Sound Of E String On Guitar For Sale (2024 Update)

I am a drummer. My son needed strings. He took a few lessons years ago, and recently decided to try again. Guitar needed strings. I put on a full set and tuned it up. Seem to be functional. Fairly flexible. I didn't want really heavy strings. I know they would wreak havoc on un-callused fingertips!Scott W.

First time using these. I really like them. I immediately noticed how much smoother they feel compared to the previous brand I started out using. They feel so much better on your fingers and they dont feel ridged on the thicker strings. String bends are much better. I think I am going to switch to Ernie Ball from here on out. These seem like a much better quality and better value.hillbillyonlineshopper

Strats, ES, Les Pauls, hollow body Gretschs, PRS, my absolute go to strings. Every electric guitar I own gets set up with em. I absolutely buy in bulk. Great life for frequent use. Haven't broken a string in years. Properly stretched you shouldn't have any tuning issues.Charlie

BB King famously convinced Billy Gibbons of ZZ Top to switch to lighter strings and Billy never looked back. Tone can be shaped so much by the amp so the primary function of strings is feel and playability. Lighter strings like these mean you can play harder for longer. I also find I'm playing more accurately because my movements needs to be more delicate.Jack C.

You have to try these strings for yourself. No matter what anyone reviews or says, this is a matter of preference. So I say spend the money and try them. I will relate my personal review now. First off Ernie Ball strings are very good strings. I would say that about Curt Magnum, DR, GHS pure Nickels and Fender pure Nickels also. I play pure Nickel strings which are mellow strings btw. I normally use .10s and .11s. This was an experiment for me because I went down a rathole one night on the internet reading about what strings "the stars" use. I read what people said and honestly it is entertainment in itself!!! If you use 10s or heavier, you will have to adjust your neck, action and intonation. These no getting around that. The tension is very different. If you re-adjust your tone settings on your pedals and amplifiers, you'll get a usable tone with these strings. You'll have to play with your pickups also since they respond differently. Don't use these strings if you have a heavy picking hand like SRV. If you have a light hand or can switch it up and play softly, try them. DON'T go out and play a gig if you haven't spent some time with them, especially if you are dropping down from 10s or 11s. If you use 9s, you'll probably be ok. I am all for playing without tiring and playing without hurting my tendons. Maybe I will stick with these OR NOT. I have them on a PRS Custom 22 SE. I use 2mm V-picks. You had better use light picks with these strings. I switched to a Fender medium. So I use 11s when tuned down a half step. 10s up to pitch. If you have tendonitis from playing guitar 3 or 4 hours a day for 50 something years, these will be a refreshing change and you may not have any pain whatsoever. These are certainly the strings to use on a guitar that has a neck issue where the truss rod won't handle 11s or 10s. Nowadays, necks don't seem to be made to handle the medium or heavy gauge strings that I grew up with. Whatever I say doesn't matter. When it comes to strings, you will have to try them yourself and decide if they work for you or not. I purchased four sets to try on numerous guitars. I may get up enough nerve to use them at a gig. These may be strings to put on student guitars so they don't get discouraged.Rick

Ernie Ball has always been a high quality guitar string. Used by beginners, every day pickers, and professional musicians. They provide great sound and a great feel when played on a cheap guitar, or high dollar instrument. Im no professional guitarist , but I do know The Ernie Ball Slinky series string should be your number one choice when looking for a great all around string. There on all my guitars. And let me tell you, they really make my Strat talk like SRV s # 1uskev-xeu3yty9

I see a lot of you use these for lower tuning, which is great, but not me! I use them for Eb! I play metal and need my strings to snap back and handle my heavy picking hand. These are massive, fat strings that deliver massive, fat tone!Bargain Bin Hetfield

These strings are perfect for lower tunings. The individual string gauges are well balanced for rhythm and lead playing. I use these strings for "drop C" & "C standard" tunings and they hold up exceptionally well for my style of playing. Excellent value and a quality product.Chuzz

I just got the strings and was very happy to notice that you have included a string winder inside the package! And if im not wrong, it doesn't state anything about a string winder. That really made my evening! Thank you very much! This is my second purchase from you and im sure it wont be the last. Its a pleasure doing business with you guys! Thanks again!justakshay

If you have an electric guitar or a 12 string acoustic, you will want to have a package of .009 extra light loose strings in your drawer. The can break occasionally and with some loose strings available, you can replace the broken .009's with a spare. These are good quality. Don't get caught without spares!gnm109

