Are you looking for the Best Gibson Acoustic Guitar? If so, you’ve come to the right place.
Choosing the Best Gibson Acoustic Guitar can be difficult as there are so many considerations, such as Fender, Gibson, Martin, Epiphone, Taylor, Yamaha. We have done a lot of research to find the top 20 Best Gibson Acoustic Guitar available.
The average cost is $2559.70. Sold comparable range in price from a low of $850.00 to a high of $4999.00.
Based on the research we did, we think Gibson Acoustic G-45 Standard – Antique Natural Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Gibson Acoustic Guitar (20 Sellers)
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$1000.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- A genuine gibson acoustic at a great price
- Exceptionally smooth playability
- Incredible plugged-in playing
$2399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder dreadnought body
- Solid sitka spruce top
- Rosewood back & sides
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- 2022 original 50's j 45.
- Never registered with gibson.
- K&k pure mini (passive) installation, pickguard and orange label removal done professionally.
$4999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Thermally aged red spruce back & sides
- Mahogany bracing
- Traditional hand-scalloped advanced x-bracing, red spruce braces with hide glue binding
$4999.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- Detailed specifications
- Advanced jumbo
- Thermally aged red spruce
$3499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Call or visit us in store to learn more about this guitar!
- Used* gibson slash signature j-45 acoustic / electric guitar november burst finish w/ case.
- An iconic guitar shaped by an iconic player.
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- J-45 material
- Mahogany back & sides
- Mahogany top
$1824.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- The j-35 evolved from the jumbo in 1936, a time when the great depression was still wreaking havoc on americans.
- The pre-war classic with a beautiful faded finish.
- Body styles.
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Inspired by the 1950s originals, the classic j-50 acoustic guitar by gibson!
- Sitka spruce top.
- Mahogany back and sides.
$3499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Slash is a hero for a lot of us musicians and as you can see this guitar is beautiful!
- Not a scratch on it and plays well up and down the neck.
- 16" radius neck.
$850.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Comes with the original hardshell case
- Comes with the original grover buttons
- And original pickguard
$2845.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The j-45 is a truly legendary guitar. the world-famous workhorse is
- Gibson's best-selling acoustic of all time. now it is available in a new
- 12-string version. featuring a mahogany body, sitka spruce top, and
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The classic acoustic workhorse, primed for live performance.
- Solid sitka spruce top offers great projection and tone.
- Solid mahogany back and sides offer warm, round sound.
$999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- A genuine gibson acoustic at a great price
- Exceptionally smooth playability
- Incredible plugged-in playing
$974.99
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The voice of generations
- Round shoulder
- Sitka spruce
$2399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder dreadnought body
- Solid sitka spruce top
- Rosewood back & sides
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- 1 3/4" scale length: 628 mm.
- 24 3/4" string spacing: 55,5 mm.
- 2 3/16" bridge: rosewood.
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder style
- Solid spruce top
- Mahogany body
$2564.10
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Aa-grade sitka spruce top with pattern grade honduras mahogany back and sides
- Hand-scalloped, radiused top bracing
- Rosewood fingerboard with rolled edges and dot inlays
$1999.00
5.0
Reviewers Noted:
Weight
Features:
- Finish top: light scratches on pickguard
- Finish sides: minor discoloration on waist of bass side
- Finish back: minor jam in middle of back
1. Gibson Acoustic G-45 Standard – Antique Natural Guitar
Product Details:
The g-45 standard builds on the revolutionary new g-45 series platform to provide the perfect mix of tone, performance, and traditional gibson style for all players and every stage. the voice of generations the g-45 standard builds on the revolutionary new g-45 series platform to provide the perfect mix of tone, performance, and traditional gibson style for all players and every stage. it is hand-built in our bozeman, montana factory using time-tested gibson build techniques like hide-glued dovetail neck joints and domed top braces along with modern specs like slimmer body depths and advanced response neck profiles. the g-45 standard also features a gloss top finish, rosewood fingerboard, soft diamond inlays, and top and back binding. a solid sitka spruce top and solid walnut back and sides deliver crisp sounds with plenty of wonderful overtones while a fishman sonitone pickup captures every nuance for easy plug-and-play at home, in the studio or on stage.
