Are you looking for the Most Expensive Guitar Amp? If so, you’ve come to the right place.
Choosing the Most Expensive Guitar Amp can be difficult as there are so many considerations, such as Music Man, Bogner, Marshall, Fender, Peavey, Trace Elliot, MESA/Boogie. We have done a lot of research to find the top 20 Most Expensive Guitar Amp available.
The average cost is $2508.68. Sold comparable range in price from a low of $649.99 to a high of $9999.99.
Based on the research we did, we think Fender Tone Master Super Reverb is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Most Expensive Guitar Amp (20 Sellers)
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Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Four jensen p-10r alnico speakers
- Normal and vibrato channels, each with two inputs and bright switches
- Rear-panel output power selector for full power and five attenuated settings
$3199.99
4.8
Reviewers Noted:
Good sound quality . Easy to use . Build quality . Powerful . Attractive
Features:
- Marshall jvm 410h js joe satriani signature.
- Very good conditions, just some little wears on the tolex.
- Functionally perfect, complete of original footswitch and cover(worn) and manual.
$749.00
4.8
Reviewers Noted:
Good sound quality . Quality build . Easy to use . Attractive . Powerful
Features:
- The first signature amp from mark tremonti
- Two channel (clean/lead) valve head
- 15/7w switchable power
$1049.99
4.6
Reviewers Noted:
Good sound quality . Quality build . Easy to use . Heavy . Powerful
Features:
- Gain and volume per channel
- Dedicated resonance control
- High and low power settings
Reviewers Noted:
Good sound quality . Heavy . Attractive . Quality build . Easy to use
Features:
- 15-watt all tube amp (including tube rectification) offers stellar tone for small stages and the studio.
- 1-10" jensen c-10r, 8 ohm, 40 watt speaker with ceramic magnet.
- Legendary long-spring fender reverb and tube vibrato.
$1183.01
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Four jensen p-10r alnico speakers
- Normal and vibrato channels, each with two inputs and bright switches
- Rear-panel output power selector for full power and five attenuated settings
$864.95
5.0
Features:
- 180w hybrid amplifier head with digital reverb
- Two notes dynir technology
- Effects loop
$1799.99$1709.99
Features:
- Included accessories: other(bags)….
$5728.00
Features:
- Three channels give you plenty of sonic possibilities
- Three voicings on each channel for even more tonal versatility
- Graphic eq provides you with a wide range of sound-shaping options
$2899.00
Features:
- Vintage 1970's vampower mk1b amplifier 100 watts, 220v – the vampower amp is one of the ultimate glam rock pieces of gear , with only 250 amps ever made, the…
$9999.99
Features:
- Marshall tube guitar amps head…
$649.99
4.0
Features:
- Power output: 20, 3 or 0.5 watts
- Tubes: el34, 12ax7 (3)
- Controls: presence, master ' treble, middle, bass, tilt ' gain
$3999.00
Features:
- Handwired d-style tube combo from vertex effects. do you have $100,000 burning a hole in your pocket? but if you want a d-style amplifier you can actually gig with, the…
$1258.00
Features:
- Valvetrain lexington reverb american made 6 watt amp with all tube spring reverb the lexington reverb boasts all tube spring reverb, point to point hand wiring and delivers a blistering…
$2089.99
Features:
- Used berkshire whitesmith 100 tube guitar amp head…
$1999.00
Features:
- Vintage 1979 mesa mark ii guitar combo amplifier the amp is in great shape for its age with only minor signs of use and light rusting on the edge caps….
