Are you looking for the Guitar Pedal Signal Chain? If so, you’ve come to the right place.
Choosing the Guitar Pedal Signal Chain can be difficult as there are so many considerations, such as MXR, EarthQuaker Devices, Behringer, BOSS, Electro-Harmonix, JHS Pedals, Line 6, MOOER, TC Electronic. We have done a lot of research to find the top 20 Guitar Pedal Signal Chain available.
The average cost is $255.80. Sold comparable range in price from a low of $27.95 to a high of $809.99.
Based on the research we did, we think Xotic Effects – SL Drive Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Guitar Pedal Signal Chain (20 Sellers)
| Product Image | Product Name | Features | Check Price |
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Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Craftsmanship
Features:
- The 10v of input power delivers clear and crisp output
- True bypass switching minimizes the distortion to enhance the audio quality
- This pedal allows you to add multiple bass effects during your jamming sessions
Reviewers Noted:
Ease of use
Features:
- Improve your equipment's sound quality with this decimator pedal
- Built using isp technology for a ripple-free outcome of music notes
- This noise-reduction pedal offers efficient performance
$759.99
4.8
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Dimensions (overall): 1.0 inches (h) x 1.0 inches (w) x 1.0 inches (d).
- Weight: 1.0 pounds.
- Effect type: equalization and boost.
$809.99
4.8
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Dimensions (overall): 1.0 inches (h) x 1.0 inches (w) x 1.0 inches (d).
- Weight: 1.0 pounds.
- Effect type: equalization and boost.
Reviewers Noted:
Easy to use . Noise level
Features:
- The linearized time vector processing feature helps keep track of the expander
- Designed with state-of-the-art technology to offer clear audio output
- Diligently crafted with 60db sensitivity to optimal noise reduction
Reviewers Noted:
Ease of use . Size
Features:
- 5hz to 24khz frequency response to record the full range of your guitar or bass.
- Versatile routing options let you send the wet and/or dry signals to your daw.
- Convenient headphone out for monitoring sound between the pedal and computer.
Reviewers Noted:
Ease of use
Features:
- Go from clean to high gain without changing the threshold setting.
- Linking function lets you link 2 decimators for 2 channels of noise reduction.
- You can use 1 decimator g string ii and 1 decimator ii pedal for a stereo setup.
$29.00
4.6
Reviewers Noted:
Easy to use . Sound quality
Features:
- This metal distortion pedal is designed to provide a high-quality music experience
- 1.4" input jack makes it convenient to use it with your electric guitar
- Input impedance 500 kohms helps reduce the distortion while adding effect to your music
$199.00
4.8
Reviewers Noted:
Ease of use . Build quality
Features:
- Two effects-loops plus slingshot remote
- Class-a circuit for highest quality audio
- Drag control pickup load correction
$27.95
4.6
Reviewers Noted:
Easy to use . Size . Sound quality
Features:
- Enjoy your music sessions by boosting the guitar signals with this pedal kit
- This pedal delivers clear and crisp sound by minimizing distortion
- Designed to offer a gain of up to 38db to your guitar signals for high-quality sound
Reviewers Noted:
Compact
Features:
- Multiple output ports allow you to connect this pedal with various guitars
- This pedal splits the signal to eliminate distortion and retain the sound quality
- Compact pedal size makes it easy to carry to musical events and concerts
$69.00$55.00
4.7
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Build quality
Features:
- In perfect working condition!
- This is a thick bass forward overdrive, yet it can work in many different ways.
- If you want a thick sound but don't like fuzz stack this into you distortion or overdrive and you will have tones of sustain.
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Excellent condition
- Perfect working order
- Light home studio use only
Reviewers Noted:
Easy to use . Good sound quality . Compact . Visual appeal . Weight
Features:
- Add some beats to your music with the help of this distprtion device
- 1/4" jack lets you connect compatible devices conveniently
- Three knobs design of this pedal lets you select required mode conveniently
Reviewers Noted:
Easy to use . Sound quality . Size
Features:
- Premium sound based on the classic bd-2 blues driver
- Revised, all-analog discrete amplifier circuit
- Standard and custom sound modes
Reviewers Noted:
Easy to use . Good sound quality
Features:
- Quickly switch between tones with the flexi-switch technology
- Led indicator offers the real-time operating status of this pedal
- Modulate the tone of your guitar with this shredder pedal
$119.99
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Build quality
Features:
- This equalizer pedal allows you to control and adjust the treble and bass of your guitar conveniently
- Frequency range of 100 hz – 6.4 khz helps you to create multiple sound effects
- The compact design makes it easy to carry at gigs, events and performances
$249.99
4.6
Reviewers Noted:
Easy to use . Performs well . Compact . Craftsmanship . Power
Features:
- Led indicator notifies you about the operating status of the mixer
- Add effects to your jamming session conveniently with this pedal
- Designed with class-a buffers to offer a convenient functionality
$52.80
4.7
Reviewers Noted:
Compact . Easy to use . Weight
Features:
- Tape machine analog delay (mad professor deep blue style) delay.
- There are three pots that control the drive, volume, and tone as well as a "fat/thick" switch which instantly adds more or less body to the sound.
- All tone city pedals are true bypass and require a regular 9v power supply for operation as they do not have a battery compartment.
$699.99
4.8
Reviewers Noted:
Compact . Easy to use . Portable . Sound quality . Weight
Features:
- Equipped with a multi-effects processor, it offers a powerful performance
- Use it conveniently with its 3 capacitive-sensing foot switches with color-coded led rings
- The usb connectivity lets you connect it easily with compatible devices
1. Xotic Effects – Sl Drive Pedal
Product Details:
Famous for its woody, organic and beautiful sounds of saturation, these legendary british amplifiers, the super lead & super bass, have been delivering one of the all-time classic sounds for almost 50 years. players like jimmy page, paul kossoff and countless other relied on this type of tone for their signature sound. xotic has recreated this vintage masterpiece in a rugged small enclosure. the sl drive offers very amp-like response and cleans up nicely with a roll of your guitar’s volume knob. the internal dip switches allow you to choose the sound characteristics of both 1959 models. the “super lead” setting offers a brighter tone with more gain, while the “super bass” setting has more low end with less highs. this compact design is a powerful tool for the working musicians. the sl drive is equipped with true bypass switching and eliminates any signal interference when switched off. power requirements are either 9v battery or ac adaptor (optional).
Specifications:
| Dimensions | 3.5" W x 1.5" D x 1.5" H |
| Input Power | 9V |
| Input Impedance | 1M ohm |
| Output Impedance | 1K ohm |
| Number of Tone Settings | 2 |
Reviews:
From slight dirt to full on creamy plexi distortion. It’s all there. Cleans up with the guitar volume knob. Pairs well with other exotic effects. I have two SL drives, one for grit and the other set for lead, as well as an exotic AC booster before to add a bit of boost. I run the EP booster at the end for nice volume boost. Synergy with all exotic effects.Charlie
I chose the SL Drive from a huge amount of drives on the market as I wanted something that fit on a small pedalboard, could provide a Marshall style sound at all gain levels as an alternative to amp gain, and which could work well with the BB MB pre-amp also by Xotic. This pedal really delivers. Although it takes time to set up and find the best sounds for personal preference, it provides a variety of useful tones across the spectra of volume, gain, and equalisation. The design is just so thoughtful and I like the possibility of running it at 18v, although at the moment 9v is better to my ears. Recommended as a piece of gear that should fit with most set-ups.Reviewed by Andertons Music Co.
I've had the SL drive for awhile now and try as I might I can't find anything that can kick it off my board. I've tried numerous other amp in a box pedals(Marshall and otherwise),overdrives and distortions but I keep coming back to this little guy. I guess I keep trying because I find it hard to believe that a pedal this small and this inexpensive(relatively) can't be outdone. I use this in conjunction with a standard Tumnus and the 2 together just can't be beat for me and I'm done spending $ trying.mike smith
2. Isp Technologies – Decimator G-String Pedal Ii Noise Reduction
Product Details:
This pedal follows the signal directly from the guitar, allowing you to switch from clean to high gain sound without changing the threshold setting. its new design allows you to plug your pedal into an effects loop or after your high gain pedal or preamp. thanks to a mini-jack you can chain 2 decimator pedals (whether ii or ii g string) to obtain 2 noise reduction channels or for a stereo system. this connection allows each pedal to directly follow the instrument like the brand's rack versions. the decimator g string provides a fully independent decimator noise reduction channel that can be inserted into an effects loop in series or after a preamp section, the advantage being that the decimator's level meters will follow the signal. directly. with the g string pedal you can adjust the threshold of the reducer and whatever the noise level the decimator will follow it without any problem. thanks to its complete transparency, you won't have to worry about the threshold being too high or having to turn off the decimator when you go from a high gain guitar sound to a clear sound. it offers an input to connect a guitar directly and a buffer output that can be plugged directly into your amp, as well as a second processed audio output as well. you can connect other pedals between the output of the decimator and the input of your amp, this allows the g string to remove any unwanted noise you may have, even with overdrive pedals located before your amp.
Specifications:
| Technology | Noise Reduction, IPS |
| Noise Reduction Rating | 60 dB |
| Length | 5" |
| Width | 2.7" |
| Height | 2.3" |
Reviews:
The coolest noise reduction effect on the market. Allows only one handle to achieve optimal noise reduction. The presence of the loop makes it even more versatile. The only minus is weight, but the pedal is so strong that you can only break it with a tank. The best noise reduction pedal for life in your pedal board. The pedal is 100% working out its price.
3. Line 6 Hx Stomp Multi-Effects Pedal Black With Hx Messenger Bag
Product Details:
This kit includes:line 6 hx stomp multi-effects processor pedal – the line 6 hx stomp delivers award-winning helix line tones in a stompbox format. this lets you easily add pro-level multi-effects processing to your existing pedalboard, or replace it entirely. it provides programmable amp/cab/effects/ir versatility that seamlessly integrates into a host of playing and recording needs. hx stomp can be used as a multi-effects stompbox, a super-portable amp/effects rig, or an audio interface. – access over 300 amps, cabs and effects – line 6 hx modeling technology allows hx stomp to run up to six processing blocks at the same time. it is the same hx modeling technology that powers the flagship line 6 helix guitar processor. the hx stomp multi-effects processor includes over 300 amps, cabs and effects, including a looper. you will also find the line 6 legacy library from m-series pedals. plus, it includes classic line 6 stompbox modelers, such as the dl4, mm4, fm4 and dm4. there are presets created specifically for bass players, as well as individual bass amp and cab models. – amazing versatility in a compact format – additional features include a choice of true bypass and dsp bypass with trails for natural decay. its stereo effects loop allows you to patch other pedals into the signal chain. theres even a jack for connecting up to two external footswitches or expression pedals. external control via midi and optional expression pedal and footswitch control provide additional flexibility. – line 6 hx stomp features extensive midi control, ir (impulse response) loading capabilities and a multichannel 24-bit/96k – hz usb audio interface. the free hx edit app allows you to customize nearly every aspect of the pedals operation, and to create, save and load presets. it also provides preset librarian capabilities, ir loading and more. – player-minded usability – utilizes the same dsp chip and hx modeling as helix – compact yet extremely powerful – highest possible audio quality throughout, plus both true bypass and dsp bypass with trails – over 300 effects and models from helix, m-series, and legacy line 6 products – up to 6 simultaneous amp, cab, and effect blocks (including a looper and ir loading) provide extensive tone-crafting options – a complete guitar or bass rig in one pedal3 capacitive-sensing footswitches with color-coded led rings facilitate ease of use and fast editing – split/parallel signal paths provide flexible routing for both simple and complex signal chains – trs dual expression pedal/footswitch input extends creative control capabilities – stereo effects loop (mono/stereo trs send + stereo returns) facilitates use with other pedals – includes helix firmware update 3.50hx messe
Specifications:
| Dimensions (Overall) | 1.0 inches (H) x 1.0 inches (W) x 1.0 inches (D) |
| Effect Type | Equalization and Boost |
Reviews:
Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.
Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.
Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell
4. Line 6 Hx Stomp Xl Multi-Effects Pedal-Black With Hx Messenger Bag
Product Details:
The line 6 hx stomp delivers award-winning helix line tones in a stompbox format. this lets you easily add pro-level multi-effects processing to your existing pedalboard, or replace it entirely. it provides programmable amp/cab/effects/ir versatility that seamlessly integrates into a host of playing and recording needs. hx stomp can be used as a multi-effects stompbox, a super portable amp/effects rig or an audio interface. – access over 300 amps, cabs and effects – line 6 hx modeling technology allows hx stomp to run up to six processing blocks at the same time. it is the same hx modeling technology that powers the flagship line 6 helix guitar processor. the hx stomp multi-effects processor includes over 300 amps, cabs and effects, including a looper. you will also find the line 6 legacy library from m-series pedals. plus, it includes classic line 6 stompbox modelers, such as the dl4, mm4, fm4 and dm4. there are presets created specifically for bass players, as well as individual bass amp and cab models. – amazing versatility in a compact format – additional features include a choice of true bypass and dsp bypass with trails for natural decay. its stereo effects loop allows you to patch other pedals into the signal chain. theres even a jack for connecting up to two external footswitches or expression pedals. external control via midi and optional expression pedal and footswitch control provide additional flexibility. – line 6 hx stomp features extensive midi control, ir (impulse response) loading capabilities and a multichannel 24-bit/96k – hz usb audio interface. the free hx edit app allows you to customize nearly every aspect of the pedals operation, and to create, save and load presets. it also provides preset librarian capabilities, ir loading and more. – player-minded usability – in addition to its highly portable platform, hx stomp is easy to use, thanks to its simple control layout, 320 x 240-pixel – utilizes the same dsp chip and hx modeling as helix – compact yet extremely powerful – highest possible audio quality throughout, plus both true bypass and dsp bypass with trails – over 300 effects and models from helix, m-series and legacy line 6 products – up to 6 simultaneous amp, cab and effect blocks (including a looper and ir loading) provide extensive tone-crafting options – complete guitar or bass rig in one pedal3 capacitive-sensing footswitches with color-coded led rings facilitate ease of use and fast editing – split/parallel signal paths provide flexible routing for both simple and complex signal chains – trs dual expression pedal/footswitch input extends creative control capabilities – stereo effects loop (mono/stereo trs send + stereo returns) facilitates use with other pedals – includes helix firmware update 3.50hx messnger b
Specifications:
| Dimensions (Overall) | 1.0 inches (H) x 1.0 inches (W) x 1.0 inches (D) |
| Effect Type | Equalization and Boost |
Reviews:
Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.
Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.
Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell
5. Isp Technologies Decimator Ii Noise Reduction Pedal
Product Details:
Bought from sweetwater less than a month ago. nothing wrong with it, perfect condition and works great. i was comparing with the decimator ii g-string and preferred the g-string.sp's decimator ii noise gate guitar pedal ups the ante over the original decimator design to give you even better noise reduction. the decimator ii sports linearized time vector processing in its expander tracking, giving you incredibly smooth sustained-note decay that's virtually free of release rippling. connect a decimator pedal between your guitar and amp's input and another in your effects loop, and you can link the two via 1/8" cable allowing both pedals directly track your input signal. for the ultimate in electric guitar noise reduction, put an isp decimator ii in your signal chain.
Specifications:
| Technology | State-of-the-art |
| Power Supply | 9 V DC |
| Maximum Input Level | +12dbu |
| Input Impedance | 500K ohms |
| Weight | 140 g |
Reviews:
The ISP Decimator II is a great, durable and easy to use pedal! The single control-knob makes for easy operating and accurate noise reduction. Struggling with buzzing and feedback due to grounding or your effects-chain? Plug in the Decimator II and all your struggles are gone! Perfect for tightening up your (high)gain tones and riffing as well as eliminating unwanted string action in clean and gain tones. And whats even better is that it doesnt mud your tone or affect your sound in a negative way. Its durable and sturdy design makes for a pedal that can take a lot of stomping, which is ideal for both practice and stage use. All in all the Decimator II is a great addition to anyones pedalboard! (Besides, its shiny! Who doesnt like shiny things?)
6. Ik Multimedia Amplitube X-Drive Distortion Pedal
Product Details:
The ik multimedia amplitube x-drive distortion pedal is built for crunchy, gritty, decimating distortion. make your performance more electric than ever. with 16 distortion model algorithms, 5 tone-shaping controls, and 1 multi-purpose parameter knob, you can sculpt your effect to perfection, whether you're after subtlety or full, thrilling distorted greatness. there are hundreds of factory presets for you to choose from, or explore your own creativity and come up with unique custom presets. the usb connection and librarian app then allows you to manage the presets with ease, granting you complete control over your sound. what's more, the pedal includes an expression pedal input for even more possibilities, whilst a built-in noise gate, compressor, and cabinet simulator promise an exhilarating tone, nothing else.
Specifications:
Reviews:
Overall: I agree with the last review, this pedal definitely stands on its own and keeps up with the other Big blue Box! It's algorithms are top notch, with a lot of them only found on this pedal. I've had mine since the first week it came out and couldn't be happier! I've owned tons of $300 plus verb pedals and this is my favorite so far.Doug
As soon as I heard the first preset I was hooked. Lush reverbs and shimmering tones makes this one of the most fun reverb pedals I have played. I love that you also get a plug in version fro amplitude and can save presets on you computer and download them to your pedal. also, did I mention its a USB interface as well that you can use with any DAW?Mark P.
Great prompt service equipment arrived as scheduled no problems at all loved it .ImportantDuck-98218
7. Isp Technologies Decimator Ii G String Noise Suppressor Pedal
Product Details:
The decimator ii g string noise reduction pedal is the latest generation in noise reduction technology. the decimator features improved linear time vector processing that offers the smoothest, ripple free approach in tracking the envelope of the input signal. the ltvp will instantly respond to short staccato notes and at the same time provide ripple free control of long sustained notes while downward expanding. the decimator ii g string noise reduction pedal is easy to use and simple to operate. the decimator ii g string has 4 inch jacks. connect the guitar directly to the guitar in. connect the guitar out to the input of the amplifier. connect the dec in to the loop send and dec out to the loop return.
Specifications:
Reviews:
The coolest noise reduction effect on the market. Allows only one handle to achieve optimal noise reduction. The presence of the loop makes it even more versatile. The only minus is weight, but the pedal is so strong that you can only break it with a tank. The best noise reduction pedal for life in your pedal board. The pedal is 100% working out its price.
8. Behringer Hm300 Heavy Metal Distortion Pedal
Product Details:
Specifications:
| Power Source | Battery, DC power |
| Weight | 0.73 lb |
| Output Impedance | 1 kOhm |
| Input Port | 1/4" jack |
| Intput Impedance | 500 kOhms |
Reviews:
i wanted to compare this to my boss hm-2 pedal but i can't get to it at this time, so i'll have to do this by itself. this is a very nice distortion pedal. again the plastic casing is durable and inexpensive ,so you're getting a good pedal for the money.the level and distortion controls are sensitive- i consider a plus. i do wish there was more bass in the in the low frequency control. now you might be asking, "why don't i cut back on the high frequency control?". here's why : the high frequency control appears to be a combination high frequency/gain control! the more you turn it up, the more gain. combined with the sensitive dist/level controls this is a nice feature if you want that. i like it . i can always boost the bass on the amp/EQ/whatever. i like to use different dimensions of distortions and if you are like me ,i recommend this.thurstonnalley
I guess I'm more of a roady/studio guy than I am an artist, as I've always got more out of turning knobs then actually playing music lol. I bought this pedal for one reason and one sound only. The Swedish "chainsaw" guitar tone of the 90's that came out of Sunlight Studios that was popularized by bands like Entombed and Dismembered. I think it sounds incredibly good considering I bought it NEW for 25 bones plus shipping! The distortion is sometimes a bit over the top, but cleans up when you roll back the volume knobs on the guitar. I imagine you could really get some interesting tones going if you paired this pedal with a compressor and eq both before and after it in the signal chain (and with Behringer that's actually an affordable option), and of course, a tube amp, as most of the bands with that sound supposedly used Peavey 5150 tube heads. Very nasty distortion pedal, if you could travel back in time to the 90's you could probably sell this to a metal head for absolutely ridiculous amounts of money. If you are not buying this pedal for a certain "Swedish death metal" sound or just metal in general, I would not recommend this pedal, as there are probably much better pedals out there for what you need. Its made out of plastic which I personally don't mind, as I'm not a touring or gigging musician. If I stomped on it several times a night for half a year I dunno how that would work out. Not a big fan of the color, but then again, I didn't buy this pedal for aesthetic value. Behringer makes great stuff for less, I plan on buying a lot more Behringer pedals in the future!James the studio guy
Just great wee pedals and such a great cheap price too. Best discount around at the moment as far as I could see.Reviewed by Andertons Music Co.
9. Radial Loopbone Loop Switcher
Product Details:
The radial loopbone pedal board allows the guitar player to insert two separate pedal effects chains and remove them when not in use. designed as a master control for the pedal board, the loopbone is compact, easy to use and adds tremendous control over the pedal board. there are no signal degrading op-amps or chips in the signal path, only 100% discreet components and radials highly acclaimed class-a circuit for natural tone and exceptional dynamics. the radial loopbone dual effects loop is a powerful effects loop controller for pedal boards that allows the guitar player to insert 2 separate pedal effects chains and remove them when not in use. this is particularly advantageous when using older effects pedals that tend to add noise and cause loading problems in the signal chain. the radial loopbone incorporates a superb post-effects variable-gain power booster that allows straight signal boosting or post loop-1 or loop-2 boost for soloing. to ensure that the natural tone of the instrument is maintained, the loopbone features radials unique drag control pickup load correction circuit that allows the guitarist to properly match the impedance load of any pedal board configuration with any guitar for optimum performance. furthermore, there are no signal degrading op-amps or chips in the signal path, only 100% discrete components and radials highly acclaimed class-a circuit for natural tone and exceptional dynamics. besides fx-loop switching, load matching, and signal boost, the loopbone brings even more to your pedal board: a separate "always-on" tuner-out circuit allows on-the-fly tuning without adding noise or load to your instrument signal and, perhaps the most innovative feature of all, slingshot. slingshot is radials unique remote switching system that allows the loopbone to simultaneously switch amplifier channels, other amp features, or even another slingshot-equipped device.
Specifications:
| Weight | 3 oz |
Reviews:
Many tones can be dialed in with this pedal, and the tube drives the tones very well regardless of the setting.smart_studio_finds
I was pleased with the Radial direct drive amp simulator. However I realised that my existing distortion pedal wasn't going to be enough to be amp free but still maintain decent distortion. So I thought I'd try the company's tonebone trimode. It solved the problem and gave me more besides. The price was half price, reconditioned. The unit includes a tube and because of this gives an authentic tube amp sound. I was struck by the power of the unit. To get the same effects from an amp you would really have to crank it. At the same time there is subtle variety here because you can have your searing leads on one channel, and an on the edge of breaking up sound on your rhythm channel. There are plenty of fine tuning functions on the unit. It takes some experimentation to get your two channels the way you want, but once set you are good to go. So you can dial in subtle distortion right through to full raunch. The distortion remains transparent, but meshes well with a sweet cream pedal I have. The unit itself easily creates tube screamer sounds if that's what you want. A solid unit,it certainly looks like its built to last. When I first played it, it would sometimes drop volume on the lead channel, but Radial do explain about this on their website, and its very easy to rectify- just putting a lead jack in and out of a send/return input a few times if you dont use it. The problem went away without my needing to do this. The only other issue is that the adapter is an unusual power specification, but the unit does come with its own adapter. Certainly recommend. Really enjoyable.dlh.dba.3so7znwlj
Great sound .. The best .. the valve gives better sound A professional guitar pedal, easy operation .. a big fat soundkeyboardus
10. Ce Distribution The Piledriver, Power Boost Effects Pedal Kit
Product Details:
The mod electronics piledriver is a clean-boost kit that will provide up to 38 db of gain to your guitar signal. use it to push your preamp into overdrive or as a line driver if you are experiencing signal degradation from your effects chain. this is a simple kit and great for beginners!
Specifications:
| Product Category | Musical instruments |
| Product Type | Pedal kit |
| Purpose | Preamp push, linedriver |
| Gain | 38 dB |
| Clean Boost | Up to 3 dB |
Reviews:
My comment is about the PileDriver circuit as I did mine as a DIY project. I used mine with my custom passive J-bass at a jam session, the bass rig is set up for a P-bass with Quarter Pounders (hot pickups compared to my J-bass pickups) … I adjusted the PileDriver to get my bass signal up the the level the amp was set up for then I could plug in and play and not even touch the amp. A friend has a USA Strat with Vintage noiseless (toneless) pickups, using the PileDriver he could switch from his hot P-90 Casino (straight in) to the Strat with the PileDriver without completely changing the entire amp's settings … we brought the treble down a number or two … that was the only amp adjustment. Recently I gave my DIY PileDriver to a friend who plays violin/fiddle, he has a Barcus-Berry bridge and with the PileDriver can plug straight into a mixer at a jam session and have decent tone because of the signal buffering (the output impedance works with a mixer a lot better than the piezo pickup).Rock_Mumbles
While I had fun listening to music out in the garage putting this together, I wouldn't use it to make music. There was a barely audible boost in volume when in use and it only occurred in the last 1/4 turn of the knob. Additionally, the foot switch made a loud pop through the cabs when engaged and disengaged. On the plus side, I have a nice pedal enclosure for future projects or to re-house some old plastic pedals.Plectrum72
This kit was super easy to put together, and sounds great with no noise. I personally would have preferred at least an option for an AC adapter, but the circuit was simple enough to modify it to fit my needs. The instructions were very straight forward and easy to follow, and the diagrams are clear and simple to understand. This is a great introduction to building pedals, and for the price, I might buy a couple more of these to use as the start of my own circuit designs. It's a clean boost, not a lot of features needed here. Since it's intended to be run on a battery, I assume there is no LED to conserve power, in addition to simplifying the circuit by not including it. I went ahead and wired it up for use with a power supply instead of a battery, and it works very well that way, but I have some experience with electronics so I can't speak to how simple that would be for true beginners. Everything seems to be of decent quality, especially for the price. I might experiment with a different potentiometer in the future, though. The included pot seems to only affect the level once you get up past half-way, but that might just be a matter of personal preference. It's a pedal for a price comperable to what I've seen people charging for just an enclosure this size. You can't beat it for an entry into the world of DIY effects pedals.BJRory
11. Jhs Pedals Buffered Splitter Pedal
Product Details:
Simple and effective signal splitting device that keeps your tone clear, powerful, and pristine send 1 signal to a tuner that is out of the signal chain while retaining your full tone in a dual amp setup, both amplifiers will see a powerful, clean signal bassists can send one side to their amplifiers, while sending the other to the board converts your guitar’s hi z signal to lo z for driving long cables and pedal chains retains the original tone of your guitar without coloration from the other gear in your signal chain the small size is ideal for saving pedal board space, and it can easily be mounted underneath your board
Specifications:
| Input Power | 9V DC |
| Power Usage | Up to 100mA |
| Product Dimensions | 3.6" x 1.5" x 1" |
| Number of Outputs | 2 |
| Number of Inputs | 1 |
Reviews:
This Product was to be used to split the output of my pedalboard into 4 amps. it worked, but it is very noisy, adds a terrible hiss and ringing signal into the amps. as soon as I unplugged them and ran through to 2 amps no noise what so ever. I thought maybe it was the pedal board. Nope the splitters are not very good at all, after running through just a clean signal the same thing happened. I just wanted to have something to just split the signal to go into 2 left amps and 2 right amps. This buffered splitter is not for that purpose. It is all around noisy period. I don't have any idea how these splitters would be useful for any purpose at all. I had to give it one star. Overall this splitter in my opinion has no business in a studio or live or anything else.Audio_Spark
Purchased this to split my guitar signal for routing to amplifier and instrument reference input of vocal harmony processor. Hooked up and immediately heard loud AC / Ground Loop hum. Even touching the chassis of the pedal generated the hum – even when not in the signal chain. Experimented with multiple configurations (amps, pedals, power supplies, cables, routing, etc.). All results were the same: Whenever this device was in the signal chain, the noise was of a level which rendered the signal unusable. Whenever, removed from the signal chain, noise was gone. Great idea, poor execution. Do not buy.Guitar Slinger
This an excellent buffer splitter for doing exactly what it's designed to do at this price point. For those experiencing ground loop issues and noise, you need to correct that with the power or invest in a splitter MADE to mitigate ground loops. I don't use this to run two amps. My use is for the buffer as I have a long cable run and split the signal to my tuner that is true bypass so that I'm removing it from my signal chain while adding a needed buffer. Works perfect!EGG
12. Tc Electronic Mojomojo Overdrive Pedal
Product Details:
Looking for classic tube-amp-style drive? the tc electronic mojomojo overdrive pedal is your ticket to dynamic tube-style bliss. from bluesy breakup to screaming solos and chunky crunch, the mojomojo covers the spectrum of overdrive boost. just like a real tube amp, the mojomojo responds naturally to your guitar's volume, allowing you to control the character of your drive by simply riding the volume knob. with all knobs set at their detented 12 o'clock positions, the mojomojo provides a perfectly transparent drive with a wholly natural breakup.
Specifications:
| Pedal Type | Overdrive |
| Inputs | 1 x 1/4" |
| Outputs | 1 x 1/4" |
| Power Source | 9V DC power supply (sold separately) |
| Batteries | 1 x 9V |
Reviews:
great value; plenty volume on tap; treble and bass very usable; does color tone a bit but in a good thick way; less bass helps clear up the sound a bit. with small toggle switch in down pos perhaps a little more transparent and with toggle up adds a little more girth to the tone. flat response with vol around 1 o'clock, gain at 7 o'clock, bass at around 10 o'clock and treble around 3 o'clock (at least with my circuit…); gain begins to gets very "gainy" adding significant volume at around 10 o'clock and from will continue to increase to an extreme full tone slightly mid scooped distortion. not designed to be a big bumble bee crackly fuzz but like its label states an "overdrive" and will defiantly push your amp into breakup from mild to extreme.baycman
This pedal has gotta be one of the most underrated OD pedals out there…. especially given its price point. I have A,B'd this thing against modded BD-2s, modded OD-3's, and the SD-1W and the Mojomojo is just bigger and less tinty. I dont want it to be, but it is. It is a wonderful sounding OD and is great for OD rhythm sounds. It is in the cranked Marshall class of OD's so not to be confused with the green OD pedal. The only area that some of my modded ODs beat it in is sustain. It does tail off on lead stuff sooner than some more expensive pedals. That is the only area that it doesn't win though. You can also use this as an always on boost as well. All in all this thing always seems to knock more expensive pedals off my board time and time again. Highly recommend this pedal and at it's price point it should be in all OD aficionados collection.KL
I use the MojoMojo on my Fender G-DEC Junior and it helps to make the amp sound warmer, richer and fuller. The MojoMojo when dialed in right adds a very slight and suttle low mid thickness, hard to explain. I find its not a "set it and forget it" type of pedal (i.e. Tube screamer), for each amp setting I have to dial it in or it will sound muddy but with a little tweaking between the amp settings and the pedal settings (usually level settings rather than tone knobs) I can get them matched tonally and sonically, bass tone knob is usually set pretty low. I use low output humbuckers and it works great with these. I can get nice overdrive without changing the amps overall characteristic sound.
13. Line 6 Hx Stomp Xl Multi Effects Processor
Product Details:
Mint condition hx stomp xl. barely used, never gigged, only had limited home use! complete with power supply, uk and us plug adapters, box and paperwork. the firmware has been updated to the latest (3.5 released in nov 22) and it's been factory reset with the latest stock patches. will also throw in the mooer knob toppers pictured, as well as an m-audio expression pedal. i have a separate listing for a midi controller for the hx stomp too. will definitely consider selling these together as a package. the possibilities are endless with this thing, so i am sad to see this go but unfortunately i don't have time to play with the endless options at the moment. any questions please feel free to ask!
Specifications:
| Weight | 3.3 lb |
Reviews:
Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.
Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.
Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell
14. Mxr M78 '78 Custom Badass Distortion Pedal
Product Details:
Product informationthe dunlop mxr custom badass '78 distortion roars with huge amp stack tones and old-school distortion. mxr took a classic distortion circuit and hot-rodded it to deliver over the top, soaring leads and rich, saturated rhythms. with only three knobs, dialing in an amazing tone is a cinch. engage the crunch button to boost the harmonic content of the distortion. under the hood, this high-performance machine features top-notch circuitry and hardware meant for a lifetime of use. a hot-rodded classic circuit allows you to roar with huge amp stack tones with old-school distortion giving that authentic edge to your sound. take your distorted guitar tone to the next level and integrate this pedal within your stomp box setup today, ideal for both live performance and studio use.
Specifications:
| Dimensions | 2.5" x 4.5" x 5.5" |
| Input Interface | 1/4" jack |
| Output Interface | 1/4" jack |
| Weight | 0.84 lb |
| Number of Knobs | 3 |
Reviews:
I was looking for a pedal with a good warm tone that could be played at a low volume for practicing at home, and I told the guys at Sam Ash Jacksonville what I was seeking for my sound and they recommended this MXR '78 bad*** distortion. Once again, the staff knew exactly what I should use that was tailored to my personal sound. I used to shop at the big stores but I found Sam Ash and now I will never shop anywhere else!MATTHEW
I picked up one of these beauties after trying a bunch of units at my local GC. It was the last one I tried and I stopped right there. At the lower settings it gives me that great tube growl without having to turn my Amp up to earsplitting volumes. At higher settings the depth and saturation increase without becoming muddy or loosing definition. If you are a metal head you'll probably not want this one, but if heavy blues, rock, or covers are your thing you will love it. The crunch button adds a nice boost overall especially in the upper ranges without adding the harshness of other units. Built like a tank with battery or AC power and at this price it's a steal. I've even used it with my acoustic/electric with interesting results. Go get one!Donald
15. Boss Bd-2w Blues Driver Waza Craft Pedal
Product Details:
The bd-2w waza craft blues driver from boss revisits the classic blues driver tone with all-discrete circuitry and focus on refined tone. the pedal offers a versatile palette of overdriven tones from creamy leads to crunchy rhythm sounds, and while specifically tailored for blues guitar, will be at home on a variety of pedalboards. based on the original bd-2 blues driver, but with a newly revised, all-analog amplifier circuit, this pedal provides a kind of warm overdrive, emotive distortion, and picking responsiveness similar to that found in vintage vacuum tube amplifiers. the pedal's standard mode captures the classic bd-2 tone, while the custom mode delivers more body and sustain.
Specifications:
| Nominal Input Level | -20 dBu |
| Input Impedance | 1 M ohm |
| Nominal Output Level | -20 dBu |
| Output Impedance | 1 k ohm |
| Recommended Load Impedance | 10 k ohms or greater |
| Connectors | INPUT jack OUTPUT jack DC IN jack |
| Current Draw | 18 mA |
| Option (sold separately) | AC adaptor (PSA series) |
| Dimensions (W x D x H) | 73mm x 129mm x 59mm (2-7/8 x 5-1/8 x 2-3/8") |
Reviews:
I am jazz guitar player , thus clean sounds most of the time , very few space to effects , NO WAY for distortion. However this pedal adds a modern and vintage grit to the sound. Modern, because some overdrive adds some nuances to the jazz clean sound , vintage because of the old blues and the contamination and color that offers to jazz in any form. An overdrive pedal that I define elegant and distinct. A perfect match to my Gibson ES 335.Walter
Excellent pedal. I had never owned an original BD2 before i bought this so I couldn't truly compare but from what I understand the only real difference is the switch above the tone knob. Standard voicing(BD2) or custom voicing. I prefer the custom and leave it set on that always. The difference is relatively subtle but I find the custom sound to be just a little bit brighter. Also seems to me that it gives just a tad more sustain and has just a little bit more crunch at high gain settings. I pretty much never turn this pedal off when I'm playing. I use it for all of my so-called clean tones. I put a compressor in front of it and I keep the gain rolled back and it adds a very subtle but amazing coloration to the tone. And then I also use it for 90 percent of my high-gain tones. Paired with a fuzz in front and an EQ and reverb after I can get a variety of tones that I love from heavy doom sludgey stoner rock to classic fender tube amp tones to Clapton sounding fuzziness to massive walls of shoegazey thickness ala my bloody valentine. It works fantastic with both single coils and humbuckers. I use it with my les paul and telecaster and it reacts perfectly to both of them. I even use it with my bass sometimes it works surprisingly well just doesn't exactly fit with a bass cuts out some of the low end but good for some stuff. In short this an awesome pedal I love it. It interacts wonderfully with every other effect I use therefore is extremely versatile and it's a boss pedal so it's extremely durable.They call me the butcher
This is the go to pedal my blues guitar tutor in the US uses and I wanted to emulate his sound, and I have achieved that. I bought the BD2 rather than the BD1 in order to obtain the improved sound quality over the original pedal and I am very content that I did. It has a much richer sound. But for me the stand out characteristic is the extra sustain which I find fantastic. Once you have tuned your ear, paying more for quality becomes part of the journey. Is it value for the money? For me – yes. If your ear is not yet tuned – probably not.Reviewed by Andertons Music Co.
16. Earthquaker Devices Plumes Overdrive
Product Details:
Plumes is a unique, all-analog approach to a classic tube-like overdrive circuit offering 3 different clipping voices, loads of headroom, and almost three-dimensional clarity that will push your amp over the edge. the reimagined tone control is finely tuned to sculpt low end, clear top end, and focus midrange with blooming sustain. flexi-switch technology this device features flexi-switch technology. this relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. for standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. for momentary operation, hold the footswitch down for as long as you d like to use the effect. once you release the switch the effect will be bypassed. since the switching is relay-based, it requires power to pass the signal.
Specifications:
| Current Draw | 25 mA |
| Technology | Flexi-Switch |
| Output Impedance | 100 Ohm |
| Current Draw | 25 mA |
| Number of Modes | 2 |
Reviews:
This pedal delivers what is promised. Yes it is a tube screamer clone, but it has more gain on tap, and the 3 way selector switch allows for more crunch and compression or to use as a boost as well as the the normal Tubescreamer functions. The down side with this is that I clearly received a pedal that had been opened before and was missing all the inserts, device instruction, warranty slip, sticker etc.. This may not seem like the biggest deal but that means this product isn't new. Just like physical retailers do it should have been sold at a discount and I should have been sent a new pedal because that was what I ordered. I just recently received another pedal from them "new" that didn't even come in a box it was just bubble wrapped which makes me think it was a floor model. Not new at all. Very disappointed.Micah
One of the best pedals around at the moment. Very versatile for different needs. Lots of different tones to get so many different sounds. Surprising amount of gain should you need it as well. Well worth it for the price as well as it’s far better than a lot of pedals that are a lot more expensive.John H.
I have been really enjoying adding this pedal to my collection. Great clarity, plenty of gain and volume. A working tone knob is not as common as you would think since it is on most overdrive pedals but this is one that works and has a good usable range unlike some other brands I shouldn't have to mention. This has worked well on my solid state amp, modeling amp, modeling pedal, and my tube amps. This is a great overdrive pedal to have.Doug
17. Boss Ge-7 Graphic Equalizer Pedal
Product Details:
The ge7 has 7 bands ranging from 100hz to 6.4khz, ideal for guitar sounds, with boost/cut of +/- 15db per band. this lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect. h3about boss pedals/h3the history of boss reads like the history of guitar effects. from their legendary ce-1 chorus pedal (the big gray box that started it all) to the world's favorite line of compact pedals, they've been responsible for more guitar innovations than just about anyone else. boss's compact pedal line-up began in 1977 with the classic od-1 overdrive. its warm, smooth overdrive sounds and breakthrough boss pedal features (heavy-duty construction, rubber pads on top and bottom, recessed control knobs, silent switching, a built-in led, and easy battery replacement) immediately set it apart from other stomp boxes on the market. it established the masterful design for all other boss effects pedals since. throughout the years, boss has continued to define the cutting edge of guitar effects. double-layer circuit boards allowed pedals like the dd-5 digital delay to deliver studio-quality effects comparable to rackmount units. they recently brought bassists and guitarists the first bass synthesizer in a compact pedal, the syb-3. on their 20th anniversary they proudly introduced the od-3 overdrive, a pedal that takes the smooth, dynamic overdriven tones of the legendary od-1 to a different level. like all boss products, it is a level of sound quality and durability that is unrivaled.
Specifications:
| Frequency Range | 100 Hz – 6.4 kHz |
| Power Supply | 9 V |
| Input Impedance | 1 M ohms |
| Nominal Input Level | -20 dBu |
| Current | 1000 mA |
Reviews:
They have gotten expensive over the years (along with everything else) but it's history and reputation speaks for itself. I've had various Boss pedals over the course of 30 years and I have never, ever, not once had one that failed or malfunctioned. I wanted a cheaper alternative but what made me commit to this pedal, once again, was it's true bypass/buffer capabilities. I'm using this one differently than I've customarily have used them in the past. This is to be used in a pedalboard dedicated to an electrified Kalimba (pictured below). I'll be wiring it up soon. The Boss is the ONLY new pedal that will be on that board. All that are there now I've had sitting for years and decided to put them to use.Christopher
Perhaps EQ is not the most exciting of pedals compared to other effects, but this really does make an enormous difference to your sound and help you get the best from the rest of your gear. Boost the mids to stand out from bass. Scoop the mids and boost bass/treble to sound like Metallica. Use the independent Level control as an overall volume boost (or limit – but who wants that?!) Extremely easy to set up and configure, in Boss's usual bullet-proof format. Highly recommended.Steve M.
Brilliant on-the-spot tone-shaping tool. Opens up virtually infinite sound possibilities, very handy when stacking overdrives with some or a lot of overlap in their tonal voicings. Also great for approximating the tones of completely different styles of pickups. Small adjustments tend to work best, a subtle nudge of the slider in the problematic frequency band is often all you need. Equally, you can throw that out and morph the tonal profile to something incredibly different. After my tuner it's hands-down the most indispensable pedal on my board. Allows me to shape the one tone control on the Pro Junior IV into even more harmonic/percussive/airy/creamy/bell-like territory. Been guitaring more or less 20 years now and i could probably count on one hand the amount of reviews I've been compelled to write, if that's an indicator of how game-changing the GE-7 has been to the fundamental way in which i dial in a tone.Mark
18. Radial Mix-Blender Dual Instrument Buffer Mixer And Fx Loop Interface
Product Details:
The radial tonebone mix-blender is a multi-function pedal that lets you mix two instruments or effects together and then send the combined signal through a mixer-style effects loop for processing.designed to work with guitar, bass and keyboards, the mix-blender begins with two high-performance class-a buffers for maximum fidelity. these lower the impedance to drive the signal further without noise. individual volume controls on each channel let you mix the two inputs to suit and can be used to blend two pickups on an acoustic guitar, combine two pedals in parallel such as a chorus and a distortion, or to have two different instruments 'live' on stage each set with the same output for quick changeovers.the signal can then be routed to a true 'mixer-style' effects loop and activated using the on-board footswitch. this features a wet-dry blend control that lets you mix-in effects pedals with precise control to add slight enhancements or extreme coloration to the signal chain. in other words, the mix-blender lets you retain the original sound of the instrument and add in as much of the effect as you like. think of adding a touch of overdrive to a bass guitar without losing the bottom end. how about mixing in some distortion to your acoustic guitar to give it more shimmer? how about adding a chorus or phase shifter to your hammond synth patch? the mix-blender is a unique tool that is designed to bring new tonal textures to your world and enhance your creative inner spark.
Specifications:
| Indicator Type | LED |
| Number of Toggle Switches | 3 |
| Voltage | 9V |
| Detailing | Logo |
| Recommended Age Group | Adult |
Reviews:
Very easy to remove mixer cup, put your ingredients in. Mixes great and quick. Then remove mixer cup, put a lid on it and go. Quick, easy and with the extra mixer cups I always have one ready to go when on the move. Just as it is described. Great buy vs those high priced competitors that have the same blade. Some may claim to have lots of power but you get to the point where a bigger watt mixer doesn't give any different result and it fits perfect on the counter next to my protein and muscle mass products so in less than 3 minutes I have my homemade nutrition drink ready to go and perfectly mixed.sportsworldlegends
This is my 2nd magic bullet. I recently bought a big juice maker to make my green juices to get a better nutrition to fight my thyroid cancer. But I ended up returning it to the store, because its to complicated to clean it and there is a lot of wasted material. With my magic Bullet Im able to make my juice on the spot, drink it from the cup, and is so simple to clean it. But the best part I dont waste any of the materials when I make the juice. Im a very happy customer.amazingraphics
My husband has never used one before and was mixing his shakes by hand so I bought him one. He loves it. He even purchased a bunch of smoothie ingredients today to try his hand at that. Also, the delivery person threw the box over our fence, crushing the box, but leaving no damage to the bullet inside. I'd say that classifies as sturdy. And, of course, it still works. Great purchase. Great price, too.catrinaajp1
19. Tone City Tape Machine Delay Pedal
Product Details:
Tone citytc-t4tape machine analog delay (mad professor deep blue style) delaythe tone city tape machine analog delay features some of the warmest and nicest analog delay tones i've heard in a while. not only is this pedal completely noiseless in your signal it's perfect for a range of sounds from rockabilly, blues, country, rock, and beyond. there are three pots that control the drive, volume, and tone as well as a "fat/thick" switch which instantly adds more or less body to the sound. all tone city pedals are true bypass and require a 9v dc center minus power supply for operation as there's no battery slot.
Specifications:
| Analogico | No |
| Delay Time | 25 – 600 ms |
| tap feature | No |
| Battery Operation | No |
| PSU included | No |
Reviews:
I have 37 years of Music/guitar playing experience and I am blown away by this delay. Ive have many high dollar delays but this little green box by tone city is rock solid. Literally its heavy and well built. Its amazing how well this lil green box sounds. For its tiny size it packs in a lot of gr8 sound. Tone city hit it out of the park with this one. Ill have to try more if their pedals.whateve24
20. Line 6 Hx Stomp Guitar Multi-Effects Floor Processor Pedal
Product Details:
Sparingly used in a smoke-free home studio. never gigged or mounted to a pedalboard. no modifications. includes all original accessories, documentation, and packaging. the latest software updates and factory presets are installed. "just like new" product, mint condition. the brains and brawn* of the award-winning helix family comes to a board-friendly 3-switch stomp in the line 6 hx stomp. the hx stomp makes the ultimate standalone travel rig, a fully loaded modeling and fx engine to front-load an amp, and a capable audio interface with re-amping capabilities. choose up to eight blocks amps, cabs, and stomps per preset, and assign switches to suit your particular needs. the hx stomp is equipped for real-world gigging applications with 126 user presets for guitars, bass, and keys; and tons of i/o, which include trs balanced outs, traditional midi switching, an fx return for 4-cable amp integration, and a 2-channel expansion jack for expression pedals or additional external switches.
Specifications:
| Product Type | Floor processor pedal |
| Height | 2.6" |
| Width | 7.01" |
| Depth | 4.96" |
| Weight | 1.75 lbs |
Reviews:
For someone who has recently started learning guitar and not in a position to own a classic or boutique tube amp yet, HX Stomp has transformed my learning experience. While not a cheap pedal to buy its much cheaper that its direct competition but with equal sound quality and flexibility. Its also much cheaper than buying a proper tube amp. Being a new player, it allows me to explore all manner of different amps to find a sound I like so when I eventually do buy a tube amp I’ll know exactly what I like. The size of the unit is just perfect for fitting onto a pedalboard and sounds amazing along with my existing pedals before it in the chain or in the Stomps FX Loop. Matching the tones of the songs I’m leaning is both fun and just amazing how close I can get in a few simple steps. It also lets me experiences how different the guitar feels to play through different style amps. With just simple fretting techniques I’m sounding like I’m an 80’s rock star which is something my small practice amp couldn’t even begin to reproduce. The sound quality and variety of tones available from sweet and clean to pure filth is a complete joy to use. My wife also loves it as she can no longer hear my daily practicing as now playing through headphones is so simple.GARETH W.
The HX Stomp is a ridiculous powerhouse of a pedal. I'm not a modeling expert or guru, but this thing is incredibly intuitive and fun to use. I've previously owned M9s and M5s and this picks up where those left off. If you're a fan of multi effect pedals, and interested in amp modeling look no further. You have to be strategic with what combinations you want since the DSP isn't unlimited, but I don't find that to be too much of a nuisance. Since you can run your analog pedals into it, efx loop or not, you have so many tonal options. I've purchased an external footswitch to add buttons and a dedicated tap tempo which I'd recommend to add functionality and ease of use. Besides those additions and minor gripes I'd highly recommend this unit. *The PolyCapo effect is my favorite! I use it to emulate a baritone guitar without needing to own another guitar and that alone to me justifies the price.
This unit is amazing value for money, so many tones available through the choices of effects amps and cabs it is almost overwhelming! There is however an amazing online community of HX Stomp users who share a huge amount of expertise so it was very easy to get up and running with the pedal. Brilliant. Only thing you should be aware of is that sticking it on a pedalboard isn’t the easiest thing in the world, it’s quite highly powered and the connector is non standard so you would need an adaptor to run it on a pedalboard. But again a quick search online will provide all the information you need.Michael H.
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