Are you looking for the Best Order For Guitar Pedals? If so, you’ve come to the right place.
Choosing the Best Order For Guitar Pedals can be difficult as there are so many considerations, such as MXR, ammoon, NUX, BOSS, DigiTech, DOD, Electro-Harmonix, MOOER, TC Electronic. We have done a lot of research to find the top 20 Best Order For Guitar Pedals available.
The average cost is $183.78. Sold comparable range in price from a low of $29.00 to a high of $675.70.
Based on the research we did, we think Electro Harmonix Freeze Sound Retainer Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Order For Guitar Pedals (20 Sellers)
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$127.80
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Recreate your tunes with various sound effects from your guitar by using this pedal
- Led indicator lets you check the operating status conveniently
- The 1/4" input jack offers a reliable connection with the compatible devices
Reviewers Noted:
Easy to use . Sound quality . Size
Features:
- Create high-quality sound effects with this bass guitar pedal
- The active treble control lets you customize the reverb effects conveniently
- Designed with a bypass footswitch to help eliminate signal interference
$221.30
4.3
Reviewers Noted:
Ease of use
Features:
- This pedal allows you to optimize the sound for high-quality audio
- The built-in control knobs let you configure the bass levels individually
- Nine preset modes offer versatile audio effects
$160.00
4.7
Reviewers Noted:
Compact . Weight . Ease of use . Sound quality
Features:
- Create rich boost and overdrive sounds with this preamp pedal
- Designed with two controls to help customize the guitar tune conveniently
- The led indicator allows you to monitor the operating status
$675.70
4.8
Reviewers Noted:
Easy to use . Weight
Features:
- Its designed to be used with your amps overdrive sounds
- All in one go. the g system can work as a rack unit or as a floor unit
- This is a really clever piece of design
$179.00
4.6
Reviewers Noted:
Ease of use . Sound quality
Features:
- Make your sounds more pleasing with the 2-channel pedal
- Six iconic keeley effects help enhance the melodies
- Trs insert toggles let you connect the guitar
$299.99
4.7
Reviewers Noted:
Easy to use . Good sound quality . Compact . Build quality
Features:
- This pedal allows you to add effects to the guitar during your jamming sessions
- Adjust the playback volume, depth, and speed of the recordings conveniently with its multiple tabs
- Die-cast material offers enhanced durability to the pedal for prolonged usage
$29.00
4.6
Reviewers Noted:
Easy to use . Sound quality . Portability . Size . Weight
Features:
- Its 3-band equalizer allows you to optimize the sound for high-quality audio
- Constructed with metal chassis to enhance its structural integrity
- Built-in led indicator lets you check the status of the battery
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Craftsmanship
Features:
- The 10v of input power delivers clear and crisp output
- True bypass switching minimizes the distortion to enhance the audio quality
- This pedal allows you to add multiple bass effects during your jamming sessions
$69.00
4.5
Reviewers Noted:
Ease of use
Features:
- Can be used as an individual eq pedal.
- 7 preset slots to store eq and sampled guitar sounds.
- Switch between true bypass or buffer bypass.
$133.95
4.8
Reviewers Noted:
Ease of use . Size
Features:
- Compact octave pedal that produces tones one or two octaves below the original note–or both
- Separate oct 1 and oct 2 controls, as well as direct level control for exact tonal shaping
- A classic effect for guitar and bass
$179.00
4.7
Reviewers Noted:
Ease of use
Features:
- High and low gain knobs provide optimal volume balancing
- Get enhanced audio clarity with its bass and treble cut switches
- Its 9 v jack offers uninterrupted flow of current to this pedal
Reviewers Noted:
Compact . Easy to use . Build quality
Features:
- Impedance of 100 ohms helps reduce unwanted noise
- True bypass makes it easy to switch between multiple effects
- Knob control allows you to fine-tune the sound
Reviewers Noted:
Easy to use
Features:
- Great pedal.
- Has not left the house (smoke free house).
- Comes with the original mooer ge 300 pedalbag.
Reviewers Noted:
Size . Ease of use . Heavy . Sound quality
Features:
- High-impedance offers you a distortion-free audio
- Tuner out jack facilitates quick and easy tuning of the pedal
- Designed with a minimum volume knob to set volume control level
Reviewers Noted:
Ease of use . Sound quality . Size
Features:
- Multiple knobs assist in adding effects to create a studio-quality sound
- Dual input and output ports allow you to connect various compatible devices
- Led indicator lets you show the power status of this pedal processor
Reviewers Noted:
Ease of use
Features:
- Improve your equipment's sound quality with this decimator pedal
- Built using isp technology for a ripple-free outcome of music notes
- This noise-reduction pedal offers efficient performance
Features:
- Mosky guitar effect pedal for guitar players.
- 3 functional knobs(treble/output/gain) for adjusting the performance of the overdrive effect.
- True bypass footswitch for switching between overdrive effect and bypass status.
Features:
- 3 classic delay modes: analog, real echo, tape echo.
- Delay time: 5ms-600ms.
- True bypass circuit.
Features:
- Intended to be an instant shoegaze button, while addressing the most glaring issues of the original unit
- At its heart, the soft focus is a heavily modified plate reverb with adjustable time, which is subsequently split into three
- The mod knob controls the rate of the chorus on path one, and the symphony knob controls the level of the octave on path two
1. Electro Harmonix Freeze Sound Retainer Pedal
Product Details:
Capture a frozen moment and turn it into a tonally unique sonic foundation. the electro-harmonix freeze sound retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. release the footswitch and you are again sample ready. three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions. hook the freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard. it's like adding an extra musician to the band.