$2299.99
Features:
- Up for sale, a brand new eddie wang instruments quantum zen 1×12 tube amp. hand-built in the usa, eddie wang amps feature point-to-point wiring, custom soursound transformers, jupiter capacitors, and…
$4443.73
Features:
- Here for sale 2013 prs bernie marsden owned paul's amp 50w stealth black/charcoal. this amplifier was owned and played by the white snake legend bernie marsden. presented to bernie by…
Features:
- 1-channel solid-state 1×10" guitar combo amplifier with reverb
- Selectable output power
- Cab simulation
$2599.99
Features:
- Very good condition
- 6l6 version
- Mix with a fender bassman & marshall bluesbreaker
1. Fender Tone Master Super Reverb
Product Details:
All the tonal magic of the legendary black panel super reverb at nearly half the weight! the tone master super reverb is the next addition to fender’s acclaimed series of legendary amplifiers. featuring fender’s proprietary tone master modeling process and combined with player-centric features to maximize the utility of these amps, the tone master super reverb is a perfect replication of the legendary tube amplifier with modern features for today’s most demanding professionals. the tone master super reverb is the magical combination of the mid-60s black panel amplifier circuit and four 10” speakers. it’s got the unique beefy sound of the large 4×10 cabinet, the chime of the jensen speakers, and an easily driven mid-powered 45w (simulated) amplifier. there’s no mistaking this sound when you plug into it, and now you can lift it easily and set the volume to the venue. with modern features including selectable output power and ir line out, the tone master super reverb is ideal for stage, studio, or home use.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Performance |
Power | 45 Watts |
Speaker Size | 10" |
Speaker Configuration | 4 x 10" |
Speaker | Jensen P-10R |
Number of Speakers | 4 |
Stereo | No |
HF Driver | No |
Channels | 4 |
Compressor | No |
EQ Bands | 3-band |
Effects | Reverb Only |
Effects Loop | No |
Direct Output | Yes |
USB | Yes |
Bluetooth | No |
Aux Input | No |
Headphone Output | Yes |
Footswitch Input | Yes |
Footswitch Included | Yes |
Cover Included | Yes |
Display | No |
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
2. Marshall Jvm410hjs – Joe Satriani Guitar Amplifier Tube Head
Product Details:
The marshall jvm410h joe satriani edition 100w head is an addition to the marshall signature series. marshall's r&d engineers worked vefry closely with satriani to craft the jvm410hjs. after much experimentation and an assortment of trials that involved satriani using prototypes during recording and touring, they signed off on the final version and the jvm410hjs went into production. the most notable difference from the original jvm410 is that the reverb pots have been replaced with four nose gates, one for each channel, and each with their own threshold. a mid shift button has been added and can be used with both the od1 and od2 channels. the clean channel is based on the 6100 when on the green mode, with the orange and red modes being hotter variations. the crunch channel takes the original jvm410 crunch and adds some of the popular marshall "afd" circuit to it. the od channels are voiced identically, based on the jvm410 od1 but with the gain scaled back slightly and a smoother transition between modes. the mid shift button determines the difference in mid character between the original jvm410 od1 and od2 tone, moving the mids from around 650khz (mid shift off) to around 500khz (mid shift on). the jvm410hjs is powered by el34 tubes and has two master volumes, the supplied footswitch allows you to switch between channels, modes, master volumes, fx loop and now the noise gates and mid shift as well. there is also a full midi implementation.
Specifications:
Finish | Black |
Year | 2013 – 2018 |
Made In | United Kingdom |
Electronics | Tube |
Reverb | Digital Reverb |
Reviews:
Extremely versatile amp. I play a lot of electric blues but I grew up on hard rock/metal. Today I also play a little bluegrass, country, classical, pop and whatever suits my mood at the time. But at the end of the day, I usually revert to a heavier sound. Now the Marshall has a nice clean sound, although not as clean as my old Fender Pro Reverb. You can't have everything. Where this amp really shines is in its ability to generate anything from mild overdrive to extreme high gain. With this amp I can get high gain harmonics that I could not get from other amps, even with heavy gain effects. The only negative really is that the amp is quite physically heavy.Fuzzy
Firstly, I am in a bar/party cover band of older (>30 years to nearly 60) musicians with day jobs. We are not all Recent Hits, but do mostly songs people have heard of in all years from mid 60s to this year. The flexibility of this head is its big feature for someone like me. This is not a prescriptive review — this is just how I use it. Some of the skeptics have wondered why you would need 4 channels with 3 tones each. They have a good point, but not one that applies to a cover band. If I had to have one amplifier, it would have to produce the tones that this amp can do on channel 2 (crunch) green and orange, and channel 3 (OD1) green and orange. Crunch orange and OD1 green are quite similar and are the tones of the classic plexis and old Marshalls. Crunch green is what you would want for "clean" tone with a Marshall level of compression and just a little breakup for an electric guitar. OD1 at orange is what you would do for distorted classic rock — adding an overdrive in front of a plexi or a very saturated pickup, for example. For every song I really like, and everything I would do if I wasn't doing covers, those two channels at those two colors would cover it. For gigs, I can set channel 1 (clean) and Channel 4 (OD2) to be more extreme. The clean channel is actually what i use to be my acoustic guitar and occasionally as my hollow body electric emulating an acoustic. It is not perfect, nor is as good as having a specialized acoustic amp or clean tone jazz amp. However, it is good enough, and it simplifies the signal path to not have separate amps, and there is enough separate EQ to make it work. Channel 4 can be used for dirtier, more distorted stuff, and the weird thing is that now I use it entirely for country. My band doesn't do any metal, and the heaviest guitar sounds we do are the likes of Carrie Underwood. Getting the hiss to go away is not that big of a deal — put an MXR Smart Gate or any other gate I've tried into the _serial_loop_ and twist the knobs — it will take care of the problem. The JS head might be better and I haven't tried it. I do appreciate that you can't use the OD channels on this without a noise gate, but it isn't a big dial to fix. The reverb is good but nothing special. Reading this review before submitting, I realize that the oddest thing is that I personally have no use for any of the red versions of the four channels. That is probably a classic rock attitude — this thing has a lot more metal tone than I will ever use, so you should use other reviews if you want that.Iceandsnow
