Are you looking for the Vintage Gibson 12 String Acoustic Guitar? If so, you’ve come to the right place.
Choosing the Vintage Gibson 12 String Acoustic Guitar can be difficult as there are so many considerations, such as Fender, Gibson, Ibanez, Martin, Epiphone, Guild. We have done a lot of research to find the top 20 Vintage Gibson 12 String Acoustic Guitar available.
The average cost is $3420.58. Sold comparable range in price from a low of $670.00 to a high of $6999.00.
Based on the research we did, we think Gibson J-45 Standard 12 String Vintage Sunburst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Vintage Gibson 12 String Acoustic Guitar (20 Sellers)
| Product Image | Product Name | Features | Check Price |
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$2845.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The j-45 is a truly legendary guitar. the world-famous workhorse is
- Gibson's best-selling acoustic of all time. now it is available in a new
- 12-string version. featuring a mahogany body, sitka spruce top, and
$5299.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Corner music is an authorized gibson dealer and nashville's only gibson 5-star acoustic dealer. all photos are the actual guitar.
- Body style super jumbo.
- Top sitka spruce.
$4999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Thermally aged red spruce back & sides
- Mahogany bracing
- Traditional hand-scalloped advanced x-bracing, red spruce braces with hide glue binding
$2399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder dreadnought body
- Solid sitka spruce top
- Rosewood back & sides
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder style
- Solid spruce top
- Mahogany body
$2564.10
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Aa-grade sitka spruce top with pattern grade honduras mahogany back and sides
- Hand-scalloped, radiused top bracing
- Rosewood fingerboard with rolled edges and dot inlays
$6999.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Body shape: sj-200.
- Body material: rosewood.
- Top: aaa sitka spruce.
$4999.00
5.0
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- Detailed specifications
- Advanced jumbo
- Thermally aged red spruce
$4499.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Sitka spruce top adds pluck and projection to your playing
- Rosewood back and sides deliver tonal warmth
- Mahogany neck for endless sustain
$2299.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Sitka spruce
- Traditional hand scalloped x-bracing
- Multi-ply top, single-ply back
$6999.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- This gives the guitar an incredible vintage vibe and played-in feel.
- The ebony moustache-style bridge sports elegant mother-of-pearl bars, while the vintage-style vine pickguard adds a traditional touch of class.
- Gold grover imperial tuners add the finishing touch to this superb guitar.
$2795.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Finish top: minor ding between bridge and soundhole. minor scratches and blemishes.
- Finish sides: heavy blemishing treble side upper bout. faint blemishing by output jack. minor scratches and blemishes.
- Finish back: minor scratches and blemishes.
$5299.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Select sitka spruce antique natural top
- Traditional hand scalloped "x" top bracing
- Two ring multi-stripe soundhole rosette
$3149.00
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive . Weight
Features:
- Gibson songwriter standard rosewood antique natural acoustic guitar.
- A rosewood square shoulder powerhouse.
- Featuring beautiful rosewood back and sides paired with a sitka spruce top.
$2849.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibuya store in tokyo…
$939.95
4.1
Reviewers Noted:
Sound quality . Craftsmanship . Visual appeal . Weight
Features:
- Gibson g-45 generation collection – antique natural w/gig bag.
- You are viewing pictures of the actual guitar being sold!
- G-45, natural.
$2649.00
4.2
Reviewers Noted:
Visual appeal
Features:
- Sitka spruce wine red finished top
- Traditional hand-scalloped x top bracing
- Double ring aged white and pinstripe soundhole rosette
$1839.20
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The round-shouldered gibson j-45 is the workhorse when it comes to acoustic guitars. first introduced in 1942, it remains gibsons best selling acoustic today. this unique j-45 studio is hand…
$1471.36
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The round-shouldered gibson j-45 is the workhorse when it comes to acoustic guitars. first introduced in 1942, it remains gibsons best selling acoustic today. this unique j-45 studio is hand…
$670.00
Features:
- Acoustic electricmodel
- Gibson j200 12 stringsscale length
- Solid maple topback/side material
1. Gibson J-45 Standard 12 String Vintage Sunburst
Product Details:
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-ply Top, Single ply Back |
| Finish | Gloss Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.875" |
| Inlays | Mother of Pearl Dots |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Reverse Belly, Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Mini Rotomatic |
| Pickguard | Tortoise Teardrop |
| Truss Rod | Adjustable |
| Truss Rod Cover | Bell Shaped, 2-ply Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs VTC |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
2. Gibson Acoustic Sj-200 Original – Vintage Sunburst
Product Details:
Play it loud, play it proud. the gibson sj-200 original is teeming with quality, from its moustache bridge to its finely carved headstock. based on the same models as those gibson first released in 1937, it has a rich heritage and a stunning sound. flame maple back and sides give this beauty a sparkling, bright, punchy tone which sings with vibrance. and a sitka spruce top helps to enrich the resonance and sustain of this super jumbo guitar. plain sailing. there's a two-piece maple neck adorning this guitar, which offers superb smoothness for easy playing. it also adds even more brightness to this guitar's tone, making it truly stand out in any setting. the sublime rosewood fretboard responds to your playing perfectly, producing a touch of warmth and plenty of sustain for a well-balanced overall tone. the four bar moustache bridge is iconic, adding tonnes of character whilst enhancing tuning stability and resonance. from the stunning looks to the world class sound, this guitar will bring you a lifetime of happiness.
