Are you looking for the Gibson 12 String Acoustic Guitar? If so, you’ve come to the right place.
Choosing the Gibson 12 String Acoustic Guitar can be difficult as there are so many considerations, such as Fender, Gibson, Ibanez, Martin, Epiphone, Taylor, Takamine. We have done a lot of research to find the top 20 Gibson 12 String Acoustic Guitar available.
The average cost is $3504.56. Sold comparable range in price from a low of $1599.00 to a high of $6999.00.
Based on the research we did, we think Gibson J-45 Standard 12 String Vintage Sunburst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson 12 String Acoustic Guitar (20 Sellers)
| Product Image | Product Name | Features | Check Price |
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$2845.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The j-45 is a truly legendary guitar. the world-famous workhorse is
- Gibson's best-selling acoustic of all time. now it is available in a new
- 12-string version. featuring a mahogany body, sitka spruce top, and
$2399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder dreadnought body
- Solid sitka spruce top
- Rosewood back & sides
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The classic acoustic workhorse, primed for live performance.
- Solid sitka spruce top offers great projection and tone.
- Solid mahogany back and sides offer warm, round sound.
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder style
- Solid spruce top
- Mahogany body
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- J-45 material
- Mahogany back & sides
- Mahogany top
$3499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Slash is a hero for a lot of us musicians and as you can see this guitar is beautiful!
- Not a scratch on it and plays well up and down the neck.
- 16" radius neck.
$2399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder dreadnought body
- Solid sitka spruce top
- Rosewood back & sides
$3499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Call or visit us in store to learn more about this guitar!
- Used* gibson slash signature j-45 acoustic / electric guitar november burst finish w/ case.
- An iconic guitar shaped by an iconic player.
$4999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Thermally aged red spruce back & sides
- Mahogany bracing
- Traditional hand-scalloped advanced x-bracing, red spruce braces with hide glue binding
$2564.10
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Aa-grade sitka spruce top with pattern grade honduras mahogany back and sides
- Hand-scalloped, radiused top bracing
- Rosewood fingerboard with rolled edges and dot inlays
$3249.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Acoustic / electric guitars
- Antique natural
$6999.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- This gives the guitar an incredible vintage vibe and played-in feel.
- The ebony moustache-style bridge sports elegant mother-of-pearl bars, while the vintage-style vine pickguard adds a traditional touch of class.
- Gold grover imperial tuners add the finishing touch to this superb guitar.
$5299.00
4.8
Reviewers Noted:
Visual appeal
Features:
- Gibson sj-200 standard wine red.
- The king of the flat-tops, now in two new colors.
- Sj-200 standard specifications.
$3249.00
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive . Weight
Features:
- An acoustic guitar that's perfect for live performance
- Solid sitka spruce top with hand-scalloped advanced x-bracing
- Solid rosewood back and sides for balanced tone
$5299.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Select sitka spruce antique natural top
- Traditional hand scalloped "x" top bracing
- Two ring multi-stripe soundhole rosette
$1999.00
5.0
Reviewers Noted:
Weight
Features:
- Gibson g-200 ec left-handed natural
- A revolutionary take on the classic jumbo
$1599.00
4.7
Reviewers Noted:
Sound quality . Visual appeal . Craftsmanship
Features:
- Gibson generation series g-writer ec acoustic-electric guitar natural
- From dexter music center
- Gibson dealer and service center
$3499.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Gibson sj-200 studio walnut jumbo
- Serialized 21280033
$4499.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Sitka spruce top adds pluck and projection to your playing
- Rosewood back and sides deliver tonal warmth
- Mahogany neck for endless sustain
$3999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- Classic square shoulder dreadnought
- Sitka spruce top provides excellent tone and detail, and will only sound better with time
- Premium mahogany back and sides deliver full, warm tone
