Are you looking for the World’S Most Expensive Bass Guitar? If so, you’ve come to the right place.
Choosing the World’S Most Expensive Bass Guitar can be difficult as there are so many considerations, such as Fender, Ibanez, Yamaha, Line 6, Aria, Godin, B.C. Rich. We have done a lot of research to find the top 20 World’S Most Expensive Bass Guitar available.
The average cost is $2786.64. Sold comparable range in price from a low of $429.00 to a high of $5150.00.
Based on the research we did, we think Fender Custom Shop Pino Palladino Signature Precision Bass, Rosewood, Fiesta Red Over Desert Sand is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling World'S Most Expensive Bass Guitar (20 Sellers)
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$5150.00
4.8
Reviewers Noted:
Good sound quality . Ease of use . Visual appeal . Build quality . Craftsmanship
Features:
- Neck shape: "c" shape
- Scale length: 34" (864 mm)
- Fingerboard: rosewood
$2799.00
4.7
Reviewers Noted:
Attractive . Durability . Sound quality . Weight . Craftsmanship
Features:
- Ebony gloss nitrocellulose finish.
- Mahogany body.
- Mahogany neck.
$2799.99
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durable
Features:
- The limited-edition fender american ultra precision bass is an advanced instrument for discerning players who demand the ultimate in precision, performance and tone. the american ultra precision bass features a…
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durable
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibuya store in tokyo …
$979.99
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Lightweight
Features:
- .105- pickuptyp: 1x p-style + 1x j-style- pickup middle: fender player series alnico 5 split single-coil precision bass
- Pickup bridge: fender player series alnico 5 single-coil jazz bass
- Regler: 2x volume, 1x tone- hardware: black- besonderheit(en): limited edition- produktionsland: mexiko
Reviewers Noted:
Attractive . Durable . Good sound quality . Well made . Lightweight
Features:
- Ash body w/ road worn nitrocellulose lacquer
- Maple neck w/ 'thick c' profile
- Maple fingerboard w/ 9.5" radius
$429.00
4.4
Reviewers Noted:
Sound quality . Attractive . Lightweight . Durable . Well made
Features:
- Available in black frost blue, hot rod red, hot rod yellow, white, and yin yang gloss
- Patented doubleball bass bridge and 40:1 ratio direct-pull tuning
- Steinberger hb pickups
Reviewers Noted:
Visual appeal
Features:
- The ehb's headless construction and specially designed body enable the player to maintain a similar playing position whether seated or standing.
- There is extra carving on the back of the body behind the lower horn for easier upper fret access.
- The roasted maple in the neck is heat-treated to increase stability, durability, moisture resistance and tolerance of temperature changes.
$4400.00
4.8
Reviewers Noted:
Good sound quality . Ease of use . Visual appeal . Build quality . Craftsmanship
Features:
- Taking its headstock from the telecaster and later lending its shapely form to the stratocaster, the precision bass is undoubtedly one of leo fenders greatest innovations. the limited edition 1951…
$1299.99
4.8
Reviewers Noted:
Attractive . Sound quality . Well made . Durability . Weight
Features:
- Alder body
- Road worn nitrocellulose lacquer
- Maple "c" shape neck
$4400.00
5.0
Reviewers Noted:
Good sound quality . Ease of use . Visual appeal . Build quality . Craftsmanship
Features:
- 4-string bass guitars
- Super faded aged tahitian coral
$4450.00
4.8
Reviewers Noted:
Good sound quality . Ease of use . Visual appeal . Build quality . Craftsmanship
Features:
- 9 lbs, 1 oz.
- Nocaster blonde nos flash coat lacquer finish.
- Quartersawn 1951 u maple neck.
$4750.00
4.8
Reviewers Noted:
Good sound quality . Ease of use . Visual appeal . Build quality . Craftsmanship
Features:
- 4-string bass guitars
- Aged black over chocolate 3-color sunburst
$3149.99
5.0
Reviewers Noted:
Durable . Lightweight . Visual appeal . Sound quality . Craftsmanship
Features:
- Frets are about 70-80%.
- There is enough truss rod and it is normal.
- You can use electrical equipment without any problems.
$4200.00
4.8
Reviewers Noted:
Good sound quality . Ease of use . Visual appeal . Build quality . Craftsmanship
Features:
- Aged black.
- Time machine series.
- More about 1961 precision bass relic.
$1049.99
4.8
Reviewers Noted:
Sound quality . Visual appeal
Features:
- Pala a juego con logo dorado
- Cuerpo de aliso
- M stil de arce con forma c moderna
$874.95
4.8
Reviewers Noted:
Sound quality . Attractive . Well made
Features:
- Product information.
- Specifications.
- Bodybody wood swamp ashnecknumber of frets 24scale length 34\"neck wood 5-ply maple/walnut, neck-through…
$5150.00
4.8
Reviewers Noted:
Good sound quality . Ease of use . Visual appeal . Build quality . Craftsmanship
Features:
- This period saw the debut of the three-color sunburst finish, the strat-style headstock, the one-piece gold anodized aluminum pickguard, the split-coil pickup and the top-mount bridge (rather than through-body) with…
$4450.00
5.0
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durable
Features:
- Only a year after its debut, the jazz bass received a new control configuration in 1961 that featured a volume knob for each pickup and a master tone knoba classic…
Features:
- Panga panga fretboardpanga panga features a beautiful wood grain which produces a tight low and mid range, along with a sharp attack on high end.
- Medium stainless steel fretsthe stainless steel frets are durable and long-lasting.
- Poplar burl top / okoume / ash wing bodya stunning poplar burl top with an okoume/ash wing body provides bright and solid tones with rich sustain.
1. Fender Custom Shop Pino Palladino Signature Precision Bass, Rosewood, Fiesta Red Over Desert Sand
Product Details:
This precision comes equipped with a singular pickup, a vintage-style split single coil, which delivers a sweet and twangy tone, packed with a punch. with this beauty, you are able to perform a wide variety of genres and styles. its incredible tone has been paired with an impressive design. thanks to its select alder body, you are provided with a comfortable performance due to its soft, sleek, and lightweight nature. alongside the alder is quartersawn maple and rosewood, which have been used to sculpt the neck and fingerboard of this model. these offer added comfort thanks to their smooth feel and allow you to effortlessly glide. perfection in every detail. perform like an icon.
Specifications:
| Body Shape | Precision Bass |
| Body Finish | Nitrocellulose Lacquer |
| Neck Material | Quartersawn Maple |
| Neck Shape | "C" Shape |
| Scale Length | 34" (86.36 cm) |
| Fingerboard Radius | 7.25" (184.1 mm) |
| Number of Frets | 20 |
| Fret Size | Vintage Style |
| String Nut | Synthetic Bone |
| Nut Width | 1.75" (44.45 mm) |
| Neck Plate | 4-Bolt Serialized |
| Neck Finish | Gloss Nitrocellulose Lacquer |
| Fingerboard | Rosewood |
| Position Inlays | White Dot |
| Middle Pickup | Vintage-Style Split Single-Coil Precision Bass |
| Controls | Master Volume, Master Tone |
| Pickup Configuration | Split Single Coil |
| Bridge | 4-Saddle American Vintage Bass |
| Tuning Machines | American Vintage Reverse Open-Gear Bass |
| Orientation | Right-Hand |
| Hardware Finish | Nickel/Chrome |
| Pickguard | 4-Ply Tortoiseshell |
| Control Knobs | Knurled Flat-Top |
Reviews:
great warm fender cleans. reverb is excellent. gain channels suprisingly good. plenty of volume. well built. simple to use. dont use pedals anymore but i hear its a good platform. i got it to plug straight in and play. when your pressed for time and dont have hours a day to scree around with the levels this will give you great tone fast with no hassle dialing it in. great valuethe cheese
I purchased this amp after buying a les Paul , plugging into my Princeton chorus and not getting the sweet warmth I heard hours before. I no longer want or need pedals (although occassional delay) its 3 channels are plenty for warm blues or rock. Tone rich. And a bargain at the time, as I see it for @ $1000 now. Best bang for my buck.
Great Fender tube sound, spring reverb. Loud, bright clean tones, plenty of headroom. 2 adjustable levels of gain/distortion. 2 12in Celestion speakers. Pine cabinet like the old twins, lighter better sound. Takes pedals like delays power amp in/preamp out. The choice of lots of pros for good reason. Absolutely love this amp.Jon
2. Gibson Rex Brown Thunderbird Bass – Ebony
Product Details:
Gibson rex brown thunderbird, ebonymulti-instrumentalist rex brown is well-known for his work with legendary metal bands pantera, down, and kill devil hill, and his hard-rocking solo album, smoke on thisu2026 his new gibson rex brown signature thunderbird bass features a rexbucker t-bird pickups, and gold hardware with a hipshot bridge and tuners including a dropd xtender. a pair of powerful rexbucker t-bird pickups provide plenty of output and low-end punch. the master tone control is equipped with a push/pull switch that puts the pickups into passive mode when it is pulled out. rexu2019s signature is reproduced on the truss rod cover, and the back plate is embellished with a rex brown doodle. a modern series hard shell case is also included.