Specifications:
| Finish | Antique Natural |
| Year | 2019 – 2020 |
| Made In | United States |
| Back Material | Maple |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Maple |
| Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
3. Gibson 1942 Banner J-45 Vintage Sunburst
Product Details:
Legendary rich tone. release the depths of your creativity. the gibson 1942 banner j-45 channels the essence of the iconic j-45 in a new custom historic version. it mirrors the popular structure and components of the vintage model including mahogany back and sides. this time, the mahogany has been teamed with a thermally aged red spruce top. thanks to this duo of tonewoods, you can produce a deeply warm tone and melt the coldest of hearts with your music. get lost in passion. for those who lose themselves in their performance. the 1942 banner has a rosewood fretboard that encourages your musical devotion by offering a comfortable surface for chord and fingerwork. add this fretboard to the mahogany body and you've got a truly winning combination. these components and construction are ideal for performers who particularly favour heavier strumming and can't help but release intensity into their sound. all wrapped up in a stunning vintage style, the 1942 banner is a must for any blues or folk player looking to push their music further. are you ready to make a difference with your sound?
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Binding | Multi-ply top, multi-ply back |
| Finish | Thin Finish Nitrocellulose, VOS |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 19 |
| Frets | Legend Wire |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Dots |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Rectangle, open slot |
| Saddle Material | Bone |
| Tuning Machines | Strap open back, cream button |
| Pickguard | Tear Drop |
| Truss Rod Cover | Black |
| Bridge Pins | Bone |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
4. Gibson J-45 Studio Rosewood Antique Natural
Product Details:
Featuring a comfortable round shoulder dreadnought body, this streamlined version of the legendary j-45 is hand built using rosewood back & sides and a solid sitka spruce top. ready for performance, the j-45 studio boats a soundhole mounted under-saddle piezo pickup for direct connection to front of house/amp or your favorite audio interface for studio work. features round shoulder dreadnought body solid sitka spruce top rosewood back & sides rosewood fingerboard features under-saddle piezo pickup tusq nut and traditional belly up bridge grover rotomatic tuners includes hardshell case
Specifications:
| Finish | Antique Natural |
| Year | 2020 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Dreadnought |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson J-45 Studio |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
5. Gibson J-45 Standard Vintage Sunburst
Product Details:
The j-45 is gibson's best-selling acoustic of all time. nicknamed "the workhorse" and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world renowned for its full, balanced expression, warm bass and excellent projection, the j-45 has been refined to carry this legacy to new heights. this 2019 model delivers a sound with incredible dynamic range, warm mids, and a tight punchy bass.
Specifications:
| Body Style | J-45 |
| Back | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-Ply Top, Single-Ply Back |
| Neck | Mahogany |
| Neck Profile | Slim Taper |
| Nut Width | 1.725" |
| Neckjoint | Compound Dovetail Neck-To-Body Joint |
| Fingerboard | Rosewood |
| Scale length | 24.75" |
| Number of Frets | 20 |
| Nut | Black |
| Inlay | Mother-Of-Pearl Dots |
| Bridge | Traditional Belly Up, Rosewood |
| Tuners | Grover Rotomatics with Kidney Buttons |
| Plating | Nickel |
| Pickup | LR Baggs VTC |
| Controls | 1 Volume, 1 Tone |
| Finish | Vintage Sunburst |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
6. Gibson J-45 Standard – Vintage Sunburst
Product Details:
Gibson j-45 standard features a true classic! since its first appearance in 1942, the j-45 has been gibson's best selling acoustic and is now something of icon amongst dreadnought guitars. nicknamed the workhorse, the gibson j-45 is has become a high prized and sought-after instrument characterised by its full, balanced tone with a warm low end and impressive projection. there's no doubt that most of this tone can be attributed to the high quality woods used in the manufacture process.