1. Gibson J-45 Standard 12 String Vintage Sunburst
Product Details:
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-ply Top, Single ply Back |
| Finish | Gloss Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.875" |
| Inlays | Mother of Pearl Dots |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Reverse Belly, Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Mini Rotomatic |
| Pickguard | Tortoise Teardrop |
| Truss Rod | Adjustable |
| Truss Rod Cover | Bell Shaped, 2-ply Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs VTC |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
2. Gibson J-45 Studio Rosewood Antique Natural
Product Details:
Featuring a comfortable round shoulder dreadnought body, this streamlined version of the legendary j-45 is hand built using rosewood back & sides and a solid sitka spruce top. ready for performance, the j-45 studio boats a soundhole mounted under-saddle piezo pickup for direct connection to front of house/amp or your favorite audio interface for studio work. features round shoulder dreadnought body solid sitka spruce top rosewood back & sides rosewood fingerboard features under-saddle piezo pickup tusq nut and traditional belly up bridge grover rotomatic tuners includes hardshell case
Specifications:
| Finish | Antique Natural |
| Year | 2020 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Dreadnought |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson J-45 Studio |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
3. Gibson '50s J-45 Original Vintage Sunburst
Product Details:
A decade of iconic silky blues and era-defining rock 'n' roll can't possibly be resonated in just one instrument. can it? the gibson j-45 original 50s could be the answer. equipped with the traditional materials of a sitka spruce top and mahogany body that produce such a rich and recognisable tone – this guitar is an absolute legend to play. the look and feel of the 50s are in the palm of your hand. subtly antiqued, the top and back binding give the sense of a seasoned gibson acoustic. a classic instrument that has been modified to upgrade the way vintage music is heard. feed this tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75 inches |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 inches |
| Frets | 20 Standard |
| Nut Material | Bone |
| Nut Width | 1.725 inches |
| Inlays | Mother-of-Pearl dots |
| Joint | Compound Dovetail Neck-to-body |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Traditional Belly Up |
| Saddle Material | Bone |
| Tuning Machines | Grover Strap Cream Button |
| Pickguard | 50's, Tortoise |
| Truss Rod Cover | Black |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
| Style | Dreadnought |
| Electronics | Yes |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
4. Gibson J-45 Standard Vintage Sunburst
Product Details:
The j-45 is gibson's best-selling acoustic of all time. nicknamed "the workhorse" and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world renowned for its full, balanced expression, warm bass and excellent projection, the j-45 has been refined to carry this legacy to new heights. this 2019 model delivers a sound with incredible dynamic range, warm mids, and a tight punchy bass.
Specifications:
| Body Style | J-45 |
| Back | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-Ply Top, Single-Ply Back |
| Neck | Mahogany |
| Neck Profile | Slim Taper |
| Nut Width | 1.725" |
| Neckjoint | Compound Dovetail Neck-To-Body Joint |
| Fingerboard | Rosewood |
| Scale length | 24.75" |
| Number of Frets | 20 |
| Nut | Black |
| Inlay | Mother-Of-Pearl Dots |
| Bridge | Traditional Belly Up, Rosewood |
| Tuners | Grover Rotomatics with Kidney Buttons |
| Plating | Nickel |
| Pickup | LR Baggs VTC |
| Controls | 1 Volume, 1 Tone |
| Finish | Vintage Sunburst |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
5. Gibson J-45 '50s Faded Acoustic-Electric Guitar Vintage Sunburst
Product Details:
The world-famous workhorse with a beautiful faded finishthe j-45 is gibson’s best-selling acoustic of all time. nicknamed “the workhorse” and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world-renowned for its full, balanced expression, warm bass, and excellent projection, the j-45 has been refined to carry this legacy to new heights. the gibson j-45 faded 50s delivers full-spectrum sound with incredible dynamic range; warm mids; and tight, punchy bass. now available with a faded satin nitrocellulose lacquer finish that accentuates the guitar’s vintage vibe, and equipped with a modern lr baggs pickup and electronics package for studio and stage use. a hard shell case is also included.
