Line 6 Spider Iv 75 75W 1X12 Guitar Combo Amp For Sale (2024 Update)

I have gigged with this thing for two years playing small venues and larger ones. It holds up extremely well for what I have put it through. Except the only thing that you should be wary of is where the jack is on the amp. DO NOT BUMP INTO IT WHILE THE CABLE IS PLUGGED IN. It will break and you will have to be putting it back together over and over and over for days to come. The features on this thing are straight forward. It has almost anything you can think of, and a little more. Nothing wrong here. With quality, you get what you pay for. A solid state amp. If you are looking for clean sound, this is the way to go. The clean channel is extremely crisp, and sometimes mellow when you get it right. Yet, when you try for the high gain, there is an extreme loss of bass in the distortion sounds. The amp will give you tons of distortion, but it is extremely "dry". I have fooled with this amp for about two years now and I still cant get a full distortion tone. Just be wary of that before you purchase this amp. With all the features at this price, you can't go wrong.

I suppose there are some sounds that this amp cannot create but I have no Idea what they might be. With the number of preset sounds and the ability to edit and modify such sounds, there are sonic possibilities with this amp that are so numerous it is safe to say I could never use them all. The amp increases the ability to be soncially creative such that no two pieces of music you write need to sound the same unless that is what you want. The amp is powerful enough to overcome loud drummers with any type of sound. I think it is safe to say that when playing in any venue where the instrument amps carry the music, with vocals, if any are carried by a decent portable pa, no additional amplification is necessary. The 2 12 inch speakers put out some loud clean sound when necessary, while distortion can be dialed in to any level necessary. Of course, to be produced within such a value price, the amp is built in China, but designed in the USA. This is an economic fact of life if you want quality at a low price. It is also solid state. But after playing guitar for a number of years, I really doubt the ability of many guitarists to tell the difference in sound bewtween this amp and a tube amp if you do not let them operate the volume control which is key to tube amp distortion. To me, there really is no benefit to tubes over this amp unless you like buying extra tubes that may have to cut short your set to replace one. That is if you spend the money to carry a set of replacements. Of course, any solid state amp can fail. A replacement should be available to you instantaneously on the stage to prevent any extended period of quietness that your spokesman cannot handle easliy. There is no perfect amp, however equipment failure is no excuse. If you play professionally, you may want to consider buying a slightly smaller and less powerful model of Line 6 Spider IV to save the evening. In summary, I think the Line 6 Spider IV 150 is a great amp and an exceptional value. If you are in the market, try one out.

I have been with Line 6 for many years. My very first amp from Line 6 was a Line 6 AXSYS 212. I also have the POD 20, POD XT Live, POD HD 500, the Spider 3-120, the Spider 4-150, and the practice amp 15 watts. While on tour I used the Flextone 3-2×12 amp. THE REVIEW: First and foremost tone and sound are most important to me. The models are definitely rich and pure in tone. The well thought out connectivity and the ability to maneuver the effects chain in any order that I desire is a plus and the ability to have unlimited effects in a chain is superb! I like the touch sensitivity to the switches that allows access to parameters for on the fly editing. Additionally, there is better processing with all of the effects. The headphone volume is a great option that adds to this already exceptional unit. Also, the stomp box mode allows the Helix to be used as a peddle board rig. Thumbs up for the large screen display and the scribble strips. Last but not least, the unit is very sturdy which makes it easy to travel with. There are so many BELLS & WHISTLES included in the Helix unit that it's too much to put into one review. So with that being said, I am COMPLETELY satisfied with my Helix!

This week I bought a duellist overdrive pedal from king of Tone, the Revival Drive from Origin Effects and this lovely little amp. The two pedals cost nearly £700 between them and the Bugera only £189 but my favourite tone comes from the Bugera itself largely because the built in attenuator allows you to really cook the single valves at pre amp and power amp stage without annoying the neighbours. This makes the Bugera a lot of fun. It’s tone control could be improved to raise the brightness but for the price I’m not complaining. This is definitely more of a British than an American tweed sound. And the addition of pedals – which it takes well – can potentially increase the brightness. The onboard 8 inch speaker is fine for practice and the amp is just about portable enough to use for travel. The speaker jack is accessible on the back panel, so it can be swapped easily for a guitar cabinet if you wanted to gig this machine or open up the sound (it’s 5 watts can still be loud enough for small venues). If, like me, you have been dependent on fender amps for home playing and you want a good alternative ‘Marshall’ sound at bedroom levels, then look no further!

Overall: I've been playing through a Headrush gigboard and needed something different that was just as easy to use, had plenty of tones that were inspiring, that didn't cost as much. I've owned a few Line 6 products over the 30 years of playing music and decided to buy the Pod Go. So worth it! The tones were better than expected, and if you can't afford the Helix series, this is the best choice for a floor unit under $500. The built in expression pedal with toe switch is perfect. You can switch between volume and wah wah or other parameters just by pressing the toe switch in the expression pedal. Basically you don't have to have another expression pedal. The built in pedal can do what you need. I am not tech savvy, I bought the Headrush gigboard last year because of how easy it is to use. I didn't think a floor unit could be. Then comes the Pod Go. It's actually much easier to use than the Headrush. Granted the two have different features but I found making your own sounds easier with the Pod Go. It seems I make them in a shorter time. The color display along with color footswitches make organizing sounds easier than making coffee. If you need a floor unit under 500 the Pod Go is the best choice on the market. If you're a metal head or a traditional Jazz player or love the complexity of Fusion, the Pod Go has your sound.

Overall: I wish I could say something positive about this unit. Although it does have some great sounds and features, the fact that it is constantly having to be rebooted because it freezes up or shuts down on its own make it pretty much worthless (Yes I’ve done all the updates and other futile suggestions from the support folks at line 6). Add to that a power supply that is a complete piece of crap. It’s cheap, fragile and generally a bad design. It is almost impossible to find a replacement because line 6 wanted it that way. Simply using a Standard, generic replacement (9v 2500 mA) Is tricky and not guaranteed to work. My review for this product: Look for something else better from a company who is not obsessed with nickel and diming their customers to death over some ridiculous accessory.

Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.

Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.