pedals to my board and I sometimes come back to this one. It has a great bite and does well on the high end. I don't prefer the low end through this pedal, but I'm yet to use it with a compressor. At the end of the day, it's a fun intro to distortion and the price truly outweighs the cons to this pedal. If you're experienced with effects or if you're interested in playing live, this is not a great option. However, if you like jamming in the garage and you don't mind a bit of high-end feedback when you push it to 11, it's a steal.Mitchell
Recently purchased the Rogue analog delay for my acoustic pedal board when it was on sale and so far really like it. Saw that MF was having a sale on effects and saw the whole Rogue line of pedals on sale for a really REALLY LOW price so I thought what the heck? Before buying this pedal I did read a lot of negative reviews on the Blues Distortion pedal but again for the LOW price I was going for it. What did I have to lose?? I wish I would have listened to the negative reviews, I pretty much agree with them all. Not sure why they would call this pedal a Blues distortion???? Not even close. The only thing I can think of is there is something missing on this one ( and all of the other people who reviewed it) cause it totally missed the mark. Really, really thin with no gain. It could be called the stick man treble boost pedal and I think that would be a great description. I do love the color ( of the pedal) and thats as for as it goes for me. Pass on this one at any price!RockMeister
I liked this one enough to buy a 2nd one. It's a variation on a Blues Breaker. The first one I got cut so much bass I cracked it open and modified the caps in the "t-junction" to let more bass through. This second one I got was voiced more normally. This guy has a nice 'open dynamics' kind of feel to it. Not a ton of compression. It responds very well to picking dynamics. Honestly, it's one of the best, and cheapest, blues breaker clones out there. Its tone is basically 'light crunch' with a lot of low-end and high-end freqs removed. Low gain settings make it a really decent 'always on'/'base tone' kind of pedal for blues. If you want a flat response 'base tone', go elsewhere, like the Plumes or Timmy, but they feel more like modified tubescreamers, so it's a trade-off. Another really good BB clone pedal is the Tone City King of Blues. That one is truly low-gain BB territory, and comes with a Klon clone built into it. It's smoother though, less crunch, so it's a bit different.TheUnnamedBluesman
13. Behringer Um300 Ultra Metal Distortion Effects Pedal
Product Details:
Heavy metal distortion effects pedal take off with the most extreme and sought-after hard rock or heavy metal distortion this behringer product has been designed to compete head to head with leading products on the market multi-gain circuitry to give you super-thick, tube-like distortion plus endless sustain dedicated distortion, 3-band eq and level controls for awesome sound shaping blue status led for effect on/off and battery check runs on 9 v battery or the behringer psu-sb dc power supply (not included) first-class electronic on/off switch for highest signal integrity in bypass mode high-quality components and exceptionally rugged construction ensure long life conceived and designed by behringer germany in the churning, smoldering world of heavy metal, it's the middle frequencies that make the difference between mush and muscle. with the um300 ultra metal, you not only get take control of the mids, you micromanage them! metal to the max the um300 effects pedal gives you the most extreme, sought-after hard rock and heavy metal sounds with super-thick, tube-like distortion – plus virtually endless sustain. the art of tone like most distortion stomp boxes, the um300 comes with distortion and level controls. and the high and low controls let you dial in the amount of top-end and bottom you desire. but the similarity to other stomps ends right there. what this means, in terms of tone, is thick, tube-like distortion with endless sustain, for everything from aggressive, traditional metal assaults to bone-crunching mayhem. a bright blue led tells you when the um300 is active, while a top-quality on/off switch maintains highest signal integrity in bypass mode. take off with the most extreme and sought-after hard rock or heavy metal distortion this behringer product has been designed to compete head to head with leading products on the market multi-gain circuitry to give you super-thick, tube-like distortion plus endless sustain dedicated distortion, 3-band eq and level controls for awesome sound shaping status led for effect on/off and battery check
Specifications:
| Product Genre/Category | Musical Instruments |
Reviews:
This thing is unbelievably excellent. I’m down with serious chunk and couldn’t find a pedal anywhere that tickled my fancy of fatness of tones and clean as a whistle chugging. If you want metal, this will give you the sound you want, the thing has six knobs and they all do great differences in tone and distortion. My mate is a full blown metaller gtar ist and scoffed at me buying this thing. He came round and I said that I wanted to hear him thru this pedal so he did after I dialed him in to my liking amd he blew himself away with me alongside him He now has one too!!!! HahahaGeoff K.