I took a chance with these strings and was Not let down. I wish I would have bought more packs of Darco strings instead of trying other popular brands.string buyer

I have used these strings for 3 or 4 years now they're really good I chose them because of the size and I found out that they are awesome. Not one ever broke on me as I did expect the 10 to from the speed and pressure I used sometimes. My particular style is metal, the strings work great for that. They are highly pliable. I am a bender and the tuning I think does not go out too much after the stresses I place on the strings. I have used deep standard E standard C standard a also be dropped down tuning no problem with any of the strings at all the sound is crisp and clear it's not a muddy sound and it's not a tinggi sound from the strings like a steel Acoustic sound.Big Mac

These strings work pretty much as advertised. They let you tune absurdly low without sacrificing note clarity or integrity… not perfectly, but reasonably. They also stay in tune remarkably well with little to no breaking-in.Regular DR 10's can handle my guitar tuned down 1 1/2 steps with no problems, but anything beyond that is flub territory and intonation is out by as much as a full half-step. With the DDT 10's, I can go 3 steps down and they still sound tight. If you check with a tuner, the intonation isn't quite right, but the difference is negligible to the naked ear. It's hard to break a DDT string. They are noticeably tougher than your average set of 10's. The feel is quite nice at 1 steps and lower though. They're surprisingly easy on the fingers. You don't have to pick hard to get heavy attack. They just exude brutal tone.Their quality stands true to the DR name. Definitely worth a try if you plan on experimenting with extremely low tunings. They can make your 6-string sound like a 7-string… only it'll still feel like a 6-string!Strizzwald

I typically play a half step down, sometimes drop C#. Guitar I have set up for that was giving me some occasional open string buzz in drop C#, but I didn't wanna go to a higher gauge because I like to be able to go to E standard once in a blue. Took the Daddarios off, put these on. Boom. Problem solved. Also very stable tuning wise and feel great overall. Thumbs up!Dustin J.

I've been playing/collecting new and vintage guitars for 26 years, and regularly try new strings. I noticed that if these strings contact the bridge when re-stringing, the color will chip off immediately. Secondly, they feel like dull plastic. This feels like your fingers are dragging, and seems "cheap". Thirdly, I had to adjust all the pickup heights on the low-E, as the heavier strings sound completely dull and lifeless. I also received a damaged string, and contacted DR customer service. I haven't even received a response in two weeks, which demonstrates how unimportant we are. In this day and age, where online retail is more important then ever, this is unacceptable. This is NOT a reflection on Guitar Center, which always takes good care of me. Ultimately, these strings are a cheesy gimmick that will hopefully fade out. If you want quality coated-strings, try Elixir.DS

I decided to pick up guitar after a 15 year break and found Rocksmith to be a pretty useful tool. I put these on my guitar to help with getting familiar with the fretboard and neck. Because it's been awhile. The first couple of days, the strings sounded great with no issues, but a couple of weeks in, some of the strings sound muted a little bit and are just not as crisp as non-coated strings. i'll probably take these off sooner than later. I would recommend these for RockSmith but if you're looking to just dress up your guitar, I would caution against them.Citiznkain

I'm a beginner and I never learned to read music. I bought these strings specifically to play along with the game Rocksmith 2014. For those who are just starting out, these strings make it easier to learn to play because of the individual colors of each string. I have bought multiple packs of these strings. I've recently bought a electric guitar, acoustic/electric, and a bass. I have put these strings on all three. Love them. As an added bonus, these strings really light up underneath a black light.Mark just starting out

I began using these strings a few years ago when I began experimenting with extreme low tunings; both standard and drop tunings (anywhere between D standard all the way down to drop-G#). At the time they were the heaviest set of strings I could find in the town where I live so I put them through the paces for a good long while before I tried other gauges/brands. Now, if strung on a good quality 25.5 scale guitar these strings do okay tension-wise all the way down to drop-A# or even drop-A for doomy, drone-type stuff. I found that if I tuned any lower than that they lost all clarity and definition. On a 24.75 scale guitar, however, drop-B was as low as I could get with them and they honestly didn't sound that great. After a few months of experimentation I found that Drop-C on a 24.75 scale guitar was just about right for this set of strings tension-wise. Later, after settling on drop-B as my main tuning, I found that the .56 bottom just wasn't thick enough to provide the string tension and clarity I need for my playing style. I also found, much to my dismay, that the .56 bottom string broke way too often to be such a thick gauge string which makes me think that the quality of these strings is sub-par compared to other brands I've tried since. I even filed down the string saddle to try and reduce the wear on the string but it didn't seem to help. I've also found that these strings rust and corrode much sooner than other brands I've tried even after I started using a string cleaner after playing. The final complaint I have about these strings is that the plain G string they put into this pack of strings sounds ridiculously bad in any tuning and the lower you tune it the worse it sounds. I imagine it would help if they made it a wound string or at least included a wound string in the pack so you could choose between the two. I've since settled on another brand of string in .10-.60 gauge and I am much happier with the tone, tension and definition compared to the EB not even slinky set.ViperDude310