Specifications:
| Finish | Faded Sunburst |
| Year | 2022 |
| Made In | United States |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Mahogany |
| Top Material | Spruce |
| Wood Top Style | Plain |
| Shape | J-45 |
| Binding | Multi-ply Top, Single-ply Back |
| Neck | Mahogany |
| Nut width | 1.75"/43.815mm |
| Fingerboard | Rosewood |
| Scale length | 24.75"/628.65mm |
| Number of frets | 20 |
| Nut | Bone |
| Inlay | Mother of Pearl Dots |
| Bridge | Traditional Belly Up, Rosewood |
| Tuners | Gotoh White Button |
| Under Saddle pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
6. Gibson Acoustic Slash J-45 – Vermillion Burst Guitar
Product Details:
Gibson and slash are proud to present the slash collection gibson j-45 standard. it represents influential gibson guitars slash has used during his career, inspiring multiple generations of players around the world. the slash collection of gibson guitars can be seen live on stage with slash today. each slash collection gibson j-45 standard features a blend of traditional appointments and modern features including a custom slash rounded c-neck profile, a flatter and more modern 16" fingerboard radius, and a versatile custom lr baggs vtc pickup for natural acoustic sound. exclusive to the slash's are a "scully" signature drawing on the back of the headstock, slash's signature on the truss rod cover with a blank truss rod cover in the case, and four slash jim dunlop tortex# picks. the slash collection gibson j-45 standard is available in november burst and a limited edition vermillion burst.
Specifications:
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Width | 1.725" |
| Inlays | Mother-of-Pearl dots |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatics |
| Truss Rod Cover | Slash Signature |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
7. Gibson J-45 Studio Acoustic Electric Guitar Rosewood Burst
Product Details:
Featuring a comfortable round shoulder dreadnought body, this streamlined version of the legendary j-45 is hand built using rosewood back & sides and a solid sitka spruce top. ready for performance, the j-45 studio boats a soundhole mounted under-saddle piezo pickup for direct connection to front of house/amp or your favorite audio interface for studio work. features round shoulder dreadnought body solid sitka spruce top rosewood back & sides rosewood fingerboard features under-saddle piezo pickup tusq nut and traditional belly up bridge grover rotomatic tuners includes hardshell case
Specifications:
| Acoustic Guitar Type | Acoustic-Electric Guitar |
| Finish | Rosewood |
| Finish Type | Nitrocellulose |
| Body Style | Dreadnought |
| Cutaway | No |
| Orientation | Right-Handed |
| Number of Frets | 20 |
| Scale Length | 24.75" |
| Solid Top | Yes |
| Top Material | Sitka Spruce |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Material | Rosewood |
| Nut Material | Tusq |
| Nut Width | 1.724" |
| Tuner | No |
| Electronics | Active Under-saddle Piezo Pickup |
| Case Included | Hard Case |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
8. Gibson Slash J-45 Acoustic-Electric Guitar November Burst
Product Details:
Gibson and slash are proud to present the slash collection gibson j-45 standard. it represents influential gibson guitars slash has used during his career, inspiring multiple generations of players around the world. the slash collection of gibson guitars can be seen live on stage with slash today. each slash collection gibson j-45 standard features a blend of traditional appointments and modern features including a custom slash rounded c-neck profile, a flatter and more modern 16" fingerboard radius, and a versatile custom lr baggs vtc pickup for natural acoustic sound. exclusive to the slash's are a "scully" signature drawing on the back of the headstock, slash's signature on the truss rod cover with a blank truss rod cover in the case, and four slash jim dunlop tortex# picks. the slash collection gibson j-45 standard is available in november burst and a limited edition vermillion burst.
Specifications:
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Width | 1.725" |
| Inlays | Mother-of-Pearl dots |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatics |
| Truss Rod Cover | Slash Signature |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
9. Gibson 1942 Banner J-45 Vintage Sunburst
Product Details:
Legendary rich tone. release the depths of your creativity. the gibson 1942 banner j-45 channels the essence of the iconic j-45 in a new custom historic version. it mirrors the popular structure and components of the vintage model including mahogany back and sides. this time, the mahogany has been teamed with a thermally aged red spruce top. thanks to this duo of tonewoods, you can produce a deeply warm tone and melt the coldest of hearts with your music. get lost in passion. for those who lose themselves in their performance. the 1942 banner has a rosewood fretboard that encourages your musical devotion by offering a comfortable surface for chord and fingerwork. add this fretboard to the mahogany body and you've got a truly winning combination. these components and construction are ideal for performers who particularly favour heavier strumming and can't help but release intensity into their sound. all wrapped up in a stunning vintage style, the 1942 banner is a must for any blues or folk player looking to push their music further. are you ready to make a difference with your sound?