Specifications:
| Finish | Antique Natural |
| Year | 2019 – 2020 |
| Made In | United States |
| Back Material | Walnut |
| Body Shape | Dreadnought |
| Fretboard Material | Composite |
| Model Sub-Family | Gibson G-45 Standard |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | Walnut |
| Top Material | Spruce |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
2. Gibson J-45 Studio Acoustic Electric Guitar Rosewood Burst
Product Details:
Featuring a comfortable round shoulder dreadnought body, this streamlined version of the legendary j-45 is hand built using rosewood back & sides and a solid sitka spruce top. ready for performance, the j-45 studio boats a soundhole mounted under-saddle piezo pickup for direct connection to front of house/amp or your favorite audio interface for studio work. feautres round shoulder dreadnought body solid sitka spruce top rosewood back & sides rosewood fingerboard features under-saddle piezo pickup tusq nut and traditional belly up bridge grover rotomatic tuners includes hardshell case
Specifications:
| Acoustic Guitar Type | Acoustic-Electric Guitar |
| Finish | Rosewood |
| Finish Type | Nitrocellulose |
| Body Style | Dreadnought |
| Cutaway | No |
| Orientation | Right-Handed |
| Number of Frets | 20 |
| Scale Length | 24.75" |
| Solid Top | Yes |
| Top Material | Sitka Spruce |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Material | Rosewood |
| Nut Material | Tusq |
| Nut Width | 1.724" |
| Tuner | No |
| Electronics | Active Under-saddle Piezo Pickup |
| Case Included | Hard Case |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
3. Gibson '50s J-45 Original Acoustic Guitar – Ebony
Product Details:
A decade of iconic silky blues and era-defining rock 'n' roll can't possibly be resonated in just one instrument. can it? the gibson j-45 original 50s could be the answer. equipped with the traditional materials of a sitka spruce top and mahogany body that produce such a rich and recognisable tone – this guitar is an absolute legend to play. the look and feel of the 50s are in the palm of your hand. subtly antiqued, the top and back binding give the sense of a seasoned gibson acoustic. a classic instrument that has been modified to upgrade the way vintage music is heard. feed this tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-Pearl dots |
| Joint | Compound Dovetail Neck-to-body |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Traditional Belly Up |
| Saddle Material | Bone |
| Tuning Machines | Grover Strap Cream Button |
| Pickguard | 50's, Tortoise |
| Truss Rod Cover | Black |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
4. Gibson 1942 Banner J-45 Vintage Sunburst
Product Details:
Legendary rich tone. release the depths of your creativity. the gibson 1942 banner j-45 channels the essence of the iconic j-45 in a new custom historic version. it mirrors the popular structure and components of the vintage model including mahogany back and sides. this time, the mahogany has been teamed with a thermally aged red spruce top. thanks to this duo of tonewoods, you can produce a deeply warm tone and melt the coldest of hearts with your music. get lost in passion. for those who lose themselves in their performance. the 1942 banner has a rosewood fretboard that encourages your musical devotion by offering a comfortable surface for chord and fingerwork. add this fretboard to the mahogany body and you've got a truly winning combination. these components and construction are ideal for performers who particularly favour heavier strumming and can't help but release intensity into their sound. all wrapped up in a stunning vintage style, the 1942 banner is a must for any blues or folk player looking to push their music further. are you ready to make a difference with your sound?
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Binding | Multi-ply top, multi-ply back |
| Finish | Thin Finish Nitrocellulose, VOS |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 19 |
| Frets | Legend Wire |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Dots |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Rectangle, open slot |
| Saddle Material | Bone |
| Tuning Machines | Strap open back, cream button |
| Pickguard | Tear Drop |
| Truss Rod Cover | Black |
| Bridge Pins | Bone |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
5. Gibson 1936 J-35 Vintage Sunburst
Product Details:
The j-35 evolved from the jumbo in 1936, a time when the great depression was still wreaking havoc on americans. gibson developed the j-35 to be a pared down model but still offer musicians a warm and balanced instrument. this custom historic 1936 j-35 delivers the look, feel and sound of our iconic j-35 as a seasoned vintage instrument. the master luthiers in bozeman, montana, have created a beautiful vintage-inspired instrument sure to be coveted by the most discerning of flat-top players. the 1936 j-35 features a thermally aged adirondack red spruce top held by hot hide glue construction, a wide 1.77 nut width, open-slot bridge, bone saddle, and strap cream button tuners.