I needed a set of strings to reproduce a heavily Black Sabbath influenced recording (c. Vol 4) that would not thin out in a drop tuning environment, standard for slide playing and standard for thickening the tone and sustain before I got to my amp or effects loop I tried out a set of these when I was informed they are indeed made in the USA. Short answer: Oh yeah, oh hells yeah! The increased tension in the neck might make these strings unsuitable for some players. I'm on a neck though body Gibson SG and have been holding solidly in tune (E=329Hz. A=440Hz, etc).for over a week with no loss. When you put these string on you will need to stretch them with a string stretching tool or by bending the string left to right, right to left with your thumb and finger from the nut to the bridge to keep them in tune, go down the string in 1/2" increments and repeat until you run out of string. Many players put on a set of strings and break as they go, try this and see how much less you have to tune in the overall lifespan of the string, i break in all my strings with this method and it works wonders. I would NOT use these for guitars manufactured with inexpensive components (e.g. knockoffs and starter kit guitars) as you will go out of tune due to the lack of strength on the wood used to build and the tuning pegs which are usually very cheaply produced from inferior metals with shoddy gears and posts and truss rods that are misaligned and/or made form inferior components. Once on these strings sound big, (e.g. yo mama big), the fatter tone and sustain going to these from light and medium gauge .9/.10 – .42/.48 is immediately noticeable and leaving yourself in standard tuning will be much more of a workout on your fret hand, but the payoff is the tone and sustain you can get from the increase in string mass and tension. For the negative reviews I'd be interested to see what kind of guitars these strings are being set up on and what the manufactures recommend. I'm planning on putting the other set of these on a G&L ASAT (AKA Telecaster 2.0) for heavy blues slide and I will observe if that stays in tune as well.as it's a 4 bolt neck, but if your gear is not very good to begin then don't expect adding that much more tension to an inexpensively made guitar to behave like a quality instrument.Sultan of the Six Strings

I've tried many string brands out there and have come back to Ernie Ball in the last couple of years. They sound and feel great, stay in tune (assuming you have a guitar that stays in tune), and are durable (no strings last forever). You can simply depend on them.Frank

Getting back into guitar after a few years off, decided I don't really have anything to prove to anyone and dropped down from 12's to these 10's. Negligible sound difference, if any at all really. But wow are my fingers so much happier. Less pain = more practice. Get you some!ZACH

I have used Ernie Ball Slinkys since I started playing guitar (time that can be measured in decades, that's all I say). I have been through other top brands, and just don't like them. I have gotten to know EB strings to the point where I can nearly predict when they'll break. That's good in my book. The lively tone and intonation stays for a LONG time. And they're good enough to scrape clean and, in the word of Billy Idol, Start Again. Well, that beats boiling them (RIP EVH). What's even better is all these new, attractive hybrid sets, allowing you to easily find your groove without having to get two packs for your ideal set! EB just keeps getting better.Guy lll

When stringing up the 4th string (D) it broke before reaching correct pitch, but a pleasant phone call resolved that issue with replacement set sent out ASAP (By the way, in "E" tuning a 'regular tension' classical string of .032" (normally an "A" or 5th string put on the 4th position) worked well until I got the replacement sets- The 'Original "A" tuning strings were all tied to the ball differently than the "E" tuning sets- not sure that matters but could confuse some- I just did it like the package with double overhand knot on the trebles (with a little heat from a lighter to tighten the knot fully- CAREFULLY! The "E" set basses has the ball integral to the string metal- much like other electric or acoustic steel strings, but they 'make you tie the balls' to the ends of the trebles- no biggie and easier than tying 'regular classical' strings at the bridge. I like the sound and certainly makes the guitar play nicer to my ears and less like a 'ukulele' that the "A" tuning makes ALL the rest sound like- Nothing terrible about that in itself, but I prefer my 'guitars' to sound like guitars (I use an iRig mike on my acoustics and you can get GREAT SOUNDS out of this little guitar with the "E" tuning IMO-YMMV!Manoteal