Specifications:
| Indicator Type | LED |
| Width | 2.75" |
| Length | 4.5" |
| Height | 2.1" |
| Input Jack Size | 1/4" |
Reviews:
Great little device. Different to a looper. Great for creating background washes of tonal color on-the-fly. If you got adept at it, you could use it to great effect in live performance. Personally, I use it to practice scales and arpeggios. Very effective and easy to use. I don't know how different or similar the electronics are, but it would be great to see this device combined with a looper. They're similar in concept. An extra stomp switch combination, and you could be looping, not just freezing. Not a criticism. Just a suggestion.jamesbwar
This is a great little pedal! Whether I need to sustain a note or chord while playing/riffing over the chord, and/or using it to hold a note in a live performance, this pedal can do it. It's a seamless sustain pedal that you can't hear when it's turned on or off. This far exceeded my expectations. I currently use this pedal with my bass to hold keyboard notes while playing my bass lines (since our band doesn't have a keyboard player).SLoveland
It's a nice pedal it's like a sustain pedal for the piano but for the guitar. Really fun to use. Been using it on my gigs ever since I got it. Works great for ballads and intros. The only issue is the foot button makes a loud click. Seems that they would have put a silent one in over the loud clicking one. Also wondering why they couldn't have made it more like an actual pedal like a wah or volume pedal… I've never seen one for the guitar so I imagine it has something to do with capturing the sound. But electro-harmonix if you're reading there's an idea for you. I know a lot of guitarists that would love a pedal that you can work like a true sustain pedal.Marco
2. Xotic Rc Booster V2 Effects Pedal
Product Details:
This is a customer returned item in 100% perfect condition. what do the tones of renowned guitarists such as page, evh and johnson have in common? they all used the legendary echo machine ep-3 as a pre-amp. xotic has captured that magic in their pedalboard staple, the ep booster. they've used the highest quality parts available with a discrete fet design and low impedance output. the ep booster provides up to +20db of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. the internal dip switches let you choose the boost frequencies and the eq settings. the rc booster v2, inspired by the scott henderson rcb-sh model, now comes with an added gain channel for even fatter tones with a super transparent 20db+ clean boost. super transparent 20db+ clean boost adjustable +-15db two band active eq run it at 18v for even more headroom!
Specifications:
| Width | 4.39" |
| Depth | 2.38" |
| Height | 1.98" |
| Battery Type | 9VDC |
| Weight | 0.6 lb |
Reviews:
At a point several years back I only owned Active Basses, but in the space of two months proceeded to acquire several High-End Basses with Passive Electronics, I was in need for something in my signal chain to raise the output of the Passives to the level of my Active Basses. I took the advice of a close friend who's a true "Professional Bassist" who also knows a great deal about the technical issues of Pedalboards, Large-Scale Amplification and such and picked up the Xotic Bass RC Booster which was the highest-quality he could recommend (I'd rather spend the money once rather than upgrade from a "Beginner's Pedal" to a "Midrange Model" and so on…) That was once of the best pieces of advice I've been given in terms of gear, as to this day the Bass RC Booster is a main piece of equipment on my Pedalboard. Between the 2-Band EQ, Gain & Volume controls I'm able to raise the level of my own Passive Basses or a Bass that I'm using at a Jam or Open Mic to the levels of my Active Bass, which I have all adjusted to Unity Gain as to cause as little issues as possible. Two surprising use of note: with a minimal increase in Volume the Pedal becomes just as useful as a Volume Boost to both Passive & Active Basses for solos, drum 'n bass breakdowns and other times where it's necessary to step out into the spotlight a bit more. Secondly, when the Gain is pushed towards the higher registers you can even can a quite useable "SVT"-type Overdrive. Even players who play with a clean tone will certainly find this added bonus helpful in both live and studio situations. To sum up the Xotic RC Bass Booster, it's an extremely high build-and sonic quality, low noise & versatile Boost effect. Its additional use as a light Overdrive effects is just as effective in its field. I use this often on my Pedalboard, and would replace it immediately if it were lost or stolen. A bit pricey when initially purchasing, it makes up for that as you're buying a Professional Quality effect, and would not have any need to replace with a "better one" a year or so down the road. This is all one would need to cover this area of effects!
I have an Xotic AC Booster and it is one of my fav pedals. At the start of my chain – after the buffer – I have a Compressor, then an old DOD Preamp 250, followed by my AC. I like the sound, but had this setup for a while and was just looking to shake things up. I thought the RC ver 2 would be a great replacement for the DOD as what could be better than 2 xotics in series? Well, not this! The Comp (Wampler Ego; another pedal I like alot) did not play well with the RC. The sound was muddy and lost all definition. The RC alone was OK, but not great. Found the effect of Gain 1 to be pretty darn subtle and really not much better than my old DOD gain pedal. Had to crank RC Gain 1 to full CW to hear much – a very different pedal from the AC which is super responsive. I also found the adjustment for the RC Gain 2 pot to be very awkward for a quick adjustment onstage as is occasionally necessary between songs. So, I was pretty bummed out as I love the AC and I use an Xotic EP booster for regular lead boosts. Just did not work out for me. Hard to decide if I would recommend the RC. Personally, I am very picky about effects, usually use only 2 at most at one time (e.g. Comp + AC; EQ + Delay, etc.) . So I think i would say that I do not recommend…but you may like it.BCY123
I'm surprised at how much I use this pedal. I bought it to boost the signal of passive basses and it does that and a lot more. The EQ points are right where you need them. And because you can preset those as well as the volume, when you switch to a passive bass in the middle of a live performance there is no time wasted fiddling with knobs trying to match the sound of your active bass. Also it's useful as a clean boost on active basses for those times when your hands are busy and you can't adjust your amp in the middle of a song. Just pre-set the pedal to a little boost and any time you need it, you've got it with a quick stomp of the foot. The third use I find for this pedal is with effects. You can use it to put a little boost before any overdrive/distortion pedal it will increase the gain. I love this because I like the sound of the Morning Glory pedal, but it doesn't get quite dirty enough. Most pedals that get as dirty as I want don't sound the way the Morning Glory does so this is perfect for me. And the other way it's useful is to add bottom end to distortion pedals (which are famous for not supporting the low end very well). Preset a little bass boost and when you stomp the overdrive/distortion pedal also click on the Xotic RC.PDGood
3. Electro Harmonix Bass9 Bass Machine Guitar Pedal
Product Details:
Electro harmonix bass9 bass machine guitar pedal – turn your guitar into a bass with the electro harmonix bass9 bass machine guitar pedal – the polyphonic bass9 bass machine transforms a guitar into nine different basses and requires no special pickups, midi or instrument modifications. it relies on the same technology powering all ehx 9 series pedals, like the award winning mel9 tape replay machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking. – a rotary switch allows the user to select the sound of their choice, as follows:precision: pays homage to the iconic fender p bass – longhorn: emulates the danelectro 6-string bass, ideal for baritone type tones – fretless: features both electric and standup fretless basses. synth: a tribute to the classic taurus synthesizer – virtual: lets the user adjust the bass’s body density and neck length for a variety of bass sounds – bowed: classic bowed bass split bass: makes it possible for the guitarist to play bass on the lower strings (all notes below f#3) and chords or melody with the higher strings.3:03: a polyphonic salute to the sought after roland tb-303 vintage bass synth – flip-flop: inspired by ehx’s octave multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches. – the pedal is equipped with independent effect and dry volume controls so guitarists can precisely tune their mix at the effects output jack, plus an always-active dry output jack that outputs the input signal at unity gain. controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. for example, in precision, ctrl 1 controls the sub-octaves while ctrl 2 imitates the original instrument’s tone control. the bass9 comes equipped with a standard ehx 9.6dc200m – a power supply. guitar pedals, chuck levin's washington music center, electro harmonix, electro harmonix bass9 bass machine guitar pedal
Specifications:
| Product Type | Bass machine pedal |
| Pedal Type | Bass guitar modeling |
| Power Usage | 100 mA |
| Power Source | 9 V DC |
| Bypass Switching | Buffered |
Reviews:
Put in about two hours of playtime on this, stored it for a few months safely right next ot all my other EHX pedals. All of them work perfectly, this one just doesn't. Musician's Friend won't replace it, and EHX is making me pay to ship it back to fix it. Which is absurd as it's basically new.Ian
4. Dod 250 Overdrive Preamp Guitar Pedal
Product Details:
The legendary analog dod overdrive preamp 250 is back, with over 40 years of history and experience behind it. the 2013 version of the legendary dod 250 captures of the classic tone and wild heart of the original but in no way tames its performance. – the 250 is better than ever before with true-bypass, a crisp, blue led indicator, gobs of output, and modern 9v dc power supply input. redesigned with a lighter aluminum chassis, sleek yellow metallic flake and flat black matte bottom paint job, the 2013 dod overdrive preamp 250 pedal is the perfect sonic foundation to carry on the legacy of dod.the dod overdrive preamp 250 (2013) has gain and level controls, like its predecessors. gain controls the amount of distortion, from just a touch of grit to all-out grind. level dials in some subtle body for "always on" performance or huge amounts of boost for boosting solos above a dense stage mix. with the gain all the way down, crank up the level to boost your sound and cut through during your solos. – true-bypass allows your guitar tone to remain pristine even when the dod 250 is off. this is a big difference from the original which would color your bypassed ttrue-bypasscrisp, blue led indicator – modern 9v dc power supply input – lighter, aluminum chassis – sleek yellow metallic flake and flat black matter bottom paint job – gain and level controls
Specifications:
| Indicator Type | LED |
| Chassis Material | Aluminum |
| Paint | Yellow metallic flake |
| Power Supply | 9V DC |
| Number of Controls | 2 |
Reviews:
The addition of the Boss style adaptor plug was a very welcome modification. The indicator light is cool as well. Both were absent in earlier versions of this classic overdrive. I've owned all versions of this pedal, including the original grey and yellow pedals. This is a nice take on them and the lighter weight casing appears to be aluminum. The originals and later reissues used a cast material that was heavy and was a bit of overkill for such a simple circuit. This is a great alternative to those. The circuit has a tendency to be a little bassy especially as the gain is increased. It lends itself to single coil guitars very well(yngwie) but works great with humbucking pickups as well. One of my all time favorite over drives, and I own them all. Stacks well with other pedals. Everyone should try this one, it rips.Duke
I'm in an acoustic jam group and needed some extra punch for my vintage Guild D-40 so it didn't get swallowed up when taking solos. Running a Fisher soundhole pickup through a 25W Danelectro solid state amp just didn't do the trick, but adding this does. I set it very clean with the gain dial at its lowest setting and the level up, using the eq on the Danny to brighten up the highs. A very natural sound, not like through the mic, but good for my purposes. With the gain up a bit, the added sustain on the low end was a pleasant surprise. The LED light is so bright, I'll never forget and leave it on. My one complaint so far is the changing the battery involves unscrewing four screws and taking the back off — why not build it with a slide-open compartment? When I hooked it up to my Tele, it took a little tweaking to get the setting right, but it produces a nice gritty sound. For the price, I'm happySwampy
I have been playing guitar since 1979. I have owned this pedal at least (2) times in my life. Currently I am in a band using EMG loaded Strats and an EMG loaded LP Custom. I play through a "Made in England" JCM 2000 DSL 50 Amplifier. The "Classic" channel has a mode that will give you a 1970's Super Lead or JCM 800 tone. I have used Super Leads all my life until now. So the "Ultra" channel has the gain and sustain you would want for heavier riffs and definitely for guitar solo's. The "Classic" channel, much like my Super Leads, has a great rhythm tone but suffers from a lack of sustain for guitar solos. There's nothing worse than playing a guitar solo and having the vibrato notes fade out too quickly. So I decided a quality boost pedal would goose the front of the amp in "Classic" mode to increase sustain without changing the tone. I looked at Xotic EP Booster's, Xotic SL, MXR Echoplex, and the MXR micro amp. All were very good but I thought they were a little too expensive. When I saw the DOD 250 Overdrive/Pre Amp "on sale" I immediately placed my order. Now for more than half the price I have a pedal that has a level control to goose the front end of my Marshall and the added benefit of a Gain knob should I decide to add a little more Gain. The DOD 250 is a transparent OD/Boost pedal with big head room. You can tell it doesn't mess with your tone too much. So, if you are looking for a boost pedal like what I stated above, I strongly suggest checking out the DOD 250. Save money and get the boost you need and the added gain knob as an extra feature. 100% satisfied and I feel great about saving money. A win win pedal.
5. Tc Electronic G-System Guitar Pedal [ Tc044 ]
Product Details:
Hook 3 of your pedals straight up to the g-system for total integration, allowing your to utilize your favourite effects alongside the awesome processing power of the g-system, and add filter and compression to the mix with quick access control knobs. tap tempo, tuner, midi control, and updatable firmware via usb makes this system one of the hottest all-in-one guitar effects control centres on the market today.
Specifications:
| Dimensions | 64.50cm x 24.00cm x 42.50cm |
Reviews:
The g system sounds better than any multi effects unit that I've ever used. The notes just seem to ring with more clarity than I can remember hearing in other units and the tone is great. Practically zero noise when used with good cables. The build is incredible ; it's heavy and feels solid. i have it plugged into a Marshall dlc40 and it sounds incredible. Thank you TC Electronics and Sam Ash!Vf5fan
Had one of these in 2006 and used it with a Bogner Ecstasy head. In 2011 went over to amp modeling rigs so I sold off my G-System. Late 2018 I went back to a tube amp (Mesa TC-50). Used an old midi control pedal I had along with my ancient G-Major effects. Decided to upgrade the rig and go back to the G-System. This new G-System is a 3rd Generation unit with superior input buffering. I couldn't be happier with my tone and the quality of the effects as well as the ease of use in channel switching and preset set-up. Turned my great rig into an awesome rig!