Specifications:
| Finish | Vintage Sunburst |
| Year | 2020 – 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Neck Material | Mahogany |
| Number of Frets | 19 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Mahogany |
| Top Material | Spruce |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
6. Gibson Slash J-45 Acoustic-Electric Guitar November Burst
Product Details:
Gibson and slash are proud to present the slash collection gibson j-45 standard. it represents influential gibson guitars slash has used during his career, inspiring multiple generations of players around the world. the slash collection of gibson guitars can be seen live on stage with slash today. each slash collection gibson j-45 standard features a blend of traditional appointments and modern features including a custom slash rounded c-neck profile, a flatter and more modern 16" fingerboard radius, and a versatile custom lr baggs vtc pickup for natural acoustic sound. exclusive to the slash's are a "scully" signature drawing on the back of the headstock, slash's signature on the truss rod cover with a blank truss rod cover in the case, and four slash jim dunlop tortex# picks. the slash collection gibson j-45 standard is available in november burst and a limited edition vermillion burst.
Specifications:
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Width | 1.725" |
| Inlays | Mother-of-Pearl dots |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatics |
| Truss Rod Cover | Slash Signature |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
7. Gibson J-45 '50s Faded Acoustic-Electric Guitar Vintage Sunburst
Product Details:
The world-famous workhorse with a beautiful faded finishthe j-45 is gibson’s best-selling acoustic of all time. nicknamed “the workhorse” and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world-renowned for its full, balanced expression, warm bass, and excellent projection, the j-45 has been refined to carry this legacy to new heights. the gibson j-45 faded 50s delivers full-spectrum sound with incredible dynamic range; warm mids; and tight, punchy bass. now available with a faded satin nitrocellulose lacquer finish that accentuates the guitar’s vintage vibe, and equipped with a modern lr baggs pickup and electronics package for studio and stage use. a hard shell case is also included.
Specifications:
| Finish | Faded Sunburst |
| Year | 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Mahogany |
| Top Material | Spruce |
| Wood Top Style | Plain |
| Shape | J-45 |
| Binding | Multi-ply Top, Single-ply Back |
| Neck | Mahogany |
| Nut width | 1.75"/43.815mm |
| Fingerboard | Rosewood |
| Scale length | 24.75"/628.65mm |
| Number of frets | 20 |
| Nut | Bone |
| Inlay | Mother of Pearl Dots |
| Bridge | Traditional Belly Up, Rosewood |
| Tuners | Gotoh White Button |
| Under Saddle pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
8. Gibson J-35 '30s Faded Acoustic-Electric Guitar Natural
Product Details:
The gibson j-35 is one of the most iconic acoustic guitars of all time. since its release back in 1936, it has developed a reputation as the finest workhorse acoustic around; with its full, rich tone and effortless playability it's easy to understand why. it delivers a full spectrum sound with incredible dynamic range! the gibson 30's j-35 faded features a mahogany body and sitka spruce top for not only a tonally rich but visually stunning guitar. the faded satin nitro lacquer really adds to the guitars vintage vibe. with an organic and beautifully balanced tone, mahogany offers a unique warm and well-rounded sound with great harmonic overtones. it's a real beauty, with a real vintage inspired vibe.the mahogany neck is super comfortable and great for both bold chordal work and subtle fingerstyle playing. the rosewood fingerboard is smooth and feels great underhand.featuring an lr baggs vtc pickup system, this gibson 30's j-35 gives you complete control over your sound. perfect for stage or studio, it's the same incredible workhorse guitar it's always been!
