Are you looking for the Most Expensive Guitar Pedal? If so, you’ve come to the right place.
Choosing the Most Expensive Guitar Pedal can be difficult as there are so many considerations, such as Dunlop, MXR, Friedman, BOSS, DOD, Electro-Harmonix, JHS Pedals, TC Electronic. We have done a lot of research to find the top 20 Most Expensive Guitar Pedal available.
The average cost is $417.91. Sold comparable range in price from a low of $62.99 to a high of $1699.99.
Based on the research we did, we think Boss GT-100 Guitar Multi-Effects Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Most Expensive Guitar Pedal (20 Sellers)
| Product Image | Product Name | Features | Check Price |
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Reviewers Noted:
Easy to use . Compact . Good sound quality . Heavy . Portability
Features:
- Perfect condition.
- Great multi-effects unit.
- Perfect for live performance and on-the-fly preset customization and looping.
$1099.00
4.7
Reviewers Noted:
Easy to use . Heavy . Portability . Build quality . Sound quality
Features:
- Looper that records up to 20 minutes at a time
- 100-240 v and 60-60 hz of input voltage
- 7" high resolution touch display
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability
Features:
- Engineered with 4 knobs to adjust the sound output
- Its 1/4" jacks let you attach the pedal with your guitar
- The screen allows you to check the modulation status
$88.81
4.6
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability . Noise level
Features:
- Cat not included.
- Works as designed.
- Missing battery cover.
$219.99$199.99
4.7
Reviewers Noted:
Easy to use . Compact . Portable . Weight . Sound quality
Features:
- Premium tone for players on the go
- Specifications
- Sampling frequency
$199.99
4.7
Reviewers Noted:
Easy to use . Compact . Portable . Weight . Sound quality
Features:
- 108 effect types
- 32 seconds looper
- Up to 7 hours of operation time with batteries
Reviewers Noted:
Size
Features:
- Empress heavy distortion/preamp pedal in mint condition.
- 2 channel distortion pedal. can be utilized in front of a clean channel or as a preamp into irs or a poweramp.
- Has a built in gate and mid freq switch, very versatile pedal.
Reviewers Noted:
Ease of use
Features:
- Volume, gain, and tone knobs allow you to give different effects while playing your guitar
- Bypass switch lets you change the frequency conveniently while performing
- Add a lively spark to your music with the help of this overdrive pedal
$729.00
5.0
Features:
- The device is new and has never been used.
- I only took it out of the packaging for the photos.
- Everything that came with it is included, of course.
$62.99
4.7
Reviewers Noted:
Easy to use . Compact . Good sound quality . Weight . Portability
Features:
- Modify the frequency as per your requirement with the help of a footswitch
- 3 knobs allow you to create multiple sound effects
- 1 k ohm output impedance lets you achieve refined sound quality
Reviewers Noted:
Easy to use . Sound quality . Size
Features:
- Eq gain lets you adjust the sound of each instrument
- Led indicator lets you know when the distortion pedal is connected to the power source
- Control four knobs allow you to change the effects conveniently
$1699.99
4.8
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- This multi-effects guitar pedal helps provide crystal clear sound quality
- The signal-routing feature lets you use it in a studio and concert conveniently
- Lcd and footswitches with customizable scribble strips offer hassle-free operations
Reviewers Noted:
Ease of use
Features:
- Add effects to your guitar's sound with this fuzz pedal
- Multiple knobs allow you to adjust the sound and tone of your guitar conveniently
- Comes with a foot switch nose to let you create amazing effects
Reviewers Noted:
Ease of use
Features:
- Perfect (no issues) cosmetic condition.
- Original box, pedal, paperwork item #.
- 1241 overview the gold thru knob sits at the heart of the cali76 stacked edition.
Reviewers Noted:
Ease of use
Features:
- The hall mode will feature a classic reverb sound that can move your signal from a small-room-echo to a haunting long hall- echo.
- The reverse mode smoothly flips your signal to playback unique responses and can be manipulated with pre-delay time controls.
- Shimmer mode highlights the octave features, dry signal, -1, and +1 to mix in your signal and creates a symphony of sound.
$599.99
4.6
Reviewers Noted:
Ease of use
Features:
- Standard features
- Powerful, easy-to-use amp/effects processor for guitar and bass
- 24-bit ad/da, 32-bit floating-point processing, and 48 khz sampling rate
$400.00
4.8
Reviewers Noted:
Easy to use . Sound quality . Size . Portability
Features:
- This pedal offers effect loop in between overdrive and chorus to let you sound majestic
- Two-channel overdrive allows you to switch in between crunch and high-gain stages
- Comes with low output impedance to help reduce distortion for clear audio
$160.00
4.6
Reviewers Noted:
Sound quality
Features:
- Volume, gain, and base controls allow you to give different effects while playing guitar
- Add a lively spark to your music with the help of this distortion pedal
- True bypass boost function lets you change the frequency conveniently while performing
Reviewers Noted:
Easy to use . Sound quality . Build quality . Size
Features:
- Get an enhanced audio equalization with this reverb pedal
- The frequency response of 20 hz to 20 khz helps deliver clear sound quality
- bypass switch allows you to change the frequency conveniently while performing
Reviewers Noted:
Easy to use . Sound quality
Features:
- One of our favorite delay pedals
- Powerful sharc dsp
- Twelve different delays
1. Boss Gt-100 Guitar Multi-Effects Pedal
Product Details:
Meet the new boss effects flagship, the boss gt-100. the gt-100 amp/effects processor boasts next-generation amp modeling that re-creates vintage amps and provides new cosm tones that soar into the future with the dynamics, tone and feel you'd expect from a boutique unit. user interface is improved by a dual-lcd system, while ez tone has been enhanced with newly designed amp customize and od/ds customize features. the gt-100 is a powerhouse processor that spans from classic to futuristic in a friendly, rugged and roadworthy unit.
