Are you looking for the 12 String Gibson Guitar? If so, you’ve come to the right place.
Choosing the 12 String Gibson Guitar can be difficult as there are so many considerations, such as Fender, Gibson, Ibanez, Epiphone, Jackson, Taylor, Gretsch. We have done a lot of research to find the top 20 12 String Gibson Guitar available.
The average cost is $3995.35. Sold comparable range in price from a low of $764.95 to a high of $7999.00.
Based on the research we did, we think Gibson J-45 Standard 12 String Vintage Sunburst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling 12 String Gibson Guitar (20 Sellers)
| Product Image | Product Name | Features | Check Price |
|---|---|---|---|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
$2845.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The j-45 is a truly legendary guitar. the world-famous workhorse is
- Gibson's best-selling acoustic of all time. now it is available in a new
- 12-string version. featuring a mahogany body, sitka spruce top, and
$5299.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Corner music is an authorized gibson dealer and nashville's only gibson 5-star acoustic dealer. all photos are the actual guitar.
- Body style super jumbo.
- Top sitka spruce.
$5199.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- 1960s-style hummingbird, with authentic 1960s hand-painted pickguard
- Thermally aged red spruce top gives you a vintage look and feel
- Mahogany back and sides
$5299.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- 43.0 mm (1.69")fretboard width at 12th fret
- 52.6 mm (2.07")neck thickness at 1st fret
- 23.0 mm (0.91")neck thickness at 12th fret
$2564.10
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Aa-grade sitka spruce top with pattern grade honduras mahogany back and sides
- Hand-scalloped, radiused top bracing
- Rosewood fingerboard with rolled edges and dot inlays
$764.95
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Heavy
Features:
- A battery is not included. to power your pickup, you will need a 9-volt battery.
- Square shoulder dreadnought.
- Body material.
$5299.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Binding style 1-ply royalite
- Weight relief none
- Finish nitrocellulose vos (vintage patina)
$4199.00
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Top & back
- Custom soapbar p90 neck pickup & custom soapbar p90 bridge pickup
- Kluson strip w/ white buttons
$3499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Call or visit us in store to learn more about this guitar!
- Used* gibson slash signature j-45 acoustic / electric guitar november burst finish w/ case.
- An iconic guitar shaped by an iconic player.
$4999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Thermally aged red spruce back & sides
- Mahogany bracing
- Traditional hand-scalloped advanced x-bracing, red spruce braces with hide glue binding
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The world-famous workhorse, now in cherry
- Serialized 21041094
- Body material
$2399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Round shoulder dreadnought body
- Solid sitka spruce top
- Rosewood back & sides
$3999.00
4.4
Reviewers Noted:
Visual appeal . Sound quality
Features:
- Body shape: les paul
- Weight relief: none
- Finish: nitrocellulose vos (vintage patina)
$6999.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- This gives the guitar an incredible vintage vibe and played-in feel.
- The ebony moustache-style bridge sports elegant mother-of-pearl bars, while the vintage-style vine pickguard adds a traditional touch of class.
- Gold grover imperial tuners add the finishing touch to this superb guitar.
$2299.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Gibson j-45 studio walnut acoustic guitar walnut burst.
- Turn heads with this unique j-45 studio. hand-built using walnut back and sides with a sitka spruce top.
- The slim body depth allows for increased comfort underarm and the flatter fingerboard allows finer playability.
$3649.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Acoustic / electric guitars
- Gibson acoustic sj-200 studio rosewood
- Rosewood burst
$1999.00
5.0
Reviewers Noted:
Weight
Features:
- Finish top: light scratches on pickguard
- Finish sides: minor discoloration on waist of bass side
- Finish back: minor jam in middle of back
$4499.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Sitka spruce top adds pluck and projection to your playing
- Rosewood back and sides deliver tonal warmth
- Mahogany neck for endless sustain
$3249.00
5.0
Reviewers Noted:
Good sound quality . Visual appeal . Craftsmanship
Features:
- Acoustic / electric guitars
- Antique natural
$7999.00
4.7
Reviewers Noted:
Visual appeal . Weight
Features:
- Serial number cs203128 weighs 11 lbs 15 oz.
- The iconic gibson eds-1275 "doubleneck"the gibson eds-1275 is an iconic design that has captured the imagination of fans and players for generations.
- Specifications.
1. Gibson J-45 Standard 12 String Vintage Sunburst
Product Details:
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-ply Top, Single ply Back |
| Finish | Gloss Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.875" |
| Inlays | Mother of Pearl Dots |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Reverse Belly, Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Mini Rotomatic |
| Pickguard | Tortoise Teardrop |
| Truss Rod | Adjustable |
| Truss Rod Cover | Bell Shaped, 2-ply Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs VTC |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
2. Gibson Acoustic Sj-200 Original – Vintage Sunburst
Product Details:
Play it loud, play it proud. the gibson sj-200 original is teeming with quality, from its moustache bridge to its finely carved headstock. based on the same models as those gibson first released in 1937, it has a rich heritage and a stunning sound. flame maple back and sides give this beauty a sparkling, bright, punchy tone which sings with vibrance. and a sitka spruce top helps to enrich the resonance and sustain of this super jumbo guitar. plain sailing. there's a two-piece maple neck adorning this guitar, which offers superb smoothness for easy playing. it also adds even more brightness to this guitar's tone, making it truly stand out in any setting. the sublime rosewood fretboard responds to your playing perfectly, producing a touch of warmth and plenty of sustain for a well-balanced overall tone. the four bar moustache bridge is iconic, adding tonnes of character whilst enhancing tuning stability and resonance. from the stunning looks to the world class sound, this guitar will bring you a lifetime of happiness.
