Are you looking for the World’S Most Expensive Electric Guitar? If so, you’ve come to the right place.
Choosing the World’S Most Expensive Electric Guitar can be difficult as there are so many considerations, such as Fender, Gibson, Ibanez, Epiphone, Jackson, Yamaha, ESP, PRS, Electra, Music Man. We have done a lot of research to find the top 20 World’S Most Expensive Electric Guitar available.
The average cost is $4137.75. Sold comparable range in price from a low of $719.99 to a high of $11399.00.
Based on the research we did, we think Gibson Custom 59 Les Paul Standard VOS Electric Guitar, Royal Teaburst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling World'S Most Expensive Electric Guitar (20 Sellers)
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$6499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Carved figured maple attached with hot hide glue
- Body wood solid non-weight relieved mahogany
- Neck shape updated '59 neck profile (taken from a real '59 les paul standard)
$1799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of…
$11399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- In particular this instruments reissue the iconic 1959 les paul standard, the first les paul to feature a figured maple top.
- Its classic solid mahogany/maple construction and versatile humbucking pickups represent everything one could possibly need in a les paul model.
- This authentic…
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Colour: translucent red
- Construction type: solid body with weight reliefs
- Body shape: les paul
$9999.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Durability . Lightweight . Craftsmanship
Features:
- Sn: 821243weight: 7 lbs 3 ozneck depth 1st fret: .91"neck depth 12th fret: 1".
- Take to the sky.
- Body styles.
$7599.00
4.0
Reviewers Noted:
Sound quality . Visual appeal
Features:
- Item: gbcsdmfvragh1
- Serial# dmv29weight 7lbs 8oz
$5499.00
4.6
Features:
- Handedness: right handed
- Finish: polished
- Colour: black
$1599.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durability . Well made
Features:
- Gibson sg special vintage cherry electric guitar.
- The sg special returns to the classic design that made it relevant, played, and loved — shaping sound across generations and genres of music.
- P-90 single coil pickup.
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Lightweight
Features:
- Three v-mod ii single-coil stratocaster pickups
- Upgraded 2-point tremolo with cold-rolled steel block
- Deep "c -shaped neck profile with rolled fingerboard edges
$1199.99
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Lightweight
Features:
- Killer guitar for a killer price!
- The sonic grey finish is sure to turn heads and catch attention!
- Comes with fender original deluxe hard case and trem bar.
$4199.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Durability . Lightweight . Craftsmanship
Features:
- Finish top: slight user wear scuffs bass side horn
- Finish sides: slight scuffing on inner lower cutaway
- Finish back: slight user wear
$6799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- The sweet sound of '64.
- 1964 es-335 sixties cherry ultra light aged specifications.
- Body material.
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$5999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Gibson 1964 sg standard with maestro vibrola pelham blue ultra light aged
- The choice of legends
- The murphy lab collection
$3799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- Specifications
- 3-ply maple/poplar/maple
- Quarter-sawn adirondack spruce
$719.99
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Present on all fender’s japanese-made guitars.
- Makes this model a highly desirable proposition.
$4350.00
4.8
Reviewers Noted:
Sound quality . Weight . Durability . Visual appeal
Features:
- Limited edition explorer — only 200 will be made
- Ebony finish with gold hardware for an undeniably classy look
- 490r/498t humbucking pickups for classic tone with an edge
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Lightweight
Features:
- Has some lines in the finish (hard to picture) but another reason for the markdown.
- Locking tuners.
- Strap locks.
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Perfect (no issues)cosmetic condition
- 9/10 (very little signs of use)includes
- Original box, guitar, non-original gig bagitem #
Reviewers Noted:
Good sound quality . Lightweight . Durability . Attractive . Well made
Features:
- Set neck for great sustain and stability
- Mahogany body and neck
- 22 xj fret ebony fingerboard
1. Gibson Custom 59 Les Paul Standard Vos Electric Guitar, Royal Teaburst
Product Details:
A beautiful r9 les paul from 2018 in royal tea burst with very low playwear. a few small scuffs and scratches, a smell blemish on the binding and a small scratch on the face of the headstock next to the "a" tuner. these are all minor and represent daily wear expected from a used instrument; the very definition of "excellent" condition.weighs 8.2 lbs.of particular note, besides the lovely faded tea burst finish, is the light red tint on the back of the body and neck. i've tried to capture all aspects of this guitar in the photos. the frets have little wear and the hardware is lightly aged from the factory. the pickups are the stock "custombuckers", which are gibson custom's best paf replicas to date. the included ohsc has a small dent on the front corner. in all, this is the epitome of a modern les paul reissue.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Lightweight Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | 1959 Medium C |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | CustomBucker |
| Bridge | CustomBucker |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 Tune-o-Matic |
| Tailpiece | Stopbar |
| Tuning machines | Kluson Deluxe |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
2. Gibson Sg Standard Electric Guitar (Ebony)
Product Details:
The gibson sg. every guitarist knows one when they see it. and with good reason. this gibson sg standard is a shining example of why these guitars are some of the most revered in the world. the sleek body, comfortable neck, and finely crafted contours make it a modern day king, and its tone is beyond exceptional. two gibson 490 humbuckers in the neck and bridge give it plenty of firepower and crisp, articulate tone for an exceptional sound. with them, you'll be rocking like the legends who used this model throughout the decades. classic design, modern features. this model is the perfect blend of old and new, offering the same playing experience which the sgs of old, but with modern day reliability. you'll feel those vintage vibes coming to your fingers as you make your way across the smooth, supreme fretboard. whether you're into blues or straight up rock 'n' roll, this guitar will satisfy your every desire.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | Slim Taper |
| Neck Material | Mahogany |
| Depth at 1st (in) | .833 |
| Depth at 12th (in) | .976 |
| Nut Width (in) | 1.69 |
| Nut Material | Graph Tech |
| Scale | 24.75 |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Grovers |
| Bridge | Nashville TOM |
| Neck Pickup | 490R |
| Bridge Pickup | 490T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Wood Top Style | Plain |
Reviews:
I've been playing guitar for over 15 years. I got an 05' Gibson SG Standard for my 13th birthday. Over the years of influence in your ear about other guitars, you decide to dabble with different sounds and set ups. After playing a few strats, a ES-339, and a LP Standard over the years, I've always found myself to be happy at home with my SG. The 490R and 498T pickups are the best pickups Gibson made in my opinion. The versatility is astounding, ranging from jazz-fusion types like Larry Carlton, to the crunch of post hardcore, while pitching perfectly on iconic 70s solos and leads. Wether you're new to the Gibson family, or looking to add to your Arsenal, the SG Standard will forever please, and forever fit into any track.Jack
Absolutely love this guitar. It has taken the spot of my main Gibson for playing out. I alternate between this and my Dark Night American Pro II Stratocaster. The color schemes go well together and match my band's logo color scheme and branding so that's kind of a cool plus. I love the neck profile, the U shape is chunkier than a 60's Les Paul but is very comfortable in my hand and really reduces fatigue when I'm playing chords. I am still able to shred away with ease during solo time. I'm a huge fan of the nitro cellulous finish. I really like how the mahogany body resonates…I think it improves the tone. The QC, fit and finish on this guitar seems flawless to me. Gibson has really stepped up. Lastly, I want to comment on the soft case. I wasn't sure if I was going to like it. I was very surprised at how much padding there is and how plush it is on the inside. It is much more portable than a hard shell and honestly, with the shoulder strap….I may prefer it over the hard shell. It's easier to take to practice or a gig and the pocket has enough room for my wireless buds, iPod and foot controller (for iPod). I'm really stoked with my new SG, and I'd love to get one in white with gold hardware if AMS will ever offer it;-).Jon
Overall: This guitar showed up in need of a complete setup. Nothing was properly adjusted and setup, and I’m still not sure about the neck truss rod. Fortunately for me I know how to setup a guitar, however everything was out. When I set up a neck I usually adjust for .009” relief. I am unable get that with this neck probably because the truss rod was installed wrong at the factory. I might send this one back for that reason because if I ever go to a light gauge string I’d have to raise the action at the bridge so high it would be unplayable. As far as the CTS pots, they’re a very cheap version and they’re not very good. I replaced all of them with Bournes 500k pots and installed a Switchcraft jack. It definitely makes a big difference. Now that it’s been setup and fixed, except for the neck truss rod, it’s a great guitar. The Epiphone pickups sound great and the tuners are nice too. The finish is perfect and the stock hardware seems good. I certainly can recommend this guitar, but I feel zZounds should at least try and send these out in better condition. A setup like what I did would cost about $150. The last guitar I bought from zZounds was perfect, they let me down this time.Scott
3. Gibson Custom 1959 Les Paul Standard Reissue Electric Guitar – Murphy Lab Ultra Heavy Aged Kindred Burst
Product Details:
Crafted under the supervision of master artisan tom murphy, who has a long history with gibson and a star-studded history of creating vintage-looking instruments. with tom murphy’s innovative and unique ageing process what you end up with is a guitar that looks accurately aged, but also feels and plays like the guitar you’ve been playing your whole life.
