Stomp Box Guitar Pedal For Sale (2024 Update)

This is a cool stomp box…I wasn't aware that I could run my guitar thru it, come out with one line into my PA…very efficient since i use a 2 channel PA…the sound is good and it varies depending on what part of the pedal you tap.also, the rubber pad on the bottom hold it in place so it doesn't slip…a good deal for the money…jeff

Don't get me wrong, there are lots of pros- looks great, well made, no battery needed BUT if you are looking for a bass drum (or electric bass drum sound) THIS IS NOT THE ITEM FOR YOU. It has more of a flatter cajon sound. It is not big and boomy. Wished I would have saved up and just bought the Ortega Horse Kick which is digital. I will keep it and use for small one man gigs but I would never record with itDumdumdaddy

I love these pedals! I'm up to 4 now! I love how you are not locked into any one pedal implementation. There are tons to chose from and I'm sure its only going to get better!mangelo123

Got mine over a year ago from eBay for 30. Works with the iPhone 4s well but the phone is now a tad out dated but the pedal is fantastic. Most of the downloaded pedals are free so playing around with them is fun. I would recommend this at a low cost, good for home use but lags somewhat for live as it can take time to load the next pedal.. Lovely sounding pedals tho.davedave1965

I've had the larger version of the Sonic Stomp for years and found it an invaluable part of getting quality tone out of my rig. It's an always on box for me but I needed to make some room on my pedalboard and the Sonic Stomp is absolutely the last pedal I was going to remove but I wasn't sure if the mini version would give me the same thing as the older larger box? I read some reviews and thought it was worth the gamble so I sold my larger Sonic Stomp and got the mini version. It turns out the mini was just as awesome in every way just in a much smaller footprint. If you have never tried this amazing pedal you will be surprised at how much better everything you play sounds! Chords sparkle and single notes are even more pronounced! It's not a compressor, it's a sonic maximiser. I call it a game changer!6string-slinger

This an amazing-but subtle-device. Turn it on (I just set everything at 5), and it sounds somehow “sweeter.” The lows seem louder but tighter. The highs seem higher, but not ice-picky. The manufacturer describes it as “like lifting a blanket off your amp”. That seems about right. Turn it off and you will miss it. Take a look at the manual for how the patented technology works.David

Amazing effect. It doesn't really alter or color the actual tone – it just makes it way more "present" across the scales. I took out my EQ, which was noisy, and replaced it with the Sonic Stomp. Huge improvement on my bass. It sounds so good to me that it actually makes me play better. Probably a higher confidence factor. It's a weird effect – it's like it finds all that is good about your sound and makes it stand out above the mud. Obviously it's my new "always on" effect. I just don't know what it's doing or how it does it. But it rocks!coinswest

It arrived a few days ago from MF. I want to highlight what I like about it without repeating the contents of its manual. Bottom line, for my usage replacing a Fender black panel Deluxe, a spring reverb, and a Tube Screamer, it is excellent. I am using the Vibro King amp model for most of my tweaking, but I also set up the Twin Reverb (super clean), Super Reverb, and Marshall JCM800 (crunch even with the guitar volume relatively low). The Twin model would not distort without a boost included in the "scene" even with my guitar and the model volumes at 10. That was the one anomaly from my expectations. I like the Vibro King model, amplified by my QSC CP8 (on the floor, on its side, backside EQ set to floor monitor), and do not prefer my now sold Tone Master Deluxe. The first thing I did was download the 2022-10-31 Firmware update and install it. Instructions to put the pedal in "DFU" mode to accept the update were missing. A YouTube video found via Google explained to hold both foot switches while powering up. Next, I installed the main NuX App for my Mac. I disabled the third "scene" such that the "scene foot switch" becomes a "scene" toggle (one cleaner, one with the Tube Screamer engaged, both with spring reverb). I then went through the amp models I planned to use (two "scenes" each, which must be done individually) and set all the controls to 12 o'clock. I tweaked the amp, spring reverb, and Tube Screamer to taste. I now have three ways to boost for an overdriven solo starting with the Vibro King as my clean base: turn up the guitar, foot switch to the Tube Screamer "scene", or foot switch to the JCM800 amp model. I explain all this detail because it took about an hour and without this work the pedal is disappointing. The software was almost easy enough to use without the nonexistent manuals (to do it again it would take much less time). Once done, everything can be adjusted via the knobs and optionally saved with the left foot switch. No menus to navigate at a gig. You can see in the pictures that it is quite small (Tube Screamer for reference), weighs exactly 1 lb. (less than that Tube Screamer), and draws only 3 watts. Leaving it run over night only gets it to room temperature. My old HX Stomp would have been hot to the touch and required a 20-watt power supply. Is it a Universal Audio quality Twin Reverb, Super Reverb, JCM800, or Vibro King modeler? Impossible for me to know. But for what I want, a classic black panel 60s Fender amp tone, spring reverb, and foot switchable Tube Screamer, it is a complete solution in a small package. No aspect of IO is missing (XLR, USB-C, ¼", 3.5mm, MIDI over USB). It also has an effects loop, graphic EQ, all the usual reverb types, 1024 IR loader, a selection of boost/overdrive/compression pedal models, and a noise gate which I've not tried. If one of the amp models is acceptably flat response you could use its 1024 IR loader, reverb collection, and compressor collection for your acoustic guitar too. Wow! What's missing? For my usage a master volume not associated or saved with an amp model "scene" would be nice. It does make a click when switching amp models or "scenes". Sometimes when switching amp models there is a noticeable delay.Jon

