Bass Guitar Synth Pedals For Sale (2024 Update)

Electro-harmonix bass mono synth effects pedal the ehx bass mono synth transforms your bass into 11 great-sounding synthesizers; from vintage synth emulations to thick; stacked voices deep pulsing sounds and more. its intuitive layout makes it easy use dial in good quickly. dry controls the volume of dry signal at output. synth synthesizer sound used together they let you create just right mix. sens control; short for sensitivity; adjusts how playing dynamics trigger synthesizer allows fine tune way pedal responds rig style. with ctrl knob can adjust a key parameter each eleven types. it varies depending on preset provides more tweakability customizing sound. theres also an exp input which lets control entirely different real-time with expression pedal! using built-in preset footswitch; user customizable be created; saved recalled. factory presets are restore should wish to. from lush; warm sharp; percussive stabs; puts collection cool synths fingertips.

If you want to add some grind to your bass guitar sound the behringer bass overdrive bod400 effects pedal will give you the rich tube-like distortion smooth sustain and super-fat tone that you're craving. specifically designed for bass the bod400 supports the entire frequency range of the bass guitar including 5 and 6-string models.

The sub’n’up mini octaver from tc electronic is a pedal designed for electric guitar and electric bass. it utilizes an octave-engine which can achieve both monophonic and polyphonic tracking, giving you the ability to create shimmery tones reminiscent of a hammond organ, or a squelching bass line—all from the same instrument at the tap of a toe. two octave registers are provided via three knobs, so you can blend signal that is one octave up and one octave down on the pedal itself. you’ll also note the dry knob, which lets you dial in unprocessed signal to taste. like many tc electronic pedals, the sub’n’up is toneprint enabled, giving you presets custom-tweaked by artists that can be beamed straight to the pedal from a tablet, phone, or device sporting the toneprint app. it is also worth noting that you can create your own custom toneprints within the app itself. sonic signatures of the original sub'n'up can be loaded in this mini counterpart via toneprint too; basically–when compared to the original–you lose some hardware features (a knob and a switch), gain some room on your pedalboard, and sacrifice nothing in the way of tone. a bypass switch, which can be adjusted between true and buffered settings via an internal dip switch, allows you to turn the effect off and on. a power supply is included with the pedal. specifications controls dry knob up knob sub knob bypass/engage switch i/o 1 x 1/4" instrument input, unbalanced, phone type 1 x 1/4" instrument output, unbalanced, phone type bypass true bypass, buffered bypass optional impedance input: 1 mohm output impedance 100 ohms power input standard 9 vdc, center negative current draw > 300 ma power supply included usb port mini-usb port for uploading/editing custom toneprints, as well as software updates dimensions (h x w x d) 3.7 x 1.9 x 1.9" / 93 x 48 x 48 mm package weight 0.55 lb box dimensions (lxwxh) 4.0 x 2.6 x 2.3"

Plug into the standard 1/4" jack, and play rich and expressive polyphonic synth tones with any guitar, latency-free. play three simultaneous synth sections and four effects processors simultaneously. enable rich, dynamic, and diverse sound creation. shape your normal guitar tone with synth filters, amplifiers, and lfos to create all-new sounds. control using the graphic lcd display and three assignable footswitches with dedicated on/off. pick from 70 ready-to-play preset patches and create new with 99 user patches for storing custom sounds. create and archive sounds on your computer with the boss tone studio editor/librarian. download new sounds at boss tone central. the sy-300 works with bass and other electronic instruments as well.

The boss sy-200 guitar synthesizer offers an incredible library of analogue-inspired polyphonic tones in a pedalboard-friendly enclosure. this blue inspiration machine is like the acclaimed sy-1, all grown-up – improvements include an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. dual footswitches allow for deep real-time performance control, which can be expenaded even further with external footswitches like the fs-6, expression pedals like the ev-30, and midi-equipped pedals and devices like es-5 and es-8 loop switchers. these dual footswitches are customisable, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more, with press-and-hold functionality available.