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | 2-piece Figured Maple |
| Body wood | 1-piece lightweight Mahogany |
| Neck shape | Authentic '59 Medium C |
| Neck wood | Solid Mahogany |
| Scale length | 24.75" |
| Truss rod | Standard |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.687"/Nylon |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Bridge type | Fixed Bridge |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Kluson Single Line |
| Number of strings | 6 String |
| Orientation | Right-Handed |
| Country of Origin | United States |
Reviews:
I had a great experience with Musiciansfriend. I called my gear advisor, Scott, and he went the extra mile to answer all of my questions over about a two week period. My guitar weighs just under 10 pounds. The set up was superb with a low action and near perfect intonation. Phenomenal sound. Just amazing. Each string rings out clear and balanced. This is my first Gibson. I am a Fender player ('69 Jaguar, '97 Strat) so I was afraid I wouldn't like the warm tones of the humbuckers (nearly went with P90 because of this), but I can't compliment this guitar enough. It's a legend for a reason. The only bad thing is the case. It's obvious that Gibson doesn't take as much care in quality control for their cases. Pea sized bubble on the exterior and lining already coming unglued. However, musiciansfriend is working to right this for me.Jonathan
Overall: Ordered my 60's Les Paul in Unburst on Thursday February 10th. I paid for overnight shipping cause I couldn't wait & zZounds didn't disappoint. Guitar arrived on Friday the 11th before noon!!! Thank you zZounds. Now onto the review……amazing guitar. The figured top is beautiful. zZounds lets you pick the Les Paul you want by serial number & the top looks even better in person, I couldn't be happier. The fit & finish is excellent. Setup is perfect out of the box, plays like a dream. Sustain for days & the '61 Burstbucker R & T pickups just scream!!! Gibson's quality control is on point now!!! Just a beautiful guitar.James
Wow, does this guitar growl. These pickups are so hot, I was startled when I turned up the amp. On clean, every note in a chord is articulated brilliantly. And the sustain is strikingly long and full. I thought the fit and finish was exceptional, and appreciate the quality considering the price. It makes my other guitars feel like I'm riding a bike with a flat tire. It's just not a fair comparison. I am afraid I will have to upgrade my entire fleet now – it has spoiled me. I am more gratified with the purchase than I anticipated.Howard
4. Gibson Les Paul Classic Electric Guitar (Translucent Cherry)
Product Details:
A traditional look and build techniques combine with some modern touches, resulting in a go-to axe for any stage or studio session! as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. taking its functionality to another level, the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for great versatility.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
5. Gibson Custom Shop 1958 Korina Flying V Black Pickguard Natural
Product Details:
One of the most sought-after and limited production guitars gibson has ever made, the ’58 flying v is an absolute legend of a guitar. the classic vintage flying v features have been carefully recreated in this historic reissue model. featuring an abr-1 bridge with a string-through korina body, custombucker pickups, korina neck, indian rosewood fretboard, two volume and one tone control with cts pots and a phone book capacitor, gold hardware, kluson tuners, and a 4-ply pickguard. a hardshell case is included.
Specifications:
| Body Shape | Flying V |
| Rim Material | Rubber Strip on Bottom Rim |
| Finish | Nitrocellulose Lacquer (VOS) |
| Neck Material | Korina |
| Scale Length | 24.75" |
| Fingerboard Material | 1 Piece Indian Rosewood, Hide Glue Fit |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Nut Material | Nylon |
| Nut Width | 1.687" |
| Inlays | Pearloid Dots |
| Joint | Hide Glue Fit |
| Hardware Finish | Aged Gold |
| Tuner Plating | Aged Gold |
| Bridge | ABR-1 |
| Tailpiece | String through Body – Lacquered Brass Chevron |
| Tuning Machines | Kluson Single Ring |
| Pickguard | '58 Flying V 4-ply |
| Truss Rod Cover | True Historic Black |
| Control Knobs | True Historic Black |
| Switch Tip | True Historic Amber |
| Jack Plate Cover | '58 Flying V 4-ply |
| Strap Buttons | 2 – Brass |
| Mounting Rings | True Historic Black |
| Pickup Covers | True Historic Aged Gold |
| Neck Pickup | Custombucker |
| Bridge Pickup | Custombucker |
| Pickup Selector | 3-Way Switchcraft |
| Output Jack | 1/4" Switchcraft |
| Strings Gauge | .010, .013, .017, .026, .036, .046 |
Reviews:
I'm a collector and player of the unique and unusual of the big brand and some off brand stuff. Never been a huge Gibby fan, even though in a classic rock guy. The flying v crescent moon is wonderful though, and has a vibe and feel all its own. When you think that legends from Hendrix to king played them, and had a style all they're own, the V just has its own place in the guitar world. I swapped the hot ceramic Gibby pups for some Seymour Duncan's with chrome covers, as I wanted a more dressed look and blues warmth from this lightweight but oh so solid beast. I did the graphitec saddles as well, again for a warm vibe. The result is amazing, period. I'll put her against anything from anybody in tone, weight, style, playability and feel. Even before the mods, still best of the best. All welds perfect, fret work perfect, finish accomplished the look of a vintage road warrior. Nickle hardware, true Ebony fretboard, feels like one gorgeous piece of mahogany in your arms as the neck and body are so perfectly set together.golfn64
This guitar sounds so good, it's hard to say if it's the wood or pickups. Who cares? It sounds good. Good tone and sustain. I look forward to playing it. Tuning is easy, playing it is comfortable. It has the original good looks that the Flying V was made with. I have heard people with Gibsons say that they with the knobs were like on my V. They also liked the placement of the jack. Which, I want to say, are 2 solid reasons I wanted this guitar. The Through-the=body stop and the jack at the end of the wing tip. Very nice.David
Gibson Flying V. Antique natural. Low action and great playability from factory. Awesome fretboard even though multiple tool marks around fret ends. Good access. Pickups sound good clean and can get hot enough for metal with a boost. Nice grain in wood. Couple small sand marks under nitro. Neck feels great. Giving it 4 stars for cosmetic issues but played so well did not send it back or even pursue price reduction. Case is very nice. AMS great as always. Killer payment plans and fast shipping.Todd
6. Gibson Custom Dave Mustaine Flying V Exp Red Amber Burst With Case
Product Details:
Dave mustaine is the legendary guitarist, vocalist, songwriter, and founder of the multi-platinum selling and grammy award-winning band, megadeth. his new gibson dave mustaine flying v exp limited edition delivers the powerful, heavy sound and exceptional playing performance that he demands. the 25.5 scale mahogany neck has a bound ebony fretboard with 24 frets, mother of pearl inlays, an explorer -style headstock with grover mini rotomatic tuners, and a graph tech tusq nut. dave mustaine's signature is reproduced on the truss rod cover, and dave's silhouette is featured on the back of the headstock. the mahogany flying v-style body has a maple cap (figured maple on the red amber burst version) and is equipped with a tune-o-matic bridge, a string through body chevron tailpiece, and a dave mustaine signature seymour duncan thrash factor pickup set. the red amber burst nitrocellulose lacquer finish is complemented by gold hardware, while the ebony vos finished model is equipp…
Specifications:
| Finish | Ebony VOS |
| Year | 2022 |
| Made In | United States |
| Body Shape | V-Style |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | String-Through |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 24 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
Overall: The guitar is amazing, the fretboard and neck feel great, the Thrash Factor screams and will push a tube amp to break up a bit more, almost sounds like a mild fuzz or some extra overdrive if you really dig in. The finish is absolutely breathtaking, not a single issue on the finish, inlays, wiring. It really feels like an American made icon. The only issue is one of the frets is slightly lifted, causing some pretty severe buzz on a very common, major note. zZounds has offered me only $100 back on a broken $3000 guitar, I'm not terribly happy about that, but I am trying to get in touch with Gibson about having it repaired, if they'd ever get back to me.
