Are you looking for the Jimmy Page Guitar Pedal? If so, you’ve come to the right place.
Choosing the Jimmy Page Guitar Pedal can be difficult as there are so many considerations, such as Zoom, Dunlop, BOSS, Danelectro, DigiTech, Electro-Harmonix, JHS Pedals, MOOER, TC Electronic. We have done a lot of research to find the top 20 Jimmy Page Guitar Pedal available.
The average cost is $163.13. Sold comparable range in price from a low of $22.49 to a high of $553.00.
Based on the research we did, we think Boss DS-1 Distortion Pedal, Orange is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Jimmy Page Guitar Pedal (20 Sellers)
| Product Image | Product Name | Features | Check Price |
|---|---|---|---|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
$62.99
4.6
Reviewers Noted:
Easy to use . Good sound quality . Compact . Build quality . Weight
Features:
- This is a boss ds-1 with ultra seeing eye mod in a red metal box.
- Works perfectly.
- Power supply not included.
Reviewers Noted:
Easy to use . Compact . Portable . Good sound quality . Build quality
Features:
- Built in usb audio/midi interface
- Knob-based interface
- Eight simultaneous effects categories
Reviewers Noted:
Easy to use . Good sound quality . Compact . Build quality . Weight
Features:
- Glow-in-the-dark luminescent control graphics offers visibility in low lighting conditions
- Comes with a led light that indicates the status while performing
- Velcro strip lets you fasten it for an accurate switching experience throughout the concert
$109.99
4.8
Reviewers Noted:
Easy to use . Compact . Good sound quality . Weight . Build quality
Features:
- Faithful reproduction of the original ts9
- Drive, tone and level controls
- Made in japan
Reviewers Noted:
Easy to use . Sound quality
Features:
- One of our favorite delay pedals
- Powerful sharc dsp
- Twelve different delays
$119.99
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Build quality
Features:
- This equalizer pedal allows you to control and adjust the treble and bass of your guitar conveniently
- Frequency range of 100 hz – 6.4 khz helps you to create multiple sound effects
- The compact design makes it easy to carry at gigs, events and performances
$99.00
4.9
Reviewers Noted:
Compact . Easy to use . Good sound quality
Features:
- 4′′ x 2.3′′ pedal fits in the guitar bag's pocket easily
- Built-in battery efficiently charges up your pedal with its 9 v of output
- 5.5mm x 2.1mm jack lets you connect the pedal conveniently with compatible device
$29.00
4.6
Reviewers Noted:
Compact . Easy to use . Good sound quality . Heavy . Visual appeal
Features:
- 4558 ic and ma150 distortion diodes help deliver quality sound output
- Its led indicator allows you to keep a check on the battery level of this device
- 9v battery offers reliable power to this overdrive effects pedal for extended usage
$149.99
4.6
Reviewers Noted:
Easy to use . Compact . Portable . Visual appeal . Build quality
Features:
- Steel foot switch offers a robust build to the controller
- Digital display allows easy readability
- Led indicator lets you keep a track on the functionality of this device
Reviewers Noted:
Ease of use
Features:
- Add effects to your guitar's sound with this fuzz pedal
- Multiple knobs allow you to adjust the sound and tone of your guitar conveniently
- Comes with a foot switch nose to let you create amazing effects
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Craftsmanship
Features:
- The 10v of input power delivers clear and crisp output
- True bypass switching minimizes the distortion to enhance the audio quality
- This pedal allows you to add multiple bass effects during your jamming sessions
Reviewers Noted:
Ease of use . Portability . Size
Features:
- Engineered with 9v dc to transmit optimal power to the connected device
- Knob control lets you adjust the echo and boost easily
- Independent effects amp up your mixed tracks
$29.99$22.49
4.6
Reviewers Noted:
Ease of use . Size
Features:
- True bypass design
- Modern reproduction of vintage analog delay
- Full‑size pedal with all metal construction
$149.00$119.20
4.7
Reviewers Noted:
Easy to use . Good sound quality . Compact . Weight . Build quality
Features:
- Experience high-quality sound with its built-in signal-distorting diode
- Compact and lightweight design offers easy installation and usage
- Set precise sound calibrations manually with its control knobs
$131.50
4.8
Reviewers Noted:
Compact . Easy to use . Weight . Good sound quality . Portability
Features:
- Circuit: analog
- Bypass: true bypass
- Audio: mono
$179.99$139.99
5.0
Reviewers Noted:
Easy to use
Features:
- This distortion pedal assists in boosting the signal for a heavy tone
- Led indicator allows you to check the running mode conveniently
- Metal chassis construction helps provide durability for prolonged usage
Reviewers Noted:
Easy to use . Compact . Weight . Noise level
Features:
- Metal construction helps provide enhanced structural strength to this pedal
- Mono output allows you to add effect to the guitar tunes
- Diligently designed to deliver an uninterrupted power supply of up to 9v
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Works and sounds great.
- Used only a couple of times.
- Velcro tape was removed from the back.
Reviewers Noted:
Easy to use . Compact . Good sound quality . Heavy . Portability
Features:
- Perfect condition.
- Great multi-effects unit.
- Perfect for live performance and on-the-fly preset customization and looping.
Reviewers Noted:
Easy to use . Good sound quality . Compact . Heavy . Build quality
Features:
- 3-knobs let you easily fine-tune tone and saturation levels
- Portable design makes it convenient to use during stage performances
- Create vocal harmonies with this effects pedal and add beautiful sound to your music
1. Boss Ds-1 Distortion Pedal, Orange
Product Details:
From screaming loud to whisper soft, the boss ds-1 distortion pedal can faithfully reproduce the dynamics of your playing style. level and distortion controls give you complete command of the amount of signal processing. tone knob lets you tailor eq right on the unit. the boss ds-1 distortion pedal is a tough stompbox that can take whatever your boot can dish out.
Specifications:
| Length | 6 in |
| Height | 0.1 in |
| Width | 4 in |
Reviews:
This is the amazing Boss DS-1 distortion pedal, loved by all who use it. Amazing value at just £55. I won't bore you with stories about how robust it is, because we all know Boss equipment lasts forever. It looks and feels great, but most importantly, sounds incredible. I play punk rock, and with my Gibson SG Special, plugged into my Marshall JCM 900 this delivers exactly the sound I want. I loved that in the manual it gives example sound setting, one of which was British Punk. That just made me smile. I knew instantly it was right up my street. Oh, and if you're into electronics, this thing is made of pin-through-hole components, so it leaves it open for a good bit of modding. There are plenty of guides for that online. Sitting in my Boss BCB-30 pedal board this never fails to make me smile.Thomas B.
Now I don't hate it, but Its not my first go to pedal. I like the more modern BOSS "Metal Core". It is however like all BOSS PEDALS built like a tank, extremely reliable and a great first pedal. For the money, this is a super value. I found that I like it for "Gain Stacking" in combination with the BOSS MD-2"Mega Distortion" and a few other pedals. Even two DS-1 DISTORTION together improve the performance to me. Overall it's not terrible and I see were for some it could really be a price but I lean towards Heavy… Heavy Metal and for that it's more a corvette when you need a Lamborghini. Do I hate it, NO… I actually own two of them.kt.precisio-7
I have a 60w Fender Deville amp. Lovely clean sounds straight from the amp but couldn't really use the overdrive channel without the volume getting to an inconsiderate level at home. This pedal has addressed that issue really well. This pedal now provides me really raunchy distortion while providing a greater control for volume. The pedal also provides a nice boost in changing between a clean channel directly from the amp and then through the pedal. Very pleased with this investment, particularly for the price. Very easy to use.Gregory H.
2. Boss Me80 Guitar Multi Effects Processor
Product Details:
This pedal is packed with almost any effect you can think of, all easily accessible through the foot switch system saving you the trouble of navigating through tedious menus. use with boss software on your computer to generate your own patches or download stage ready patches from the website. built in usb/midi interface allows you to connect straight to your computer for di recording with all of your effects. battery powered and comes with power supply.
