Are you looking for the Tech 21 Guitar Amp Simulators? If so, you’ve come to the right place.
Choosing the Tech 21 Guitar Amp Simulators can be difficult as there are so many considerations, such as Marshall, Yamaha, Kustom, Blackstar, ENGL, Bugera, MESA/Boogie. We have done a lot of research to find the top 20 Tech 21 Guitar Amp Simulators available.
The average cost is $268.14. Sold comparable range in price from a low of $129.99 to a high of $399.00.
Based on the research we did, we think Tech 21 PSA-1.1 SansAmp Rackmount Amp Simulator is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Tech 21 Guitar Amp Simulators (20 Sellers)
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$375.00
5.0
Reviewers Noted:
Ease of use
Features:
- 10db input level-input 2 switchable to
- 10db or 0db range output impedance-1/4 1k ohm min output impedance-xlrs 600 ohm min output level-1/4 switchable to
- 10db or 0db range output level-xlr switchable to
Reviewers Noted:
Size
Features:
- Pedal version of rpm, a multi-instrument preamp for acoustic, e or bass guitar, bass, mandolin and any other instrument equipped with a pickup
- Controls: level, treble, mid, bass, drive, blend & mid shift
- Switch for: phantom & ground connect xlr, +10 db 1/4 jack (trs), 20db xlr, rumble filter & air
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Storable version of the classic bass driver di
- Optimised for live applications
- Three storable sounds
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- All-analog sansamp technology helps produce crystal clear audio quality
- Two separate channels let you control gain and level individually during a performance
- 4-band active eq allows you to make convenient modifications to sounds
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Enhance your sound with presence drive and a 3-band eq
- Can deliver big vintage tube tone and bright modern slap sounds
- Can be powered with phantom power dc power supply or 9v battery
$248.95
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- Tube screamer-style -english muffy = hiwatt-style.
- Big muff-style -fuzzy brit = marshall-style.
- Fuzz face-style -mop top liverpool = vox-style.
$239.00
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- Tech 21 sansamp gt2 tube amp emulator tone shaping drive guitar effects pedal
- Tech 21 sansamp gt2 tube amp emulator
- Tube amp emulator
$399.00
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- Led indicator allows you to keep a track of the power level easily
- The digital display allows you to operate it with the added convenience
- Designed with 128 memory locations to help deliver an efficient performance
$248.95
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- Tube screamer-style -english muffy = hiwatt-style.
- Big muff-style -fuzzy brit = marshall-style.
- Fuzz face-style -mop top liverpool = vox-style.
$248.95
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- Tube screamer-style -english muffy = hiwatt-style.
- Big muff-style -fuzzy brit = marshall-style.
- Fuzz face-style -mop top liverpool = vox-style.
Reviewers Noted:
Quality build . Ease of use . Sound quality . Visual appeal
Features:
- All tube design (solid-state diodes used only for full-wave rectification)
- 5w output power into 8 ohm
- Vintage channel controls: bass, treble and volume
Reviewers Noted:
Size . Ease of use . Sound quality
Features:
- Get crisp and clear sound during a jamming session with this amp emulator pedal
- The drive knob helps control distortion in this amp
- All-analog pedal design allows you to use this amp effortlessly
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- Dual, all-analog sansamp circuits with individual level control.
- Drive for gain and overdrive.
- Saturation for low-end beef with separate level control.
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- Mix controlto blend the ratio of high-end studio clean (deep) and dirty bass tube amp tones (drive).
- Tight buttonto add definition to your notes in cleaner settings and make distorted tones snappier.
- Driveadjusts the overall amount of gain and overdrive, similar to when the output section of a tube amp is being pushed.
Reviewers Noted:
Ease of use
Features:
- I’m selling my tech 21 q/strip preamp.
- Includes original metal box.
- With its shelving low eq that lifts all low end frequencies and two parametric eq’s this pedal shapes your sound like no other.
$275.00
4.8
Reviewers Noted:
Build quality . Ease of use
Features:
- All-tube design (solid-state diodes used only for full-wave rectification)
- 8w output power into 8 &ohm.