7. Gibson Custom Les Paul Axcess Custom Floyd Rose – Ebony
Product Details:
The gibson les paul axcess custom electric guitar reimagines the iconic original. featuring the apex headstock for added strength, redesigned contours for added comfort and fretboard access and powerful coil-tapped humbuckers, this les paul custom delivers on style, power and versatile tone. a floyd rose tremolo and locking nut provide tuning stability during the craziest dive bombs, while the solid ebony fingerboard retains clarity in every note and chord.
Specifications:
| Body Type | Single cutaway solid body |
| Top wood | 2-piece Maple |
| Body wood | Solid Mahogany |
| Neck shape | Slim C |
| Neck wood | Solid Mahogany |
| Scale length | 24.75" |
| Truss rod | Standard |
| Number of frets | 22 |
| Inlays | Block |
| Nut width/material | Locking |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Master tone, master volume |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Floyd Rose |
| Tailpiece | String thru body |
| Tuning machines | Grover Keystone |
| Number of strings | 6 String |
| Orientation | Right-handed |
| Country of Origin | United States |
Reviews:
I purchased THIS guitar at full price as new and immediately returned. It is heavily used and worn all over to much to list. Pictures on site are not of actual guitar. Do not buy this item you will be instantly disappointed when you open the box. I can't believe they are trying to sell as new AGAIN.
Chitarra spettacolare! Arrivata perfetta!
8. Gibson – Sg Special – Electric Guitar – Vintage Cherry
Product Details:
Gibson usa's new original series is exactly what you have been waiting for. the sg special returns to the classic design that made it relevant, played and loved – shaping sound across generations and genres of music. this early 60's style sg special has the vibe and sound heard on countless classic rock recordings. the comfortable, slim taper mahogany neck and bound rosewood fingerboard is well known for fast, effortless playing. the two p-90 pickups are noted for their fat, snarl when driven and for their smooth, sweetness when played clean. the sg special is equipped with the 3-way toggle switch, handwired controls and orange drop capacitors. come visit your authorized gibson dealer and try one for yourself.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Compensated Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall happy with the gibson sg special. You can see on the guitar theres a couple of minor marks from the gibson factory. Nothing major. The string alignment is a little off. But dont mind. The low E string is closer to the top of the neck. I use my thumb alot so works out. If it was the other way around I might of sent it back. The electrics look good under the hood. Musicstore got the guitar very quickly to Ireland. Really good service with great updates. Very happy with the purchase:)
Alright, so the first one of these new SG Specials in Pelham Blue showed up with a giant crack (not finish checking) that wrapped from the input jack to the control panel. I knew I had to return it but tuned it up and noodled a bit and tested pickups to make sure it was worth the exchange. The guitar was so good I almost kept it. My girlfriend convinced me to return it for a new one and it's the best decision I've ever made regarding gear. I've had the new one for a few days and it is just better in every way compared to the damaged but also incredible guitar I originally received. The resonance, sustain, comfort, aesthetic, playability, P90s, even the smell… all perfect. Gibson even learned to cut a nut. The fretboard is darker (better), the setup and finish is better. It just feels and sounds better. There is no neck dive on this one, although the first one did have a neck heavy feel (nothing a leather/suede strap couldn't fix). I say all this to remind everyone that every guitar is different and just hope you get one with mojo. I went to a competitor today and played a new Les Paul Standard that was tagged at $1K higher than this SG. No comparison. I was laughing at how much better the SG was in every single department. I can't wait to take this on the road as my new #1 and I seriously doubt it will ever be topped. New or vintage. Gibson is taking this rebuild seriously, and these Original Collection models are the best step they could have taken.UglyRunnerMusic
I am astonished at how quiet the P90's are in this SG. The hum is negligible — substantially less than the high gains in my Rickenbacker and only barely more the Lace Sensors in my strat (which are 99% silent). I had anticipated ordering some hum-canceling Lindy's to go in there, but that won't be happening. These sound phenomenal. They're just about all I could ever want from a pickup. The guitar came with the neck set almost completely straight. Just a smidge of relief (the perfect amount, really). Fretwork is essentially perfect. No sharp ends, frets are perfectly even and well-polished. The action was set a bit high, but was fairly easy to remedy. So why 4 stars instead of 5? The lower set screw (high E side) on the lightning bar wraparound bridge arrived stuck. Under no tension, it could not be adjusted in or out with the 1/16 hex key on the included Gibson multi-tool. I had to use an extractor plier to get it out out of fear of grinding down the end of the hex. Upon inspection, some of the threads near the cup point on the screw were malformed. There were no issues with the screw on the upper (Low E) side. Tracking down a replacement #5-40 3/8" set screw in small (< 100) quantity was actually kind of difficult. A stuck screw on a bridge is not catastrophic, but it does seem like something that should have been caught in QA. Aside from the one issue, everything else was immaculate. Also, great service from Musicians Friend.Justin
9. Fender American Professional Ii Stratocaster Rosewood, Mystic Surf Green
Product Details:
American professional ii stratocasterthe fender stratocaster is one of the best-loved and most recognisable icons of music and beyond. the strat has been the key to the sound of guitar legends from almost every genre of music since its introduction back to 1954. although there have been many, more extreme variations over the years, the classic fender stratocaster remains king. the american professional ii stratocaster is the next evolution of this legendary instrument, seamlessly blending modern technology and improvements with a timeless classic to produce a guitar ready to meet the demands of the modern player while giving traditional musicians everything they already love. the v-mod ii stratocaster single-coil pickups impressively retain the warmth and bell-like chime beloved of generations of guitarists but also bring a whole new level of articulation. the redesigned bridge and 2-point tremolo combine with the newly sculpted neck heel and rolled fingerboard edges to deliver playability improvements you wouldn't have thought possible on such a well-loved classic. also available as left handed.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | Alder |
| Body finish | Gloss Urethane |
| Neck shape | C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Standard |
| Neck finish | Satin Urethane |
| Radius | 9.5" |
| Fret size | Narrow-Tall |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.687" (42.8 mm) Bone |
| Configuration | SSS |
| Neck | Proprietary Single Coil |
| Middle | Proprietary Single Coil |
| Bridge | Proprietary Single Coil |
| Control layout | Master volume Individual tone |
| Pickup switch | 5-Way |
| Special electronics | Tone bypass |
| Bridge type | Tremolo/Vibrato |
| Bridge design | 2-point Fulcrum tremolo, individual saddle |