This is an awesome multi-effects & rig management Tool. Top TC effects, complete integration and optimization of your gear and total control over your effects and sound. Built like a tank out of steel and aluminum and used by professional musicians all over the world. It is perfectly suited for both live and studio work and it is inspiring to use. The G-System integrates perfectly with an existing setup and provides the perfect backbone to a guitar rig. All of the features are accessed via the floor boards 18 illuminated footswitches, six with built-in rotary encoders to make adjusting parameters on the fly incredibly easy and intuitive.Reviewed by Andertons Music Co.
6. Keeley Ddr Drive – Delay – Reverb Guitar Effect Pedal
Product Details:
Namm 2019 revealddr – drive delay reverb new for 2019! the ddr combines the most common guitar effects–drive and wet–into one pedal. choose between two classic overdrives and then pour on some delay or reverb. one pedal, any gig. the drive section gives you two styles of overdrive to choose from: crunch or lead. the crunch style gives you a gritty british tube-amp combo sound. the lead style gives you a warm and dark, mid-pushed overdrive. the wet side of the pedal gives you delays and reverbs. a vintage/modern switch allows you to toggle between spring & plate reverb or analog & digital delay. use the built-in effects loop to insert effects between drive and wet, or run it by itself as the only pedal you’ll need!
Specifications:
| Pedal Type | Multi-effect pedal |
| Input | 1 x 1/4" TRS |
| Output | 1 x 1/4" TRS |
| Bypass Switching | Switchable to buffered |
| True Bypass | Yes |
Reviews:
Upfront…..it's a Keeley …and that alone tells anyone who knows pedals that it will be well built , decent sound quality and affordable…..but they missed the boat on this one and I expect a version 2.0 soon enough….the reverb and the delay cannot be stacked , either way , they can only be played independently. This was a big mistake on the design engineers or Robert himself. The gain/overdrive side of this pedal is excellent!!! And unfortunately I am stacking this pedal with an Oceans 11 while using their spring or plate modes. I will be pretty peeved if and when version 2 is released and the stacking in series or parallel is now useable. Otherwise I give this a 3/5 where it could have been a 4.5/5 easily!!!!!…….sorry guys …had to be honest …but I won't buy version 2 unless you take BACK this original version and modify it correctly!!!Chaotic Embrace Inc
What an incredible pedal! This is the perfect grab and go for the working musician. A wonderful solid blues breaker style drive and choice of delay or reverb. Both the analog and digital delays are amazing. I can't recommend the pedal enough. It only took 5 minutes for this to become one of my all time favorite Keeley pedals (and I have over 20 different Keeleys).Nnate8
7. Digitech Whammy Pitch-Shifting Guitar Effects Pedal
Product Details:
Great condition and totally functional with only minor cosmetic wear as pictured. comes with original box, no power supply. a legendary effect that's spanned 23 years and graced over 700 million albums. there is no doubt that the digitech whammy pitch-shifting guitar effects pedal is a pedal board must have. pitch shifting effects help a guitar performance stand out, and the whammy pedal has been a core pitch shifting effect for influential artists for over 20 years. whammy artists have won over 60 grammys using the whammy pitch shifting sound to enhance their music. its songs echo the hallways of the rock & roll hall of fame, and can be found on over 700 million albums around the world. the legendary whammy pedal is the premier pitch shifting pedal for any guitarist's board, and it only gets better with classic single note whammy bends, chordal pitch shifting and true bypass.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| Length | 8" |
| Width | 6.3" |
| Height | 2.5" |
| Color | Red |
Reviews:
Overall: Finally got another Whammy V after missing my prior one in a "stupid-sell all-great new multi unit dumb idea". Not sure what to say about this pedal as it would seem of the many vids I have seen on it, I cast doubt if anyone really can understand how to use it without having one for a time. I constantly hear this "weeeeoooo" thing and really that might be of use now and then but what nails this pedal for me is the harmonizer mode section. 8va's and 4ths,5ths, utterly amazing. This is not so much a moving the pedal thing as everyone seems to want to do. Most of th etime mine is parked up or dwn for a specific harmony or maybe a sweep of low to high octave, play a version of Dazed and Confused using this and you may just never be the same. The lowered 5th harmonizer mode on this puppy is probably one of the best all time tones I have ever had the pleasure of playing. A harmonizer, with no set key or scale restriction, polyphonic tracking, true bypass, I'd pay more just for that. The DT model is cool but I am not really doing step tuning variants. Anyway, this pedal is sooooo much better than what you will hear being done on typical vids. Mastering this puppy will afford you a range of really cool tone possibilities nothing else can muster. Those who hate this pedal suffer from the terrible videos of it or the old models that glitch and burble from only being monophonic tracking. The buffer has been removed and this is improved poly tracking tech! Full bandwidth 1M ohm and out. Simply no comparison tech wise to the previous models.Whambam
I love how certain players use this pedal. Bucketed is the absolute master of the Digitech Whammy. I like Buckethead and got a whammy to try for myself. The only time I actually use it during performance as a ad-lib bit. The problem is that when its engaged it sucks the life out of your tone. Its like going from an all tube amp to using an iRig to play your guitar through your cell phones speakers. The effects are crazy awesome though. People that don't know gear that hear you play, bug out when they are trying to figure out how in the world you are getting those crazy sounds. The pedal needs recalibrate all the time. For no reason, even when you have the pedal on heel down, when you engage the unit the pitch will shift. The dive bomb effects are crazy for weird rumbling effects. All in all, typical of my experience with Digitech, they aren the best effects tonally. But if you want to go weeeee-ooohhhhh, weed-ohhhhhh a bunch for the fun of it, this is your pedalSpaceman Spiff
Bought this in a heartbeat to replace my Digitech Whammy IV, which is a fantastic pedal but lacks the sound quality and additional features of this latest version: the Whammy V. For the uninitiated: The Digitech Whammy is a versatile pitch-shifting, harmonizer, octave, drop-tune, and chorus pedal used extensively by at least one of your favorite pro guitarists: Johnny Greenwood, Tom Morello, Jack White, Matt Bellamy, Buckethead, and countless others. I use it not just to replicate parts of their songs–Johnny's +2-octave riff in "Just", the solo in "Like a Stone", the "bass" line in "Seven Nation Army"–but in plenty of my own songs, both live and in the studio. The construction is solid and designed for both touring and in-studio use–durable but not too heavy, big but not obnoxious. Next, the upgrades: This new Whammy comes with two huge improvements. The first is true-bypass switching. Previous models are well known for being tone-sucking beasts, and although there is still a noticeable change in your sound when this latest version is on, when it's off it's off. The other massive upgrade is polyphonic tracking while pitch-shifting, which means it can shift entire chords up or down without sounding glitchy or garbled (e.g., "My Iron Lung"). For people who like that glitchy Whammy IV sound and want the option to use it, there's now a Classic/Chords switch which lets you do just that. On the cosmetic side, Digitech renamed a few modes, reorganized the layout, and brought back the Whammy logo on the expression pedal. All of these upgrades are godsends for long-time users. Finally, the drawbacks: First, as always, there is no "intelligent" harmonizer setting, so you're still limited to choosing an interval–4th, 5th, 7th–and not a key–Bb, C#, E–for your harmonies. Also, this latest version keeps the MIDI jack but ditches the dry output, which is a bummer. Overall, the Whammy V is a phenomenal improvement over the IV and a unique pedal in its own right. 5/5Joe B.