Specifications:
| Finish | Natural |
| Year | 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Mahogany |
| Number of Frets | 19 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Mahogany |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
9. Gibson 50s J-50 Original Acoustic- Antique Natural
Product Details:
Iconic silky blues. era-defining rock 'n' roll. bring 50s music to the modern stage with the gibson j-50 original 50s. this vintage offering comes equipped with the traditional materials of a sitka spruce top and mahogany body. this means that you can achieve a rich and recognisable tone that your audience will lap up. a simple and natural aesthetic reinforces what the 50s was all about – the music. there are no effects or tricks needed to deliver authentically legendary music, so strip back and just enjoy the sound. the way vintage music should be heard. feed tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl dots |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Bone |
| Tuning Machines | Grover Strap Cream Button |
| Pickguard | 50's, Tortoise |
| Truss Rod Cover | Black |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone controls |
| Manufacturer Part Number (MPN) | GIB OCRS5050 AN |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
10. Gibson Acoustic Slash J-45 – Vermillion Burst Guitar
Product Details:
Gibson and slash are proud to present the slash collection gibson j-45 standard. it represents influential gibson guitars slash has used during his career, inspiring multiple generations of players around the world. the slash collection of gibson guitars can be seen live on stage with slash today. each slash collection gibson j-45 standard features a blend of traditional appointments and modern features including a custom slash rounded c-neck profile, a flatter and more modern 16" fingerboard radius, and a versatile custom lr baggs vtc pickup for natural acoustic sound. exclusive to the slash's are a "scully" signature drawing on the back of the headstock, slash's signature on the truss rod cover with a blank truss rod cover in the case, and four slash jim dunlop tortex# picks. the slash collection gibson j-45 standard is available in november burst and a limited edition vermillion burst.
Specifications:
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Width | 1.725" |
| Inlays | Mother-of-Pearl dots |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatics |
| Truss Rod Cover | Slash Signature |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
11. Gibson Acoustic G-45 Studio – Antique Natural
Product Details:
Pickguard has light pick scratches. faint fret wear. a few minor cosmetic blemishes. gorgeous wood grain throughout. truss rod has plenty of room. plays and sounds great. professionally uv inspected for breaks, cracks, repairs, and resprays. deep cleaned, frets polished, fingerboard conditioned, and a new set of ernie ball 11s installed. stored at a digitally controlled 45% humidity. 4 lbs 4.4 oz. includes a road runner gig bag and owners manual.
Specifications:
| Finish | Antique Natural |
| Year | 2019 – 2020 |
| Made In | United States |
| Back Material | Walnut |
| Body Shape | Dreadnought |
| Fretboard Material | Walnut |
| Model Sub-Family | Gibson G-45 Studio |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | Walnut |
| Top Material | Spruce |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
12. Gibson J-45 Standard 12 String Vintage Sunburst
Product Details:
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-ply Top, Single ply Back |
| Finish | Gloss Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.875" |
| Inlays | Mother of Pearl Dots |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Reverse Belly, Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Mini Rotomatic |
| Pickguard | Tortoise Teardrop |
| Truss Rod | Adjustable |
| Truss Rod Cover | Bell Shaped, 2-ply Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs VTC |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
13. Gibson '50s J-45 Original Vintage Sunburst
Product Details:
A decade of iconic silky blues and era-defining rock 'n' roll can't possibly be resonated in just one instrument. can it? the gibson j-45 original 50s could be the answer. equipped with the traditional materials of a sitka spruce top and mahogany body that produce such a rich and recognisable tone – this guitar is an absolute legend to play. the look and feel of the 50s are in the palm of your hand. subtly antiqued, the top and back binding give the sense of a seasoned gibson acoustic. a classic instrument that has been modified to upgrade the way vintage music is heard. feed this tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75 inches |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 inches |
| Frets | 20 Standard |
| Nut Material | Bone |
| Nut Width | 1.725 inches |
| Inlays | Mother-of-Pearl dots |
| Joint | Compound Dovetail Neck-to-body |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Traditional Belly Up |
| Saddle Material | Bone |
| Tuning Machines | Grover Strap Cream Button |
| Pickguard | 50's, Tortoise |
| Truss Rod Cover | Black |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
| Style | Dreadnought |
| Electronics | Yes |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
14. Gibson G-45 Standard Walnut Acoustic Electric Guitar – Antique Natural
Product Details:
The g-45 standard builds on the revolutionary new g-45 series platform to provide the perfect mix of tone, performance, and traditional gibson style for all players and every stage. it is hand-built in our bozeman, montana factory using time-tested gibson build techniques like hide-glued dovetail neck joints and domed top braces along with modern specs like slimmer body depths and advanced response neck profiles. the g-45 standard also features a gloss top finish, dense richlite fingerboard, soft diamond inlays, and top and back binding. a solid sitka spruce top and solid walnut back and sides deliver crisp sounds with plenty of wonderful overtones while a fishman sonitone pickup captures every nuance for easy plug-and-play at home, in the studio or on stage.