I’ve been playing guitar for over 40 years, performing in several bands on rhythm and lead electric guitar. I currently mostly play a PRS Custom 24, a Fender Strat Elite and a couple ESP’s I’m fond of. I have always used the ‘big name, low cost’ strings until I decided to give Stringjoy a try and see if there is really any difference. I was blown away. The strings are smooth as silk, feel consistent up and down the neck and from low E to high E, and they stay in tune much better than any of my previous strings. I usually use my fingernail to run along the underside of the thinnest E string, to feel for bumps in the string caused by the frets. It’s a quick way to check to see if it’s time to change strings. After 2+ weeks of daily play, I feel very little fret indentation on the Stringjoy strings, much longer than I am used to. I find myself picking up the guitar more often, getting more creative, and figuring out leads I hadn’t pulled off before. I am sold on the sound, feel and reliability of Stringjoy strings, and I won’t be going back to ‘big name, cheap strings’ again. Thanks Stringjoy!.Leslie B

first thing you notice upon opening the package is the ball end and wrap of the string. the wrap goes right up to the ball end with NO slack (if you look at commercial grade brands the ball is loose and the wraps look weak) the length is extra long so you have plenty of sting for any scale neck the balance of the light 10’s is different in that the 48 on the low E looks like it would be heavy at first however, when you string ur ax up you notice a FULL rich tone and the stings feel very strong under your fingers. They bend with ease and the 48 does NOT feel heavy at all! although they are not “coated†the very tight wrap of the winding gives a smooth and fast feel similar to a coated sting. a HUGE plus for a guy that likes coated strings and is converting over! after giving them a proper stretch I tried to intentionally knock them out of tune with a heavy hand while playing both rhythm and lead playing….they stayed perfectly in tune put my freshly strung ax in my gig bag and headed out to my gig (hour away)..took it out once arrived, was still in tune…played the gig…stayed in tune… woke up the next morning and grabbed my guitar for my morning strum and some coffee…you guessed it…STILL in tune! Extremely musical and beefy tone from StringJoy! Everyone should really try these, its tricky to describe with words but no doubt, any guitar player would feel and hear the difference IMMEDIATELY! Scott and the boys, GREAT WORK! Thanks guys!!ryan

I’ve been a Happy Stringjoy user since 2016. I found them while surfing the net one day and was intrigued to find an American (Nashville, TN.) company actually making guitar strings by hand, the old fashion way. They are not a push a button and wait till a thousand sets are done by any means. They actually create the sets one at a time per machine in a painstaking process everyday. The owner Scott is there overseeing the operations and quality control with a group of caring employees. Now about the strings. For me, they where the first to offer “Balanced” by design sets of strings. I had always just bought the 10-46 sets that everyone offered why not that’s what was available to us. But Stringjoy never rests in their efforts to expand their offerings and to help us play and enjoy playing more! These are the Real Deal in so many categories. The feel over the fret board is totally uniform they stay in tune and last, for me, as long as others so called Coated strings. Their tone is superb as is the feel on both my Electric and Acoustic guitars. You get a handmade set of strings along with a signed card by the operator that made them, how kool is that! You can’t go wrong as they are also Guaranteed to satisfy. Try them, You’ll love them.Walter H.

what can i say, i have been using Ernie Ball Slinky's for almost twenty years.and would not think of any other string. they are so flexible, i think i am using regular guitar strings. it doesn't take a Hercules to pull the strings down to the frets. and they always have the sound i am looking for. look, i am going to shoot straight. most musicians are not rich.and struggle until that day(if it ever comes) we get discovered or finally break through. most of us don't. so, if i can get a string that allows me to do what i can with a bass, and sound like the most expensive bass ever made, at a price where i can eat dinner that night,that's a win-win. so whether i am playing for a bunch of my friends, or playing in some major concert venue.i will continue to use Ernie Ball products.david

I've used Ernie Ball guitar strings for quite a while now, so when I got myself a bass I immediately knew I would try their bass strings as well. So far, so good. I'm just as happy with the bass strings as I have been with the guitar strings. Excellent brand; great quality and value.lumina_racer

I spent 15-20 minutes on the phone attempting to get info on the correct size Fret Wrap. I didn't. The CS person said this one would work. It's too small and depresses the strings rather that just muffling them. I play Ibanez and Fender electrics – so the necks are already pretty small at the nut. The medium size would have been the correct choice. So I can't NOT recommend them. Just get the right size for your needs.YeahOK

The Gruv Gear Fretwrap is easy to use and provides really good dampening on my 6 string bass, making it easier to play the higher register strings without major muting across the fingerboard. Thus avoiding the rumble from the low b string.David T.