8. Behringer Um300 Ultra Metal Distortion Pedal
Product Details:
The um300 effects pedal gives you the most extreme and sought-after hard rock or heavy metal sounds with super-thick, tube-like distortion plus endless sustain. the um300 features dedicated distortion, 3-band eq and level controls for awesome sound shaping. a cool blue status led for effect on/off and battery check plus a first-class electronic on/off switch for highest signal integrity in bypass mode are included. the um300 runs on a 9 v battery or a dc power supply (not included).
Specifications:
| Product Type | Guitar pedal |
| Pedal Type | Distortion |
| Battery Power | 9 V |
| Dimensions | 2.125" H x 2.75" W x 4.8" D |
| Weight | 0.73 lb |
Reviews:
This thing is unbelievably excellent. I’m down with serious chunk and couldn’t find a pedal anywhere that tickled my fancy of fatness of tones and clean as a whistle chugging. If you want metal, this will give you the sound you want, the thing has six knobs and they all do great differences in tone and distortion. My mate is a full blown metaller gtar ist and scoffed at me buying this thing. He came round and I said that I wanted to hear him thru this pedal so he did after I dialed him in to my liking amd he blew himself away with me alongside him He now has one too!!!! HahahaGeoff K.
The distortion operation is like MT-2. Sound and operation is similar, But it has differernt knobs for min settings. Distortion levels quickly passes overdrive/crunchy so it it not usable for that. Bass level is not usable after 2 o'clock setting. Treble and mid levels and mid frequency levels change a lot sound. Level setting is use fun if you don't want to load the amps input and cause additional distortion… Battery changing is easy.
9. Xotic Effects – Sl Drive Pedal
Product Details:
Famous for its woody, organic and beautiful sounds of saturation, these legendary british amplifiers, the super lead & super bass, have been delivering one of the all-time classic sounds for almost 50 years. players like jimmy page, paul kossoff and countless other relied on this type of tone for their signature sound. xotic has recreated this vintage masterpiece in a rugged small enclosure. the sl drive offers very amp-like response and cleans up nicely with a roll of your guitar’s volume knob. the internal dip switches allow you to choose the sound characteristics of both 1959 models. the “super lead” setting offers a brighter tone with more gain, while the “super bass” setting has more low end with less highs. this compact design is a powerful tool for the working musicians. the sl drive is equipped with true bypass switching and eliminates any signal interference when switched off. power requirements are either 9v battery or ac adaptor (optional).
Specifications:
| Dimensions | 3.5" W x 1.5" D x 1.5" H |
| Input Power | 9V |
| Input Impedance | 1M ohm |
| Output Impedance | 1K ohm |
| Number of Tone Settings | 2 |
Reviews:
From slight dirt to full on creamy plexi distortion. It’s all there. Cleans up with the guitar volume knob. Pairs well with other exotic effects. I have two SL drives, one for grit and the other set for lead, as well as an exotic AC booster before to add a bit of boost. I run the EP booster at the end for nice volume boost. Synergy with all exotic effects.Charlie
I chose the SL Drive from a huge amount of drives on the market as I wanted something that fit on a small pedalboard, could provide a Marshall style sound at all gain levels as an alternative to amp gain, and which could work well with the BB MB pre-amp also by Xotic. This pedal really delivers. Although it takes time to set up and find the best sounds for personal preference, it provides a variety of useful tones across the spectra of volume, gain, and equalisation. The design is just so thoughtful and I like the possibility of running it at 18v, although at the moment 9v is better to my ears. Recommended as a piece of gear that should fit with most set-ups.Reviewed by Andertons Music Co.
I've had the SL drive for awhile now and try as I might I can't find anything that can kick it off my board. I've tried numerous other amp in a box pedals(Marshall and otherwise),overdrives and distortions but I keep coming back to this little guy. I guess I keep trying because I find it hard to believe that a pedal this small and this inexpensive(relatively) can't be outdone. I use this in conjunction with a standard Tumnus and the 2 together just can't be beat for me and I'm done spending $ trying.mike smith
10. Mooer Tone Capture Gtr Pedal
Product Details:
Mooer tone capture gtr – guitar tone capture tool / sampler / eq the tone capture gtr pedal is based on mooer's unique, non-linear ir technology 'tone capture'. with this pedal you can capture and emulate the tonal character and sound of any guitar by sensing the unique sonic characteristics of the instrument. this is accomplished by comparing the differences between the guitar you want to use ('source') and the guitar you want to sound like ('target'). then a complex calculation follows and an 'incredibly' accurate digital replica of the 'target' guitar sound and character is born. the days of lugging around multiple guitars are over. the tone capture guitar pedal offers you a variety of guitar sounds without having to carry multiple guitars. do you only need your acoustic guitar for an intro in a set? you don't want to take your vintage strat with you to the gig? no problem! you can test the unique sound quality of each of your guitars at home and take them with you anywhere.
Specifications:
| Input | 1/4" mono jack (impedance 2.2M Ohms) |
| Output | 1/4" mono jack (impedance 100Ohms) |
| Current Draw | 150mA |
| Dimensions | 93.5mm(D) x 42mm(W) x 52mm(H) |
Reviews:
The results were surprisingly good, after using some acoustic guitars as my samples and then using a cheap single coil guitar to recreate them. It even captured a passable sitar sound. I'm going to build up a good selection of various guitar samples for future use. All in all I'm very pleased with this versatile pedal, it was well worth buying and it's so useful.Reviewed by Andertons Music Co.
You can certainly change between generic guitar sounds easily. A start will not sound exactly like a les paul but certainly gets in the ball park and captured tone can be tweaked with the excellent tone controls before saving. Only down side is its not easy to change between the 7 patches while its on the floorReviewed by Andertons Music Co.