Space rip is an analog synth pedal featuring pulse width modulated (pwm) sawtooth and square wave voices in multiple octaves. a state-of-the-art tracking engine allows space rip to keep up with your fastest single note lines, replicating both pitch and dynamics. sounds like tearing the fabric of spacetime in half. pulse width of the square and sawtooth waveforms produced by the onboard vco is kept in a state of flux, generating constant harmonic motion controlled by the rate knob. the sub knob adds an additional voice one octave down from the input signal, while the octave switch drops the entire synth down an additional octave, producing a devastating amount of pure analog synth bass. runs on standard 9vdc.

Minor scratches and marks from normal use but sounds and functions great. no power supply. the me-50 guitar multiple effects is a floor-based multi-effects processor built with the ruggedness and simplicity of a stompbox. designed to work with your amplifier, the me-50 focuses on killer multi-effects (like cosm overdrive and distortion) rather than amp modeling. and dialing in your tone is easy, thanks to dedicated knobs for each effect section, three footswitches and a built-in expression pedal. so if you want great-sounding effects without all the menu surfing, the me-50 is everything you need.

Journey to new sonic frontiers with the sy-1, it’s never been easier to infuse your creative arsenal with boss’s legendary guitar synth technology. this amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a boss compact pedal that slides easily into any setup. best of all, it’s as simple to use as a standard stompbox, so you don’t need any background in synth programming to bring a new world of sonic textures to your music. sy-1 synthesizer sound tryout get interactive with our custom tonepedia player and explore hundreds of sound variations. select your instrument, tweak and choose pedal settings. expressive synth sounds, no programming needed the sy-1 transforms any guitar or bass into a versatile synthesizer that’s fun, inspiring, and ready to play. backed by advanced tech first developed for the sy-300, this super-cool pedal delivers a huge selection of analog-style synth sounds while occupying minimal space on your board. what’s more, all the sounds are polyphonic, allowing you to play both single notes and chords. plug-and-play and latency-free the sy-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing an easy, plug-and-play experience. thanks to custom dsp and the latest boss innovations, the sy-1 offers latency-free performance that’s a natural extension of your instrument, letting you to play freely and organically without altering your normal technique in any way. a universe of synth sounds inside with its 11 categories and 121 total sounds, the sy-1 puts an enormous array of synth colors at your fingertips. expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with. and with the grab-and-go tone/rate and depth knobs, you’re able to adjust any synth voice just how you like, including changing the pitch on some sounds. at home in any rig as a standard boss compact, the sy-1 drops into a serial pedal chain like any other stomp. but with the send/return loop and dedicated mix controls, it’s also possible to blend one or more pedals in parallel with the sy-1’s synth voices. for example, you can patch drive pedals in the loop, and then send the combined output to mod, delay, and reverb pedals for overall processing. the send can be used as a direct out as well, enabling you to route synth and guitar sounds to separate destinations. enhance performances with real-time control the sy-1 offers a numbers of ways to make your synth performances even more dynamic and expressive. pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top. you can also connect an external footswitch for tap tempo and octave-shift effects, or plug in an expression pedal for continuous tone/rate control. sy-1 sound types – lead 1/2—a wide range of sounds suitable for single-note soloing. – pad—full tones that work great with chords, from layered pads to synth brass and more. – bass—fat synth bass sounds, including filtered and sub-octave tones. – str—classic analog-style strings, including layered voices and sweeping textures. – organ—a large selection of organ sounds, including many with rotary-style modulation. – bell—percussive synth sounds with metallic resonance. – sfx 1/2—a variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more. – seq 1/2—pulsating sounds with rhythmic pitch or filter changes.