The distortion operation is like MT-2. Sound and operation is similar, But it has differernt knobs for min settings. Distortion levels quickly passes overdrive/crunchy so it it not usable for that. Bass level is not usable after 2 o'clock setting. Treble and mid levels and mid frequency levels change a lot sound. Level setting is use fun if you don't want to load the amps input and cause additional distortion… Battery changing is easy.
14. Fulltone Ocd Overdrive Pedal
Product Details:
The fulltone ocd-obsessive compulsive drive overdrive pedal packs classic od tones into a compact pedal with simple, no-fuss operation. from heavy crunch rich with overtones and feedback to spanky cleans, the ocd delivers the sounds of a great tube amp, as sell as the same sensitivity and response to your playing style. along with standard volume, drive, and tone controls, the ocd's hp/lp (high peak/low peak) switch takes the pedal from a clean boost to manic, sustain-laden distortion. true bypass switching. fulltone ocd obsessive compulsive drive overdrive guitar effects pedal features: tube-like overdrive and touch-sensitive response hp/lp switch for instant re-voicing and uses volume, tone, drive controls, true bypass switching.
Specifications:
| Available Gain | 20 db |
| Battery Capacity | 9 V |
| Input Impedance | 1 mega ohm |
| Output Impedance | 10k ohms |
Reviews:
Sounds great. Also surprising versatility with the HP/LP settings. One criticism is that its very loud. Slotting in after 2 boosts and an OD, then before a fuzz has played havoc with my gain structure as, with those other pedals operating within normal vol ranges, I've found the volume on the OCD needs to be most of the way down when using drive greater than 12-o-clock which is even more noticeable on the HP setting. Btw, that's into a highish headroom amp so if you were using the OCD to further drive an already breaking up amp into much more compression then probably not that great an issueReviewed by Andertons Music Co.
I needed something to stack along side of my TS that did not overpower the sound of the other pedal or sound too thick on its own. This pedal sounds fantastic with single coil pickups and pairs extremely well with other OD pedals. I like the fact it can run on either battery, 9V, or 18V AC connections, making this a great choice if you have limited ports on your power supply. On its own, it stands out very well when dialing up the drive settings and it sounds absolutely great coming through a properly dimed tube amplifier. It is no coincidence you see these pedals on the boards of many great professional players… This box just has excellent tone and all their products are handmade in the USA with plenty of care involved–making them a quality purchase. I am looking at collecting a couple of other earlier versions as some have tonal differences that work better with other set ups. Overall very satisfied with this purchase.built_for_speed
I've owned the Fulltone OCD for just over a week now and I can confidently say it's the best overdrive effects pedal I've ever had the pleasure of using. It has a sturdy build, it's versatile, it retains the original tone and colour of your guitar/amp combo and it's LOUD! I wanted a pedal that would fit compliment my '65 Twin Reverb Reissue amp and Telecaster, I love the tone of my setup but I really needed some bite in the shape of a good overdrive. After doing some research and seeing the name Fulltone OCD pop up again and again I started to get very curious about this pedal, the clincher was when I saw it on the pedal board of a guitarist on youtube who was showing off some of my favourite licks! I'm glad I chose the OCD. The fact that new OCD stock routinely goes out of stock shortly after going on sale on most websites should tell you everything! Recommended.Reviewed by Andertons Music Co.