Specifications:
| Body Shape | Thunderbird |
| Finish | Gloss Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Scale Length | 34" / 863.6mm |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.5" / 38.1mm |
| End of Board Width | 2.32" / 58.928mm |
| Inlays | Acrylic Dot |
| Joint | Glued In, Set Neck |
| Headstock inlay | Gibson Logo in Gold Silkscreen |
| Hardware Finish | Gold |
| Tuner Plating | Gold |
| Bridge | Hipshot Bass Bridge |
| Tuning Machines | Hipshot Mini-Clover with Drop D Xtender |
| Pickguard | Gold |
| Truss Rod Cover | Black with Gold "Rex" Signature |
| Control Knobs | Gold Metal Knurled |
| Control Covers | Backplate Doodle by Rex Brown |
| Strap Buttons | 2 |
| Pickup Covers | RB Stamped Pickup Covers |
| Neck Pickup | Rexbucker Thunderbird |
| Bridge Pickup | Rexbucker Thunderbird |
| Output Jack | 1/4" |
Reviews:
Received my short scale t bird. Nice balance and great thunder bass sound. Hard to find short scale is great.sarasotagrady
Love this bass always wanted one, but just couldn't afford one . Found this one at a great price and with zero interest. It was really a no brainier. I have an old EBO bass , and it will be retired even though it's still a great bass. The only thing I'm doing is putting on a new set of flat wound strings.Robert
3. Fender American Ultra Precision Bass Ebony Fingerboard Limited-Edition Umbra Burst
Product Details:
The limited-edition fender american ultra precision bass is an advanced instrument for discerning players who demand the ultimate in precision, performance and tone. the american ultra precision bass features a unique modern d neck profile with ultra rolled fingerboard edges for hours of playing comfort, and the tapered neck heel allows easy access to the highest register. a speedy 10-14 compound-radius ebony fingerboard with 21 medium-jumbo frets provides effortless action, while the ultra noiseless vintage pickups and advanced wiring options provide endless tonal possibilities, without hum. the sculpted rear body contours are as beautiful as they are functional. other features include f-stamped lightweight vintage-paddle tuning machines with tapered shafts, chrome hardware and bone nut. a premium molded hardshell case is also included. – alder body – bolt-on maple neck with modern d profile – rosewood fingerboard – dual ultra noiseless vintage single-coils
Specifications:
| Shape | Modern D |
| Wood | Maple |
| Neck joint | Bolt-on |
| Scale length | 34” |
| Truss rod | Bi-flex |
| Pickup configuration | SS |
| Neck | Proprietary Single Coil |
| Bridge | Proprietary Single Coil |
| Control layout | Master volume |
| Radius | Compound |
| Fret size | Medium-jumbo |
| Number of frets | 21 |
| Nut material/width | Bone/1.62" |
| Body Type | Solid body |
| Body wood | Alder |
| Body finish | Gloss |
| Bridge/Tailpiece | High Mass |
| Number of strings | 4 String |
| Orientation | Right-handed |
Reviews:
If you are tired of searching for a professional sound buy this bass. I hated the mim fender deluxe model, but fender did something special with this bass. It has a clear piano like quality to it. My two sire basses sound like toys up against it. I have wasted so much money on lesser basses. I'm just trying to help my fellow bass players out there. Everyone says that I sound good playing my other basses, but there are certain ugly overtones that I don't want to hear in my bass. This bass doesn't have those unwanted frequencies, it is voiced beautifully. I know that most of tone is in the fingers, but at the end of the day you know what you want to hear. If you are an audiophile this is the bass for you. I have spent weeks demoing this bass and no matter what amp you run it through it sounds good. I played it at a church last week and all I can say is it was nasty. My wife ordered mine yesterday for my birthday and it's suppose to arrive today, fingers crossed.Eric
I've owned and played bass guitars for 30 years now and I've owned several fender basses and the myriad clones out there of the J and P basses. That history and background left me with a bias against fender and an eye for other "better" production guitars like the Stingray which is my other go-to bass. That being said, I am blown away by this bass. It is a SOLID instrument with no flaws or blemishes that I can detect. It came from the factory with an almost perfect setup. I had to make a minor intonation adjustment on the low B and E strings but the string height, pickup height, and neck position were perfect. Fender's Ultra Noiseless pickups (a stacked humbucker really) sound great in passive mode emphasizing a fat bottom end and the tone nob adds a good bit of mids. The highs are kinda meh for me but the active switch takes care of that and I can get as bright as I want. The 18v active preamp provides a lot of room to boost or cut low, mid, and high frequencies to get just about any sounds I want (I still prefer my Sting Ray if I want to get real funky). This is about the best sounding 5-string I've had. Most 5-strings sounds great as 4-strings and SUPER muddy when you work the low-b string but this bass brings it out without too much mud.T. DeWees
I bought this base back in April 2022. It sounds great and plays great. However, the front pickup recently quit all together. After a tech looked at it, it was discovered that it was a bad front pickup. It was beyond the store warranty, so I took it up with fender. After 2 weeks of going back and forth between them and the store that I bought it at, it was determined that fender would send the pickup to the technician if my choice and they would fix it. But it would take 30 days because they send it directly from the manufacturer. Which still boggles my mind, because the slowest mail would be less than a week? So my opinion of fender customer service has dropped considerably. A working musician doesn't have 30 days to do without their instrument. This is unacceptable. I decided to purchase the pickup myself. I can get it in the mail in 2 days, and put it in myself. However this is a great base if you happen to get one with good parts in itJerry
4. Fender Steve Harris Precision Bass Olympic White
Product Details:
Steve harris's galloping fleet fingered basslines have turbocharged u.k. metal titans iron maiden for decades and have made him the most influential metal bassist alive. harris has stayed true to his battle hardened precision bass over the years, and his signature steve harris precision bass now comes in his famously regal gloss white finish with special pinstriping, mirrored pickguard and west ham united f.c. crest. other iron clad features include a single powerful seymour duncan steve harris signature model pickup, fender high mass bridge, rotosound steve harris signature flat-wound strings and harris's signature on the back of the headstock. steve harris precision bass, maple fingerboard, olympic white specifications:- series: artist. body wood: 2-piece maple. body finish: gloss polyester. neck: maple, "u" shape. neck finish: gloss urethane string. nut: synthetic bone, 1.615" (41.02 mm). fingerboard: pearloid block, 7.25" (241 mm). radius frets: 20, medium jumbo. position inlays: black dot. scale length: 34" (864 mm). hardware: nickel/chrome. bridge: fender high mass. pickguard: 1-ply chrome. tuning machines: fender '70s vintage style stamped open gear. strings: rotosound steve harris signature custom flat wound (.050-.110 gauges).
Specifications:
| Handedness | Right-Handed |
| Body Finish | Gloss Polyester |
| Body Shape | Precision Bass |
| Neck Material | Maple |
| Neck Finish | Gloss Urethane |
| Neck Shape | "U" Shape |
| Scale Length | 34" / 863.60mm |
| Fingerboard | Maple |
| Fingerboard Radius | 7.25" / 184.15mm |
| Number of Frets | 20 |
| Fret Size | Medium Jumbo |
| String Nut | Synthetic Bone |
| Nut Width | 1.62" / 41.15mm |
| Position Inlays | Black Dot |
| Neck Plate | 4-Bolt |
| Controls | Master Volume, Master Tone |
| Pickup Configuration | Split Single-Coil |
| Bridge | Fender High Mass |
| Hardware Finish | Nickel/Chrome |
| Tuning Machines | Fender '70s Vintage-Style Stamped Open-Gear |
| Pickguard | 1-Ply Chrome |
| Control Knobs | Knurled Flat-Top |
Reviews:
5. Fender Jaguar Bass Limited Edition Ebony Fingerboard Black
Product Details:
The fender limited edition player jaguar bass is a new line for 2020, available in extremely limited numbers, this all black monster delivers killer bass tones! the alder body is typically comfortable thanks to the lush sweeping curves, and with a crisp all black finish it looks real slick. the black pickguard gives this guitar a real bold look, while the matching headstock offers a fresh vibe.the maple neck is designed for precision and comfort; it's equally at home playing big low end root notes or technical work further up the neck. an ebony fingerboard with dot inlays give this bass a familiar and comfortable feel and look.loaded with alnico 5 jazz and split coil p bass pickups, you get correct fender tone, there's just no mistaking that signature fender bass thump.
Specifications:
| Shape | Modern C |
| Wood | Maple |
| Neck joint | Bolt-on |
| Scale length | 34 in. |
| Truss rod | Standard |
| Finish | Satin |
| Active or passive pickups | Passive |
| Pickup configuration | SS |
| Middle | Single-coil Alnico V |
| Bridge | Single-coil Alnico V |
| Series or parallel | Parallel |
| Radius | 9.5 in. |
| Fret size | Medium-jumbo |
| Number of frets | Fretless |
| Inlays | Dot |
| Nut material | Synthetic bone |
| Nut width | 1.5 in. (38.1 mm) |
| Cutaway | Double cutaway |
| Construction | Solidbody |
| Body wood | Alder |
| Top wood | Alder |
| Body finish | Gloss black with matching headstock |
| Orientation | Right handed |
| Control layout | Volume 1, volume 2, master tone |
| Bridge type | Fixed |
| Bridge design | 4-Saddle adjustable |
| Tuning machines | Open-geared |
| Number of strings | 4 |
| Pickguard | Yes |
| Country of origin | Mexico |
Reviews:
Its a little by chance what you get from mex. fenders in terms of craftsmanship and details. Mine has a little dent and a little gap between neck and body but it is sturdy. Fret work is not like americans. Tone wise and playability is good. I like the look of pau ferro wood. Neck shape is comfy not like 70s baseball bat p bass more like 70s j bass. The orange color is the reason i pick this one, fender changing colors every two three years so if you have this color in mind go for it. Much much better in real than pictures. Overall, if you need a good practice/little jamming bass its a good alternative. Instead of squiers go for this. I have sire as well, if you dont like/need active preamp simple is the best. Also, this new pickups are good, have good bass and midrange not scooped like some american pickups. One final thing, I've tried couple of player series before ordering this, some of them is not well at all in build quality. So, it is a little surprise what you get, check after you buy it and then decide to keep it or not. Have fun..