In eerste instantie was ik onder de indruk van dit apparaatje. Ideaal natuurlijk om met een pedaal zeven gitaren na te kunnen apen. Maar nu ik het ding een paar weken in huis heb, maak ik er steeds minder gebruik van. Het begint steeds meer tegen te vallen. Bedieningsgemak en afwerking zijn prima. Lekker klein=ideaal. Het capturen van een Les Paul met als target een Strat is wel oké. Je krijgt een veel zwaarder geluid dan met de standaard-Fender. Maar de sustain komt niet in de buurt van die van een echte Les Paul. Een Lucille-capture is al veel beter. Met een elektrische gitaar een akoestische capturen is gewoon niet oké. Ook een jazz-gitaar via een Strat valt tegen. Kortom: aardig, maar het geluid is meestal niet meer dan oké. Aardig voor erbij, maar een echte gitaar is veel beter dan een cap t ure
11. Boss Oc-5 Octave Pedal
Product Details:
Get the best of classic and modern octave tones with the boss oc-5 super octave pedal for electric guitars and basses. this pedal combines a spot-on recreation of the legendary oc-2 with modern enhancements for scultping your octavized tone. vintage mode will give you the sound of the original pedal, albeit with better tracking for instantaneous octavized sounds. poly mode allows you to track chords perfectly, complete with its range knob on the -2 octave. new to the oc framework is an octave-up control, to give you sounds reminiscent of a 12-string guitar, or to enable you to play fat triple-octave lines. this pedal offers a bass/guitar switch, so you can better tune the voicing for your particular instrument. if you wish to route the isolated octavized tone to its own destination, you can, thanks to a dedicated direct output. otherwise, the pedal gives you the classic 1/4" instrument i/o path for traditional pedalboard implementations.
Specifications:
| Nominal Input Level | -20 dBu |
| Input Impedance | 1 M ohm |
| Nominal Output Level | -20 dBu |
| Output Impedance | 1 k ohm |
| Recommended Load Impedance | 10 k ohms or greater |
| Bypass | Buffered bypass |
| Power Supply | Alkaline battery (9 V, 6LR61 or 6LF22) |
| Current Draw | 55 mA |
| Battery Info | required, included |
| Battery Material | alkaline |
| Battery Type | 9-volt |
| Battery Quantity | 1 |
| Dimensions (W x D x H) | 2.87 x 5.08 x 2.32" (73 x 129 x 59mm) |
Reviews:
This pedal manages to deliver in every application. Vintage mode is my favorite, and the tracking is excellent (but also delightfully glitchy as was the OC-2). Poly mode with the adjustable lower octave is very useful as well. Unlike other octave pedals this thing sounds incredibly fat, with a nice mid-heavy octave sound that really cuts through a mix. And as usual, boss pedals are built like a tank.Todd
Still doing some tweaking since I've only had it a week. The tracking it pretty amazing and the option to dial in how many strings you want to have affected in the Poly mode is a great addition to it's multiple options. So far I've gotten some some very desireable sounds and expect to get many more out of this built like a tank great Boss pedal. If you want a great octave pedal, this is it IMO. The shopping experience with Sam Ash was first rate as well!Pat B
I`m using this effect on bass just to have another trick in the bag, to me it sounds better on the D & G strings. It doesn`t come with a power supply and it is very picky about it. I`m using it with rechargeable 9 V batteries in order to avoid another cable on the floor and it will last me for about 10 hours. With batteries pay attention to the LED, the moment you see it dim replace the battery or it will stop sounding in no time.If that happen performing, you can remove the output cable and plug it into the "direct out" jack until you can replace the battery. And yes, it will drain out the battery if you have the cable connected to the pedal even if the pedal is "off" that`s why I replace the battery before a performance or practice with the band.Or you can use a power supply and avoid all this.Made in Malaysia. It is solid and well made.Alex
12. Dod Looking Glass Overdrive Pedal
Product Details:
Dial in the ideal reflection of your sound with a set of powerful, yet simple controls. you can keep things simple and use the looking glass for tone shaping, glassy boost and light overdrive, or go further down the rabbit hole into the raw, psychedelic sounds of a vintage amp pushed to the brink of failure. featuring a new hybrid of class-a discrete fet design, the looking glass’ asymmetrical clipping is so responsive that it can go from one end of the spectrum to the other with not only a flick of a switch, but with pick attack alone. the looking glass overdrive is collaboration between dod and the boutique pedal company shoe pedals. christopher venter of shoe pedals is known for his unique circuits, colorful perspective on classic effects, and minimalist design aesthetic. built for maximum versatility, the looking glass’ unique input filter feature allows the player to tame overly bright guitars and interacts with your guitar’s pickups to help you cut through the mix without shredding the audience’s ears. the versatile, intuitive pre-drive bass cut and post-drive treble controls allow you to retain clarity in the mix or dial in any raunchy raw tone you desire. and, there’s enough output and gain on tap to make even the red queen lose her head. the looking glass is true bypass, which allows your guitar tone to remain pristine even when the it is off and the power supply input makes it pedalboard friendly. internal dip switches to reduce unwanted effects of overly-bright signals and buffers.
Specifications:
| Voltage | 9V |
| Filter Control | Yes |
| Indicator Type | LED |
| Number of Knobs | 5 |
| Chassis Material | Aluminum |
Reviews:
13. Tc Electronic Mini Spark Booster Guitar Pedal
Product Details:
A tiny pedal with a loud bark, the tc electronic spark mini booster can provide up to 20db of clean boosted power. whether you want to kick it on periodically for some extra punch or leave it on all the time as a tone booster the spark mini can prove useful in many playing situations regardless of genre. because of its diminutive footprint the spark mini can be easily placed in any open space on your board. if you want to add more gain to your sound put the spark mini at the beginning of your signal chain to drive your pedals and amp harder. some guitarists have an always on boost in this configuration to impart some grit on their tone. if you want to just boost your overall volume stick the spark mini at the end of your signal chain either after all of your pedals or in your amp's effects loop. should you for whatever reason want to disengage the spark mini the true bypass switching ensures that the circuitry in the pedal won't affect your tone while disengaged.
Specifications:
| Sensitivity | 20 dB |
| Impedance | 100 ohm |
| Power Output | 9 V |
| Indicator Type | LED |
| Control Type | Knob |
Reviews:
I wanted a button to make me louder for solos etc. and this does exactly that without changing tone. Brilliantly simple: set how much volume jump you want and that’s it, I don’t think I have had the dial past 25% so far. The ‘latching’ function of the foot switch is a great idea. Great price as wellReviewed by Andertons Music Co.
Initially intended to buy an Xotic EP Booster because I wanted to try the Echoplex thing out, but saw this little guy and figured…why not? I like it so much, I don't see the point in ordering the EP Booster anymore! Hits the front end of my Soldano in a way no overdrive has yet, and with no noise. Works equally well in front of my OCD pedal for a lead boost. And to all the people whining about the switch not clicking…whatever. I like that about the TC stuff and wish all pedal companies would make their switches "clickless". Great value, just buy it already! Thanks TC and Sweetwater!