15. Digitech Whammy Pitch-Shifting Guitar Effects Pedal
Product Details:
Great condition and totally functional with only minor cosmetic wear as pictured. comes with original box, no power supply. a legendary effect that's spanned 23 years and graced over 700 million albums. there is no doubt that the digitech whammy pitch-shifting guitar effects pedal is a pedal board must have. pitch shifting effects help a guitar performance stand out, and the whammy pedal has been a core pitch shifting effect for influential artists for over 20 years. whammy artists have won over 60 grammys using the whammy pitch shifting sound to enhance their music. its songs echo the hallways of the rock & roll hall of fame, and can be found on over 700 million albums around the world. the legendary whammy pedal is the premier pitch shifting pedal for any guitarist's board, and it only gets better with classic single note whammy bends, chordal pitch shifting and true bypass.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| Length | 8" |
| Width | 6.3" |
| Height | 2.5" |
| Color | Red |
Reviews:
Overall: Finally got another Whammy V after missing my prior one in a "stupid-sell all-great new multi unit dumb idea". Not sure what to say about this pedal as it would seem of the many vids I have seen on it, I cast doubt if anyone really can understand how to use it without having one for a time. I constantly hear this "weeeeoooo" thing and really that might be of use now and then but what nails this pedal for me is the harmonizer mode section. 8va's and 4ths,5ths, utterly amazing. This is not so much a moving the pedal thing as everyone seems to want to do. Most of th etime mine is parked up or dwn for a specific harmony or maybe a sweep of low to high octave, play a version of Dazed and Confused using this and you may just never be the same. The lowered 5th harmonizer mode on this puppy is probably one of the best all time tones I have ever had the pleasure of playing. A harmonizer, with no set key or scale restriction, polyphonic tracking, true bypass, I'd pay more just for that. The DT model is cool but I am not really doing step tuning variants. Anyway, this pedal is sooooo much better than what you will hear being done on typical vids. Mastering this puppy will afford you a range of really cool tone possibilities nothing else can muster. Those who hate this pedal suffer from the terrible videos of it or the old models that glitch and burble from only being monophonic tracking. The buffer has been removed and this is improved poly tracking tech! Full bandwidth 1M ohm and out. Simply no comparison tech wise to the previous models.Whambam
I love how certain players use this pedal. Bucketed is the absolute master of the Digitech Whammy. I like Buckethead and got a whammy to try for myself. The only time I actually use it during performance as a ad-lib bit. The problem is that when its engaged it sucks the life out of your tone. Its like going from an all tube amp to using an iRig to play your guitar through your cell phones speakers. The effects are crazy awesome though. People that don't know gear that hear you play, bug out when they are trying to figure out how in the world you are getting those crazy sounds. The pedal needs recalibrate all the time. For no reason, even when you have the pedal on heel down, when you engage the unit the pitch will shift. The dive bomb effects are crazy for weird rumbling effects. All in all, typical of my experience with Digitech, they aren the best effects tonally. But if you want to go weeeee-ooohhhhh, weed-ohhhhhh a bunch for the fun of it, this is your pedalSpaceman Spiff
Bought this in a heartbeat to replace my Digitech Whammy IV, which is a fantastic pedal but lacks the sound quality and additional features of this latest version: the Whammy V. For the uninitiated: The Digitech Whammy is a versatile pitch-shifting, harmonizer, octave, drop-tune, and chorus pedal used extensively by at least one of your favorite pro guitarists: Johnny Greenwood, Tom Morello, Jack White, Matt Bellamy, Buckethead, and countless others. I use it not just to replicate parts of their songs–Johnny's +2-octave riff in "Just", the solo in "Like a Stone", the "bass" line in "Seven Nation Army"–but in plenty of my own songs, both live and in the studio. The construction is solid and designed for both touring and in-studio use–durable but not too heavy, big but not obnoxious. Next, the upgrades: This new Whammy comes with two huge improvements. The first is true-bypass switching. Previous models are well known for being tone-sucking beasts, and although there is still a noticeable change in your sound when this latest version is on, when it's off it's off. The other massive upgrade is polyphonic tracking while pitch-shifting, which means it can shift entire chords up or down without sounding glitchy or garbled (e.g., "My Iron Lung"). For people who like that glitchy Whammy IV sound and want the option to use it, there's now a Classic/Chords switch which lets you do just that. On the cosmetic side, Digitech renamed a few modes, reorganized the layout, and brought back the Whammy logo on the expression pedal. All of these upgrades are godsends for long-time users. Finally, the drawbacks: First, as always, there is no "intelligent" harmonizer setting, so you're still limited to choosing an interval–4th, 5th, 7th–and not a key–Bb, C#, E–for your harmonies. Also, this latest version keeps the MIDI jack but ditches the dry output, which is a bummer. Overall, the Whammy V is a phenomenal improvement over the IV and a unique pedal in its own right. 5/5Joe B.