Its intuitive layout makes it easy to use and easy to dial in cool sounds quickly. the pedal s dry dial adjusts the dry guitar volume at the synth output while synth controls the volume of the synthesizer sound at the synth output. used together they let you create just the right mix. the sens control, short for sensitivity, adjusts how playing dynamics trigger the synthesizer and allows you to fine-tune the pedal s response to your guitar and playing style.with the ctrl knob you can adjust a key parameter fo…

The ehx mono synth transforms your guitar into eleven great sounding synthesizers from vintage synth emulations to fat, stacked voices to soaring lead sounds and more. the mono synth was designed to work on guitar without any modifications, special pickups or midi implementation. its intuitive layout makes it easy to use and easy to dial in cool sounds quickly. the pedals dry dial adjusts the dry guitar volume at the synth output while synth controls the volume of the synthesizer sound at the synth output. used together they let you create just the right mix. the sens control, short for sensitivity, adjusts how playing dynamics trigger the synthesizer and allows you to fine-tune the pedals response to your guitar and playing style. with the ctrl knob you can adjust a key parameter for each of the eleven synth types. it varies depending on the preset and provides extra tweakability for customizing your sound. theres also an exp input which lets you control an entirely different parameter in real-time with an expression pedal! using the built-in preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. the factory presets are also easy to restore should you wish to.

Excellent condition w/box and paperwork. reasonable offers always considered. every bass player wants deep, organic tone. the octamizer creates a wide range of musical sounds an octave below your original note. the octamizer features independent volume controls for both the clean and octave sounds, so dialing in the exact amount of each is a cinch. the two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities. the clean tone control uses a full spectrum tilt eq, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. this unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone. the octamizer s octave filter control is a multi-pole low-pass filter that lets you shape the octave sound from smooth and deep to edgy and aggressive.

Get down and dirty with the aftershock bass distortion. out of the box, this stereo pedal delivers three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. the tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. heavy creates an aggressive scooped sound with ample highs and thundering lows. the fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. the aftershock’s simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. the clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s sonic growl. adjust the onboard tone control and find that thunderous sweet spot for any bass/amp combination.

The dirty robot is a unique synthesizer emulation pedal for guitar and bass. two different synth voices are at your disposal for creating wild sound textures using a standard guitar or bass without the need for any special pickup. v1 gives you warm analog synthesis with subtle to extreme envelope sweeps just like classic synths from the undefined’s and 80s. v2 provides a vocal formant synthesis effect that can be used for vocoder emulation or talk box style effects. using the dirty robot’s exclusive 360 degrees drift knob, you can blend between square, octave, and sub synthesis soundscapes. the built-in chorus and vibrato effects give dirty robot unparalleled versatility and make having one the next best thing to putting an actual guitar synth on your pedalboard. the dirty robot’s effects are complimented by stereo 1/4 ” inputs and outputs for routing flexibility, constant high voltage rails, a bi-color status led indicator and true bypass circuitry. with its compact size, vacuum-style footswitch and striking graphics the dirty robot furthers digitech’s evolution in pedal design. the dirty robot uses a 9vdc power supply to easily integrate into your existing pedalboard.

The bass clone chorus pedal's core circuitry is nearly identical to the legendary small clone chorus, but with added features especially for bass. chorus is a combination of modulated and dry signals. the bass clone's crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. the treble control affects the whole signal while the bass control only affects the dry half. together with the crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

From the classic vintage sounds of the great early moog synthesizer to custom creations, the microsynth creates fat analog synth sounds heard on classic recordings by some of the finest musicians in the world. compact ten-slider layout lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds: from percussive stabs to backwards-sounding bowed effects. specifications: true bypass, all analog design, 3-pole analog resonant filter, 4 voice mixer section mixes: sub octave, original, octave up and square wave. square wave voice can be used as a distortion tone. start, stop filter frequency sliders with adjustable rate for full control over the filter's sweep direction and speed. adjustable filter resonance control. adjustable attack time control for fading-in notes. tough and compact die-cast chassis 96dc-200bi power supply.