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Binding | Multi-ply top, multi-ply back |
| Finish | Thin Finish Nitrocellulose, VOS |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 19 |
| Frets | Legend Wire |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Dots |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Rectangle, open slot |
| Saddle Material | Bone |
| Tuning Machines | Strap open back, cream button |
| Pickguard | Tear Drop |
| Truss Rod Cover | Black |
| Bridge Pins | Bone |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
10. Gibson J-45 Standard – Vintage Sunburst
Product Details:
Gibson j-45 standard features a true classic! since its first appearance in 1942, the j-45 has been gibson's best selling acoustic and is now something of icon amongst dreadnought guitars. nicknamed the workhorse, the gibson j-45 is has become a high prized and sought-after instrument characterised by its full, balanced tone with a warm low end and impressive projection. there's no doubt that most of this tone can be attributed to the high quality woods used in the manufacture process.
Specifications:
| Body type | Dreadnought |
| Top wood | Sitka spruce |
| Bracing pattern | Traditional Hand-Scalloped X |
| Body finish | Gloss Natural |
| Orientation | Right-handed |
| Neck shape | SlimTaper |
| Scale length | 24.75" |
| Number of frets | 20 |
| Neck finish | Gloss |
| Pickup/preamp | Yes |
| Configuration | Undersaddle transducer |
| Preamp EQ | 1-band |
| Number of strings | 6 |
| Country of origin | United States |
| Style | Dreadnought |
| Nut Width | 1 23/32" |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
11. Gibson Sj-200 Studio Walnut Acoustic-Electric Guitar Antique Natural
Product Details:
Gibson sj-200 studio walnut – antique natural – hand built using beautiful sitka spruce and walnut, this sj-200 studio is sure to please the eye and the ear. utilizing gibson's advanced response neck profile and slim body depth body design this is the most comfortable super jumbo they've ever built, without any sacrifice in tone. outfitted with a fishman sonitone pickup for easy plug and play anywhere you perform.
Specifications:
| Neck Material | Mahogany |
| Scale Length | 25.5" |
| Fingerboard Material | Walnut |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Graduated Crowns |
| Joint | Compound Dovetail Neck-to-body |
| Body Shape | SJ-200 |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Tuner Plating | Nickel |
| Bridge | Moustache, no inlay |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic w/ kidney buttons |
| Pickguard | SJ-200, no stamp |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs Element Bronze |
| Controls | Volume and Tone Controls |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
12. Gibson Pre-War Sj-200 Rosewood Vintage Sunburst
Product Details:
A stunning showpiece of handcrafted design and artisanship, the pre-war sj-200 rosewood features gibson’s proprietary nitrocellulose lacquer finish and thermally-aged adirondack red spruce top. this gives the guitar an incredible vintage vibe and played-in feel. the ebony moustache-style bridge sports elegant mother-of-pearl bars, while the vintage-style vine pickguard adds a traditional touch of class. gold grover imperial tuners add the finishing touch to this superb guitar. when you pick up a gibson acoustic, you know you’re getting the finest tonewoods, quality hardware, and incredible attention to detail. these instruments are built to sound great and stand the test of time. a collector’s dream, the gibson acoustic j-200 rosewood is an instrument your family will treasure for generations.
Specifications:
| Finish | Vintage Sunburst |
| Year | 2020 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
13. Gibson Sj-200 Standard Wine Red
Product Details:
The legacy of gibson’s “king of the flat-tops” lives on in the sj-200 standard. from its inaugural appearance in 1937, gibson’s sj-200 set an unmatched standard. the sj-200 continues a legacy of the world’s most famous acoustic guitar, and certainly one of the most popular. the body features gorgeous flame maple and is finished in your choice of wine red or autumnburst. it comes equipped with gold grover rotomatic tuners, a tusq nut, saddle, and bridge pins, and it is stage and studio-ready with an internal lr baggs anthem mic/pickup system. a gibson hardshell case is included.