16. Digitech Mosaic Polyphonic 12 String Effect Pedal
Product Details:
The digitech mosaic polyphonic 12-string effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. the mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar. tailor the mosaic's sound with the independent level and tone controls. level will control the 12-string effect intensity while tone shapes the overall brightness of the effect. the mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. it is true bypass and uses a 9v dc power supply to easily integrate into your existing pedalboard.
Specifications:
| Sample Rate | Sample Rate- 44.1 kHz |
| Frequency Response | 20 Hz to 11 kHz (Effect Enabled) |
| THD | 0.004% @ 1 kHz; ref = 1 dBu with unity gain |
| A/D Conversion | 24-bit |
| Input Type | 1 x 1/4" mono |
| Maximum Input Level | +5 dBu |
| Input Impedance | 1 MOhm (Effect Enabled) True bypass (Effect off) |
| Output Type | 1 x 1/4" mono |
| Maximum Output Level | +10 dBu |
| Output Impedance | 1 kOhm (Effect Enabled) True bypass (Effect Off) |
| Power Consumption | 2.3 W (< 250 mA at 9 VDC) |
| Dimensions | 4.75 x 2.88 x 1.75" / 12.1 x 7.3 x 4.4 cm |
| Box Dimensions (LxWxH) | 5.1 x 4.5 x 3.7" |
Reviews:
The Mosaic pedal is easy to use, and produces a realistic 12 string effect. It comes with it's own power supply, and I recommend using it as it seems to use quite a lot of energy to produce the effect. When I first connected it in my chain, powered by the wimpy Snark power supply, it didn't really work. The light came on when I pressed the on/off button, but the effect wasn't happening. Then I used the power supply that came with it. Suddenly, out came the shimmering sound of an electric 12 string. In short, it might not sound like a Rickenbacker, but its close enough, and much less expensive. If you want the sound of a 12 string, but don't want to spend the money, this may be the perfect substitute.jonaha650
Overall: Ive been using my Roland Gr-55 (w/ GK-3) to add 12 string shimmer to my sound for years. This little box is amazing! Tracking is impeccable, and the controls are so simple I was up and running within seconds! The metal box is sturdily built, and COMES with a muscular 9v, 1.3amp power supply(?!?!) Switching is silent, and the effect tracks tonal changes between pickups well enough that once dialed in, I dont need to touch the tone knob. If I get insanely picky, I kinda wish there was a separate out for the 12string sound, but that would negatively affect the affordable price and kind of defeat the 1 pedal= 2 instrument simplicity. If you never ever wished you had a 12 string, but it antway! You'll see what you've been missingDennis
I have both a 6 string and 12 string Rickenbacker. I don't normally like to take my 12 string gigging because I've got enough other gear to haul around and the 12 string is only used on a few songs. Plus all the associated issues with tuning, string replacement, swapping guitars, etc. The Mosaic does a pretty credible job of making my six string sound like a 12 string. It does not produce a perfect reproduction, but I find it good enough that I'm using it regularly. Considering the technology needed to generate the 12 string sound from a six string instrument, I'm actually very impressed that it does a good a job as it does. And the fact that it is polyphonic is icing on the cake. I've used electronic harmonizers to try and duplicate a 12 string sound, but they always failed in two areas. You could not play chords and the high B and E strings sounded just awful because the harmonizer would try and play notes an octave above on those strings as well (usually rendering this approach useless).. I found that the Mosaic gives a pretty credible 12 string reproduction on the E, A, D, and G strings. Fortunately the upper B and E strings do not get the octave treatment. They remain with the original pitch, but they don't quite have the full tonal resonance of a true 12 string. It isn't bad, just not quite perfect. All in all, I feel its a good product, does a good enough job and I'm happy with the 12 string emulation. I think its a credible option to consider if you need a 12 string sound, but can't justify the cost and issues of owning a true 12 string.bgb92549
17. Electro Harmonix Guitar Mono Synth Pedal
Product Details:
The ehx mono synth transforms your guitar into eleven great sounding synthesizers from vintage synth emulations to fat, stacked voices to soaring lead sounds and more. the mono synth was designed to work on guitar without any modifications, special pickups or midi implementation. its intuitive layout makes it easy to use and easy to dial in cool sounds quickly. the pedals dry dial adjusts the dry guitar volume at the synth output while synth controls the volume of the synthesizer sound at the synth output. used together they let you create just the right mix. the sens control, short for sensitivity, adjusts how playing dynamics trigger the synthesizer and allows you to fine-tune the pedals response to your guitar and playing style. with the ctrl knob you can adjust a key parameter for each of the eleven synth types. it varies depending on the preset and provides extra tweakability for customizing your sound. theres also an exp input which lets you control an entirely different parameter in real-time with an expression pedal! using the built-in preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. the factory presets are also easy to restore should you wish to.