This is just and amazing head… I can't complement it enough. I wanted so many of the iconic Marshall tones but couldn't afford to go out and buy a JCM 800, 900, Plexi…etc. This head truly does a great job of getting all the tones your looking for. It does take a little dialing in with all the different modes in each channel to find what they all do… but once you have it kind of figured out its a tone machine. the included foot switch is a pleasant surprise also. It's programmable and works like a charm with just a normal guitar cable. I have also used the midi switching capabilities and they are also wonderful, though not as easy to use as the foot switch. If you are a gigging musician or just want a lot of options…..get one of these!Tony
3. Prs Mark Tremonti Mt 15 Head
Product Details:
Prs mt15 tremonti headthe mt 15 is a commanding two channel amp with balanced aggression and articulation. powered by 6l6tubes, the mt 15 has a large, bold sound, so you can dig in heavy with rhythms but also get singinglead tones out of one amp. whether recording, practicing, writing, or playing a small room, this amp has everything you need. the mt15s design started with heavier players in mind, but in the end, it has a lot to offer players of all genres. like the prs archon amplifier, the mt 15 features five gain stages before the master for full, lush distortion. the gain channel gets big, chunky tone with massive, tight low end, but it never loses its articulate note definition or great lead tone. theclean channel is bright and chimey, good with chords and fingerstyle playing whether with a pic or not. the clean channel also features a push/pull boost control that adds a little overdrive for old school crunch. no matter what tone you dial in, the mt 15 stays balanced across the spectrum with a sweet, smooth tone that won't bite your head off. additional features include an effects loop andbias adjusters that are accessible from the back panel for ease of servicing. despite its 15 watts,the mt 15 sounds more like 50, so a half power switch that takes the mt to 7 watts is a welcome addition. bottom line, the amount of features, the hugeness of the sound, and the raw horsepower of thecircuit make the mt 15 an impressive lunchbox hero.
Specifications:
Amplifier Type | Tube Guitar Amplifier |
Tubes | 6 x JJ EC83S preamp tubes, 2 x 6L6 power tubes |
Power | 15 Watts |
Impedance | 8 or 16 ohms |
Stereo | No |
HF Driver | No |
Channels | 2 |
Compressor | No |
EQ Bands | 3-band |
Effects | No |
Effects Loop | Yes |
Direct Output | No |
USB | No |
Bluetooth | No |
Aux Input | No |
Headphone Output | No |
Footswitch Input | Yes |
Footswitch Included | Yes |
Cover Included | No |
Display | No |
Power Supply | Internal |
Length | 14" |
Reviews:
I picked this up to use predominantly as a low wattage gigging head. I've since found myself using it for almost everything. PRS doesn't load a bunch of features into this amp. It is simply a guitar amp which is why it's as good as it is. This is a two channel footswitchable (included) amp. It has no effects or reverb. The clean channel is one of the best and most usable clean channels I have played on. It has its on eq and a treble boost. It would probably make a great pedal platform but I prefer to use it simply as a clean. The dirty channel can deliver anything you ask it to from classic 70's to modern metal. It has more gain available than anyone probably needs. If you know how to use the volume knob on your guitar you will find this amp to be very responsive. I keep the gain at about 10 o'clock and dual in what I need with the volume knob on my guitar. Both channels play extremely well with pedals. I've had the best results using the effects loop for time based and modulation type effects. Frequency and drive work great through the front end. I waited to review this until I got some rehearsals and gigs under its wings. This thing is built like a tank and travels quite well. For rehearsals I run it through a 4/12 with equipped with Celestion 70/80s. It's more than loud enough to get over a live drummer. It sounds louder than a 50 watt head I was using for rehearsals. Live I run it through a 2/12 and mic the cabinet with a 57. It sounds great and is very consistent. It's convenient size, durability, and overall sound have resulted in it becoming the first head I reach for in almost every situation now. This is a really great practical amp for any performing guitarist.Michael
Not a bedroom playing amp. Crazy loud! Huge gain! Sounds like a beast. More like 50 watts. At low levels it's sounds poor. But turned up it can't be played in a bedroom. Had the cops called twice on me and I live in a house with decent amount of space between the homes. Best metal amp out.Todd
Sound: This is the best amp I’ve played for most styles. Features: I’d like reverb but does it have to have it? Nope. Ease of Use: It started off with a great sound! Quality: Amazing quality! Value: Worth every penny Manufacturer Support: Never needed them The Wow Factor: The blue and red Led lights were an awesome touch! Overall: This is an amazing amp. To put it through its paces I used a tiny micro terror and a Mesa Boogie 2×12 cabinet. Using a Richie Kotzen tele and an EMG-loaded Les Paul Custom, I tried many different styles.I started off with the eq at noon and at half-power. The first thing was that this amp throws a lot of low-end. But it is not unusable in any way. It is just full. The only way to really experience this is by playing is I guess.The boost also worked amazingly. I do wish that is is footswitch-controlled because it throws a lot more gain.Then there is the lead channel. After experiencing the clean volume, I started with volume off and gradually brought it in. The highest I could get it without causing pain was 9:00. This amp is loud as hell! The lead sounded every bit as good as my Mesa Tremoverb and Road King , so I wasn’t missing anything in the gain department. Reverb would have been great, but I have pedals I guess.At the end of the day, this is the happiest I’ve ever been with an amplifier. I look forward to years of incredible sounds in a small package. Remember, this was not full power!Jon
4. Marshall Dsl40cr Tube Guitar Combo With Reverb
Product Details:
The awesome workhorse marshall dsl combo is back, with modern features. the updated marshall dsl series has arrived. these dsl amps are laden with marshall tone, features and functionality for the novice, as well as pros performing on the world’s biggest stages. the dsl series includes the following new features: adjustable power output. these dsl models feature adjustable power settings, which delivers all-valve tone and feel, at any volume, from bedroom to stage. the new technology adjusts power to the valves, instead of just turning off valve stages, allowing the amp to remain articulate and dynamic. eq refinements some innovative tweaks to the eq circuitry have given the new dsls even greater tonal flexibility. the eq section of the new dsls can deliver exactly what your ears are looking for.