Specifications:
| Body type | Dreadnought |
| Top wood | Sitka spruce |
| Bracing pattern | Traditional Hand-Scalloped X |
| Body finish | Gloss Natural |
| Orientation | Right-handed |
| Neck shape | SlimTaper |
| Scale length | 24.75" |
| Number of frets | 20 |
| Neck finish | Gloss |
| Pickup/preamp | Yes |
| Configuration | Undersaddle transducer |
| Preamp EQ | 1-band |
| Number of strings | 6 |
| Country of origin | United States |
| Style | Dreadnought |
| Nut Width | 1 23/32" |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
7. Gibson Sj-200 Western Classic Acoustic Guitar – Vintage Sunburst
Product Details:
The legacy of gibson's 'king of the flat-tops' continues with the sj-200 western classic. from its first appearance in 1937, gibson's sj-200 set an unmatched standard. with indian rosewood back and sides paired with a aaa sitka spruce top, it delivers impressive volume and exceptional tone. it is also one of the most stylish acoustic guitars ever created, with a four-bar moustache bridge, ebony fingerboard with block mother of pearl inlays, gold waverly tuning machines, and a western classic torch inlay on the headstock. a gibson hardshell case is included.
Specifications:
| Finish | Vintage Sunburst |
| Year | 2021 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson SJ-200 Western Classic |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Rosewood |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
8. Gibson 1934 Jumbo Acoustic Guitar – Vintage Sunburst
Product Details:
Gibson 1934 jumbo vtg sb acoustic guitar gibson l00 original vtg acoustic / electric guitar in vintage sunburst gibson was a pioneer in the development of small body guitars in the beginning of the 1900s with its "l-series small body" acoustics. these smaller gibsons deliver a tonality that is best described in gibson's 1934 catalog as a sound of "perfect balance." the l-00 original, while achieving all the advantages of an acoustic that is comfortable to play in your home, still produces gibson's rich full sound. the new l-00 original features a classic white script gibson logo, subtle antiquing on the top and back binding, and golden age nickel tuners.
Specifications:
| Body Shape | Advanced Jumbo |
| Back | Mahogany |
| Side | Mahogany |
| Binding | Single-ply top, single-ply back |
| Finish | Thin Finish Nitrocellulose, VOS |
| Neck Material | Mahogany |
| Scale Length | 25" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 19 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.75" |
| Inlays | Mother-of-pearl Dots |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Rectangle, open slot |
| Saddle Material | Bone |
| Tuning Machines | Waverly |
| Pickguard | AJ |
| Truss Rod Cover | Black |
| Bridge Pins | Bone |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
9. Gibson Acoustic J-45 Deluxe – Rosewood Burst Guitar
Product Details:
Gibson j45 deluxe rosewood in rosewood burst finish built upon the famous j-45 platform this j-45 deluxe offers custom features throughout. beautiful multi-ply top trim with added multi-colored rope binding, rosewood back and sides, mother-of-pearl split diamond inlay, hand sprayed rosewood burst finish, and bound peghead. now hand built with a beautiful ebony fingerboard and bridge. finished with an lr baggs vtc pickup.
Specifications:
| Finish | Rosewood Burst |
| Year | 2019 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Dreadnought |
| Fretboard Material | Composite |
| Model Sub-Family | Gibson J-45 Deluxe |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
Gibson started making these in 1934. I bought one 20 years ago and it is still my go to guitar. The first time I played it, I thought it was the best sounding guitar I'd ever heard. Something about the Sitka Spruce / Mahogany combination makes for a warm, full sound that nothing else can quite match. The slightly wider neck makes the guitar easy to flat pick, and finger pick. From the factory mine came ready to play. Haven't had to fool with the action yet. Also, the older I get, the more I appreciate how light weight it is, compared to a rosewood guitar, or an electric. It's kinder and gentler to my aging back. If you're looking for a guitar, play one of these 45s. You'll be glad you did!guitar49
Seriously, best guitars ever made. To many people, especially those under the spell of loud booming bluegrass machines, the j45 doesn't stand out. You may find them dull in loud busy guitar shops or next to a canon like a hd28.