As a bass player, Ive finally gotten around to working on the small, but important, parts of my bass playing: cleaning up my sound. Especially while playing fast notes, high up on my bass and without a floating thumb, Ive had too much clutter coming from strings which were ringing sympathetically. Gruv Fretwraps has been a godsend to alleviate that. Is it a crutch? I dunno. Im not paid to be a Puristrcharlesphoto

Recommended by a friend. The action on them is great. Great tone. Love the way that they sound and feel. Have tried many other types of strings and these are by far the best ones I have used. I will use these from now on. I am still learning how to play and these strings are make it easier.Chris

These are great strings be not for everyone. They are different in that they aid the upper register of vocals. I've put them on a 00-27 and a J 200; tow very different guitars. The affect is magical for those musicians who want a harp-like tone from their steel strung axe. They have an interesting configuration. From e to E; 12, 16,12,16, 23 W, 30 W. The result is crisp, clear highs and rich lows. These strings are different, but wonderful.goeller2006

I have tried countless strings over the years, and these John Pearse strings are fantastic! You name it, I've tried it. Everything from D'Addario, Elixer, Martin, Gibson, DR, Cleartone and even Dean Markley. Cheap and expensive, I have tried them. All I can say is that these are the best acoustic strings I have tried to date. I just went from a set of Elixers (which I thought were expensive, but good) to these, and these strings won out hands down. As soon as I installed these, my guitar absolutely came ALIVE! It was almost like night and day. Everything was better! Immediately what I noticed was the added volume and projection I was getting, but most of all, it was the tone that absolutely sold me on these. With these strings I heard more woodiness, percussive body, clarity, string to string definition, harmonic overtones, and resonance than any other acoustic strings I have heard to date. The top end also opened up and became even more tactile and transparent. These strings are just more organic, yet highly defined and less sterile than anything else I have heard, and they also have a very balanced output from string to string that is excellent. In no small measure, these strings have been a bit of a revelation. These strings are also very smooth, and I also noticed less finger noise between fretting notes and bar chords as well. However, regarding that smoothness, I also noticed something interesting as well. Just try to follow me with this: These are the first set of John Pearse strings I have ever installed, so I don't know if this is a "one off", but as smooth as they are, I also noticed that the unwound strings have an ever so slightly uneven and wavy finish to them in spots when you shine them in the light. I don't mention this as a negative IN ANY WAY, but just purely as an observation. Besides, I could care less because they sound so darn amazing. Anyway, my point of mentioning this (and this is based purely on conjecture), is I wonder if the barely perceptible finish inconsistencies contribute to the overall tonality of these strings? TBH, I have never seen strings that had this kind of "inconsistency" to their finish before, and I am wondering if this has anything to do with the great tonality of these strings? All the other strings I have bought over the years have been extremely smooth and consistent in their diameter and finish. Again, I don't mention this as a negative in any way because you never feel this while playing in the least. The only time I noticed it was when I looked at them under direct light. These strings sound fantastic, and obviously their specific alloy and construction plays a great part to their sound, but on the other hand, I have never seen strings with this kind of finish before, and yet I have also never been so excited about a set of strings before either. There has to be something to it. The only other thing I can mention is that these strings also have excellent string life as well. I have had these on my acoustic after about a month and a half of use, and they still sound fantastic! Anyway, all I can say is that I have tried A LOT of strings, and these ones are the standouts by far. Buy with confidence. HIGHLY RECOMMENDED! Peace. 🙂Eywa Dude

Had a pesky b and e string on short scale 000. Solution was it wanted more tension to ring true. The 13 and 18 did it; short scale so they play like lighter strings! The 22w g is awesome, the rest balance nicely. 52 is lite for E but not much of a sacrifice; drop D tuning still do-able. SO HAPPYJohn