Specifications:
| Body type | Dreadnought, Non-Cutaway |
| Top wood | Sitka spruce |
| Bracing pattern | X |
| Body finish | Gloss |
| Neck shape | Advanced Response |
| Nut width | 1.725" |
| Fingerboard | Rosewood |
| Neck wood | Utile |
| Scale length | 24.75" |
| Number of frets | 20 |
| Bridge | Rosewood |
| Pickup/preamp | Fishman Sonitone |
| Tuning machines | Mini Grover Rotomatic |
| Orientation | Right Handed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
15. Gibson G-45 Standard Acoustic-Electric Guitar, Left-Handed, Antique Natural
Product Details:
Traditional to the core. modern by feel. experience the stunning partnership of modern features and traditional lutherie. gibson 2019 is here. hand-built tradition from bozeman montana. it's time to explore an idyllic combo of incredible performance capabilities and a superior tone with a traditional aesthetic, and superb value. ready for performance, you're certain to stand out with the iconic gibson style and tone.and, an iconic gibson tone is what you get. a solid sitka spruce top is paired with walnut back and sides to bring you a truly beautiful sound. it's sonically strong, clear, resonant, and holds a versatile nature. play with freedom and explore a wide variety of genres with great ease. and, it even comes equipped with an incredibly responsive fishman sonitone pickup. perfect for the promising performer. this all new g-series offers one of the best blends between modernisation and tradition. play, and you'll find out why many legendary artists chose gibson.
Specifications:
| Finish | Antique Natural |
| Year | 2019 – 2020 |
| Made In | United States |
| Back Material | Walnut |
| Body Shape | Dreadnought |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson G-45 Standard |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Left Handed |
| Scale Length | 24.75" |
| Sides Material | Walnut |
| Top Material | Spruce |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
16. Gibson J-45 Studio Rosewood Antique Natural
Product Details:
Featuring a comfortable round shoulder dreadnought body, this streamlined version of the legendary j-45 is hand built using rosewood back & sides and a solid sitka spruce top. ready for performance, the j-45 studio boats a soundhole mounted under-saddle piezo pickup for direct connection to front of house/amp or your favorite audio interface for studio work. features round shoulder dreadnought body solid sitka spruce top rosewood back & sides rosewood fingerboard features under-saddle piezo pickup tusq nut and traditional belly up bridge grover rotomatic tuners includes hardshell case
Specifications:
| Finish | Antique Natural |
| Year | 2020 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Dreadnought |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson J-45 Studio |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
17. Gibson J-45 Standard Acoustic-Electric Guitar Heritage Cherry Sunburst
Product Details:
Classic tone, iconic style. the gibson j-45 standard combines time honoured lutherie techniques with famed hand-built tradition. a truly exquisite instrument that oozes world renowned gibson quality. first introduced in 1942, the j-45 earned itself a reputation among many players as the 'workhorse' guitar. and, this standard was inspired by the rich heritage it's left over the years. bringing you that pristine tone, warm bass, and balanced expression the j-45 is known for.born to perform. this j-45 standard features a solid sitka spruce and mahogany construction that sounds even richer with age. explore a classic acoustic sound that can handle whatever you throw at it. play delicate picking, to meaty country licks, or chunky, bluesy chords. it will respond to you, and your playing style beautifully. and, with the distinctive j-45 body, your tone is rich, big, and superbly dynamic. you can also play live thanks to a built-in lr baggs vtc, bringing you a majestic, legendary tone inspired by nashville's greatest studios. it's time to leave your musical legacy – do it with gibson.
Specifications:
| Finish | Antique Natural |
| Year | 2009 – 2019 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Fretboard Material | Composite |
| Model Sub-Family | Gibson J-45 Standard |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Sides Material | Mahogany |
| Top Material | Spruce |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
18. Gibson J-45 Standard Vintage Sunburst
Product Details:
The j-45 is gibson's best-selling acoustic of all time. nicknamed "the workhorse" and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world renowned for its full, balanced expression, warm bass and excellent projection, the j-45 has been refined to carry this legacy to new heights. this 2019 model delivers a sound with incredible dynamic range, warm mids, and a tight punchy bass.
Specifications:
| Body Style | J-45 |
| Back | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-Ply Top, Single-Ply Back |
| Neck | Mahogany |
| Neck Profile | Slim Taper |
| Nut Width | 1.725" |
| Neckjoint | Compound Dovetail Neck-To-Body Joint |
| Fingerboard | Rosewood |
| Scale length | 24.75" |
| Number of Frets | 20 |
| Nut | Black |
| Inlay | Mother-Of-Pearl Dots |
| Bridge | Traditional Belly Up, Rosewood |
| Tuners | Grover Rotomatics with Kidney Buttons |
| Plating | Nickel |
| Pickup | LR Baggs VTC |
| Controls | 1 Volume, 1 Tone |
| Finish | Vintage Sunburst |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
19. Gibson J-45 Standard – Vintage Sunburst
Product Details:
Gibson j-45 standard features a true classic! since its first appearance in 1942, the j-45 has been gibson's best selling acoustic and is now something of icon amongst dreadnought guitars. nicknamed the workhorse, the gibson j-45 is has become a high prized and sought-after instrument characterised by its full, balanced tone with a warm low end and impressive projection. there's no doubt that most of this tone can be attributed to the high quality woods used in the manufacture process.
Specifications:
| Body type | Dreadnought |
| Top wood | Sitka spruce |
| Bracing pattern | Traditional Hand-Scalloped X |
| Body finish | Gloss Natural |
| Orientation | Right-handed |
| Neck shape | SlimTaper |
| Scale length | 24.75" |
| Number of frets | 20 |
| Neck finish | Gloss |
| Pickup/preamp | Yes |
| Configuration | Undersaddle transducer |
| Preamp EQ | 1-band |
| Number of strings | 6 |
| Country of origin | United States |
| Style | Dreadnought |
| Nut Width | 1 23/32" |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
20. Gibson G-200 Ec Acoustic-Electric Guitar Natural
Product Details:
Gibson g-200 ec generation collection acoustic guitar – natural the g-200 ec is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it like you've never heard it beforethe same way your audience hears itmaximizing the sonic impact for an immersive playing and listening experience. the g-200 ec is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a beautiful solid sitka spruce top and solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner cutaway jumbo body is more comfortable to play, and provides excellent access to the upper frets. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. it also comes equipped with an lr baggs element bronze pickup system, so your g-200 ec will sound as good to your audience as it does to you. a gig bag is also included.
Specifications:
| Acoustic Guitar Type | Acoustic-Electric Guitar |
| Finish | Natural |
| Finish Type | Nitrocellulose |
| Body Style | Jumbo |
| Cutaway | Yes |
| Orientation | Right-Handed |
| Number of Frets | 20 |
| Scale Length | 25.5" |
| Solid Top | Yes |
| Top Material | Sitka Spruce |
| Neck Material | Utile |
| Fingerboard Material | Ebony |
| Bridge Material | Ebony |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Tuner | No |
| Electronics | L.R. Baggs Element Bronze Pickup |
| Case Included | Gig Bag |
Reviews:
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