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
I purchased a 2018 model through Guitar Center last week, from what I can only assume was New Old Stock. It was a savings of around $400. It arrived today! With the exception of some minor finish issues from someone else handling the guitar (scuffs, mild scratching) it is f*&ing incredible. I have barely been able to set it down. It plays like a dream and sounds even better. It's very consistent up and down the neck and the tonalities between flat-picking and fingerpicking are super noticeable which is EXACTLY the way it should be, in my opinion. Fingerpicking gives the player deeper lows and snaps while flat-picking tends to be more on the side of treble and crispness. It's a dream instrument for me and I know it will be for you as well.Justin
10. Gibson Acoustic J-45 Studio Walnut – Antique Natural Guitar
Product Details:
The gibson j-45 is one of the most iconic acoustic guitars of all time. since its release back in 1942, it has developed a reputation as the finest workhorse acoustic around, with its full, rich tone and effortless playability it's easy to understand why. the gibson j-45 studio walnut features a walnut back and sides and fuses it with the tonal quality of sitka spruce. with an organic and beautifully balanced tone, sitka spruce offers plenty of mids and great harmonic overtones.the mahogany advanced response neck is super comfortable and great for both bold chordal work and subtle fingerstyle playing. the walnut fingerboard is smooth and feels great underhand.featuring an active under-saddle piezo pickup system, this gibson j-45 gives you complete control over your sound. perfect for stage or studio, it's the same incredible workhorse guitar it's always been!
Specifications:
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Walnut |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Dots |
| Joint | Compound Dovetail Neck-to-body |
| Body Shape | J-45 |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic with kidney buttons |
| Pickguard | Tear Drop |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Under Saddle Pickup | Yes |
| Controls | Volume and Tone Controls |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
After testing, buying and returning about 10 different guitars from Epiphone to Gibson to Martin to Collings to Taylor to Waterloo, I landed on this guitar. I bought on trial guitars from all of the above, but could not stop thinking about the J-45 Studio I tested. I love the Standard but my budget is capped around $1600. I ended up going with a J-45 Studio Walnut burst and have had it for about 5 days now. I have played it nearly on average of 6 hours a day because I cannot put it down. When I first tested and purchased the guitar, it had a very bright tone due to the walnut back and sides, but the more I play it in and listen, the warmer it becomes without losing the punch and clarity of the top end walnut tone. I recorded a track for a country song I was working on with this beauty and through a LDC mic, it sounded like a polished record without processing. This thing was built for the studio but projects for the stage. Can't say enough good things about this guitar.MotownFranz
The j45 studio is a hybrid of the j45 standard and the j15. The top (spruce), body (walnut) and bracing are identical to the j15. The neck (solid mahogany) is identical to the j45 standard and definitely superior to the j15's laminate maple neck. The studio's electronics are better than the j15's, having both tone and volume controls. And yes, the studio's body is a little thinner than that of the standard j15 and j45. The j45 studio sounds fantastic plugged in and unplugged, and the blend of scale and action make this a true Gibson acoustic, a unique blend of bright and dark. Having identical tops and bodies, you would think that the studio's sound and resonance would be more the the j15, but imo the 15's laminate neck takes a lot of depth out of the lows, which truly sets the studio apart and makes it a true j45, even if the studio's slightly smaller walnut body swaps some of the standard j45's warmth for a punchier, crisper sound. By my view, if you are thinking j15 but wouldn't mind throwing a couple hundred more at a guitar with a bit more growl, I recommend the j45 studio. It's also a fair compromise if you find the j45 standard's price tag off-putting. I tried out a number of other Gibsons, Martins, Taylors and Breedloves, but could not turn my back on the j45 studio. I'll get my hummingbird when I make my first million, but I'm very happy either way.Jay
I like the guitar and it sounds great. I would buy it again. My only complaint does not deal with the guitar but the advertising. A picture in the advertising shows the electronics mounted in the sound hole with a volume and tone. This guitar only has a volume control. Imagine my surprise. Exactly what I will do about it Imdon't know.Rodney
11. Gibson Pre-War Sj-200 Rosewood Vintage Sunburst
Product Details:
A stunning showpiece of handcrafted design and artisanship, the pre-war sj-200 rosewood features gibson’s proprietary nitrocellulose lacquer finish and thermally-aged adirondack red spruce top. this gives the guitar an incredible vintage vibe and played-in feel. the ebony moustache-style bridge sports elegant mother-of-pearl bars, while the vintage-style vine pickguard adds a traditional touch of class. gold grover imperial tuners add the finishing touch to this superb guitar. when you pick up a gibson acoustic, you know you’re getting the finest tonewoods, quality hardware, and incredible attention to detail. these instruments are built to sound great and stand the test of time. a collector’s dream, the gibson acoustic j-200 rosewood is an instrument your family will treasure for generations.
Specifications:
| Finish | Vintage Sunburst |
| Year | 2020 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
12. Gibson Sj-200 Studio Rosewood Antique Natural
Product Details:
Beautiful resonance. visually stunning. add yourself to the long line of legends that yield this iconic guitar. the gibson sj-200 studio rosewood has joined the ''king of the flat-tops'' as a breath-taking new addition boasting exquisite features. why tweak perfection? great question. adding in an advanced response neck profile and slim body depth design, gibson have made sure that injecting sophistication and personality to your performance has never been so comfortable. don't worry though. you still get that sound. the sj-200 series is renowned for its massive sound and rich, yet bright, tone. its incredible sustain comes from the combination of a sitka spruce top combined with a rosewood body and fretboard. it's tone you'll melt into. you'd be forgiven for losing yourself in this hypnotic sound that manages to remain articulate and bright while simultaneously weeping at full volume. there's a reason this guitar is one of the most popular acoustics of all time. and this is just the beginning.
Specifications:
| Back | Rosewood |
| Side | Rosewood |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 25.5" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Graduated Crowns |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Moustache |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic w/ Kidney Buttons |
| Pickguard | SJ-200, no stamp |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Under Saddle Pickup | Fishman Sonitone |
| Controls | Volume and Tone Controls |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
13. Gibson Acoustic Sj-200 Original – Antique Natural
Product Details:
Play it loud, play it proud. the gibson sj-200 original is teeming with quality, from its moustache bridge to its finely carved headstock. based on the same models as those gibson first released in 1937, it has a rich heritage and a stunning sound. flame maple back and sides give this beauty a sparkling, bright, punchy tone which sings with vibrance. and a sitka spruce top helps to enrich the resonance and sustain of this super jumbo guitar. plain sailing. there's a two-piece maple neck adorning this guitar, which offers superb smoothness for easy playing. it also adds even more brightness to this guitar's tone, making it truly stand out in any setting. the sublime rosewood fretboard responds to your playing perfectly, producing a touch of warmth and plenty of sustain for a well-balanced overall tone. the four bar moustache bridge is iconic, adding tonnes of character whilst enhancing tuning stability and resonance. from the stunning looks to the world class sound, this guitar will bring you a lifetime of happiness.
Specifications:
| Finish | Antique Natural |
| Year | 2019 – 2020 |
| Made In | United States |
| Back Material | Maple |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Maple |
| Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
14. Gibson Acoustic Songwriter – Antique Natural
Product Details:
Distinctive. iconic. and ready for professionals. the gibson songwriter 2019 is a stunning electro acoustic guitar that'll delight professional performers, troubadours, and gibson collectors everywhere. it's loaded with all of gibson's renowned tonal brilliance. rosewood, sitka spruce, and mahogany tonewoods combine to create excellent sonic range, giving you full, all-encompassing sound.this is a guitar that's destined to drive you to greatness. because it's tailor-made for the stage, too. lr baggs electronics provide superb clarity to your live playing, allowing you to play at high volumes without sacrificing sound quality. a comfortable rounded neck profile will let you play on for hours, so you can dedicate as much time as you like to composing your next classic. discover unparalleled excellence.
Specifications:
| Body Shape | Square Shoulder |
| Back and Side Wood | Rosewood |
| Bracing | Traditional hand-scalloped Advanced X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Neck Profile | Round |
| Scale Length | 25.5'' |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12'' |
| Number of Frets | 20 |
| Frets | Standard |
| Nut Material | Tusq |
| Nut Width | 1.725'' |
| Inlays | Mother-of-pearl Parallelogram |
| Neckjoint | Compound dovetail neck-to-body joint |
| Tuner Plating | Gold |
| Bridge | Custom Line |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic w/ Kidney Buttons |
| Pickguard | Custom Line |
| Truss Rod Cover | B/W |
| Bridge Pins | Tusq |
| Controls | Volume and Tone controls in soundhole |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
Pictures just do not capture the beauty of this guitar. When I opened the case, I swear there was an aura surrounding this beauty. I was almost afraid of touching it! So after mustering up the courage to take it for a test drive….. Holy Smokes!, this guitar is on another level! It feels so solid compared to my other dreadnaught acoustics. Its like an Acoustic Les Paul Custom. The neck is great, plays like a dream and the pickup really does sound much better than those active p/u's I've played on other guitars. All in all, I couldn't be more happy with this instrument….. Truly an awesome spectacle
I played a Gibson J-45 previously. I was looking for a smaller body size to make it easier to play and write at the same time. l laso wanted a cut away body for higher fret action. The G-Force tuner was an interesting plus. the tuner works nice for studio and stage tuning in standard tuning. Using the G-Force to tune other than standard tuning is really to complex in terms of the multiple buttons you have to press in specific sequence to make the use impractical. The G-Force tuner also requires some very specific steps to restring the guitar. I really, really like the sound. You might think with shallow body depth and body cut away that the sound may be less than a full dreadnought sound. This sound is better than the J-45 I have played for years. The appearance and workmanship is impeccable. There is a special insert included to store the guitar in a standard dreadnought case. This is a nice feature by Gibson, as the guitar shallow body would make it bounce around in a standard dreadnought case. I grew up in Kalamazoo Michigan, the home of Gibson guitars. A number of my family members worked at the Gibson plant. I played Epiphone and Gibson guitars from the Kalamzoo Parson Street factory since I was a kid. This is the best Gibson I have ever played.Lorenzo
I have been playing for 30 years. I own several J45s, none of them rosewood.. Interesting that the Songwriter comes in a J45 case. I have truly enjoyed the tonal quality of this guitar. It has a nice clarity and truly excels when played in the finger picking style The Fishman electronics give this guitar some additional range to dial in the tone you want. It sounds great plugged as well. I wish I had bought one of these 10 years ago.Philip S
15. Gibson Acoustic J-45 Standard – Vintage Sunburst
Product Details:
Excellent condition. a few minor blemishes which have been shown in the photos. gibson j-45 standard vintage sunburst acoustic electric j-45 is gibson's best-selling acoustic of all time. nicknamed "the workhorse" and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. world renowned for its full, balanced expression, warm bass and excellent projection, the j-45 has been refined to carry this legacy to new heights. this 2011 model delivers a sound with incredible dynamic range, warm mids, and a tight punchy bass product specs condition excellent (used) excellent items are almost entirely free from blemishes and other visual defects and have been played or used with the utmost care.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | Slim Taper |
| Neck Material | Mahogany |
| Depth at 1st (in) | .866 |
| Depth at 12th (in) | 1.179 |
| Nut Width (in) | 1.727 |
| Nut Material | Graph Tech |
| Scale | 24.75 In |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 20 |
| Finish Type | Gloss Nitro |
| Tuners | Grover |
| Bridge | Acoustic – Traditional Belly Up |
| Strings | .012, .016, .024, .032, .042, .053 |
| Weight (lbs) | 4.35 |
| Finish | Cherry |
| Made In | United States |
| Back Material | Mahogany |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Offset Body | No |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Rosewood |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
Gibson started making these in 1934. I bought one 20 years ago and it is still my go to guitar. The first time I played it, I thought it was the best sounding guitar I'd ever heard. Something about the Sitka Spruce / Mahogany combination makes for a warm, full sound that nothing else can quite match. The slightly wider neck makes the guitar easy to flat pick, and finger pick. From the factory mine came ready to play. Haven't had to fool with the action yet. Also, the older I get, the more I appreciate how light weight it is, compared to a rosewood guitar, or an electric. It's kinder and gentler to my aging back. If you're looking for a guitar, play one of these 45s. You'll be glad you did!guitar49
Seriously, best guitars ever made. To many people, especially those under the spell of loud booming bluegrass machines, the j45 doesn't stand out. You may find them dull in loud busy guitar shops or next to a canon like a hd28.
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
I purchased a 2018 model through Guitar Center last week, from what I can only assume was New Old Stock. It was a savings of around $400. It arrived today! With the exception of some minor finish issues from someone else handling the guitar (scuffs, mild scratching) it is f*&ing incredible. I have barely been able to set it down. It plays like a dream and sounds even better. It's very consistent up and down the neck and the tonalities between flat-picking and fingerpicking are super noticeable which is EXACTLY the way it should be, in my opinion. Fingerpicking gives the player deeper lows and snaps while flat-picking tends to be more on the side of treble and crispness. It's a dream instrument for me and I know it will be for you as well.Justin
16. Gibson Generation Collection G-45 Acoustic Guitar Natural
Product Details:
The gibson g-45 is brilliantly crafted for practicing and ready equipped for stage. designed with a gibson player port, a feature that has been refined from a concept first developed in the early 1960s, gibson's acoustic luthier team have helped deliver a revolutionary new dimension to their sound. crafted by highly skilled craftspeople in bozeman, mt, the premium construction makes the acoustic guitar sonically superb. a walnut back offers a warm depth to tone whilst the sitka spruce top produces a well-rounded projection, offering strong fundamentals even at its quietest. the g-45 offers impeccable performance with the player in mind. an advanced response neck profile offers fast playability with a comfortable reach, freeing you up to glide effortlessly from chord to chord. and the striped ebony fretboard provides an excellent surface to perform on with a crisp, bright attack and fantastic sustain creating a beautiful playing experience.
Specifications:
| Binding | Multi-ply Top, Single-ply Back |
| Neck | Utile |
| Nut width | 1.725" / 43.82mm |
| Fingerboard | Richlite |
| Scale length | 24.75" / 628.65mm |
| Number of frets | 20 |
| Nut | Tusq |
| Inlay | Soft Diamond Inlays |
| Bridge | Traditional Belly Up, Richlite |
| Tuners | Mini Grover Rotomatic |
| Finish | Natural |
| Year | 2021 – 2022 |
| Made In | United States |
| Back Material | Walnut |
| Finish Style | Satin |
| Fretboard Material | Ebony |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Sides Material | Walnut |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
Overall: I have several Taylors, Martins, etc. and I’ve owned a Gibson acoustic but didn’t care for it. But I took a shot and ordered this. I’m glad I did. It has a much better sound than any of my others. It’s basic, good feeling and has the sound I like. It is now the guitar I play everyday. I recommend it.Len
I have dreamed of owning a Gibson Acoustic, Specifically this shape. Unfortunately, this guitar was such a letdown. Was not comfortable to play and it literally sounded like someone slapped strings on a plastic lunchbox. I hate writing a negative review about a company I have put on a pedestal but feel obligated to pass on my experience with this guitar. I returned this guitar and purchased the Alvarez Masterworks 12 fret round shoulder and am in love with it.
I went to the Atlanta GC looking to buy a new acoustic, with an eye on the G-45. They had two in stock and both were consistent to each other. Playability was great, but both sounded very, very boxy. I compared with Martins and Taylor's in the same price range, and the G-45 just sounded like a toy guitar in comparison. I kept going back to the G-45s hoping one would win me over, but they just sounded cheap. I wound up buying a Taylor over the G-45. And that surprised me. I've always been a huge fan of Gibson. I own a J-45 and a Songwriter, and these Generation guitars just don't measure up to what I expect from Gibson.Ryan
17. Gibson '60s J-45 Original Wine Red
Product Details:
When you listen to a gibson round-shoulder acoustic, you will notice that it responds exactly to the player's style and technique – powerful one moment, soft and mellow the next. this 1960s j-45 original offers a period-correct 1 11/16 nut width allowing for comfortable fingering in any position along the mahogany neck. the easily-adjusted saddle can be fine-tuned to players' unique string action preference. the new 1960s j-45 original features double antiqued binding, grover strap cream button tuners, and our famous white pickguard with hot stamp logo.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply Top, single-ply Back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75 inches |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 inches |
| Number Of Frets | 20 |
| Nut Material | Bone |
| Nut Width | 1.687 inches |
| Inlays | Mother-of-pearl dots |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up, Adjustable |
| Saddle Material | Tusq |
| Tuning Machines | Grover Strap Cream Button |
| Pickguard | 60's, White with Hot Stamp Logo |
| Truss Rod Cover | Black |
| Bridge Pins | Tusq |
Reviews:
Meravigliosa…..la chitarra dei miei sogni è finalmente miaGuido Prussia
I actually was not a Gibson guy when it comes to acoustics. However, this J-45 just made me an absolute Gibson guy now! I'm always blown away by this guitar especially when I play E, A and F codes at low position and those codes will tell you why J-45 doesn't sound like Martin, but none other guitar can sound like J-45!!! I have tons of guitars including electrics, but this J-45 will be my absolute desert island guitar.
18. Gibson J-45 Studio Walnut Acoustic-Electric Guitar Antique Natural 194744812880
Product Details:
The round-shouldered gibson j-45 is the workhorse when it comes to acoustic guitars. first introduced in 1942, it remains gibsons best selling acoustic today. this unique j-45 studio is hand built with walnut back and sides and a sitka spruce top. a slimmer body depth makes for comfortable play during long sets or practice sessions. the fishman sonitone pickup is perfect for studio-quality plug and play. the mahogany neck has an advanced response profile and a walnut fingerboard with mother-of-pearl dot inlays and a tusq nut. the gibson j-45 studio is outfitted with grover rotomatic tuners with kidney buttons. – sitka spruce top with walnut back and sides – mahogany neck with advanced response profile, walnut fingerboard – fishman sonitone pickup with soundhole-mounted pre-amp – grover rotomatic tuners with kidney buttons, tusq nut
Specifications:
| Body type | Dreadnought Non-Cutaway |
| Top wood | Solid Spruce |
| Bracing pattern | Hand-scalloped X |
| Neck shape | Custom |
| Nut width | 1.725 in. (43.81 mm) |
| Fingerboard | 1-piece Walnut |
| Neck wood | 1-piece Mahogany |
| Scale length | 24.75" |
| Number of frets | 20 |
| Pickup/preamp | Fishman Undersaddle piezo |
| Tuning machines | Sealed Vintage-style |
| Orientation | Right handed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
If you are looking for a quality solid wood American made guitar this is it. I bought this guitar a couple months ago and I couldn't be happier with my choice! I was looking to buy the J45 studio but the neck was just to bulky for me and was disappointed with it, but then I picked up this G45 which I didn't know anything about. This was the one, very comfortable to play with a slimmer neck. The tone was exactly what I wanted. Crisp and clear, yet warm at the same time. Great mid tones. This thing can project too, once you dig into it you can really get it to sing. I play a lot of different genres, this is perfect for pickers, lead, and rhythm players. I can't say enough about this guitar! It has everything. Really it's all about what YOU want and what feels comfortable to YOU. For me this guitar spoke to me, chose it over some more expensive Gibsons and Martins because it felt and sounded better. I never write reviews, felt like this deserved to be commended. Great job Gibson. Guys at the Orlando SamAsh were good to me, not pushy salesmen. Gave me my space and time to play. Thanks!cbridg
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
19. Gibson J-45 Studio Walnut Acoustic-Electric Guitar Walnut Burst 194744732362
Product Details:
The round-shouldered gibson j-45 is the workhorse when it comes to acoustic guitars. first introduced in 1942, it remains gibsons best selling acoustic today. this unique j-45 studio is hand built with walnut back and sides and a sitka spruce top. a slimmer body depth makes for comfortable play during long sets or practice sessions. the fishman sonitone pickup is perfect for studio-quality plug and play. the mahogany neck has an advanced response profile and a walnut fingerboard with mother-of-pearl dot inlays and a tusq nut. the gibson j-45 studio is outfitted with grover rotomatic tuners with kidney buttons. – sitka spruce top with walnut back and sides – mahogany neck with advanced response profile, walnut fingerboard – fishman sonitone pickup with soundhole-mounted pre-amp – grover rotomatic tuners with kidney buttons, tusq nut
Specifications:
| Body type | Dreadnought Non-Cutaway |
| Top wood | Solid Spruce |
| Bracing pattern | Hand-scalloped X |
| Neck shape | Custom |
| Nut width | 1.725 in. (43.81 mm) |
| Fingerboard | 1-piece Walnut |
| Neck wood | 1-piece Mahogany |
| Scale length | 24.75" |
| Number of frets | 20 |
| Pickup/preamp | Fishman Undersaddle piezo |
| Tuning machines | Sealed Vintage-style |
| Orientation | Right handed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
20. Gibson J200 J-200 12 Strings Guitar Reproduction Sunburst – Default Title
Product Details:
Specifications:
| Instrument Color | Sunburst |
| Instrument Brand | Gibson |
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