- Vintage channel controls with push-pull functionality: bass (+mid-boost), treble (+bright) and volume (+turbo)
$208.00
4.9
Reviewers Noted:
Size
Features:
- Active tone controls help create versatile audio effects
- The 12db sound sensitivity helps reduce distortion
- This overdrive pedal helps enhance the bass and sharpness of the sound
$329.00
4.3
Reviewers Noted:
Ease of use
Features:
- Pre-boost mode helps in reducing noise distortion for rich audio quality
- Xlr output offers reliable connectivity with the compatible devices
- Fet-based technology helps improve the signal bandwidth for an immersive sound experience
$129.99
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- The tech 21 fly rig 5 v2 offers a complete pedalboard’s worth of stompbox power along with extreme grab-and-go convenience
- This killer multi-effects pedal is front-loaded with your choice of plexi or cali-style overdrive
- Kick your solos into saturation with 12db of clean boost. benefit from all-analog amp emulation courtesy of integrated sansamp technology
Features:
- Active tone controls with 12db of cut or boost
- Sweepable semi-parametric eq
- 1/4-inch and xlr outputs with selectable levels
1. Tech 21 Psa-1.1 Sansamp Rackmount Amp Simulator
Product Details:
The sansamp psa has been used on major releases and worldwide tours for multiple applications and instruments including horns, vocals, and drums. players, engineers, and producers alike find the sansamp psa very simple to operate. to program, you just tweak the knobs and save. parameters are adjusted in real time with traditional analog potentiometers. the digital memory stores the positions of the pots. with 256 incremental steps, each rotary control increases and decreases in a smooth linear fashion. the exceptionally versatile sansamp psa-1.1 offers 49 factory presets of the most recognized vintage and modern tube amp sounds for guitar and bass, plus 77 user-definable locations. a universal output section enables compatibility with full range systems as well as guitar/bass speaker cabinets. with the sansamp psa-1.1, you can record direct to tape, as well as warm up existing tracks in mixdowns. for live applications, it can be used as a pre-amp, "monster direct box" to p.a. system, and as an outboard processor.
Specifications:
| Finish | Silver |
| Year | 2010s |
| Pedal Format | Rackmount |
Reviews:
This Tech 21 PSA 1.1 is an analog beast! I am on my third one having sold the others for newer, shinier toys. BUT, This will never leave my hands again! Simply put, there are no used PSA 1.1s available because folks keep them. It is so easy to dial in the sound you want or go to the presets for the standards that include every amp youd love to own. These are musical goosebumps!lars134
2. Tech 21 Sansamp Para Driver V2 Di
Product Details:
The tech 21 sansamp para driver di instrument preamp pedal provides detailed tone-shaping possibilities for acoustic guitars, electric guitars, and electric and upright basses, either direct to a mixing console or with an instrument amplifier. the para dr – active tone controls with 12d – b of cut or boost – sweepable semi-parametric eq1/4" 4.7 meg – ohm instrument level input1/4" and xlr outputs with selectable levels – parallel, unaffected output to run a dry signal to a separate channel – mid shift ranges from 160hz to 3k – hz, +/- 16d – bblend has a regular full-size knob control – rumble filter switch removes unwanted sub-sonic frequencies that cause boominess and audible handling noises associated with acoustic guitars and also complements other instruments, such as electric guitar, for a snappier, more in-your-face sound – air switch adds top-end clarity and sparkle to acoustics and complements other instruments, as well as vocals, for more definition and more open sound
Specifications:
Reviews:
The Sans Amp works. The End.bdlubell
Great product! I have been looking for that perfect pedal to give my rig that little extra "growl"… This is it!sky.caserotti
3. Tech 21 Sansamp 3-Channel Programmable Bass Driver Di – Bass Effects Pedals – Effects – Pbdr
Product Details:
Really solid preamp with three programmable channels. in good working order and fair aesthetic condition — i'd put it at 6/10 there. there are scratches on all sides of the casing, hook velcro on the back, and i removed the rear battery compartment door so that the pedal sits flat on a pedalboard. the #1 footswitch sticks occasionally, but it was nothing problematic for me during the two years i had it on the road. comes with the original box, though the box has definitely seen better days.
Specifications:
Reviews:
I was recommended this bass preamp almost 20 years ago. I've been through a TON of boutique equipment since then, trying to find 'my sound' and figured..what the heck, let me give this pedal a try. It makes EVERYTHING sound better! If you play on other peoples rigs from time to time, bring this!!! You'll be so much happier you did! You can find 'your sound' on almost any rig with this little guy. I'm a gear snob, I like 'my sound', which is clear, clean, and with a little bit of tube breakup while grinding in on my jazz. My sound is a cross between Flea and Marcus Miller. My boutique equipment gives me this on its own. When I'm forced to play a Behringer single 15" cab with no tweeter and no usable EQ because its the backline, the Sans Amp will be definitely utilized that night! Do yourself a favor and grab one of these pedals! Even if you keep it in you bag as a backup DI. It's like having a preamp and/or a DI at your disposal in case you needed to go straight to the house.DT
Bought this to see about going straight to p.a. And monitor. Initial impressions very good. Even with tone controls flat it seems to improve the sound compared to going straight into the desk. More depth and detail? Not sure if they’re the right words but they’ll have to do! It now sits at the end of the line on my tiny pedal board. Other pedals are boss tuner, boss bass chorus and ebs billy Sheehan pedal. Simples!Reviewed by Andertons Music Co.