Purchased the Fender Player Jazz bass. Overall great looks and sound, but some quality issues from the Fender Mexico factory (not Andertons' fault): – First bass had very clear weird uneven blemish under the varnish on the sunburst body. Not awful, but if I was in-store I would never have chosen that particular item. Returned and swapped by Andertons, no quibbles. Second bass arrived. Overall happy, sounds great, but still a few issues with quality control and design. – Control plate was missing 2 screws and was moving around – how does that get through Fender quality control? Replacement screws sent free of charge by Andertons. – Nut has not been slotted correctly – high G must have been passed through a machine and slipped, string is clearly a couple of mm too close to fretboard edge and you can see the failed first pass. Doesn't really affect playability, but is annoying and I will get it corrected at some point. Again, points to poor quality control. – Fretboard (Pau Ferro) is really thin – on the Player series, at least. Neck fret dot markers in white are half over the mid-dark fretboard, half over the light maple neck. Very hard to see in low light levels. OK, so they're just an indicator for position, but the design isn't great. So overall, the bass sounds great and Andertons service was very good. Fender quality control loses the one star from the review.Reviewed by Andertons Music Co.
…and falls in love. Let me start by saying I actually have owned one other P-Bass. I had a 50s reissue Precision, but honestly the neck was just too thick for my liking after years of playing Jazz basses. Honestly, it felt thicker than the neck on my Yamaha 5-string. So, I picked this bass up after always dancing around getting what would be considered a more standard P-Bass. I have a 70s Jazz with a ton of modifications, I've had quite a few other brands of basses, but I wanted to see what the fuss was about. I ordered this a few weeks ago, and have been very pleasantly surprised. The action was pretty good out of the box. I adjusted it a bit, made a few tiny tweaks to the intonation, and now it's super smooth. And, on the pickups, let me say it's a great sounding bass. Pickups are clear, bass sounds great. I play through a little Ampeg Micro cabinet. Earlier this week, I bought some Flats to throw on it (because that's what you do with a P-bass, right?) and now it's quickly becoming one of my favorite instruments to jam with. It really cuts through the mix when playing in a group. I see why folks really love the sound of a precision. My Jazz still has it's place, but man, I really like the sound of this bass. The Player P is a great value for what you get. I've never owned an older MIM, but I research the heck out of pretty much any purchase I make, and it looks like Fender really stepped it up with this rendition of their MIM Precision basses. Good tone out of the box, no discernible pickup noise, good action, a beautiful neck, and a Tidepool Blue finish that just shines and shines.Dennis F
6. Fender Mike Dirnt Road Worn Precision Bass Maple White Blonde
Product Details:
Fender and hard-hitting green day bassist mike dirnt join forces once again to bring you the mike dirnt road worn precision bass. with original-era 1951 precision styling, its ash body wears a 3-color sunburst or white blonde lacquer finish worn to perfection to simulate years of hard-played onstage glory. other distinctive features include a comfortable forearm contour, a volcanic custom vintage-style '59 split single-coil pickup, side-mounted output jack and custom mike dirnt neck plate. the maple neck has a thick "c"-shaped profile and a classic '51-style telecaster headstock shape, with a 9.5"-radius maple or rosewood fingerboard with 20 medium jumbo frets and black (maple board) or aged white (rosewood board) dot position inlays. the bass also has a single-ply black pickguard, two knurled chrome flat-top control knobs (volume, tone) and special '70s vintage-style tuners. ash body – road worn nitrocellulose lacquer body finish.
Specifications:
| Country Of Origin | MX |
| Body Finish | Road Worn Nitrocellulose Lacquer |
| Body Shape | Precision Bass |
| Neck Material | Maple |
| Neck Finish | Road Worn Urethane |
| Neck Shape | Thick "C" |
| Scale Length | 34" (86.36 cm) |
| Fingerboard | Maple |
| Fingerboard Radius | 9.5" (241 mm) |
| Number of Frets | 20 |
| Frets Size | Medium Jumbo |
| String Nut | Synthetic Bone |
| Nut Width | 1.59" (40.4 mm) |
| Position Inlays | Black Dot |
| Truss Rods | Vintage-Style Butt Adjust |
| Middle Pickup | Custom Vintage '59 Split Single-Coil |
| Controls | Master Volume, Master Tone |
| Pickup Configuration | Split Single Coil |
| Bridge | Fender HiMass with Chrome-Plated Zinc Saddles |
| Hardware Finish | Chrome |
| Tuning Machines | Fender '70s Vintage-Style Stamped Open-Gear |
| Pickguard | 3-Ply Black |
| Control Knobs | Knurled Flat-Top |
| Dimensions | 6.00×17.50×51.00 IN |
Reviews:
I am absolutely loving this bass. I am a guitar player who wanted a bass for recording. I had been using a Squier bass but wasn't satisified. It just didn't sound and feel like Fender Precision Basses I'd played in the past. Decided to pull the trigger on this, and am so glad I did. It is significantly heavier and just feels much more solid. The fingerboard is fabulous. The back of the neck is so smooth and comfortable to play. The frets are perfect. Hardware so much better overall. Tuners much more solid…less tuning issues. And the sound is exactly what I was going for. It sits in my mixes so much better than the Squier bass was. And it is beautiful on top of everything. Can't recommend this bass enough.William
I purchased the Dakota Red Vintera Precision bass because I have been looking for that vintage feel and sound without having to mortgage the house. I wish I could afford a true vintage '58 Precision Bass, but the Vintera does not leave me disappointed. The first thing you will notice is it's beefy neck. If you are looking for a slim modern neck, this isn't it. It is the vintage "C" style neck with a wider fretboard which feels really good to me IMO. The gold aluminum pick guard really stands out next to the red of the body. The craftsmanship and finish is excellent; no fret sprouts or blemishes in the finish. The electronics are excellent with no buzz or crackle and the pups definitely have that vintage sound, particularly when the tone is rolled all the way off; you can definitely channel your inner James Jamerson and Duck Dunn. If you roll the tone back up it nicely brightens things up. I did have my luthier complete a set-up on it and I did change the stock strings with La Bella flats to further provide that old school sound. If you are looking for a bright modern sound then you may want to check out the Vintera Jazz basses. I play the bass through a Fender Rumble which allows this bass to sound it's best. Lastly, the tuners do their job well and provide stable tuning. This is an excellent bass and I have no reservation with recommending it if you want the old school feel and sound. C'mon, you know you want it!!C. Inman
I've been a Precision Bass player since I started playing bass years ago. This is my first "real" Fender bass however, after playing several different Squier basses over the years. While Squier makes great instruments at a fair price point, this Vintera Precision is like a different world compared to my previous basses. You can feel the overall quality of the parts, the fit & finish, and the materials just by picking up the bass and playing around on it. I received it in the mail almost perfectly set up by Music Store. Only the action was too high for me, but that was an easy adjustment. The bass has a wide, not too thin neck profile that is not very deep. Super comfortable to play. The nut width is slightly larger than on other modern P-Basses which is nice if you like the extra space. I really like the way this forces you to play a little bit different compared to a narrower fretboard, like for example on a Jazz Bass. The difference compared to a regular P-Bass is pretty small. You just get a feeling of more space for fretting. The fretboard radius is also a bit smaller than on a modern P-Bass. This makes for a very balanced playing feel in my opinion. These differences are all nice touches and make for a slightly different playing feel, but don't make it any harder to play than a regular P-Bass. The sound is absolutely wonderful. The 50s-style pickups have a slightly compressed sound that sound great on its own, plugged directly into a DI box or an interface. I replaced the factory set of strings with .045-.105 LaBella flatwounds which is a perfect fit for this pass. The low-mids are greatly enhanced by putting a set of flats on this bass. It sits beautifully in the mix and is never weak or overpowering – always perfectly balanced. The fit and finish of this bass is great. I'm not one to go looking for faults in the paint or anything like that, but I absolutely have not spotted any quality control issues with my bass. The hardware is absolutely fine and does the job. You don't get a massive bridge or fancy hardware here, because everything is done to vintage specs. You can, of course, modify these parts later on, but I really don't think that's in the spirit of this vintage-focused instrument. If you want to put a more massive bridge on the bass and modify it in other ways, I would choose a Fender Player Series P-Bass instead which is a bit cheaper – you can spend the difference on your mod parts. The bass is surprisingly light. If you have back issues or generally dislike heavy instruments, I would definitely recommend this one! The lack of weight does not impact the sound quality at all. The only drawback is that, in some positions, it can have a little bit of neck dive, not to a point where it really becomes a problem, however. I always wear a strap even when sitting down, and that takes care of the very slight neck dive very easily. One thing to keep in mind is that the hardware, specifically the bridge and trussrod, are truly built to vintage spec. This means that the string height adjusters on the bridge do not have tiny hexagonal screws but small slotted screws instead. You will need a very small slotted screwdriver to access these screws. The trussrod can only be adjusted at the base of the neck which can be annoying. You need to remove the neck in order to adjust the trussrod. Here, again, there is no hexagonal screw but rather a large philipps screw to adjust. Small minus points for these features that could have been left out in favor of more modern solutions. I guess the placement and types of screws used make it more true to the vintage specs, but I would much prefer if they had just chosen the modern versions instead. Overall, this is a very beautiful and great-sounding bass that I can only recommend if you like P-Basses, vintage sound, and flatwounds. The build quality is fantastic and I have no doubt that this bass will stay in great shape for a long, long time.