Specifications:
| AD Conversion | 24 bits + AF method |
| DA Conversion | 24 bits |
| Sampling Rate | 44.1 kHz |
| Dynamic Range | 100 dB or greater (IHF-A) |
| Displays | Graphic LCD (132 x 64 dots, backlit LCD) x 2 |
| Input jack | 1/4-inch phone type |
| AUX In jack | Stereo miniature phone type |
| Output jacks (L/MONO, R) | 1/4-inch phone type |
| Phones jack | Stereo 1/4-inch phone type |
| Amp Control jack | 1/4-inch phone type |
| SUB jacks (CTL1, 2/SUB EXP) | 1/4-inch TRS phone type |
| Power Supply | DC 9 V |
| Current Draw | 600 mA |
| Dimensions (WxDxH) | 21-3/8 x 10-11/16 x 3-3/16 inches |
| Included Accessories | AC Adaptor, USB Cap, Owner's Manual |
| Footswitch | Boss FS-5U |
| Dual Footswitch | Boss FS-6 |
| Expression Pedal | Boss FV-500L/500H, Roland EV-5 |
| Manufacturer Part Number (MPN) | GT-100 |
Reviews:
This unit is just incredible. I've been playing since the early 70's and with all the equipment that I've owned I really think the GT100 has possibly impressed me more than anything I've bought! There's some wonderful preset sounds in this tone monster and it's easy to edit the one's that you like. If you're already proficient at programming pedals then this one will be a dream for you to manipulate. This isn't my first multi effects pedal but I don't enjoy programming and this is by far the easiest to program of the one's I've owned. I can't say enough about the sound of this thing. It has every tone that you could ever need. It's extremely quiet too. I'm definitely glad that I made this purchase. I can see a lasting relationship building!Alan
Overall: I picked this up knowing it was at the end of it's market life, but I wanted to finally own one. COSM is starting to feel a little old, but it's still an amazing pedalboard. The amp modeling is good, especially the clean tones. The distortion can get a little "digital" sounding, but it's still very usable. The effects are top notch, especially the delay and reverb. What attracted me to this product was the routing options, specifically USB. I do a lot of home recording on my DAW and an underappreciated feature of this board is the ability to record both a dry and wet signal to your DAW at the same time. Reamping (routing the signal out of your DAW back into the device for processing after recording) is a great tool and something that is not found in a lot of boards. It really gives this kit an extended life off the stage and in the studio. 6 years after launch this is still a great product!Allan
I have to say I love his board, I've been through several multi effects and was recently building up an all analogue pedal board myself with some nice TRex and Keeley pedals in there. I was inspired after watching Johnny Marr and listening to some of the tones he got from the GT100 so I jumped when it was on offer. I run it through a small Behringer mixing desk into two Yamaha DBR12's and all I can say is that it sounds awesome. As a change to my usual random approach I went through each preset and made a note what it reminded me of or what it might be useful for,if I liked the patch. Its a testament to the board that out of the 200 presets I marked nearly 50 out for being useful out of the box. Now i just refer to that sheet and if I have a cover song I want to try or a feel for an original piece I just the closest preset as a starting point. There are so many features on this board its pointless trying to list them but suffice to say its got everything you are going to need, and there is always the effects loop if you are missing some random effect. What else can I say, oh yes its improving my playing as I use the metronome on it loads, really helping me improve my speed. The screens are clear and easy to view, and the whole menu is very intuitive to work with. Gets a definite thumbs up from me absolute winner of a product 🙂
2. Headrush Pedalboard – Guitar Multi-Effects Processor With Touch Display
Product Details:
Featuring a finely-tuned quad-core processor and powered by its exclusive eleven hd expanded dsp software, the headrush pedalboard delivers the most versatile, realistic-sounding and responsive amplifier, cabinet, microphone and fx models ever found in a floorboard guitar fx processor. 7-inch high resolution touch display the guitarist-oriented user interface enables you to touch, swipe and drag-and-drop to instantly create and edit your rigs in an unprecedented realistic and intuitive way. quad-core dsp system the headrush pedalboard utilizes a purpose designed quad-core system that has been tailor-made from the ground up to deliver the fastest and most powerful guitar fx processing ever. gapless preset switching switch between lead and rhythm sounds smoothly without any disruption or glitches in audio. individual footswitch oled screens each footswitch features an assignable color led along with a scribble-strip style oled display that dynamically updates to provide…
Specifications:
| Recording Time | up to 20 minutes |
| Input Voltage | 100 to 240V |
| Touch Display | 7" high resolution |
| Special Features | 2×12 cab/mic combination |
Reviews:
Sound: The sound on this board is amazing, I fee it’s also very responsive to your playing and you get that responsive feedback. Makes me feel like it’s easier and more joyful to play my guitar. I will say this you have to tweak settings to get your sound typically the pre made ones aren’t the best. Overall: Ok so first off I’m new to this thing, I never thought I get away from tube amps, but….this headrush caught my attention and I love it! I like the simplicity of it and it produces great models plus sounds really authentic for what it does. I will recommend pairing with headrush frfr108 or frfr 12 or a frfr (Full range flat response) speaker instead of an amp. That way you get the absolute most out of this. I got the headrush frfr108 and it’s sounds amazing! too. As far as the headrush’s competition I haven’t used them yet. But end of the day it’s all personal preference. Pros..Easy to use Touchscreen is vibrant and responsive Great models and sounds Effects are easy to map Creating rigs is fun!Easy to carry than those heavy ampsWell built durable The oled switch labels with color choice is niceCons…There is a little bit of a learning curve but plenty of resources to learn fromNot the most portable but they do have a smaller more gig friendly version just no built in pedalNot exactly ideal for hooking into a tube amp (even a 4 cable method) just seems I don’t know extra …Overall this thing is a beast of a board. For the price definitely a quality choice ! May not have all the sounds and models others do. But I don’t think that was their aim. Quality over quantity if you ask me. Highly recommendAndrew
First off, DO NOT judge the tones of this pedalboard by the preset rigs, they're pretty bad. Build new rigs from scratch and you will discover what this unit is capable of producing. It's not overloaded with every effect pedal out there, but there is more than enough to get any tone you want from Jazz, Country, Rock, Metal, and Blues. For overdriven and distorted tones, it may seem like you only have a few pedals to choose from, but once you combine them with all the various amps, cabs, mics, and impulse responses, you have hundreds of tones in your sound pallet. As for modulation and delay effects, it has all you need to produce any tone. Real Amps and FX Loop – In addition, you can use any of your favorite effects in the FX loop of the pedalboard. It also works great with tube amps and can work in a "four wire" setup with your modulation and delay effects going through the amplifiers FX loop. You can also run into the PA and to a stage tube amp simultaneously. Virtual Amps and IR's – The amps and impulse responses sound fantastic. I have several vintage tube amps and I am able to reproduce the same tones of mic'ing up those amps from this pedalboard directly to the PA or a recording desk. It has the easiest user interface of any of the pedalboards out there. If you can use a smartphone or tablet, this will be very easy to learn. One of the best features is the ability to assign the footswitches to any pedal or multiple pedals (scene function), or do either toggle or momentary mode. In addition, the mini screens for each footswitch change when you assign it to different pedals so it's easy to see what effects you are turning on and off in live performance. In addition, you can name a scene footswitch anything you want (e.g. Clean, Crunch, Solo, etc.). Makes live performance very easy, no more stomp pedal dancing. Set Lists – Organizing rigs into set lists to match your gigs and you can organize your rigs into groups based on type, song, genre, etc.Tod
Overall: First of all, I am pretty sold school when it comes to amps and effects. A simple tube amp pushed with a couple of tube screamers, the on board reverb from the amp itself, and some modulation like delay and chorus. I joined a band a few years back that was about to go into the studio to record an album the year before covid struck. As a result, I ended up buying a Pod HD500X as a way to try to consolidate the effects that I might need all in one unit. I used it mainly as a "pedal board" in front of the [tube] amp as if it were my old analog board full of individual pedals. Needless to say, the recording project got pushed back because of the pandemic, and I was stuck at home, with a lot of time to play around with the processor. It was "good" but it left me wanting an easier to use option. As you could imagine, what that kind of time on my hands, I did a lot of floating around the internet just looking at possible modelers. All of the names. Kemper, Helix, Axe FX, Fractal, and this HeadRush board. Out of everything that was out there, the HeadRush board seemed to be VASTLY easier to try to figure out. Pushing my late 40s now, I don't really 'enjoy' learning new technology the way I did in my teens and twenties, so I didn't want a steep learning curve just to be able to use this thing. I spent a day while it was being shipped looking over youtube tutorials as to how to use it. Only took me a few hours of messing around with it once it got here to dial in the tone that I had on the HD500X. If you can use your cell phone, you can figure this board out. The effects sound convincing and the amp models really seem as good as the competition's offerings (even if this board doesn't have quite as many jammed into it). We are about three weeks out from going in to start laying down the guide tracks for this LP [finally], and this will make things much easier to navigate when each little tone will be more heavily scrutinized. The ability to tweak it on the fly will save time (and thus MONEY) in that studio environment. No deep dives into large menus to try to make a minor adjustment. Gives me a lot more freedom to just try to play my parts instead of worrying about the setup itself. I think this board is a bit underrated as far as the amps and cabs as well. I still will be running it to my amplifier and mic-ing it up as I do still like the "feel" that tubes give when playing. But who knows, I may use some of the sims as well. Built like a tank. A bit heavier than I had expected. Should hold up well under live applications (though that was actually not a problem with the 500X either). I highly recommend this unit if you want to get something that doesn't take a degree from Berklee in sound engineering to get started making music.Kenneth
3. Zoom Ms50g Multistomp Guitar Pedal
Product Details:
Choose from 55 classic effects and famous amps with the size and weight of a typical single stompbox, the ms-50g includes a thorough lineup of high-quality effects types. it features 47 stompbox effects and 8 amp models. along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio gear. intuitive, easy-to-use we have further refined the simple user interface that was revolutionary in our g3 and g5. the lcd shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. with this intuitive, easy-to-use interface, creating amazing sounds is a breeze. use up to six effects all at once the ms-50g allows you to utilize up to six effects simultaneously, as well as arrange them in any combination. this gives you the ability to craft classic sounds, as well as lush, complex tones. leave the rules you learned behind and enjoy creative freedom with the ms-50g.