I've been playing around with guitars for several decades. In the early days I was forced into buying used gear but that changed. And when I bought myself an Epiphone J-160E. It's a versatile guitar that can be played as acoustic if you put acoustic strings on it. And electric if you use electric guitar strings. Pyramid Medium gauge is the best. I also bought a Gibson EJ-160. These guitars resemble each other. But it stops there. Both guitars sound amazing and the different voices blend well while recording.PC54

Recently ordered a new EJ-160E from MF as an "open box" item. Placed the order on the 20th of the month and it was waiting on my doorstep on the 25th. I've only this guitar in my hands for 24-hours, but I am a very happy camper! I should mention that I've owned a John Lennon Signature Ltd. Edition EJ-160E ever since 2007. That John Lennon is a beautiful guitar and has a few decorative niceties which have been dropped on this current model. To Epiphone's credit, however, they have corrected the single biggest flaw of my 2007 John Lennon model, and that was the longer 25.5" scale. This new model has the same 24.75" scale as the "high end" Gibson J-160E. This correction alone makes this current model a better Beatles tribute guitar than the signature John Lennon. And for me, this difference in comfort and playability means that my 2007 model will soon be hanging on the consignment wall at my local guitar shop. Aside from the cosmetic differences, this current guitar also has X-bracing rather than cross-bracing, but the two guitars sound pretty much identical to me. I don't currently own an amp, so I can't judge how they compare when plugged in.Dave G.

Received this guitar today and after having spent a few hours with it I do like the guitar quite a bit. However, it did have a couple of issues I had to address: 1) The factory strings suck – replace them right away. Made a world of difference 2) The G tuning machine on the guitar I received was not screwed in all the way. Easy fix but should have never gone out like that 3) Truss rod was too tight and was causing some fret buzz, a quick adjustment corrected this completely. I have had no tuning issues (holding tune very well) and no intonation issues at all. The pickup does have a low output, however this is due to the fact that it is an electric guitar pickup and not designed to be used with the type of acoustic strings we have today. I did run it through the compressor pedal on my rig and it brought the volume up considerably, but a preamp may be the way to go if you want to use it plugged in and sharing an amp/rig with other guitars. The tone is decent, not amazing but very enjoyable (Again, putting decent quality strings on it made a huge difference). It plays quite easily and the scale length is very comfortable. The 3-tone vintage sunburst is much more subdued than pictured, but I think it looks a lot better than the stock photos show. The "E" emblem on the pickguard came off with the plastic wrap which was fine with me because I was going to remove it anyways. All in all, if you like The Beatles or just need something unique, it's a very good guitar for the money.PSDoherty85

The strings have a great sound, and look very trick. The guitar pick, though, does end up removing some of the coating, hence only 4/5.shortolly

I recently purchased a Ghost Fret from Chapman Guitars… The guitar was so Black colored that everything blended together too much! These white phosphorescent strings instantly made the guitar pop and gave it that extra something!Lord Randy of the Rhodes

These strings are the bees knees! They are very comfortable to play on your guitar and they don't 'squeak' with hand movement on the fretboard. Also they really are luminous under a UV light. If you want your guitar to look a little bit different from the rest; then these Dr Neons are the ones to get. They sound good too and they last as well. The coating does come off in high wear area eventually though.fireball14017

Try them, they're great. Feel nice, sound wonderful, last a long time. I've been through so many brands and so many different types of string, and these are the absolute best (for me). Even better than the expensive Austrian and German brands. I play many acoustic gigs, most are three sets a night. Some mainstream brands don't even last for one gig, going dead too soon. And if you try to squeeze a second gig out of them, it's normally the wound third string that disintegrates, regardless of manufacturer or price. But these White Bronze strings hold up well. My acoustic guitar is also stiff to play (yes, I should get an easier-playing guitar), but these feel perfect and my fingers aren't beat up by the end of the night. The singer-songwriter I often work with heard these strings on my guitar and immediately noticed the difference, and then wanted a set on her guitar.Colin

I have my favorite strings for acoustics, electrics, and classical guitars. But I needed something that would work well with the pick ups on my new Ibanez arch top Expressionist. I've tried several. These are a great option. I like the wound 3rd string. There's a set of D'Addario with a wound 3rd string I also want to try. The D'Adarrios have a slightly smaller gauge 3rd and 6th string, but these ghs white bronze will definitely be on my favorites list.Coca-Cola Cowboy