Specifications:
| Finish | Antique Natural |
| Year | 2019 – 2020 |
| Made In | United States |
| Back Material | Maple |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Maple |
| Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
3. Gibson 1960 Hummingbird Fixed Bridge Heritage Cherry Sunburst
Product Details:
Introduced in 1960 as gibson’s first square-shoulder, the hummingbird arrived at the dawn of a new era in music, and was rapidly embraced by the prime movers on the scene. built with a thermally aged sitka spruce top, the 1960 hummingbird reflects the appearance and performance of those early icons. featuring a fixed bridge, it's finished with gibson's new thin finish, including a hand-rubbed vos process.
Specifications:
| Body Shape | Hummingbird |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped Advanced X-bracing |
| Binding | Multi-ply top, multi-ply back |
| Finish | Thin Finish Nitrocellulose, VOS |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Parallelograms |
| Joint | Compound Dovetail Neck-to-body Joint |
| Tuner Plating | Gold |
| Bridge | Traditional belly up |
| Saddle Material | Bone |
| Tuning Machines | Gotoh Keystone |
| Pickguard | Casted Hummingbird |
| Truss Rod Cover | Hummingbird |
| Bridge Pins | Bone |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I received this today. I got home as the UPS driver was leaving it at my door. I quickly unboxed this and just looked at it. The case is considerably heavy, and the guitar is very light relatively speaking. The smell of the natural wood is present and pleasant. The rich sound is amazing. I love it. I immediately tuned it and played a few bits of songs I know. It is a wonderful guitar that is pleasing to the eye and even more delightful to the ear. This is making me long to learn more music and master my STP favorites. Very happy with my purchase.Michael
I've been looking for a pro instrument, something I would keep for a lifetime, to replace my entry-level Takamine acoustic. Maybe 20+ years ago I had played a Gibson Hummingbird in a store and I fell in love. But I couldn't afford it at the time. Still, I was open to other brands when shopping, and I tried a lot of them. But the Hummingbird Studio Walnut wound up being exactly I was looking for. Above all, an acoustic has to sound right for you. The "right" sound can be different for everyone, and it can also depend on what style of music you play. If you are a singer, some guitars might compliment your voice better than others. This Hummingbird Studio has a very balanced sound across the entire range. It has a confident low end, but not "boomy". The high strings are never spikey – they are smooth, clear, and blend sweetly within chords. The Walnut back and sides seem to contribute to this "smooth and even" sound. There's a Rosewood version too, which sounded a bit brighter and stiffer to me. The Walnut responds very well to light or heavy playing, with plenty of overtones while still maintaining note definition. The body of this Studio version is slightly less deep than a traditional Hummingbird (by about 0.75 of an inch). While I'm sure that equates to a difference in sound on some level, I prefer to simply evaluate this guitar based on how it sounds on its own – which to me is wonderfully smooth and rich. It seems much easier for me to get a good recorded sound out of this compared to my cheaper acoustic. I'm using a microphone in my home studio (Rode NT1). I haven't even tried the built-in electronics, so I can't comment on that. The feel of a guitar is just as important as sound to me. I do admit that I'm a Gibson fan in general, also owning a Les Paul Studio. The neck on the Hummingbird Studio just fits me perfectly, and it makes me want to pick it up and play it every time I walk past it hanging on the wall in my home. Another thing I really like about the Studio series is the lack of binding on the neck. That's just a personal preference, but I like to see the bare neck and fretboard wood instead of plastic binding. To each their own. I compared this to a few Taylors – all great guitars, but the Taylors have a brighter, more modern sound that didn't quite suit me. The other contender was a nice Martin D-16E which sounded great, but just didn't quite feel right in my hands. In the end, the Hummingbird Studio just said "welcome home" every time I picked it up. And that's worth waiting for.Brock
This is a beautiful guitar and I loved everything about it until I started having problems with the output jack. I don't know if the construction issues were just related to my guitar or if anyone else has had the same issues. Nonetheless I had to bring it back to GC to have it repaired. One week later, I had the same issue, loose output jack with just normal use. I contacted Gibson directly and shipped my guitar to them to be repaired and they completely replaced the jack with a new and different one. So no more issues with loose jack after that, BUT something with the wiring must have been damaged in the process. When It was plugged in the sound would come and go or I would get a crackly sound. I changed batteries and tried multiple different cables thinking maybe it was the cable. No, it wasn't. At this point, with the price of this guitar and the expectation that Gibson would put out a quality product, I was frustrated and just opted to either exchange or return it. I will say my local GC was very supportive and helpful and allowed me to exchange for a different guitar. I went with another brand and am very pleased with my new guitar! I'm really sad that it didn't work out with this. Hopefully it was just my specific guitar, and that others who have purchased this or plans to purchase this does not have the same issues.Vanessa
4. Gibson Custom Shop 1958 Les Paul Standard Reissue Iced Tea Burst Vos
Product Details:
The gibson custom 1958 les paul standard reissue is something special – truly the best of the best. it flaunts a sublime nitrocellulose vos finish, which sparkles with radiance and wouldn't look out of place in an art gallery. every feature has been hand-selected by gibson's finest, with this model sporting '59 reissue frets as well as a medium cherry mahogany back. luscious cream binding and beautiful gold top hat controls provide stunning finishing touches to this elegant yet powerful guitar. bursting with sonic goodness. the custombucker humbuckers in the neck and bridge position bring a new level of dynamism and flair to your sound. able to flit between thick, chunky rhythm voicings and fluid, saturated lead tones, they're sure to help you stand out in the mix. and a smooth, seductive mahogany neck allows for endless manoeuvring up and down the rosewood fretboard. truly a masterpiece in every regard.