It's a microphone in a box. No guts, no bass. There is almost certainly an application for this device, but thumping along during an acoustic set probably isn't one of them. Unless you're an audio wizard, I guess.boomer1604

Die Pellarin SBX II Stomp Box erfllt meine Erwartungen in punkto Sound und handling vllig. Einziger Nachteil ist die Inkompatibilitt zu stereo Klinkensteckern.homichel

It's a nice pedal as utility pedal for only needing the one effect. Enjoying the tremolo, reverb, flangers. You can set the effect to a preset (up to 24) and flip through them on the fly. Renaming the effect is a pain, having to use the dials! The distortion effects are weak but can be used with your dirty channel to be usable like using a fuzz otherwise it sounds thin and not usable. I'm not having any grounding issues and I have it powered through a pedal board brick. I have it running in front of an orange tube amps.BJ

About 100 pedals models for less than £100. Some in stereo and can be output in stereo or mono. Straight out of the box some models sound very good to me, I especially like the tremolos, some of the reverbs and delays. Also I quite like one of the chorus models (an effect that does not usually use) and one of the overdrives. Have to try tweaking the uni vibe and phasers but I'm sure there will be useable sounds in there My rating for sounds reflects my view that I find some bad and others excellent. It has plenty of features, is well made with a sturdy metal enclose, comes with its own power supply and is easy to use. All in all I think it is worth the price and worth considering if you want access a wide range of effects. Probably better for recording rather than using live.Reviewed by guitarguitar custome

This pedal is perfect for anyone who is running their complex delay/reverb/ambience stuff in an effects loop, but needs a 'swiss army knife' pedal for effects that need to go in front of the amp (distortion, wah, phaser, etc.). I was playing in the pit for our local HS musical last fall (they haven't had any electric guitarists…or bassists or drummers for that matter… in the student population for the last 7-8 years…I blame vocalist-centric reality TV shows….but I digress). The show was "Sister Act" and, unlike the R&B tinged '92 movie, the (2006) stage musical is all late 70's disco style. Needless to say, I needed a wah-wah pedal. Instead of shelling out the same amount for a decent 'one-trick-pony' wah pedal, I opted for this unit, as I have been looking for a multi-function 'in-front-of-the-amp' pedal for a while, and I already had an expression pedal for my keyboard. My expression pedal was the dirt cheap M-Audio plastic one that, according to Line6's own website, shouldn't work with this unit…except it did. Yes, even when toggling the "M-Audio/Other" switch on the underside of the pedal, at first It either didn't work at all, or worked backwards. But then, I discovered the genius programming built into this little gem. If you rock the EXP pedal either fullup or full down, you can manually set the heel/toe values for ANY of the 5 adjustable parameters in a given effect. SO…….In the tube/tape delay effect, for example, I have it set so the repeats, drive/gain, and "wow/flutter" all increase (each by individually set amounts) when I rock the EXP pedal from heel to toe. Add to that the fact that this is a dual stomp switch pedal with a dedicated tap-tempo switch, and you have an ultra-controlable delay unit. My only niggle is in the auto-wah/'tron' department. While they have a few dynamics-based filter effects models, only one is a dedicated Mu-Tron/envelope-filter type effect. What's more, since they only have the one model, and only 5 adjustable parameters, they decided to allot some of those 5 precious parameter knobs to things like "high-/low-/band-pass filter" and left out the crucial "sensitivity" setting. My rig is old-school; vintage non-master-volume amp + tube screamer + THD Hotplate. All my gain/distortion is controlled via my guitar's volume knob. The problem is, with no 'sensitivity' setting on the 'Tron' effect model, you only get decent results if your guitar volume is full up on or near 10. Unfortunately, most of the situations where you want to use this type of effect are with a relatively clean tone. But, since I can only get said cleaner tone by rolling back my guitar's volume, I don't have enough signal to trigger the wah effect. Instead of including some of the 'cool-but-of-limited-usefulness' models like "Comet Trails" in this section of the pedal, I wish Line6 would have had multiple 'Tron' models (high-/low-/band-pass) with sensitivity parameter adjustments all 'round. Full disclosure; what with my fore mentioned rig, I have not at all explored the distortion section of this pedal, and thus cannot comment on it's quality or lack thereof. I have at least dabbled in the modulation section, and done extensive exploration in the filter, delay, and Reverb sections, and found them all adequate to superior in tone and 'controlability' (OK, maybe not a real word…yet). And, c'mon, for $130? You really can't beat this!mikeoxmal

Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.

I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777

If you want to play different styles with the correct bass sound, be creative, or just have fun this pedal serves that purpose. Amazing amount of pedal simulators. Create your own sound and more. I bought this for old school Funk sounds and to create tones for original material. Cant go wrong for the price.dahug-71

Overall: I've had this pedal for a couple of years. I originally bought it for practice but I've been gradually replacing my pedalboard with it mostly because of three reasons:1. The compressor and limiter simulations are top notch. 2. The reverbs and delays are as good as any I've used before. 3. The Ampeg SVT simulation is something that I keep going to.As a bass player I only need very few effects and a good compressor. The rest of my sound comes mostly from the type of bass I use and my fingers.This pedal is perfect for all your effect needs. I'm surprised that more players don't use this pedal. Its cheap, easy to use and versatile.Sotero

Had this on want list for awhile. Bought it new when I saw a price break of 17% on MF. Software & plugins misadvertised by IK multimedia. They make it sound like you get all the iOS and OS X plugins and amplitube included with the pedal. Well some you do as freebie hook and bait and others you have to buy. They do give you Amplitube 4 Deluxe which is good, (4)-T-Racks processors, Mic Room, Ableton Live 9 Lite (Mac/PC), Amplitube Acoustic, VocalLive and Mic Room for iOS .I already previously bought Amplitube Max for OS X and most of the iPad amps & stomp effects apps for iOS. Previously using iRig HD as interface into iPad Pro 12.9 1st Gen. This pedal allows you to control amp and stomp effects for live performances and studio using stomp mode and LIVE settings and to scroll between user saved settings and favorites. I am constantly tweaking my user settings. I mount iPad on separate stand with an extension cable not included, so I can control some settings with my fingers. tips and tricks. I like how IK Multimedia approaches tone through modeling Amplifiers very quality sounding industry top of the line manufacturers. Tuner is good. I figured out by accident by placing finger and holding on volume knobs on amps using ASSIGN CONTROL to assign a selected parameter to pedal or external controller. You can save this to your settings and the parameters you select are highlighted in faint yellow color. I was wanting to see a volume pedal and this satisfied my desire. Having to have an iPad or Computer is not cheap to use with this pedal, but top of the line stuff here IMHO. IK Multimedia is an Italian company and product. I would say this falls into the Ferrari category of effects and control pedals.JamnJohnny

I have been playing guitar for a long time. I was certified by the Recording Workshop in Ohio, for studio recording (though I am an amateur). I will admit, I already owned an iPhone 8s, and had already purchased a few of the amp models in the app to use with iRig HD, which I feel is important, because if this product is to be used with iOS, it comes with a very limited set of amps. On PC/Mac it has much wider utility out of the box. However, this product is great. The tones I have been getting are fantastic, I can emulate famous tones I hear on records, pretty much on the fly, the presets are not great, but the recording is, imo, high quality and sound really good. I have not used this on an iPhone 7, and have heard there are issues, but on PC and my iPhone 8s, it has worked great. Because I liked this so much, I splurged and bought a new iPad, and upgraded the software to the MAX version, and I really love, it. I have had the stomp for about a month and a half, and bought the iPad 12 days ago, I will be returning it and getting more storage, because I have already created so much new content from the ease of use, I am worried I'll fill up the smaller capacity at only 32gb. The only real negative I have experienced, has been: if I have the app running on my iOS device, and unplug and the stomp from my device, and then reconnect the stomp, it will not work. I have to stop the app, reconnect the stomp and restart the app. It's annoying but no big deal, as I don't have to unplug it very often in the middle of using it, but enough that I noticed the issue.Nel