Specifications:
| Interface | Built in USB audio/Midi Knob-based interface |
| Effects Categories | Eight simultaneous effects categories |
Reviews:
Sound: OK, so the pre-set programs are hit and miss for me. But that had to be expected, as I am not plugging a guitar into it, but rather a Korg RK100-S2 keytar. For obvious reasons, the cleaner patches, and patches designed around arpeggios sound decent, while the shredding metal patches sound like ass. I'm sure they would both sound good if I was hooked up with an actual 6 string. Features: The most useful feature as far as I'm concerned, are all of those knobs all over the front of the unit. They make it so easy to dial in the sound. Especially when compared to the all digital products like the GT-1. I had a GT-1B last year, and it was aggravating to modify sounds on the fly. The other most useful feature is the Tone Central app. OMG!!! Last month, I trashed Korg's design decision in their app for modifying the keytar's sounds. The window can't be resized, the lines of text are nearly microscopic, it isn't REMOTELY intuitive to figure out how to re-write the patches. Boss' Tone Central app is the EXACT OPPOSITE of all of that. Full screen, each effect section is on screen alone and has 3 different ways to modify the settings. Get things the way you want, name your patch, and click "write," then choose where you want it saved, and click "OK." It couldn't be simpler. Ease of Use: If the preset patches are hit and miss, the "manual mode" is why I bought this board. The keytar really needs some effects to come alive. This board is simply a placeholder until I can build a quality keytar/synth specific pedal board. Compression, delay, and/or phasers can add a lot of depth to my sound depending on what I'm currently using. Those dials make it super easy to get the sound right quickly. It does sort of suck that they are on the floor, but how could that have been avoided without bluetooth and a phone app? And, if that was the case, I wouldn't have bought it in the first place! Quality: I bought this "blemished." My guess, based on the condition of the box that the factory shipped to zZounds, is that this took a fall off of a shelf in the warehouse. One end of the box was mangled badly! Thanks to Boss' attention to detail in packaging, and legendary build quality, I got this product without a scuff, scratch, or dent for 20% off. I like that build quality. (Feel free to play football with some of those synth specific stomp boxes guys! *wink-wink*) Value: Before my fretting hand got too badly damaged to play bass anymore, I wanted the bass version of this product. I believe that it was discontinued, and I missed my chance. I got the GT-1B but didn't like working with it. When I saw that this was available, I didn't hesitate to put it into my cart. Only then, after the fact, did I realize that it was in "blemished" condition. I almost went back and put a new, full priced one in my cart simply because I didn't want the hassle of potentially returning a broken product. So, yes, I do believe this is worth the normal retail price. Manufacturer Support: In the 12 years I've been playing, I've owned several Boss products from tuners to metronomes to multi effects pedals and I have NEVER had to reach out for support. In my estimation, that's the BEST form of customer service! The Wow Factor: G.A.S.! I can't play guitar a lick. But I've bought guitars in the past simply to hang them on the wall. I can't say that I would ever buy THIS product if I didn't need it. But I'm sure that it will still find some place in my home studio, even after the actual pedal board is complete Overall: An easy recommendation for the guitarist on a budget. Depending on one's needs, stomp boxes and pedal boards can become quite pricey. Between this, the Tone Central app, and the hundreds of additional patches available there, if you can't get the sound you're looking for, the problem lies mostly with you.
I have been buying and selling multi effects for many years. I loved them all, even the silly ones such as the RP50, 505, ME30..too many. I guess my favorites were the Korg AX3000G(which I thought was ahead of its time) and the Digitech RP500(awesome reverbs, mods and filters),and even some Pods for their amp sims too. Yes yes.. they all had their short comings in different avenues.. Boss reliability is were a part of Ny early playing days since the 80s..and to this day, I use Boss single pedals almost exclusively as my main rig. I just love the simplicity of their individual pedals and this unit is the only one that comes close in terms of the logic of its settings. I love KNOBS, and the ME80 has plenty to go around with. SIMPLICITY is the key . No more scrolling up n down a screen on the floor which I can hardly see. Now is the ME80 the best sounding multi-effect out there? No sir! With all the current technologies which can produce units such as The Kemper, Fractals, Boss GT1000, and other high res IR capable units from Zoom and Line 6(including some very capable Chinese newcomers), the ME80 can be seen as kind of outdated to some, The ME80 is certainly not what the top guns use these days, especially when occupying an arena concert stages I'm sure(but I bet they still use one or two boss pedals in their rig lol)..Also, Let's not forget that the ME80 initial introduction day to the world was just about eight years ago.. shall we? But guess what, it's still alive and kicking! And that is exactly why you still see it here for sake in 2022 ar least until Boss comes out with some new monster that can handle the GT1000 chipsets and adding more KNOBS to its chassis. The ME80 is gorgeous, it sounds good, and it has a personality. It also has more to offer than its predecessors such as the ME50/70..I mean, the addition of a separate footswitch for reverb,EQ and a simple patch recall?? I would recommend this unit for any small club or a tight rehearsal space for a quick setup and a speedy wrap-up after a show, when it's finally time to go home, no patch cables required.I AM KEEPING THIS ONE FOR MYSELF! Till I get to warm up for Bruno Mars(not happening soon lol),My main Boss rig is staying home, and that goes to my crybaby and the Budda volume pedal with all them patch cables entourage.James
I don't want to program guitar effects. I don't want to read cheesy names for effects that I can't immediately recognize or understand. The young people like that stuff but I am old and old school. The ME-80 gives me my old stomp boxes but grouped on a modern platform. It is basically foot pedal controlled with a very nice expression pedal and 8 on-off pedals. The foot pedals work flawlessly. But the thing that makes this unit awesome is the knobs. You can turn a knob, set a value and get instant feedback on what you did and look at it anytime to see what it is set at. If you know stomp boxes then you know exactly how this thing works. It has by my estimation about $4K worth of stomp box effects and amp emulations. Whether you want an old Tube Screamer or a Big Muff Fuzz. This thing has it. And it has many new stomp box effects like the amazing Tera Echo, Harmonist, Freeze and a Looper. It has just about every effect you could want and you can play multiple effects at the same time. As far as I am concerned this is the greatest thing since sliced bread. And I am an original POD user. I still plug into the POD now and then. But the POD is history. The ME-80 is what I like today. I even commissioned a guy to build me an angled stand to boost up the knobs and pedal to make it easier for me to dial in changes. I had it painted orange to match my Orange Crush 35RT amp where I port the ME-80 output. Lastly, if you insist on being a programmer, they let you do that as well and offer a ton of presets online. You can hook up by USB to your computer and program away. Brilliant. The one down side… you have to buy an AC/DC adaptor for $30 or use up a lot of batteries. Well since I figure that I saved over $3,600 compared to the cost of all these effects bought stand-alone, I happily coughed up the $30.Brianne
3. Rat 2 Distortion Pedal
Product Details:
The rat 2 from pro co sound provides classic rat tone in a compact and portable design, ideal for casual or professional guitarists. great as a primary distortion or as a boost to your amp's natural distortion, the rat 2 excels at versatility. knobs for filter, volume, and distortion let you find the perfect settings. turn the filter all the way up to roll off brittle high-end, or turn it down to let your guitar's brightness come through. true bypass switching ensures that no unwanted noise enters your signal path when the pedal is off. the virtually indestructible steel construction is made for life on the road. industrial-grade knobs, switches, and jacks stand up to the rigors of daily use. the sloped face and glow-in-the-dark graphics make for easy stomping and settings changes, even during a lighting change. the unit can be operated from a 9v battery or from a wall outlet.