Specifications:
| Body Shape | Les Paul |
| Back | 1-Piece Lightweight Mahogany |
| Binding | 1-Ply Royalite |
| Scale Length | 24.75" / 628.65mm |
| Fingerboard Material | Indian Rosewood, Hide Glue Fit |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Historic Gibson Narrow/Tall |
| Nut Material | Nylon |
| Nut Width | 1.69" / 42.85mm |
| End of Board Width | 2.24" / 56.89mm |
| Inlays | Aged Cellulose Nitrate Trapezoid |
| Joint | Long Tenon, Hide Glue Fit |
| Tuner Plating | Nickel |
| Bridge | No-Wire ABR-1 |
| Saddle Material | Nickel-plated Brass |
| Tailpiece | Lightweight Aluminum Stop Bar |
| Tuning Machines | Kluson Single Line, Single Ring |
| Pickguard | Laminated Cellulose Acetate Butyrate |
| Truss Rod Cover | Authentic Stepped 2-Ply |
| Control Knobs | Butyrate Gold Top Hats |
| Switch Tip | Amber Catalin |
| Switchwasher | Silkscreened Cellulose Acetate Butyrate |
| Jack Plate Cover | Laminated Cellulose Acetate Butyrate |
| Control Covers | Black Royalite |
| Strap Buttons | Aluminum |
| Mounting Rings | M69 Cellulose Acetate Butyrate |
| Pickup Covers | Authentic Profile Nickel Silver |
| Neck Pickup | Custombucker Alnico III (Unpotted) |
| Bridge Pickup | Custombucker Alnico III (Unpotted) |
| Pickup Selector | 3-Way Switchcraft |
| Output Jack | Switchcraft |
| Strings Gauge | .010, .013, .017, .026, .036, .046 |
Reviews:
I had a great experience with Musiciansfriend. I called my gear advisor, Scott, and he went the extra mile to answer all of my questions over about a two week period. My guitar weighs just under 10 pounds. The set up was superb with a low action and near perfect intonation. Phenomenal sound. Just amazing. Each string rings out clear and balanced. This is my first Gibson. I am a Fender player ('69 Jaguar, '97 Strat) so I was afraid I wouldn't like the warm tones of the humbuckers (nearly went with P90 because of this), but I can't compliment this guitar enough. It's a legend for a reason. The only bad thing is the case. It's obvious that Gibson doesn't take as much care in quality control for their cases. Pea sized bubble on the exterior and lining already coming unglued. However, musiciansfriend is working to right this for me.Jonathan
Overall: Ordered my 60's Les Paul in Unburst on Thursday February 10th. I paid for overnight shipping cause I couldn't wait & zZounds didn't disappoint. Guitar arrived on Friday the 11th before noon!!! Thank you zZounds. Now onto the review……amazing guitar. The figured top is beautiful. zZounds lets you pick the Les Paul you want by serial number & the top looks even better in person, I couldn't be happier. The fit & finish is excellent. Setup is perfect out of the box, plays like a dream. Sustain for days & the '61 Burstbucker R & T pickups just scream!!! Gibson's quality control is on point now!!! Just a beautiful guitar.James
Wow, does this guitar growl. These pickups are so hot, I was startled when I turned up the amp. On clean, every note in a chord is articulated brilliantly. And the sustain is strikingly long and full. I thought the fit and finish was exceptional, and appreciate the quality considering the price. It makes my other guitars feel like I'm riding a bike with a flat tire. It's just not a fair comparison. I am afraid I will have to upgrade my entire fleet now – it has spoiled me. I am more gratified with the purchase than I anticipated.Howard
5. Gibson J-45 Standard – Vintage Sunburst
Product Details:
Gibson j-45 standard features a true classic! since its first appearance in 1942, the j-45 has been gibson's best selling acoustic and is now something of icon amongst dreadnought guitars. nicknamed the workhorse, the gibson j-45 is has become a high prized and sought-after instrument characterised by its full, balanced tone with a warm low end and impressive projection. there's no doubt that most of this tone can be attributed to the high quality woods used in the manufacture process.
Specifications:
| Body type | Dreadnought |
| Top wood | Sitka spruce |
| Bracing pattern | Traditional Hand-Scalloped X |
| Body finish | Gloss Natural |
| Orientation | Right-handed |
| Neck shape | SlimTaper |
| Scale length | 24.75" |
| Number of frets | 20 |
| Neck finish | Gloss |
| Pickup/preamp | Yes |
| Configuration | Undersaddle transducer |
| Preamp EQ | 1-band |
| Number of strings | 6 |
| Country of origin | United States |
| Style | Dreadnought |
| Nut Width | 1 23/32" |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
6. Epiphone Hummingbird 12-String – Aged Cherry Sunburst
Product Details:
Epiphone hummingbird 12-string (all solid wood; fishman sonitone) aged cherry sunburst gloss inspired by the iconic gibson hummingbird acoustic, the epiphone inspired by gibson hummingbird 12-string produces a clear, bright tone with a beautifully balanced sonic range and comes equipped with a unique hummingbird pickguard. the epiphone inspired by gibson hummingbird 12-string has a solid spruce top, solid mahogany back and sides, dovetail neck joint, bone nut and saddle, fishman sonitone pickup system, and an aged vintage gloss finish. hardshell case or epilite case sold separately.a battery is not included. to power your pickup, you will need a 9-volt battery.