7. Steinberger Spirit Xt-2 Standard Bass (Hot Rod Yellow)
Product Details:
The steinberger spirit xt-2 is a 4-string bass featuring the same distinctive body-shape as the award-winning steinberger xl series and features the trademark headless neck with the patented double-ball tuning system. other features include the patented steinberger fixed bass bridge with direct-pull, 40:1 ratio machine heads, two (humbucker – humbucker) steinberger bass pickups and folding leg rest for playing comfort while sitting. and the xt-2 is perhaps the world's most "travel-friendly" and convenient bass ever made. it comes complete with a gig bag and, being only 38.5 inch in length, it can fit in places where other basses can't! if youre on a budget but still need and want an instrument with steinberger features and performance, the spirit xt bass is perfect for you. steinberger state of the instrument.
Specifications:
| Finish | Gloss |
| Neck Material | 3-pc Hard Maple |
| Neck Shape Options | 1960's SlimTaper; D profile |
| Fingerboard | Basswood composite |
| Fingerboard Radius | 14" |
| Frets | 24; Medium-Jumbo |
| Scale Length | 34" |
| Zero Nut Width | 1.50" |
| Bridge | Patented DoubleBall Bass Bridge |
| Saddle Material | Steel |
| Bridge String Spacing | 0.70" |
| Neck Pickup | Steinberger Bass HB-2 |
| Bridge Pickup | Steinberger Bass HB-1 |
| Output Jack | Premium 1/4" Barrel-Style |
| Strings | Steinberger DoubleBall 45-65-85-105 |
| Includes | Deluxe Gigbag |
| Length | 38.5" |
Reviews:
I have a Trans Amber Quilt Top and it's not only beautiful, it is fun to play! I took it camping with a little Flamma FA05 amp that can run off a small sine wave inverter that I have. That was so much fun. I have 5 guitars on a Hercules rack but the Steinberger sits next to my office desk where I can just grab it and plink away. It is so small and compact it doesn't interfere with my work stuff and it doesn't bump into things. It sounds great through my Orange amp and Boss ME80 when I want to kick things up. The people who moan about setup and the like need to spend a little time and learn how to tweak the setup which on the Spirit is really EZ to do. And once you dial it in, it stays in tune and properly setup for a long time. Got a little fret edge? Use a fret file and take it down. Done deal in 10 seconds. I have never understood peeps that don't want to maintain their equipment from start to finish. Oh well. The pickups are fine for ordinary purposes. The single coil is a bit high and maybe low output which can be annoying but I learned to live with it. You can always take it out or replace it. The humbuckers are solid and reliable. No complaints. The whammy bar is cool and can be locked. It stays in remarkably good tune due to the double ball ends. The little leg rest is all metal and has never given me a problem. I did have to tighten the cable jack nut a couple of times but that wasn't difficult to do. The quilt top is really quite good. i wish there were more of it but then the guitar wouldn't have the qualities that I bought it for… namely size and convenience. All in all it's worth every penny of the $400 they are asking.
I got the hotrod yellow. How often do you see a yellow guitar? I also have a $1600 bass and this sounds just as good! I had to do a complete setup which is unusual, adjust the truss rod,saddles,pickup height. It plays and sounds amazing now. Downsides are, you have to buy an adaptor(if you can find one) to use regular strings of your choice. The strap extender which made the bass sit right and more playable cannot be found and is no longer made. Lastly you need to buy a special stand which is also hard to find cause it wont fit on a standard one. I managed to buy the adaptor and the stand from Reverb. As always American musical delivers excellent service and has made many purchases become a reality with the payment system! I no longer shop at music stores all my buisness is done here! The crafstmanship is better then you would expect for the price point. The fit and finnish seems great no sharp edges. The gigbag has a larger pocket and seems a little better quality then the one I got with my GT-Pro years ago. I would recommend a hardshell if you play out a lot with this.Scott G.
I bought this guitar because my back and shoulder have been hurting a lot recently, even with reasonably light guitars. I also tried the Strandberg Boden, but although it was lighter than this I could not justify the huge amount of money and didn't feel it was worth it. So I went with this, the original headless! (or version of) For the money, you can't fault it – I am very happy and play it all the time. So in many ways it deserves 5 stars. There are some bits I don't love though: The volume knob is so close to the strings I knock it a lot. If you are a very precise player this won't be an issue, but if you're going at it Cobain style you will. For the size, it could be lighter. It is still considerably lighter than a "normal" guitar though. The pickups are not great. However, I knew this going in, and with the guitar being so affordable and pickups being the easiest component to replace, this is what I plan on doing. The middle pickup is too close to the strings – I hit it a lot. Again, fixable. The neck profile gets weirdly thinner the closer you get to fret 1. I use this guitar for metal, so I don't mind, but I can't play chords on it, for that I need some girth! I want to end on a high, so here are the things I really like! General playability – it plays really well! A joy. Fretwork – top notch. Tremolo system – Why do more guitars not have the knob at the back to adjust the spring tension? It is fantastic. As is the quick way to lock it off. I've not had a floating trem in years because of the hassle, this is much better. Flip out leg rest – just what you need for seated playing. The look – Marmite for sure, but I love it. Retro yet futuristic.Reviewed by Andertons Music Co.
8. Ibanez Ehb1000 Headless Bass | Pearl White Matte
Product Details:
The roasted maple in the neck is heat-treated to increase stability, durability, moisture resistance, and tolerance of temperature changes. the roasted maple fretboard is also heat-treated for a balanced attack and rich sustain. highly durable stainless steel frets accentuate tonal brightness and will not rust. luminescent side dot inlays provide clear visibility in dark environments and the truss rod adjustment is located at the end of neck for easy access. the ehb? s headless construction and specially designed body enable the player to maintain a similar playing position whether seated or standing. its contoured, ergonomic design and chambered body make for a lightweight, well-balanced, and comfortable instrument thats excellent for long sets or practice session. there is extra carving on the back of the body behind the lower horn for easier upper fret access. also, the top half of the back of the body is slanted which allows the bass to rest slight closer to the players body for better control and a more ergonomic feel. the electronics consist of bartolini? bh2 humbuckers and a 3-band active eq with a variable mid-frequency for wide-reaching tonal flexibility. there is also an eq bypass switch for passive operation with the treble control acting as a passive tone control when the eq is bypassed. the mr5hs bridge is designed especially for the ehb basses and features wide intonation range. each bridge piece is independently and securely attached to the body for maximum vibration transfer, and the saddles are adjustable for string spacing +/-1.5mm. teflon washers are used on each tuner for a smooth tuning action. schaller s-lock strap lock pins and a neutrik locking jack hold the strap and cable securely, and a detachable finger ramp and a gig bag are included with each instrument.
Specifications:
| Top/back/body | American Basswood body |
| Fret | Medium Stainless Steel frets |
| Number of frets | 24 |
| Bridge | MR5HS bridge |
| String space | 19mm (0.75") |
| Neck pickup | Bartolini BH2 neck pickup (Passive) |
| Factory tuning | 1G,2D,3A,4E |
| String gauge | .045/.065/.085/.105 |
| Hardware color | Black |
| Neck Scale | 864mm (34.02") |
| Neck Width at NUT | 41mm (1.61") |
| Neck Width at 24F | 64mm (2.52") |
| Neck Thickness at 1F | 19.5mm (0.77") |
| Neck Thickness at 12F | 21.5mm (0.85") |
| Neck Radius | 500mmR |
| Handedness | Right-Handed |
Reviews:
Mettendolo un po' alla prova direi che regge bene il mio modo di suonare spesso (per non dire violento) ho una sensazione migliore di vibrazione anche addosso, probabilmente data dal corpo più snello e leggero. Si comporta bene con la giusta arroganza che mi aspettavo dal folletto della ibanez. Unica pecca, la posizione dei pallini e il loro colore: Sono di madreperla ed è top, ma son scuri e in alto non centrali. Nulla di impossibile eh solo abitudine mia che si adatta senza problemi. Il manico rispetto al mio Sr300e cub è meno tondo dietro e sembra quasi più piatto. Ottimo feeling anche con le corde date dalla casa. Buon strumento, anche per chi sta cercando di trovare il suo suono. Consigliato per una fascia medio alta.
Servizio decente e strumento suonabile
Servizio ottimo e basso fantastico !
9. Fender Custom Shop 1951 Limited Edition Precision Bass Journeyman Relic Nocaster Blonde
Product Details:
Taking its headstock from the telecaster and later lending its shapely form to the stratocaster, the precision bass is undoubtedly one of leo fenders greatest innovations. the limited edition 1951 precision bass features a two-piece select ash body and a one-piece tinted quartersawn maple neck with a 51 u profile, 7.25 fingerboard radius and 20 medium vintage frets for smooth feel and comfort just like the original. the hand-wound 55 p bass pickup delivers the punch that changed music so forcefully all those years ago. additional features include a single-ply black phenolic pickguard, tinted maple thumb rest, 51 p bass bridge with original fiber saddles, vintage tuning machines, bone nut and a disk string guide. a deluxe hardshell case, strap and certificate of authenticity are also included.
Specifications:
| Builder | Fender Custom Shop |
| Year | 2021 |
| Body Type | Solid Body |
| Body Wood | Sort For Lightweight Ash |
| Finish Type | Nitrocellulose Lacquer |
| Finish Color | Nocaster Blonde |
| Aging | Journeyman Relic |
| Neck Wood | 1-piece Quartersawn Maple |
| Neck Carve | 1951 P-Bass "U" |
| Scale Length | 34" (864 mm) |
| Neck Dimensions | 940'' -.990'' |
| Neck Radius | 7.25'' |
| Nut Width | 1.700'' |
| Nut Material | Bone |
| Neck Finish | Nitrocellulose Lacquer |
| Bridge Pickup | Custom Shop Hand-Wound '55 Precision Bass |
| Pickguard | 1-Ply Black Phenolic |
| Bridge | 2-Saddle Vintage Precision Bass with Fiber Saddles |
| Tuners | Vintage-Style |
| Controls | Volume, Tone |
Reviews:
great warm fender cleans. reverb is excellent. gain channels suprisingly good. plenty of volume. well built. simple to use. dont use pedals anymore but i hear its a good platform. i got it to plug straight in and play. when your pressed for time and dont have hours a day to scree around with the levels this will give you great tone fast with no hassle dialing it in. great valuethe cheese
I purchased this amp after buying a les Paul , plugging into my Princeton chorus and not getting the sweet warmth I heard hours before. I no longer want or need pedals (although occassional delay) its 3 channels are plenty for warm blues or rock. Tone rich. And a bargain at the time, as I see it for @ $1000 now. Best bang for my buck.
Great Fender tube sound, spring reverb. Loud, bright clean tones, plenty of headroom. 2 adjustable levels of gain/distortion. 2 12in Celestion speakers. Pine cabinet like the old twins, lighter better sound. Takes pedals like delays power amp in/preamp out. The choice of lots of pros for good reason. Absolutely love this amp.Jon
10. Fender Jmj Road Worn Mustang Bass (Black)
Product Details:
Known as a true renaissance man of the modern music scene, justin meldal-johnsen's bass credits include beck, nine inch nails and more. his production credits include jimmy eat world, paramore and m83, among others. jmj is a shining example of today's breed of multi-genre musician/producers, ever pushing boundaries and inspiring others.
Specifications:
| Shape | C |
| Wood | Maple |
| Neck joint | Bolt-on |
| Scale length | 30" |
| Truss rod | Standard |
| Finish | Nitrocellulose |
| Active or passive pickups | Passive |
| Middle | Split single-coil |
| Number of frets | 20 |
| Inlays | Dot |
| Nut material | Synthetic bone |
| Nut width | 1.5" (38.5mm) |
| Cutaway | Double cutaway |
| Construction | Solidbody |
| Body wood | Alder |
| Orientation | Right handed |
| Control layout | Master volume, tone |
| Pickup switch | No |
| Coil tap or split | No |
| Tone switching | No |
| Special switching | No |
| Bridge type | Fixed |
| Bridge design | Standard |
| Tuning machines | Die-cast |
| Number of strings | 4 |
| Pickguard | Yes |
Reviews:
My first factory-road worn instrument and I am a convert. It smells lovely and the relicing doesn’t look artificial. It definitely has that played-in feel without the issues of a knackered old bass. Sounds pretty good too! Tried out a few mustangs in the past but this is by far the nicest.Reviewed by Andertons Music Co.
I've been a short scale fan ever since buying a Fender Squire Vintage Modified Jaguar SS bass many years ago. I was impressed with quality of the Squire and after changing the pickups (P J set) found it was the bass I always picked up to play. I had recently been looking at the Mustang but found it hard to justify buying since I already had a short scale bass. Then I saw the JMJ signature… road worn, '66 style with original style custom Seymour Duncan spilt coil pickups and a wider neck then my Jaguar. I bought one and after playing it for a few weeks I have no regrets. What a difference in the quality which I already thought was good in the inexpensive Squire. The neck feels great and the extra time spent on the fret work is obvious. I really love what they've done to create the "road worn" look, which something you can't get unless you're buying a Custom Shop instrument. All that you've heard about the JMJ Mustang is true. Killer tone that really cuts through the mix. This is my first Fender bass and after 30 years of playing I don't know why I waited so long. I guess I just wanted to be different… if you are serious about getting a short scale bass this is a great option you won't be disappointed.Shane
I've had the idea to buy a bass to help improve stagnation in my recording and writing process. I went in and looked at the wall of instruments and was impressed. The thing Sam Ash does right that others do not these days (ahem…GC) is have a variety of price ranges and styles to explore. The store rep came over offered me a cord to try them out and left me to do my thing. The reason why a variety was essential was because I was able to play basses on the lower price point, one that I initially planned to buy, but then a bright light shined on the only bass on the wall with flat wound strings and a relic finish. I plugged it in, let it rip, and it felt/sounded amazing. I put it back on the wall, picked up the cheap bass I wanted and it sounded clanky, put it back and kept picking up this bass on the wall, again and again. This is when the store rep came over to check on me, didn't pressure me, but validated me saying the feel on that one is like no other, then offered to work with me on price if I was interested. After I finally decided, there was some chatter among the other store reps that someone was buying "the relic!" I felt special. In the end, I went in Sam Ash on a budget and left with an instrument I'll keep for life and give to my kids. No bad decisions were made.DYLAN
11. Fender 1964 Jazz Bass Journeyman Relic Super Faded Aged Tahitian Coral
Product Details:
Fender custom shop's 1964 jazz bass journeyman relic is a limited edition 2020 piece. it has a truly remarkable aesthetic, from its journeyman relic finish package, which delivers all the dents, dings, and scratches of a well-played vintage instrument, to its super faded-aged tahitian coral color. thanks to vintage-style hardware and period-correct specs, when you pick this bass up, it's as if you were picking up an original 1964 model. its 1960 jazz bass "u" shape is authentic to the sixties, while 20 medium jumbo frets over a 7.25" round-laminated aaa rosewood fingerboard furthers the bass's playing comfort and vintage authenticity. and thanks to a pair of hand wound vintage jazz bass pickups with alnico 5 magnets, you get the bright, lively tone that made the jazz bass a favorite among countless bassists when it first arrived on the scene.
Specifications:
| Number of Strings | 4 |
| Left-/Right-handed | Right-handed |
| Body Shape | 1964 Jazz Bass Journeyman |
| Body Finish | Gloss Nitrocellulose Lacquer, relic'd |
| Neck Material | Quartersawn Maple |
| Neck Shape | '60s U |
| Neck Joint | Bolt-on |
| Radius | 7.25" |
| Fingerboard Material | Rosewood |
| Fingerboard Inlay | Micarta White Dots |
| Number of Frets | 20, Medium Jumbo |
| Scale Length | 34" |
| Nut Width | 1.5" |
| Nut Material | Bone |
| Bridge/Tailpiece | 4-Saddle Vintage-style Bridge |
| Tuners | Vintage Nickel Open Gear with Clover buttons |
| Neck Pickup | Fender J-Bass Lead Single-coil |
| Bridge Pickup | Fender J-Bass Rhythm Single-coil |
| Controls | 2 x volume, 1 x master tone |
| Strings | Fender, .045-.105 |
| Case Included | Hardshell Case |
Reviews:
great warm fender cleans. reverb is excellent. gain channels suprisingly good. plenty of volume. well built. simple to use. dont use pedals anymore but i hear its a good platform. i got it to plug straight in and play. when your pressed for time and dont have hours a day to scree around with the levels this will give you great tone fast with no hassle dialing it in. great valuethe cheese
I purchased this amp after buying a les Paul , plugging into my Princeton chorus and not getting the sweet warmth I heard hours before. I no longer want or need pedals (although occassional delay) its 3 channels are plenty for warm blues or rock. Tone rich. And a bargain at the time, as I see it for @ $1000 now. Best bang for my buck.
Great Fender tube sound, spring reverb. Loud, bright clean tones, plenty of headroom. 2 adjustable levels of gain/distortion. 2 12in Celestion speakers. Pine cabinet like the old twins, lighter better sound. Takes pedals like delays power amp in/preamp out. The choice of lots of pros for good reason. Absolutely love this amp.Jon
12. Fender Vintage Custom 1951 Precision Bass Nos Nocaster Blonde
Product Details:
The debut of the precision bass in 1951 is arguably one of the most important milestones of the 20th century. the p bass gave bass players a means to be heard clearly while eliminating the need to lug around a heavy (and fragile) upright bass. it also profoundly changed the sound of popular music and gave birth to a slew of new musical styles. the vintage custom 1951 precision bass offers the appointments that made the original the undisputed champion of working bassists the world over, including a supremely fast and comfortable tinted quartersawn maple neck with a 7.25′′ fingerboard radius, ’51-‘55 p bass bridge with vintage fiber bridge saddles and flatwound strings. it also boasts an original slab-style p bass body with a nos flash-coat lacquer finish that lets the instrument breathe more organically and shows some of the natural grain through the finish.
Specifications:
| Body Shape | Precision Bass |
| Body Finish | NOS Flash Coat Lacquer |
| Neck Material | Quartersawn Maple |
| Neck Shape | 1951 "U" |
| Scale Length | 34" (86.36 cm) |
| Fingerboard Radius | 7.25" (184.1 mm) |
| Number of Frets | 20 |
| Fret Size | Vintage Style |
| String Nut | Bone |
| Neck Plate | 4-Bolt |
| Neck Finish | Flash Coat Lacquer |
| Position Inlays | Black Dot |
| Tuning Machines | Vintage-Style |
| Orientation | Right-Hand |
| Hardware Finish | Nickel/Chrome |
| Instrument Weight | 9.7 lbs |
Reviews:
great warm fender cleans. reverb is excellent. gain channels suprisingly good. plenty of volume. well built. simple to use. dont use pedals anymore but i hear its a good platform. i got it to plug straight in and play. when your pressed for time and dont have hours a day to scree around with the levels this will give you great tone fast with no hassle dialing it in. great valuethe cheese
I purchased this amp after buying a les Paul , plugging into my Princeton chorus and not getting the sweet warmth I heard hours before. I no longer want or need pedals (although occassional delay) its 3 channels are plenty for warm blues or rock. Tone rich. And a bargain at the time, as I see it for @ $1000 now. Best bang for my buck.
Great Fender tube sound, spring reverb. Loud, bright clean tones, plenty of headroom. 2 adjustable levels of gain/distortion. 2 12in Celestion speakers. Pine cabinet like the old twins, lighter better sound. Takes pedals like delays power amp in/preamp out. The choice of lots of pros for good reason. Absolutely love this amp.Jon
13. Fender Custom Shop Limited-Edition '58 Precision Bass Relic Aged Black Over Chocolate 3-Color Sunburst
Product Details:
The one you’ve been waiting for. and its gold anodized aluminum pickguard and hand-distressed nitro finish are to die for. if you’ve been looking for an affordable original 1957 precision in perfect condition — that’s a rare unicorn. the precision has driven the bass lines of some of the biggest hit records ever made. the ’60s were a typically prolific decade, with the instrument in the capable hands of session bassists like la wrecking crew stalwart carol kaye, who lent her precision chops to countless iconic recordings such as the beach boys’ “california girls” and “good vibrations.” in fact, the precision bass was standard issue for motown recordings. after bassist bob babbitt auditioned for a slot in motown’s in-house studio rhythm section (the funk brothers), he was told his playing made the cut, but was instructed to “get a precision” before returning for his first session. he did, and remained a p bass player for the rest of his career.the industry standard. producers and engineers know that the precision bass always sits perfectly in the track with minimal processing, thanks to its authoritative low-end girth and lower-midrange presence. it’s the de facto industry standard. perhaps that’s why many of today’s first-call bassists who had been playing exotic active instruments, such as la session ace sean hurley (john mayer, gwen stefani, alanis morissette, robin thicke), have come home to the precision. precision players often cite how “balanced” their instrument feels, whether they’re playing seated or standing; indeed, the p bass is a supremely balanced instrument, from its playing feel to its fat, punchy tone. 57 p bass relic split-coil pickup. the precision bass split-coil pickup bucks the hum, but it’s technically two single-coil pickups wired in series, so it has the note definition and harmonic richness many humbucking bass pickups lack. it’s placed in an optimal position along the string length to capture and deliver girthy low end along with midrange growl that cuts through thick arrangements. and it also makes a great thumb rest! the ’57 p bass relic pickup brings out the rich harmonic overtones that enhance the expressive nuances in your playing, while maintaining the solid fundamental that makes the p bass perform admirably cross-genre, onstage and in the studio. maple quartersawn neck/fingerboard; nitro finish. ’57 soft v neck profile. hand-wound ’57 p bass relic split-coil pickup. hand-distressed finish and aged hardware.
Specifications:
| Number of Strings | 4 |
| Left-/Right-handed | Right-handed |
| Body Shape | Precision |
| Body Finish | Nitrocellulose Lacquer, relic'd |
| Neck Material | Maple |
| Neck Shape | '57 Soft V |
| Neck Joint | Bolt-on |
| Radius | 9.5" |
| Fingerboard Material | Maple |
| Fingerboard Inlay | Black Dots |
| Number of Frets | 20 |
| Scale Length | 34" |
| Nut Width | 1.625" |
| Nut Material | Bone |
| Tuners | Open Gear, Clover Buttons |
| Bridge Pickup | '57 P Bass Relic Split-coil |
| Controls | 1 x volume, 1 x tone |
| Case/Gig Bag | Hardshell Case |
Reviews:
great warm fender cleans. reverb is excellent. gain channels suprisingly good. plenty of volume. well built. simple to use. dont use pedals anymore but i hear its a good platform. i got it to plug straight in and play. when your pressed for time and dont have hours a day to scree around with the levels this will give you great tone fast with no hassle dialing it in. great valuethe cheese
I purchased this amp after buying a les Paul , plugging into my Princeton chorus and not getting the sweet warmth I heard hours before. I no longer want or need pedals (although occassional delay) its 3 channels are plenty for warm blues or rock. Tone rich. And a bargain at the time, as I see it for @ $1000 now. Best bang for my buck.
Great Fender tube sound, spring reverb. Loud, bright clean tones, plenty of headroom. 2 adjustable levels of gain/distortion. 2 12in Celestion speakers. Pine cabinet like the old twins, lighter better sound. Takes pedals like delays power amp in/preamp out. The choice of lots of pros for good reason. Absolutely love this amp.Jon
14. Yamaha Attitude Limited 3 Billy Sheehan Signature Bass Sonic Blue
Product Details:
Tthe yamaha billy sheehan signature attitude 3 electric bass guitar features billy's sound taken to a new level, with refined characteristics.attitude's low-end is powerful and bold, yet tight and controlled. the highs are clear and musical and the mid drives with a power rarely heard. the latest technology, including our spline jointed body and exclusive are and ira wood treatments together with newly designed pickups and a totally reworked neck joint make this bass something else. and with billy's involvement every step of the way, playability is like no other guitar. it's clearly an attitude, but it's an attitude like you've never heard it before. case sold separately.
Specifications:
| Number of Strings | 4 |
| Body Shape | Billy Sheehan Attitude |
| Body Finish | Gloss Polyurethane |
| Neck Material | Maple |
| Radius | 10" |
| Fingerboard Material | Maple |
| Fingerboard Inlay | Black Bars |
| Number of Frets | 21 frets, 17-21 scalloped |
| Scale Length | 34" |
| Nut Material | Polyacetal Thermoplastic |
| Neck Pickup | Yamaha Custom Woofer Pickup |
| Middle Pickup | DiMarzio WillPower Split Humbucker |
| Strings | D'Addario,.045-.105 |
Reviews:
Bought one of these basses after searching high and low for used Attitudes and always wanted to play one. Finally found a III online at GC used. It was basically brand new out of the box. Once I received it I was totally blown away. I have Fender P and J basses and am very familiar witht the P neck, my first bass and have it for over 25 years. The ABIII neck is so comfortable and the action is amazing. The playability blows all of my Fenders away and I hate to admit that because I still love playing them but this bass just raises the bar. Construction is top notch. The neck through construction is solid and the body is solid but very light. Hardware is excellent and the recessed bridge just adds to the low action and sustain. Harmonics are bright and clear, there's no fret buzz and the bass plays very fast. Comes with a set of BS strings which I really like. I'm not sure if it's the strings themselves or the neck profile but bending is quite easy to do everywhere on the fretboard and not just where the neck is scalloped. Which brings me to that section…. just a great feature that adds to new inspiring riffs and soloing ideas. I would never try or do that on my other basses as it was just such an effort to bend and not buzz or be difficult to do but the scalloped frets make it a breeze. Fiinally, the tone. The EBO-esque neck pickup really keeps a nice low end thump and they are very complimentary to the P pups. I would recommend this bass to anyone that was thinking about a high end "players" bass. This thing is meant to played and played hard.Joeglow
Bought one of these because I always loved the look and sound of Billy's bass but more importantly the P bass sound with the extra grind he has. I started to do research on the new one and didn't find too much on it but decided to jump in. So glad I did! The action is unreal and the tightest of all of my boutique basses with no fret buzz anywhere. The neck is chunky but very comfortable. Smooth palm rest and very fast playing. All of my guitar buddies are flawed by how low the action is and how great it feels. The quality is bar none. The bass is super responsive and sounds great with no effects used. Great P bass tone on the single plug in. When I ran 2 amps to try the 2 pickups in separate channels it just really added an immediate boost to the tone. There's so much dynamic range that the possibilities are endless. The scalloped neck was something I never had before and it is such a great feature to have if you like to bend notes. Very easy and super clean tone. The finish and construction quality of the bass is flawless. Very light overall bass, lighter than my Fender American Standard Jazz bass. Very comfortable right hand placement on the pickups or behind, I play in several positions but those are my most often used. Slap sound is very good as well. The neck has a little scoop taken off the end of the fretboard to accommodate your plucking finger. Great Bass, Great sound, super quality. I'd recommend this bass to anyone looking for a high end instrument. It's no wonder you can't find any of the older Attitudes for sale used. People just don't get rid of them!Joesph Loscacco
Bought this because I love the look and feel of a P bass but of course because of Billy. The feel and playability is unmatched by any of my boutique basses. Super low action with no fret buzz. The action is what a guitar player would die for and no wonder Billy can fly around on this thing. It's a shredder bass with the authentic P bass tone. Chunky yet very comfortable neck. scalloped frets were something new to me and I am totally in love with them. Clean work on the fret dressing, no burs or sharp ends. Total attention to the details on the neck. The body is super light and very well made. The D tuner is something I used on all of my basses and this comes standard. The P pickups have a great punch to them as expected from a split system and as authentic sounding as any Fender I own. I think they have a bit more meat to them which is great, I think just an overall upgrade to the classic design. The neck pickup has this EBO like tone that captures that nice sub kind of thump but it's not over the top and clear. It totally compliments the P pickups. A great pairing to my ears. I played the bass totally clean and flat EQ at first and was totally impressed then added some grit distortion to the mix and there's Billy's sound! I split the stereo outputs to a clean and distorted amp to mix the 2 channels and you get the best of both this way. You can also get both pickups through on amp as well but I wanted to try it the way he does to get the full experience. Hardware, tuners and bridge are all excellent quality, no complaints there. The recessed bridge is a great addition as it aids to keeping the strings as low as possible without over compensating them or having to adjust the neck angle or saddles. Intonates perfectly. I'd stack this up against of my Fenders or any of my other high end basses any day. It's no wonder you can't find the other Attitude versions for sale used on the net. They hold value and people just don't get rid of them. Now I know why.Joesph Loscacco
15. Fender Custom Shop 1961 Precision Bass Relic Aged Black
Product Details:
The 1961 precision bass relic provides fitting testament to the innovative style and simplicity of the indispensable instrument in its tenth year, showcasing classic features from that era with a few custom enhancements. the two-piece select alder body sports a well-worn relic lacquer finish for the battered look bestowed by many a stage and tour bus. the quartersawn maple neck features a '60-style 'oval c' profile, topped by a 9.5'-radius flat-lam rosewood fingerboard with 20 medium jumbo frets.dynamic low end comes from a vintage-accurate hand-wound '62 p-bass pickup, with master volume, master tone and vintage p-bass wiring. other features include a four-ply brown shell pickguard, vintage-style bass bridge with threaded steel saddles, vintage-style tuning machines, bone nut and disk string tree. also includes deluxe hardshell case, strap and certificate of authenticity.
Specifications:
| Country Of Origin | US |
| Orientation | Right-Hand |
| Platform | Custom Shop |
| Fingerboard Material | Flat-Laminated AAA Rosewood |
| Fingerboard Radius | 9.5" (241 mm) |
| Neck Butt Width | 2.500" |
| Neck Finish | Nitrocellulose Lacquer |
| Neck Material | Quartersawn Maple |
| Neck Shape | 1960 P-Bass Oval "C" |
| Neck Thickness | .790" |
| Neck Thickness 12th Fret | .990" |
| Number of Frets | 20 |
| Nut Material | Bone |
| Nut Width | 1.75" (44.45 mm) |
| Fret Size | Medium Jumbo |
| Headstock Thickness | 0.580" |
| Scale Length | 34" (864 mm) |
| Position Inlays | Micarta White Dot |
| Side Dots | White |
| String Nut | Bone |
| Truss Rod | Vintage-Style Heel Adjust |
| Truss Rod Nut | Vintage-Style Slotted |
| Body Finish | Nitrocellulose Lacquer |
| Body Shape | Precision Bass |
| Bridge | 4-Saddle Vintage Style with Threaded Steel Saddles |
| Control Knobs | Knurled Chrome |
| Hardware Finish | Nickel/Chrome |
| Neck Plate | 4-Bolt with Custom Shop "V" Logo |
| Pickguard | 4-Ply Tortoiseshell |
| Strings | Nickel Plated Steel (.045-.105 Gauges) |
| Tuning Machines | Vintage-Style |
| Bridge Pickup | Custom Shop Hand-Wound '62 Precision Bass |
| Controls | Volume, Tone |
| Finish | Aged Black |
| Year | 2021 |
| Made In | United States |
Reviews:
great warm fender cleans. reverb is excellent. gain channels suprisingly good. plenty of volume. well built. simple to use. dont use pedals anymore but i hear its a good platform. i got it to plug straight in and play. when your pressed for time and dont have hours a day to scree around with the levels this will give you great tone fast with no hassle dialing it in. great valuethe cheese
I purchased this amp after buying a les Paul , plugging into my Princeton chorus and not getting the sweet warmth I heard hours before. I no longer want or need pedals (although occassional delay) its 3 channels are plenty for warm blues or rock. Tone rich. And a bargain at the time, as I see it for @ $1000 now. Best bang for my buck.
Great Fender tube sound, spring reverb. Loud, bright clean tones, plenty of headroom. 2 adjustable levels of gain/distortion. 2 12in Celestion speakers. Pine cabinet like the old twins, lighter better sound. Takes pedals like delays power amp in/preamp out. The choice of lots of pros for good reason. Absolutely love this amp.Jon
16. Fender Precision Bass Limited-Edition Ebony Fingerboard Black
Product Details:
The fender limited edition player precision bass is a high-class, luxurious playing experience built by some of the world's finest guitar makers. engineered to perfection, this premium instrument delivers a supreme playability, durable performance and that vintage fender sound that has defined a generation. the single player series alnico 5 split pickup drives a deep bass growl that can be moulded simply through the powerful, intuitive controls to fit your taste – so you can find your own unique voice. what's more, the sound of the pickup is complemented by the tonewoods used to build the guitar. the alder body is balanced, focused and rich, and the maple neck delivers a brightness that shines in the mid-high range. finished with an all-black wrap, this bass boasts a sleek aesthetic which is helped on by the ebony fingerboard that further contributes to a gorgeous visual feel. the neck itself is complete with a satin urethane finish that allows for pinpoint intonation and will make manoeuvrability a breeze.
Specifications:
| Shape | C |
| Wood | Maple |
| Neck joint | Bolt-on |
| Scale length | 34" |
| Truss rod | Standard |
| Finish | Satin |
| Active or passive pickups | Passive |
| Pickup configuration | Split single-coil |
| Active preamp | No |
| Radius | 9.5" |
| Fret size | Medium-jumbo |
| Number of frets | 20 |
| Inlays | Dot |
| Nut material | Synthetic bone |
| Nut width | 1.625" (41.3 mm) |
| Cutaway | Double cutaway |
| Construction | Solidbody |
| Body wood | Alder |
| Top wood | Alder |
| Body finish | Gloss |
| Orientation | Right handed |
| Control layout | Master volume, tone |
| Pickup switch | No |
| Coil tap or split | No |
| Tone switching | No |
| Special switching | No |
| Bridge type | Fixed |
| Bridge design | 4-Saddle adjustable |
| Tuning machines | Open-geared |
| Number of strings | 4 |
| Pickguard | Yes |
| Country of origin | Mexico |
Reviews:
Just got back into playing in a band after a lengthy layoff from music and needed to update my gear starting with a new bass. After extensive researching of what's new out there on the scene, it came down to the Fender Jazz bass and the Fender Player Series Precision bass. Went to my local GC and spent nearly three hours playing both and while both sound amazing, the P-bass just has more punch and a thicker bottom sound that I love. I've had it a few weeks now and have spent hours in my little studio, and with the band and Wow! the P-bass despite only passive pick-ups does everything I need it to do for Rock, hard rock, blues, pop and funk. The P-bass was all but ready to play right from the store with the only adjustment I had to make was lowering the action to where I like it, and changed the strings out to D'Addario flatwounds. Lastly, the all black body and machine head and chrome trim, plus the Rosewood fretboard just gives it an incredible stage appearance.Shark
I play in bands professionally, and have included this bass in my regular set of instruments.Roger
17. Prs Se Kingfisher Bass – Faded Blue Wrap Around Burst
Product Details:
The beast of all basses. cut through the mix with the prs se kingfisher bass. this magnificent instrument is loaded with two kingfisher 4 bh pickups for the ultimate decimating sound, encompassing plenty of growl and piercing clarity. let those top notes soar like sparks from the strings whilst the low range engulfs you in an immersive, thrilling playing experience. showcasing a stunning neck-through construction, this bass has excellence flowing through its veins. such a meticulous design ensures glistening sustain. delicious definition will ooze from every note you play. and when you're armed with a sensational ash, maple, and walnut build, you can be sure to have a glorious, balanced tone at your fingertips – one which will last a lifetime.
Specifications:
| Body Wood | Swamp Ash |
| Number of Frets | 24 |
| Scale Length | 34" |
| Neck Wood | 5-Ply Maple/Walnut, Neck-Through Construction |
| Neck Shape | SE Bass 4 |
| Neck Depth At The Nut | 25.5/32" |
| Width of Fretboard at the Body | 2 17/32" |
| Width of Fretboard at the Nut | 1 19/32" |
| Fretboard Wood | Rosewood |
| Fretboard Inlay | Birds |
| Truss Rod Cover | Kingfisher |
| Bridge | Hipshot TransTone |
| Tuners | Hipshot HB6 |
| Hardware Type | Chrome |
| Controls | Two Volume Controls and One Tone Control |
| Strings | 45-105 |
Reviews:
Overall: Extremely well made, great quality control and a great attention to detail. Hipshot tuners and bridge, the fit and finish was top notch and it balances like a dream. It’s very versatile sonically too. I am able to get a great variety of sounds out of it even without a preamp. Pickups sound really good and even though it’s a passive bass, the output is still really good. Out of the box setup was pretty good, I made a few tweaks to the action but the intonation was spot on and the truss Rod was adjusted properly. I highly recommend this bass, I am very pleased with it and it has become my number 1 for playing out and for practicing.Kris
I'm glad I ordered this PRS bass from Pro Audio Star. I stumbled onto it while browsing eBay and asked for more pictures. This was supposed to be an "Open Box" purchase that I was very hesitant about. After receiving the bass I immediately took it to my music room and plugged it up. I surely didn't expect the volume I was getting from the passive pickup system or the gig bag I wasn't expecting to receive. The thru body neck and thru body string system provides plenty of sustain and phenomenal clarity and resolution. The clarity of each note was more than I could have asked for. I rank this bass right up there with some of my custom builds like Mike Lull and Status. Im not kidding. You really have to try this bass. The two massive Humbuckers deliver killer tones and plenty of volume for giging. I run all my basses through a Boss ME 50B pedalboard and then into a SansAmp for extra flexibility. The combination has been my goto setup for live performances and allows me to dial in whatever tone I want while on the fly. I would highly recommend this bass for any level of proficiency. The price was definitely a factor in the purchase.BradC
There is something about this bass that just works for me, its exceptionally playable with great feel and balance. Normally it takes me a long time to find a tone I like on a bass, but this PRS Kestrel just settled into a beautiful responsive sound within a few minutes, backed if the volume a touch and found the sweet spot between the pick ups and honestly havent changed it since finally found the bass for me!!!!bobbluemac
18. Fender Custom Shop '58 Precision Bass Heavy Relic Vintage White
Product Details:
This period saw the debut of the three-color sunburst finish, the strat-style headstock, the one-piece gold anodized aluminum pickguard, the split-coil pickup and the top-mount bridge (rather than through-body) with individual threaded steel saddles for better intonation and height adjustment. a two-piece select alder body wears a heavy relic lacquer finish like a road warrior that has weathered many a stage. the one-piece quartersawn maple neck features a 1957-style “soft v” profile, 9.5” fingerboard radius and 20 narrow tall (6105) frets. other features include a single-ply gold anodized pickguard, vintage-style bass bridge with threaded steel saddles, vintage-style tuning machines, bone nut, and disk string tree. also includes deluxe hardshell case, strap and certificate of authenticity.
Specifications:
| Wood | Quartersawn maple |
| Scale length | 34” |
| Truss rod | Vintage |
| Finish | Nitrocellulose lacquer |
| Pickup configuration | H |
| Bridge | Proprietary Humbucker |
| Control layout | Master volume, Master tone |
| Fret size | Narrow-Tall |
| Number of frets | 20 |
| Inlays | Dot |
| Nut material/width | Bone/1.75" |
| Body Type | Solid body |
| Body wood | 2-piece Alder |
| Body finish | Nitrocellulose Lacquer |
| Bridge/Tailpiece | Individual saddle |
| Tuning machines | Vintage-style |
| Number of strings | 4 String |
| Country of origin | United States |
| Orientation | Right-handed |
Reviews:
great warm fender cleans. reverb is excellent. gain channels suprisingly good. plenty of volume. well built. simple to use. dont use pedals anymore but i hear its a good platform. i got it to plug straight in and play. when your pressed for time and dont have hours a day to scree around with the levels this will give you great tone fast with no hassle dialing it in. great valuethe cheese
I purchased this amp after buying a les Paul , plugging into my Princeton chorus and not getting the sweet warmth I heard hours before. I no longer want or need pedals (although occassional delay) its 3 channels are plenty for warm blues or rock. Tone rich. And a bargain at the time, as I see it for @ $1000 now. Best bang for my buck.
Great Fender tube sound, spring reverb. Loud, bright clean tones, plenty of headroom. 2 adjustable levels of gain/distortion. 2 12in Celestion speakers. Pine cabinet like the old twins, lighter better sound. Takes pedals like delays power amp in/preamp out. The choice of lots of pros for good reason. Absolutely love this amp.Jon
19. Fender Custom Shop 1961 Heavy Relic Jazz Bass – Aged Olympic White
Product Details:
Only a year after its debut, the jazz bass received a new control configuration in 1961 that featured a volume knob for each pickup and a master tone knoba classic control arrangement that endures to this day. the 1961 jazz bass heavy relic is a faithful recreation of the time-honored original, with a few custom features prized by players worldwide. the two-piece alder body, hand selected for weight and grain, wears a heavy relic lacquer finish. the quartersawn maple neck features a 60-style jazz bass u profile, topped by a 9.5-radius flat-lam rosewood fingerboard with 20 medium jumbo frets for comfort and perfect action along the entire length of the neck. as with the now-familiar control arrangement that first appeared in mid 1961, the hand-wound vintage jazz bass pickups each have their own volume control, with a master tone knob. other features include a four-ply brown shell pickguard, vintage-style bass bridge with threaded steel saddles, vintage-style tuning machines, bone nut and disk string tree. also includes deluxe hardshell case, strap, string mutes and certificate of authenticity. fender, squier, stratocaster, telecaster, precision bass, jazz bass and the distinctive headstock designs commonly found on the strat, tele & p bass guitars are registered trademarks of fender musical instruments corporation
Specifications:
| Country Of Origin | US |
| Body Finish | Nitrocellulose Lacquer |
| Body Shape | Jazz Bass |
| Neck Material | Quartersawn Maple |
| Neck Finish | Nitrocellulose Lacquer |
| Neck Shape | 1960 Jazz Bass "U" |
| Scale Length | 34" (864 mm) |
| Fingerboard | Flat-Laminated AAA Rosewood |
| Fingerboard Radius | 9.5" (241 mm) |
| Number of Frets | 20 |
| Frets Size | Medium Jumbo |
| String Nut | Bone |
| Nut Width | 1.5" (38.1 mm) |
| Position Inlays | Micarta White Dot |
| Truss Rods | Vintage-Style Heel Adjust |
| Bridge Pickup | Custom Shop Hand-Wound Single-Coil Jazz Bass |
| Neck Pickup | Custom Shop Hand-Wound Single-Coil Jazz Bass |
| Pickup Configuration | SS |
| Bridge | 4-Saddle Vintage Style with Threaded Steel Saddles |
| Hardware Finish | Nickel/Chrome |
| Tuning Machines | Vintage-Style |
| Pickguard | 4-Ply Tortoiseshell |
| Control Knobs | Black "Witch Hat" |
| Strings | Nickel Plated Steel (.045-.105 Gauges) |
| Finish | Aged Olympic White |
| Year | 2021 |
| Made In | United States |
Reviews:
If you are tired of searching for a professional sound buy this bass. I hated the mim fender deluxe model, but fender did something special with this bass. It has a clear piano like quality to it. My two sire basses sound like toys up against it. I have wasted so much money on lesser basses. I'm just trying to help my fellow bass players out there. Everyone says that I sound good playing my other basses, but there are certain ugly overtones that I don't want to hear in my bass. This bass doesn't have those unwanted frequencies, it is voiced beautifully. I know that most of tone is in the fingers, but at the end of the day you know what you want to hear. If you are an audiophile this is the bass for you. I have spent weeks demoing this bass and no matter what amp you run it through it sounds good. I played it at a church last week and all I can say is it was nasty. My wife ordered mine yesterday for my birthday and it's suppose to arrive today, fingers crossed.Eric
I've owned and played bass guitars for 30 years now and I've owned several fender basses and the myriad clones out there of the J and P basses. That history and background left me with a bias against fender and an eye for other "better" production guitars like the Stingray which is my other go-to bass. That being said, I am blown away by this bass. It is a SOLID instrument with no flaws or blemishes that I can detect. It came from the factory with an almost perfect setup. I had to make a minor intonation adjustment on the low B and E strings but the string height, pickup height, and neck position were perfect. Fender's Ultra Noiseless pickups (a stacked humbucker really) sound great in passive mode emphasizing a fat bottom end and the tone nob adds a good bit of mids. The highs are kinda meh for me but the active switch takes care of that and I can get as bright as I want. The 18v active preamp provides a lot of room to boost or cut low, mid, and high frequencies to get just about any sounds I want (I still prefer my Sting Ray if I want to get real funky). This is about the best sounding 5-string I've had. Most 5-strings sounds great as 4-strings and SUPER muddy when you work the low-b string but this bass brings it out without too much mud.T. DeWees
I bought this base back in April 2022. It sounds great and plays great. However, the front pickup recently quit all together. After a tech looked at it, it was discovered that it was a bad front pickup. It was beyond the store warranty, so I took it up with fender. After 2 weeks of going back and forth between them and the store that I bought it at, it was determined that fender would send the pickup to the technician if my choice and they would fix it. But it would take 30 days because they send it directly from the manufacturer. Which still boggles my mind, because the slowest mail would be less than a week? So my opinion of fender customer service has dropped considerably. A working musician doesn't have 30 days to do without their instrument. This is unacceptable. I decided to purchase the pickup myself. I can get it in the mail in 2 days, and put it in myself. However this is a great base if you happen to get one with good parts in itJerry
20. Ibanez Btb806ms 6-String Bass Guitar – Transparent Gray Flat
Product Details:
The ibanez btb806ms tgf 6 string multiscale electric bass, finished in transparent gray flat, is a boutique build, featuring premium-grade materials, neck-thru construction, and top quality components, all meticulously combined into a stunning pro-level instrument. the btb806ms features a strong and stable 5pc maple/walnut neck with graphite reinforcement rods; this superior design provides enhanced sustain and stability, as well as greater tonal clarity and attack. a panga panga fretboard produces tight lows and mid range, and strong bright attack in the high end, while stainless steel frets provide long-lasting performance and durability. the btb806ms' mr5s bridge features adjustable saddles for variable string spacing (17mm +/- 1.5mm), allowing precise, fine-tuned spacing suitable for every bassist's needs. a stunning neck-through body design, with poplar burl top and okoume/ash wings, provides bright and solid tones with rich sustain, and a solid tonal foundation for a pair of t1 pickups. each t1 pickup features two separate, individually mounted coils, for tight bass, punchy mids, and crystalline highs. not only can the height of each coil be individually adjusted for highly nuanced tonal adjustments, but their ergonomic design allows them to comfortably be used as a thumb rest. an ibanez custom electronics 3-band eq gives you even greater control over your sound, via simple and straightforward eq controls. the boost and cut for the mid control are each centred on slightly different frequencies, an innovation that delivers a preset range of the most favourable bass tones. an additional 3-way mid frequency switch allow players to change the mid-tone between 250, 450, and 700 hz. an eq bypass switch allows you to switch from active to passive operation.
Specifications:
| Handedness | Right-Handed |
| Strings | 6 String |
| Country of origin | Indonesia |
| Number of Strings | 6 |
| Neck Type | BTB6 |
| Neck Joint | Neck-through |
| Neck Material | 5pc Maple/Walnut |
| Reinforcement rods | Graphite reinforcement rods |
| Neck finish | Satin Polyurethane |
| Neck thickness (1st fret) | 20mm |
| Neck thickness (12th fret) | 22mm |
| Scale | 34.5-37 |
| Nut width | 54mm |
| Number of fret | 24 (+ zero fret) |
| Fretboard Material | Bound Panga Panga |
| Fretboard Radius | 950mm |
| Fret Type | Medium Stainless Steel |
| Inlay | Abalone dot |
| Body finish | Satin Polyurethane |
| Bridge | MR5S |
| String spacing | 17mm |
| Nut | Plastic |
| Machine Head | Ibanez machine heads |
| Hardware color | Black |
| Neck Pickup | T1 |
| Bridge Pickup | T1 |
| Controls, Pickup selector | 1 Volume, 1 Balancer, Bass, Middle, Treble |
| String Gauges | .032/.045/.065/.080/.100/.130 |
| Factory Tuning | 1C,2G,3D,4A,5E,6B |
| Included case or bag | BTBMSFC |
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