Here's why I love this thing. First, I prefer passive basses. Second, when gigging I need fast access to three basic tone signatures — a mid-boosted one for a balanced mix with the band, a bottom-heavy grindy one for heavy lifting, and a scooped one for funk and solos. Program those in, and good to go, with the option to tweak them a bit for conditions without permanently altering the setting. Third, after years of lugging heavy, bulky head units I now feed the Sansamp into a 1000W ultralite power amp and have all the headroom I need, without the pain. Fourth, whenever I meet a new sound man at gigs the first thing I hear is "Sweet, a Sansamp DI." Fifth, hand-built like a tank in NYC. I'm sure I can list more, but you get the idea. I've been using it for three years now and won't ever go back to onboard preamps, either on the bass or on the head unit.Casey Ess
4. Tech 21 Steve Harris Sh1 Signature Sansamp
Product Details:
Live sound optimised for a bass legend. the tech 21 steve harris signature sh1 sansamp has been designed to both replicate the exact tone of iconic iron maiden bassist steve harris, and make performing fluid, simple, and hassle-free. you can find a wide array of options to give you the ultimate in flexibility – all at your feet. it wouldn't be a steve harris signature without the booming, explosive, heavy metal tone that he's renowned for. you really can make your basslines roar with the sh1. but there's so much more on offer, too. top-notch tone tweaking is on-hand with a 4-band eq. and there's an 18db cut or boost for when you want to reduce your sound, or it give it an extra kick of power. plus, with a range of other settings voiced for legendary bassists including phil lynott, lemmy, and more, you've got a frankly gigantic amount of possibilities on offer. your bass sound just got bigger and more expansive than ever.
Specifications:
| Technology | All-analog SansAmp |
| Number of Channels | 2 |
| Equalizer Type | 4-band |
| Dimensions | 7.75” L x 2.5” W x 1.25” H |
| Weight | 12 oz |
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
5. Tech 21 – Sansamp Bass Driver Di V2
Product Details:
Much more than just a direct box, the sansamp bass driver di is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. three different outputs to drive power amps, recording desks, pa mixers, or simply enhance your current rig. controls include presence for definition and upper harmonic content; blend to combine the proportion of direct signal and sansamp circuitry, and active eq specifically tuned for bass with 12db of cut or boost. version 2 with the popularity of 5 and 6-string basses going beyond fad status and becoming mainstream, a switch is added to adjust the bass frequency to extend into those lower registers. mid-range control and a switch are also added to adjust its frequency. the core of the sansamp bass driver and all of its tones remain true to its original design.
Specifications:
Reviews:
I was recommended this bass preamp almost 20 years ago. I've been through a TON of boutique equipment since then, trying to find 'my sound' and figured..what the heck, let me give this pedal a try. It makes EVERYTHING sound better! If you play on other peoples rigs from time to time, bring this!!! You'll be so much happier you did! You can find 'your sound' on almost any rig with this little guy. I'm a gear snob, I like 'my sound', which is clear, clean, and with a little bit of tube breakup while grinding in on my jazz. My sound is a cross between Flea and Marcus Miller. My boutique equipment gives me this on its own. When I'm forced to play a Behringer single 15" cab with no tweeter and no usable EQ because its the backline, the Sans Amp will be definitely utilized that night! Do yourself a favor and grab one of these pedals! Even if you keep it in you bag as a backup DI. It's like having a preamp and/or a DI at your disposal in case you needed to go straight to the house.DT
Bought this to see about going straight to p.a. And monitor. Initial impressions very good. Even with tone controls flat it seems to improve the sound compared to going straight into the desk. More depth and detail? Not sure if they’re the right words but they’ll have to do! It now sits at the end of the line on my tiny pedal board. Other pedals are boss tuner, boss bass chorus and ebs billy Sheehan pedal. Simples!Reviewed by Andertons Music Co.