Specifications:
| Body type | Square shoulder Dreadnought |
| Cutaway | No |
| Top wood | Sitka spruce |
| Back and sides | Maple |
| Bracing pattern | Traditional hand-scalloped X |
| Body finish | Nitrocellulose Lacquer |
| Orientation | Right handed |
| Neck shape | Round |
| Nut width | 1.725" (43.8 mm) |
| Fingerboard | Rosewood |
| Neck wood | Maple |
| Scale length | 25.5" |
| Number of frets | 20 |
| Neck finish | Nitrocellulose |
| Pickup/preamp | Yes |
| Configuration | Undersaddle transducer |
| Preamp EQ | 1-band |
| Feedback filter | Phase |
| Tuner | No |
| Headstock overlay | Rosewood |
| Tuning machines | Grover Rotomatics with kidney buttons |
| Bridge | Rosewood |
| Saddle and nut | TUSQ |
| Number of strings | 6 |
| Country of origin | United States |
Reviews:
Makes me want to play.Bass boy Steve
14. Gibson Acoustic Songwriter Cutaway – Antique Natural Guitar
Product Details:
Distinctive. premium. ready for professionals. the gibson songwriter cutaway offers a stunning appearance with a superb acoustic voice. serious songwriters, are you ready? this limited edition gibson is new for 2019, offering famed gibson playability and tone with built-in fishman electronics.the songwriter 2019 is crafted with the best possible materials to ensure exquisite performance, playability, and tone. additionally, high-quality electronics make it perfect for stage and studio use. get a premium and distinctive look with iconic parallelogram inlays, a beautiful pickguard, antique natural finish, and gold hardware. born to stand out, it's your time to shine in true gibson style.
Specifications:
| Body type | Square shoulder dreadnought |
| Cutaway | No |
| Top wood | Sitka spruce |
| Back and sides | Rosewood |
| Bracing pattern | Traditional hand-scalloped Advanced X |
| Body finish | Nitrocellulose |
| Orientation | Right handed |
| Neck shape | Round |
| Nut width | 1.725" (43.8 mm) |
| Fingerboard | Rosewood |
| Neck wood | Mahogany |
| Scale length | 25.5" |
| Number of frets | 20 |
| Neck finish | Not specified |
| Pickup/preamp | Yes |
| Configuration | Soundhole mounted preamp |
| Preamp EQ | 4-band |
| Feedback filter | Notch, Phase |
| Tuner | Yes |
| Headstock overlay | Not specified |
| Tuning machines | Grover Rotomatics |
| Bridge | Rosewood |
| Saddle and nut | Tusq |
| Number of strings | 6 |
| Country of origin | United States |
Reviews:
Pictures just do not capture the beauty of this guitar. When I opened the case, I swear there was an aura surrounding this beauty. I was almost afraid of touching it! So after mustering up the courage to take it for a test drive….. Holy Smokes!, this guitar is on another level! It feels so solid compared to my other dreadnaught acoustics. Its like an Acoustic Les Paul Custom. The neck is great, plays like a dream and the pickup really does sound much better than those active p/u's I've played on other guitars. All in all, I couldn't be more happy with this instrument….. Truly an awesome spectacle
I played a Gibson J-45 previously. I was looking for a smaller body size to make it easier to play and write at the same time. l laso wanted a cut away body for higher fret action. The G-Force tuner was an interesting plus. the tuner works nice for studio and stage tuning in standard tuning. Using the G-Force to tune other than standard tuning is really to complex in terms of the multiple buttons you have to press in specific sequence to make the use impractical. The G-Force tuner also requires some very specific steps to restring the guitar. I really, really like the sound. You might think with shallow body depth and body cut away that the sound may be less than a full dreadnought sound. This sound is better than the J-45 I have played for years. The appearance and workmanship is impeccable. There is a special insert included to store the guitar in a standard dreadnought case. This is a nice feature by Gibson, as the guitar shallow body would make it bounce around in a standard dreadnought case. I grew up in Kalamazoo Michigan, the home of Gibson guitars. A number of my family members worked at the Gibson plant. I played Epiphone and Gibson guitars from the Kalamzoo Parson Street factory since I was a kid. This is the best Gibson I have ever played.Lorenzo
I have been playing for 30 years. I own several J45s, none of them rosewood.. Interesting that the Songwriter comes in a J45 case. I have truly enjoyed the tonal quality of this guitar. It has a nice clarity and truly excels when played in the finger picking style The Fishman electronics give this guitar some additional range to dial in the tone you want. It sounds great plugged as well. I wish I had bought one of these 10 years ago.Philip S
15. Gibson Acoustic Sj-200 Original – Antique Natural