These strings are great for archtop guitars that carry a magnetic pickup. I play my Gretsch archtop unplugged every now and then and the flat wound jazz strings just don't have much acoustic presence. I tried the DR Zebras and they are pretty weak when plugged in. These guys are the best of both worlds. Sound great unplugged and are nice and clear through the amp!Riverrat123

On paper, these strings sounded like a great concept but in my experience I found they were one-dimensional and really lost their bite very quickly. I have used other Cleartone strings and liked them, but these just did not do it for me especially at $12 a set.Bert

i bought a set of these because i loved their phosphor bronze strings and wanted to see if the mixing of metal types for different strings had any merit to it or was just a gimmick and since they were a little cheaper than the phosphor bronze. Well i liked them better than the all phosphor bronze strings, so i bought a set of these in the custom light gauge to try as well. Right now it's a toss up for me whether these are the best for me or the Santa Cruz parabolic tension strings both are pretty great.JImK

Most of the time strings are basically the same, as far as sound. I like their approach on these strings, really fine tune the sound. So far I like them, but have not recorded with them yet. Good buy.HARLEY

diese Saiten spielen sich sehr gut und klingen Obertonreich und haben den echten spanischen Sound. Man kann damit alles spielen, von Classic ber Tarrega bis Flamenco6618ralf

klanglich und haptisch bertreffen diese Saiten alles was ich vorher gespielt habe. Die Diskant quietschen anfangs etwas, verschwindet aber6618ralf

I have a love/hate relationship with these strings. First of all, they are LOUD! Equipping a concert instrument with these will (finally!) give a player a fighting chance of matching the projection of our arco cousins. But beyond volume, the tone is simply incredible; beautiful and complex. The basses have tremendous layers of harmonics that compliment their strong fundamentals, and their even tension means intonation is quite good up the neck. The treble strings are what give the product its name, though, Made from a sugarcane polymer (a bio-derived polyethylene), the trebles each carry their own personality. Uniformity was apparently not the goal here- and that is not a complaint! The 3rd (G) string is shockingly clear and vibrant- far superior to the lifelessness tone usually attributed to this string in their nylon and carbon varieties. You will definitely want to re-voice melodic material to exploit this clarity (and welcome the reduction in position shifting). The 2nd (B) string shares the 3rd's clarity, and matches well while giving the notes a noticeably lighter personality. The 1st (E) string can be a bit temperamental; even a small kink introduced when stringing will keep the string from ringing clear and introduce profound ghost harmonics. But assuming stringing goes perfectly, the 1st string rewards with a snappy and percussive character that sacrifices a touch of sustain for vibrancy, as well as effortless, vocal-like vibrato. But alas, nothing is perfect. While I already mentioned the fragility of the 1st string, it must be noted that all the strings in this set are incredibly soft (in terms of their resistance to wear) and unless you are playing on perfectly smooth and polished frets, you can expect de-lamination of the basses to occur within a month, and noticeable wear on the trebles as well. Granted, this may be a symptom of the unfortunate trend to use (ghastly!) stainless steel frets on modern instruments as opposed to more traditional materials, so if you have frets made of softer metal (e.g., nickel/copper) this may be a non issue. But the greatest issue with these strings is, without doubt, the dreaded "squeak." Yes, the trebles squeak terribly while they are settling in, and sometimes even longer. This can be mitigated to an extent by constant playing and using hand lotion. Some players have suggested using very gentle buffing of the strings (1000 grit or higher sand paper) in order to remove the squeak, but given the fragility of the 1st string, this requires great caution. Buffing the strings does, however, improve purchase of the fingers, which is another area where this string set has shortcomings. Appoyando feels very slick- perhaps too slick!- and does take some adjusting not to over articulate. Tirando is fine up to a point, but considering the aforementioned lack of finger purchase, this could make faster passages impossible without conditioning the strings (not to mention immaculate fingernail grooming). But alas, the tone is the thing! If you are willing to treat these strings with far more care and consideration than a typical nylon or carbon set (venturing into the same gnatty level of detail and ritual usually reserved for authentic gut) you will be rewarded with a richness and variety of tone unmatched by other sets. Particularly, the profound variation from sul tasto to sul pont. is profound; even a slight change in positioning will reveal new colors. Pair that with the individual characteristics of the treble strings, and you get a set of strings that rewards the diligent player willing to explore where they can take their music.Mason L.