Here's why I love this thing. First, I prefer passive basses. Second, when gigging I need fast access to three basic tone signatures — a mid-boosted one for a balanced mix with the band, a bottom-heavy grindy one for heavy lifting, and a scooped one for funk and solos. Program those in, and good to go, with the option to tweak them a bit for conditions without permanently altering the setting. Third, after years of lugging heavy, bulky head units I now feed the Sansamp into a 1000W ultralite power amp and have all the headroom I need, without the pain. Fourth, whenever I meet a new sound man at gigs the first thing I hear is "Sweet, a Sansamp DI." Fifth, hand-built like a tank in NYC. I'm sure I can list more, but you get the idea. I've been using it for three years now and won't ever go back to onboard preamps, either on the bass or on the head unit.Casey Ess
6. Tech 21 Sansamp Character Plus Series English Muffy Pedal
Product Details:
Two channels of biting, british tone at your feet. as part of their character plus series, tech 21's sansamp english muffy delivers on the manufacturer's promise of providing classic amp-and-pedal combinations in an easy-to-use stompbox. with the english muffy, you get two channels of crystal-clean british tone, each possessing independent volume, character, and drive controls with a global 3-band eq. kick on the muff switch for an instant injection of distortion, perfect for ripping through those classic rock and prog passages from yesteryear with a glorious, gilmour-esque sound. sweetwater guitarists appreciate the english muffy's separate sansamp and effects sections, which allow you to use the muff effect with your rig independent of the sansamp and vice versa. and with built-in speaker simulation and an xlr output to send your sound straight to a mixer or soundboard, the english muffy is sure to excel in any studio or stage situation.tech 21 sansamp character plus — english muffy features:. part of tech 21's character plus series celebrating iconic amp-and-pedal combos from history. 2 channels of all-analog british tone with independent volume, character, and drive functions. global 3-band eq fine-tunes your sound to taste. muff footswitch engages distortion with level, tone, and sustain controls to dial in your ideal sound. independent sansamp and effects sections means either can be used separate from the other. built-in speaker simulation with xlr output to run your sound straight to a mixer or soundboard. guitar pedals & effects – distortion, overdrive, boost & fuzz – tech 21 sansamp character plus – english muffy
Specifications:
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
7. Tech 21 Gt2
Product Details:
Tech 21 sansamp gt2 tube amp emulator tone shaping drive guitar effects pedal tech 21 sansamp gt2 tube amp emulator architecturally create your own rig in seconds. you can easily achieve the most sought-after tube amp sounds, and entirely new ones as well. choose amplifier type, modification and speaker cabinet/mic placement configurations. you can easily mix and match specific sound characteristics in ways that would otherwise be physically improbable, probably impractical and definitely not cost effective. the gt2 is a truckload of great amps in a single, simple pedal. tube amp emulator create an entire rig in an instant! pedal multi-fx guitar s:wsp_gtr tube amp emulator with three amp models, selectable gain, and emulated mic positions master your sound, 9v power supply (mastr-m9-vps) master .33 foot shielded mono cable, 6.3mm male to 6.3mm male plug (mastrmcpc6)
Specifications:
| Watchers | 2 |
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
8. Tech 21 Sansamp Psa 2.0 Programmable Instrument Preamp Pedal
Product Details:
The tech 21 sansamp psa 2.0 has been used on thousands of major releases, worldwide tours, and film soundtracks for multiple applications and instruments –including guitar, bass, horns, vocals, and drums. the sansamp psa 2.0 offers the same 100% analog circuitry for punchy, responsive, organic sounds that bring out the best in any instrument. only the programming and memory sections are digital. it also offers the same operational simplicity, essential functionality, and dizzying versatility. in the studio, you can record direct, enhance existing tracks in mixdowns, as well as add interesting touches to any instrument. live, the sansamp psa 2.0 can be used as a pre-amp direct into a power amp with guitar or bass speaker cabinets, as a “monster direct box” to a p.a. system (or both simultaneously), and as an outboard processor. additionally, the psa 2.0 features a performance mode, which turns it into a 3-channel stompbox. with 128 memory locations, storing and recalling programs is simple. you don’t need any special training or a degree in physics to operate your unit. the rotation of each control increases and decreases in a smooth, gradual, linear fashion, so when you turn a knob, you hear the difference immediately –in real-time. you just set your tone and push the save button. there is no lag time, or “cutting out” when you switch between programs. and being all-analog, there is zero latency. the sansamp psa 2.0 provides the flexibility to find almost any conceivable personality within the vintage and modern guitar and bass amplifier sound spectrums, as well as an assortment of revered stompboxes. it is designed to inspire you to be your most creative self.
Specifications:
| Display Type | Digital |
| Indicator Type | LED |
| Number of Memory Locations | 128 |
| Cable Type | Metal patch |
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
9. Tech 21 Sansamp Character Plus Series Fuzzy Brit Pedal
Product Details:
Fuzzy brit = marshall-style + fuzz face-style range of character settings: below 12 o clock brings you the bluesbreaker/jtm45-style era of british blues warm, overdriven tone with the characteristic bulldog bite. nearing 12 o clock takes you into the plexi range with a noticeable throatiness in the mids. above 12 o clock gets you the classic presence boost of the 70s metalface. full up it goes to 11. that s right, 11. independent fuzz section: fuzz to adjust the overall amount of fuzz. tone is a very musical, specialized low pass filter that allows you to remove the high end without losing mids or getting muddy.