Specifications:
| Number of Stompbox Effects | 47 |
| Indicator Type | LCD |
| Number of Amp Models | 8 |
| Output Jack Size | 0.25" |
| Number of Output Jacks | 2 |
Reviews:
I could spend all day yapping about this pedal…In my travels i've tried countless pedals, but got tired of having 'too many' pedals. The weight, the time it took to hook it all up. I also busk, or play where electricity isn't available, and wanted a setup where i could make one trip with everything, and keep the weight down. I've always been a fan of ZOOM products, so trying out the Multistomp series was a no-brainer for me. The 50G met all my requirements, and exceed them all after i got one and started using it. Tones that are as good as any higher priced pedal, the versatility is second to none, and the price is killer for what this pedal can do. I would say the the Bluetooth version was my favorite, then the 70CDR, then the 50G, with the 50G's new 3.0 update, the 50 G is now my favorite pedal…period. The 50G started with maybe 50 patches, now it has 172, and best of all it has the Exciter patch, which to me is required on any pedal board. All i can suggest is watch the countless demo videos of this pedal. I would recommend this pedal for any level of guitarist, i would also recommend the MS-70CDR, watch the demo videos of the 70-CDR vs Strymons…amazing I cant say enough good things about the 50G, i believe it's near the perfect all around pedal. The Multistomp series are easily, in my opinion, the best bang for the buck pedals madeLocorogue
The MS-50G pedal is first class. It is every bit as clean, quiet, and well built as the Boss pedals. It is not a replacement for the Boss line. Zoom pedals have a character of their own. Personally, I like the Zoom tone. But I'm not a guitar player. There is a great ~15 minute YouTube instructional video for the MS-50G. I got over the learning curve for writing and storing effects by watching this video, then I bought pedal. It replaces several pieces of my high quality studio gear when I need fast results that are of high level audio quality. Zoom delivers with this product. After I watched this video I purchased the pedal. I also like my G1X as a companion to this pedal. The G1X has a nice volume/expression pedal.Sean
I needed something for my living room and practicing while watching TV late at night without a full pedal board or multi-effects box. This along with a Boss RC-3 and a mini mixer for my wireless headphones provides everything I have in my studio at a mini level. The sounds are good enough. There are enough options in sound to play most anything. Eventually I'll try this little beast as a sub for my full pedal board and see how it works in a live jam. One pedal to do everything. It's not perfect but it is great. I wish Zoom would provide updates to it and a better manager. It's pretty old by today's standards and if Zoom provided updated files they would sell even more if these great little boxes. B&H had the best deal available and as always they provide excellent service. Thank you B&H. I'll Be Back, lolThomas G
4. Zoom Ms-50g
Product Details:
With the ms-50g from zoom, you get a high-quality multi-effects unit for guitars that lets you add high-quality effects to your guitar playing. it features 92 effect pedals that simulate distortion, reverb, modulation and other classic effects, as well as eight amp models that you can also map, allowing you to incorporate different sounds from various musical genres into your guitar playing. plus, up to six effects can be used simultaneously, so complex compositions are no longer a problem. easy to use the ms50g is equipped with a simple user interface, which allows a very intuitive operation. on the large lcd display you can see the effect currently in use. due to the practical scroll function, the set effect chain can also be seen. long battery life and updates the multi-effect device is powered by two aa batteries, which allow up to seven hours of use. thus it can survive even the longest rehearsals or concerts. furthermore, the integrated usb port allows you to keep the software up to date. zoom ms-50g, guitar effect, multi effect unit, up to 6 effects simultaneously, 55 presets, 50 memories, 8h battery life.
Specifications:
| Finish | Silver |
| Year | 2010s |
| Made In | China |
Reviews:
I could spend all day yapping about this pedal…In my travels i've tried countless pedals, but got tired of having 'too many' pedals. The weight, the time it took to hook it all up. I also busk, or play where electricity isn't available, and wanted a setup where i could make one trip with everything, and keep the weight down. I've always been a fan of ZOOM products, so trying out the Multistomp series was a no-brainer for me. The 50G met all my requirements, and exceed them all after i got one and started using it. Tones that are as good as any higher priced pedal, the versatility is second to none, and the price is killer for what this pedal can do. I would say the the Bluetooth version was my favorite, then the 70CDR, then the 50G, with the 50G's new 3.0 update, the 50 G is now my favorite pedal…period. The 50G started with maybe 50 patches, now it has 172, and best of all it has the Exciter patch, which to me is required on any pedal board. All i can suggest is watch the countless demo videos of this pedal. I would recommend this pedal for any level of guitarist, i would also recommend the MS-70CDR, watch the demo videos of the 70-CDR vs Strymons…amazing I cant say enough good things about the 50G, i believe it's near the perfect all around pedal. The Multistomp series are easily, in my opinion, the best bang for the buck pedals madeLocorogue
The MS-50G pedal is first class. It is every bit as clean, quiet, and well built as the Boss pedals. It is not a replacement for the Boss line. Zoom pedals have a character of their own. Personally, I like the Zoom tone. But I'm not a guitar player. There is a great ~15 minute YouTube instructional video for the MS-50G. I got over the learning curve for writing and storing effects by watching this video, then I bought pedal. It replaces several pieces of my high quality studio gear when I need fast results that are of high level audio quality. Zoom delivers with this product. After I watched this video I purchased the pedal. I also like my G1X as a companion to this pedal. The G1X has a nice volume/expression pedal.Sean
I needed something for my living room and practicing while watching TV late at night without a full pedal board or multi-effects box. This along with a Boss RC-3 and a mini mixer for my wireless headphones provides everything I have in my studio at a mini level. The sounds are good enough. There are enough options in sound to play most anything. Eventually I'll try this little beast as a sub for my full pedal board and see how it works in a live jam. One pedal to do everything. It's not perfect but it is great. I wish Zoom would provide updates to it and a better manager. It's pretty old by today's standards and if Zoom provided updated files they would sell even more if these great little boxes. B&H had the best deal available and as always they provide excellent service. Thank you B&H. I'll Be Back, lolThomas G
5. Boss (Gt-1) Guitar Multi-Effects Processor
Product Details:
Ultra-portable and easy to use, the gt-1 delivers pro-level tones everywhere you play. driven by the powerful boss gt-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. a streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. and by connecting to boss tone central, you can download free pro patches, editing software, and more. equally suited for beginners, weekend warriors, and traveling players, the gt-1 packs premium sound in a compact and rugged package.exceptional sound thanks to its flagship-class gt sound engine, the gt-1 provides tone quality and sound-shaping ability that far exceeds typical compact multi-effects. a history of boss processing is at your fingers, from classics such as the od-1 overdrive to modern effects powered by innovative.