Specifications:
| Body Shape | Square Shouldered Dreadnought |
| Back | Solid Mahogany |
| Side | Solid Mahogany |
| Bracing | Quarter Sawn Spruce |
| Binding | Ivory and Black 6-ply (top) and 4-ply (back) |
| Finish | Aged Gloss |
| Neck Material | Mahogany |
| Scale Length | 24.724" |
| Fingerboard Material | Indian Laurel, Antique Ivory binding |
| Fingerboard Radius | 12.01" |
| Number Of Frets | 20 |
| Frets | Medium Jumbo |
| Nut Material | Bone |
| Nut Width | 1.875" |
| End of Board Width | 2.461" |
| Inlays | Mother of Pearl Split Parallelogram |
| Joint | Glued in, Tapered Dovetail Set Neck |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | 12-String, Reverse Bell |
| Saddle Material | Bone |
| Tuning Machines | Grover Mini Rotomatic |
| Pickguard | Hummingbird Shape with Hummingbird Graphics |
| Truss Rod | Dual Action |
| Truss Rod Cover | 2-Ply, HUMMINGBIRD in white |
| Bridge Pins | Ivory |
| Strap Buttons | 2 – end pin jack and side of heel |
| Under Saddle Pickup | Fishman Sonicore |
| Output Jack | 1/4" Endpin Jack |
| Preamp | Fishman Sonitone |
Reviews:
I've been looking for a particular sound from an acoustic to replace my Ibanez. I went into to the GC to get strings for my other axes and try out a white Tele they had. Tele wasn't quite what I was looking for so I went into the accoustic room and this just stood out and I had to tryit. I was sold after one strum of Dm-A-G. That was the sound I wanted. Mids somewhere between a J45 and a Taylor. Highs have just the right amount of brilliance without stealing the show. Exactly what I was looking for. It has a bone nut and saddle so this thing rings out so well. The only thing I can think of negative is the Epiphone Deluxe tuners feel cheap. I'm just going to order some Gibson Deluxe's, other than that this is a beaut!JR
This guitar is beautiful. I've played many guitars, but none are more pretty than this. I have the Cherry Burst, wow! The fretboard material is Laural Wood. It plays nicely with bended notes, nice and firm. This guitar has good "weight." It is one of the heavier acoustics I've played. I like that too, it feels like great quality. Mine is not made in China. It was manufactured in Indonesia. These Asian manufacturers are doing a great job and I like it that mine is from Indonesia, too. There is good balance in sound from string to string, too. It's nice that it came with a sound hole cover, but such a nice (and fairly pricey) guitar should come with a gig bag or case.Boomer
Overall: Ok let me first say that I have been playing guitar since 1964. I have so many guitars since then I can't even remember them.In my experience Epiphone guitars have always been a solid platform for someone who is first starting and novice and intermediate level players.After reading about these " Inspired By Gibson" series Masterbilt guitars I thought I'd give one a try to see how close to a real Hummingbird it is.It caught me off guard. The fit and finish is outstanding. The playability was absolutely perfect out of the box.The original 1960's Headstock makes it look really nice. Not that deeply scalloped extended swelled at the top one usually find on an Epiphone. Nice touch Epiphone !The tulip Keystone vintage tuners are excellent. Smooth and tight. Fret work was amazing for a guitar in this price point as well as getting a guitar with beautiful solid mahogany and Sitka spruce that is finished in an accurate vintage toner. The real Mother of Pearl inlays are a really nice touch.At this price point getting an instrument with a one piece mahogany neck with no seperate heel is almost unheard of. I am tempted to say this Epiphone is so close to the Gibson model it amazed me that Gibson would allow Epiphone to produce something this close to their high dollar Hummingbird.In conclusion…. BUY IT !! You will not be sorry. zZounds is the best out there for sales, service and amazing one day delivery.Ed
7. Gibson Custom 1958 Les Paul Standard Reissue Vos – Washed Cherry Sunburst
Product Details:
In 1958, gibson parted ways with the gold finish on the les paul model and introduced the les paul standard, a refresh that featured a center-seam maple top, red aniline dye back and sides, and a beautiful transparent cherry sunburst finish. while only that one color was available originally, exposure to sunlight and subtle variations have made each original example unique in color. gibson custom picked four beautiful sunburst variations for the new 2018 historic collection, each bringing out all the character of the unique maple tops. and just like the 1958 originals, the neck profiles on these historic models are just a bit beefier on average when compared to a 1959 — a comfortable chunky c-shape. two new updates for 2018 include the inclusion of all true historic-spec parts and, for the first time, narrow/tall frets which bring the tone and playability closer to the character of the originals.
Specifications:
| Finish | Bourbon Burst Gloss |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | Chunky C-Shape |
| Depth at 1st (in) | .916 |
| Depth at 12th (in) | 1.023 |
| Nut Width (in) | 1.69 |
| Nut Material | Nylon |
| Scale | 24.75 |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Kluson |
| Bridge | ABR-1 Tune-O-Matic |
| Neck Pickup | Custombucker |
| Bridge Pickup | Custombucker |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Weight (lbs) | 8.8 |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
8. Gibson Custom 1960 Les Paul Special Double Cut Reissue Vos Cherry Red
Product Details:
Gibson 1960 les paul special double cut reissue – cherry red – the les paul junior and special were revised in 1958 to have double cutaways and more fingerboard access, but the special didn't really hit its groove until 1960, when the lower pickup placement and slim neck taper made it more robust and easier to play than ever. they are complete structural and visual clones of the coveted vintage counterparts, but the real magic is in their identical sound and playability. a pair of mean and fiery p-90s create everything from meaty distortion to sparkling single coil cleans. this les paul can take whatever you can throw at it!