First of all, I paid $200 for the floor pedal that controls my amp, and that’s all it does, but this for $300 for me wasn’t a hard choice honestly. The first thing I did was plug my phone into it, then ran a cable to my practice amp, and it sounds great! It was so easy to use since I already have AmpliTube for the iPhone, and I’m looking forward to checking out Ableton 10 lite and the AmpliTube custom shop (both came with it), but I also use some Positive Grid products, like Bias FX and JamUp. I was happily surprised to find out, with a small amount of “googling”, that this can be used with just about anything you’d want to use it with. You just have to slightly mess around with the midi assignments (look it up if you’re scared, it’s super easy) and you can use it as a controller for other amp/music programs and recording software. I think this thing is built like a tank, and since I used the payment plan through AMS, it was a really easy choice for the price.KillBill

I've been looking for something to make my guitar sound like a bass for years. There have been several octave shifters, but mostly monophonic and producing ghastly warbling sounds. This subnup pedal produces a good sounding bass using just the sub1 control, and adding the toneprint smooth bass patch turns it into a really nice punchy bass that reflects the tone of the string you are playing so you can get anything from a bright twang to a deep boom just using your fingers and there is no noticeable delay in the conversion, you play a note and it sounds immediately – older pedals used to have up to a half second gap between playing and hearing the note. This pedal does heaps more than that, several YouTube videos show it off, but I didn't see any that showed it being used to replace a bass when you just need it for a few songs and don't want to bring two guitars with you. I haven't had a chance to play with the tone editor yet, but that promises even more variation. Great pedal at a good price.Robin D.

How odd. This review was flagged for writing Big Mu** using the two F's 🙂 For the money, this is a really hard pedal to beat. It goes from mild and laid-back to wild and intense. The controls feel great…like as in excellent quality. This is a reissue of the original Big Mu** PI. I tried a Big Mu** PI with Wicker and forget about it. It hissed so loud in Wicker mode that I couldn't even here myself think and it got even worse with the tone switch off. And even in the so-called Big Mu** PI mode, it didn't sound anywhere near as good as this Rams Head does. And, the Rams Head is quiet compared to the BM PI with Wicker. One more thing, The BM PI with Wicker does not say anywhere on it nor in the included paperwork where it's made, whereas the RH BM PI clearly says New York City on the face of it…Vincent

Overall: Floats like a stone and stings like a nest of angry hornets! This box has the buzzsaw sound down pat. The fuzz is a thick, smooth, and consistent. I like this kind of fuzz in particular because it’s less fuzzy and little more distortion-like. The Tone knob has a really wide sweep from boomy bass to mid-range Hades. It has plenty of gain on tap and even sounds pretty good with the guitar’s volume rolled back a skosh.I’ve never used the original Green Russian Muff and have only heard them compared through videos online, so I can’t speak as to how they’re different/alike. I got it because I didn’t want to haul my vintage Black Russian Muff around from gig to gig anymore because it’s getting valuable and since it was a pretty jenky design to begin with, it’s liable to break with heavy use. That being said, the reissue Green Russian Muff has a different sound than an original V8 Black Russian Muff. It doesn’t sound as good to me, but it’s not so different that I wouldn’t use the Green Russian live in lieu of the Black Russian for the aforementioned reasons. One huge plus for the Green Russian is its pedalboard friendly size. The Black Russian is the size of an 80s metal lunchbox and took up an awkward sized chunk of the pedalboard. Now there’s more room for other unnecessary boxes (gulp)! One noteworthy ding for this pedal is how difficult it is to see the script on the top of the pedal. The words are printed right underneath the knobs, so if it’s kinda dark (which it usually is) and the lights are all in front of you (which they usually are) the words are impossible to see. Overall it’s a nice fuzz especially for the price. It’s noisy, but once the music gets rolling you won’t even notice it.Brad