Specifications:
| Length | 15 in |
| Height | 0.1 in |
| Width | 8.5 in |
Reviews:
Sturdy unit full of good quality effects. This is the first "cheap" unit that has impressed me with its pre amps. It even manages a passable vox sound that others at this price point fail to achieve. My favourite things about this unit are as follows : 1. The amount of usable presets out the box. Even the more whacky ones can generally be quickly tweaked into something usable. Other brands tend to fill their presets with ridiculous over the top high gain, and what I would call low budget sci-fi sound effects. Boss have done a good job with the GT1. 2. Ease of editing. While you can access the effects chain easily through the menu system, the buttons along the top physically represent a typical effects chain. Press and hold for a second on any one and you are straight into the effect behind it for easy editing or changing to a different effect. Negatives: lack of an on/off switch. It switches on by plugging in an instrument cable – minor annoyance but that's just me. Only other thing is no battery indicator, and I seriously doubt the 7hr battery life claim. The supplied ones died after about 2-3 hrs and the duracells I replaced them with haven't fared much better. I do have a power supply but wanted to see how the battery's would hold up if I had to do a gig on them. Probably wouldn't trust them and would carry two sets as backup rather than one.David B.
This is overall a great pedal. This will give you a wide variety of tones and effects that you can personalize for whatever music you play. Other pedals will offer maybe one tone and you may have to try different ones and might not be happy with them or have to buy multiple ones and spend lots of money to have a well set up pedal board. You can literally spend all day picking out distortion pedals and feel lost on where to go. With this you can go through a wide variety and set it up however you want and save the settings. This isn't some plug and play kinda pedal. You will need to spend time with it and get to know it. It is kinda confusing and there are YouTube videos that help as well. I got more e set up with a clean tone and then a click over to distortion and and anther click on and of for a wha effectErik
The sounds are decent for the price. I downloaded all three pdfs are they are basically useless when it comes to setting up patches, adding an external pedal and the overall operation. I gave up on trying to assign functions to the FS-6 I bought with it. There are no real explications how to use the 6 assignment functions. I think the headphone output is mono as I can only hear in one ear. You can get some decent patches off of tone exchange I'll probably sell it .Kenneth
6. Boss Gt-1 Guitar Effects Processor
Product Details:
Flagship amps and effects in a portable package powered by their flagship gt-series engine, boss's gt-1 guitar multi-effects pedal packs their best amp models and effects into a compact floor unit. a streamlined interface makes choosing and tweaking patches quick and easy. keep an eye on your parameters with the easy-to-read backlit lcd. take command of your performance with the gt-1's assignable control switch and expression pedal. enjoy a clean, noise-free signal, courtesy of 24-bit converters and boss's proprietary adaptive focus method. the boss gt-1 guitar multi-effects pedal fits easily in your gig bag, thanks to its smooth, modern design, and runs for up to seven hours on four aa batteries.this unit is in excellent condition (see photos). lightly used in a non-smoking home studio. requires a 9v power source or 4 aa batteries (neither included). for those not familiar, the gt-1 is switched on by plugging a guitar into the input jack.
Specifications:
Reviews:
Sturdy unit full of good quality effects. This is the first "cheap" unit that has impressed me with its pre amps. It even manages a passable vox sound that others at this price point fail to achieve. My favourite things about this unit are as follows : 1. The amount of usable presets out the box. Even the more whacky ones can generally be quickly tweaked into something usable. Other brands tend to fill their presets with ridiculous over the top high gain, and what I would call low budget sci-fi sound effects. Boss have done a good job with the GT1. 2. Ease of editing. While you can access the effects chain easily through the menu system, the buttons along the top physically represent a typical effects chain. Press and hold for a second on any one and you are straight into the effect behind it for easy editing or changing to a different effect. Negatives: lack of an on/off switch. It switches on by plugging in an instrument cable – minor annoyance but that's just me. Only other thing is no battery indicator, and I seriously doubt the 7hr battery life claim. The supplied ones died after about 2-3 hrs and the duracells I replaced them with haven't fared much better. I do have a power supply but wanted to see how the battery's would hold up if I had to do a gig on them. Probably wouldn't trust them and would carry two sets as backup rather than one.David B.
This is overall a great pedal. This will give you a wide variety of tones and effects that you can personalize for whatever music you play. Other pedals will offer maybe one tone and you may have to try different ones and might not be happy with them or have to buy multiple ones and spend lots of money to have a well set up pedal board. You can literally spend all day picking out distortion pedals and feel lost on where to go. With this you can go through a wide variety and set it up however you want and save the settings. This isn't some plug and play kinda pedal. You will need to spend time with it and get to know it. It is kinda confusing and there are YouTube videos that help as well. I got more e set up with a clean tone and then a click over to distortion and and anther click on and of for a wha effectErik
The sounds are decent for the price. I downloaded all three pdfs are they are basically useless when it comes to setting up patches, adding an external pedal and the overall operation. I gave up on trying to assign functions to the FS-6 I bought with it. There are no real explications how to use the 6 assignment functions. I think the headphone output is mono as I can only hear in one ear. You can get some decent patches off of tone exchange I'll probably sell it .Kenneth
7. Empress Effects Heavy Distortion Pedal
Product Details:
Super cool and versatile distortion. the noise gate, extremely powerful mid control, and weight knob features allow you to dial in a range of high gain sounds from van halen to meshuggah – it even is very useful in less heavy styles of music. it's a double barrel pedal (the same circuit twice), so you can have two drastically different distortions on tap with ease. also a great tool in the studio. definitely worth the hype and price.i bought it mint and used it on maybe 3 gigs. i'm selling because the band i was using it for broke up so i no longer have a use for it. listing as "excellent" instead of "mint" because i removed the rubber feet to more easily mount to a pedal board and then promptly misplaced them. there is also a small amount of velcro residue (see picture). comes with original box, foam padding, users manual, and empress sticker.
Specifications:
| Product Dimensions | 6 x 5.2 x 2.5 inches |
| Is Discontinued By Manufacturer | No |
| Color Name | MultiColored |
| Signal Format | Analog |
Reviews:
Have still to explore all the tonal possibilities of this aptly-named dual distortion pedal but first impressions have been very positive. The unit is smaller and lighter than I expected but the two foot switches are well separated. With six controls for each channel plus shared 'hi' and 'lo' EQ there are plenty of tone-shaping options. The user manual helpfully suggests some settings to get you started. The internal noise gate has so far proved very effective left on the 'natural' setting. You can adjust the threshold to suit your guitar's output, but having used the pedal with guitars loaded with vintage, medium output and hot humbuckers, I've found no need to alter the default factory setting. If you're in the market for a versatile high-gain distortion pedal I would strongly recommend taking a look at this one.Christopher D.
Excellent quality effect pedalrtozer85
8. Friedman Amplification Overdrive Golden Pearl
Product Details:
The friedman golden pearl is a transparent, lower gain overdrive pedal designed to push already-overdriven amps into seductive saturation. this versatile pedal can also be used into a clean amp to achieve that elusive semi-broken up tone. designed to please the ultimate tone connoisseur, the responsive controls, along with the three position high-frequency cut switch, let you custom tailor the pedal to your amp. even greater refinement is available via the tri-mode clipping mode switch, which provides led, diode, or no clipping voice options. built in the usa, and designed to withstand decades of abuse, the golden pearl is a must-have pedal for any guitar player.