Specifications:
| Binding Style | Fingerboard 1-Ply Cream |
| Finish | Nitrocellulose VOS (Vintage Patina) |
| Neck Material | Solid Mahogany |
| Neck Profile | 1960 Slim Taper |
| Scale Length | 24.75" / 62.865cm |
| Fingerboard Material | Indian Rosewood, Hide Glue Fit |
| Fingerboard Radius | 12" / 304.8mm |
| Number of Frets | 22 |
| Nut Material | Nylon |
| Nut Width | 1.69" / 42.85mm |
| End-of-Board Width | 2.24" / 56.89mm |
| Inlays | Pearloid Dot |
| Nickel | Bridge |
| Tailpiece | Wraparound |
| Tuners | Kluson Strip w/ White Buttons |
| Pick Guard | Black Multi-Ply |
| Truss Rod Cover | 2-Ply Black/White |
| Control Knobs | Black Top Hats |
| Switch Tip | Amber |
| Switch Washer | Black |
| Jack Plate | Black Multi-Ply |
| Neck Pickup | Custom Soapbar P90 |
| Bridge Pickup | Custom Soapbar P90 |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
9. Gibson Slash J-45 Acoustic-Electric Guitar November Burst
Product Details:
Gibson and slash are proud to present the slash collection gibson j-45 standard. it represents influential gibson guitars slash has used during his career, inspiring multiple generations of players around the world. the slash collection of gibson guitars can be seen live on stage with slash today. each slash collection gibson j-45 standard features a blend of traditional appointments and modern features including a custom slash rounded c-neck profile, a flatter and more modern 16" fingerboard radius, and a versatile custom lr baggs vtc pickup for natural acoustic sound. exclusive to the slash's are a "scully" signature drawing on the back of the headstock, slash's signature on the truss rod cover with a blank truss rod cover in the case, and four slash jim dunlop tortex# picks. the slash collection gibson j-45 standard is available in november burst and a limited edition vermillion burst.
Specifications:
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional hand-scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Width | 1.725" |
| Inlays | Mother-of-Pearl dots |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatics |
| Truss Rod Cover | Slash Signature |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
10. Gibson 1942 Banner J-45 Vintage Sunburst
Product Details:
Legendary rich tone. release the depths of your creativity. the gibson 1942 banner j-45 channels the essence of the iconic j-45 in a new custom historic version. it mirrors the popular structure and components of the vintage model including mahogany back and sides. this time, the mahogany has been teamed with a thermally aged red spruce top. thanks to this duo of tonewoods, you can produce a deeply warm tone and melt the coldest of hearts with your music. get lost in passion. for those who lose themselves in their performance. the 1942 banner has a rosewood fretboard that encourages your musical devotion by offering a comfortable surface for chord and fingerwork. add this fretboard to the mahogany body and you've got a truly winning combination. these components and construction are ideal for performers who particularly favour heavier strumming and can't help but release intensity into their sound. all wrapped up in a stunning vintage style, the 1942 banner is a must for any blues or folk player looking to push their music further. are you ready to make a difference with your sound?
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Binding | Multi-ply top, multi-ply back |
| Finish | Thin Finish Nitrocellulose, VOS |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 19 |
| Frets | Legend Wire |
| Nut Material | Bone |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Dots |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Rectangle, open slot |
| Saddle Material | Bone |
| Tuning Machines | Strap open back, cream button |
| Pickguard | Tear Drop |
| Truss Rod Cover | Black |
| Bridge Pins | Bone |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
11. Gibson J-45 Standard Acoustic Guitar – Cherry
Product Details:
A true icon in the world of acoustic instruments, the gibson acoustic j-45 quickly earned the title of "the workhorse" shortly after it was introduced in 1942. this round-shoulder, dreadnought impressed musicians with its full and balanced expression, warm bass, and excellent projection — much of which came through subtle changes to the bracing of its forefather, the j-35. the j-45 standard features a solid sitka spruce top and mahogany back and sides for a mind-blowing blend of punchy treble, midrange heft, and low-end lushness — a truly unique sonic signature that countless performers have fallen in love with! and when you plug in, the active lr baggs vtc pickup system delivers amazing pure acoustic tone. whether you're strumming on the porch or onstage, the j-45 standard is a stunning addition to your guitar collection.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-ply Top, Single ply Back |
| Finish | Gloss Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | TUSQ |
| Nut Width | 1.725" |
| Inlays | Mother of Pearl Dots |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Reverse Belly, Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Rotomatic |
| Pickguard | Tortoise Teardrop |
| Truss Rod | Adjustable |
| Truss Rod Cover | Bell Shaped, 2-ply Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs VTC |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
12. Gibson J-45 Studio Acoustic Electric Guitar Rosewood Burst
Product Details:
Featuring a comfortable round shoulder dreadnought body, this streamlined version of the legendary j-45 is hand built using rosewood back & sides and a solid sitka spruce top. ready for performance, the j-45 studio boats a soundhole mounted under-saddle piezo pickup for direct connection to front of house/amp or your favorite audio interface for studio work. feautres round shoulder dreadnought body solid sitka spruce top rosewood back & sides rosewood fingerboard features under-saddle piezo pickup tusq nut and traditional belly up bridge grover rotomatic tuners includes hardshell case
Specifications:
| Acoustic Guitar Type | Acoustic-Electric Guitar |
| Finish | Rosewood |
| Finish Type | Nitrocellulose |
| Body Style | Dreadnought |
| Cutaway | No |
| Orientation | Right-Handed |
| Number of Frets | 20 |
| Scale Length | 24.75" |
| Solid Top | Yes |
| Top Material | Sitka Spruce |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Material | Rosewood |
| Nut Material | Tusq |
| Nut Width | 1.724" |
| Tuner | No |
| Electronics | Active Under-saddle Piezo Pickup |
| Case Included | Hard Case |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
13. Gibson Custom 1958 Les Paul Junior Double Cut Reissue Vos Tv Yellow
Product Details:
Initially introduced as a model for students and beginners, the les paul junior single cut quickly became popular with players who loved the stripped back, no nonsense approach and monster tone. this gibson custom '58 lp jr double cut is just oozing with vintage mojo and cool! with a mahogany body, finished in tv yellow vos, this double cut retains that real vintage flavour. really well balanced and poised for action, it's a solid, functional, workhorse guitar, a real player's piece from gibson. with hide glue construction, this thing really does kick out some monster tone! the mahogany neck features a rosewood fingerboard and the classic 24.75" scale length. the chunky c-shape profile and the 12" radius is super comfortable, great at either end of the board, this guitar is smooth underhand and so easy to play. the wraparound bridge is great while the single gibson custom dog ear p90 really enhances that old school vibe.supplied with a gibson case, this double cut junior is sure to be a popular feature of our gibson custom room!
Specifications:
| Body shape | Double Cutaway |
| Body type | Solid Body |
| Body wood | Mahogany |
| Body finish | Nitrocellulose Lacquer |
| Neck shape | Vintage C |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.687 in. (42.8 mm) Nylon |
| Bridge | Proprietary Single Coil |
| Control layout | Individual volume Individual tone |
| Bridge type | Fixed Bridge |
| Bridge design | Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Orientation | Right Handed |
| Country of Origin | United States |
Reviews:
This one showed up in my favorite Guitar Center in the beautiful cherry red. Besides the looks I was enamored with the feel and playability as well as the sound when plugged into a proper tube amp. Gibson has definitely improved their quality. If you're a Junior fan- this is the one.Greg
Overall: A beautiful guitar, masterfully reissued and authentic in every way. The classic blues growl is hauntingly true to the original. The TV Yellow screams vintage Gibson and is more striking and beautiful than the pictures here show. It plays like a dream, and I'm excited to own a piece of Gibson history. Thanks zZounds for making it possible. This gem will be with me the rest of my life.
14. Gibson Pre-War Sj-200 Rosewood Vintage Sunburst
Product Details:
A stunning showpiece of handcrafted design and artisanship, the pre-war sj-200 rosewood features gibson’s proprietary nitrocellulose lacquer finish and thermally-aged adirondack red spruce top. this gives the guitar an incredible vintage vibe and played-in feel. the ebony moustache-style bridge sports elegant mother-of-pearl bars, while the vintage-style vine pickguard adds a traditional touch of class. gold grover imperial tuners add the finishing touch to this superb guitar. when you pick up a gibson acoustic, you know you’re getting the finest tonewoods, quality hardware, and incredible attention to detail. these instruments are built to sound great and stand the test of time. a collector’s dream, the gibson acoustic j-200 rosewood is an instrument your family will treasure for generations.
Specifications:
| Finish | Vintage Sunburst |
| Year | 2020 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Jumbo |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Neck Material | Maple |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
15. Gibson J-45 Studio Walnut Acoustic-Electric Guitar (Walnut Burst)
Product Details:
The gibson j-45 studio, walnut has stepped up to provide you with the high-grade features you need for your acoustic experience. gibson have paved the way in acoustic innovation for years. and they show no signs of slowing down with this design. a walnut body and sitka spruce top hold the secret to a balanced and responsive tone that thrives in any environment. your bedroom, while busking, or on stage. and you'll be amazed by the pristine sound channelled by the fishman sonitone pickup. feel empowered to perform at your peak. playability and comfort are second to none with this guitar. a slimmer body depth provides a more natural feel for your underarm while the flatter fretboard offers the precision that you never knew was possible. it's a remarkable instrument that will enhance any genre.