Specifications:
| Enclosure Material | Steel |
| Indicator Type | LED |
| Closure Type | Velcro |
| Control Graphics | Glow-in-the-dark luminescent |
Reviews:
Overall: I have more overdrive pedals then I realistically need but my selection of distortion pedals has always been disappointing for my taste, just never the right tone regardless of the set up. I figured this pedal wasn’t too much and saw good reviews for the pedal historically. Yes there are differences from the originals to the model we have today but this distortion pedal is ridiculously versatile. The distortion pot is very broad and goes from a subtle O\D to a full faced fuzz and then when you sweep thru the filter, that’s where you see how versatile the Rat truly is. Is this a pedal geared towards the modern metal sound? Probably not. Is this pedal a good product for the price? Absolutely! The ease of use with the three control knobs just makes this pedal a great first buy or for those, like myself, who seemed to keep coming up short with distortion pedals, a truly simple and reliable tank of a stomp box. Seriously, you know you want it, or you wouldn’t be looking at it. Make your dayEric
The Rat pedal is a classic and was my first pedal in 1986 when hi gain amps werent affordable to 15 year old kids. That pedal was mean ! It had the original lm308 chip and gave me the Kill Em All sound I craved. Fast forward to 2020 and the pedal has not changed much. Its mean and can give you fuzz to mean hi gain rhythm and violin line like sustain on leads. For $69.99 it is affordable and awesome. Cons : you cant power this pedal with a standard Boss power supply. Its either buy a Rat power supply/wall wart or run it on batteries. Also, the battery compartment is plastic and not as tank like as the rest of the pedal. The changing of chips does make the pedal lose some of its magic. The new chip is fine but I do miss the lm308 and maybe its hype Im falling for. It likely is. So what can you do ? I sent my pedal of to Utah to be rehoused. The pedal itself is hard to adhere to a pedalboard bc it is so heavy and awkward. So mine is being put in a more pedalboard friendly housing. Also, all the components like in and out jacks etc will be replaced/upgraded as well as some cheap components inside the pedal. You also get the lm308 chip. Hell yeah ! For $150 you get a massively improved pedal. Do you need to do this ? No of course not. But if you want the best Rat pedal youcan get ( which in the new housing also allows being powered by a Boss style power supply via wall wart or pedalboard) then the mod will be a fun way to modify an already smoking pedal.swampdonkey90
This is a great pedal and is very versatile. It can go from an overdriven tube amp tone at low gain settings to very thick heavy distortion/fuzz tone. I like to set the gain low to a nice overdriven tube amp tone and then have my boss SD-1 in front of it pushing the pedal harder. It gives it a nice 80s hair metal, Marshall JCM800 type tone. The tone of the pedal is great and it is very versatile and a good deal. It will stay on my pedal board. The other nice thing is is it's extremely easy to use with just 3 knobs and very easy to find a great tone. When I first got this pedal I didn't like how bright it was but that where the filter knob comes into play and you can roll off the brightness to match the guitar and amp you have and get a great tone. This allows you to play it on bright and dark amps a like. I use it with a Gibson Les Paul standard with burst bucket pro pickups into my 65 reissue fender Princeton reverb and I will also run it into my Boss katana MKii 50 watt. This pedal works great on both tube and solid state amps.Rhinosaur
4. Ibanez Ts9 Tube Screamer
Product Details:
The ibanez ts9 tube screamer is a reissue that's just like the original in so many ways. same factory, same components, same housing, same famous seasick-green paint, and the same crankin' overdrive that made the original one of the all-time classic pedals. guitar player called it the best. plug it in. crank it up. you'll hear what all the fuss is about.
Specifications:
| Weight | 3 lb |
Reviews:
It’s an Ibanez tube screamer, so of course it’s wicked. Easy to use, bombproof, and gives you that extra bit of oomf for a big solo. If you want pure dirty blues then I’d go for the 808, but the TS9 is great for rock, it’s got a slightly brighter more aggressive tone. These things really shine with a Strat, but they sound just as great with whatever guitar you’re using, and they are just loads and loads of fun. If you’re currently wondering whether you should buy one, the answer is yes, you should.Victoria E.
Can't say enough good things about the Ibanez Ts9. It's a very versatile pedal and adds a mid boost plus overdrives the preamp in a pleasant sweet way and just adds that extra MOJO or magic something to the guitar tone. Great for lead and rhythm from 80s rock to the most extreme metal bandsaeron_chrom
The tube screamers are, I think, a foundational building block of getting a good blues tone out of your rig. Obviously, your guitar and amp will have a big impact on your sound, but this pedal can help you find that special sweet spot of tone. Being an overdrive pedal rather than a hard distortion pedal, do not expect the long singing sustains you would get from a traditional distortion pedal, but more of a crunch, an added grit. I think the pedal will interface well with a distortion device like OCD, and spatial pedals like MXR Carbon copy, and TC electronics hall of fame… if you can afford them… they are expensive… the price you pay for quality. If you are into blues, this is the pedal. If you are into hard rock, this pedal is good in front of a layered chain of distortion pedals to over drive some killer tones.Jim in the box
5. Strymon Timeline Delay
Product Details:
It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. utilizing a ridiculously powerful sharc dsp, every drop of processing power is harnessed." explore your creativity timeline provides you with twelve unique delay machines, each with extensive control over sonic character and feel. go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. top it all off with full midi implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss. 200 built-in presets are presets your thing? timeline gives you the option to instantly save and recall up to 200 of your own presets. easily bank up or down through your presets using the front panel switches. or select presets externally with a multiswitch or midi controller.
Specifications:
Reviews:
I'll make this short and sweet. This thing is packed with sounds and there is a natural delay that seems to be missing with other delay pedals. My only complaint is not the product but Sam Ash the selector knob and mod knob get stuck when I press down. I wish I could take it back but unfortunately I live to far away to take it back and the minor annoyance is not worth my trouble. If I can avoid buying from Sam Ash going forward I probably will.Loco
beautiful sounds and so much more. From spacy delay to psychedelic to slap or whatever delay you have in mind in just a few pushes and twists away. There are many presets on this pedal so yeah a multiswitch or a midi controller will be in your future shoppinglist. also if you download strymon librarian program you can change your presets on your laptop. but you wil need a special midi cable for that. for the people who are doubting between timeline and nemesis. there are some other sounds on each of them but the same you need a midiswitch for presets and the nemesis has also a app to change the presets? you cant go wrong with any of them!
6. Boss Ge-7 Graphic Equalizer Pedal
Product Details:
The ge7 has 7 bands ranging from 100hz to 6.4khz, ideal for guitar sounds, with boost/cut of +/- 15db per band. this lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect. h3about boss pedals/h3the history of boss reads like the history of guitar effects. from their legendary ce-1 chorus pedal (the big gray box that started it all) to the world's favorite line of compact pedals, they've been responsible for more guitar innovations than just about anyone else. boss's compact pedal line-up began in 1977 with the classic od-1 overdrive. its warm, smooth overdrive sounds and breakthrough boss pedal features (heavy-duty construction, rubber pads on top and bottom, recessed control knobs, silent switching, a built-in led, and easy battery replacement) immediately set it apart from other stomp boxes on the market. it established the masterful design for all other boss effects pedals since. throughout the years, boss has continued to define the cutting edge of guitar effects. double-layer circuit boards allowed pedals like the dd-5 digital delay to deliver studio-quality effects comparable to rackmount units. they recently brought bassists and guitarists the first bass synthesizer in a compact pedal, the syb-3. on their 20th anniversary they proudly introduced the od-3 overdrive, a pedal that takes the smooth, dynamic overdriven tones of the legendary od-1 to a different level. like all boss products, it is a level of sound quality and durability that is unrivaled.
Specifications:
| Frequency Range | 100 Hz – 6.4 kHz |
| Power Supply | 9 V |
| Input Impedance | 1 M ohms |
| Nominal Input Level | -20 dBu |
| Current | 1000 mA |
Reviews:
They have gotten expensive over the years (along with everything else) but it's history and reputation speaks for itself. I've had various Boss pedals over the course of 30 years and I have never, ever, not once had one that failed or malfunctioned. I wanted a cheaper alternative but what made me commit to this pedal, once again, was it's true bypass/buffer capabilities. I'm using this one differently than I've customarily have used them in the past. This is to be used in a pedalboard dedicated to an electrified Kalimba (pictured below). I'll be wiring it up soon. The Boss is the ONLY new pedal that will be on that board. All that are there now I've had sitting for years and decided to put them to use.Christopher
Perhaps EQ is not the most exciting of pedals compared to other effects, but this really does make an enormous difference to your sound and help you get the best from the rest of your gear. Boost the mids to stand out from bass. Scoop the mids and boost bass/treble to sound like Metallica. Use the independent Level control as an overall volume boost (or limit – but who wants that?!) Extremely easy to set up and configure, in Boss's usual bullet-proof format. Highly recommended.Steve M.