Specifications:
| Number of Channels | 3 |
| Power Supply | 9-18 V DC |
| Switch Mode | Tri-mode clipping |
| Indicator Type | LED |
Reviews:
I was looking for a new pedal to push my Origin Effects Revival Drive when I came upon the Golden Pearl. After watching all of the demo videos I could find I decided to pull the trigger. That was a great move. Even though there are dozens of "transparent" overdrives on the market, this one really nails it. The two switches really help fine tune the response and the amount of detail that is revealed is amazing. It truly "enhances" the sound of the RD which is already excellent and takes it's tone to another level. It's really inspirational to play through. The only problem I could see with the GP is the fact that a less than stellar tone might be magnified in an honest but unflattering way much like a fine microphone can reveal problems with the source. If you have a good sound this pedal will make it great.Iboughtit
This pedal works as advertised. It does not alter the tone of your guitar and amp, and is designed to push an already cranky amp. I use it at 18 volts with my Orange OR15 and Gibson Les Paul. The Orange can be kind of picky about what kind of overdrive you put in front of it. I have been setting the Golden Pearl up as a saturated rhythm sound and then boosting my (silver) Archer into it for a more mid-focused lead tone. I really like the high-cut switch. It is subtle, but effective, especially for recording. I also tried the Golden Pearl with my Marshall DSL40C, and it sounds great on both channels with that amp too. I've gone through a few overdrive pedals over the last couple years (OCD, Maxon OD808, TS9, and Modded Boss SD-1), and I am really happy I picked this one up.Man on the Moon
9. Boss Limited Edition Tb-2w Waza Tonebender Overdrive/distortion
Product Details:
Untouched! new! boss and sola sound have come together to introduce the tb-2w tone bender, an authentic sonic recreation of the iconic tone bender mk ii fuzz pedal used by some of the greatest guitarists of all time. heard on legions of classic tracks from the 1960s through today, the tone bender s bold, rich voice and smooth sustain are forever embedded in the annals of rock and pop music history. using a masterpiece vintage tone bender mk ii (serial number 500) from sola sound s archive as a benchmark reference, boss engineers have fully realized the pedal s magical sound and expressive dynamic response through detailed waza craftsmanship. available in a limited production run, each tb-2w features rare germanium transistors carefully tested for optimum tone, a three-way voltage selector, selectable true/buffered bypass operation, and a refined circuit design for ultra-consistent performance from pedal to pedal.
Specifications:
| Finish | Silver |
| Year | 2021 – 2022 |
Reviews:
Having already owned a couple of (Silicon) fuzzes, I didn't know what to expect from a Germanium fuzz. Ge fuzz is a totally different experience which is not translated in YouTube reviews and sound clips. It is more a feeling/experience than a sound. Fortunately, the Boss TB-2W fuzz surpasses my expectations by being gig/recording usable in all settings and being very versatile with my guitar's volume control. I'm extremely happy with the retro tones that it produces. Any doubt about the purchase price was unfounded.Happyman
10. Boss – Sd-1 Super Overdrive
Product Details:
Boss's colourful stomp boxes are the most recognisable pedal range in existence. for over 40 years, guitarists from bedrooms to stadiums have put their boot down on a boss effect to transform their sound. several models have passed into guitar legend and early examples can fetch extremely high prices. happily, boss have maintained their stellar reputation for world-class effects in bomb-proof casing with their current range and have fended off the imitators for decades to remain the pre-eminent single pedal effects manufacturer in the business. if there's an effect for guitar (or bass, vocals, keysbe creative!) then you can bet boss have a pedal of it in their range or even invented it outright! every guitar player should get to experience the joy of selecting a pedal from boss's exhaustive roster, plugging it in and unleashing their wildest sonic dreams. boss's famous yellow super overdrive pedal haas been seen on pedalboards owned by the likes of eddie van halen and john 5. this humble overdrive has a great low gain crunch that can be used in all genres. also, for those who like to put an overdrive in front of an already distorted amp, the sd-1 is an extremely effective choice which is also priced excellently.
Specifications:
| Input Impedance | 1 M ohm |
| Input Level | -20 dBu |
| Output Level | -20 dBu |
| Output Impedance | 1 k ohm |
| Number of Knobs | 3 |
Reviews:
This pedal is for users who are very capable at dialling in. Equally this pedal makes for a good starter pedal if you just want to experience overdrive and what that does to your sound. But for everyone else, I think the natural mid boost gives a little too much mud to be a popular pedal board decision over more modern pedals. Like many of you, I can get some good stuff out of this pedal, but unlike some other pedals – I have to put in elbow grease to get there.Reviewed by Andertons Music Co.
The main difference in a Tube Screamer and the Boss SD-1 is the type of clipping. SD-1 utilizes asymmetrical clipping, and a Tube Screamer uses symmetrical clipping. They both have a mid-hump as for as the EQ curve. You can use them both as boosts into other pedals or amps. As straight up overdrives, the Tube Screamer often sounds like a layer of dirty and a layer of clean, where as with the SD-1, you get the single layer of dirty because of the circuit's clipping type. Either are great. Some prefer one over the other. I have both the TS and the Boss. Either work great with many configurations, and in some cases you might prefer one to the other with a particular setup. I have more than one tube amp, and I have a variety of pedals that I use on this one or that one.agentsalarm
After watching a few John5 interviews it dawned on me he doesn't use many pedals. But this is one he does use, so got me interested. Did some homework Dagan mentioned it on the pedal review and I thought yeah let's get it. Amazing pedal built like a tank, super tough. Currently I have just this an a NS-2. I only have a cheaper Blackstar Amp but this paired with passive-pickups sounds epic! I have this wired into the send and receive jacks on the NS-2 and it sounds the best.Bradley B.
11. Wampler Sovereign Distortion Pedal
Product Details:
Excellent condition, lightly used. has some velcro adhesive on the back. this is the best most transparent distortion pedal i have played. let's your amp sound like your amp. great pedal. the wampler sovereign distortion pedal was engineered by brian wampler to give you ideal distorted tone. experienced players know that's a tall order, but the pedal's controls for gain, bright, boost, and mid behavior can get you there by letting you dial in a wide range of sounds, from thick and fluid to cutting and aggressive. and it does it all while maintaining a huge amount of clarity and touch responsiveness. unlike many other highly regarded overdrive units, the sovereign wasn't built to emulate any other distortion circuits. it was built to be better than them and keep your amp and guitars tone intact.
Specifications:
| Dimensions | 2.5" x 4.5" x 1.5" |
| Number of Knobs | 4 |
| Indicator Type | LED |
| Capacity | 17 mA |
| Weight | 0.95 lbs |
Reviews:
While some claim this compressor is an optical compressor, that couldn't be further from the truth. This compressor is an OTA (operational transconductance amplifuer) design, much like a Ross or Dynacomp. That being said it is an improvement in that design. A big one. If you're into great tone does it really matter whether it is OTA, optical, flux capacitor, or glow plug? No. The bottom line is that this compressor is awesome! It can do the Ross/Dynacomp thing where it DOES squash and color your tone, or it can be as transparent as you want it to be. The key is to put that blend knob to use along with the other controls.Guitar74
I have the Mini Ego on another pedalboard and I love the sustain knob on the big brother. The pedal has phenomenal versatility. The tone control is very interactive and when switching from single coil to humbucker pickups all is needed is a tone adjustment to dial things in. Built like a tank and the footswitch is as quiet as a church mouse.stillbillsmith
I was slightly influenced by a review video made by one of my favourite guitarists Brent Mason. He spoke very highly about the pedal so that, along with other reviews and comparisons, made me decide to go for the Ego. It is a brilliant pedal and does everything I want from a compression pedal.mike k.