This pedal does exactly what it claims and does it better than other pedals of the same purpose. It is constructed extremely well. For around $50 this pedal's physical casing and switch assembly is made better than pedals I own costing hundreds of dollars more. I don't foresee this pedal ever needing replacement or repair. I'm not particularly fond of the "momentary volume boost" feature but that doesn't change my overall opinion. It's a great item.ethan1957
14. Mooer Ge300 -Effects Pedal Multi
Product Details:
This is a very intuitive and great sounding unit with excellent reviews. feature-rich with plenty of effects as well as a 30 minute(!) looper and synthesizer. cosmetically it's in quite nice shape with home studio use only. after the latest firmware was installed, for some reason the backlight on the display will sometimes flicker. it's always legible and everything works like it should. maybe just a simple software bug, though as stated perfectly usable/readable at all times. original power included with a repair on the cord as shown. overall an excellent user piece.
Specifications:
Reviews:
Das Pedal nutze ich aktuell mit Anschluß an die Return Buchse eines Röhren Amps. Für die Inbetriebnahme habe ich zunächst die Studio Software auf dem Notebook installiert und danach zunächst die Firmware des Boards aktualisiert (völlig problemlos). Nach dem Einschalten überraschen zunächst die blinkenden LEDs, die Verwirrung hat sich bei mir aber sofort gelegt da man auf Anhieb auch ohne Bedienungsanleitung direkt einen Überblick über die wichtigsten Funktionen erhalten kann. Positiv für mich ist das sehr gut ablesbare TFT Display, lediglich die Beschriftungen auf dem darunter liegenden Effektblock sind für mich als Brillenträger etwas zu klein. Auch die sonstige Optik lässt im Hinblick auf dezente Farbgestaltung keine Beanstandung zu. Die Umschaltung der Presets über die Bänke mit je 4 Sounds pro Bank war bereits beim 2. Blick als gute Idee eingestuft. Die Navigation wird durch sinnvolle Eigengestaltung der Bänke enorm erleichtert. Klanglich stufe ich die normalen Effekte als sehr gehobenes Mittelfeld ein. Die Klangvielfalt "erschlägt" im ersten Moment (sooo viele Effekte brauche ich eigentlich gar nicht). Innerhalb weniger Minuten konnte ich bereits eigene Presets mit Amp Modelling und Effekten herstellen (intuitiv ohne Anleitung). Aufgrund fehlender Expertise kann ich den Sound schwer mit anderen Boards vergleichen. Jedenfalls klingen die Sounds sehr gut. Testweise habe ich ein eigenes Preset basierend auf einem Cleanen Mesa Mark IV erstellt und mit dem Klang des physischen Mesa Studio Caliber DC2 verglichen. Der Board Sound ist in der Default Einstellung vielleicht etwas transparenter im Klang es fehlt im direkten Vergleich jedoch etwas an tiefen Mitten und Bässen. Mit etwas Tweeking konnte dies sehr schnell mitigiert werden. Der physische Verstärker hat zusammengefasst deutlich mehr Druck und ein wenig bessere Ansprache. Betonen möchte ich dass durch den Synthie und das ToneCap Feature das Board einen enormen Zusatzwert generiert. Die Synthie Presets finde ich bereits sehr gut und der erste ToneCap einer Jazz Gitarre war ebenfalls erfolgreich (sehr einfach durchzuführen und das Resultat hat mich sehr positiv überrascht – einen Jazz-Sound mit einer Strat hinzubekommen war bisher nicht in meinem Ideenfeld). Zusammengefasst bin ich bisher sehr zufrieden.
I love it. Great product.poject
After loads of research, I finally found the floor effects board for me. Great sounds and effects.Steve S.
15. Boss Stereo Volume Pedal – Fv-50l
Product Details:
The boss fv-50l foot volume controller is the perfect way to get control over your sound. whether you're playing guitar, keyboards, or any other instrument, this volume pedal gives you the power to dial in just the right sound level. the minimum volume knob ensures that you never have to worry about being too loud or too quiet, and the tuner out jack makes it easy to keep your instrument in tune on stage. the low-impedance design enables direct control of stereo keyboards and effects units. minimum volume knob lets users set minimum volume as desired. convenient tuner out jack enables speedy tuning on stage. low-impedance fv-50l enables direct control of stereo keyboards and stereo effects units.
Specifications:
| Number of Inputs | 2 |
| Number of Outputs | 2 |
| Width | 86 mm |
| Height | 54 mm |
| Voltage | 9 V |
Reviews:
Still the best. Price increased only by $10 since inflation hit the pedal market, so not too bad. Tried many others. Still my go-to pedal. Heavy, fits my foot nicely. Not to small or large. L/R in/out, plus exp jack. Tension setting helps for fine tuning volume control. Recommend remove base plate and blow out rheostat once a year or so. Use compressed air (Office Depot/Office Max)mud1105
I needed a pedal to help me get my volume right at shows….Using the gtr volume control and or a volume pedal in front of my pedal board just changes the drive into the FX. I get everything nicely balanced in the studio or at home, and then each venue has odd sound characteristics and sometimes I am too loud in my rhythm and too soft in my leads & no time to get everything adjusted just right. So I wanted a simple master volume pedal after all the FX and before the amp…(did not want to hassle with more cables needed for the FX loop). I have tried them all…none worked well for me….Well, here is what I learned: This pedal has a min volume control which allows more accurate setting of the pedal to the volume I need mid-song. This control was key, allowed me to zero in on the volume easily as small changes in the pedal position did not produce huge changes in volume. The pedal does not cut the quality, at least not in noisy bars and restaurants. So it's very good. But the real point is after years of not doing the volume thing well with my right foot I discovered that I was much better at the task using my left foot…and I am right handed!! This has changed everything. Turns out, the issue was my right leg is way sturdier to stand on and control the volume with my left foot. If you have a problem with this type of thing, just try your other foot. The pedal and this simple foot change basically solved the issue. I am not perfect, but way better than before and I get better with each gig!!BC 123
Our keyboard player also plays steel guitar. We built a stand that integrates with the keyboard, so she can switch between keyboard and steel very quickly. We now own two of these volume controls. The first one is mounted to the effects pedal attached to our keyboard. The other is a spare. We use channel 1 for keyboard volume control and channel 2 for steel guitar volume control. It saves us from cluttering our board with two pedals. I wish we could run stereo keyboard, but we forgo that for practicality. We like the overall feel of the FV-500L Stereo Volume Pedal. The only drawback we can find is its size. It's about a foot long. But overall we like it.Uncle Ronnie
16. Tc Electronic Mimiq Doubler Pedal
Product Details:
This is a really cool and unique pedal that adds a doubling effect to your sound with varying degrees of tightness depending on how you set it so it can sound like a chorus, delay, or it can just thicken up your sound. with 1,2, or 3 dubs it can really add a minor or very noticeable effect depending on how you set it and it can really sound fantastic while being very versatile. only letting this go because i'm changing to a multi fx pedal. not looking for trades. don't have the original box.