Brilliant on-the-spot tone-shaping tool. Opens up virtually infinite sound possibilities, very handy when stacking overdrives with some or a lot of overlap in their tonal voicings. Also great for approximating the tones of completely different styles of pickups. Small adjustments tend to work best, a subtle nudge of the slider in the problematic frequency band is often all you need. Equally, you can throw that out and morph the tonal profile to something incredibly different. After my tuner it's hands-down the most indispensable pedal on my board. Allows me to shape the one tone control on the Pro Junior IV into even more harmonic/percussive/airy/creamy/bell-like territory. Been guitaring more or less 20 years now and i could probably count on one hand the amount of reviews I've been compelled to write, if that's an indicator of how game-changing the GE-7 has been to the fundamental way in which i dial in a tone.Mark
7. J. Rockett Audio Designs Majestic 70s Style Overdrive Effect Pedal
Product Details:
The majestic overdrive is j. rockett’s take on the classic 70’s rock tone. inspired by led zeppelin’s how the west was won, they set out to create the ultimate jimmy page style overdrive. they made a pedal that has amp like sensitivity, chewy sag and squawk all while letting your guitar’s natural tone shine through. this overdrive is perfect for single coil and humbucker pickups and was designed to emulate the cranked tone of a ’59 les paul through a marshall, no matter what your rig.
Specifications:
| Voltage | 9 V |
| Jack Size | 5.5 mm x 2.1 mm |
| Dimensions | 4" x 2.3" |
Reviews:
I was looking for a boost pedal to drive an old Gibson GA-25 with a Strat. The Archer sounds above and beyond. It has plenty of volume to drive the amp and setting the gain between 10 and 2 and rolling off the treble smooths out the crunch while still maintaining it character. Used it with a Plexi 100 and a Twin Reverb as well as a Rickenbacker, Tele, and Les Paul with the same result. The Archer sounds fantastic and each amp and guitar sounds like that amp or guitar. Worked the same on other pedals. Used it to drive an OCD and it the perfect bump without having to use an amp with complicated switching. No noise from the pedal while toggling on or off. Treble knob is super useful to smooth out or add clarity. It was really easy to dial it in and there's a pretty wide sweet spot. It's super responsive to picking and fingering. I kinda want to buy another to have an Archer drive an Archer. Would that be weird?Nickname
The pedal is small and therefore pedalboard-friendly but is still built like a tank. The knobs and switch feel totally quality stuff, the chassis is rock-solid and good looking. This pedal can be used, just like a Klon Centaur, as a clean boost up to a mild unique sounding overdrive. It gives you plenty of volume and headroom (you generally have to keep the volume knob close to zero if you want to match the bypass volume) and the Gain control is very accurate and allows you to shape your tone just as you desire. It is a great blues or rock pedal and gives its best if put on top of a tube amp that's almost breaking up but you can still use it, as a regular drive pedal, in front of a clean amp and it's guaranteed to sound better than most of the amplifiers' internal gain stages. Not a cheap pedal, in line with its main competitors, but definitely worth the price. If you want a Klon-like quality pedal that really gives you the Klon feeling without destroying your wallet, the Archer is a perfect choice.reptile_breath
I used heavy fuzzes for many years, I decided a few years ago to switch to something different. Been switching between the germanium ocd and the Xotic BB preamp last few years. The Archer does what I was looking for. Sounds great with my guitar volume slightly turned down. I've never used one of those real klons. But I now can understand why everyone likes em. Put a good compression pedal in front of it and it will almost sing.Duane
8. Behringer To800 Vintage Tube-Sound Overdrive Effects Pedal, Green
Product Details:
To-800 by behringer is a super simple overdrive that emulates a classic tube amplifier's overdrive sound, this pedal is well laid out with a "drive" control, "tone" control, and "level" controls. as for the condition this pedal is in pretty good shape with no serious dings or dents.
Specifications:
| Voltage | 9 V |
| Power Supply Type | DC |
| Input Impedance | 500 kOhms |
| Output Impedance | 1 kOhms |
| Output Jack Size | 1/4" |
Reviews:
I normally play flamenco guitar and have a very good acoustic amp I use for flamenco. I acquired an electric guitar, and needed a vintage overdrive sound, but I didn't want to buy another guitar amplifier. This unit does exactly what I need, providing a good range of distortion from mild to heavy, transforming my acoustic amp into what sounds more like a vintage tube amp. My wife likes the sound of the acoustic amp and TO800 combo, which surprised me because she usually doesn't care much for the sound of electric guitars. I'm very happy with this unit. I would highly recommend purchasing a power supply with the TO800. I discovered it goes through batteries much faster than I had anticipated.Timothy
I got this pedal to use with a low gain amp at rehearsals. I didn't want to drag out my regular board or take it apart. I was looking for an inexpensive overdrive pedal. I saw this , read the reviews and said what the heck. I actually got the pedal for free as I had enough reward points. I regularly use a Boss Blues Driver which I have had for over ten years. I got the pedal and hooked it up and was pleasantly surprised. It is very comparable to my Blues Driver. It accepts both my Dunlop nine volt adapters and my One Spot power supplies. The case is metal. I may even incorporate it into my regular board for another degree of overdrive. If you are considering trying an OD pedal, you can't go wrong with this. I am a semi professional guitarist with over fifty years of playing experience. I use tube amps and mainly American Fender guitars. I know what I'm talking about. An OD pedal is not the same as a distortion pedal. The purpose of an OD is to push you're amp to a higher gain level than it may be capable of or to give you a little more guts when playing a lead without changing the settings on your amp. I mainly play blues, classic rock and country rock. I don't need the OD when playing through my Marshall.Doctor J
The Good: The sound of this thing is great for grimy, doom metal. It's easy to use, sounds great, and has a decent depth of customization. The Bad: You have to press in the hinges on the pedal itself as the battery is under the pedal. It was scratched up before I even got to play it because of this. There's no reason the manufacturer could not have just put a small door in the bottom of the unit like every other pedal I've ever used. Also, the first time I changed the battery, the negative wire pulled out of the connector. I've decided that since I already bought it and like the way it sounds, I'm going to jury-rig a battery connector outside the main body. It'll look like cr4p, but I'll be able to use it without damaging it further and won't have to spend extra for a 110v adapter. I had read about the difficulty changing the battery, but figured I'd give it a shot because it's got so low-priced. Had I gone to a brink and mortar store and seen it, I would not have purchased this unit. If someone already has an adapter they plan on using with it, by all means do so.Russ G
9. Line 6 Fbv Express Mkii
Product Details:
Foot controller with full-sized volume/wah pedal, four channel presets, tap tempo for time-based effects and more. compatible with most line 6 amps and pod processors. description get hands-free channel switching and more for your line 6 amp and pod with the fbv express mkii foot controller. the steel footswitches make it easy to store and select four channel presets, to synchronise time-based effects with tap tempo, and to activate the chromatic tuner. the full-sized volume/wah pedal feels solid under your foot and features plenty of grip. fbv express mkii connects to your line 6 amp or pod via the included locking rj-45 cable. fbv express mkii pairs perfectly with spider iv and spider valve mkii guitar amplifiers to offer complete, hands-free control of the looper, pitch-shifter and other on-board amplifier effects. fbv express mkii is compatible with most line 6 amplifiers and pod processors.