Product Details:
Play it loud, play it proud. the gibson sj-200 original is teeming with quality, from its moustache bridge to its finely carved headstock. based on the same models as those gibson first released in 1937, it has a rich heritage and a stunning sound. flame maple back and sides give this beauty a sparkling, bright, punchy tone which sings with vibrance. and a sitka spruce top helps to enrich the resonance and sustain of this super jumbo guitar. plain sailing. there's a two-piece maple neck adorning this guitar, which offers superb smoothness for easy playing. it also adds even more brightness to this guitar's tone, making it truly stand out in any setting. the sublime rosewood fretboard responds to your playing perfectly, producing a touch of warmth and plenty of sustain for a well-balanced overall tone. the four bar moustache bridge is iconic, adding tonnes of character whilst enhancing tuning stability and resonance. from the stunning looks to the world class sound, this guitar will bring you a lifetime of happiness.
Specifications:
| Finish | Antique Natural |
| Year | 2019 – 2020 |
| Made In | United States |
| Back Material | Maple |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Maple |
| Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
16. Gibson G-200 Ec Lh Natural Generation
Product Details:
The left-handed g-200 ec is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it like you've never heard it before – the same way your audience hears it-maximizing the sonic impact for an immersive playing and listening experience. the g-200 ec is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a beautiful solid sitka spruce top and solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner cutaway jumbo body is more comfortable to play, and provides excellent access to the upper frets. the tusq nut and saddle, along with the grover mni rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. it also comes equipped with an lr baggs element bronze pickup system, so your g-200ec will sound as good to your audience as it does to you. a gig bag is also included.
Specifications:
| Body Shape | J-200 |
| Neck | Utile |
| Nut Width | 1.725"/ 43.815mm |
| Fingerboard | Striped Ebony |
| Scale Length | 25.5" / 647.7mm |
| Number of Frets | 20 |
| Nut | TUSQ |
| Inlay | G-Collection Single Bar |
| Bridge | Belly Down, Closed Slot, Striped Ebony |
| Tuners | Grover Mini Rotomatic |
| Plating | Chrome |
| Under Saddle pickup | LR Baggs Element Bronze |
| Controls | Soundhole Mounted Volume |
| Finish | Natural |
| Orientation | Left-Handed |
| Manufacturer Part Number (MPN) | MCJBG2ANL |
Reviews:
17. Gibson Generation G-Writer Ec Acoustic-Electric Guitar, Natural
Product Details:
Gibson g-writer generation collection acoustic-electric guitar – natural the g-writer ec is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it like you've never heard it beforethe same way your audience hears itmaximizing the sonic impact for an immersive playing and listening experience. the g-writer ec is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a solid sitka spruce top and beautiful solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner cutaway body is more comfortable to play, and provides effortless access to the upper frets. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. it also comes equipped with an lr baggs element bronze pickup system, so your g-writer ec will sound as good to your audience as it does to you. a gig bag is also included.
Specifications:
| Body Shape | Songwriter |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional Scalloped X-bracing |
| Finish | Satin Nitrocellulose Lacquer |
| Neck Material | Utile |
| Scale Length | 25.5" |
| Fingerboard Material | Striped Ebony |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | TUSQ |
| Nut Width | 1.725" |
| Inlays | G-Collection Single Bar |
| Hardware Finish | Chrome |
| Tuner Plating | Chrome |
| Bridge | Belly Down, Closed Slot, Striped Ebony |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Mini Rotomatic |
| Pickguard | Black |
| Truss Rod | Adjustable |
| Truss Rod Cover | Walnut Laminate |
| Bridge Pins | Black |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs Element Bronze |
| Controls | Soundhole Mounted Volume |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs Element Bronze |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I have several acoustic guitars. Yamahas, Taylor's, Gretch, Fender and others. I played this in the show room and it not only sounded great!, But, it asked me to take it home! I love this guitar. Sounds great, has great electronics on board and bonded with instantly. Yes, I took it home!Matt T.