Specifications:
| Number of Knobs | 3 |
| Voltage | 9V |
| Current | 100mA |
| Number of Input Ports | 2 |
| Power Source | Battery |
Reviews:
I track usually 4 rhythm tracks, two of the exact same then two more of the same but with accents or harmonies etc as my main rhythm and I like it to be tight and sound like one guitar performance, the variations and accents and harmonies blend and widen the sound, also I use hard panning and other panning to make the guitar sound huge. With the guitar sound very close performance wise and tone/distortion quality wise, I find that it just sounds like one massive performance and the listener perceived it as a Randy Rhoads kind of singular performance. I'm the only guitarist and I play complex chords, this also let's be play parts of the chord separately for more even intonation and harmonics definition. It goes towards the big sound, I kind of learned from Alex Lifeson, Rhoads, and Hatfield and Wolf of Accept this approach as they all do the main rhythms and it sounds tight and huge. Mimiq helps me get the 4 tracks with only two performances and it adds natural sounding random variations that do what the multitrack stacking of individual performances does, it doesn't just uniformly cancel out all the interesting variations, which can happen if you just copy the same track and reamp. It does what I wanted to do, with less than half the effort.Mindcage
This replaced the signal splitter on my board with the added benefit of actually making my stereo sound better. I have it right after my tuner and it splits into an HM-2 LHP on the dry side and a Blackened Fuzz on the wet "double" side. Makes my stereo rig sound better. I only use the 1 dub mode, so Dry and 1 Double L/R and I use it pretty tight, just enough to make it sound "different" but not sloppy. Does exactly what I had hoped it would do.
Bought to run a slight delay to a second amp more so than the "double track" thing. But actually this effect seems pretty decent. Did i immediately notice you can get phase issues? Yes of course. Did i get some of that notorious left right jump thing? Yes. But it seems to relate to using the pedal at the limits of what its happy with. For the price this thing is a keeper…because otherwise im having to spend big dosh on either the 30ms or the Deco. Buy this but be prepared to accept some limitations and bug bears. It aint bad at all.Rich
17. Isp Technologies – Decimator G-String Pedal Ii Noise Reduction
Product Details:
This pedal follows the signal directly from the guitar, allowing you to switch from clean to high gain sound without changing the threshold setting. its new design allows you to plug your pedal into an effects loop or after your high gain pedal or preamp. thanks to a mini-jack you can chain 2 decimator pedals (whether ii or ii g string) to obtain 2 noise reduction channels or for a stereo system. this connection allows each pedal to directly follow the instrument like the brand's rack versions. the decimator g string provides a fully independent decimator noise reduction channel that can be inserted into an effects loop in series or after a preamp section, the advantage being that the decimator's level meters will follow the signal. directly. with the g string pedal you can adjust the threshold of the reducer and whatever the noise level the decimator will follow it without any problem. thanks to its complete transparency, you won't have to worry about the threshold being too high or having to turn off the decimator when you go from a high gain guitar sound to a clear sound. it offers an input to connect a guitar directly and a buffer output that can be plugged directly into your amp, as well as a second processed audio output as well. you can connect other pedals between the output of the decimator and the input of your amp, this allows the g string to remove any unwanted noise you may have, even with overdrive pedals located before your amp.
Specifications:
| Technology | Noise Reduction, IPS |
| Noise Reduction Rating | 60 dB |
| Length | 5" |
| Width | 2.7" |
| Height | 2.3" |
Reviews:
The coolest noise reduction effect on the market. Allows only one handle to achieve optimal noise reduction. The presence of the loop makes it even more versatile. The only minus is weight, but the pedal is so strong that you can only break it with a tank. The best noise reduction pedal for life in your pedal board. The pedal is 100% working out its price.
18. Ymuze Moskyaudio Golden Horse Guitar Pedal With Overdrive Function
Product Details:
Mini electric guitar effect pedal for guitar players. 3 functional knobs(treble/output/gain) for adjusting the performance of the overdrive effect. true bypass footswitch for switching between overdrive effect and bypass status. led light for indicating effects or bypass status. full metal shell and compact size, durable and portable. 9v power jack – dc supply only, center negative and outside positive, no battery connection within. power supply does not include. specifications: /b br input: 1/4" monaural jack br output: 1/4" monaural jack br power supply: 9v power jack – dc supply only, center negative and outside positive, no battery connection within. power supply does not include. br item size: 9.3 * 3.8 * 3.2cm / 3.7 * 1.5 * 1.3in br item weight: 147g / 5.2oz br br please note: /b br 1. due to the lighting effect, the color of the item shown in the picture may be a little different from the real one. it is just for your reference only. br 2. the measurement allowed error is +/- 1cm. br 3.
Specifications:
19. Flamma Fc03 Guitar Delay Pedal Mini Digital Guitar Pedal With 3 Delay Effects Modes Analog Real Echo Tape Echo True Bypass
Product Details:
The delay time is 5ms-600ms, which provides you with the infinite choice to create your own ideal sound. 3 classic delay modes analog: warm and smooth classic analog delay sound. real echo: natural echo sound in a real environment. tape echo: sweet and spacy vintage tape delay machine
Specifications:
20. Catalinbread Soft Focus Shoegaze Reverb Guitar Pedal
Product Details:
Catalinbread fx40 soft focus shoegaze reverb pedalthe soft focus patch on the yamaha fx500 was widely used in the u201890s by early shoegaze bands, most notably slowdive on souvlaki. with its roots in that patch, the catalinbread soft focus is intended to be an instant shoegaze button, while addressing the most glaring issues of the original unit. the original unit had a very plug-and-play approach, offering no mix control, a sub-par preamp and a ghastly tone-sucking bypass signal. at its heart, the soft focus is a heavily modified plate reverb with adjustable time, which is subsequently split into three. one path contains a u201csymphonicu201d chorus modulator, another features a well-appointed octave-up mixed in with the reverb, and the third path leaves the reverb untouched. the mod knob controls the rate of the chorus on path one, and the symphony knob controls the level of the octave on path two. all controls are u201ccoupledu201d to the tone of the reverb to give users an.
Specifications:
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