Specifications:
| Display Type | Digital |
| Indicator Type | LED |
| Tuner Type | Chromatic |
| Number of Channels | 4 |
| Footswitch Material | Steel |
Reviews:
I got one open box so the price was very nice. Cheaper than any effects pedal I could buy. Works perfectly with the Line 6 viper. This one just has the four pedals so you can set up 4 channels for use with the tap of the foot. I don't think the instructions mention it but basically, just hit a pedal, dial in the sound you want on the amp, then hold the channel button for that pedal down on the amp for a few seconds and it programs it in. Move to the next pedal rinse repeat… The Wah is pretty good. More like a Morley than a Dunlop. Maybe too much high end on the wah but you quickly get a feel for it and just don't stomp down all the way like you might on other wahs.Sandfarmer
This is my first line 6 product and I have to say it’s very cool. I bought this to go with the line 6 spider 15 classic. I didn’t need a big amp and figured if I need to upgrade this pedal would work for other line 6 amps. There is a learning curve to this pedal and it will require additional internet research to use it to its full capabilities however out of the box it is worth the money. There are 4 pedals to control the affects of the amp (depending on which one you buy) as well as a way/volume pedal. If you are just starting out this is a great buy until you find a specific sound that you want (like a crybaby way). If you are playing on stage this is also a great buy because it only requires one cable (that reminds me of an Ethernet cable) that comes with it. The cable is very long and provides power as well so don’t freak out when you don’t see a power supply in the box it’s all good.Tim
Sound: Not applicable. Features: Although I own several Line 6 amps, I'm rating the product for its other application, which is to send MIDI to a computer over USB. There are very few alternatives in the way of bus-powered USB pedals that send MIDI to a virtual port. (I've been waiting for years for one, actually.) The good news is that this one works. It's also small and light (while still feeling solid and stable once it's placed) and very inexpensive. If you're running a PC in your live set up, this is just ideal. It can be easily programmed to send Program Change, CC, MIDI Machine Control, Mackie Control… pretty much anything on any channel, etc. The software to configure this is straightforward and works really well. Especially nice for guitarists who are accustomed to a switch at the toe-end of the expression pedal to toggle wah, etc. It's all there and works easily. The only downside is that the pedal isn't expandable at all. It would have been nice, since all the brains are in place, if Line 6 had added a couple of 1/4" jacks for additional switches and or an additional expression pedal, though of course this would have brought the price up a bit. And I'm not sure about reliabilty. As I said the pedal is light-weight, and it won't surprise me if I *eventually* stomp it to death, but at this price I'm sure I will have gotten my money's worth first. (I just hope this product is popular enough that I can find a replacement when the time comes!) Ease of Use: Plugged it in. Downloaded the software. The software was totally intuitive and everything worked perfectly. (This is *not* commonplace with MIDI controllers…) Quality: I really like the feel of the switches, the economy of scale, the choice of features, etc. It's a cool product IMO, and more or less unique. Other players might find the lightweight construction and materials to be a bit "flimsy". Value: $99 bucks for the MIDI controller *and* the MIDI interface, and if you use a Line 6 amp it doubles as your onstage tuner. Size makes it suitable for small gigs and small rigs. It's a good solution for very reasonable money. Manufacturer Support: Line 6 is a big company now, but they've been good to work with in my experience, and their website is pretty comprehensive, so high marks. I haven't had to contact them about this product, and that's a good thing. The Wow Factor: Well, it's sexy to me, but I'm a total geek. 🙂 It made my PC/Ableton/Guitar Rig set up nice and portable. I'm probably the only person on earth who equates that with "sex appeal" LOL. Overall: There is no other single product (that I'm aware of) that would replace this, and yes, it's a big help for me in realizing my musical goals. So, 10 overall.
10. Jhs – Legends Of Fuzz – Smiley
Product Details:
Jhs pedals smiley – fuzz jimi hendrix was released in london in 1966 and the then new arbiter electronics fuzz face became his favorite fuzz pedal – the rest is history. in the first few years the fuzz face was built with germanium transistors until the pedal was completely converted to silicon transistors in 1969. hendrix himself preferred the silicon version because of the more aggressive, snappy sound and of course because of the better durability. the jhs pedals smiley offers a faithful reproduction of the properties that make the early silicon fuzz faces a milestone in music history to this day. several vintage pedals have been carefully analyzed to perfectly capture the magic of this era with the smiley face. the smiley is clear and defined and straddles the line between fuzz effects pedal and 'sawing' sustain. the stompbox gets the low-end and the crisp bite in the midrange as you would expect from a vintage arbiter pedal. one of the most revered qualities of a good fuzz f.
Specifications:
| Number of Knobs | 2 |
| Power | 9 V |
| Dimensions | 5.68" x 3.62" x 2.0" |
| Weight | 0.85 lb |
| Number of Foot Switches | 1 |
Reviews:
This was my favorite stomp right out of the box. Super smooth and seriously THICK. I think theMuffuletta is more versatile. If you are a MUFFman then you need this pedal. I don't understand the9volt disclaimer, is it not to be used with a daisy chain power supply like the "One Spot"? I have powered with a real battery and a "Power Plus 2" on the big pedal board with no problems. I did not try a "One Spot" yet…Alabama ChainSaw
Great pedal, quite niche, but a different pedal in the marketplace of a gazillion pedals all doing the same thing. JHS Pedals are always good. I’ve marked it down for value for money because most pedals are a massive ripoff, but that’s the market we’ve created.Reviewed by Andertons Music Co.
11. Xotic Effects – Sl Drive Pedal
Product Details:
Famous for its woody, organic and beautiful sounds of saturation, these legendary british amplifiers, the super lead & super bass, have been delivering one of the all-time classic sounds for almost 50 years. players like jimmy page, paul kossoff and countless other relied on this type of tone for their signature sound. xotic has recreated this vintage masterpiece in a rugged small enclosure. the sl drive offers very amp-like response and cleans up nicely with a roll of your guitar’s volume knob. the internal dip switches allow you to choose the sound characteristics of both 1959 models. the “super lead” setting offers a brighter tone with more gain, while the “super bass” setting has more low end with less highs. this compact design is a powerful tool for the working musicians. the sl drive is equipped with true bypass switching and eliminates any signal interference when switched off. power requirements are either 9v battery or ac adaptor (optional).
Specifications:
| Dimensions | 3.5" W x 1.5" D x 1.5" H |
| Input Power | 9V |
| Input Impedance | 1M ohm |
| Output Impedance | 1K ohm |
| Number of Tone Settings | 2 |
Reviews:
From slight dirt to full on creamy plexi distortion. It’s all there. Cleans up with the guitar volume knob. Pairs well with other exotic effects. I have two SL drives, one for grit and the other set for lead, as well as an exotic AC booster before to add a bit of boost. I run the EP booster at the end for nice volume boost. Synergy with all exotic effects.Charlie
I chose the SL Drive from a huge amount of drives on the market as I wanted something that fit on a small pedalboard, could provide a Marshall style sound at all gain levels as an alternative to amp gain, and which could work well with the BB MB pre-amp also by Xotic. This pedal really delivers. Although it takes time to set up and find the best sounds for personal preference, it provides a variety of useful tones across the spectra of volume, gain, and equalisation. The design is just so thoughtful and I like the possibility of running it at 18v, although at the moment 9v is better to my ears. Recommended as a piece of gear that should fit with most set-ups.Reviewed by Andertons Music Co.
I've had the SL drive for awhile now and try as I might I can't find anything that can kick it off my board. I've tried numerous other amp in a box pedals(Marshall and otherwise),overdrives and distortions but I keep coming back to this little guy. I guess I keep trying because I find it hard to believe that a pedal this small and this inexpensive(relatively) can't be outdone. I use this in conjunction with a standard Tumnus and the 2 together just can't be beat for me and I'm done spending $ trying.mike smith
12. Jhs The Milkman Echo/delay/boost
Product Details:
The milkman was first mentioned in a conversation between josh scott and tim marcus of milkman sound. tim wanted a pedal that could perfectly match the tremolo and reverb of his amps. the milkman has 2 completely independent effects with a boost on the right and a short delay on the left. the clean boost is fantastic for bringing your amp to natural overdrive or it can be activated all the time as a preamp. the short delay ranges from 0ms to create a doubling effect to 350ms to get just the right amount of echo for spacious sounds.
Specifications:
| Control Type | Knob |
| Dimensions | 2.6" x 4.8" x 1.6" |
| Power | 27 mA |
| Voltage | 9 V DC |
| Delay Time | 240 ms |
Reviews:
I mainly play rockabilly guitar and over the years have owned most available delay pedals and tape echo machines. A friend let me use his JHS Milkman at a jam a while back and I was blown away! It's rockabilly in a box and I've been praying for a pedal like this for 40 years! Robust, but light and easy to use and the boost function means that I dont need any other boost of overdrive pedals. Great for traveling, just pop it in my bag and go!Reviewed by Andertons Music Co.
I bought this thing because it's simple and sounds good. I've got a memory man deluxe which is great but too complicated for me. Delay is awesome but I'm just not a good enough player to use it properly and take advantage of all the cool sounds you can get from delay. I bought this just to try out and it's great. It only echoes for I think 30 or 60 ms so you get an awesome slap back sound. I use it for cool country style solos and sometimes I leave it on to get a reverb sound with it. I also really like it to fatten my guitars. I play mostly single coils so this pedal really makes them sound good. The boost is good too, and it's aloud me to take my mxr micro amp off my board and save some room for other pedals. If you just want to add a simple echo without all the knobs and crazy sounds of a delay this pedal is the way to go.Nik
Very well made. All metal, buttons feel like they will last forever. I had just got a Gretsch Hollow body, and wanted that slap back sound of the 50's. Milk Man delivered. And then some. You can pretty much dial in any slap back tone you want. I have a Peavey Bandit 112 silver and little Peavey 258 Rage. That boost button can make that Rage talk like it's my bandit. Nice clean sound and tone, then towards the max, it's starts to break up and give that crunchy sound. I was not expecting that good of boost, wasn't even looking for it, but man it really pushes. Very happy especially with that bonus I wasn't looking for. Plus this was a lot cheaper than another brand that was around $350-$400. If you want that old 50's push, this is a great take on it. The Gretsch already had that rock a billy sound, but this puts the icing on the cake. AMS has awesome options on paying, plus their shipping is top notch! Gained good gear and very happy with purchase!privatpig
13. Indio By Monoprice Ad-4 True Bypass Vintage Analog Delay Guitar Effect Pedal
Product Details:
Considered the original delay stompbox, analog delay pedals replaced most tape delays by the late 70s and early 80s due to their practical form factor and more efficient design. shortly after, digital delays took over, relegating analog delays to second place on the totem pole, due in part to their different delay times. fast forward to recent years and analog delays have made a comeback. players rediscovered their warmer, darker sound that works perfectly to complement contemporary music. the indio ad 4 true bypass analog delay guitar effect pedal combines the original warmer tone of those 70s and 80s stompboxes, with modern, high end features, such as 350ms delay times and true bypass design. used, very good condition. box included.
Reviews:
In over 65 years of playing guitar and doing gigs I have never played a better delay pedal or delay effect on an amp. This is one damn fine pedal. The controls let you to give you any level of effect you might need and it works with a 9V battery. Straight ahead simple to use and the price is simply unbelivable. Get one for heaven's sake.Allen J
Did I really need another delay when I already have 2? No.. But I love cheap pedals and the price point for an analog delay in a metal box had me in disbelief, so I just had to try it. And I'm really happy I did. It's good. I don't know what else to say.. I've been playing around with it on my mini board with a TS808 and a verb that are each many times the price of the delay. If I had heard it without knowing what the delay was, I would easily believe it was an much more expensive pedal . Sure it doesn't have as many features as some of the fancy guys, but it sounds really good in all the ways I would use a delay. It also seems to be well built, so I have no complaints. It's on sale at the moment, so I might grab another for a backup and put this guy on my main board.Jeffrey
14. Maxon Od808 Overdrive Pedal
Product Details:
The original overdrive! the od808 is often imitated but never matched! identical to the 1970s circuit and featuring the jrc4558 ic chip, it offers warm, smooth, transparent overdrive that'll make your rig scream! the od808's dynamically responsive circuitry reacts precisely to individual playing styles, letting the true voice of any instrument or artist shine through. don't settle for copies when you can have the original. the od808 reissue offers up all the warm, creamy, organic overdrive as the original and then some. never one to rest on their laurels, maxon has tweaked the current version ever so slightly to reduce noise level while retaining the legendary 808 tone. the od808 is the perfect pedal for adding smooth, tube-like overdrive to any clean amp – use it as a secondary dirt channel to beef up a song's chorus section, or keep it on all the time for the crunchy tone that has defined rock and roll. the od808's mild compression and slight low-end cut are perfect for tightening up high-gain amps; allowing fast note runs to stand out with clarity while making rhythms tight and punchy. just listen to any recording by grammy-award winning producer/killswitch engage founder adam dutkiewicz to hear how the od808 has become the voice of a whole new generation of metal guitarists.
Specifications:
| Product Type | Overdrive pedal |
| Input Impedance | 500K ohms |
| Output Impedance | 10K ohms |
| Maximum Amplitude | 35 dB |
| Weight | 260 g |
Reviews:
I used a Boss SD-9 until it broke, and I have an 80's ProCo Rat that doesn't quite work as the edge that I was looking for. I was using a Chinese T'Screamer clone pedal, and it was good…but I thought, wouldn't the real thing be better? I weighed price against quality and quality won out, and I went with the Maxon instead of the Ibanez TS simply because the reviews overall were better. I'm not disappointed; the OD-9 is exactly the rocket fuel I was needing to get into the cosmos. Running the 50's Classic Strat through the OD-9 into a Deluxe Reverb is like finding gold. It sounds like a beautiful, buxom angel is sitting on top of your amp and singing Glory Glory Hallelujah. It is the sound you wanted all along and never, until this moment, could you get. For additional fire, to invoke an angry, but still buxom, angel, I run the Rat after the OD-9 to dial in a little bit more divine wrath. This is the pedal you want. This pedal, IS the pedal. So it is written, so it shall be done.
I ordered in store and was told I'd get it 3-5 days. I ended up getting it after almost 2 weeks. Had the run around with fed ex. Fed Ex made the the entire thing a headache with their signature required delivery. I'm never home as I'm always working so it took 2 days to get it delivered after the initial day it was suppose to. Also, I ordered the original GREEN Maxon 808 and the order I got delivered to me was the new version of the pedal which is the Maxon 808X which is a red pedal. If it wasn't for the excellent updates on this pedal vs the original green id of returned and asked for my money back.JOE
Why 4 starts and not 5? If you know what a tube screamer does, then this does the business – 5 stars. It really feels like it's built to last, but this ‘80s style design means the pedal feels very heavy and ‘oversized’ compared to modern designs. Underneath it has built in rubber seating which means it is a bit difficult to attach velcro to fix to a pedal board. All this means that if you use it on the floor (‘80s) style then 5 stars, on a pedal board though 4 stars. Sound wise you might be shocked if all you do is compare the sound from a solo guitar with the pedal on and off – it sculptures the sound so that you notice a roll off of bass and treble … but in a mix or on stage the pedal is superb at highlighting the guitar. Just step on it for a solo and you get this wonderful midrange boost and suddenly your guitar just pop’s out of the mix for all to hear. All in all if this is your only pedal and you don’t play with a cranked tube amp you might be a bit disappointed. If you are combining with other overdrives and/or overdriven amps it can really bring out a clarity in the sound and is a great tool.David B.
15. Electro-Harmonix J Mascis Ram's Head Big Muff Pi Pedal
Product Details:
The j mascis ram’s head big muff pi fuzz pedal pays homage to the sonic center of the alt-rock legend’s iconic tone of equal parts thickness and clarity in a special edition white and violet finish. “that’s my sound. the muff is always on,” j says. “all distorted sounds begin with the muff. that’s what i grew up playing so it’s kind of amazing to have my own signature one.” based on the highly coveted 1973 electro-harmonix v2 violet ram’s head big muff, j’s signature big muff produces the indulgent fuzz and exceptional sustain used as his sonic center for decades. the fuzz is sonically more articulate than other big muffs with excellent string separation and dynamics, which make it one of the most versatile big muffs. the pedal’s response feels smooth and aggressive making your leads scream and chords thunder. feel the fuzz of a guitar giant: the j mascis ram’s head big muff pi fuzz pedal from electro-harmonix.
Specifications:
Reviews:
How odd. This review was flagged for writing Big Mu** using the two F's 🙂 For the money, this is a really hard pedal to beat. It goes from mild and laid-back to wild and intense. The controls feel great…like as in excellent quality. This is a reissue of the original Big Mu** PI. I tried a Big Mu** PI with Wicker and forget about it. It hissed so loud in Wicker mode that I couldn't even here myself think and it got even worse with the tone switch off. And even in the so-called Big Mu** PI mode, it didn't sound anywhere near as good as this Rams Head does. And, the Rams Head is quiet compared to the BM PI with Wicker. One more thing, The BM PI with Wicker does not say anywhere on it nor in the included paperwork where it's made, whereas the RH BM PI clearly says New York City on the face of it…Vincent
The tone sweep is nice and there are some interesting spots because it is linear while kind of non-linear at 10 to noon and about 1-2 on tone control. I can't say why but usually I had purchased like more expensive versions of ehx pedals. That being said, I think people need to realize that these are quite accurate reissues and circuits, and just because it is an affordable pedal doesn't mean it isn't great.
Overall: Floats like a stone and stings like a nest of angry hornets! This box has the buzzsaw sound down pat. The fuzz is a thick, smooth, and consistent. I like this kind of fuzz in particular because it’s less fuzzy and little more distortion-like. The Tone knob has a really wide sweep from boomy bass to mid-range Hades. It has plenty of gain on tap and even sounds pretty good with the guitar’s volume rolled back a skosh.I’ve never used the original Green Russian Muff and have only heard them compared through videos online, so I can’t speak as to how they’re different/alike. I got it because I didn’t want to haul my vintage Black Russian Muff around from gig to gig anymore because it’s getting valuable and since it was a pretty jenky design to begin with, it’s liable to break with heavy use. That being said, the reissue Green Russian Muff has a different sound than an original V8 Black Russian Muff. It doesn’t sound as good to me, but it’s not so different that I wouldn’t use the Green Russian live in lieu of the Black Russian for the aforementioned reasons. One huge plus for the Green Russian is its pedalboard friendly size. The Black Russian is the size of an 80s metal lunchbox and took up an awkward sized chunk of the pedalboard. Now there’s more room for other unnecessary boxes (gulp)! One noteworthy ding for this pedal is how difficult it is to see the script on the top of the pedal. The words are printed right underneath the knobs, so if it’s kinda dark (which it usually is) and the lights are all in front of you (which they usually are) the words are impossible to see. Overall it’s a nice fuzz especially for the price. It’s noisy, but once the music gets rolling you won’t even notice it.Brad
16. Laney Monolith Black Country Custom Distortion Pedal
Product Details:
A handmade distortion pedal, the monolith delivers expressive gain even at low levels. the laney monolith distortion pedal is in the iconic black country customs series. designed to give the player a total command and control over a spectrum of different gains and harmonic distortions from classic fat rock tones to jangly indie lines, and everything in between. with a very pleasing dynamic response to pick attack the harder you dig, the more expressive it gets. even at high gain level, when you hit it hard you can still hear every note of big chords as well as the nuances of intricate lead lines. controls include distortion, volume, range, & tone knobs. the 3 way toggle allows the players to customize their sound through 3 different modes.
Specifications:
| Indicator Type | LED |
| Weight | 0.38 kg |
| Depth | 121 mm |
| Width | 74 mm |
| Height | 59 mm |
17. Mxr M75 Super Badass Distortion Pedal
Product Details:
Gently used / like new! original buyer returned b/c it was not their cup of tea. grab this pedal now for much less!! includes original box as pictured. the super badass distortion provides a full and highly responsive spectrum distortion with a 3-band eq to fine-tune your sound.the super badass distortion puts decades of 100% analog distortion at your feet. with its highly responsive distortion control, the super badass covers a full spectrum, from early 70s low gain overdrive to modern scooped metal distortion and every shade of dirt in between. once you ve dialed in your desired amount of crunch, you can use the bass, mid, and treble controls to finely sculpt your sound. the super badass distortion features true bypass switching and comes ready for the road with the sturdy housing and durable components that mxr is known for.
Specifications:
| Distortion Gain | 15 dB – 76 dB |
| Nominal Output Level | -8 dBV |
| Output Impedance | 3.4 kO |
| Voltage | 9V |
| Signal to Noise | 93 dBV |
Reviews:
It's just a different kind of pedal. To me, it feels "amp-like." It gives your amp a new character and sounds great running a TS into it, or an OCD as more of a clean boost. The other thing I like is that it sounds great at lower distortion levels. It's just a different color and feel under the fingers. At high gain, it roars! Very controllable, tho. In my set up, at least, the distortion is beastly but the noise and feedback is tame. The EQ is quite powerful, so knock yourself out tweaking.PedalMania
In regards to PMT’s service they’re 2nd to none! Speedy delivery, parts are always in good condition & well packaged. And with the limited products that I’ve ever had issues with theyre quick to mend & or replace the parts so can’t recommend them enough. In regards to the pedal itself it’s a strong distortion pedal with the added benefit of full EQ giving you the ability to create a range of sound. Would class it as a good hard rock pedal but wouldn’t go for this if you’re looking for metal tones.Tom G.
I've had this pedal for a year and a half. It does exactly what I was craving a distortion pedal to do. Pure sound quality. The distortion and output knobs give a good range of effects. If you turn up the output and drop the distortion, you get a rich, clean overdrive. Upping the distortion and dropping the output delivers that gritty, dirty distortion that you're likely after. And every combination in between produce satisfying variations. You can truly dial in your desired tone. One disclaimer: my pedal runs HOT. For example, if my distortion knob is at 2 o'clock, my output knob will need to be at 7 o'clock, or it's unbearably loud. When I switch to a different pedal after playing this pedal, the next pedal always seem quiet by comparison. But what can I say? This pedal is BA, and it delivers exactly what I wanted. And over time I've gotten a better handle on how to dial in the right amount of heat. I wholeheartedly recommend this pedal.Zaccoon
18. Boss Rv-6 Reverb Pedal
Product Details:
Combining high-end sound and wide-ranging versatility, the rv-6 takes pedal-based reverb to the next level. reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary boss know-how to make it easy to get amazing reverb tones instantly. from subtle rooms to modern shimmer effects to long, evocative reverbs, the rv-6 envelops your tone in lush ambient spaces that endlessly inspire.
Specifications:
| Length | 6 in |
| Height | 0.1 in |
| Width | 6 in |
Reviews:
Overall: Whether you're trying to dial in a wet surf rock reverb or an ambient shoegaze tone with lots of atmosphere, this pedal can do it all. This is hands down the best pedal I've ever purchased and far surpasses any other reverb pedal I've heard. You can even tweaked it to make it sound like a proper spring reverb unit on an old fender amp. There's also a handy shimmer effect you can use to get some angelic and synth-like tones, which can sound monolithic accompanied with a fuzz. I'd recommend this pedal for any style of playing, as it's one of the most versatile ones on the market right now. Also since it's Boss it's built like an absolute tank. Need quality slap back, surf, or shoegaze type reverb? This is the unit for you.Alex
I use a few different brands of pedals and Boss makes solid pedals. This rv6 pedal makes a great variety of reverbs that sound very good with cleans, on every setting. I play with a few different distortions. It is very difficult to dial in a good reverb sound with too much distortion. The level setting has to be low and the sensitivity of the effects are boosted and that makes it very hard to easily swap from clean to dirty without major changes. Dirty will require serious tweaking. I would give it a 3 star because it's not friendly to dirty, but I'll give it 4 stars just because the cleans really do sound great and the variety and quality of sounds are in a price range well below many other reverbs of this caliber. It's a BOSS, a tank. I did mess with the shimmer with crunch and low level and found some decent sounds.Ghostpuncher
I got this as a catch-all reverb to round out a basic pedal board I use for home practice and hobby recording. First off, all the "usual suspect" reverb tones sound really great in the effects loop of my Bogner Atma combo. I had read reviews of the RV6 where it had been criticized for sounding digital/grainy, but I preferred it over the Oceans and HOF2 I compared it to. I classify myself as a somewhat fussy "toan snob" who still prefers tubes and analog, so I wonder if maybe that "digital/grainy" complaint was with it going straight in, out in front of the preamp. I'll have to get around to trying it like an outboard spring verb sometime. I really dig the shimmer verb, especially with a flanged, overdriven lead tone. I need to get an expression pedal now and play around with oscillating that! Last thing I want to compliment is the helpful buffer the Boss adds at the tail end of my board. I pretty much have no loss now. Kudos to Boss for yet another solid product!Lee B.
19. Boss Gt-100 Guitar Multi-Effects Pedal
Product Details:
Meet the new boss effects flagship, the boss gt-100. the gt-100 amp/effects processor boasts next-generation amp modeling that re-creates vintage amps and provides new cosm tones that soar into the future with the dynamics, tone and feel you'd expect from a boutique unit. user interface is improved by a dual-lcd system, while ez tone has been enhanced with newly designed amp customize and od/ds customize features. the gt-100 is a powerhouse processor that spans from classic to futuristic in a friendly, rugged and roadworthy unit.
Specifications:
| AD Conversion | 24 bits + AF method |
| DA Conversion | 24 bits |
| Sampling Rate | 44.1 kHz |
| Dynamic Range | 100 dB or greater (IHF-A) |
| Displays | Graphic LCD (132 x 64 dots, backlit LCD) x 2 |
| Input jack | 1/4-inch phone type |
| AUX In jack | Stereo miniature phone type |
| Output jacks (L/MONO, R) | 1/4-inch phone type |
| Phones jack | Stereo 1/4-inch phone type |
| Amp Control jack | 1/4-inch phone type |
| SUB jacks (CTL1, 2/SUB EXP) | 1/4-inch TRS phone type |
| Power Supply | DC 9 V |
| Current Draw | 600 mA |
| Dimensions (WxDxH) | 21-3/8 x 10-11/16 x 3-3/16 inches |
| Included Accessories | AC Adaptor, USB Cap, Owner's Manual |
| Footswitch | Boss FS-5U |
| Dual Footswitch | Boss FS-6 |
| Expression Pedal | Boss FV-500L/500H, Roland EV-5 |
| Manufacturer Part Number (MPN) | GT-100 |
Reviews:
This unit is just incredible. I've been playing since the early 70's and with all the equipment that I've owned I really think the GT100 has possibly impressed me more than anything I've bought! There's some wonderful preset sounds in this tone monster and it's easy to edit the one's that you like. If you're already proficient at programming pedals then this one will be a dream for you to manipulate. This isn't my first multi effects pedal but I don't enjoy programming and this is by far the easiest to program of the one's I've owned. I can't say enough about the sound of this thing. It has every tone that you could ever need. It's extremely quiet too. I'm definitely glad that I made this purchase. I can see a lasting relationship building!Alan
Overall: I picked this up knowing it was at the end of it's market life, but I wanted to finally own one. COSM is starting to feel a little old, but it's still an amazing pedalboard. The amp modeling is good, especially the clean tones. The distortion can get a little "digital" sounding, but it's still very usable. The effects are top notch, especially the delay and reverb. What attracted me to this product was the routing options, specifically USB. I do a lot of home recording on my DAW and an underappreciated feature of this board is the ability to record both a dry and wet signal to your DAW at the same time. Reamping (routing the signal out of your DAW back into the device for processing after recording) is a great tool and something that is not found in a lot of boards. It really gives this kit an extended life off the stage and in the studio. 6 years after launch this is still a great product!Allan
I have to say I love his board, I've been through several multi effects and was recently building up an all analogue pedal board myself with some nice TRex and Keeley pedals in there. I was inspired after watching Johnny Marr and listening to some of the tones he got from the GT100 so I jumped when it was on offer. I run it through a small Behringer mixing desk into two Yamaha DBR12's and all I can say is that it sounds awesome. As a change to my usual random approach I went through each preset and made a note what it reminded me of or what it might be useful for,if I liked the patch. Its a testament to the board that out of the 200 presets I marked nearly 50 out for being useful out of the box. Now i just refer to that sheet and if I have a cover song I want to try or a feel for an original piece I just the closest preset as a starting point. There are so many features on this board its pointless trying to list them but suffice to say its got everything you are going to need, and there is always the effects loop if you are missing some random effect. What else can I say, oh yes its improving my playing as I use the metronome on it loads, really helping me improve my speed. The screens are clear and easy to view, and the whole menu is very intuitive to work with. Gets a definite thumbs up from me absolute winner of a product 🙂
20. Ibanez Ts808 Overdrive Tube Screamer Pedal
Product Details:
The holy grail of tube screamers.the ibanez ts808 vintage tube screamer reissue is back. this is the incomparable overdrive pedal that vintage gear hounds are always hoping to find. the 2004 ts808 reissue features the same famous square footswitch and the warm tones of the jrc4558 chip used in most of the original ts808s. ignore look-alikes. if your tone is suffering from a lack of real warmth, the ts808 is the real, nongeneric prescription.order the real thing and get the warm overdrive you've been missing.
Specifications:
| Number of Knobs | 3 |
| Output Type | AC |
| Voltage | 9 V |
| Pedal Head Material | Metal |
Reviews:
This pedal is worth the hype 100%… If you're reading the right hype! It's an awesome pedal for that classic rock crunch, pushing an already hot tube amp over board into perfect leads! Think glam, early punk, and especially britpop like Oasis! One last important note to all the jokers complaining that it's not "transparent" enough… Guess what, it's not supposed to be! Do some research, watch some videos… This is the best of the best of SOFT CLIPPING overdrive pedals. Soft clipping means it adds mid tone grit that isn't there to cut through the mix beautifully. If you want a "transparent" drive pedal that completely keeps the tone of your guitar like an amp being turned up a bit, you want a BLUES BREAKER or a similar clone. Me, I prefer this one cuz it gives you that classic rock crunch right in the middle of the mix so that every chord and riff cuts right through! CheersSteve
Most satisfied with this overdrive unit. With my Tele on wide open volume for solos, along with compression on guitar, the guitar becomes a driving force of sound even if direct thru a channel on your board as opposed to an amplifier. But, the direct location of the amp or pa speaker in relation to the guitar will create a musical feedback response without turning around and trying to shove your guitar face first into the speaker as some do. Simply moving your body slightly during feedback creates so many different overtones. Amazing thing to play with. Low strings groan and high string scream. Tube Screamer…H P Hughes II
It does a good job with overdrive and also compresses as well. My foundation is a Schecter semi-hollow that I've gutted and replaced with 50s wiring, vintage taper volume pots and unpotted humbuckers – my amp is Swart with RCA tubes throughout. Plugged straight in to amp, I can roll the volume and tone control on the guitar to get a lot of tonal variations. The tubescreamer colors all the nice things that great tubes produce. I think a more transparent overdrive like a Klon clone would suit my setup better and they can be constantly on all the time – the tubescreamer is different and not in a bad way as it is really cool at what it does. I can see it being well suited to warm and fatten the bridge pickup in a strat when playing leads. It has a nice buffer – just wish the buffer was on all the time. I'd of kept it if that was the case.Phil
Related posts:
- Jimi Hendrix Left Handed Right Handed Guitar For Sale (2024 Update)
- Jimmy Page Best Guitar Solo Ever For Sale (2024 Update)
- Jimmy Page Double Neck Guitar For Sale (2024 Update)
- Jimmy Page Double Neck Guitar Solo For Sale (2024 Update)
- Jimmy Page Les Paul Guitar For Sale (2024 Update)
- Pedal For Electric Guitar For Sale (2024 Update)
- Guitar Pedal Not Working For Sale (2024 Update)
- Guitar Pedal Shoppe Plymouth Ma For Sale (2024 Update)
- Guitar Pedal Signal Chain For Sale (2024 Update)
- Noise Gate Guitar Pedal For Sale (2024 Update)