Specifications:
| Number of Effects | 11 |
| Output Jack Size | 1/4" |
| Connector Type | TRS |
| Number of Knobs | 5 |
| Input Jack Size | 1/4" |
Reviews:
I preordered this on AMS without, obviously, trying it out. I had only seen some clips from NAMM, etc. I wanted a ‘noisemaker’ more than anything…a little secret weapon with another flavor on my board. It’s a lot of fun so far. It mentions that it’s not intended for chords like several times in the manual. But honestly, that’s where it gets cool & weird. Like, seriously science fiction stuff. Try it with an expression pedal! I have one for my EQD Avalanche Run so I tried it out on the Mono Synth for kicks and it opened up a whole new level. This pedal is not for everyone but it’s definitely worth checking out.suede
An excellent pedal. Cool synth sounds with a reasonable amount of variation for each. Not perfect. Being monophonic, some of the sounds require you to be very deliberate when playing as even a slight slurring of notes can cause the pedal to have a little mental breakdown. Overall excellent. Would recommend.Michael
A brilliant pedal that adds so many options to your palette as a guitar player. Great that you can dial in authentic synth sounds (especially if you don't want to buy/soundcheck a synth just for a certain riffs) and loads of possibilities once it interacts with overdrives and fuzz.Steven K.
18. Boss Fv-30l Foot Volume
Product Details:
Boss fv-30l volume pedal for guitar used model without original box. pedal is in very good condition. the fv-30l is a compact foot volume pedals with kickin new designs. they ve been specially created for saving space on your pedalboard while maintaining the trusted boss standard for sound quality, reliability, and durability. these pedals are 100-percent professional grade, aluminum die-cast units, and feature smooth pivot action that supports subtle changes in volume control. thanks to their small size, the fv-30l offer a huge advantage for traveling musicians and gigging players who need to maximize pedalboard space. fv-30l a low-impedance pedal equipped with stereo input/output for stompboxes, keyboards, and other digital instruments.
Specifications:
| Product Width | 3.19 inches |
| Product Length | 7.56 inches |
| Output(s) | 1/4 in. audio |
| Input(s) | 1/4 in. audio |
| Effect Type(s) | Volume |
Reviews:
Still the best. Price increased only by $10 since inflation hit the pedal market, so not too bad. Tried many others. Still my go-to pedal. Heavy, fits my foot nicely. Not to small or large. L/R in/out, plus exp jack. Tension setting helps for fine tuning volume control. Recommend remove base plate and blow out rheostat once a year or so. Use compressed air (Office Depot/Office Max)mud1105
I needed a pedal to help me get my volume right at shows….Using the gtr volume control and or a volume pedal in front of my pedal board just changes the drive into the FX. I get everything nicely balanced in the studio or at home, and then each venue has odd sound characteristics and sometimes I am too loud in my rhythm and too soft in my leads & no time to get everything adjusted just right. So I wanted a simple master volume pedal after all the FX and before the amp…(did not want to hassle with more cables needed for the FX loop). I have tried them all…none worked well for me….Well, here is what I learned: This pedal has a min volume control which allows more accurate setting of the pedal to the volume I need mid-song. This control was key, allowed me to zero in on the volume easily as small changes in the pedal position did not produce huge changes in volume. The pedal does not cut the quality, at least not in noisy bars and restaurants. So it's very good. But the real point is after years of not doing the volume thing well with my right foot I discovered that I was much better at the task using my left foot…and I am right handed!! This has changed everything. Turns out, the issue was my right leg is way sturdier to stand on and control the volume with my left foot. If you have a problem with this type of thing, just try your other foot. The pedal and this simple foot change basically solved the issue. I am not perfect, but way better than before and I get better with each gig!!BC 123
Our keyboard player also plays steel guitar. We built a stand that integrates with the keyboard, so she can switch between keyboard and steel very quickly. We now own two of these volume controls. The first one is mounted to the effects pedal attached to our keyboard. The other is a spare. We use channel 1 for keyboard volume control and channel 2 for steel guitar volume control. It saves us from cluttering our board with two pedals. I wish we could run stereo keyboard, but we forgo that for practicality. We like the overall feel of the FV-500L Stereo Volume Pedal. The only drawback we can find is its size. It's about a foot long. But overall we like it.Uncle Ronnie
19. Donner Guitar Stylish Fuzz Traditional Rich,aluminium-Alloy Classic Effects Pedal
Product Details:
Good fuzz tonethis pedal has an abundant and great sound which can be compare to the violin tone. adorable mini outlook appearance with three simple knobs makes it stand out of the crowds of some other costly pedals. it is a classic fuzz pedal, the full and sweet tone would let the player’s emotion outflow deeply while playing with this pedal.
Specifications:
| Material | Aluminum-alloy |
| Power | 9V AC |
| Light Type | LED |
| Input Impedance | 490 Ohms |
| Output Impedance | 2K Ohms |
Reviews:
hurry go…go now! get to the credit card and grab one of these before there gone 4-ever. ok…this is a tiny pedal. barely wider then a pick. built well, great paint Job and sounds over the top good. very raspy. i own 4 donner pedals and love them all, but this fuzz takes the cake. i did a side by side comparison with my caline nightwolf and almost couldnt hear a difference! in fact the donner has a bit more grit. my favorite thing is the tiny foot print. my board is out of room for a long time now and i popped this right in. huge sound. lots of volume and grind. no warbling or sputter. i am now a big fan of donner and cant wait to see there new line of pedals. we are living in the golden age of effect pedals. never before could you get this quality at these prices! i paid $22.00 for a pedal that sounds as good as any big muff out there…………..maybe better!?!? thank you donner 4 another big winner at an UNBEATABLE PRICE, DELIVERED TO MY BOX FREE!!! P.S. AWESOME4METAL.Toni
20. Distortion Guitar Pedal Blue Fall Analog Electric Guitar Distortion Effect Pedal Vintage Mini Distortion Pedals For Electric Guitar Single Type Dc
Product Details:
[versatile distortion pedal]: vangoa distortion guitar pedal with metal's high distortion effect. which is hard clipped, and the gain ranges from low to high which is versatile for kinds of styles [true bypass]: true bypass switching allows a pure signal through when the distortion effect pedal is disengaged, ensuring signal passes almost lossless [transparent led shaft]: the control knobs with led indicators, indicate the working status. this cool feature adds sparkle to your performances [solid and refined]: reliable high-quality aluminum alloy die-casting shell, exquisite size, stable and strong. the metal shell blocks unnecessary noise caused by radiation. anti-slip rubber pads on the back ensure better stability [power source]: dc 9v adapter power supply (center negative, power adapter not included) vangoa distortion pedal with metal's high distortion delivers a muddy, thick, torn sound for a more punchy performance. distortion pedal with vol & dist & tone knobs for precise customization of recognizable classic rock distortion tones. true bypass switching maintains a pure signal when the distortion pedal is disengaged, ensuring a transparent tone. lighting up when pedal engaged. small and lightweight, easy to carry to the show. reliable high-quality aluminum alloy die-cast shell gives a precise shape, stable and strong. anti-slip rubber pads on the back ensure better stability
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