Specifications:
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
10. Tech 21 Sansamp Character Plus Series Screaming Blonde Pedal
Product Details:
Screaming blonde = fender-style +tube screamer-style range of character settings: below 12 oclock are in the black and silver face family. when clean, theres a soft midrange with a nice top-end sparkle. driven, the tone moves to a warmer low-end breakup. around 12 oclock brings you into blonde territory with more of everything more lows, more mids and more highs. above 12 oclock moves things into the tweed era with a pronounced midrange bark. full up gives you lead boosted tones. independent scream section features: overdrive to adjust the overall amount of drive. highly interactive with the level of your guitar. tone with specialized voicing for adjusting the high-end and mid-range.
Specifications:
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
11. Kit-Mod 102 Diy Guitar Amplifier
Product Details:
Mod 102 guitar amp kit features: all tube design (solid-state diodes used only for full-wave rectification). 5w output power into 8 ohm. 1 channel vintage channel. controls: bass, treble and volume. vintage pilot lamp and screw-on jewel cover for power-on indication output impedance: 8 ohm tubes included: one 12ax7 (preamp), one el84 (jj electronic brand) hammond mfg 269ex power transformer and p-t31 single ended output transformer cathode biased class a power tube operation (no bias adjustment needed). point to point hand wiring using terminal strips. carbon film resistors metalized polyester coupling caps pre-punched steel chassis. assembled kit weight: 4.25 lbs. assembled kit dimensions: 10" width x 6" depth x 5-&frac 18;" height mod 102 instructional features: detailed, easy to follow instructions include high resolution computer drawings for parts list and every step of assembly.
Specifications:
| Vintage channel controls | bass, treble and volume |
| Output Impedance | 8 Ohm |
| Tubes included | one 12AX7 (preamp), one EL84 (JJ Electronic brand) |
| Assembled Kit Weight | 4.25 lbs. |
| Assembled Kit Dimensions | 10" Width x 6" Depth x 5-⅛" Height |
Reviews:
I just completed my Mod 102 kit. An excellent experience! I was delighted with the quality of components, clarity of instructions, and, perhaps most importantly, the sound of the amp. It is very loud – currently running into my Fender Twin Reverb cab (2×12) and very sweet! I will be running it into a new 1×12 cab with a new Celestion G12 M Heritage 'Greenback' when I get a case for the speaker (on order). My only criticism (and something to look out for) is that the chassis is very nicely painted in gray gunmetal paint. Even following the directions to file all the holes, it is very hard to get a good ground connection at every point a terminal strip connects. I worried about this, and about 1/3rd of the way through the build, took an ohm meter to check all the connections, and as I had suspected, some of the connections were not great (9-10 ohms or so!) So I removed the terminal strips (with the components I had already soldered still attached) and scraped away the paint under the tabs of the strips to ensure a good connection. Re-testing showed virtually zero resistance. I'd strongly recommend scraping the paint away at all holes under the chassis before getting started on the build. Even better, suggest that Amplified Parts leave the inside chassis unpainted (at least around the important holes). Aside that one criticism, I am delighted with the kit and with Amplified Parts. Everything was delivered promptly and they are a class outift. I'll probably try some of their other kits soon.vpmerlyn
I spent three evenings building the MOD102. The instructions are very easy to understand and the amp has a great Fender sound. I had one grounding issue that was easily fixed with a little help from tech support, which was excellent. If you're good at following step by step instructions and can solder well this is a fun little amp to build. Only small issue is the labels. They could stand an improvement.Brandon
I just finished this amp build and it sounds fantastic! I also just finished a Marshall 18 Watt clone and I have to say that the Mod102+ holds its own very nicely alongside the Marshall. In fact, I will probably use the Mod102+ for recording because it sounds amazing at lower volumes (the Marshall is loud AF). Honestly, if I were only going to build one of them today, it would be the Mod. I'm blown away by the tone! Great kit with excellent instructions. Great bang for the buck. The parts all seem to be top quality. I love the old style cloth solid core wire, too. I find it much easier to work with than modern stranded wire. The labels are a bit lame but I covered them with packing tape as suggested before cutting them out and they look fine. If you're thinking about building an amp, build this one.danjbeckett
12. Tech 21 Sansamp Gt2 Tube Amp Emulator Pedal – Black
Product Details:
Architecturally create your own rig in seconds. you can easily achieve the most sought-after tube amp sounds and entirely new ones as well. choose amplifier type, modification and speaker cabinet/mic placement configurations. you can easily mix and match specific sound characteristics in ways that would otherwise be physically improbable, probably impractical and definitely not cost effective. the gt2 is a truckload of great amps in a single, simple pedal.