18. Gibson Sj-200 Studio Walnut Acoustic-Electric Guitar Walnut Burst
Product Details:
Hand built using beautiful sitka spruce and walnut, this gibson sj-200 studio is sure to please the eye and the ear. utilising gibson's advanced response neck profile and slim body depth body design this is the most comfortable super jumbo they've ever built, without any sacrifice in tone. outfitted with a fishman sonitone pickup for easy plug and play anywhere you perform.
Specifications:
| Neck Material | Mahogany |
| Scale Length | 25.5" |
| Fingerboard Material | Walnut |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Graduated Crowns |
| Joint | Compound Dovetail Neck-to-body |
| Body Shape | SJ-200 |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Tuner Plating | Nickel |
| Bridge | Moustache, no inlay |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic w/ kidney buttons |
| Pickguard | SJ-200, no stamp |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs Element Bronze |
| Controls | Volume and Tone Controls |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
19. Gibson Acoustic J-45 Deluxe – Rosewood Burst Guitar
Product Details:
Gibson j45 deluxe rosewood in rosewood burst finish built upon the famous j-45 platform this j-45 deluxe offers custom features throughout. beautiful multi-ply top trim with added multi-colored rope binding, rosewood back and sides, mother-of-pearl split diamond inlay, hand sprayed rosewood burst finish, and bound peghead. now hand built with a beautiful ebony fingerboard and bridge. finished with an lr baggs vtc pickup.
Specifications:
| Finish | Rosewood Burst |
| Year | 2019 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Dreadnought |
| Fretboard Material | Composite |
| Model Sub-Family | Gibson J-45 Deluxe |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
Gibson started making these in 1934. I bought one 20 years ago and it is still my go to guitar. The first time I played it, I thought it was the best sounding guitar I'd ever heard. Something about the Sitka Spruce / Mahogany combination makes for a warm, full sound that nothing else can quite match. The slightly wider neck makes the guitar easy to flat pick, and finger pick. From the factory mine came ready to play. Haven't had to fool with the action yet. Also, the older I get, the more I appreciate how light weight it is, compared to a rosewood guitar, or an electric. It's kinder and gentler to my aging back. If you're looking for a guitar, play one of these 45s. You'll be glad you did!guitar49
Seriously, best guitars ever made. To many people, especially those under the spell of loud booming bluegrass machines, the j45 doesn't stand out. You may find them dull in loud busy guitar shops or next to a canon like a hd28.
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
I purchased a 2018 model through Guitar Center last week, from what I can only assume was New Old Stock. It was a savings of around $400. It arrived today! With the exception of some minor finish issues from someone else handling the guitar (scuffs, mild scratching) it is f*&ing incredible. I have barely been able to set it down. It plays like a dream and sounds even better. It's very consistent up and down the neck and the tonalities between flat-picking and fingerpicking are super noticeable which is EXACTLY the way it should be, in my opinion. Fingerpicking gives the player deeper lows and snaps while flat-picking tends to be more on the side of treble and crispness. It's a dream instrument for me and I know it will be for you as well.Justin
20. Gibson Acoustic Hummingbird Original – Heritage Cherry Sunburst
Product Details:
The unmistakable gibson hummingbird is followed by the masses as one of the most remarkable acoustic guitars ever built. the new hummingbird original blends vintage appointments and today's modern, high-quality build construction. outfitted with gold gotoh keystone tuners, double antiqued binding, a traditional hummingbird truss rod cover, and a bone nut and saddle, it's available heritage cherry sunburst finish. this guitar has a 1.75" nut and weighs 5 lbs. it's got a sitka spruce top, mahogany back and sides, a mahogany neck, rosewood fretboard, bone nut and saddle, lr baggs vtc pickup, 24.75" scale length and 12" radius.there's nothing quite like a gibson hummingbird, catch it now before it flies away!