12. Line 6 Helix Limited-Edition Multi-Effects Guitar Pedal Lightning Blue
Product Details:
This distinctive helix floor guitar processor features a limited-edition lightning blue enclosure. the line 6 helix floor guitar and effects processor delivers immense power, flexibility, and control. award-winning hx modeling leverages powerful dual-dsp performance to deliver the authentic sound and feel of vintage and modern amps, cabinets, microphones, and effects. a large color lcd and capacitive-touch footswitches with customizable scribble strips make the user experience faster and more efficient. extensive i/o and signal-routing capabilities provide unprecedented flexibility for both studio and stage, and helix floor can even serve as a comprehensive master controller for your entire studio or live rig by enabling you to easily integrate effects pedals and other hardware into a hybrid setup. presets are also compatible with the entire helix family of guitar processors, including the helix native guitar/effects processor plug-in, enabling guitarists to take their tones from the studio to the stageand back again. authentic hx modeling with hx modeling, each stage of an amps circuitry is measured and matched back to the original, so that every model reacts and interacts with the player in a genuine and realistic manner. hx modeling also accurately recreates the behavior of even the most idiosyncratic vintage effects by modeling their individual components. for example, the transtronic process emulates the behavior of virtually any germanium or silicon transistor or diode, making it possible to authentically recreate fuzz, distortion, and other pedals once considered too persnickety to convincingly model; and the throbber is a virtual lightbulb that mimics the decidedly nonlinear behavior of the small incandescent bulb and four photocells inside the original shin-ei uni-vibe pedals that are essential to their unique sound and vibe. helix floor also lets you load third-party speaker cabinet impulse responses (irs) to persona
Specifications:
| Display Type | LCD |
| Resolution | 800 x 480 p |
| Color | Blue |
| Touchscreen | Yes |
Reviews:
Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.
Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.
Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell
13. Jhs – Legends Of Fuzz – Smiley
Product Details:
Jhs pedals smiley – fuzz jimi hendrix was released in london in 1966 and the then new arbiter electronics fuzz face became his favorite fuzz pedal – the rest is history. in the first few years the fuzz face was built with germanium transistors until the pedal was completely converted to silicon transistors in 1969. hendrix himself preferred the silicon version because of the more aggressive, snappy sound and of course because of the better durability. the jhs pedals smiley offers a faithful reproduction of the properties that make the early silicon fuzz faces a milestone in music history to this day. several vintage pedals have been carefully analyzed to perfectly capture the magic of this era with the smiley face. the smiley is clear and defined and straddles the line between fuzz effects pedal and 'sawing' sustain. the stompbox gets the low-end and the crisp bite in the midrange as you would expect from a vintage arbiter pedal. one of the most revered qualities of a good fuzz f.
Specifications:
| Number of Knobs | 2 |
| Power | 9 V |
| Dimensions | 5.68" x 3.62" x 2.0" |
| Weight | 0.85 lb |
| Number of Foot Switches | 1 |
Reviews:
This was my favorite stomp right out of the box. Super smooth and seriously THICK. I think theMuffuletta is more versatile. If you are a MUFFman then you need this pedal. I don't understand the9volt disclaimer, is it not to be used with a daisy chain power supply like the "One Spot"? I have powered with a real battery and a "Power Plus 2" on the big pedal board with no problems. I did not try a "One Spot" yet…Alabama ChainSaw
Great pedal, quite niche, but a different pedal in the marketplace of a gazillion pedals all doing the same thing. JHS Pedals are always good. I’ve marked it down for value for money because most pedals are a massive ripoff, but that’s the market we’ve created.Reviewed by Andertons Music Co.
14. Origin Effects Cali76 Stacked Edition Pedal
Product Details:
Single-stage cali76 sounds and dual-stage sliderig squeeze! the missing link between the origin effects cali76 and sliderig ranges. delivers not only single-stage cali76 and dual-stage sliderig sounds but also everything in between! a brand-new control determines how much signal is fed from the first compressor to the second. each of the compression stages features its own combined attack/release control. single-stage cali76 sounds and dual-stage sliderig squeeze! the cali76 stacked edition is the missing link between the origin effects cali76 and sliderig ranges. a brand-new control (the gold ‘thru’ knob) determines how much signal is fed from the first compressor to the second. this control allows the stacked edition to deliver not only single-stage cali76 and dual-stage sliderig sounds but also everything in between! independent led vu meters let you see exactly how hard each stage is working. each of the compression stages features its own combined attack/release control. with the cali76 stacked edition, you can combine two distinct flavours of compression! one to add sustain and fullness and the other to subtly limit any stray peaks, for example (or max out both stages for a “clean overdrive” effect).
Specifications:
| Product Dimensions | 10 x 7 x 6 inches |
| Color Name | Silver |
| Signal Format | Analog |
| Voltage | 9 Volts |
| Controls Type | Knob |
Reviews:
That much for a compressor! That much for a pedal! A compressor for how much……that’s wjhat I was saying to myself to justify the cost…..No WAY ITS COMING OFF MY PEDALBOARD UNLESS ORIGINS EFFECTS DOES IT BETTER! if you want TONE…DEFINITION….AND PROBABLY THE BEST BUILT QUALITY PEDALS EVER….. DONT LET THIS PEDAL SLIP OUT OF YOUR HANDS (CART)….YOU DESERVE THIS TODAY AFTER ALL THAT PRACTICING. THIS BELONGS ON EVERYBODIES PEDALBOARD AND ITS THE REASON IT SHOULD BE THE FIRST IN YOUR EFFECTS Chain.
I use it to compress cleans with a Les Paul Standard with PAF's. Brilliant for this application. It can play nicely with some drives too. Hiss will be evident in all compression but this pedal was not to bad. Its up there with the best.if you know how to use the features. Less is more and take it from there.Reviewed by Andertons Music Co.
15. Walrus Audio Descent Reverb Octave Machine Pedal
Product Details:
Plug your guitar into the walrus audio descent, and envelop your playing in ambient layers of sound. from massive halls to symphonic shimmers, this effect pedal delivers lush saturated soundscapes. three modes provide you with an array of aural textures that you can feed into the descent's captivating octave effects. dial in this highly tweakable reverb with its eight top-mounted knobs, and save your favorite configurations as presets. then take real-time command over any or all of the descent's parameters with any off-the-shelf expression pedal. whether you're searching for subtle ambience or tidal waves of otherworldly reverberation, the descent belongs on your pedalboard.
Specifications:
| Product Type | Effects unit |
| Designed For | Guitar |
| Controls | Dry mix, wet mix, tweak, reverb time, diminish, hall/reverse/shimmer mode, dry signal, -1 octave, +1 octave |
| Features | Bypass footswitch |
| Connections | Power input – power DC jack Audio output (left) Audio input – phone 6.35 mm Audio output (right) Expression pedal Remote control |
| Width | 5.6 in |
| Depth | 4.6 in |
| Height | 1.6 in |
Reviews:
There are a lot of full-featured reverb pedals on the market today, most of them with some sort of shimmer/octave/pitch-shifting mode. A few things set this pedal apart from its counterparts. First off is just the amount of control you get over the processed signal. Being able to mix the signal heading into the reverb circuit, the reverb unit itself, and then the final blend, lets you get sounds that are just not possible on 4-knob units. Everything from subtle to watery to full-on church-organ psychedelia. Next, you get three memory banks to save your creations. You could use Red for no-frills reverb, blue for slight modulation, and red for the crazy stuff. Or just save different flavors of crazy stuff in all three, it's up to you. Lastly, you've also got the option of running it in stereo if you'd like (which really amplifies the effect), plugging in an expression pedal for realtime control of the reverb, and also plugging in a two-button controller to make the buttons more accessible if the Descent finds a home at the back of your pedalboard. How thoughtful!donfarfisa
16. Boss Gx-100 Guitar Effects Processor
Product Details:
The boss gx-100 is an incredible processor with a limitless number of musical paths to embark upon. with twenty-three simulated amplifiers, over one hundred and fifty boss effects, and fifteen effect blocks to construct your unique tone, there is little territory the gx-100 cannot travel. a large touchscreen with an intuitive tone-shaping interface allows any player to step up to the plate and start building their unique tones. freely customizable footswitches give the player power to tailor the gx-100 to their specific performance needs. in addition, off the stage, a built-in usb recording interface, midi connections, and an effects loop function help in any musical scenario. those seeking to get their tone down to the finest of details and prepare it for digital preservation or further interactivity have plenty of options to explore. the staggering number of paths to take with the gx-100 is an exciting prospect to take on.