Specifications:
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Walnut |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Dots |
| Joint | Compound Dovetail Neck-to-body |
| Body Shape | J-45 |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic with kidney buttons |
| Pickguard | Tear Drop |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Under Saddle Pickup | Yes |
| Controls | Volume and Tone Controls |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
After testing, buying and returning about 10 different guitars from Epiphone to Gibson to Martin to Collings to Taylor to Waterloo, I landed on this guitar. I bought on trial guitars from all of the above, but could not stop thinking about the J-45 Studio I tested. I love the Standard but my budget is capped around $1600. I ended up going with a J-45 Studio Walnut burst and have had it for about 5 days now. I have played it nearly on average of 6 hours a day because I cannot put it down. When I first tested and purchased the guitar, it had a very bright tone due to the walnut back and sides, but the more I play it in and listen, the warmer it becomes without losing the punch and clarity of the top end walnut tone. I recorded a track for a country song I was working on with this beauty and through a LDC mic, it sounded like a polished record without processing. This thing was built for the studio but projects for the stage. Can't say enough good things about this guitar.MotownFranz
The j45 studio is a hybrid of the j45 standard and the j15. The top (spruce), body (walnut) and bracing are identical to the j15. The neck (solid mahogany) is identical to the j45 standard and definitely superior to the j15's laminate maple neck. The studio's electronics are better than the j15's, having both tone and volume controls. And yes, the studio's body is a little thinner than that of the standard j15 and j45. The j45 studio sounds fantastic plugged in and unplugged, and the blend of scale and action make this a true Gibson acoustic, a unique blend of bright and dark. Having identical tops and bodies, you would think that the studio's sound and resonance would be more the the j15, but imo the 15's laminate neck takes a lot of depth out of the lows, which truly sets the studio apart and makes it a true j45, even if the studio's slightly smaller walnut body swaps some of the standard j45's warmth for a punchier, crisper sound. By my view, if you are thinking j15 but wouldn't mind throwing a couple hundred more at a guitar with a bit more growl, I recommend the j45 studio. It's also a fair compromise if you find the j45 standard's price tag off-putting. I tried out a number of other Gibsons, Martins, Taylors and Breedloves, but could not turn my back on the j45 studio. I'll get my hummingbird when I make my first million, but I'm very happy either way.Jay
I like the guitar and it sounds great. I would buy it again. My only complaint does not deal with the guitar but the advertising. A picture in the advertising shows the electronics mounted in the sound hole with a volume and tone. This guitar only has a volume control. Imagine my surprise. Exactly what I will do about it Imdon't know.Rodney
16. Gibson Acoustic Sj-200 Studio Rosewood – Rosewood Burst
Product Details:
Beautiful resonance. visually stunning. add yourself to the long line of legends that yield this iconic guitar. the gibson sj-200 studio rosewood has joined the ''king of the flat-tops'' as a breath-taking new addition boasting exquisite features. why tweak perfection? great question. adding in an advanced response neck profile and slim body depth design, gibson have made sure that injecting sophistication and personality to your performance has never been so comfortable. don't worry though. you still get that sound. the sj-200 series is renowned for its massive sound and rich, yet bright, tone. its incredible sustain comes from the combination of a sitka spruce top combined with a rosewood body and fretboard. it's tone you'll melt into. you'd be forgiven for losing yourself in this hypnotic sound that manages to remain articulate and bright while simultaneously weeping at full volume. there's a reason this guitar is one of the most popular acoustics of all time. and this is just the beginning.
Specifications:
| Body Shape | SJ-200 |
| Back | Rosewood |
| Side | Rosewood |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 25.5 inches |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 16 inches |
| Frets | 20 |
| Nut Material | Tusq |
| Nut Width | 1.725 inches |
| Inlays | Mother-of-pearl Graduated Crowns |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Moustache |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic w/ Kidney Buttons |
| Pickguard | SJ-200, no stamp |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Controls | Volume and Tone Controls |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
17. Gibson G-200 Ec Acoustic-Electric Guitar Natural
Product Details:
Gibson g-200 ec generation collection acoustic guitar – natural the g-200 ec is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it like you've never heard it beforethe same way your audience hears itmaximizing the sonic impact for an immersive playing and listening experience. the g-200 ec is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a beautiful solid sitka spruce top and solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner cutaway jumbo body is more comfortable to play, and provides excellent access to the upper frets. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. it also comes equipped with an lr baggs element bronze pickup system, so your g-200 ec will sound as good to your audience as it does to you. a gig bag is also included.
Specifications:
| Acoustic Guitar Type | Acoustic-Electric Guitar |
| Finish | Natural |
| Finish Type | Nitrocellulose |
| Body Style | Jumbo |
| Cutaway | Yes |
| Orientation | Right-Handed |
| Number of Frets | 20 |
| Scale Length | 25.5" |
| Solid Top | Yes |
| Top Material | Sitka Spruce |
| Neck Material | Utile |
| Fingerboard Material | Ebony |
| Bridge Material | Ebony |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Tuner | No |
| Electronics | L.R. Baggs Element Bronze Pickup |
| Case Included | Gig Bag |
Reviews:
18. Gibson Acoustic J-45 Deluxe – Rosewood Burst Guitar
Product Details:
Gibson j45 deluxe rosewood in rosewood burst finish built upon the famous j-45 platform this j-45 deluxe offers custom features throughout. beautiful multi-ply top trim with added multi-colored rope binding, rosewood back and sides, mother-of-pearl split diamond inlay, hand sprayed rosewood burst finish, and bound peghead. now hand built with a beautiful ebony fingerboard and bridge. finished with an lr baggs vtc pickup.
Specifications:
| Finish | Rosewood Burst |
| Year | 2019 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Dreadnought |
| Fretboard Material | Composite |
| Model Sub-Family | Gibson J-45 Deluxe |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| On-board Electronics | Piezo Pickup |
| Right / Left Handed | Right Handed |
| Sides Material | Rosewood |
| Top Material | Spruce |
Reviews:
Gibson started making these in 1934. I bought one 20 years ago and it is still my go to guitar. The first time I played it, I thought it was the best sounding guitar I'd ever heard. Something about the Sitka Spruce / Mahogany combination makes for a warm, full sound that nothing else can quite match. The slightly wider neck makes the guitar easy to flat pick, and finger pick. From the factory mine came ready to play. Haven't had to fool with the action yet. Also, the older I get, the more I appreciate how light weight it is, compared to a rosewood guitar, or an electric. It's kinder and gentler to my aging back. If you're looking for a guitar, play one of these 45s. You'll be glad you did!guitar49
Seriously, best guitars ever made. To many people, especially those under the spell of loud booming bluegrass machines, the j45 doesn't stand out. You may find them dull in loud busy guitar shops or next to a canon like a hd28.