| Tuning machines | Sealed High-ratio |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I have wanted an American made Strat for the longest. Not just any American Strat, but The One built to my specs from the looks right down to the pots and of course the feel and sustain. This is it and AMS made it easy and in reach just as they've helped me to make other musical dreams to come true! This guitar feels great, sounds amazing, beyond my hopes & expectations, and even the price tag was a pleasant surprise! Tech has come a long way, but in a lot of ways we've lost craftsmanship. Well, not out of Corona California. Crisp tones, nuanced variation, and that wonderful Fender sustain! I have some other expensive guitars, which I love, but at under their price point the Professional II is going to be a close lifetime friend. If you are looking at these and don't need boutique trimming of the Ultra line or the royal treatment of the Custom Shop, look no further and pay no more. Strat-Halla is right here at a reasonable price point for a heritage worthy instrument. I won't waste time going over the specs. It's all here. Get acquainted with your new best friend!Pete
This is my second American Stratocaster. My first is from 2007 and it has a rosewood fretboard. I wanted a maple neck strat as well. I bought the Miami blue version and love it. To me, Strats are each very unique in the way they play and sound. My other Strat has Dimarzio Area pickups in it (which I love), so I’m having to get used to the stock single coils. I love the bridge, but to my ears the neck pickup it too muddy. The trem system is good, and the overall construction is good. I had to re set it up because I use heavier strings. I may end up changing pickups before it’s all said and done. Only time will tell. I wish Fender would have put Locking tuners on from factory! That’s a must for me.Justin
I purchased this guitar about 3 weeks ago (working with Zach), it has quickly become my favorite guitar I own. The full rosewood neck is incredibly smooth and the the deep C shape is extremely comfortable. I mostly play through a Helix Stomp and have been really happy with the sound and tone variability I can get with it using the various pickup selections especially with the push/push for adding the top pickup to the mix for positions 1 and 2. The pictures in the listing look great, but it looks much better in person. The pictures have a lot of light which makes the blue appear lighter than it would in a normal room. The picture where the guitar is positioned in the case is a great representation of the color in a normally lit room.Kevin
10. Fender American Professional Stratocaster – Sonic Gray – Rosewood
Product Details:
Often copied, but never surpassed, the stratocaster is arguably the world’s most-loved electric guitar. electrifying the music world since its debut in 1954, its natural, versatile sound made the stratocaster the benchmark for exceptional guitar tones. the american professional stratocaster isn’t a re-imagining of the classic design; it’s the authentic original model, evolved. the choice of musical legends since its release, the stratocaster feel and sound set the world on fire, powering music movements from electric blues to edm, and everything in-between. in your hands this strat is ready to navigate the creative twists and turns of your music, inspiring you to express yourself in new ways through your playing. developed by pickup master tim shaw, the brand-new v-mod single-coil pickups are voiced specifically for each position, mixing alnico magnet types to produce powerful, nuanced tones with original fender sonic dna. retain high end clarity when adjusting the volume controls, thanks to the new treble-bleed tone circuit that lets your tone shine through in all its glory. the new modern "deep c”-shaped neck profile feels just right in your hand while the narrow-tall frets make it easy to bend strings accurately and play perfectly intonated chords. the best of yesterday and today, the american professional stratocaster is the latest form of electric inspiration from fender. step up and stake your claim to a legend.
Specifications:
| Finish | 2-Color Sunburst |
| Year | 2017 – 2020 |
| Made In | United States |
| Body Shape | S-Style |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Bridge |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Fretboard Radius | 9.5" |
| Frets | Narrow Tall |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.685" |
| Offset Body | No |
| Pickup Configuration | SSS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Opaque |
Reviews:
Although the antique olive was not necessarily my first color choice, it looks amazing in person. The finish is much thinner than the finish on my MIM Standard telecaster or strat – I can very faintly see the join lines and grain through the finish, and the instrument itself is very resonant unplugged. Out of the box, the action was basically perfect – I set intonation and tuning and have not had to adjust saddles or tweak the truss rod at all. The neck profile is very comfortable for me – far more than either the 2002 "American Fat Strat Texas Special" or 2012 American Standard I had previously – hand-filling and substantial without sacrificing easy chording and bending. In terms of tones – it really nails all of the bell-like tones strats have become famous for. I am definitely more a fan of the three pickups individually than the 'in-between' settings, but it also has the 'quack' you want if you are an aficionado of those tones as well. The vibrato is light and easy – I don't do a lot of dive-bombing, but it's perfect for adding a bit of shimmer here and there. I know I'm still in the 'honeymoon' period, but I believe it's going to be a long and happy marriage!Robert
I'm a Gibson player usually – I have a Les Paul Standard Faded from 2005, which has been rewired with a '59 harness, Alnico 2 PU mags and PIO caps (it's an absolute tone monster), and is the yardstick by which I judge all other guitars. 99.9% of the time, nothing comes close. I've never really found a Stratocaster that I felt completely at ease with, or that sounded right to my Gibbo ears. But the American Pro is different. I don't know what they've done with the pickups, but there's loads of soul in them, with tons of dynamics on offer. I never thought I'd say this, but the Strat is fast becoming my favourite guitar. This guitar just sings in all PU positions. It's got a cool '60s vibe to it, but with with higher output – not too high that it loses it's classic tones, but high enough to cut through lots of high gain (if that's your thing). The neck is the new tapered C shape, which is very similar in feel to my '60s LP neck (my hands are too small for the '50s necks), so I felt right at home with it. This guitar will be a lifer for me. I need look no further.Reviewed by Andertons Music Co.
I've owned a couple of Stratocaster's over the years and they've never really just felt like me. They're nice enough, just not my thing. I decided to give Fender another shot as I've heard good things about the new ranges and the specs on the American Professional sounded like they were right up my alley. But I was trying to justify that vs the new Mexico made Player series which, on paper, was close enough for several hundred dollars less. Then I stumbled on this deal and my decision was made. Once I got it in hand, the differences were very apparent, the neck feel being the biggest. I love the satin finished back with the gloss finger board. And the new carve is wonderful, not too thick, fits the hand very well…comfort city! The new Tim Shaw designed V Mod pickups sound great, every position is useable from my perspective and Lake Placid blue is spectacular. I never knew I wanted a guitar in Lake Placid blue! It's quickly becoming my favorite behind my Gibson ES-339.Patrick
11. Gibson Custom Shop 1967 Mahogany Flying V With Vibrola – Sparkling Burgundy – New
Product Details:
When the flying v debuted in 1958, it was ahead of its time — about nine years ahead, to be exact. popular demand helped shape gibson's decision to reintroduce it in 1967, this time with a sleek new look and a vibrola tailpiece. every profile, contour and detail has been rendered in exceptional detail for an unforgettable playing and ownership experience.