Specifications:
| Sampling Frequency | 48 kHz |
| DA Conversion | 24 bits |
| Processing | 32-bit floating point |
| Effects | 154 Types |
| Memories | 200 (User) + 100 (Preset) |
| Tuner Internal Detection | +/-0.1 cent |
| INPUT | -10 dBu |
| PHONES | -10 dBu |
| SEND1 | -10 dBu |
| Display | Color Graphic LCD (480 x 272 dots) Touch screen |
| PHONES jack | Stereo 1/4-inch phone type |
| CTL3, 4/EXP2 jack, AMP CTL1, 2 jack | 1/4-inch TRS phone type |
| USB COMPUTER port | USB B type |
| Blutooth Adaptor port | BT-DUAL ADAPTOR |
| Power Supply | AC adaptor |
| Current Draw | 1.2 A |
| Weight (including battery) | 3.5 kg / 7 lbs 12 oz |
| Footswitch | FS-5U, FS-5L, FS-6, FS-7 |
| Expression Pedal | EV-30, FV-500L, FV-500H, Roland EV-5 |
Reviews:
I'm genuinely blown away by this unit… from ease of use to the sounds it produces. My band has recently gone to running a silent stage, and I wanted to try something other than running a line out from my Katana. I figured why lug and amp when I don't need to. I've used units like this before, (PD HD500X and an old Vox Tone Lab) but felt they still sounded artificial. The BOSS GX100 is amazing! The learning curve is hilariously easy, and the touch screen makes editing on the fly a breeze. The other guitar player in the band couldn't believe the sound coming through FOH… and the recording needed no tweaking in the studio. Incredibly happy with this purchase, as with everything I've purchased from Sweetwater. BOSS has outdone themselves again.
Overall: This is a heavy duty pedal with so many different great sounding amps and effects that I don't even know where to start. Well built is an understatement. The build of it screams professional. from the chassis to the knobs and expression pedal this thing feels Pro in every way.The amps are fewer than most companies offer but BOSS went the quality over quantity route here. From crystalline cleans to all out brutal and everything in between. The drives are excellent and so are the modulations, delays, and reverbs. I find them superior to my Helix actually. There's not enough room in this review box for me to go over everything I love. A couple things I do not love..There's no poly pitch in this unit. The assigns can be confusing at times especially when it comes to assigning the expression pedal. It was ok once I wrapped my head around it but it was definitely and obstacle I had to overcome. Overall this unit is well worth the 599 price tag. I have owned many modeling units for many years and this is one of the best I have had.Robert
17. Carl Martin Quattro Analog Multi-Effect Pedal
Product Details:
With classic guitar tone disappearing down the road of digital modeling amps and effects, carl martin is proud to introduce the quattro.four of the most popular carl martin effects in one package. the quattro begins with carl martin's award winning compressor/limiter circuit with single controls for compression and level. the two-channel overdrive has switches for on-off, and for selecting between the crunch and high-gain stages, and controls for tone and level. in classic fashion, the vintage chorus has a speed and a depth control. finally, the vintage style echo has controls for level, tone, repeat and tap-tempo, as well as an on-off switch. no hard to read screens, no menus to scroll through, just set-up and play. there is no simpler multi-effect on the market! there is also an effects loop built in between the overdrive and chorus effects for that special drive or fuzz pedal that is part of your sound. you also get that famous carl martin build quality, ultra quiet switching, a high quality on-board regulated +/-12v power supply which allows us to use the finest components allowing the greatest amount of headroom, and low output impedance which leaves your amp sounding exactly like your amp. carl martin, maximizing transparency, flexibility, simplicity and quality in one packagethe quattro.
Specifications:
| Number of Overdrives | 2 |
| Power Supply | Up to 12 V |
| Impedance Output | Low |
Reviews:
I have owned and played a ton of guitar processors, use a Boss GT-Pro and live miking in thestudio, had every stupid tone robbing effect and gadget and finally see the light. This is simple, sounds amazing and as I said before… if you need more than these effects to play then you are just hiding behind a bunch of junk noise. What I liked about it was the lack of features. Been playing a long time and the more years pass the less I want to F-around with layer upon layer of menus that will work in the studio and then blow when you play live. The transition from headphones to monitors to a club's monitors and your amp, never works. So, this thing you plop in front of you and… boom, your ready to go. Two overdrive settings, real-world chorus, great analog delay, and a compressor that is plainly the best I have used in 42 years of playing. If you think you need anything else, you will be playing in your bedroom on YouTube for the rest of your life. Unless of course you play in a Flock Of Seagulls tribute band. Built like a tank, I am sure it will take a beating. I read another review that the said the knobs turn too easy…. they don't, mine was dampened fine. The only thing I am curious about is the AC cable… hardwired and no ground. I am sure they have a reason for this and the unit runs silent so that wasn't an issue. Also, I would recommend contacting the support dept of any company before you buy their products. I emailed Carl Martin a question before I received the item and they responded the same day… AND… it was the CEO. It seems a little pricey but if you add up the Carl Martin effects it would take to make this pedal I calculated about 1400.00 So, it's a deal. No plugging in 4 – 5 boxes and running tone-sucking patch cables between them.Nucci1960
I own several Carl Martin products. The Quattro is an excellent analog Multi-fx unit that you can easily dial In great tones with a tube amp. Spend some time with it and you will Find that each effect is great. Compressor 2 overdrives Chorus Delay with tap tempo. Fx loop 2 line outs. I use in two set ups: Run line out direct to tube amp input. Another is connect by 4 cable method Utilizing fx loop on pedal board and Tube amp's fx loop. And lastly, if no amp, run the line out Into a Carl Martin Rock Bug then to the mixer. This is a good back up in case your amp Goes out.musicmasterguitarist
Do you want one high quality multi effects pedal you can use for your stage rig? I wanted an all analog signal path, since I have a pretty sweet sounding hand-built amp, and you know how digital effects pedals can destroy your sound. Compressor: I play mostly country music with a Telecaster, so the compressor is an integral part of the sound. I kind of wish I had a bit more control over the compressor, such as an attack, and perhaps blend control. This compressor can really squeeze your sound – a little goes a long way. I set mine at only 9 O'Clock and still get a very squashed sound. I set the volume to make the output a bit higher than the input to push the front end of my amp a bit. Overdrive/Distortion: such a nice overdrive with my amp. There are two drive knobs – a low gain and high gain – with a switch for selecting which one is active. This is a great set up, since you can use Drive 1 for nice, barely overdriven rhythms and Drive 2 for high gain leads. Note that there is practically no increase in volume with switching to Drive 2 if the Drive knobs are set about the same, so it's very smooth switching back and forth. Chorus: I don't use chorus, but you may like how subtle the effect can be, just adding some fullness. A very good chorus, but not designed for radical modulation effects. Delay: Love the delay. It has tap tempo and that's the only way to set the delay time, so remember to tap in the initial value. Very analog-sounding, and the tone control is very useful, allowing the delay effect to stay in the background and not interfere with lead playing at all. This pedal is also nice and quiet, at least in my rig. There is a line buffer that cannot be bypassed, but it's a high quality buffer, I believe much better than the average Boss pedal. When you think of its intended purpose as a quick, all-in-one pedal, it makes sense that it would have an always-on buffer. The power supply is built in, so you just plug in the two-prong AC plug to your power bar. No wal-wart here. The only things I would change is to have a blend control (blend dry and compress signal), and an attack control, and perhaps a delay time control. However, these extra controls would take up more space, and comprimise the minimilist design of the unit, so perhaps it's perfect as is.Lance135
18. Bogner Ecstasy Red Overdrive Pedal
Product Details:
The ecstasy amplifier was born in 1992 and over two decades later bogner is still building each amp by hand, one at a time, right here in los angeles, california. the ecstasy red pedal captures the mystical red channel tone of this now legendary amplifier, famous for its incendiary higher gain crunch and lead tones. adjust gain and eq settings using the using the interactive controls and the red pedal delivers and rewards you with a wide range of expressive tones from vintage overdrive to colossal modern high gain tones. excellent for aggressive playing styles, the red pedal boasts the outrageous heavy tones that get bogner amps behind some of rock's most notable players. reinhold designed the ecstasy red pedal with five discrete class a gain stages mirroring the circuitry of the ecstasy amplifier's red channel. this revolutionary approach, along with no op-amps or diode clipping, provides clarity, touch sensitivity and note separation never before achieved in overdrive pedals. the ecstasy red is powered by a standard 9v battery or 9vdc power supply. reinhold's advanced circuitry internally elevates the voltage to a substantially higher level. this higher voltage provides a greater dynamic range which closely resembles the feel of the ecstasy amplifier's legendary tube design.