Specifications:
Amplifier Type | Tube Guitar Amplifier |
Tubes | 2 x ECC83 preamp tubes, 1 x ECC82 power tube |
Application | Practice |
Power | 1 Watt |
Speaker Size | 8" |
Number of Speakers | 1 |
Stereo | No |
HF Driver | No |
Channels | 2 |
Compressor | No |
Effects | Reverb Only |
Effects Loop | Yes |
Direct Output | No |
USB | No |
Bluetooth | No |
Aux Input | Yes |
Headphone Output | No |
Footswitch Input | Yes |
Footswitch Included | Yes |
Cover Included | No |
Display | No |
Power Supply | Internal |
Reviews:
Overall: This amplifier absolutely rocks! With so many options you can dial in any sound that you want, from crystal clear clean to roaring rhythms and screaming leads. As everyone has already said, the reverb is almost nonexistent. However, the amp, tubes and build are rock solid. BUT… if you really want to blow your mind, swap out the speaker with one that fits your style. My style is classic hard rock so after much research I swapped out the 70 watt Celestion V-Type speaker that it comes with for a 150 watt Eminence Swamp Thang and I swear that it sounds as loud and ballsy as my full-on DSL100 full stack with 1960 cabs. The difference is mind boggling. No fizz, no speaker distortion at all. Just a loud, clear representation of my sound. Obviously the Swamp Thang might not be your speaker of choice but do your research and this will be the only amp you will ever need again!Scott
Sound: With good tubes properly biased, yes. Features: One feature that I absolutely detest is the effects loop button. When it is activated the front of the amp ceases to operate and when deactivated, the front works but the effects loop deactivated. There's no reason for this feature to exist. Substantially limits what the user is able to do. Bad decision in the design. Ease of Use: Just need to fix the owners manual to include specifically how to bias the tubes. Value: At the time I bought it, it was around $800. So at that time, yes. Overall: It took me a while for this amp to grow on me as it sounded like crap out of the box. I replaced the stock speaker with a Celestion V30 and replaced the stock tubes with Ruby EL34STR and a 5751 in the PI as is my typical configuration. Still couldn't get an acceptable tone was fuzzy and grindy. Years later, I learned that you can self bias the amp. After reading forums, there is little info on how to bias the amp and nothing in the manual. I discovered the bias was at 31mv so I turned both to 40mv and HOLY SMOKES this was the tone I've been seeking all these years. Eureka, I found it and it's incredible now. Completely unacceptable that Marshall included zero information in the manual regarding this, which is a pretty important feature. Moreover, it's important that I explain how to bias this. When you place the multimeter leads in the ground and point, one point will give a reading and the other red test point will read zero, always. YOU WILL NOT BE USING THIS TEST POUNT AT ALL. Go back to the one that gives the reading and keep it in that test point and adjust the pot to 40mv. Then, keeping the multimeter lead in the same pot, turn the other bias adjust til they both read 40mv. Next onto the effects loop, there is a button to turn the effects loop on and off as you can not use both simultaneously like in other amps. What good is this feature? Worthless and is an absolute thorn in my side as I would like to use the midi to switch between both which is why I bought it, but can't. Now, the amp does sound good now that it's properly biased as well as replacing the stock speaker, but I lost years of good tone due to the lack of instruction in the instruction manual.Jonathan
Overall: This thing is awesome if you like that Marshall tone this amp is for you, it's really a 4 channel amp if you get the six way Marshall foot switch, if I had to nit pick this amp would be the reverb, don't get me wrong it sounds great and is useable for 90% of what you would need it for, but if your wanting that Gilmour type reverb you'll need to add a reverb pedal in the chain. Where this amp really shines and I discovered this on accident I was messing around with the effects loops and added an EP booster which I would normally run on the front in, and just WOW…adding the EP booster to the loop really opened it up, tamed some of the compression and evened out the gain while improving the tone, sounds more like a JCM800 at this point, I'm super impressed with this little amp and I have some really nice amps in my collection. Let me say I would totally gig with this amp without question. This fact that Marshall made it easy to change and bias tubes is a huge thumbs up as well. Other manufactures please take noteRick
5. Fender '65 Princeton Reverb 15-Watt 1×10-Inch Guitar Combo Amp
Product Details:
The original was a historically significant amp used on countless hits over the years, and the reissue ’65 princeton reverb is easily versatile enough to go from the living room to the recording studio to the small gig. it has the vintage vibe that fender die-hards know and love, but the ’65 princeton reverb isn’t only for those who played them 30 or 40 years ago – it’s for anybody who demands top-notch tube tone, naturally dynamic clean and overdriven tones, and unmistakable long-spring fender reverb and tube vibrato.
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
6. Fender – Tone Master Super Reverb
Product Details:
The tone master super reverb is the next addition to fender’s acclaimed series of legendary amplifiers. featuring fender’s proprietary tone master modeling process and combined with player-centric features to maximize the utility of these amps, the tone master super reverb is a perfect replication of the legendary tube amplifier with modern features for today’s most demanding professionals. the tone master super reverb is the magical combination of the mid-60s black panel amplifier circuit and four 10” speakers. it’s got the unique beefy sound of the large 4×10 cabinet, the chime of the jensen speakers, and an easily driven mid-powered 45w(simulated) amplifier. there’s no mistaking this sound when you plug into it, and now you can lift it easily and set the volume to the venue. with modern features including selectable output power and ir line out, the tone master super reverb is ideal for stage, studio, or home use.
Specifications:
Amp Type | Digital |
Inputs | Two- (1/4", Normal and Vibrato) |
Cabinet Material | Lightweight Solid Pine |
Speakers | Four – 10" Jensen P-10R with Alnico Magnet |
Total Impedance | 2 Ohms |
Wattage | Simulates 45W Tube Amp Performance into 2 Ohms |
Footswitch | 2-Button Footswitch Included |
Reverb Tank | DSP |
Dimensions | 267mm x 629mm x 638mm |
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
7. Victory V4 The Sheriff Guitar Amp
Product Details:
This is the victory v4 the sheriff guitar amp! this is a pedal-based amplifier that combines an all-valve preamp with a 180-watt power section and onboard two notes dynir technology to give you pure tube amp tone in a device that fits on your pedalboard! with two channels the v4 sheriff amp can go from 60’s blues through to hot-rodded hair metal tones. gain 1 has less gain and can be used for edge of breakup sounds through to classic rock. gain 2 is full-on modded ‘plexi’ high gain sounds. two notes audio engineering torpedo-embedded dynir virtual cabinet technology is onboard the jack. the cab sim xlr makes is super easy to take you victory virtual cabinets anywhere. the presets have been created by jack gardiner for the jack.the v4 amps have some interesting valves in them, to be specific 3 cv4014’s and 1 ec900. the cv4014’s were made in 1981 in the mullard factory in england and then stored in a climate-controlled atmosphere deep underground,the depot was part of a cold-war nuclear bunker! they lay there until victory decided to design some products from them!
Specifications:
Preamp Valves | 1x EC900, 3x CV4014 |
Power Output | 180W @ 4 ohms (approx 90W @ 8 ohms, 45W @ 16 ohms) |
Power Requirements | Mains IEC |
Reviews:
8. Jackson Ampworks Britain 4 Head And Cab Set Tube Guitar Combo Amp
Specifications:
Included accessories | Other(BAGS). |
9. Mesa/boogie Mark Five 1×12" 90-Watt Tube Combo Amp – Private Reserve Quilted Maple
Product Details:
Packed with classic mesa/boogie tones and sporting a stunning private reserve quilted maple finish, this mark v combo guitar amplifier will take you on a sonic journey through the company's illustrious history with some new capabilities thrown in. whether you're craving the sound of the mark i's high-gain cascading preamp or the fat, wide tone of the mark iv, the mark v delivers. the mark v lets you dial up anything from tweed-like tones to british crunch to the highly coveted trademark boogie overdrive. featuring a 5-band eq, multi-watt and simul-class power, and three channels of sonic mayhem, the mesa/boogie mark v combo guitar amplifier will give you all of the clarity, crispness, and punch that you can handle! mesa/boogie mark v combo guitar amplifier at a glance: three channels give you plenty of sonic possibilities. three voicings on each channel for even more tonal versatility. graphic eq provides you with a wide range of sound-shaping options. multi-watt and simul-class power let you control your amp's personality. three channels give you plenty of sonic possibilities – this mesa/boogie mark v combo guitar amplifier provides you with three channels of sonic possibilities. channel one gives you a range of clean tones that blend vintage tube characteristics with a shimmery high end, resulting in a crystal-clear, boutique-like tone. channel three gives you the iconic high-gain sound that became associated with players like john petrucci, james hetfield, and kirk hammett in the 1980s. – three voicings on each channel for even more tonal versatility – in addition to this mesa/boogie mark v combo guitar amplifier's three channels, you also get three distinct voicings for each channel that are controlled by a simple mini-toggle switch. in some cases, these voicings are related by style and give you important musical differences within a gain structure and sonic theme. in other cases, both gain and eq are radically altered to achieve drastically different sounds. make no mistake – you'll spend hours upon hours experimenting with different gain and tone control treatments while sifting through the mark v's voicings, recreating some recognizable tones from mesa/boogie's past (and inventing some new ones of your own). graphic eq provides you with a wide range of sound-shaping options – while this mesa/boogie mark v combo guitar amplifier gives you standard tone controls, you also get a 5-band graphic eq for even more sound-shaping. by using the mark v's graphic eq in conjunction with a high-gain sound, you'll be able to perfectly replicate the classic v curve that became a staple of heavy metal guitar tone in the 1980s. each channel is fitted with a mini-toggle to turn the graphic eq on or off. you can even make the eq footswitchable! multi-watt and simul-class power let you control your amp's personality – this mesa/boogie mark v combo guitar amplifier lets you alter the amount (wattage) and type (configuration) of power each individual channel will be coupled with, giving you unprecedented control over the character and personality of your amp. lowering the wattage of this mark v decreases its headroom, making it easier to push it into overdrive. this mark v is also wired so that it is capable of operating in both a class a triode configuration and/or a class a/b pentode configuration, depending on which wattage you select. you can use two power tubes to operate this mark v in class a mode at 10 watts, emphasizing even-order harmonics for a sweet tone with a soft, rich purring quality, or you can use two tubes running in a/b mode at 45 watts, emphasizing odd-order harmonics for a harsher sound. the best part, however, is that you can use four tubes running in both class a and class a/b modes simultaneously at 90 watts, giving you the best of both worlds! mesa/boogie mark v guitar amp head features: 3 channels give you plenty of sonic possibilities. 3 voicings on each channel for even more tonal versatility. graphic eq provides you with a wide range of sound-shaping options. multi-watt power gives you variable wattage control. simul-class power lets you alter the amp's power configuration. true hard-bypass switch removes fx loops, output level, and solo level controls from the signal path. this mesa/boogie mark v guitar amp head: an all-tube amplifier with a stellar legacy and serious tone! guitar amps – guitar combo amps
10. Vintage Vampower Mk1b 100 Watt Guitar Amplifier Head – 1970's & Rare!
Product Details:
Vintage 1970's vampower mk1b amplifier 100 watts, 220v – the vampower amp is one of the ultimate glam rock pieces of gear , with only 250 amps ever made, the vamp has achieved legendary status. the vamp is a great sounding classic brit rock amp. this is the kind of amp every collector dreams of owning. transformers: original c-core voltage selector: wired for uk mains for international shipping please contact us! (located in our studio city shop)
11. Used Marshall Super100jh Full Stack Tube Guitar Amps
12. Marshall Origin 20 Head Limited Edition Cream
Product Details:
Express your personality with the marshall limited-edition origin20h 20w head. the origin20h provides a classic all-valve, rich and harmonic tone with sleek styling and modern features that make it ideal for playing in a variety of environments, from the bedroom to the rehearsal studio and small venues. the origin20h head also features a 2-way footswitch to control the gain boost feature and to turn the fx loop on and off.
Specifications:
Reviews:
Sono ancora in fase di studio, ma il suono è uno spettacolo! Poi la colorazione direi che lo rende speciale.
13. Vertex Doctor's Special Rx Custom Clean 50-Watt 1×12" Guitar Combo
Product Details:
Handwired d-style tube combo from vertex effects. do you have $100,000 burning a hole in your pocket? but if you want a d-style amplifier you can actually gig with, the vertex effects doctor's special is destined to be your pride and joy. loaded with a 12-inch celestion heritage g12-65 speaker, this handwired 50-watt combo yields a surplus of singing steel-string tone, and it's one of the most pedal-friendly, all-tube guitar amplifiers you'll find. the doctor's special includes a flexible 3-band eq and presence-enhancing accent control for dialing in your sound, and its 3-spring reverb tank produces an immersive, ear-grabbing sound that's guaranteed to elicit your most inspired playing ever. the vertex doctor's special also boasts a solid, finger-jointed pine cabinet covered with durable black tolex, plus a head-turning diamond grille cloth.50 watts of tube-fueled goodness. the doctor's special is a tube combo amplifier loaded with four 12ax7a preamp tubes, one 12at7 preamp tube, and two 6l6gc power tubes. its compressed character and dynamic response are second to none. plus, it emits a sound akin to clean feedback, ensuring near-endless sustain without added harmonic saturation. got stompboxes? then you'll love the doctor's special. like the legendary tube amp that inspired it, this combo guitar amplifier makes a superb pedal platform.laden with hands-on tone-shaping controls. while the vertex doctor's special is primarily a clean amplifier, there's nothing sterile about it. from glassy mayer-isms to deep-fried texas blues, this tonally malleable combo amp is chock-full of gratifying ear candy. you can sculpt your tone to ear-grabbing perfection with the amp's 3-band eq. the accent knob dials in your presence with subtle harmonic-laden saturation. finally, a 3-spring reverb tank unleashes titanic waves of lush, spine-tingling ambience.vertex effects doctor's special tube combo amplifier features:. d-style tube combo amplifier with 12-inch celestion heritage g12-65 speaker. delivers the singing, steel-string sound of a top-dollar boutique guitar amp. produces everything from glassy mayer-isms to deep-fried texas blues. 3-band eq sculpts your tone to ear-grabbing perfection. accent knob dials in your presence with subtle harmonic-laden saturation. 3-spring reverb tank unleashes titanic waves of lush, spine-tingling ambience. clean, high-fidelity character makes for an excellent pedal platform. solid, finger-jointed pine cabinet covered with durable black tolex. head-turning diamond grille cloth.
Specifications:
14. Valvetrain Amplifiers Lexington Head And 1×12 Cab
Product Details:
Valvetrain lexington reverb american made 6 watt amp with all tube spring reverb the lexington reverb boasts all tube spring reverb, point to point hand wiring and delivers a blistering 6 watts rms through an eminence ramrod 10" speaker. additional features include a high/low power switch to bring the output down to 1.5 watts and a raw switch that increases gain and high frequency response. inspired by the simplicity of the tweed amp designs of the late 1950’s, the amp features a 12ax7 dual-triode preamp tube driving the signal through an all tube spring reverb circuit and into a 6v6 power tube. the controls are volume and tone and reverb. the lexington reverb delivers a varied tonal spectrum from shimmering cleans through vintage crunch. a quick flick of the guitar volume knob controls the full range of the lexington reverb’s tweed inspired voicing. the reverb provides a touch of ambiance to full out surf tones with its lush full sonic spectrum. add switchable power levels, the raw switch and the warmth and dimension of an all tube driven spring reverb circuit and the power level and you’ve got a great low wattage amp great for home, studio or small venues. put a microphone in front of it and the lexington reverb will fill the largest of venues. specs: head power 6 watts – class a switchable to 1.5 watts tubes 12ax7 dual-triode (preamp) 12ax7 dual-triode (reverb) 6v6 (power) rectifier solid state size 12x8x15 (lxdxh) – combo 15x8x9 (lxdxh) – head weight 22 lbs – combo 14 lbs – head speaker eminence ramrod 10" speaker jacks 1×4 ohm, 1×8 ohm features hand wired point to point eyelet board volume, tone and reverb controls raw switch high(6w)/low(1.5w) power switch cathode bias power amp vintage style chicken head knobs american made high grade aluminum chassis american made transformers american made cabinet black strap handle rubber fee
Specifications:
Weight | 35 lb |
15. Used Berkshire Whitesmith 100 Tube Guitar Amp Head
16. Mesa Mark Ii Vintage '79 Guitar Combo Amp X4047 (Used)
Product Details:
Vintage 1979 mesa mark ii guitar combo amplifier the amp is in great shape for its age with only minor signs of use and light rusting on the edge caps. in perfect working order. see pictures for full cosmetic details. serial: 4047weight: 51lbs a fantastic sounding classic. a punchy, dynamic amp with tons of volume and plenty of tone shaping options. the original footswitch is included! product specsbrandmesa boogiemodelmark ii 2-channel 60-watt 1×12" guitar combofinishvariousera1978 – 1980made inunited statescategoriesguitar combo ampselectronicstubereverbspring reverbspeaker configuration1x12"
17. Eddie Wang Instruments Quantum Zen Boutique Tube Amp 1×12, El84 W/
Product Details:
Up for sale, a brand new eddie wang instruments quantum zen 1×12 tube amp. hand-built in the usa, eddie wang amps feature point-to-point wiring, custom soursound transformers, jupiter capacitors, and finger-jointed pine cabinets. the quantum zen is a tonal collaboration between eddie wang and zen guitar trading. it's a completely new ground up design featuring an ef86 preamp tube in a unique configuration, allowing for extended bandwidth, sweeter harmonics, and a natural compression that makes notes sing out, all with exquisite clarity. a pair of el84 power tubes drives the power section, yet the voicing of this amp isn't strictly "british." the el84s are tuned for everything from "brit" to "american" tones, yet the quantum zen truly pushes beyond standard tonal characterization in this way. all eddie wang instruments amplifiers feature a wattage control that works by controlling the internal voltages where they need to be, and not where they shouldn't. the quantum zen can go from 15 watts all the way down to
18. Prs Paul's Amp 50-Watt Guitar Amp Head
Product Details:
Here for sale 2013 prs bernie marsden owned paul's amp 50w stealth black/charcoal. this amplifier was owned and played by the white snake legend bernie marsden. presented to bernie by paul reed smith himself was used on various recordings and on the road. the amp sounds great and has that classic rock tone. paul's amp is a great piece of kit on its own but this example sounds just amazing. you can get a monstrous amount of gain without any hiss! and it takes pedals very well. it's in very good condition and comes with a certificate.please note this is a 220-240v version but can work with 110v via step-up transformer (not included).
19. Fender Tone Master Princeton Reverb Guitar Combo Amp
Product Details:
The tone master princeton reverb is the latest addition to fender's acclaimed series of legendary amplifiers. using fender's proprietary tone master modeling process the tone master princeton is a perfect replication of the legendary tube amplifier. with player-centric features and modern conveniences it's sure to appeal to today's most demanding professionals. the tone master princeton reverb is versatile enough to go from the bedroom to the recording studio to the gig with the great sound and authentic vintage vibe that fender players know and love. it delivers classic fender tone, reverb and tremolo; and it's the perfect size for guitarists who want a moderately powered amplifier for any situation. additional rear-panel features deliver modern convenience and flexibility – including an output power selector for full power and five attenuated settings, balanced xlr line output with impulse response (ir) cabinet simulations captured with shure sm57 and royer r-121 microphones, mute switch for silent stage or recording use, usb port for firmware upgrades, and more.
Specifications:
CONTROL PANEL | Volume, Treble, Bass, Reverb, Speed, Intensity |
INPUTS | Two – (1/4", Input 2 operates at -6dB) |
CHANNELS | One |
EFFECTS | Reverb, Tremolo |
CONNECTIVITY | USB For Firmware Updates |
CONNECTION TYPE | 1/4" |
VOLTAGE | 120V |
WATTAGE | 12 Watts (Simulated) |
CONTROL KNOBS | Vintage-Style Skirted Black Plastic |
AMPLIFIER COVERING | Black Textured Vinyl |
CABINET MATERIAL | Lightweight Solid Pine |
GRILLE CLOTH | Silver-Strand |
HANDLE | Molded Plastic Strap with Nickel-Plated Caps |
AMPLIFIER JEWEL | Red (Power), Red/Amber (Warmup), Amber (Mute) |
FRONT PANEL | Black |
REVERB TANK | DSP |
REVERB TANK TYPE | DSP |
SPEAKERS | One – 10" Jensen C10R with Ceramic Magnet |
TOTAL IMPEDANCE | 8 ohms |
FOOTSWITCH | 2-Button Footswitch Included |
20. Friedman Buxom Betty 50w 1×12 Tube Guitar Combo Amp
Product Details:
Friedmans buxom betty open-back 1×12" combo brings together british and american tone in one great sounding package. the buxom betty is a 40w, 5881-powered, single-channel amp that delivers tones from classic american cleans all the way to vintage british crunch by merely turning up the amps volume knob. the lush 12ax7 tube-driven spring reverb tucks into your sound rather than overwhelming it. – extremely versatile, the buxom betty is capable of producing many styles of music from blues to rock and country, and is the perfect pedal platform. the buxom betty from friedman amplification delivers, in one channel, the best of both american and british tone! this handcrafted in the u.s.a. combo utilizes tongue and groove baltic birch construction and houses a 16 ohm, 12" celestion g12m creamback speaker that deliver the bass, mid response and signature sound you would expect from a friedman amplifier.powermaximum wattage: 26w50w; 40wtube or solid state: tube/valve – type: combo – number of preamp tubes: 3preamp tube type: 12ax7/ecc83number of power tubes: 2power tube type: 5881power attenuation: no – impedance: 4, 8, 16 ohmschannelsnumber of channels: 1footswitchable: not applicable – number of inputs: 2number of modes: 1speakers – speakers: 1×12"speaker brand: celestion – speaker model(s): g12m-65 creamback – cab power handling: 51w75wcab back panel: open-back – cab angle: straightcontrolschannel 1: three-band eq, plus volume – channel 2: not applicable – channel 3: not applicable – channel 4: not applicable – master volume: yes – mid-shift: no – resonance: no – presence: yes – bright: yes – contour: no – reverb: yes – voicing control: no – boost: no – other:midi control: no – footswitch included: noeffectseffects loop: no – footswitchable: not applicable – reverb: yes – tremolo: no – delay: no – echo: no – flanger: no – phaser: no – modulation: no – chorus: no – other:misc. features – external speaker output: yes – headphone output: no – direct output: no – aux input: no – usb connectivity: no – built-in tuner: no – mute: nodimensionswidth: 24.25"height: 22"depth: 9.5"weight: 52 lb. – country of origin: u.s.a.
Specifications:
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