Specifications:
| Height | 1.5" |
| Width | 3.5" |
| Depth | 4.5" |
| Weight | 0.9 lb |
| Power Output | 9 V |
Reviews:
For anyone who's never used this box, it's important to know that it's most effective use is as a preamp into either a power amp / speaker cab, OR, into a DI-to-PA or your s/w modeler. You will most likely be disappointed if you try to use it as typical stomp box in a chain-to-amp front end. The emulation in this box is powerful, and will really conflict with preamps and external modelers. Of course, one's desired sound is the ultimate yard stick, so whatever ends up producing what you want to hear in your music is the "right" thing to do. IMO, if you want to apply Tech 21 voicings in a normal amp / cab setup, your best bet are the Character Series pedals they make – the Liverpool, British, Oxford, etc. These pedals are very effective in all the typical applications, and have an extremely wide range of tonality. rgdsabradfordajb
I'm actually a big fan of the TECH 21 SansAmp TRI-A.C. and I think it's still the best programmable analog overdrive pedal or tube emulator. However, the TECH 21 SansAmp GT2 is the most versatile analog distortion pedal and amp simulator. The SansAmp GT2 can be a little over-the-top, but the extra gain is needed to get those hard rock and heavy metal tones that are just outside of the reach of the TRI-A.C. Get both!micromano
As an individual pedal its great but I also use an OMG pedal which is great too. The two together are just fantastic The guitar goes in to the tuner then wah OMG followed by the Sansamp finally delays. Could have bought the RK5 but it is Ok Would been cheaper. At least I have found the sound that I always wanted. Real bluesy rock sound. Rolling back the volume even fusion or contemporary jazzgbel62
13. Tech 21 Di-2112 Geddy Lee Signature Sansamp Pedal
Product Details:
Geddy lee has been performing without onstage amps and speakers since the test for echo tour in 1996, favoring major household appliances instead. wanting to streamline his gear for new projects, geddy initially partnered with tech 21 to design a signature sansamp, the ged-2112. this challenging collaboration involved distilling a rackload of equipment into a single rackspace. according to geddy, “the ged-2112 is really a continuation of my long-time approach to bass tone. a ‘deep clean’ tone coupled with the ‘edgy crunch’ i get from the sansamp rpm now all in one box.” the ged-2112 rackmount introduced a new framework for parallel pre-amping –having two separate internal pre-amps. following this concept, the compact sansamp yyz pedal adapted the architectural structure to simplify blending the two signal paths. merging the design of the rackmount and the portability of the pedal, the sansamp di-2112 offers yet another new format that is designed to be equally at home on a studio desk-top as well as an amp-top. the drive pre-amp section is based upon the versatile sansamp rpm, for a wide range of sonic possibilities. the deep pre-amp section offers thick, meaty tones. saturation goes from clean in lower settings to increased harmonics and tube-like compression in higher settings. you can use either section independently or blend them externally direct to a mixing board as well as to two amplifiers. each geddy lee signature sansamp offers geddy’s core sound and the versatility for many different styles.
Specifications:
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
14. Tech 21 Yyz Geddy Lee Shape-Shifter Signature Sansamp Pedal
Product Details:
The yyz shape-shifter sansamp includes the addition of a selectable boost stomp switch, providing a 12db presence boost for increased top-end distortion. engaging the shape-shifter button adds 6db of schmegilka on top, which, according to geddy, is an indefinable thing of awesomeness! all analog sansamp technology enables you to record directly and enhance previously recorded tracks. for live performances, the yyz shape-shifter can drive a power amp and speakers, augment your existing amplifier set-up, or run directly into the mixer of a pa system. mix control to blend the ratio of high-end studio clean (deep) and dirty bass tube amp tones (drive). tight button to add definition to your notes in cleaner settings and make distorted tones snappier. boost / shape-shifter selectable boost function deviates from the norm. it provides a 12db presence boost for increased top-end distortion. kick in the shape-shifter button, and get 6db of schmegilka on top, which, ac…
Specifications:
| Finish | Seafoam |
| Year | 2022 |
| Made In | United States |
| Pedal Format | Standard |
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
15. Tech 21 Q-Strip Eq And Preamp Pedal
Product Details:
The ‘60s and ‘70s are widely recognized as the heyday for professional recording console design. the eq and preamp sections of these near-mythical vintage consoles are highly sought after, even to this day. some of the most iconic guitar and bass tones in the history of recorded audio were tracked “direct” straight into these consoles' channel strips. the q\strip was designed with sophisticated features that enable you to take these highly-coveted tone shaping circuits with you, whether you're heading to a live gig or tracking in the studio or into your daw. it's compact, extremely cost-effective and in an ultra-convenient di format. the 100% analog mosfet circuitry in the heart of the q\strip provides the warmth, girth and larger-than-life tones for which vintage consoles are revered. add in four bands of pro-audio-quality equalization, two parametric mid bands, as well as high and low shelving filters, and you have incredible control over how your instrument cuts through on stage or in a mix. the hpf and lpf give added control over the frequency spectrum whether you're going direct with your bass, guitar, fiddle—or even a vocal. the q\strip is limited only by how far you are willing to push your creativity and how much of that juicy vintage tone you crave.