Specifications:
| Indicator Type | LED |
| Dimensions | 2" H x 5.25" W x 3.75" D |
| Voltage | 9V |
| Weight | 1 lb |
| Circuit Board Plating Material | Gold |
Reviews:
I really wanted and expected to like this pedal, given Bogner's great amps and this high price tag. I was so disappointed. The distortion tone is good, but nothing very special. What really turned me off was the way the dynamics are totally squashed. I have played less expensive pedals by Wampler, Fulltone, Hermida, etc. that have gorgeous tone and are much more responsive to picking dynamics. I used it on a couple of gigs and found that this is not a pedal that cuts through a live mix very well. That's probably why they had to build in that fancy boost footswitch with the variable gain and output – you will need the volume boost if you want your solos to be heard at all. Also, the YouTube demos are somewhat misleading about the amount of boost adjustment – you can only add a little bit of gain and/or output volume. I ended up returning this pedal and trying the Wampler Pinnacle, which I find much more impressive.FinalGuitarist
Tone wise, it sounds like a boutique Marshall or Soldano. Really great sound. Incredibly tube-like tone and response. I would be hard-pressed to tell the difference between this and a tube head at anything other than concert decibels. Great sound at bedroom practice levels, but it still gets LOUD if you crank the volume. Utterly perfect for anything ranging from rock to modern metal. No doubt it can do blues too. It even stacks great with traditional Tubescreamer style overdrives. Again, very tube-like response when you boost it for metal. Great response on the EQ. Scooped sounds really decent, but dialing in a "frown" gets really creamy.J
Comparing the Bogner Red Ecstacy to the Pinnacle is misleading. Which Pinnacle version? I've owned them both in various release configurations (with or without the boost) and found the Pinnacle to be one trick pony. Why buy a Bogner pedal (which never mentions EVH) if looking for the "brown sound"? The Pinnacle or the Mad Professor should have looked at first. And yes, the stripped down Pinnacle is still the same cost as the Brown. If you add the boost to the Pinnacle, you're gonna pay more still. A lot of pesos to cover one guy LOL. I've watched the PGS clip and I really like what I hear. I can't wait until mine comes next week. I currently own a C. Martin Plexitone, an AMT O2 Orange dist/preamp and a Plextortion so I'm not biased against Wampler products. My Micro Terror and Traynor 12" cab prove very flexible with the pedals I have. With the addition of the Ecstacy, I feel I have my bases covered for my set list. I don't need a Mesa pedal although I love 'em 'cause I don't play death or thrash. Bogner is awesome.TempleTantrum
19. Strymon Bigsky Reverb Pedal
Product Details:
Finally time to sell my beloved strymon big sky. this pedal has treated me well and never let me down. unfortunately it s not getting the attention it deserves lately so it s time for it to move on. this pedal does anything from classic spring or hall verb to full out ambient spacey goodness. functions flawlessly theres only 1 tiny blemish beside the b footswitch as seen in the last picture. comes with power supply and original box.the strymon bigsky multidimensional reverb multi-effects pedal offers a wide assortment of reverb effects currently on the market. twelve different types of reverb are available with a twist of a knob, and you can deeply edit the effects and store them in the 300 onboard preset slots. and an incredibly powerful sharc dsp powers the pedal for the best sound quality possible. the strymon bigsky multidimensional reverb pedal is powerful enough to be the last reverb pedal you'll ever need.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| Maximum Input Level | +8dBu |
| Indicator Type | LED |
| Width | 6.75" |
| Depth | 5.1" |
Reviews:
Absolutely incredible sounds from this pedal, build quality is brilliant and the different reverb types are endless, only fault that I can say about it was the lack of instructions in the instruction booklet that comes with it ! Pretty much useless as far as how to navigate the preset menu? Fortunately I did find some guidance on YouTube on how to find said presets! But after i found out it’s been an absolute joy to use, I was thinking if it was worth the quite high price tag ? But fear not, it’s worth every penny I can assure you, takes your music production to another level! Stunning 😍colin h.
This pedal is amazing, plain & simple. I was instantly energized in playing through my repertoire when plugging this thing in for the first time. The control knobs allow for creative combinations that make unique sounds I've never before seen in a reverb pedal. There are several creative presets that I instantly knew I could use. All in all, it's an amazing, majestic sounding pedal that is definitely gonna be on my pedal board for a long time coming.
20. Strymon Timeline Delay
Product Details:
It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. utilizing a ridiculously powerful sharc dsp, every drop of processing power is harnessed." explore your creativity timeline provides you with twelve unique delay machines, each with extensive control over sonic character and feel. go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. top it all off with full midi implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss. 200 built-in presets are presets your thing? timeline gives you the option to instantly save and recall up to 200 of your own presets. easily bank up or down through your presets using the front panel switches. or select presets externally with a multiswitch or midi controller.
Specifications:
Reviews:
I'll make this short and sweet. This thing is packed with sounds and there is a natural delay that seems to be missing with other delay pedals. My only complaint is not the product but Sam Ash the selector knob and mod knob get stuck when I press down. I wish I could take it back but unfortunately I live to far away to take it back and the minor annoyance is not worth my trouble. If I can avoid buying from Sam Ash going forward I probably will.Loco
beautiful sounds and so much more. From spacy delay to psychedelic to slap or whatever delay you have in mind in just a few pushes and twists away. There are many presets on this pedal so yeah a multiswitch or a midi controller will be in your future shoppinglist. also if you download strymon librarian program you can change your presets on your laptop. but you wil need a special midi cable for that. for the people who are doubting between timeline and nemesis. there are some other sounds on each of them but the same you need a midiswitch for presets and the nemesis has also a app to change the presets? you cant go wrong with any of them!
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