Specifications:
| Body wood | 2-piece Mahogany |
| Neck shape | C |
| Neck wood | 1-piece Mahogany |
| Joint | Neck-through |
| Scale length | 24.75" |
| Number of frets | 22 |
| Inlays | Pearloid Dot |
| Nut width/material | 1.687 in. (42.8 mm) Nylon |
| Configuration | HH |
| Neck | Proprietary Humbucker Alnico |
| Bridge | Proprietary Humbucker Alnico |
| Control layout | Individual volume Individual volume Master tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I'm a collector and player of the unique and unusual of the big brand and some off brand stuff. Never been a huge Gibby fan, even though in a classic rock guy. The flying v crescent moon is wonderful though, and has a vibe and feel all its own. When you think that legends from Hendrix to king played them, and had a style all they're own, the V just has its own place in the guitar world. I swapped the hot ceramic Gibby pups for some Seymour Duncan's with chrome covers, as I wanted a more dressed look and blues warmth from this lightweight but oh so solid beast. I did the graphitec saddles as well, again for a warm vibe. The result is amazing, period. I'll put her against anything from anybody in tone, weight, style, playability and feel. Even before the mods, still best of the best. All welds perfect, fret work perfect, finish accomplished the look of a vintage road warrior. Nickle hardware, true Ebony fretboard, feels like one gorgeous piece of mahogany in your arms as the neck and body are so perfectly set together.golfn64
This guitar sounds so good, it's hard to say if it's the wood or pickups. Who cares? It sounds good. Good tone and sustain. I look forward to playing it. Tuning is easy, playing it is comfortable. It has the original good looks that the Flying V was made with. I have heard people with Gibsons say that they with the knobs were like on my V. They also liked the placement of the jack. Which, I want to say, are 2 solid reasons I wanted this guitar. The Through-the=body stop and the jack at the end of the wing tip. Very nice.David
Gibson Flying V. Antique natural. Low action and great playability from factory. Awesome fretboard even though multiple tool marks around fret ends. Good access. Pickups sound good clean and can get hot enough for metal with a boost. Nice grain in wood. Couple small sand marks under nitro. Neck feels great. Giving it 4 stars for cosmetic issues but played so well did not send it back or even pursue price reduction. Case is very nice. AMS great as always. Killer payment plans and fast shipping.Todd
12. Gibson Custom Murphy Lab 1964 Es-335 Reissue Ultra Light Aged Semi-Hollow Electric Guitar Cherry
Product Details:
How do you make the most authentic re-creation of a vintage es-335? to create the gibson custom 1964 es-335 reissue ultra-light aged semi-hollowbody electric guitar, gibson's master luthiers studied, scanned, and listened to rare examples of original es guitars. the 1964 es-335 reissue's medium "c"-shape neck profile reproduces the exact carve of a 1964 es-335, while its pair of custombucker alnico pickups deliver iconic paf humbucking tone. from headstock to tailpiece, the gibson custom 1964 es-335 reissue puts the sound and feel of a vintage original in your guitar collection.
Specifications:
| Body Type | Double Cutaway Semi-Hollow |
| Body wood | Maple/Poplar/Maple |
| Neck shape | Medium C |
| Neck wood | Solid Mahogany |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Radius | 12" |
| Number of frets | 22 |
| Inlays | Small Block |
| Nut width/material | 1.687"/Nylon |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Bridge type | Fixed Bridge |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right-handed |
| Country of Origin | United States |
Reviews:
Overall: I live in a large city and it is still impossible to find a Gibson 335 that plays and sounds great, has no issues or questionable history and comes with a price tag lower than a new one to justify the gamble. As a result, I decided to pull the trigger on a new one and went for the figured, not so much for the flame but for the lower weight and select wood, knowing both my back would thank me and that the guitar would probably be a bit more open and resonant. Block inlays are certainly nice and that may have helped sway my decision too. The 335 arrived with an impeccable setup, right out of the box from the factory. In my 35 years of playing, I’ve never had this happen. I’ve heard of it happening but never to me. I always have to tweak the truss rod to straighten the neck a bit, adjust the bridge action, widen the nut slots and intimate the guitar. Every time. The only adjustment I’ve had to make is lower the pickups a bit for balance, that’s it! Plays like an absolute dream. Here is why you want this guitar rather than a used one—. the neck. None of that weird pencil thin 335 necks from the past or those horrible and slow baseball bat necks… this is perfect. I don’t know what Gibson is doing in Nashville now, but they are making these guitars better than they ever have. Having always been a fan of Classic ‘57 pickups, I read about these T Type pickups being bright. It is true that they are bright, however it works so well in this guitar. Roll back the tone knobs for the mellower and darker sounds, especially when in the neck position for a classic straight-ahead jazz sound, or rolled back in the bridge to fatten up rhythms…but the thing is, roll the tone up for that beautiful bite and thunk in single line solos. I have had bright guitars in the past and there is nothing you can do for them. No matter the pickups or amp, it remains bright and pingy. This is not a bright guitar and has such a beautifully balanced and mellow acoustic voice, the pickups suit it well and I will not replace them. Is it an insane amount of money? Yes. It is. In 10 years when I have blown through $4K many times over and have nothing to show for it, will I still have this 335? Yes. I will. It’s an investment and zZounds makes it possible for someone like me to have something nice. This is an absolutely breathtaking guitar. In playability, sound, and appearance—Gibson is on top of their game these days and I think the future will look back at this era as their new golden age.Michael
Upon opening the case, the case was hard to open, like it didn't fit top cover to bottom cover. The guitar smells of cheap carnauba wax (if you wax your own car you know there are great waxes that smell good) this is not the great smell of the past Gibson guitars I have purchased in the past. There was a light haze to the guitar like the wax was dried but not wiped off completely. The was not common of years pasts Gibson's. Its a very light weight guitar. Nice to hold and even sitting with it to play does not dig into the underarm like a thick acoustic does over time. The ice tea version does look great front to back. I can't tell if it's AAA but its very nice. The head stock look s like it wasn't cut symmetrically compared to the other side or sanded to much. The neck is nice and thick and wider top to bottom which I like for fitting all my fingers on the 1-5 frets for chords. Their is a lot of fret buzz on the G string throughout the range of the neck, It looks like the G string is higher than all the other strings in an attempt to reduce the buzz. I thought these were machine prepped ?? I can most likely (hopefully)make some adjustments for this. The frets feel thinner than my Les Paul's. Not sure if I like this but I can get used to it. The sound on a clean channel is great. I really like the sound. The volume knobs have no volume from 0 – almost 2, they don't change the volume a lot from 3-7, from 8-10 is almost all the volume change. I have never had this experience before. The tone knobs actually lowers the volume from 1-3 which I thought is also strange. I have no experience with a ES model so maybe this is normal. If it is, then I am not sure I would have purchased. I don't regret the purchase but I was expecting perfection for this price.Just Me
I love 335 but played several that I found meh. Preferred the Heritage H-535 I bought to most Gibbies I tried. Until I played that one at my local GC store. Was immediately captivated with the tone. Went back several times, and took the plunge despite the sticker shock. At home, in my amp it sounded even better than in the shop. Absolutely wonderful guitar, that feels and sounds as good and sometimes even better than vintage 60s 335 I tried or owned. I am in love! But what a price tag…Gibson CS is becoming unattainable fast.Stéphane
13. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
14. Gibson Custom Shop Murphy Lab 1964 Sg Standard Reissue Pelham Blue Ultra Light Aged W/maestro Vibrola
Product Details:
Specifications:
| Builder | Gibson Custom Shop Murphy Lab |
| Year | 2021 |
| Body Type | Solid |
| Body Wood | 1-Piece Solid Lightweight Mahogany |
| Finish Color | Pelham Blue |
| Aging | Murphy Lab Ultra Light Aged |
| Neck Wood | Solid Mahogany |
| Fingerboard | Indian Rosewood, Hide Glue Fit |
| Neck Carve | Authentic '64 Medium C-Shape |
| Scale Length | 24.75" / 628.65mm |
| Neck Radius | 12" |
| Frets | 22 Authentic Medium-Jumbo |
| Nut Width | 1.69" / 42.85mm |
| Nut Material | Nylon |
| Inlays | Cellulose Nitrate Trapezoid |
| Neck Pickup | Custombucker Alnico 3 (Unpotted) |
| Bridge Pickup | Custombucker Alnico 3 (Unpotted) |
| Pickguard | Black Multi-Ply |
| Bridge | ABR-1 with Maestro Vibrola |
| Tuners | Kluson Single Line, Double Ring |
| Controls | 3-Way Toggle, 2 Volume, 2 Tone |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
15. Gibson Es-345 Electric Guitar – Sixties Cherry
Product Details:
The gibson es-345 boasts a number of aesthetic enhancements over the flagship es-335. crafted with a thermally engineered maple centerblock, and thermally engineered quarter-sawn adirondack spruce bracing, players will be impressed by the lightweight feel and expanded range of tonal capabilities. the body is wrapped in multi-ply binding and the bound fingerboard is inlayed with split parallelogram inlays exclusive to this model in the es series. the es-345 is equipped with a variety of high-end appointments like our hand-wired control assembly with orange drop capacitors, gibson's new calibrated t-type humbucking pickups, vintage deluxe style tuners and lightweight aluminum abr-1 bridge and stop bar tailpiece anchored with steel thumb-wheels and studs. the es-345 can be finished in either a vintage antiqued gloss, sixties cherry or vintage burst.
Specifications:
| Body Type | Double Cutaway Semi-Hollow |
| Top wood | Bound Multi-wood laminate |
| Body wood | Multi-wood laminate |
| Body finish | Gloss Nitrocellulose Lacquer |
| Neck shape | Rounded C |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Split Parallelogram |
| Nut width/material | 1.69 in. (43 mm) Graph Tech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Overall: I live in a large city and it is still impossible to find a Gibson 335 that plays and sounds great, has no issues or questionable history and comes with a price tag lower than a new one to justify the gamble. As a result, I decided to pull the trigger on a new one and went for the figured, not so much for the flame but for the lower weight and select wood, knowing both my back would thank me and that the guitar would probably be a bit more open and resonant. Block inlays are certainly nice and that may have helped sway my decision too. The 335 arrived with an impeccable setup, right out of the box from the factory. In my 35 years of playing, I’ve never had this happen. I’ve heard of it happening but never to me. I always have to tweak the truss rod to straighten the neck a bit, adjust the bridge action, widen the nut slots and intimate the guitar. Every time. The only adjustment I’ve had to make is lower the pickups a bit for balance, that’s it! Plays like an absolute dream. Here is why you want this guitar rather than a used one—. the neck. None of that weird pencil thin 335 necks from the past or those horrible and slow baseball bat necks… this is perfect. I don’t know what Gibson is doing in Nashville now, but they are making these guitars better than they ever have. Having always been a fan of Classic ‘57 pickups, I read about these T Type pickups being bright. It is true that they are bright, however it works so well in this guitar. Roll back the tone knobs for the mellower and darker sounds, especially when in the neck position for a classic straight-ahead jazz sound, or rolled back in the bridge to fatten up rhythms…but the thing is, roll the tone up for that beautiful bite and thunk in single line solos. I have had bright guitars in the past and there is nothing you can do for them. No matter the pickups or amp, it remains bright and pingy. This is not a bright guitar and has such a beautifully balanced and mellow acoustic voice, the pickups suit it well and I will not replace them. Is it an insane amount of money? Yes. It is. In 10 years when I have blown through $4K many times over and have nothing to show for it, will I still have this 335? Yes. I will. It’s an investment and zZounds makes it possible for someone like me to have something nice. This is an absolutely breathtaking guitar. In playability, sound, and appearance—Gibson is on top of their game these days and I think the future will look back at this era as their new golden age.Michael
Upon opening the case, the case was hard to open, like it didn't fit top cover to bottom cover. The guitar smells of cheap carnauba wax (if you wax your own car you know there are great waxes that smell good) this is not the great smell of the past Gibson guitars I have purchased in the past. There was a light haze to the guitar like the wax was dried but not wiped off completely. The was not common of years pasts Gibson's. Its a very light weight guitar. Nice to hold and even sitting with it to play does not dig into the underarm like a thick acoustic does over time. The ice tea version does look great front to back. I can't tell if it's AAA but its very nice. The head stock look s like it wasn't cut symmetrically compared to the other side or sanded to much. The neck is nice and thick and wider top to bottom which I like for fitting all my fingers on the 1-5 frets for chords. Their is a lot of fret buzz on the G string throughout the range of the neck, It looks like the G string is higher than all the other strings in an attempt to reduce the buzz. I thought these were machine prepped ?? I can most likely (hopefully)make some adjustments for this. The frets feel thinner than my Les Paul's. Not sure if I like this but I can get used to it. The sound on a clean channel is great. I really like the sound. The volume knobs have no volume from 0 – almost 2, they don't change the volume a lot from 3-7, from 8-10 is almost all the volume change. I have never had this experience before. The tone knobs actually lowers the volume from 1-3 which I thought is also strange. I have no experience with a ES model so maybe this is normal. If it is, then I am not sure I would have purchased. I don't regret the purchase but I was expecting perfection for this price.Just Me
I love 335 but played several that I found meh. Preferred the Heritage H-535 I bought to most Gibbies I tried. Until I played that one at my local GC store. Was immediately captivated with the tone. Went back several times, and took the plunge despite the sticker shock. At home, in my amp it sounded even better than in the shop. Absolutely wonderful guitar, that feels and sounds as good and sometimes even better than vintage 60s 335 I tried or owned. I am in love! But what a price tag…Gibson CS is becoming unattainable fast.Stéphane
16. Fender Electric Guitar Made In Japan Traditional 60s Telecaster , R
Product Details:
Made in fender’s factories in japan, expert luthiers use their experience to combine classic fender designs with some updated specs for the modern player. the telecaster is used by musicians all over the world as their workhorse guitar, known for its powerful, punchy tones and ‘tele twang’. it was first introduced in 1950 as the ‘broadcaster’ 1950 then shortly after became the telecaster in 1951, becoming a popular model, and has remained unchanged since then. the tele is great for playing powerful-sounding chords and chunky rhythm parts and is popular across many genres. the fender made in japan traditional '60s telecaster has a basswood body, a durable maple neck with a comfortable ‘u’-shape profile, and a smooth rosewood fingerboard with 21 vintage size frets and a 9.5” radius, making it faithful to the era and easier to play. it has a 3-saddle vintage-style tele bridge with threaded steel saddles and is paired with vintage-style tuning machines to complete the vintage aesthetic. for pickups, it has a pair of vintage-style single-coil tele pickups which deliver a wide range of tones that are great for surf rock, shoegaze and indie. the traditional ‘60s telecaster is completed with knurled flat-top control knobs, a mint green pickguard, nickel/chrome plated hardware and is available with a gloss finish in either lake placid blue or vintage white.
Specifications:
Reviews:
I have twenty Fenders, including seven telecasters, and this is better than all of them. The neck feels like its been played for years, and the shape is perfect. Heavy rolled edges make it a pleasure to play with my thumb over the neck. First guitar I have bought that I had to raise the action slightly on the top two strings. Set up for fast playing or chords straight out of the case. The colour is sparkly brownish, but looks black in most light. Very well made guitar. The pickups are noiseless and are silent even with pedals. They sound like standard pickups, no loss of signal because of the extra windings for the noise cancellation. Sound fine. I must say, the pro 1 series pickups sound better. All in all a lovely instrument, well worth the extra few quid.STEVEN T.
Overall: I have an Ultra Strat in Cobra Blue, an Ultra Jazz Bass in Texas Tea, a Les Paul Standard Gold Top and other guitars. This has the most beautiful finish (Sunburst). Way better than the picture or videos. The tone is amazing. Light weight at 6.2 pounds. Officially my favorite guitar. Add to that they shipped it to me in 25 hours after promising 5 days. Ordered Monday noon and here it is. They had it in a warehouse near Reno and I got it next day. zZounds you ROCK.William
The Fender Ultra Telecaster Texas Tea is an amazing guitar, at first I noticed the D-Shape neck and quickly adapted to it. The neck feels silky smooth, hand glides over frets and is easy to play. The sound from pickups are brutally brilliant, and wit the S1 switch built into the tone knob, sends a slightly different signal, bit more gain with full richness depending on the selector position of course. I went initially seeking for the Jimmy Page Dragon Guitar and walk out of the shop with this Ultra instead, and for the few hundred dollars more, this guitar is totally worth it. The look of it is killer, and so classy – if there is an ultra guitar series in your guitar shop locally, don't hesitate to pick it up and test it out. This guitar is HOT! It's difficult to see in these photos but the colour under certain light angles are different and has small sparkling metallic substances mixed in with the colour. It's a black oily dark grey/brown. The neck has a vintage tone colour and the rosewood neck and skunk stripe just makes this guitar special.Jim T.
17. Gibson Explorer Custom Ebony
Product Details:
Legendary shape meets upscale looks and upgraded tone. for this very limited run, gibson custom takes the bold profile of the explorer into new aesthetic and sonic territory compliments of a custom-inspired set of appointments. it’s an upscale look on an electrifying shape which brings with it gibson’s signature playability, instantly-recognizable voice and gibson custom’s unwavering commitment to craft.
Specifications:
| Finish | Ebony |
| Year | 2017 – 2018 |
| Made In | United States |
| Body Shape | X-Style |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Model Sub-Family | Gibson Explorer Custom |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
Bought this to complete my Skynyrd sound and it screams. Finish is great I run this through a late 80's Peavey Triumph and a Marshall JCM800 no extra effects. This guitar is awesome! My current favorite Guitar! Still need to Strat or Tele for the King or Gains Sound but man this thing is versatile! Set up was ready to go right out of the box! I have humidity issues so I have had to adjust the neck but that is pretty common for my area and the mahogany necks!Stanley
Just got my Lzzy in this past week and it plays as good as it looks. Slim profile neck is fantastic for lead work and the pickups sound ballsy and are more than well-suited for hard rock and metal. The guitar is a bit heavier than other Explorers I own but the sound produced is well worth it. I highly recommend this and give it a 5 stars for not only its looks but everything else about it!RT
This is my 1st 2018 Gibson product line purchase. I own many Gibsons as I've been playing for over 40 years now. I own other brands as well as do most guitarists but this one really stands out. The appearance, fit & finish, the playability, the feel, the action & set up were perfect out of the case. I owned a an Explorer many years ago & ended up trading it off for something else (I don't even remember what for now). These new models come equipped with Burstbucker pups which just sound fantastic!
18. Fender American Ultra Stratocaster With Rosewood Fretboard Ultraburst
Product Details:
The latest edition of the top end american fenders. these guitars are pretty spectacular. new pickups sound great and the neck finish is downright buttery feeling. you should come in and play them! american ultra is fender's most advanced series of guitars and basses for discerning players who demand the ultimate in precision, performance and tone. the american ultra telecaster features a unique “modern d” neck profile with ultra rolled fingerboard edges for hours of playing comfort, and the tapered neck heel allows easy access to the highest register. a speedy 10”-14” compound-radius fingerboard with 22 medium-jumbo frets means effortless and accurate soloing, while the ultra noiseless vintage pickups and advanced wiring options provide endless tonal possibilities – without hum. the sculpted rear body contours are as beautiful as they are functional. this versatile, state-of-the-art instrument will inspire you to push your playing to new heights. other features include sealed locking tuning machines, chrome hardware and bone nut. includes premium molded hard shell case.
Specifications:
| Make | Fender |
| Body Wood | Alder |
| Neck Wood | Maple |
| Fingerboard | Rosewood |
| Neck Profile | Modern "D" |
| Nut Material | Bone |
| Depth at 1st Fret | 0.83" |
| Depth at 12th Fret | 0.87" |
| Scale Length | 25.5" |
| Inlay | Pearloid Dot |
| Radius | 10"-14" |
| Pickups | Ultra Noiseless Vintage Strat |
| Bridge | 2 Point Deluxe Synchronized Tremolo |
| Right / Left Handed | Right Handed |
| Number of Strings | 6-String |
| Body Type | Solid Body |
| Year | 2019 – 2021 |
| Made In | United States |
| Body Shape | S-Style |
| Bridge/Tailpiece Type | Tremolo Bridge |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Fretboard Radius | 10" |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 22 |
| Offset Body | No |
| Pickup Configuration | SS |
| Wood Top Style | Opaque |
Reviews:
Sound: The vintage tone noiseless pickups are perfect for what I wanna play on this guitar. All my other are humbuckers, high gain passive and active humbuckers at that, so the vintage tone single coils give me that sound I simply cannot get from my other guitars. Granted, my other guitars have split coil options, but there is a noticeable difference between a split humbucker and a noiseless single coil. Features: The S1 switch serves me no purpose, just turns the tone into mud. Ease of Use: It's not rocket science, but I'm used to 3way pickup selectors, and an all or almost nothing attitude when it comes to my other guitars volume controls, and never touch the tone controls, so for me personally there is a learning curve when it comes to all the tonal possibilities that come with a typical Strat setup.If I could change one thing on the guitar, it would be using 6100 jumbo frets, but generally speaking the guitar is a breeze to play, after a day or so… It's very stiff out of the box.The tremolo has a very nice feel to it, and the pop in arm should be standard on all trems at this point. Quality: The guitar is very well made. This is a professional guitar! Value: This is where my issue is… I just can't see how this guitar is worth $400 more than the Professional series. With everything being made on CNC machines, that little contour on the cutaway and the compound radius fingerboard seem like an unjustified mark up, the only thing on this guitar that should be a logical price mark up are the locking tuners and the pickups, neither of which equate to $400 in parts… But I liked the finishes more, and didn't feel like swapping out tuners and bridge saddles. Manufacturer Support: Never had to deal with Fender customer service. Overall: This guitar is a purists nightmare, but it's a dream to me. Compound radius fingerboard and satin neck finish are up my alley.Rob
First things first, the manager and the guys at Guitar Center in Pensacola were very helpful. About 3 weeks ago I bought the Plus Top Stratocaster and I loved the guitar but wanted to upgrade to the Ultra so I started shopping around for one and found one at a different music store down the street for a significantly lower price than what was advertised at the local Guitar Center. So I figured I would have to return my guitar to the store. When I got there I asked about the price match guarantee that Guitar Center provides and I brought it up to them that I found the Cobra Blue Ultra guitar at a lower price at another store and after a few minutes and the manager doing some research he pretty much told me " if you're are going to buy this guitar, I would rather you buy it from us " I was very surprised. In my mind I thinking that he was going to come up with some sort of excuse to not match the price. That is what customer service is all about!!!! Middle finger to other stores! From here on out I am a lifelong customer of Guitar Center. Oh and this guitar is the best of the best!! It's like being handed the keys to a brand new Corvette ( or a Ford Cobra, whichever you prefer). So, hands down the best guitar and the best customer service you could ask for!! I'm already looking forward to getting an Ultra Tele this year!Steve
This is my third Fender. I previously owned an "standard" Ultra that I traded towards another guitar, and I also currently own a Lincoln Brewster model strat. While those guitars are very good, the Ultra Luxe is next level. The craftsmanship, feel and sound of this guitar truly deserves the "Luxe" name. Before ordering, my biggest concerns were how the stainless steel frets would affect the tone and how the new neck shape would feel. But I have ordered from Musicians Friend off and on since the late 90's and have always had excellent service, so I figured I could return the guitar it I didn't like it. Both concerns were put to rest within moments after plugging in. The tone is definitely that unmistakable Fender strat sound and I had no trouble dialing a nice funk and a very serviceable SRV tone. You can also get a pretty good variety of other tones thanks to the switching. I was kind of expecting a thin neck shape based on reviews/descriptions that I read, but it is pleasantly thick without being too chunky. I can't stand thin Ibanez style necks and thankfully the neck on the Luxe is not like that. It fits the hand nicely. Not a chunky as the Lincoln Brewster model (which I also really like) but feels a little thicker than the neck on the standard Ultra. I believe it has the same bridge found on the standard Ultra model which is the push-in style. So no thread to wear out over time. Overall, I am so happy that I bought this and it has already become my new #1 guitar.Matt
19. Evh Striped Series Frankie – Red/white/black Relic
Product Details:
Widely regarded as the most recognizable electric guitar ever, eddie van halen’s iconic and revered frankenstein guitar now comes your way with a price tag the everyday musician can afford in the form of the evh striped series frankenstein "frankie." sporting eddie’s famed red with white-and-black-striped paint job and a worn-in reliced look, the all-new frankie features a basswood stratocaster -style body paired to a graphite-reinforced quartersawn maple neck. an oiled finish on the back of the neck allows for hours of playing comfort, while the 12”-16” compound radius maple fingerboard with 22 jumbo frets was designed for fast and furious playing styles. routed for an hss pickup configuration just like eddie’s original, frankie features an evh wolfgang humbucking bridge pickup with a dummy strat neck pickup and a dummy five-way blade housed in the middle position. a sturdy and dependable evh-branded floyd rose locking trem and floyd rose locking nut work in tandem for precise tuning even with extreme changes in pitch, while the evh d-tuna retunes to drop-d and back with strict accuracy at the flick of a finger. other unique features include a white skirted strat-style single volume control knob (labeled “tone”), custom black pickguard, reliced chrome hardware, standard strap buttons and evh neck plate. full specs here.
Specifications:
| Orientation | Right-Hand |
| Body Finish | Satin Lacquer |
| Bridge Pickup | Direct Mount EVH Wolfgang Humbucking |
| Neck Pickup | Dummy Strat Pickup |
| Controls | Volume |
| Pickup Switching | Dummy Five-Way Blade |
| Pickup Configuration | HSS |
| Neck Construction | Bolt-On with Graphite Reinforcement |
| Neck Thickness | .790" at 3rd fret & .825" at 12th fret |
| Neck Finish | Oiled |
| Neck Shape | EVH Modified "C" Backshape |
| Fingerboard Radius | 12"-16" Compound Radius (304.8 mm to 406.4 mm) |
| Fingerboard Material | Maple |
| Number of Frets | 22 |
| Fret Size | Jumbo |
| Nut Material | Floyd Rose R3 Locking |
| Nut Width | 1.6875" (42.86 mm) |
| Position Inlays | Black Dot |
| Truss Rod Nut | Heel-Mount Truss Rod Adjustment Wheel |
| Truss Rod Wrench | 2.5 mm Hex |
| String Trees | Floyd Rose Retainer Bar |
| Headstock | Licensed Fender Stratocaster |
| Neck Plate | 4-Bolt Standard |
| Hardware Finish | Chrome Relic |
| Tremolo Arm | Floyd Rose 1000 Series Locking |
| Tremolo Block | Brass |
| Tuning Machines | EVH -Branded Gotoh |
| Pickguard | Black Custom Frankie |
| Finish | Red / White / Black Stripes Relic |
| Year | 2020 – 2022 |
| Body Type | Solid Body |
| Finish Features | Relic |
| Fretboard Material | Maple |
| Offset Body | No |
| Right / Left Handed | Right Handed |
| Wood Top Style | Opaque |
Reviews:
Overall: I was excited to receive this guitar as it was on back order I got the black and yellow bumblebee. After receiving it I made some adjustments to the tremolo and found that the spring cavity was bare wood / looked like it was chisel out with a screwdriver and it was not routed or CNC'd flat. Worse than that the wood under the Floyd rose was cracked and the finish was cracked as well. Basswood is a very light and soft wood so I am guessing the trem was pushed back during shipment or during setup at the factory and not seen by the staff as it is only visible when you remove the Floyd. I am a woodworker and beginning luthier so I corrected these issues myself and reinforced the thin section under the bridge with a custom fitted piece of maple and routed out the trem cavity so it is flat and sprayed the trem pocket with flat black paint looks like it should have when it left the factory now. I know I probably should have sent it back but overall I really like the guitar and I think Eddie would approve of my work.Douglas
This guitar has my favorite neck. The fretwork is amazing and the neck plays itself. This surprised me coming from fat Les Paul necks. Super easy to play, which, in turn, makes you sound better. I was very impressed with the sound and the functionality of the electronics. I’m a big Van Halen fan but don’t play a whole lot of it and this guitar sounds great for all kinds of other stuff, so long as you’re playing hard rock/early metal. Cleans up great with the volume knob but let’s be real – with no neck pickup, cleans aren’t really what you’re going for. Out of the box, was not intimated at all and there were a couple of paint dings and imperfections. Floyd also didn’t hold tune super well but with a solid setup and lubing up the fine tuners, it plays and sounds great. I had one of these a couple of years back and sold it foolishly to fund other purchases but hear I am, back again after purchasing again. It really is an awesome guitar and I am partial to the b/w color scheme with the Strat-style input jack. My Les Paul Custom is better quality but this guitar honestly sounds as good or better for a third of the price. And this guitar makes you a better player and you realize how amazing of a guitarist Eddie was considering how basic and simple this guitar is. Check it out, you won’t be disappointed.Arpeggio5150
Eddie inspired so many folks to pick up the guitar. This is my second EVH model and I am amazed by this guitar every time I play it. This model was on my bucket list of guitars and when it went on sale at Adorama, I had to snap it up. It came perfectly setup from the EVH factory and the only thing needed to be done was to tune it properly. The D-Tuna is great to switch to drop D tunings. The Frankenstrat plays like a dream. The fretboard is like butter and the the action is ideal for playing hard rock and metal. The pickup gives you an excellent approximation of Eddie's brown sound. I am ecstatic with my purchase and this guitar is the perfect homage to the master. RIP Eddie!Tomas
20. Esp Ltd Snakebyte James Hetfield Camo Kuiu Camo Satin Electric Guitar
Product Details:
The ltd snakebyte was created based on james' own original design. the ltd snakebyte is a signature series model of james hetfield, the frontman of metallica and one of the world's most highly respected rhythm guitar players in any genre. the ltd snakebyte features set-neck construction at 24.75" scale, with a mahogany body and a three-piece mahogany neck with ebony fingerboard and 22 extra-jumbo frets with a snake inlay at the 12th fret. the ltd snakebyte is powered by james' own emg jh set active pickups, and includes a tonepros locking tom bridge and tailpiece. now available in camo finish with special camo hardhell case.
Specifications:
| Finish | Black Satin |
| Year | 2011 – 2022 |
| Made In | Korea, Republic of |
| Body Shape | X-Style |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Features | Matching Headstock |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.65" |
| Offset Body | Yes |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Wood Top Style | Opaque |
Reviews:
This guitar is lightweight very well balanced, it seems to almost float when wearing it with a strap, As I heard in another rating, it feels like every single note on every single fret is available and reachable at any moment. It takes me back to the early 90's when I played a early 70's Gibson Explorer. What an easy guitar to play! It just seemed to fall off the frets into your hands, and this ESP SnakeByte is no different. I've heard James Hetfield talk about his love for his Gibson Explorers, so it's not a surprise that his signature series SnakeByte has that feel and tone! I really like the locking tuners, what a great invention! It makes the horrible business of replacing strings easy and painless! The locking bridge is also a delight, keeps intonation intact when changing strings. I like the tone of the JH HET SET pups, they scream when needed, and purr when needed. This guitar matches up particularly well with a Mesa Boogie Dual Rectifier, or most any amp from Mesa Boogie or Marshall.mkcr33l
So first of the fit and finish of this guitar is great and the matching guitar case just adds to how awsome this guitar is. The feel and playability is amazing as well and this guitar is light not near as heavy as I thought it would be. The sound is amazing as well the JH custom EMG pickups make this guitar just rock! I would recommend this guitar to anyone that wants to play rock of metal. There is nothing I do not like about this guitar and being a fan of Metallica and James Hetfield this is a home run in my book!
I was so excited to get this guitar and I hooked it up out of the box a played it for about 5 minutes. Unplugged it put it back in the case. The next day I hooked it up again and got a terrible flanger like sound out of the guitar so I switched guitars and my other one was fine. Before I sent it back I wanted to check the 9v battery in the back compartment for the pickups and discovered only 1.2 v of power coming out of the battery. I swapped the battery and now it's good. I just thought it was kind of annoying that esp would sell guitars with off brand dead batteries. I know it's not musiciansfriends fault but still.Chris
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