Are you looking for the Best Guitar Amp Pedal? If so, you’ve come to the right place.
Choosing the Best Guitar Amp Pedal can be difficult as there are so many considerations, such as Zoom, ammoon, BOSS, Electro-Harmonix, JOYO, Line 6, MOOER, TC Electronic. We have done a lot of research to find the top 20 Best Guitar Amp Pedal available.
The average cost is $209.36. Sold comparable range in price from a low of $23.00 to a high of $599.99.
Based on the research we did, we think Boss GT-100 Guitar Multi-Effects Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Guitar Amp Pedal (20 Sellers)
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Reviewers Noted:
Easy to use . Compact . Good sound quality . Heavy . Portability
Features:
- Perfect condition.
- Great multi-effects unit.
- Perfect for live performance and on-the-fly preset customization and looping.
$199.00
4.6
Reviewers Noted:
Good sound quality . Portable . Easy to use . Powerful . Build quality
Features:
- Product information
- Specifications
- All-analogue hybrid design
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Weight
Features:
- Selling a headrush mx5 multi effects modeler.
- Purchased new a few months ago and have used it about once a week to practice at my desk.
- Includes box and all accessories.
$23.00
4.4
Reviewers Noted:
Compact . Ease of use . Sound quality . Portability . Weight
Features:
- This modeler pedal helps reduce the distortion and noise in the sound output
- Compose various sound effects with its 3 gain modes and 3 mic placements
- Led display enhance your viewing experience without straining your eyes
$149.00
3.0
Reviewers Noted:
Size
Features:
- Add a lively spark to your music with the help of this effects pedal
- Bass and treble control knobs allow you to control the output while jamming
- Master knob lets you easily fine-tune tone and saturation levels
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability
Features:
- Engineered with 4 knobs to adjust the sound output
- Its 1/4" jacks let you attach the pedal with your guitar
- The screen allows you to check the modulation status
Reviewers Noted:
Size
Features:
- Powerful uafx dual-engine delivers the most authentic mid-'60s american tube combo sound ever placed into a stompbox
- Authentic spring reverb and vibrato modeled from a "golden unit" amp heard on more than 100 classic records
- Includes the world's best speaker cabinet, mic, and room tones derived from the award-winning ox amp top box
Reviewers Noted:
Easy to use . Portable . Compact
Features:
- Enhance your jamming sessions with this amp modeler and effects processor
- Switch between various sound effects with its quick access knobs
- Usb interface allows you to connect it to your computer system
$104.48
4.6
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability
Features:
- Functions: headphone connection.
- Compatible: electric guitar.
- Black colour.
$51.00
4.6
Reviewers Noted:
Size
Features:
- Manual knobs let you change the swirl setting to rapid tremolo
- This multi-effect pedal helps produce various sound amplification
- Led indicator lets you know the real-time working status of this pedal
$599.99
4.6
Reviewers Noted:
Ease of use
Features:
- Standard features
- Powerful, easy-to-use amp/effects processor for guitar and bass
- 24-bit ad/da, 32-bit floating-point processing, and 48 khz sampling rate
$249.00
5.0
Reviewers Noted:
Ease of use
Features:
- This gain pedal amps up your guitar signal to optimize the volume
- Diligently designed to deliver an uninterrupted power supply of up to 9v
- Equipped with led indicator to let you know the active status
$24.99
4.3
Reviewers Noted:
Easy to use . Size . Noise level
Features:
- Take your music creativity to the next level with this preamp pedal
- Diligently designed to deliver powerful sound and base
- Designed to make it compatible with most acoustic guitars
Reviewers Noted:
Ease of use . Weight
Features:
- Add amp academy to any pedal chain and connect to a mixer or pa system for excellent tone, control, and flexibility during live performance.
- Connect amp academy directly to a recording interface for excellent guitar tone, instantly, without the need to set up an amp or microphones.
- Amp academy features 6 legendary amp models like vintage, classic, modern, brown, red, and iridium.
$39.99
4.4
Reviewers Noted:
Compact . Ease of use . Sound quality . Portability . Weight
Features:
- This behringer product has been designed to compete head to head with leading products on the market
- Provides a truckload of great amps in a single stomp boxsimply choose your favorite sounds with a flick of a switch
- Dedicated drive, high and low eq, level, mic, model and amp controls for awesome sound shaping
Features:
- 50w pedalboard amplifier head with footswitchable solo function fx loop
- A stellar-sounding single-channel amp at your feet
$69.00$55.00
4.7
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Build quality
Features:
- In perfect working condition!
- This is a thick bass forward overdrive, yet it can work in many different ways.
- If you want a thick sound but don't like fuzz stack this into you distortion or overdrive and you will have tones of sustain.
Reviewers Noted:
Easy to use . Compact . Portable . Good sound quality . Build quality
Features:
- Built in usb audio/midi interface
- Knob-based interface
- Eight simultaneous effects categories
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- A huge 26db boost
- Gain button for extra grain and dirt
- Active equalizer and toggle switch for precise tone shaping
Reviewers Noted:
Compact . Easy to use . Build quality
Features:
- Impedance of 100 ohms helps reduce unwanted noise
- True bypass makes it easy to switch between multiple effects
- Knob control allows you to fine-tune the sound
1. Boss Gt-100 Guitar Multi-Effects Pedal
Product Details:
Meet the new boss effects flagship, the boss gt-100. the gt-100 amp/effects processor boasts next-generation amp modeling that re-creates vintage amps and provides new cosm tones that soar into the future with the dynamics, tone and feel you'd expect from a boutique unit. user interface is improved by a dual-lcd system, while ez tone has been enhanced with newly designed amp customize and od/ds customize features. the gt-100 is a powerhouse processor that spans from classic to futuristic in a friendly, rugged and roadworthy unit.
Specifications:
| AD Conversion | 24 bits + AF method |
| DA Conversion | 24 bits |
| Sampling Rate | 44.1 kHz |
| Dynamic Range | 100 dB or greater (IHF-A) |
| Displays | Graphic LCD (132 x 64 dots, backlit LCD) x 2 |
| Input jack | 1/4-inch phone type |
| AUX In jack | Stereo miniature phone type |
| Output jacks (L/MONO, R) | 1/4-inch phone type |
| Phones jack | Stereo 1/4-inch phone type |
| Amp Control jack | 1/4-inch phone type |
| SUB jacks (CTL1, 2/SUB EXP) | 1/4-inch TRS phone type |
| Power Supply | DC 9 V |
| Current Draw | 600 mA |
| Dimensions (WxDxH) | 21-3/8 x 10-11/16 x 3-3/16 inches |
| Included Accessories | AC Adaptor, USB Cap, Owner's Manual |
| Footswitch | Boss FS-5U |
| Dual Footswitch | Boss FS-6 |
| Expression Pedal | Boss FV-500L/500H, Roland EV-5 |
| Manufacturer Part Number (MPN) | GT-100 |
Reviews:
This unit is just incredible. I've been playing since the early 70's and with all the equipment that I've owned I really think the GT100 has possibly impressed me more than anything I've bought! There's some wonderful preset sounds in this tone monster and it's easy to edit the one's that you like. If you're already proficient at programming pedals then this one will be a dream for you to manipulate. This isn't my first multi effects pedal but I don't enjoy programming and this is by far the easiest to program of the one's I've owned. I can't say enough about the sound of this thing. It has every tone that you could ever need. It's extremely quiet too. I'm definitely glad that I made this purchase. I can see a lasting relationship building!Alan
Overall: I picked this up knowing it was at the end of it's market life, but I wanted to finally own one. COSM is starting to feel a little old, but it's still an amazing pedalboard. The amp modeling is good, especially the clean tones. The distortion can get a little "digital" sounding, but it's still very usable. The effects are top notch, especially the delay and reverb. What attracted me to this product was the routing options, specifically USB. I do a lot of home recording on my DAW and an underappreciated feature of this board is the ability to record both a dry and wet signal to your DAW at the same time. Reamping (routing the signal out of your DAW back into the device for processing after recording) is a great tool and something that is not found in a lot of boards. It really gives this kit an extended life off the stage and in the studio. 6 years after launch this is still a great product!Allan
I have to say I love his board, I've been through several multi effects and was recently building up an all analogue pedal board myself with some nice TRex and Keeley pedals in there. I was inspired after watching Johnny Marr and listening to some of the tones he got from the GT100 so I jumped when it was on offer. I run it through a small Behringer mixing desk into two Yamaha DBR12's and all I can say is that it sounds awesome. As a change to my usual random approach I went through each preset and made a note what it reminded me of or what it might be useful for,if I liked the patch. Its a testament to the board that out of the 200 presets I marked nearly 50 out for being useful out of the box. Now i just refer to that sheet and if I have a cover song I want to try or a feel for an original piece I just the closest preset as a starting point. There are so many features on this board its pointless trying to list them but suffice to say its got everything you are going to need, and there is always the effects loop if you are missing some random effect. What else can I say, oh yes its improving my playing as I use the metronome on it loads, really helping me improve my speed. The screens are clear and easy to view, and the whole menu is very intuitive to work with. Gets a definite thumbs up from me absolute winner of a product 🙂
2. Orange Terror Stamp 20 Watt Hybrid Guitar Amp Pedal
Product Details:
The orange terror stamp 20w valve hybrid amp pedal hosts all punch, power, and pristine clarity of the coveted terror series, in orange's most innovative design yet. combining the authenticity of an amplifier, with the practicality and convenience of a guitar pedal – this is the compact tone solution you've been waiting for. it features a valve/solid-state hybrid circuit, unlocking 20w of pure, powerful tone on your pedalboard. and with dual volume controls, you can switch between your carefully crafted sounds instantly. orange have incorporated a range of controls to give you total tonal freedom. use the 'shape' knob to dial in the exact frequency you desire. and crank up the gain for that iconic orange crunch. but the functionality of the terror stamp goes way beyond just sound. an integrated headphone output lets you silently practice wherever you are, incorporating the flavour of a 4×12 cab sim the moment you start playing. this is the next step in amplifier design. and who better than orange to drive your sound to the next level?
Specifications:
| Weight | 0.84 lb |
Reviews:
Stamp into Orange 1×12 loaded with Vintage 30. Guitar into MXR Noise Clamp then Distortion III. Analog Chorus and Reverb (the only thing that's primarily digital in my rig) in the Stamp's effects loop. Wired so that the preamp section of the Stamp is in the Noise Clamp's loop as well as the Distortion III. I'm not going totally clean on the Stamp, using the Distortion to boost it and the Chorus is always on to give it a "wetness" to the signal (rate and depth can be on zero). The Stamp and Distortion III give this gnarly midrange voicing (with its tone knob around 11:00) that makes me feel like I'm playing through a cranked stack though I'm actually at bedroom volume. The sound is warm and huge with no shrill highs yet killer upper midrange cut. It's easy to see that this would compete with an acoustic drum set and seriously cut through a mix.
These are WAY CQQL little amps! The only thing that I changed out on mine is the 12AX7 tube inside. I removed the stock JJ tube and installed a Tung-Sol and OMG! So much more Volume, Sustain, Clean Clarity, Note Articulation and Headroom – NO MUDDINESS! Get this, while you are in there changing the tube, you will notice a mini Tube Gain Trim Pot. I backed mine all the way to the left then set it to half way up and this works perfect for me cuz I use it for Cleans and use Pedals for the rest. It still has plenty of Gain though on its own. This is my 3rd Orange Product. I also own the Micro Dark Terror and LOVE them Both. Try one out today! Soooo Affordable and real tube Tone! Can't wait to get home from work and WAIL on it some more!!!
I bought this as a practice amp along with a 108 cab. My live rig involves a lot of pedals including using an fx loop and there are very few practice amps out there with a loop. I love the twin volume switches for boosting, and it sounds great clean as well as driven. Having a DI out makes it more versatile but bear in mind you’ll need a longer than usual speaker lead (I found out after that Orange make a 20’ speaker cable: worth buying. I should point out that this can get very loud so good for small gigs too. Only two issues, I would like an extra switch to turn the loop on and off (like I have on my Marshall origin) and I have found it gets quite noisy with the fx loop connected. This may be down to my cheap power brick on my pedal board but never had this issue with my Marshall. There are other pedal sized amps out there but this is one of the cheapest and definitely worth the money. Slightly more than a tiny terror but that doesn’t have the fx loopDaniel C.
3. Headrush Mx5 Guitar Effects & Amp Modeling Processor
Product Details:
Headrush mx5 fx processor with mooer baby bomb power amp bundle will instantly provide you with the ultimate setup. this modelling guitar effects processor has everything you need (and more) to start experimenting with your music like never before. it has a vast array of different amp models and cab simulators, so you can choose anything from a crystal-clean, sparkling clean amp to an all-our, war-ready gain machine. a host of effects models are also included, so you can add some shimmering delay and reverb, as well many other effects, to your sound. taking centre stage is the incredible four inch touch display, which shows your selected channel, as well as a visual representation of the effects models you're using. the custom-designed dsp system offers superb processing power, helping this box of wonders sound wholly authentic. in addition, there's a host of other features, including a premium built-in looper, fx loop, expression pedal, and full impulse response compatibility – all housed in one neat, compact unit. and the mooer baby bomb lets you drive a speaker cab with 30w of power, as well as boosting your sound. plus you'll get your hands on a premium pedaltrain pedalboard. it's the ideal accompaniment.
Specifications:
Reviews:
The footswitches are finicky. The overdrive models are sub par. The touch screen works well and the IR workflow is excellent. In the end, it was not for me. While the amp tones have a pleasant midrange quality, the character itself felt restrictive. The reverbs are glorious but do not warrant the price of admission. My first one had footswitch issues, where they would activate on their own. The replacement did it once or twice. I ran at that point, and do not miss this sub par productEC
For me the MX5 is exactly what I have been looking for many years. Intuitive, compact and priced right. I owned the original Line 6 Pod, the Boss GT-10 and recently the Line 6 Pod Go. The frustrating thing for me with the Boss GT-10 and Line 6 Pod Go is if I did not consistently use them I would forget how to go in and tweak the sounds. Sometimes I don't play for weeks even months and when I got the urge to play again I had to fiddle or re read the manual on how to make certain adjustments. I ended up spending more time on the darn effects unit than actually playing the guitar. With the MX5 it's very intuitive via the touch screen to just make changes or create a new rig. I don't think I'll succumb to use it or lose it affect. The compact size means it can be tucked away easily in my office. And the fact that it has a built in expression pedal is really nice. I don't typically do reviews but I felt this is the first time in a while that a product has met all of my needs. I think Headrush really nailed it for many of us older, part time weekend warrior guitarists out there that just want something easy and ready to use. Whether at home practicing, recording or take to a quick jam session or gig.Steve
The MX5 is the third modeler/multi effects processor that I have used for recording and playing live. In my opinion the overall sound quality is a bit underwhelming. On the positive side, the clean tones are excellent. On the negative side, the overdrive tones are satisfactory at best. To be completely honest, I'm very disappointed with the overdrive/distortion tones. It will take a lot of tweaking to get a desirable crunch tone if you are a True Tone chaser. I am not alone with this opinion. Check out the YouTube reviews of the MX5 and the reviews from those who are not affiliated with HR marketing. There are some honest reviews that point out the good, the bad, and the ugly. I unfortunately did not pay attention to those before I purchased this pedal. If you are not a tone chaser and you are new to modeling, this may be a good pedal. It has a great looper. It is easy to use. And it gives the user plenty of options for exploring different pedal tones (not to mention the ability to split the signal chain). But if you are serious about high quality sound, compare this with others before you buy. Not to mention, this pedal has had its share of firmware bugs. The good news is that HR is pretty good about fixing them with firmware updates. Good customer service too.Jesse
4. Behringer Tm300 Tube Amp Modeler Effects Pedal
Product Details:
About behringer tm300 the behringer tm300 ultimate tube amp modeling effects pedal with the authentic modeling technology for 3 classic guitar amps, 3 gain modes and 3 mic placements for a total of 27 configurations that lets easily achieve the most sought-after tube amp sounds from clean, crunch to super-fat distortion. using this pedal call up sound of a coveted tweed relic, a clean californian classic or a roaring british powerhouse. apply choice of the three different gain modes and even control virtual mic placement. and with its dedicated level, low, high and drive dials, the tm300 allows to take any of these historic tones and shape them into something uniquely all your own. first-class switch the bright, blue led indicated when the tm300 is activated and the top-quality on/off switch maintains incredible signal integrity in bypass mode. power this little "jack-of-all-trades" with either a 9 v battery or a dc power supply.
Specifications:
| Display Type | LED |
| Battery Power Input | 9 V |
| Number of Mic Placements | 3 |
| Number of Guitar Amps | 3 |
| Number of Gain Modes | 3 |
Reviews:
I recently replaced a 5 watt Roland cube street with the more powerful cube street EX. I was disappointed that the EX did not come with Roland JC setting. The clean setting on the EX produced a sterile, cold sound that I warmed up nicely with the Behringer tube modeler. This was my only reason for purchasing this pedal. I have occasional use for a battery operated amp and this pedal allows me to get the warm tones that I require.Richard
Case is plastic to evidently help with cost. With the cost of musical equipment any help is great. I take very good care of equipment so I do not "stomp" on them. Pedal has quality sounds that seem to work within relm of eq'ing. This pedal has it's own drive built in although a bit sensitive. Take your time and you can dial in some quality tones and sounds. I play lots of various music ranging from southern, blues and Christian rock and have been able to fine something nice that works with each style or genre. Again the pedal controls seem a little sensitive so take your time when you start with the pedal. I enjoy expermiemting so this facet is a-ok by me. Over all good pedal.Bo L.
I've had the pedal a couple weeks now and I am more familiar with it. I may have written a previous review so this might be an update… I purchased this pedal for the few times I would have to play on others' amps that don't have any effects as I already have two very good modeling amps. It works great on the modeling amps with the clean channels selected. Recently I bought a Fender Blues Jr which has no effects. I am in a small space where you really can't crank up the volume. To cut to the chase, the TM300 can stand toe to toe with either of my modeling amps, either plugged into them or the Blues Jr. In the modeling amps it provides more clean voices than the amps do without a lot of fiddling. You can also use the distortion/overdrive features instead of the amps' native on-board features if you wish. It is very intuitive and if you take the time to play with it you can come up with some very interesting combinations. I have a Les Paul Custom and a Fender Strat. And though both have upgraded pickups I couldn't quite get the sounds I wanted. The LP was a little too jazz-like and muddy when played in distortion thru the amps. The Strat was just tinny and quacky. I was considering changing out the pickups in both a second time. The TM300 breathed new life into my LP. I can now dial in the sound I want without having the change the pickups. The Strat has a richer fuller sound when I want and the quack when I want. I got this one simply because it was cheap and I just wanted to play around. Venti cinco dolares? Are you kidding me??? The only drawbacks are: 1) It has a plastic housing. It's not heavy duty like a Boss. 2) If you use 9V batteries you have to take the stomper off the change them. A minor annoyance. 3) If you use batteries you have to be careful to unplug the unit after use or it will burn thru your battery in less than a day. Or you will have to buy a 9V adapter. BUT… If you don't want power cables and like to keep things neater, the battery option will help and will also make it more portable as you don't have to pack a power cable if you go anywhere with it. This is my 3rd Behringer pedal, and though not the best in the world I own 3 for 75 buckaroos… less than the price of one professional pedal. For an amateur they work fine and can help a newbie find out what they like and need in pedals without a lot of financial pain.
5. Foxgear Kolt 45 – 45 Watt Guitar Amp Pedal
Product Details:
The foxgear kolt 45 is a powerful guitar amplifier in a highly portable, stomp box sized platform. the kolt 45 produces 45-watts into 4 ohms with a responsive treble, middle, bass tone stack and volume control all in a package that will fit into your jacket pocket. just connect your guitar into the input, your cabinet to output and be blown away by clear, fat tone. the kolt 45 guitar amp pedal delivers plenty of power for practicing, rehearsing and live gigging.
Specifications:
| Power | 45 W |
| Impedance | 4 Ohms |
| Width | 60 mm |
| Length | 120 mm |
| Height | 30 mm |
Reviews:
6. Zoom Ms50g Multistomp Guitar Pedal
Product Details:
Choose from 55 classic effects and famous amps with the size and weight of a typical single stompbox, the ms-50g includes a thorough lineup of high-quality effects types. it features 47 stompbox effects and 8 amp models. along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio gear. intuitive, easy-to-use we have further refined the simple user interface that was revolutionary in our g3 and g5. the lcd shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. with this intuitive, easy-to-use interface, creating amazing sounds is a breeze. use up to six effects all at once the ms-50g allows you to utilize up to six effects simultaneously, as well as arrange them in any combination. this gives you the ability to craft classic sounds, as well as lush, complex tones. leave the rules you learned behind and enjoy creative freedom with the ms-50g.
Specifications:
| Number of Stompbox Effects | 47 |
| Indicator Type | LCD |
| Number of Amp Models | 8 |
| Output Jack Size | 0.25" |
| Number of Output Jacks | 2 |
Reviews:
I could spend all day yapping about this pedal…In my travels i've tried countless pedals, but got tired of having 'too many' pedals. The weight, the time it took to hook it all up. I also busk, or play where electricity isn't available, and wanted a setup where i could make one trip with everything, and keep the weight down. I've always been a fan of ZOOM products, so trying out the Multistomp series was a no-brainer for me. The 50G met all my requirements, and exceed them all after i got one and started using it. Tones that are as good as any higher priced pedal, the versatility is second to none, and the price is killer for what this pedal can do. I would say the the Bluetooth version was my favorite, then the 70CDR, then the 50G, with the 50G's new 3.0 update, the 50 G is now my favorite pedal…period. The 50G started with maybe 50 patches, now it has 172, and best of all it has the Exciter patch, which to me is required on any pedal board. All i can suggest is watch the countless demo videos of this pedal. I would recommend this pedal for any level of guitarist, i would also recommend the MS-70CDR, watch the demo videos of the 70-CDR vs Strymons…amazing I cant say enough good things about the 50G, i believe it's near the perfect all around pedal. The Multistomp series are easily, in my opinion, the best bang for the buck pedals madeLocorogue
The MS-50G pedal is first class. It is every bit as clean, quiet, and well built as the Boss pedals. It is not a replacement for the Boss line. Zoom pedals have a character of their own. Personally, I like the Zoom tone. But I'm not a guitar player. There is a great ~15 minute YouTube instructional video for the MS-50G. I got over the learning curve for writing and storing effects by watching this video, then I bought pedal. It replaces several pieces of my high quality studio gear when I need fast results that are of high level audio quality. Zoom delivers with this product. After I watched this video I purchased the pedal. I also like my G1X as a companion to this pedal. The G1X has a nice volume/expression pedal.Sean
I needed something for my living room and practicing while watching TV late at night without a full pedal board or multi-effects box. This along with a Boss RC-3 and a mini mixer for my wireless headphones provides everything I have in my studio at a mini level. The sounds are good enough. There are enough options in sound to play most anything. Eventually I'll try this little beast as a sub for my full pedal board and see how it works in a live jam. One pedal to do everything. It's not perfect but it is great. I wish Zoom would provide updates to it and a better manager. It's pretty old by today's standards and if Zoom provided updated files they would sell even more if these great little boxes. B&H had the best deal available and as always they provide excellent service. Thank you B&H. I'll Be Back, lolThomas G
7. Universal Audio Dream '65 Reverb Amplifier Pedal
Product Details:
The universal audio uafx dream '65 reverb amplifier pedal gives you that essential american tube amp tone. prepped with reverb and luscious vibrato, you can truly create a vibrant vintage sound. designed with world-class uad modelling, this amp simulator can excel at crystal-clear cleans, tantalising breakups, and, of course, amazing spring reverb. from funk to blues, rock to pop, it can truly capture the essence of all genres and place them in unique and interesting settings.
Specifications:
| Weight | 3 lb |
Reviews:
Unglaublich, was aus dieser kleinen Box rauskommt, für meine Ohren ein perfektes Abbild eines Fender Deluxe bzw. einer Vielzahl deren Ausprägungen (Mods, Cabs, +Boost). Ich betreibe den Dream an einem Blueamps Junior EX (FRFR Stereo). Gut, anders als beim Iridium oder Boss IR200 ist hier kein Marshall oder Vox, aber dafür der Fender richtig. Ich kriege jedenfalls von Cleans über Crunch bis overdriven Leads alles zu meinem Gusto hin. Es ist jedenfalls sehr einfach einen guten Ton einzustellen (was bei z.B. bei IR200 m.E. viel aufwendiger ist). Reagiert sehr gut auf Effektpedale (auch digitale) und auf die Spieldynamik. Ich nehme auch keinerlei Latenz wahr. Die Kritikpunkte die man so in den online-Reviews liest kann ich bestätigen: kein Aux-in, keine balanced outputs, Preset-Steuerung nur über die Mobile-App, weder von Desktop noch über Midi… aber ein richtiger Deluxe Amp bietet das alles auch nicht, kommt nur mit einem Mod/Cab und kostet das vielfache. Ich bin jedenfalls rundum glücklich mit dem Gerät und kann's jedem empfehlen, der die Fender-Tones sucht.
Mich hat es förmlich von den Socken gehauen… Also ich haben in den letzten "Jahrzehnten" so ziemlich alles an Amp Modulation probiert, was auf den Markt kam, angefangen beim POD (Brrrr)… Aufgehört beim Helix & Co. ! Das einzige Teil, was mich wirklich überzeugen konnte, ist der Kemper. Allerdings bin ich da (mal abgesehen vom eingentlichen "Amp" und der Box), auch bei einem 19" Case und Gewicht und Kabel, usw…. aber okay, das ist jammern auf sehr hohem Niveau. Und dann kommt diese kleine Kiste – WHAT … Ich bin hin und weg – hab ich ein Zeitalter übersprungen – wo ist der Haken ? Antwort: Es gibt keinen ! Natürlich kann man jetzt viele Dinge anbringen wie der kann dies oder das nicht, der hat kein Midi oder Aux und der Kaffeemaschinenanschluß fehlt auch, außerdem ist er nicht aus purem Gold, usw…. Der Dream ist absolut genial – aus basta Amen, fertig aus. Ich habe noch nie eine so geilen Fender sound aus einer Tretmine gehört – absolut genial und wenn man etwas minimalistisch unterwegs ist, könnte man mit dem Ding alleine auf die Bühne gehen – ernsthaft ! Nach ein paar Wochen Test werde ich meinen Kemper verkaufen (mein ernst), ich hab mir mein kleinen Board schon umgebaut, so das der Dream darauf Platz hat und fertig, mehr brauche ich nicht. Das habe ich immer gesucht: Eine Amp-Simulation, die einen geilen Fender-Amp einigermaßen passabel über eine PA wiedergibt. Der Dream übertrifft meine Anforderungen bei weitem. Wenn einer noch mehr will, muss er auf das Original zurückgreifen… Perfekt ! Bei Bedienung nur 4 Sterne – ja okay, weil ich -wenn ich von der Preset Seite komme oder von "live" wie immer man auch möchte, im anderen Modus keine Ahnung habe wie die Regler stehen… das ist nicht schön, aber in der Konstellation nicht anders machbar – hatte ich früher auch schon mal, in der 19" Ära, aber ich weiß nicht mehr bei welchem Gerät. Völlig egal, wenn Du den Dream mal eingestellt hast, sind kaum mehr Anpassungen notwendig und somit…. Leute: Antesten und dann kaufen, weil nach dem Test gibt es keine andere Option!!!!
8. Hotone Ampero Amp Modeler / Effects Processor Multi-Effects Pedal
Product Details:
242 fx, 9 fx can be used simultaneously, over 100 built-in rhythm patterns, looper with 120 seconds of total looping, 4" color touch screen, 3 knobs, 4 footswitches & 1 exp pedal, stereo routing, usb connection for use as interface, load tones via software, 18vdc power supply. designed for electric guitar or keyboard players the hotone ampero is a pedalboard amp modeler and effects processor. it's designed for use on stage and in the studio. use it to access authentic emulations of pedals amps and cabinets. there are 242 effects provided in total. chain any nine of these effects together at any one time. cabinets have been modeled down to the mic positioning which you can change for different tones. use all your favorite cabinet impulse-responses with the ampero thanks to third-party support. all the sounds utilize cdcm hd and f.i.r.e. modeling technology for an authentic timbre and feel. true stereo routing is available for complex delays and reverbs and the outputs can send audio directly to the house pa during your gig. you'd think all these options would demand a steep learning curve. not so—the ampero gives you an intuitive interface with a prominent 4 touchscreen and three quick access knobs for straightforward effect manipulation. four foot switches are on hand (or rather under foot) as is an expression pedal for continuous effects like wah wahs and volume swells. in addition to these onboard effects the ampero offers 120 seconds of looping and an internal drum machine with 100 patterns. you can connect your ampero to your computer as a usb interface and load tones from ampero's software.
Specifications:
Reviews:
Recently downsized my Fractal (Axe-fx) live rig into this little unit. I've had it now for about a month and i'm really happy with it. It does everything i hoped it would and the tones i'm able to pull are great. The built in presets are a really great place to start and you can dial in your 'sound' even more with the many effects available. The touchscreen is an awesome feature but i'm really happy with the computer editing capabilities, as that's what i'm used to. The build quality is actually really strong and the built in exp pedal is super solid too. And it's small, like.. smaller than my keyboard! Perfect for carrying around to shows! I was also able to get this really cheap compared to it's competition. There's even an Ampero gig bag that you can purchase separately that is fantastic. Cheers!Barak B.
I have been VERY impressed with the Hotone Ampero so far. I have no idea how they were able to create such an amazing product for such an unbelievable price. It's like a Helix LT shrunken down for about 1/5 of the price and it has the same dual DSP SHARC chips as Helix! The unboxing is similar to an Apple product. Build quality seems very solid. There are tons of AMPS, EFFECTS, and CAB Sims in here! And so far, they all sound great. I've only been through a small % of all this stuff. But I can't wait to see what I can do with it. P.S. I had a great experience with Sam Ash! I was able to negotiate a better deal which made things even better! When's the last time you negotiated a price drop while in your Amazon shopping cart screen?!?!? 😉Dolf M
I usually use mics, but this unit sounds good run directly into the mixing board thanks to the better than average amp/cab emulators. The overdrive/distortion and chorus algorithms are particularly noteworthy, and the reverb and delays are also more than adequate. Definitely one of the best overall multi-effects pedals I've used, especially in a direct to board capacity. The interface is easy enough to operate, the menus intuitive and , again, the sound is really good. -Better than most, actually.DAVID
9. Mooer Ge150 Amp Modelling Multi Effects Pedal
Product Details:
The mooer ge150 is the newest entry in the ge line of multi-effects pedals from mooer. the ge150 comes packed with 55 high-quality amp models and 151 different effects, a straight forward and intuitive ui, topped off with a fully-functioning expression pedal. with otg capabilities, users can record directly into a compatible device from anywhere 55 high quality amp models that utilize mooer s non-linear digital amp modelling technology from the preamp series. up to 9 effect types. 151 different effects in total. 26 user slots to load in your favorite 3rd party ir files to recreate the dynamics and feel of a real tube amp. 200 preset patches. tap tempo function. programmable expression pedal. firmware update via usb port. up to 80 seconds recording time with a built-in looper. headphone output for silent practice. aux in allows you to play audio files from your device. 40 types of drum rhythms and 10 metronome settings. otg function supports smart phone recording.
Specifications:
| Num of Effect Block | 151 |
| Input | 1/4” mono jack |
| Output | 1/4” mono jack*2 |
| AUX IN | 1/8” stereo jack |
| OTG Port | MICRO USB |
| Sampling Rate | 44.1 KHz |
| Sampling Accuracy | 24 bit |
| IR Format | WAV |
| IR Sampling Rate | 44.1K |
| IR Sampling Points | 512 |
| Power Supply | DC 9V,300 mA,negative inside |
| Dimension | 230 mm X 155.99 mm X 32.8 mm |
Reviews:
This pedal works perfectly with my current gear. Using a tube amp with a lot of gain, I needed a noise gate wich reduced considerably the noise generated by my guitar. The result is amazing: – Really easy to use (only one parameter to manage) – The pedal reduce the noise without modifying the original sound of my guitar Above all of this, the shipping was, as always, really quick and in a well protected package. Thanks Musicstore!
10. Behringer Tm300 Tube Amp Modeler Pedal
Product Details:
The behringer tm300 tube amp modeller pedal delivers true modeling technology with up to 27 different configurations. guitarists can find their perfect tube amp sounds ranging from clean tones through to heavy distortion with 3 x classic guitar amps, gain modes and mic placements. dedicated drive, high and low eq, level, mic, model and amp controls ensure excellent sound shaping possibilities whilst an led shows when the pedal is active and offers a battery check. with an electronic on and switch, the tm300 promises maximum signal integrity in bypass mode and operates on either a 9-volt battery or the behringer psu-sb dc power supply (sold separately).
Specifications:
| Number of Configurations | 27 |
| Number Guitar Amps | 3 |
| Number of Gain Modes | 3 |
| Number of Mic Placements | 3 |
| Indicator Type | LED |
Reviews:
Rounds off the sound, increasing tonal options and adds a much wanted twang to a solid state.Reviewed by Andertons Music Co.
El servicio de venta, envio y entrega, como siempre, impecable. Utilizo el pedal para grabar en una tablet android, con una interface usb umc22. El tm300 hace la simulación de ampli y puedo trabajar sin latencia. El resultado es bastante bueno. El sonido fender esta muy bien conseguido con una realista saturación y buena definición arriba. En el british me gusta el crunch y con el calif entran bien los solos. No lo he probado con un ampli real, pero en grabación directa necesita algún retoque para terminar de redondear el tono. Tambien funciona en algún estilo con el bajo. Lo mejor es la saturación analogica que para mi gusto, suena mejor que la digital. Aqui no hay presets y hay que trabajar cada sonido en cada cambio de tono. El toque de válvulas, aunque algo turbio en alta ganancia, suena convincente. Las posiciones de micro estan muy conseguidas. (Probado con gibson sg)
Great little effects pedal, super versatile, make your current amp sound like 30 different amps!Farson N.
11. Boss Gx-100 Guitar Effects Processor
Product Details:
The boss gx-100 is an incredible processor with a limitless number of musical paths to embark upon. with twenty-three simulated amplifiers, over one hundred and fifty boss effects, and fifteen effect blocks to construct your unique tone, there is little territory the gx-100 cannot travel. a large touchscreen with an intuitive tone-shaping interface allows any player to step up to the plate and start building their unique tones. freely customizable footswitches give the player power to tailor the gx-100 to their specific performance needs. in addition, off the stage, a built-in usb recording interface, midi connections, and an effects loop function help in any musical scenario. those seeking to get their tone down to the finest of details and prepare it for digital preservation or further interactivity have plenty of options to explore. the staggering number of paths to take with the gx-100 is an exciting prospect to take on.
Specifications:
| Sampling Frequency | 48 kHz |
| DA Conversion | 24 bits |
| Processing | 32-bit floating point |
| Effects | 154 Types |
| Memories | 200 (User) + 100 (Preset) |
| Tuner Internal Detection | +/-0.1 cent |
| INPUT | -10 dBu |
| PHONES | -10 dBu |
| SEND1 | -10 dBu |
| Display | Color Graphic LCD (480 x 272 dots) Touch screen |
| PHONES jack | Stereo 1/4-inch phone type |
| CTL3, 4/EXP2 jack, AMP CTL1, 2 jack | 1/4-inch TRS phone type |
| USB COMPUTER port | USB B type |
| Blutooth Adaptor port | BT-DUAL ADAPTOR |
| Power Supply | AC adaptor |
| Current Draw | 1.2 A |
| Weight (including battery) | 3.5 kg / 7 lbs 12 oz |
| Footswitch | FS-5U, FS-5L, FS-6, FS-7 |
| Expression Pedal | EV-30, FV-500L, FV-500H, Roland EV-5 |
Reviews:
I'm genuinely blown away by this unit… from ease of use to the sounds it produces. My band has recently gone to running a silent stage, and I wanted to try something other than running a line out from my Katana. I figured why lug and amp when I don't need to. I've used units like this before, (PD HD500X and an old Vox Tone Lab) but felt they still sounded artificial. The BOSS GX100 is amazing! The learning curve is hilariously easy, and the touch screen makes editing on the fly a breeze. The other guitar player in the band couldn't believe the sound coming through FOH… and the recording needed no tweaking in the studio. Incredibly happy with this purchase, as with everything I've purchased from Sweetwater. BOSS has outdone themselves again.
Overall: This is a heavy duty pedal with so many different great sounding amps and effects that I don't even know where to start. Well built is an understatement. The build of it screams professional. from the chassis to the knobs and expression pedal this thing feels Pro in every way.The amps are fewer than most companies offer but BOSS went the quality over quantity route here. From crystalline cleans to all out brutal and everything in between. The drives are excellent and so are the modulations, delays, and reverbs. I find them superior to my Helix actually. There's not enough room in this review box for me to go over everything I love. A couple things I do not love..There's no poly pitch in this unit. The assigns can be confusing at times especially when it comes to assigning the expression pedal. It was ok once I wrapped my head around it but it was definitely and obstacle I had to overcome. Overall this unit is well worth the 599 price tag. I have owned many modeling units for many years and this is one of the best I have had.Robert
12. Benson Amps – Preamp Pedal
Product Details:
Selling a benson preamp overdrive/boost/distortion pedal. great sounding pedal with a very amp-like feel/response (thought it was great for stacking). this is the sparkle light blue color-way exclusive from little box effects. pedal is in very good condition, but with 2 paint chips on the front right edge (see photos) and a chipped set screw on one of the knobs (does not affect functionality at all, see photo). comes with box, manual, sticker, etc.
Specifications:
| Indicator Type | LED |
| Voltage | 9 V |
| Number of Knobs | 4 |
Reviews:
Very user-friendly. Simply great tone, for days. The DIRT…Reviewed by Andertons Music Co.
Game changer. This is like a $2500 amp in a pedal.Chris C
Exactly the unique crunchy overdrive I was after. Sounds wonderfulReviewed by Andertons Music Co.
13. Behringer Gdi21 V-Tone Guitar Amp Modeler Pedal
Product Details:
Create the most in-demand tube amp sounds or come up with your own! this behringer product has been designed to compete head to head with leading products on the market. authentic v-tone modeling technology recreates 3 classic guitar amps, 3 gain modes and 3 mic placements for a total of 27 configurations. it provides a truckload of great amps in a single stomp boxsimply choose your favorite sounds with a flick of a switch. behringer have included precise level and drive control plus a musical 2-band eq for ultimate sound shaping. use the gdi21 either for direct recording output with a speaker simulation or as a standard active direct injection box in bypass mode. the output is laid out on ' ts or balanced, gold-plated xlr connectors. a ground lift switch eliminates typical ground loop problems, and it runs on a 9 v battery or a dc power supply (not included). go from clean or crunch to super-fat distortion in a matter of seconds. * products mentioned herein are exclusively behringer products and are not in any way associated with and have not been approved, licensed, sponsored, endorsed, designed or manufactured (or anything else for that matter!) by anyone other than behringer. all trademarks mentioned belong to their respective owners and are not affiliated with behringer.
Specifications:
| Technology | V-TONE modeling |
| Number of Guitar Amps | 3 |
| Number of Gain Modes | 3 |
| Number of Mic Placements | 3 |
| Total Number of Configurations | 27 |
Reviews:
I bought a Takamine EG523CDX-12 HB, and the TK-40 electronics were too hot to plug directly into my Behringer mixer. So I bought the module primarily for the pre-amp, and it does that admirably. I get a sweet sound through the XLR, rather than the muddy mess I got plugging directly. The pre-amp is passive and doesn't drain the battery. Good inexpensive solution, the sound of the 12 string is very smooth and sweet. But then there's that foot switch. I got lost for well over an hour being a feedback tube monster through the amp. The drivers are very nostalgic and very tuby. A lot of fun for the price. Not sure if I'll ever incorporate it into an act, though it is possible, but it's great fun adding it to the FX of the mixer and amp. I don't think that I'd add it to a multiple pedal lineup, as today's pedals weren't designed for tube amps. But as a base for a straight old style rock sound, it offers a lot for the price in a simple package.Fringewood
This thing sounds terrific but has one major design flaw. For the money? A bargain. I wanted a modular cab simulator to quickly dial in big amp sounds in a small work area. It sounds awesome in and of itself, BUT: you can't turn off the speaker simulation. What this means is that you can't insert an effects loop the way you could in a real preamp before the speaker. Your effects all have to go in front of the GDI21 or after the speaker simulation – NOT in between the way you would with an amp with an effects loop. I suppose it would be a lot cheaper to add a button that turns off the speaker simulation than to install a physical effects send and return jack in a unit like this. It may be a good candidate to try modding! For practical use as is: this is an amp simulator that can be recorded or used as an heavy 2nd virtual speaker for a live setup with a line splitter. I haven't tried recording with it yet, but it sounds pretty sublime through my studio headphones and monitors. You just have to be aware that it has a very different sound if you try to affect it, as all your modulation, time-based effects, etc. will also process the sound of the simulated speaker and mic placement.Eddie
Took a chance and pulled the trigger on this little number for use in my home studio. I wanted something simpler than the pile of multi-effect units i have to reprogram every time i want to put down some tracks. This unit has excellent hi-gain amp emulations and take effects well (compressor, modulation, and echo IN; reverb OUT in the chain), and plugs directly into my tape deck, no muss, no fuss. as I use it for recording purposes, i can't attest to its utility and durability on live gigs: the plastic case might not be up to getting bashed around. For a few bucks more, I can't see how the makers can't put the guts in a tough cast aluminum casing.wrightj2p3g
14. Nux Ngs-6 Amp Academy Stomp Box Amp Modeler Guitar Effects Pedal
Product Details:
The nux amp academy is a world-class amp modeler. nowadays the amp-less approach is quickly bing a trend for modern musicians, such as guitarists who appreciate a variety of pedals and amps, but don’t have the luxury of a roadie crew to lug all of them around. amp academy inherits the nux tsac-2k (white-box amp modeling) algorithm which delivers the sound and feel of world-class tube amplifiers in a super-portable stomp-box enclosure. and, its huge headroom and dynamic range is a pedal friendly platform.amp academy also features six legendary amp models like vintage (fender twin reverb), classic (fender vibro king), modern (mesa boogie mark i), brown (friedman hbe), red (mesa boogie dual rectifier) and iridium (bogner uberschall). the iconic tsac-2k amp modeling offers a realistic amp feeling with fast playability response. for home studio and silent practice, amp academy’s usb audio stream makes it the swiss army knife of interface capability. connect the usb to pc to record tracks, run plug-ins and even livestream with amp academy.
Reviews:
It arrived a few days ago from MF. I want to highlight what I like about it without repeating the contents of its manual. Bottom line, for my usage replacing a Fender black panel Deluxe, a spring reverb, and a Tube Screamer, it is excellent. I am using the Vibro King amp model for most of my tweaking, but I also set up the Twin Reverb (super clean), Super Reverb, and Marshall JCM800 (crunch even with the guitar volume relatively low). The Twin model would not distort without a boost included in the "scene" even with my guitar and the model volumes at 10. That was the one anomaly from my expectations. I like the Vibro King model, amplified by my QSC CP8 (on the floor, on its side, backside EQ set to floor monitor), and do not prefer my now sold Tone Master Deluxe. The first thing I did was download the 2022-10-31 Firmware update and install it. Instructions to put the pedal in "DFU" mode to accept the update were missing. A YouTube video found via Google explained to hold both foot switches while powering up. Next, I installed the main NuX App for my Mac. I disabled the third "scene" such that the "scene foot switch" becomes a "scene" toggle (one cleaner, one with the Tube Screamer engaged, both with spring reverb). I then went through the amp models I planned to use (two "scenes" each, which must be done individually) and set all the controls to 12 o'clock. I tweaked the amp, spring reverb, and Tube Screamer to taste. I now have three ways to boost for an overdriven solo starting with the Vibro King as my clean base: turn up the guitar, foot switch to the Tube Screamer "scene", or foot switch to the JCM800 amp model. I explain all this detail because it took about an hour and without this work the pedal is disappointing. The software was almost easy enough to use without the nonexistent manuals (to do it again it would take much less time). Once done, everything can be adjusted via the knobs and optionally saved with the left foot switch. No menus to navigate at a gig. You can see in the pictures that it is quite small (Tube Screamer for reference), weighs exactly 1 lb. (less than that Tube Screamer), and draws only 3 watts. Leaving it run over night only gets it to room temperature. My old HX Stomp would have been hot to the touch and required a 20-watt power supply. Is it a Universal Audio quality Twin Reverb, Super Reverb, JCM800, or Vibro King modeler? Impossible for me to know. But for what I want, a classic black panel 60s Fender amp tone, spring reverb, and foot switchable Tube Screamer, it is a complete solution in a small package. No aspect of IO is missing (XLR, USB-C, ¼", 3.5mm, MIDI over USB). It also has an effects loop, graphic EQ, all the usual reverb types, 1024 IR loader, a selection of boost/overdrive/compression pedal models, and a noise gate which I've not tried. If one of the amp models is acceptably flat response you could use its 1024 IR loader, reverb collection, and compressor collection for your acoustic guitar too. Wow! What's missing? For my usage a master volume not associated or saved with an amp model "scene" would be nice. It does make a click when switching amp models or "scenes". Sometimes when switching amp models there is a noticeable delay.Jon
15. Behringer Tm300 Ultimate Tube Amp Modeling Instrument Effects Pedal,teal
Product Details:
Behringer tm300 ultimate tube amp modeling instrument effects pedal,teal ultimate tube amp modeling effects pedal product features authentic modeling technology for 3 classic guitar amps, 3 gain modes and 3 mic placements for a total of 27 configurations that let you easily achieve the most sought-after tube amp sounds from clean, crunch to super-fat distortion this behringer product has been designed to compete head to head with leading products on the market provides a truckload of great amps in a single stomp boxsimply choose your favorite sounds with a flick of a switch dedicated drive, high and low eq, level, mic, model and amp controls for awesome sound shaping status led for effect on/off and battery check
Reviews:
I recently replaced a 5 watt Roland cube street with the more powerful cube street EX. I was disappointed that the EX did not come with Roland JC setting. The clean setting on the EX produced a sterile, cold sound that I warmed up nicely with the Behringer tube modeler. This was my only reason for purchasing this pedal. I have occasional use for a battery operated amp and this pedal allows me to get the warm tones that I require.Richard
Case is plastic to evidently help with cost. With the cost of musical equipment any help is great. I take very good care of equipment so I do not "stomp" on them. Pedal has quality sounds that seem to work within relm of eq'ing. This pedal has it's own drive built in although a bit sensitive. Take your time and you can dial in some quality tones and sounds. I play lots of various music ranging from southern, blues and Christian rock and have been able to fine something nice that works with each style or genre. Again the pedal controls seem a little sensitive so take your time when you start with the pedal. I enjoy expermiemting so this facet is a-ok by me. Over all good pedal.Bo L.
I've had the pedal a couple weeks now and I am more familiar with it. I may have written a previous review so this might be an update… I purchased this pedal for the few times I would have to play on others' amps that don't have any effects as I already have two very good modeling amps. It works great on the modeling amps with the clean channels selected. Recently I bought a Fender Blues Jr which has no effects. I am in a small space where you really can't crank up the volume. To cut to the chase, the TM300 can stand toe to toe with either of my modeling amps, either plugged into them or the Blues Jr. In the modeling amps it provides more clean voices than the amps do without a lot of fiddling. You can also use the distortion/overdrive features instead of the amps' native on-board features if you wish. It is very intuitive and if you take the time to play with it you can come up with some very interesting combinations. I have a Les Paul Custom and a Fender Strat. And though both have upgraded pickups I couldn't quite get the sounds I wanted. The LP was a little too jazz-like and muddy when played in distortion thru the amps. The Strat was just tinny and quacky. I was considering changing out the pickups in both a second time. The TM300 breathed new life into my LP. I can now dial in the sound I want without having the change the pickups. The Strat has a richer fuller sound when I want and the quack when I want. I got this one simply because it was cheap and I just wanted to play around. Venti cinco dolares? Are you kidding me??? The only drawbacks are: 1) It has a plastic housing. It's not heavy duty like a Boss. 2) If you use 9V batteries you have to take the stomper off the change them. A minor annoyance. 3) If you use batteries you have to be careful to unplug the unit after use or it will burn thru your battery in less than a day. Or you will have to buy a 9V adapter. BUT… If you don't want power cables and like to keep things neater, the battery option will help and will also make it more portable as you don't have to pack a power cable if you go anywhere with it. This is my 3rd Behringer pedal, and though not the best in the world I own 3 for 75 buckaroos… less than the price of one professional pedal. For an amateur they work fine and can help a newbie find out what they like and need in pedals without a lot of financial pain.
16. Hughes & Kettner Stompman 50w Pedal Amp
Product Details:
The hughes & kettner stompman is a full-fledged premium guitar amp in stompbox format. although astonishingly powerful, this amp is not just loud. it also delivers to-die-for tone at a fraction of the cost of a boutique amp. the stompman was engineered to bring out the best in effects plugged into its input and fx loop. at the heart of the stompman is hughes & kettner's award-winning spirit tone generator technology, a fully analog circuit that captures the tone and feel of traditional tube amps. with this nifty tech in its engine room, stompman delivers a wide range of sought-after clean and overdriven tones. when paired with outboard effects, it can also serve up every flavor of contemporary heavy sound. a key feature here is hughes & kettners exclusive sagging control, which dials in precisely the levels of compression and overtones needed to sweep from classic to modern and all points in between. it can serve as the hub of high-quality pedalboards, as the tone-generating power amp for analog and digital preamps, as a recording and re-amping tool and as an ingenious go-to, always-on amp for every occasion.
Specifications:
| Weight | 1.5 lb |
17. Tc Electronic Mojomojo Overdrive Pedal
Product Details:
Looking for classic tube-amp-style drive? the tc electronic mojomojo overdrive pedal is your ticket to dynamic tube-style bliss. from bluesy breakup to screaming solos and chunky crunch, the mojomojo covers the spectrum of overdrive boost. just like a real tube amp, the mojomojo responds naturally to your guitar's volume, allowing you to control the character of your drive by simply riding the volume knob. with all knobs set at their detented 12 o'clock positions, the mojomojo provides a perfectly transparent drive with a wholly natural breakup.
Specifications:
| Pedal Type | Overdrive |
| Inputs | 1 x 1/4" |
| Outputs | 1 x 1/4" |
| Power Source | 9V DC power supply (sold separately) |
| Batteries | 1 x 9V |
Reviews:
great value; plenty volume on tap; treble and bass very usable; does color tone a bit but in a good thick way; less bass helps clear up the sound a bit. with small toggle switch in down pos perhaps a little more transparent and with toggle up adds a little more girth to the tone. flat response with vol around 1 o'clock, gain at 7 o'clock, bass at around 10 o'clock and treble around 3 o'clock (at least with my circuit…); gain begins to gets very "gainy" adding significant volume at around 10 o'clock and from will continue to increase to an extreme full tone slightly mid scooped distortion. not designed to be a big bumble bee crackly fuzz but like its label states an "overdrive" and will defiantly push your amp into breakup from mild to extreme.baycman
This pedal has gotta be one of the most underrated OD pedals out there…. especially given its price point. I have A,B'd this thing against modded BD-2s, modded OD-3's, and the SD-1W and the Mojomojo is just bigger and less tinty. I dont want it to be, but it is. It is a wonderful sounding OD and is great for OD rhythm sounds. It is in the cranked Marshall class of OD's so not to be confused with the green OD pedal. The only area that some of my modded ODs beat it in is sustain. It does tail off on lead stuff sooner than some more expensive pedals. That is the only area that it doesn't win though. You can also use this as an always on boost as well. All in all this thing always seems to knock more expensive pedals off my board time and time again. Highly recommend this pedal and at it's price point it should be in all OD aficionados collection.KL
I use the MojoMojo on my Fender G-DEC Junior and it helps to make the amp sound warmer, richer and fuller. The MojoMojo when dialed in right adds a very slight and suttle low mid thickness, hard to explain. I find its not a "set it and forget it" type of pedal (i.e. Tube screamer), for each amp setting I have to dial it in or it will sound muddy but with a little tweaking between the amp settings and the pedal settings (usually level settings rather than tone knobs) I can get them matched tonally and sonically, bass tone knob is usually set pretty low. I use low output humbuckers and it works great with these. I can get nice overdrive without changing the amps overall characteristic sound.
18. Boss Me80 Guitar Multi Effects Processor
Product Details:
This pedal is packed with almost any effect you can think of, all easily accessible through the foot switch system saving you the trouble of navigating through tedious menus. use with boss software on your computer to generate your own patches or download stage ready patches from the website. built in usb/midi interface allows you to connect straight to your computer for di recording with all of your effects. battery powered and comes with power supply.
Specifications:
| Interface | Built in USB audio/Midi Knob-based interface |
| Effects Categories | Eight simultaneous effects categories |
Reviews:
Sound: OK, so the pre-set programs are hit and miss for me. But that had to be expected, as I am not plugging a guitar into it, but rather a Korg RK100-S2 keytar. For obvious reasons, the cleaner patches, and patches designed around arpeggios sound decent, while the shredding metal patches sound like ass. I'm sure they would both sound good if I was hooked up with an actual 6 string. Features: The most useful feature as far as I'm concerned, are all of those knobs all over the front of the unit. They make it so easy to dial in the sound. Especially when compared to the all digital products like the GT-1. I had a GT-1B last year, and it was aggravating to modify sounds on the fly. The other most useful feature is the Tone Central app. OMG!!! Last month, I trashed Korg's design decision in their app for modifying the keytar's sounds. The window can't be resized, the lines of text are nearly microscopic, it isn't REMOTELY intuitive to figure out how to re-write the patches. Boss' Tone Central app is the EXACT OPPOSITE of all of that. Full screen, each effect section is on screen alone and has 3 different ways to modify the settings. Get things the way you want, name your patch, and click "write," then choose where you want it saved, and click "OK." It couldn't be simpler. Ease of Use: If the preset patches are hit and miss, the "manual mode" is why I bought this board. The keytar really needs some effects to come alive. This board is simply a placeholder until I can build a quality keytar/synth specific pedal board. Compression, delay, and/or phasers can add a lot of depth to my sound depending on what I'm currently using. Those dials make it super easy to get the sound right quickly. It does sort of suck that they are on the floor, but how could that have been avoided without bluetooth and a phone app? And, if that was the case, I wouldn't have bought it in the first place! Quality: I bought this "blemished." My guess, based on the condition of the box that the factory shipped to zZounds, is that this took a fall off of a shelf in the warehouse. One end of the box was mangled badly! Thanks to Boss' attention to detail in packaging, and legendary build quality, I got this product without a scuff, scratch, or dent for 20% off. I like that build quality. (Feel free to play football with some of those synth specific stomp boxes guys! *wink-wink*) Value: Before my fretting hand got too badly damaged to play bass anymore, I wanted the bass version of this product. I believe that it was discontinued, and I missed my chance. I got the GT-1B but didn't like working with it. When I saw that this was available, I didn't hesitate to put it into my cart. Only then, after the fact, did I realize that it was in "blemished" condition. I almost went back and put a new, full priced one in my cart simply because I didn't want the hassle of potentially returning a broken product. So, yes, I do believe this is worth the normal retail price. Manufacturer Support: In the 12 years I've been playing, I've owned several Boss products from tuners to metronomes to multi effects pedals and I have NEVER had to reach out for support. In my estimation, that's the BEST form of customer service! The Wow Factor: G.A.S.! I can't play guitar a lick. But I've bought guitars in the past simply to hang them on the wall. I can't say that I would ever buy THIS product if I didn't need it. But I'm sure that it will still find some place in my home studio, even after the actual pedal board is complete Overall: An easy recommendation for the guitarist on a budget. Depending on one's needs, stomp boxes and pedal boards can become quite pricey. Between this, the Tone Central app, and the hundreds of additional patches available there, if you can't get the sound you're looking for, the problem lies mostly with you.
I have been buying and selling multi effects for many years. I loved them all, even the silly ones such as the RP50, 505, ME30..too many. I guess my favorites were the Korg AX3000G(which I thought was ahead of its time) and the Digitech RP500(awesome reverbs, mods and filters),and even some Pods for their amp sims too. Yes yes.. they all had their short comings in different avenues.. Boss reliability is were a part of Ny early playing days since the 80s..and to this day, I use Boss single pedals almost exclusively as my main rig. I just love the simplicity of their individual pedals and this unit is the only one that comes close in terms of the logic of its settings. I love KNOBS, and the ME80 has plenty to go around with. SIMPLICITY is the key . No more scrolling up n down a screen on the floor which I can hardly see. Now is the ME80 the best sounding multi-effect out there? No sir! With all the current technologies which can produce units such as The Kemper, Fractals, Boss GT1000, and other high res IR capable units from Zoom and Line 6(including some very capable Chinese newcomers), the ME80 can be seen as kind of outdated to some, The ME80 is certainly not what the top guns use these days, especially when occupying an arena concert stages I'm sure(but I bet they still use one or two boss pedals in their rig lol)..Also, Let's not forget that the ME80 initial introduction day to the world was just about eight years ago.. shall we? But guess what, it's still alive and kicking! And that is exactly why you still see it here for sake in 2022 ar least until Boss comes out with some new monster that can handle the GT1000 chipsets and adding more KNOBS to its chassis. The ME80 is gorgeous, it sounds good, and it has a personality. It also has more to offer than its predecessors such as the ME50/70..I mean, the addition of a separate footswitch for reverb,EQ and a simple patch recall?? I would recommend this unit for any small club or a tight rehearsal space for a quick setup and a speedy wrap-up after a show, when it's finally time to go home, no patch cables required.I AM KEEPING THIS ONE FOR MYSELF! Till I get to warm up for Bruno Mars(not happening soon lol),My main Boss rig is staying home, and that goes to my crybaby and the Budda volume pedal with all them patch cables entourage.James
I don't want to program guitar effects. I don't want to read cheesy names for effects that I can't immediately recognize or understand. The young people like that stuff but I am old and old school. The ME-80 gives me my old stomp boxes but grouped on a modern platform. It is basically foot pedal controlled with a very nice expression pedal and 8 on-off pedals. The foot pedals work flawlessly. But the thing that makes this unit awesome is the knobs. You can turn a knob, set a value and get instant feedback on what you did and look at it anytime to see what it is set at. If you know stomp boxes then you know exactly how this thing works. It has by my estimation about $4K worth of stomp box effects and amp emulations. Whether you want an old Tube Screamer or a Big Muff Fuzz. This thing has it. And it has many new stomp box effects like the amazing Tera Echo, Harmonist, Freeze and a Looper. It has just about every effect you could want and you can play multiple effects at the same time. As far as I am concerned this is the greatest thing since sliced bread. And I am an original POD user. I still plug into the POD now and then. But the POD is history. The ME-80 is what I like today. I even commissioned a guy to build me an angled stand to boost up the knobs and pedal to make it easier for me to dial in changes. I had it painted orange to match my Orange Crush 35RT amp where I port the ME-80 output. Lastly, if you insist on being a programmer, they let you do that as well and offer a ton of presets online. You can hook up by USB to your computer and program away. Brilliant. The one down side… you have to buy an AC/DC adaptor for $30 or use up a lot of batteries. Well since I figure that I saved over $3,600 compared to the cost of all these effects bought stand-alone, I happily coughed up the $30.Brianne
19. Tc Electronic Spark Booster Pedal
Product Details:
The spark booster is a stompbox-style boost, overdrive and eq pedal from tc electronic. it features level and gain controls, a fat/clean/mid tone selector and a 2-band eq. the pedal's level control offers 26 db of clean boost and is designed to simply add volume to your guitar sound without distorting or altering the tonal character. it can be used as a volume boost to your clean guitar, or at higher settings, to create overdriven sounds by pushing your amp harder. the gain boost control on the other hand, adds slight overdrive and compression. this can be useful in situations that call for the sound of an overdriven amp, but require that your volume be kept low, such as when playing a restaurant or coffee house gig. the spark booster's 2-band eq controls consist of bass and treble knobs, which allow both cut and boost. bass frequencies can be boosted for more punch, or rolled off a bit for a tighter sound that may otherwise sound boomy when playing through larger cabinets. add more treble to your tone to brighten up darker sounding amps, or to compensate for signal lost in long cables. treble can be reduced for softer, jazzier tones. the pedal can be run in 3 separate modes that can be chosen using the fat/clean/mid tone selector. the "clean" setting boosts your guitar signal equally across the frequency spectrum, while the "fat" setting adds more low-end punch to your sound, also allowing for more precise control of your tonal shape when using the eq and gain knobs. the "mid" setting provides a bump in the midrange that will give your guitar tone more "cut-through" in the mix.
Specifications:
| Weight | 1.5 lb |
Reviews:
I used to think that boost pedals were dumb and that I would never use one. But after watching dozens of videos and seeing several big name endorsements, I thought that the Spark might be for real, and it is now EASILY my favorite pedal. Simply put, it just makes your tone better, no matter what kind of guitar or pickups you run through it. The sound quality and versatility are the best features. It gives you a great boost, but it's extremely amp-like, in the same way that clean channels on good tube amps break up if you crank the gain. And the little toggle switch gives you three different "clean channels" with which to work. The middle position has the most clean headroom and is the classic boost, but still breaks up a little if you max the gain. The Mid and Fat sounds add beef to your tone in fantastic ways, and I use those most often. Do you think that single-coils and/or jazz box guitars sound thin compared to solidbodies with humbuckers, like me? The Mid and Fat settings will fix that for ya. I love my Strats and my jazz guitars so much more now. Turn up the gain and the Mid and Fat settings will give you a great overdrive too. The best part about cranking the gain on the Spark is how well it makes your sound hit tube amps. It gives you glorious saturation at any volume level. This is the perfect pedal to put first in your drive section. Your other drive pedals will greatly benefit as well. Worried about tone? This is the most transparent pedal I've ever used, even more so than TC's other drive pedals (which I also love). The two EQ controls are fantastic and give the pedal a huge advantage over nearly every other boost pedal. Whether fully down or cranked, you get usable sounds in great frequency ranges. Simply put, this is the best pedal I've ever heard. Having volume AND gain, plus two great EQ controls, plus THREE voices to choose from puts this pedal above every other boost on the market. Seriously, just buy it already.T. Slice
Another drive/boost pedal. The ability to switch between fat/clean/mid modes is a nice feature. Separate bass and treble is handy too to sculpt the tone. Only 4 stars though because the foot switch is terrible. Why can’t TC put the same switch as they do in the polytune?Reviewed by Andertons Music Co.
Took a bit of a flyer on this as I sort of have an end result in my head and im not entirely sure how to get there. i have a hybrid amp that has a touch of valve harmonics that im trying to exagerate. this is a step in the right direction (and with some fiddling might even be the thing) i think what i was expecting was more like a compressor, but this is more or a transparent drive type effect (at least with my amp). however it is first drive pedal that ive loved without faffing about with the dials for hours. am getting nice bluesy /seventies blues rock tones using the clean setting on the toggle, and the gain about midway. the fat setting starts pushing into proper overdriven sounds, but with a nice natural tone. so despite not being exactly what i was looking for (my fault) im really pleased with this pedal. so much so i might gift one to my kid. theres a tiny bit of noise when the level knob goes up high, but i get much the same from my SD1 so either its just the nature of the beast, or my set upReviewed by guitarguitar custome
20. Tc Electronic Mini Spark Booster Guitar Pedal
Product Details:
A tiny pedal with a loud bark, the tc electronic spark mini booster can provide up to 20db of clean boosted power. whether you want to kick it on periodically for some extra punch or leave it on all the time as a tone booster the spark mini can prove useful in many playing situations regardless of genre. because of its diminutive footprint the spark mini can be easily placed in any open space on your board. if you want to add more gain to your sound put the spark mini at the beginning of your signal chain to drive your pedals and amp harder. some guitarists have an always on boost in this configuration to impart some grit on their tone. if you want to just boost your overall volume stick the spark mini at the end of your signal chain either after all of your pedals or in your amp's effects loop. should you for whatever reason want to disengage the spark mini the true bypass switching ensures that the circuitry in the pedal won't affect your tone while disengaged.
Specifications:
| Sensitivity | 20 dB |
| Impedance | 100 ohm |
| Power Output | 9 V |
| Indicator Type | LED |
| Control Type | Knob |
Reviews:
I wanted a button to make me louder for solos etc. and this does exactly that without changing tone. Brilliantly simple: set how much volume jump you want and that’s it, I don’t think I have had the dial past 25% so far. The ‘latching’ function of the foot switch is a great idea. Great price as wellReviewed by Andertons Music Co.
Initially intended to buy an Xotic EP Booster because I wanted to try the Echoplex thing out, but saw this little guy and figured…why not? I like it so much, I don't see the point in ordering the EP Booster anymore! Hits the front end of my Soldano in a way no overdrive has yet, and with no noise. Works equally well in front of my OCD pedal for a lead boost. And to all the people whining about the switch not clicking…whatever. I like that about the TC stuff and wish all pedal companies would make their switches "clickless". Great value, just buy it already! Thanks TC and Sweetwater!
This pedal does exactly what it claims and does it better than other pedals of the same purpose. It is constructed extremely well. For around $50 this pedal's physical casing and switch assembly is made better than pedals I own costing hundreds of dollars more. I don't foresee this pedal ever needing replacement or repair. I'm not particularly fond of the "momentary volume boost" feature but that doesn't change my overall opinion. It's a great item.ethan1957
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