Specifications:
Reviews:
Wunderbar für feines Soundshaping gemacht, das eventuell leichte Unzufriedenheiten geraderückt was Gitarren und Amps angeht. Ich hätte mir gewünscht dass es einen regelbaren Highpass und Lowpass gibt und eventuell eine etwas bessere optische Kontrolle der kleinen schwarze Knöppe. Es ist leider relativ teuer.
I use this as a preamp for my Telecaster into a high powered steel guitar amp. The pedal steel amp which can be a little sterile with the 2nd instrument. The Q-Strip sounds great for the Tele. Some knowledge of parametric EQ is a good ideal. Prefect for picky tone snobs! LOL I play loud clean country style leads.Steely Ken
16. Amp Kit – Mod Kits, Mod102+ Guitar Amp
Product Details:
The mod electronics mod102+ expands on the same all analog vacuum tube classic american circuit design combined with a british style class a output section as the original mod102 with additional “+” features. these special features include a three position progressive toggle switch for off-standby-power and additional push-pull functionality for each control – pull out the bass control knob for “mid boost”, pull out the treble control knob for “bright”, pull out the volume control knob for “turbo”. these new features and a jj ecc803-s (a long plate 12ax7 known for its complex mid range tones) allow for a wider variety of tones and extra control for the user. mod 102+ guitar amp kit features: all-tube design (solid-state diodes used only for full-wave rectification) 8w output power into 8 ω 1 channel vintage channel controls with push-pull functionality: bass (+mid-boost), treble (+bright) and volu
Specifications:
| Product Dimensions | 13 x 9 x 11 inches |
| Is Discontinued By Manufacturer | No |
| Compatible Devices | Guitar |
| Output Wattage | 8 Watts |
Reviews:
Fun build, great instructions included. Get the instructions online for color photos.maxwellh
Nice little kit! Instructions are pretty clear and it's certainly not overly complicated to build. Having some amp repair/building experience helps, but I'd say even a beginner could buy this, build it, and be playing it within a day or so. Once built it sounded pretty good as well. Fun to swap tubes around, substituting the 12AX for a 12AT, AY, or others. The 'effect' changes on the pull switches are pretty subtle, so don't expect anything dramatic there. But, the amp makes a great platform for learning, and even 'expanding' from the original design. I've put an EIA connector in the back of mine so I don't have a cord sticking out. I put some tall 'feet' on it so it would clear a speaker box handle. And, the power transformer is suitable for adding a 6CA4 rectifier, which I plan to do in the future. I'll have to move the filter capacitor section around some to make clearance for the socket, but it's a 6 volt 9-pin rectifier, so will work perfectly in this amp. I might even 'upgrade' the output transformer….or play with some yellow jacket type adapters to try a different output tube. In all, a lot of fun to build, sounds great for what it is, and I'm very glad I made the purchase!! A 'GREAT' value!!!Tom
This is a great kit. I wanted to build a small amp so i started researching schematics online. Then i found this kit. All the leg work has been done as well as step by step instructions. I just started it so i can’t comment on tone, but the ease and design of the kit is excellent. Full parts list, schematic and instructions include. It gives you a proven simple platform to start with and you can add your own modifications if you wish. Thanks MODRonnie
17. Tech 21 Sansamp Para Driver Di
Product Details:
I've had this sansamp pedal for a couple of years now and it's been used on maybe 20 or so gigs. it's in perfect working condition and excellent cosmetic condition. it comes with its original metal case. this pedal has never been used on the floor; i put it on top of my acoustic image amp and pressed the switch with my thumb. these are phenomenal pedals with very precise eq capabilities. it's one of the best pieces of gear on the market. this one is priced to sell quickly and the buyer will be getting an excellent deal on it. the tech 21 sansamp para driver di instrument preamp pedal provides detailed tone-shaping possibilities for acoustic guitars, electric guitars, and electric and upright basses, either direct to a mixing console or with an instrument amplifier. the para driver di gives your instrument a natural warmth and presence, as if miking it through a tube preamp.
Specifications:
| Frequency Range | 160 Hz – 3000 Hz |
| Number of Knobs | 6 |
| Indicator Type | LED |
| Sound Sensitivity | 12 dB |
| Weight | 14 oz |
Reviews:
The Sans Amp works. The End.bdlubell
Great product! I have been looking for that perfect pedal to give my rig that little extra "growl"… This is it!sky.caserotti
18. Tech 21 Bass Fly Rig Multi-Effects
Product Details:
Tech 21 bass fly-rig multi-effects bass pedal v2bass version of fly rig 5 since and yes, the sansamp is the center point. octafilter brings an entire re-invented palette of expression with a crazy amount of possibilities, from minimoog -style synth to funky town. comp, for compression, utilizes old-school, all-analog, fet-based technology, which is inherently warmer, more transparent, and musical. chr, derived from our bass boost chorus pedal, adds choral voicings of two instruments. with a slight delay between, it adds thickness and space. switchable pre/post boost. pre-boost mode interacts with the sansamp section to beef up drive and distortion. post-boost mode increases the overall volume to punch up fills and solos. chromatic tuner is within the chr section. you simply hold down the chr footswitch to engage the tuner, which simultaneously mutes the signal path.
Specifications:
| Housing Material | Metal |
| Voltage | 9 Volts |
| Power Supply | 200 mA |
| Output Connector | XLR |
| Low Impedance Output | 1/4" |
Reviews:
After reading the reviews I thought I was getting a decent multi pedal. It was extremely noisy, so noisy I was told I couldn't record with it. The tuner is not trustworthy gets you close. And it loudly pops everytime I try to use the mute/tuner feature. No adjustable features with chorus or compression. I thought I would just use the sansamp but even the sansamp didn't enhance my amp sound. It sounds cleaner and more quiet running direct out of my amp. I dislike it so much I don't think I would even resell it. I wouldn't want someone to spend money on it. Very disappointed after all the positive reviews.chris M
19. Tech 21 Fly Rig 5 Sansamp Multi-Effects Guitar Pedal With Fender Patches!
Product Details:
With the functionality of a full pedalboard, minus the crackling patch cables, dying batteries and ground loops, the fly rig 5 is a simple step to the rich, expressive combinations you can use for any session. even when you want to use the latest digital supercomputer or a vintage tube amp, the fly rig 5 covers your ass like yoga pants. it's the perfect instant back-up rig when your boutique gear goes down exactly when you need it most. at its heart is the omnipotent, all-analog sansamp –a ground-breaking amp emulator, speaker and mic simulator– that will dial-in your favorite sounds for consistent tone every time. this version has been optimized for lush, chiming clean tones and has a drive control to add just the right amount of gain from warm break-up to snarling grind, with an incredibly flexible 3-band eq. the adjustable reverb is also found in this section, voiced to create the rich ambiance of a vintage spring reverb without clattery pings, canyons of doom, or other annoying artifacts. the roaring plexi tone is the stuff of legend, with its muscular crunch, detailed mids and mule-kick low end. providing the dirty side of the fly rig, the plexi section produces exquisite, ripped-ab rock tones that can be kicked into hot mode with up to 21db of pre-amp gain. the hot footswitch operates independently to boost any of the fly rig sections whenever you feel the urge to punch it up. an inspiring delay section completes the fly rig 5. voiced to emulate vintage tape echo, the dla features a separate tap-tempo footswitch and adjustable tape drift-style modulation for authentic textures. from thickening slap-backs to deep cascading repeats, the dla adds space and attitude.
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
20. Tech 21 Sansamp Para Driver Di V2 Preamp Pedal Bundle With 3 Mxr Patch Cables And Dunlop Variety Pick Pack
Product Details:
Active tone controls with 12db of cut or boost sweepable semi-parametric eq 1/4-inch and xlr outputs with selectable levels parallel, uneffected output to run a dry signal to a separate channel bundle includes 3 mxr premium patch cables (6") and dunlop variety pick pack para driver di /b br this floor version of our rpm rackmount provides the same detailed tone shaping possibilities for any signal source. it is particularly useful with acoustic, electric and bass guitars, and upright bass, either direct to a mixing console or with an instrument amplifier. the para driver di gives your instrument a natural warmth and presence, as if miking it through a tube pre-amp. the sansamp circuitry eliminates the harsh, unnatural harmonics of piezo pickups, while the drive control offers some tasteful edge — just a little or over-the-top. br br version 2 /b has exactly the same tonality and functionality with the addition of two new features: rumble filter and air. the rumble filter removes unwanted sub-sonic frequencies that cause boominess and audible handling noises associated with acoustic guitars.the air button adds top-end clarity and sparkle to acoustics.
Specifications:
| Package Dimensions | 8.3 x 6.4 x 2.6 inches |
| Color Name | Silver, Black |
| Signal Format | Analog |
| Power Source | Electric |
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