Specifications:
| Body Shape | Hummingbird |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, multi-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Parallelograms |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Gold |
| Bridge | Traditional belly up |
| Saddle Material | Bone |
| Tuning Machines | Gotoh Keystone |
| Pickguard | .060'' Hummingbird |
| Truss Rod Cover | Hummingbird |
| Bridge Pins | Tusq |
| Electronics Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone controls |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I received this today. I got home as the UPS driver was leaving it at my door. I quickly unboxed this and just looked at it. The case is considerably heavy, and the guitar is very light relatively speaking. The smell of the natural wood is present and pleasant. The rich sound is amazing. I love it. I immediately tuned it and played a few bits of songs I know. It is a wonderful guitar that is pleasing to the eye and even more delightful to the ear. This is making me long to learn more music and master my STP favorites. Very happy with my purchase.Michael
I've been looking for a pro instrument, something I would keep for a lifetime, to replace my entry-level Takamine acoustic. Maybe 20+ years ago I had played a Gibson Hummingbird in a store and I fell in love. But I couldn't afford it at the time. Still, I was open to other brands when shopping, and I tried a lot of them. But the Hummingbird Studio Walnut wound up being exactly I was looking for. Above all, an acoustic has to sound right for you. The "right" sound can be different for everyone, and it can also depend on what style of music you play. If you are a singer, some guitars might compliment your voice better than others. This Hummingbird Studio has a very balanced sound across the entire range. It has a confident low end, but not "boomy". The high strings are never spikey – they are smooth, clear, and blend sweetly within chords. The Walnut back and sides seem to contribute to this "smooth and even" sound. There's a Rosewood version too, which sounded a bit brighter and stiffer to me. The Walnut responds very well to light or heavy playing, with plenty of overtones while still maintaining note definition. The body of this Studio version is slightly less deep than a traditional Hummingbird (by about 0.75 of an inch). While I'm sure that equates to a difference in sound on some level, I prefer to simply evaluate this guitar based on how it sounds on its own – which to me is wonderfully smooth and rich. It seems much easier for me to get a good recorded sound out of this compared to my cheaper acoustic. I'm using a microphone in my home studio (Rode NT1). I haven't even tried the built-in electronics, so I can't comment on that. The feel of a guitar is just as important as sound to me. I do admit that I'm a Gibson fan in general, also owning a Les Paul Studio. The neck on the Hummingbird Studio just fits me perfectly, and it makes me want to pick it up and play it every time I walk past it hanging on the wall in my home. Another thing I really like about the Studio series is the lack of binding on the neck. That's just a personal preference, but I like to see the bare neck and fretboard wood instead of plastic binding. To each their own. I compared this to a few Taylors – all great guitars, but the Taylors have a brighter, more modern sound that didn't quite suit me. The other contender was a nice Martin D-16E which sounded great, but just didn't quite feel right in my hands. In the end, the Hummingbird Studio just said "welcome home" every time I picked it up. And that's worth waiting for.Brock
This is a beautiful guitar and I loved everything about it until I started having problems with the output jack. I don't know if the construction issues were just related to my guitar or if anyone else has had the same issues. Nonetheless I had to bring it back to GC to have it repaired. One week later, I had the same issue, loose output jack with just normal use. I contacted Gibson directly and shipped my guitar to them to be repaired and they completely replaced the jack with a new and different one. So no more issues with loose jack after that, BUT something with the wiring must have been damaged in the process. When It was plugged in the sound would come and go or I would get a crackly sound. I changed batteries and tried multiple different cables thinking maybe it was the cable. No, it wasn't. At this point, with the price of this guitar and the expectation that Gibson would put out a quality product, I was frustrated and just opted to either exchange or return it. I will say my local GC was very supportive and helpful and allowed me to exchange for a different guitar. I went with another brand and am very pleased with my new guitar! I'm really sad that it didn't work out with this. Hopefully it was just my specific guitar, and that others who have purchased this or plans to purchase this does not have the same issues.Vanessa
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