I like the sound of my guitar live…
The likes stop there… the vocal processor is extremely subpar for a unit costing this much.
The looper, even with updated firmware, is way to short to use practically…I use my 75.00 dollar pedal with 3 hrs of loop time. The volume on mine does wonky things, starts out pretty good…then jumps loud…tried it in recording situation….good god no….sounds like a diesel truck… worth about 1/4 the cost….scott monthony

It has been really fun to try the different presets. The harmonies are very nice and clean. To my ear they sound great. I haven't played a gig with it yet….so we will see. There are some basic things that I wish i had known about the interface. Some fundamental orientation videos would be good. I had the most basic problem with not understanding that the buttons were so sensitive. It is almost comical! I would PRESS the button and nothing would happen! But i finally discovered just to TAP the button and everything worked fine. Seriously. Holding the button firmly down did nothing. Just tapping it though… .and it worked as it should. 🙂 Really weird to me! But overall, I think the guitar effects and voice are very good. i'll enjoy this thing I am sure.mhs9417

I wanted a button to make me louder for solos etc. and this does exactly that without changing tone. Brilliantly simple: set how much volume jump you want and that’s it, I don’t think I have had the dial past 25% so far. The ‘latching’ function of the foot switch is a great idea. Great price as wellReviewed by Andertons Music Co.

This pedal does exactly what it claims and does it better than other pedals of the same purpose. It is constructed extremely well. For around $50 this pedal's physical casing and switch assembly is made better than pedals I own costing hundreds of dollars more. I don't foresee this pedal ever needing replacement or repair. I'm not particularly fond of the "momentary volume boost" feature but that doesn't change my overall opinion. It's a great item.ethan1957

Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell

This unit is just incredible. I've been playing since the early 70's and with all the equipment that I've owned I really think the GT100 has possibly impressed me more than anything I've bought! There's some wonderful preset sounds in this tone monster and it's easy to edit the one's that you like. If you're already proficient at programming pedals then this one will be a dream for you to manipulate. This isn't my first multi effects pedal but I don't enjoy programming and this is by far the easiest to program of the one's I've owned. I can't say enough about the sound of this thing. It has every tone that you could ever need. It's extremely quiet too. I'm definitely glad that I made this purchase. I can see a lasting relationship building!Alan

Overall: I picked this up knowing it was at the end of it's market life, but I wanted to finally own one. COSM is starting to feel a little old, but it's still an amazing pedalboard. The amp modeling is good, especially the clean tones. The distortion can get a little "digital" sounding, but it's still very usable. The effects are top notch, especially the delay and reverb. What attracted me to this product was the routing options, specifically USB. I do a lot of home recording on my DAW and an underappreciated feature of this board is the ability to record both a dry and wet signal to your DAW at the same time. Reamping (routing the signal out of your DAW back into the device for processing after recording) is a great tool and something that is not found in a lot of boards. It really gives this kit an extended life off the stage and in the studio. 6 years after launch this is still a great product!Allan

I enjoy this pedal. it cuts down on some of the noise. the pedal related stuff. most guitarists are hearing the amp noise and pedals don't cut that out, or from what I have read the stuff like the decimator may, but it has been said to mess with the tone. this seems to keep my tone intact. I have the knobs, from left to right, at like 9-10 o'clock, the middle lower knob at about 10-12 o'clock, and the right knob at about 10, that is where it stops the pedal noise. it can lend itself to a slight warbling sound like when a record is warped, kind of slightly up and down at the end of notes ringing out, I tend to like that, but it means one of the knobs is set too aggressive. worth it for the money before you think of getting the icp line, or whatever they are called. the decimator onesJared J