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
But when you are alone in a quiet personal space with a J45 you realize there's no other guitar like it. And as it breaks in the tone gets better week by week. Best guitars ever.Richard Lucas Cronley
I purchased a 2018 model through Guitar Center last week, from what I can only assume was New Old Stock. It was a savings of around $400. It arrived today! With the exception of some minor finish issues from someone else handling the guitar (scuffs, mild scratching) it is f*&ing incredible. I have barely been able to set it down. It plays like a dream and sounds even better. It's very consistent up and down the neck and the tonalities between flat-picking and fingerpicking are super noticeable which is EXACTLY the way it should be, in my opinion. Fingerpicking gives the player deeper lows and snaps while flat-picking tends to be more on the side of treble and crispness. It's a dream instrument for me and I know it will be for you as well.Justin
19. Gibson Sj-200 Studio Walnut Acoustic-Electric Guitar Antique Natural
Product Details:
Gibson sj-200 studio walnut – antique natural – hand built using beautiful sitka spruce and walnut, this sj-200 studio is sure to please the eye and the ear. utilizing gibson's advanced response neck profile and slim body depth body design this is the most comfortable super jumbo they've ever built, without any sacrifice in tone. outfitted with a fishman sonitone pickup for easy plug and play anywhere you perform.
Specifications:
| Neck Material | Mahogany |
| Scale Length | 25.5" |
| Fingerboard Material | Walnut |
| Fingerboard Radius | 16" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | Tusq |
| Nut Width | 1.725" |
| Inlays | Mother-of-pearl Graduated Crowns |
| Joint | Compound Dovetail Neck-to-body |
| Body Shape | SJ-200 |
| Back | Walnut |
| Side | Walnut |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Tuner Plating | Nickel |
| Bridge | Moustache, no inlay |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic w/ kidney buttons |
| Pickguard | SJ-200, no stamp |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Under Saddle Pickup | LR Baggs Element Bronze |
| Controls | Volume and Tone Controls |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.
The SJ200 is not only a stunning guitar, but it has the quintessential sound one has come to expect from the Gibson brand. The upper mids are crisp and clean, complemented by full-bodied lows, creating a beautiful round tone. Both eye catching and ear pleasing, this is a must-have for the guitar connoisseur!
20. Gibson Custom Eds-1275 Double Neck Electric Guitar Cherry Red
Product Details:
The eds-1275 doubleneck is an iconic design that has captured the imaginations of players for generations, and now — thanks to gibson custom — you can have one of your very own. this spot-on replica of a vintage eds-1275 doubleneck enables you to coax natural-sounding chime and chorus from the 12-string neck, while churning out a searing solo with the 6-string neck. experience the power, punch, and clarity of classic paf pickups, courtesy of unpotted custombucker humbuckers, while authentic slim "c"-shaped necks with indian rosewood fingerboards ensure a comfortable playing experience. to top it off, the eds-1275 doubleneck boasts abr-1 tune-o-matic bridges and nickel tailpieces that are chock-full of vintage tone and sustain. the gibson custom eds-1275 doubleneck is a must-have for every guitar collector.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | 1-piece Mahogany |
| Body finish | Nitrocellulose Lacquer |
| Neck shape | Slim C |
| Neck wood | Solid Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Vintage-style |
| Number of frets | 20 |
| Inlays | Split Dot |
| Nut width/material | 1.687 in. (42.8 mm) Corian |
| Configuration | HH |
| Neck | Proprietary Alnico Humbucker |
| Bridge | Proprietary Alnico Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Special electronics | 3-Way Neck Selector |
| Bridge type | Fixed Bridge |
| Bridge design | Vintage-style Individual saddle |
| Tailpiece | 6/12 Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6/12 Doubleneck |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I owned and played one of these semi-pro for a decade back in the '80s because it was a hassle switching from 6 to 12 string guitars and always having to redial the amp for the different pickup outputs. The heavy mahogany body (and it IS heavy, especially neck-heavy, the reason for the 4 rating) produces crystalline sound with excellent articulation and sustain and the output between necks is well-balanced. The 1275 gave me the versatility and ease of switching (one switch) that I wanted and a sound I loved. My single-neck 12s have been Rics. The 1275 lacks the Ric "jangle" but that's a minor drawback. I also owned a Carvin koa doubleneck: decent 12 string half, totally useless 6 string, but it was well-balanced weight-wise. I played a BC Rich "Bich" doubleneck and the thing is an ergonomic nightmare and didn't sound nearly as good as the Gibson. I installed a belt hook on my strap for the 1275 keep the necks from falling down when I let go and it worked well. If you want a doubleneck, get the Gibson.Jerry
cannot tell from the original. looks exactly as Les Paul's.goodbuy_555
Related posts:
- Gibson Electric Guitar Models For Sale (2023 Update)
- Gibson Electric Guitar Pictures For Sale (2023 Update)
- Gibson Les Paul Custom Guitar For Sale (2023 Update)
- Gibson M2 Electric Guitar For Sale (2023 Update)
- Gibson Maestro Single Cutaway Electric Guitar For Sale (2023 Update)
- Gibson Sg Double Neck Guitar For Sale (2023 Update)
- Maestro Double Neck Guitar For Sale (2024 Update)
- Vintage Gibson 12 String Acoustic Guitar For Sale (2023 Update)
- Gibson 12 String Electric Guitar For Sale (2023 Update)
- Gibson 12 String Acoustic Guitar For Sale (2023 Update)