E7 can transform your guitar into a typical electronic synthesizer, without the need for special pickups or instrument modifications e7 is the mooer polyphonic guitar synth pedal. the second pedal of mooer new micro series. as a new micro series design, mooer have added 7 led indicators on the right side of the shell, providing more possibilities to the new micro series. e7 can transform your guitar into a typical electronic synthesizer, without the need for special pickups or instrument modifications. it is named as e7, for its seven different mooer custom synthesizer tones. each tone has an individual arpeggiator, high/low frequency cut, attack, speed function, allowing users to shape the tone easily. explore the horizon of tone with the e7.

The bass clone chorus pedal s core circuitry is nearly identical to the legendary small clone chorus, but with added features especially for bass. chorus is a combination of modulated and dry signals. the bass clone s crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. the treble control affects the whole signal while the bass control only affects the dry half. together with the crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.comes with box. does not include power supply.

With the zoom b1on, your bass will never have to take a back seat. 100 powerful bass effects and amp models5 can be used simultaneously, chained together in any orderallow you to deliver the kind of solid foundation your music deserves. you can even construct cd-quality bass loops, perfectly synchronized to the onboard rhythm machine, and there's a built-in tuner too the b1on offers 100 bass effects, including a variety of distortion, compression, modulation, delay, reverb, and amp models. up to 5 effects can be used simultaneously, chained together any way you like. in addition, there are 68 built-in rhythm accompaniment patterns, and you can connect headphones to the output jack (as well as portable music players to the auxiliary input jack) for silent practice sessions. an onboard chromatic tuner supports all standard bass tunings, and a looper feature allows you to record up to 30 seconds of cd-quality audio. loop length can be set either manually or to a preset number of quarter notes, and you can loop to any rhythm pattern, with automatic quantization that ensures seamless start and end times. programming is simple and straightforward thanks to a streamlined user interface and large backlit lcd screen. advanced editing features such as swap, auto-save, and pre-select make it easy to organize your patches for live performance and allow you to scroll through patches silently while keeping the current patch operational. in addition, the b1on's built-in expression pedal enables you to control input level, output level, or any selected effect parameter in real time.

Boss sy-200 guitar synthesizer pedal offers a universe of rich, analog-inspired polyphonic tones in a small footprint, the sy-200 makes it simple to weave boss's expressive guitar and bass synth technology into all of your musical journeys. building on the fun, instant-gratification experience of the acclaimed sy-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations.two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and midi.the sy-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music. lead-a wide range of sounds suitable for single-note soloing. pad-full tones that work great with chords, from layered pads to synth brass and more. string-classic analog-style strings, including layered voices and sweeping textures. bell-percussive synth sounds with metallic resonance. organ-a large selection of organ sounds, including many with rotary-style modulation. bass-fat synth bass sounds, including filtered and sub-octave tones. dual-fat synth tones with stacked oscillators. sweep-dynamic sounds with expressive and engaging movement. noise-classic analog-style synth noise. great for percussive sounds and dramatic effects. sfx-a variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more. seq-pulsating sounds with rhythmic pitch or filter changes. arpeggio-generate rhythmic arpeggios based on the notes you play.

Features hall: the hall reverb is a broad yet slight diffuse reverb. it simulates a large environment, so it has a long decay setting. room: the room reverb simulates a relatively small pure room.many reflections are absorbed by soft materials, and sound is reflected by the wall. plate:the digital plate reverb was created by using large metallic plates. it is recognized by its very bright and diffuse sound. echo: the echo reverb simulates the environment like the valley. you can imagine a sound reverberated in a valley. tile: if you want to simulate a "bathroom" environment, you can use the tile reverb. ducking: for this ducking reverb. lofi: lo-fi from the term "low fidelity". use lofi and show your awareness of aiming in the straight opposite direction of the "smooth", discrete studio reverb types. specifications input: 1/4 inch monaural jack (impedance:2.2m ohms) output: 1/4 inchmonaural jack (impedance:10k ohms) power supply: dc adapter 9v current draw: 5ma dimensions: 90mm x 40mm x 49.5mm weight: 300g