This pedal is getting 4 stars from me instead of 5…and I'll tell you why. It DOES do everything the pedal is designed to do…but good Lord Electro-Harmonix; why does it have to be so difficult (and sensitively touchy) to dial in the "sweet spot"?!? Any time you eliminate, or add a pedal to your chain (this means physically, not just clicking a pedal in the chain to by-pass, but actually adding or removing a pedal completely in the chain) you have to go through the painful process of dialing The Silencer in again…and the controls are extremely picky. You WILL find the sweet spot, but it can be frustrating getting to it. I recommend (if you're gonna use this pedal as a noise gate), arrange ALL the pedals you intend to use in your chain, and put The Silencer behind the noisy 'high gain' pedals (Distortion, Drive, etc…) and in front of the quiet pedals (Delay, Chorus, etc…)—set it, forget it, and leave the chain (and the controls on The Silencer) alone; and this pedal will be your best friend. As always, Electro-Harmonix makes their pedals virtually bullet proof, and this one is no different. High quality build, materials, and looks. There are a lot simpler noise gate pedals out there, but you may have to sacrifice quality for ease…and at this reasonable price, I'll put up with the time consuming difficulty of setting up The Silencer, because, with patience, the end result is ear pleasing bliss.White Dog

Electro Harmonix has or had a digital noise eliminator available. This Silencer is a gate. It works. As per Bogner Tech, I go into my MXR Super Comp, then into the Silencer input. My Drive, Fuzz, excetera…pedals are in the Silencer loop. And then the Silencer out, goes to my amp input. My delay and reverb pedals are running in my effects loop of amp. This gate kills noise present, when no notes from guitar are being played. Any time you are playing, the sound input from guitar overrides the dead signal, allowing signal to circuit to your amp. It does seem to also eliminate noise as effects trails and sustained notes fade. So it is a bit more than a gate. Compressor is first in line because, Silencer is buffered, and buffered circuits will effect a compressor's function…as per Bogner info, which definitely seems to be correct. Works great.Orbit Zenz**Jagg Rocker

I purchased this one pedal to be all the pedals I don't want to buy as single units. I have an extensive pedal collection but I have grown tired of hauling around a pedal board filled with effect units I only use every now and then. I decided that a good way to remedy that would be to add a pedal that could function as simple delay, reverb, boost, and modulation. I have greatly reduced the amount of pedals on my board thanks to this unit. The weakness of the VOX Stomplab IG is in the distortion/overdrive/amp selection. I didn't find any that I found pleasing to my ears but I didn't expect to. I did find a few low gain overdrives that were acceptable but nothing I loved. I intended to keep my overdrive and distortion pedals my board anyway, so I wasn't worried about it. The compressor is solid, but a bit noisy. The delays and reverbs are quite good and I consider those alone, worth the price tag. my pedal board is now just a few choice pedals and the VOX stomplab IG serving as single and multi effect pedal. Overall I am very happy with it.Mesa Ari

I am trying really hard to like this. With regards to the preset effects, some 9fnthe sound pretty good. But some of them, it's like they are non existent or pretty horrible sounding. The other issue is you are supposed to bypass the effects. But of you do, your volume reduces so significantly that I either have to turn up the volume on the amp, or disconnect this thing all together and connect directly to amp. The last issue is that creating your own defects is pretty hard to understand. The instructions are not very helpful and it is pretty hard to understand the abbreviations used on the box to figure out what effect you are working with. Oh btw, you have to hold the power button down for a couple of second for it to turn on. If you don't it will seem it is not working. So, this thing is not horrible, but the verdict is out as to whether it is something that will end up collecting dust in a cornerJohn, G

I got one open box so the price was very nice. Cheaper than any effects pedal I could buy. Works perfectly with the Line 6 viper. This one just has the four pedals so you can set up 4 channels for use with the tap of the foot. I don't think the instructions mention it but basically, just hit a pedal, dial in the sound you want on the amp, then hold the channel button for that pedal down on the amp for a few seconds and it programs it in. Move to the next pedal rinse repeat… The Wah is pretty good. More like a Morley than a Dunlop. Maybe too much high end on the wah but you quickly get a feel for it and just don't stomp down all the way like you might on other wahs.Sandfarmer

This is my first line 6 product and I have to say it’s very cool. I bought this to go with the line 6 spider 15 classic. I didn’t need a big amp and figured if I need to upgrade this pedal would work for other line 6 amps. There is a learning curve to this pedal and it will require additional internet research to use it to its full capabilities however out of the box it is worth the money. There are 4 pedals to control the affects of the amp (depending on which one you buy) as well as a way/volume pedal. If you are just starting out this is a great buy until you find a specific sound that you want (like a crybaby way). If you are playing on stage this is also a great buy because it only requires one cable (that reminds me of an Ethernet cable) that comes with it. The cable is very long and provides power as well so don’t freak out when you don’t see a power supply in the box it’s all good.Tim

Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell

Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell