Best 15 Watt Guitar Amp (2024 Update)

Overall: Recieved this amp on saturday. Took it out of the box, looked great. plug in to 4*12 marshall cabinet and turned on to standby. Plugged in my Westbury custom to test. From the very beginning to was cracking, snapping then full blown static. I played all of two minutes before it started picking up radio signals and static was loud. No guitar signal was heard. Im not sure if its inherent in these amps but I am returning and not wanting another egnater productsVito

My Tweaker 15 half stack is my primary gigging amp. I don't like a ton of stage volume, and in any case this little rig is a lot louder than you'd expect from 15 watts. Using an angled-back stand for the cab, I can point it at my ear level and hear myself just fine w/o having to have guitar in the monitors. Hang an e906 in front of the speaker, and good to go. This rig's best feature is the broad range of useful tones. The various toggles and knobs actually DO something. Since I switch up between twp very different guitars (ES-335 to G&L SC2) in our current live sets, making a couple-three quick changes gets each guitar into its sweet spot and at the right volume easily. Foot-switchability would be even better, but it's quick enough. The gain control is particularly well done. There's some real range, not the "all or nothing" thing that a lot of amps' gain controls give. The Vintage/Modern voicing toggle offers distinct differences, as well. This rig takes pedals nicely. I use both individual stompboxes (recording) and an M13 (live…don't hate!), and both sound good. The one thing I dinged it a little on was that the lower ranges on the Master Volume aren't as useful as I hoped they would be when using the Gain. There's a big, non-linear jump in volume in the first quarter of the dial's movement. Not only does this jump bypass the volume I really wanted (for apartment playing), but the tone on the low side of that volume jump isn't nearly as good as the tone AFTER the jump. Not a problem on stage or even recording, but for those who have to be concerned about volume at times, it's not an ideal practice amp. Bottom line: a lot of great tones at a price that makes touring with it less nerve-wracking.David K

This amp provides a much better value than similarly designed amps by the top manufacturers. I was looking for small wattage amp to get natural tube break-up (previously playing 100 watt fender twin) at small room club-approved volume. I was down to this amp vs. Mesa Express 25 watt. Although the small Mesa's like the Express and TA models have more channels, I just really felt that the 2 channels of the Egnater were more versatile and responsive. I truly feel this amp does the best job of getting a Fender-ish clean and a Marshall-y overdrive in 1 amp. The overdrive channel is what really sold me. The dynamics make it really fun to play. It can get very saturated without sounding metal, and it compresses naturally. I've used on a couple recordings and can't believe the sound is coming from one 12" speaker and a 30 watt head. Sounds way bigger. This channel can also be used as more of a dirty clean channel. That is my one major qualm with this amp though… I like that the new 2 channel tweaker has a gain knob on both channels. I wish I could get a Stones-ish breakup sound using the clean channel on this amp without turning up to 10. So i'm forced to use a pedal and that's just not the same. Oh well, can't have everthing. I still wouldn't get the 2 channel tweaker because this overdrive channel is better to my ears – way more dynamic and responsive. The clean channel is stll great and I can turn it up to like 6 on gigs and get warm sounds. It can still get me the Fender cleans that I need – or close to them while still having a solid overdrive sound at the same time. That's the big win here. I agree with most that the wattage knobs are pratically useless – but to me, having both set of tubes is so cool. Clean channel can truly sound either Fender or Vox on 6V6 vs. EL84. I love being able to get Stratty Fender sounds with 6V6 and then flip to EL84 and get my Tom Petty sounds going. The distortion is slightly creamier with 6V6 but I like the feel changes depending on what guitar I'm playing. In general, it's nice to have 6V6 for strats and EL84's for Les Pauls all in 1 amp. I've had no issues with this amp (knock on wood) and have played steadily for over a year. Overall, this amp has 2 great channels instead of 4 decent channels. That's how I feel about it. Again, I wish they would have thrown a gain knob on the cleans for a slight break-up at low volume, but that is my only qualm. However, I'll gladly find a pedal solution for that instead of paying a lot on a bigger name brand. Thanks Egnater!WarrenHaynes4Prez

I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911

This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben

I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.

I started off with a solid state Laney that had a crunch mode and I fell in love with that sound from the moment I first heard it. I then spent the next ten years going through different setups trying to find that sound in a gig friendly amp but I only really tried Marshall's and Fender's. After years of frustration from trying amps with combinations of mods/speakers and OD pedals I finally heard a guitarist using a Vox AC15 in a pub gig and THAT was the sound I'd been looking for and since purchasing it I've never looked back. I can get sparkly cleans to perfect crunch and then great distortion (if needed) from this amp. I play a lot of Beatles, Stone Roses, Blur and Oasis so its a very Brit influenced sound that I'm after and this amp along with my Gibson Les Paul with P90's does the job perfectly. One thing I've read is that this amp doesn't take pedals well but I disagree. At low bedroom levels any tube amp won't sound too great with pedals but if you can open this up at the volume it was designed to play at then it sounds great with anything you put through it. Other reviews have said about the lack of an effects loop on this amp being an issue but honestly, once you plug an AC15 in you just get lost in the playing without worrying about anything else because their super clear sound cuts straight through in a band mix and sounds superb on its own. All in all I'm really impressed with the Vox AC15c1 and can happily say that I won't be looking for another amp anytime soon, except maybe to upgrade to the hand wired version…Reviewed by Andertons Music Co.

Oh, WOW! High quality manufacture, terrific sound and volume, excellently and safely packaged and arrived as promised. Beautiful, archetypal Vox chime – crunches and drives spectacularly when cranked up. Lovely reverb and tremolo. Quite a substantial thing and heavy with it, but I'm over the moon with this amp and if you're thinking about getting the same because you like the Vox sound – don't hesitate, it's everything people say it is and more when you're actually standing beside it. It might say 15 watts on the back but boy is it loud when you crank it up. Separate channel and master volume control means you CAN get it to work at lower volume levels. Awesome 🙂Ade

I have wanted one of these amps for a long time. I owned the ac10 and that was a good amp for the money but couldn't compare to the warmth and power of a tube amp. I don't gig out anymore so my fender blues junior has been a great little companion for the living room and does a great job for an inexpensive little tube amp. I've had it for over twelve years and it's all stock and still sounds as good as the day I bought it. I finally decided to upgrade to the vox AC15 today. I have to say that I really missed that vintage British sound that vox seems to so easily capture. This amp sounds so good it's almost unbelievable and at a price that's more than reasonable in my opinion. You could easily spend twice as much for half the tonal quality and build quality that you get with this combo amp. These AC15s are legendary work horses and are known for years of reliable service even under the harshest conditions. I got mine brand new today and wasn't able to put it down for hours. It will never leave my house so I'm sure it will provide me with years of trouble free enjoyment. It will definitely be the last amp I will ever need or want to buyStrummer

I have 3 of these amps so far and love them. You can't expect a big tube sound because it's not that but rather a smaller very useful sound. I customize them slightly with an 8" speaker that fits in them and do a few other little things. For very little money you can have a killer little tweed looking amp. Works great for rockabilly and roots music with an archtop for me and takes any pedals well. Can't beat these little work horses.Travis

Beautiful cover and vintage tweed appearance. Good for an office. If it got ripped off you would get over it quick. Have to use pedals or limited functionality makes practice boring rather quickly. Clean very good. Gain option is unfortunately toy-like and useless. Just leave it off.Records Reills

Cool little amp. Been spending some time playing with it. Love the tweed look. Wish they hadn't put the Rogue plaque on the front of the grill, and had kept true to the Champ 600 look by putting it on the top of the amp over the speaker. The clean channel is good, wish it had some built in reverb. The distortion channel is good too. I ran my "Bluesdriver" pedal into it and it sounded even better. I will likely change out the stock speaker for the Eminence 6.5 speaker to try and coax a little more sound out of this great little amp.KWB MUSIC

I have owned several amps in the last 40yrs. Always looking for "that tone" and never quite found it. Peavey's a Marshall and a Carvin. The last being a 100W head. And with all of them and a line 6 floor pod, was never happy. I am so happy with this head on my 4×12 marshall cab that all I have used the floor pod for is the tuner. I'm sure at some point I will probably use the pod for some effects, but for what I mostly play its not really needed. Of course there are many things that can effect this so ill just give a short list of the main guitars I use and the pickups. Gibson Les Paul with Slash Seymour Duncan's, wired 50's and a Gibson 137 all stock. I no longer play out so the 100w Carvin was just not good in my basement. Couldn't push it to the point of natural breakup in a confined space. This amp goes from almost crystal clean to a beautiful natural saturation. And the dirty channel picks up where the clean leaves off and goes to the verge of metal. Throw a overdrive pedal in the mix and there isn't much you couldn't play on the fly.Brad B

I have had it for a week and love it. It goes from super clean to full on metal overdrive. Price was good—delivered quick. Seems well built enough. The only thing I would change is to give the clean / classic channel some crunch so i could go from a light crunch to a heavy lead sound when switching channels because the clean channel is clean even when fully cranked. The DSL100 has a crunch option on the clean channel so it would be nice to have it here as well. But you can use the ultra gain channel and use the guitar volume to clean it up etc. I assume the clean channel would take pedals well from other reviews I have seen. Overall it rocks and gets really loud. Gig-able I think. Highly recommended.Tuckerman

I bought 2 of these heads to drive Marshall MX12 cabinets. I was previously using 2 Marshall DSL40CR combo amps. I thought I could save space by having the small heads instead. I was wrong. FYI, the DSL40CR amps sound great (mine are upgraded with Creamback speakers). First off, the amps both had horrific white noise when you turned up the reverb. 2) one amp made some weird static noise when you moved your hand around the face plate, touching the face plate actually changed the tone. I have never in my almost 30 years of using guitar amps had this. 3) The amps sounded thin and tinny. To the point they were unusable. I returned them for a refund and when both amps arrived at Musicians Friend, they stated that they only received one amp (although both amps arrived the same day). A day later the 2ne amp was marked as received. I received one amps refund on Saturday, and now I guess I have to wait till Monday for the second refund. What a joke. BTY, I also ordered a brand new EHX pedal when I bought the amps and they sent me a used one instead! Musicians Friend is such a joke now a days it's sad.MLM

Ok first, the EVH 5150 IIIs Stealth in either 50 or 100 watt versions, is pretty much the holy grail of amps. Just an awesome sounding amp. And the EVH line of products will never let you down. The EVH line of products is Eddie’s legacy that he left for us. When you consider the quality and performance of all the EVH gear along with extraordinarily reasonable prices you just know that Eddie, in the last decade of his life wanted to share the things of his art with his fans and all aspiring guitarists, of all ages and income levels. Secondly, AMS just impresses me because of their wide selection and the fact that there has been things I’ve been trying to buy for months that every other music supplier doesn’t have and can’t get for months to come. The EVH amp is one of those things. Every other supplier is backordered or preorder only with no guarantees of when your order will be in. AMS had everything I was looking for and more. And all products nobody else had.Mike K

I absolutely love this amp.. I think it even blows the 100w stealth out of the water(I have that too btw). The tonal variation of this thing make it one of the most versatile amps I’ve ever played. Heavy distortion like you’ve never heard, but also amazing clarity. I haven’t been this excited about a piece of gear I bought in a long long time. If you’re even thinking about buying this amp, DO IT! YOU WILL NOT BE DISAPPOINTED! amazing cleans, the blue channels is everything you could want, and the red…. shew dang! Even better! I’ve played strats through it, Gretch’s and Gibson’s etc…. everything sounds great. I wish I could give it more stars… they’ve completely nailed it with thisChet

There's lots of meat packed into the 5150-III Stealth's chassis, for sure! This may be "only" a 50W head, but it outweighs a couple of 100W heads I have. With selectable impedance (4/8/16), one can drive their choice of cabinets, or two, with its parallel outputs. NO problem pushing a full 4×12 cab to xmax (and Tinnitus). So is this the "5150 Sound?" I couldn't say, having never plugged into a legacy model. But taken at face value for what it is, this amp is definitely unique amongst others I own. Its "Green" channel being the least aggressive, is NOT a "Clean" channel, per se – but CAN run clean (and very dry). Sharing bi-level controls with Orange channel, gives one options. I suppose. But not really… Blue channel is what this amp's all about IMO, and I'm glad it gets it's own set of dials. I doubt I'll ever run this thing NOT on Blue channel. Twist the Gain & Volume knobs each past 40% – that sound is worth the price of admission! It's a seriously BEEF piece of hardware! Without taking it apart, the 5150-III 6L6 Stealth looks and feels to have a solid build quality. It's input / output tubes are cleanly displayed behind front & rear grilles. Again, there is an impedance switch, and parallel speaker jacks out back; along with a bias test point / adjustment. Weirdly, the Presence dial, Power and Standby switches are also out back. I really wish the Standby switch, at least, wasn't – this being my only qualm.Jay

Incredible value for money all tube head… Fantastic on stage as just quiet enough to crank the master past halfway and retain the full valve tone whilst being mic'd. Strangely bass heavy for a Laney… The VC30 and Lionheart I own have both been treble monsters, so I was really surprised to be dialling the bass off here and winding the treble right up. Decent head room to take pedals as well. Bargain.Reviewed by Andertons Music Co.

Fantastic sounding amplifier in both 1w and 15w modes. Spring reverb and boost are excellent additions and the tone from the speaker is outstanding. I upgraded from a HT-1R and am certainly not disappointed. My strat and tele sound awesome! Only complaint is that it would be nice if Laney provided a foot switch in the box.Reviewed by Andertons Music Co.

We have 5 Marshall’s in our studio 800.900, 2000, silver jubilee, plexi. We also have a Vox and a orange TH. Our first Laney and it sounds fantastic….what a sleeper company…. The sound is all British but it really has great rich smooth harmonics… It compares to our Friedman but at a fraction of the price. We can’t stop playing this boutique sounding amp… Good job LaneyShred Flintstone

This is a great sounding head. I use it with an LTD 401VF and Godin Redline 1, both stock. I paired the head with a Whitebox 212 loaded with Eminence Swamp Thangs. I run a Fulltone OCD pedal in front of the amp and the whole package just sounds great. I've read a couple of the reviews that didn't like this paired with V30's and I agree completely – I nearly passed on this head because I wasn't digging the sounds I was getting with the paired cab. Tough to explain, but the mids sounded messy…the tone just wasn't as clear as I was hoping. I thought that MAYBE my cab would improve the tone so I pulled the trigger and took it home with me. Luckily, I was right – the Swamp Thangs sound massive with the Dark Terror. If there's any issue with the tone, it's that the setup is a little bit too dark sounding now, so I will probably purchase a 112 cab and load it with a bright speaker and switch back and forth for recording/practice. Currently, I live in an apartment with rather thin walls. Not so thin that I have no privacy, but thin enough to where I can't really use this amp. Even on 7 watts at nearly zero volume, it's loud enough to where I worry about the neighbors below hearing me. On the other hand, even at 15 watts, this amp won't keep up with a full band unless it's mic'd up. This bothers me a bit, because it's a little hard to find a use for the amp. I leave it at my parent's place and use the amp maybe once or twice a week, even still the volume is usually around 9 o'clock. I also use the effects send to power a Blackstar HT5 combo, and the two together have enough power to keep up with a band. Those two complaints aside, this is an amp that is just fun to play. The tone is near perfect for what I typically play, which is punk and metal, but this thing will cover everything from AC/DC to Pearl Jam to Neil Young. My love of playing guitar has waned over the years, but this little amp is bringing me back.Jeff

After playing on the impressive Terror Stamp, I really wanted the Dark Terror. I hesitated purchasing for about a year; but I finally picked one up as an open box deal with significant savings. Let me reiterate, all of the glowing reviews are accurate! This little amp is absolutely amazing! The amount of gain available is mind blowing! And the clarity of notes…WOW, I'm blown away!Shasal

I am using this in a small home studio where I also use plugins for guitar tones. I am running this through a Sonic vertical 2×12. It sounds great for mid to high gain tones. It wasn't meant to be a clean amp so it doesn't excel at that. Even in the 7 watt setting it is pretty loud so I am using a POD XT Live in the effects loop to 1. Add effects (not amp sim at all) 2. Use the output volume to reduce the level of the preamp going to the power amp. This is giving much better tone than turning the Level control on the amp down. I turn the preamp volume and gain up to where I like it and adjust the overall volume on the Xtlive to suite my needs. Any effect with a volume control should work to do the same-really adds to Tehran usefulness as a practice or bedroom amp. I was concerned about the single tone control but I am ok with it now-easy to switch between rock and metal tones and it is not just like a treble cut tone knob. I also use the parametric on my XTLive in the loop so that helps as well. Looking at similarly priced heads I think I prefer the simplicity and overall tone. I tried a few others that had more features but I couldn't dial in a tone that I liked as easily. I also tried the micro terror but this one seems more like a "real amp" to me i guess.Pbear

I have a Marshall 412 cabinet with a 100 watt Marshall head. I needed a smaller amp to practice at home and for small jam sessions. I picked the Marshall MG15FX because I know and like the Marshall sound and quality. The Effects features sound good too. I bought the footswitch for it too. This amp sounds good and powerful enough for any small jam or studio work. Marshall makes a MG30 if you need more power.Max

I really like this amp. I don't have to turn up the master volume very much for it to get loud enough. I plan to hook up a Line 6 Pocket Pod for heavier distortion and more effects options. I'm a big fan of delay and am happy with the delay that comes with this amp but I did get a Boss DD-8 digital delay pedal and it works well with this amp. I previously had a cheap 100 watt amp but it only sounded well at low volume. I feel this Marshall amp is better quality and I am glad I got this one.Ferdad

i use this fun little amp at home to practice and jam. sometimes with friends. i've have owned fender and peavy practice amps and this Marshall is just as good or better. i like the clean and various overdrives..the effects do a good enough job and really like the two different reverb effects. i like the headphone option for keeping the neighbors and girlfriend happy when playing late night. i play a Epiphone Les paul traditional pro iv and the combonation sounds super for hard rock and blues but i needed to get a heavy metal pedal for metallica songs. wish it had a longer plug in cable. but over all it sounds really good for what i payed.. ;owned it for two years and keeps on rocking.rob

Amazing little tube amp! If you're looking at getting your first tube amp, this is a highly recommended starter amp. It sounds great as a studio amp and it gets plenty loud given it's 15W, which makes it suitable for smaller gigs. With the volume turned down, it sounds really clean, but it breaks up pretty nicely around 6-8. It also handles pedals and overdrive pretty well (especially with the fat switch engaged). The Jensen C-12N sounds really nice. The cabinet is particle board, which might be a con for some people, but it's not a deal breaker considering the price. Fender really got it right with the Gen IIIs, which is probably why they're still selling pretty well.Matt T.

I spent six months trying to decide between the tweed Blues Jr., the Blues Jr. IV, the Vox AC15, and the Roland JC40 (a bit of an outlier in this list), and finally decided to go with the tweed after several visits to GC and many side-by-side comparisons. I'm not a serious blues player, nor do I spend much time with classic rock influenced jamming/noodling, but was looking for an amp with a stellar clean sound for playing clean or as a canvas for pedals, decent distortion, and surfy spring reverb. The Vox is classic for a reason, but the clean tone was lacking personality. The built in tremolo is great, but the reverb wasn't heavy enough for me (although many others complain that it is a bit too much for them), and the overdrive tone wasn't exactly what I was looking for. Otherwise, it seemed well constructed and had a great look. The Roland JC40 is a solid state amp, so very quiet in comparison to the others in the list. I only was considering this because it has an incredible sounding chorus and is an otherwise perfect canvas for pedals, but the clean tone was bland and the drive couldn't compare to that of a tube amp. The standard Blues Jr IV sounds boxy and dark in comparison to the tweed, and the reverb tank is much more subtle. Although it has a good Fender clean tone, it is somehow lacking. The tweed is bright, really bright, but that is what I want. The reverb is killer. I imagine very few people will max it out, or even keep it above half-way, but I absolutely love to crank it up and get a super wet classic surf tone. Keeping the volume low and maxing out the master volume retains a good deal of clean chime without breaking too much, yet can begin to breakup if you have a heavy strum. Maxing out the (pre-amp) volume gives you a decent crunch, which only gets better as you turn up the master (Communication Breakdown sound). Yet, this gets LOUD, pushing beyond home use volumes. I am happy with my choice, but recommend you test your optionsRyan

The magic started as soon as I turned the amp on. This little amp has personality, with the retro look I felt as I had traveled to a time long past. This amplifier sounds great, it's actually loud, and the tones are nice and simple. I pair it with my favorite pedals, and I blast off to a whole other world of pure creativity. If you're wanting a classic sound to fiddle with, I highly recommend this beauty. I even purchased a cover for it since I was worried it would get dirty or our cat would treat it as a scratching post. It not very heavy or big and doesn't consume much electricity and is capable of being loud enough to bother your neighbors, since it's a very simple amp, you'll have to get your pedal collection ready. I hooked my crybaby and fuzz pedals and I swear I connected in some way with Hendrix himself. This little amp isn't just for blues or jazz, crank up the volume and you'll get some loud distortion. My only con would be that I wish it had a built-in spring reverb just like the BJrIV. but I already have 2 different pedals that do the job. Anyway, you'll spend hours just mixing and matching all your favorite pedals. Have fun players, this is a good one.Kevin

I've been playing night clubs, Casinos, Hot Rod Runs, Bike Runs, weddings, parties, and everything since 1979. I used to use 2 Fender Twin Reverbs with Celestian G-12-65's and a rack of effects processors (to run STEREO), with a octopus of wiring to set up at every gig, plus an octopus of switches and stomp boxes and wall warts on power sttrips on the floor. Set up time and tear down time took hours. Sometimes all that wiring maze would pick up the 60 cycle hum, and what a mess locating the buzz! After a gig I had to set all that stuff up again at my home studio to practice. Sometimes there was no time… In 1996 I bought a Line 6 Flextone 2-12 (stereo) and that changed everything. It ended all the major problems and electrical buzzes. I programmed the Flextone right next to my Fender Twins and matched the tones exactly on the Flextone. WOW! No more Octopus Monster and Heavy Gear! I have since had a Spider III HD 120 with 412 bottom, 2 Spider III 210 combo's a Spider Valve 100 head, and recently a Spider IV 120 210. I Use the Spider iii 120 210 and Spider IV 120 210 amps on stage exclusively, with an FBV floorboard. Very Simple for stage and Awesome Sound everywhere I play! But again, many times my gear is loaded in a trailer, or at the venue and I need something that sounds like my Spider IV,,, so I got a Spider IV 15 watt. I quickly dialed in my 6o's Fender Reverb Tone for Country and Surf Tone on Ch 1, my StevieRay Vaughan "Little Wing" tone on Ch 2, The Stevie Ray Vaughan Roto-Vibe Tone on Ch 3, and a Van Halen tone on the Insane CH 4. I'm good to go! The only thing missing, is that the larger Spider Amps have a separate Reverb knob and the Spider 15 shares either the Echo Delay or reverb on the same knob, so you can't have both to smooth out the delay. It's one or the other on the Delay or the Reverb, but that's not a big deal on a great practice amp, that i could use onstage if I had a mishap with my other amps. Sounds best when you aren't pushing the master all the way to the max. Crank it up, dial in your tones, then back it off about 7 on the Channel Volumes, match them, and run the master at about 6 or 7. I can switch the channels with my FBV Floorboard and use it for practicing in real small rooms with a band. If it's not loud enough…Mic it! The tones I use are there and I can pack this amp in 2 minutes and walk out with my guitar without breaking my back with the heavier stuff. Fits right on my front seat. Done Deal! If it's your first amp, it's probably the best starter amp for the money, and for me, I have my tones dialed in for practice anywhere with no hassles.Kenny

Ups dropped it off yesterday, and it is everything I hoped, but better. The metal and insane channels are perfect. The clean is gorgeous, for a sort of metal clean tone. If you want to play a lot of Zeppelin or Pink Floyd, you might be better off with a Vypyr. but if you want Mettallica and Crue, to A7X, back to AC/DC and Aerosmith, youll love it. The metal channel is heavy as hell, and can still get up and throw piercing highs and mids. Everything is tight and punchy as hell. The biggest thing that shocked me was the clarity at seemingly stupid volumes for such a small amp. MF was out of stock when I ordered it, and I still had it in 7 days with free shipping. I highly recommend this amp to all metalheads. Thanks Musicians Friend and Line 6. RNFRJag

Very satisfied with this guitar amp. It has a lot of great effects, like flanger, reverb, tremolo, and tape echoes (to name a few). It's very fun to mess around with settings to create great spacey sounds and heavy, sludgy tones. It's also very easy to use. The amplifier also has very useful features, like a built-in tuner and a "save" feature, where the amp can save and remember four different settings at the push (and hold) of a button. It has great tone, volume, and variety, and it picks up things like pinch harmonics extremely well on the Metal and Insane tones. It's also pretty light to carry. I'd definitely recommend this amp for someone just starting out and for someone who's rather experienced with guitar playing. Great price for an amazing amplifier.Katastrophecy

Great wee amp for the money as advised by Kenny's Music. Packed with features/fx. Perfect for home practice and the odd jam session.Reviewed by Kenny's Music custom

I use this in my basement studio for playing and recording. It has a wide range of very cool sounds and what seems like countless options to combine them (from wild reverb/delay effects to overdrive/fuzz). It's kind of daunting to get a setting you like and remember how to get it again, because of all the combinations of setting options. This would be a great value in a small amp except for two things: 1. Lots of extra noise and hiss (I checked and it wasn't the guitar or cables – I tried several) 2. The "on-off" button doesn't always work when trying to turn it off. I usually have to unplug the 9V adapter that comes with the amp in order to turn it off.Russell

Very cool amp and a bargain at twice the price! Amp models are all very good just as is, and the added surprise is that – other than the most high gain settings – you can roll back your guitar volume and the sound cleans up nicely. This is a keeper!Mike

This has to be one of the best stamps I've ever had with the exception of one little hiccup. This is replacing a Fender Blues Deville, which I absolutely loved. I had access to almost every Fender amp when I bought my Blues Deville and it just spoke to me. Well, they don't make Blues Devilles anymore, and I knew the Hot Rod Deville existed, so I went for it. To my ears, it's the same as my previous amp. This is a two channel amp in which each channel is independent of the other with the exception of the tone knobs, which are the same for both channels, which is not a problem for me. When I plugged it in, I couldn't believe how incredible it sounded clean. It absolutely blew my mind. I used both a Stratocaster and a Les Paul. Then, I took the second channel and add a little bit of gain to it, which distorted it. The distortion on this amp is so creamy that I don't even need to use my TS9. It has to be one of the best distortions I have ever heard from an amplifier. I usually use an Orange TH30C for my distortion. My Fender amp was always a clean amplifier. I may be using this one for the distortion and my Orange may get sidelined. The reason I'm giving this amp four stars is because of the following; when you go to switch channels using the included foot switch, there's a loud pop that happens every time you switch channels while you're playing. Apparently, it's inherent to the amplifier. It's the only reason I cannot use this amplifier with clean and dirty at the same time unless I use a TS9 on the clean channel. That really was not a well thought out process from Fender. For the price of this amp, I would think that problem would've been fixed, but it is what it is. I still love the amplifier and I'm still glad I bought it, although I will have to use my Orange when I want a distorted sound.Chuck

I bought my new Fender Blues Jr v4 about 2 months ago from a guy who decided he was more of a "Marshall Guy After All" so I got a bargain, but that was just the beginning. I wanted to spend some time and several sessions playing with this thing before I rushed into a review, but it turns out my first impressions have been even more reinforced since playing this thing for several hours, and the big word here is WOW. I have been playing for over 62 years (that's right, got my first guitar at 7) and bought my first Strat in high school. I've played and owned a LOT of different amps, and even now I have a few pieces for which I have some sentiment, but now it seems I will have to seriously reconsider. Good thing there is no "Amp Limit Law", but if there was I could finally happily liquidate all the others if I could have just my new Blues Jr. I have read voraciously for years about concepts such as "touch sensitive", "controlling breakup with the guitar volume", "takes pedals well", etc. Turns out these have only been myths to me all this time until now. Everything good and superlative that's been written about this amp is absolutely true. The preamp section is like pure magic in shaping the tone and delivering it to my favorite-EL84 power amp section. I have never been a fan of the usual Fender tube lineup, and when I heard this runs EL84s I was already excited. I am still a Strat guy to this day and love everything about it. But I have never even dreamed it could sound so good. I have an Egnater Rebel 20, a vintage Crate 15 watt blonde with a Dr Z speaker, and my prior favorite-a 5 watt Epiphone Valve Jr into a 12" Eminence Lady Luck. I have some others, but nothing I own or have owned can even come close to this thing. And what has been said about the Celestion speaker choice is again, absolutely right on. The sound from this amp would be as if you had an old Deluxe Reverb, did a cap job, retube, and maybe speaker upgrade. I guess I'm trying to say that it soundsMark, R

Simplicity itself, with great tone and a big sound from a small package. I've a few amps, ranging from heads and cabs to combos, but had a hankering for a small tube combo – one that could do a rehearsal if needed. This has a great sound with a 335 and a Telecaster, and so easy to dial in a fantastic tone – infact hard to get a bad tone. Plenty loud enough, I would happily take this out and gig it. I love the fact you can unplug the internal speaker and plug it into a cab, makes it a great package. No perceivable noise when winding it up, and the stock speaker is great, good tight bass and nice and chimey on top. Seems solidly built, but I guess time will tell on that front. All in all, very pleased with this, and great value.Customer

Ok..so obviously you're not going to get the full push of the 6L6 or EL34 brothers. But this is is loud even at 3 watts. I wish they could've designed the internals to throw out 20 watts but oh well. This isn't better than the LBX1..it's just different. This LBX2 has clean and lead channel which I personally like. I want either 0 gain or a ton of gain. The only real let down on this is that the knobs feel a little cheap and it's difficult to adjust the clean volume/drive without accidentally adjusting the lead channels. Also…the cable for the footswitch is too short. So shop for an adapter for the footswitch to extend the length. Otherwise it's a great amp for practice, studio and small full band venues.Jrod

First impression was that it is noticeably bigger than other 15 watt "lunchbox" heads I own. Plugged it into an Orange PPC212 to get jamming right away. I was thrilled that this head included as resonance and presence control, many other lunchbox amps leave those features off. As with many lunchbox amps, it's only 15 watts but it is a LOUD 15 watts. Plenty of volume for the shows I play, where the amp is going to be mic'd anyway. The clean channel is quite versatile. You won't get Fender-style cleans, but you can get a nice clean sound from the Green channel. With the gain turned up, you can get a good SRV or early AC/DC style overdrive sound. The Green channel takes pedals very well, which you will need to get a classic rock drive sound. The Blue channel is all metal all day. It sounds great, but it should be noted that even with the gain turned down and the presence turned up the Blue channel lacks some clarity and articulation when playing nuances in full chords. Even with the gain setting at 1 or 2, the Blue channel has a very high-gain tone. Turn up the gain to 6 or 7 and you're in thrash metal heaven. But if you're looking for a more classic rock drive, this Blue channel is simply too high gain. A few annoyances for me: 1) The on/off/standby are on the back of the head; not the end of the world, but it makes it a little more difficult to easily turn the amp on and off, especially in a gig setting. 2) This head does NOT come with a carry case. That was somewhat misleading since the demo videos both show the carry case. 3) The footswitch cable is kind of short, so in a larger stage setting it may be difficult to set up the amp conveniently. Then again, in a large gig setting you probably wouldn't be using a 15 watt amp! Overall, a great little amp that is easy to carry and sounds fantastic. Just be aware that the Blue channel is VERY high gain, and you may need to purchase a few accessories with it.Slick301

I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez

I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth

I recently purchased an Orange rocker 15 from AMS after returning another brand. The one I returned was a highly rated hand wired tube amp. All reviews said said it was unbelievable and the holy grail of small tube amps. Well I am no expert but to me it wasn't worth the $ 1000.0 price tag. I saw a you-tube video on The Orange rocker 15 and thought Id give it a try. Everybody says get a good clean amp and use a pedal for distortion. No pedal can sound as good as this amp when it breaks up. And man it can break up. From classic rock thud to heavy saturation it does it all. You know that feel you get from that thick distortion. This amp can get LOUD at full power but can still sound great on the headroom/bedroom settings. Sorry no Fender can sound like this. The rocker 15 has a really good full sounding clean channel that isn't over the top sparkly, but I don't use that sound anyway. Give it a try, It grows on you really quick. Thanks AMS for a no hassle return on the first amp. You guys ROCK!!!Dale

First I'll start with the Pro's of this amp 1. Fantastic Clean Tone. It is very dynamic and sensitive to pick attack. It really lets the sound of your guitar shine through, and with the tone knob and pickup selector I have not found any more EQ on the clean channel necessary. Turn it up and pick hard, you get a very nice break up, lay low and it shimmers. 2. Built solid. Birch plywood, heavy duty tolex, heavy duty chassis, good components, ceramic tube sockets, JJ tubes. A lot of places other amps cheap out, the Orange does not. 3. Adjustable power levels. Very bedroom and apartment friendly on .5 and 1 watt settings. 4. Volume and Portability. Enough volume to gig (I always mic my amps, but if needed it could still stay pretty clean over a drummer),easy to transport, and great weight and size. 5. Classic Rock and Modern Sounds. While I would not consider this a metal amp, it will still do a pretty good high gain modern sound and also classic rock crunch. 6. Tube effects loop. It sounds amazing with some chorus and delay in the loop. Now for the Cons 1. Mine arrived with tube rattle. I thought about sending it back but had an extra set of JJ EL84's and fixed the issue. I think it had more to do with the fact the UPS man threw the amp on my porch like a sack of potatoes. There was even a hole in the box from it hitting my rocking chair. It gave me chance to inspect the amps components and guts though. I also got a good deal on it, so it didn't bother me that much. 2. Low power modes (.5 and 1 watt) sound fizzy. It's nice being able to crank it up and play quietly, but the break up can sound fizzy. This goes away on the 7.5 and 15 watt modes. Honestly I think a headphone jack would have been a better idea. 3. Price. I think this amp may get looked over because you can get other 15 watt tube amps for less that even have reverb and some other desirable features 4. No footswitch. I will probably re review after 6 months of gigging abuse. But happy with my purchase.schwebel

Overall: After about a billion video reviews, sound clips, and a final blessing from my better-half, I decided it was time. Snagged one of these, and haven't looked back. I've had it a little over a month, and waited to review to make sure I really liked it. I love it. Period. I play metal – high gain metal. This little 15lbs of joy delivers. It is also capable of some pretty nice Fender-esque cleans! AND, it takes pedals VERY well (getting' some pretty serious Marshall tones with a Pinnacle Deluxe and a BE-OD, so, I guess you can say it's getting pretty serious!). I was really blown away by the sound and fullness that it puts out – I have been running a 6505MH for a few years, and had the RD100H Diavlo prior. While they both sound good, neither compare to this – and I've heard the bigger ones get EVEN BETTER?!? I'm chasing tone, but am also looking for an individual sound, and I feel like I am able to get something I am really happy with – wife is happy, too…I guess…. I run an Ibanez TS with this at about 10 'o' clock, and roll back the volume a bit on my guitar, and it is just gorgeous. Beautiful, crisp, clear, articulate tones. Such a pure tone. I have this little head pushing a 2×12 loaded with V30's, and it sings and chuggachugga's like one wouldn't believe. I got a good deal on this amp, but I would've paid more if I had to. I'm impressed, and look forward to all that I can do with it! Get it!Nana

Ok..so obviously you're not going to get the full push of the 6L6 or EL34 brothers. But this is is loud even at 3 watts. I wish they could've designed the internals to throw out 20 watts but oh well. This isn't better than the LBX1..it's just different. This LBX2 has clean and lead channel which I personally like. I want either 0 gain or a ton of gain. The only real let down on this is that the knobs feel a little cheap and it's difficult to adjust the clean volume/drive without accidentally adjusting the lead channels. Also…the cable for the footswitch is too short. So shop for an adapter for the footswitch to extend the length. Otherwise it's a great amp for practice, studio and small full band venues.Jrod

This is an absolutely great amp that can go anywhere. I have had this for a few weeks now and I just love everything about it! I use this for at home use and with the 1/4 power switch I can play without disturbing the rest of the house and not loose any tone. Dont be fooled though even at 1/4 power this little guy put out a ton of power and gain! If you are on the fence of getting one, all I can say is I do not regret my purchase at all. EVH has done it again for me. Also want to thank AMS for the fast shipping and Excellent customer service!!Bill B.

I use this amp with an Orange 4-12 slant clone that I built. I don't remember which Celestions I put in but they are an older mismatched, on purpose, twin set….two of one type, two of another. I do this a lot for a fuller sound. With the OR-15 set at its full 15 watts, there is no 'room level'. It is very loud and full. I set it at 7 watts, there is no 'room level'….still very loud and full. On stage it easily can cover the drummer at his loudest. Sooooo….. I bought a power soak for it, kept it at 15 watts, and I can use it onstage OR at home. By recording the 4-12 with the mic at distance, about 5-6 feet, I get the same full sound I like. Onstage I also far mic it. I just don't like the 'hanging mic' sound I get with close mic P.A. or recording. Buy the optional switch pedal….if you don't, you'll just want it later. May as well get it now. Also the black cover is cool. I don't spend much time playing with tube exchanging anymore……it became way too time consuming for a little difference. I could have bought a bigger Orange amp but I like the low power amps because I have more control over the headroom and where I can 'edge' it….just before breakup and just after breakup. This amp does that very well, without the edge being over 130db…… I also have a Micro Terror, and my bass rig is an Orange 4-10 cab and the Orange OB500 for the amplifier NymsNyms

Had it for a few months, absolutely love it. It’s my first British voiced amp and it’s definitely different. (I think it’s like looking at distortion pedals versus fuzz pedals in a way.) With the gain up, single notes are super thick and it makes you want to play riffs all day. I’ve noticed that I move away from more complex chords and use simpler lines, just because it makes the quality of the notes so good, that’s all you need to play. Sounds good with pedals, but I don’t really use them with this amp, just don’t really need’m. Can do some clean stuff, but it’s not got a lot of head room. I mostly just roll back the volume on the guitar and it cleans up really well. Definitely an amazing plug and play amp, maybe wouldn’t be my first choice for a pedal platform.Isaac

This is a nice little amp that's easy on your back. You can get a merriade of tones and it is powerful enough to support a gig. Speaker/cabinet choice will determine its flexibility. You can go old school rock with a greenback loaded cab (open back for combo sound, closed for the classic stack) or something modern for todays in-your-face articulation. Effects loop adds extra dimension and possibilites plus it takes pedals well. I pair mine with an Orange PPC112. Played with the original CelestionV30 in it, Celestion G12M Greenback and currently a Peavey JSX 16 ohm which, to me, gives the mini stack girth. I play a Gibson Les Paul and utilize a Dunlop Wah, MXR Corbon Copy (in loop), MXR Script 90 and at times a Boss SD1 (to boost for leads v other guitarist with a dsl15 212 rig). My sound is an amalgam of Allman Bros/Thin Lizzy/Judas Priest and this head hits it in spades, plus you can get the tubes cooking at a gig without having the sound man complaining or front end unbalanced. In short the OR15 is what Marshall should have done. It is a reved up mini 2204/2203 beast in an orange skin.Goobie Jones (Rose Wine)

Where do I start? Well, how about, this is the best tube amp I have ever played! 62 years with many guitars and many amps, some owned, some borrowed, and some tested in music shops, might give me a little credibility. I have loved a Fender Twin Reverb, made in the 50s that my uncle Keith, and my guitar mentor, loaned me for a while. It just sounded so good. Never could seem to find cash, or justification to buy a tube amp, but have owned a hal a dozen solid states. THEN THIS LITTLE BEAUTY! Having played the Twin for a couple of years, and others such as a Mesa Boogie, VOX's, and too many others to recall, THIS monster sounds like most of them with just little tweaks of the knobs and my guitar switches. I have played country, 60s and 70s rock, blues, finger-style instrumentals, gospel, etc. I believe this is the PERFECT combo, with the correct (JJ) tubes, a sweet (and dirty when desired) Seventy/80 speaker, and an amazing diversity of sounds, which works in every genre I play! I do not know how anyone can find reason to bad mouth this. I had it for 2 weeks, was asked to fill an absent, guitarist's spot at an outdoor venue, I took this little amp. We played to an area the size of a football field. I set the amp on 1 Watt, until I could hear it cleanly (behind me on stage), let the sound man mic and mix me in. Never had to turn it above about 4, with gain between 1 and 4, and many complemented me on my sound, and musicians asked me WHAT IS THAT LITTLE AMP? Those are the good points. I can only think of two piddly things I would like to see changed, and one would be a standby switch, and the second being a way to run the external speaker WITHOUT cutting off the amp speaker. Until then, I will just keep playing this sweetheart amp, and enjoy the statements about "my sound," and the question of WHAT IS THAT LITTLE AMP? Keep playing everybody…and maybe buy one of these. I do not believe you will regrety it.New User

These amps are fantastic, and at these bargain prices you simply can't go wrong. I upgraded the reverb tank in mine to a Mod and changed the speaker for a Warehouse GC12. OMG, this thing is a beast! Another WGS option I've seen people use is the ET65 for a more British tone, also with good results. The stock speaker is not too bad, but this one simple upgrade of swapping the speaker takes the amp to the next level. It just sounds awesome. The upgraded reverb tank is also an improvement, but not as much as I thought it would be. If I had to do it over again I would just take out the stock tank and use a pedal for reverb and make the amp even lighter to haul around. The more important upgrade imo is the speaker. It really makes a world of difference. Grab one reasonably while you still can, the price keeps creeping up and up and up… !Jeff

After a number of FEDEX issues, I received my amp about 5 days later than estimated. It did arrive in excellent condition and was worth the wait. The Stage Right 611815 has a really sweet tone that sounds particularly good with the single coil pickups on my Fender Sratocaster Player. It breaks up nicely! The reverb works perfectly, and is fine for most playing but you might want an external reverb unit if you are playing Dick Dale tunes. A really nice feature for home playing is the 15W/1W switch, where you can limit the amp to 1 W (be aware that with sound, you have to increase the wattage by 10 times to double the perceived volume, so the 1W setting is a lot more than 1/15th as loud as the 15W setting). It is a bit unusual to have a tone control along with the more common bass, middle and treble controls. Personally, I would have labeled the Tone control as Presence, because that is what it seems to be. I have mostly been playing in the 1W mode with all the controls (including reverb) at 12 o clock, and that is working out great. As far as construction, the amp looks fantastic and gives a vintage look that hints at its tone! The dark grill cloth provides a nice contrast with the blonde tolex, giving a true vintage appearance. The retro red, jeweled pilot light and metal toggle switch complement the vintage styling Keeping with the vintage look, the control panel is chrome with retro chicken head knobs. As others have mentioned, the control names are a little bit difficult to read on the chrome panel. After you use the controls once, you know where they are, so does it really matter (I noticed the blonde version of the Fender Blues Jr also uses a chrome control panel…probably where Monoprice got the idea)? The tolex is neatly installed and glued, at least the parts that are exposed. The leather handle is also reminiscent of old school amps. And I really like the metal corner protectors…very nice. As proudly announced by a badge on the front panel, the amp is equipped with a Celestion speaker…a Seventy 80 The only criticism of the construction, and it is minor, is that the 8 external screws are not chamfered properly to mesh with the finishing washers, which result in the screw heads protruding above the washers. The amp has a jack for an external speaker. When you plug in an external speaker, the internal speaker is shut off, as is common with guitar amps. The reason is if you plug in an external 8 ohm speaker and the internal speaker would still be on, a (combined) 4 ohm load would be presented to the amplifier, which it is not designed to handle. The back is open. The line cord is not detachable, but can be conveniently stowed in the back of the amp. The amp has an effects loop, which I have not tried yet. The amp is now equipped with JJ brand tubes and a metal, two spring, reverb tank, which are upgrades from the original issue I wish I could find a nice, economical (i.e. $20) dust cover for the amp. The only ones I can find are priced at $50 or more, a bit much for protecting an inexpensive amp. In conclusion, the Stage Right 611815 amp looks great and sounds great, and I highly recommend it.Chris

I really like this amp. I bought it used at a really good price, so I was very pleasantly surprised at how nice it sounds. It has loads of power and nice tone. I bought it as a practice amp, but I wouldn't hesitate to use it on stage in a small club.voltyr

THE 8 INCH SPEAKER IS ALITTLE WEAK SOUNDING ,CAB IS BUILT WELL, EFFECT ARE GOD THE ACTIVE EFFECT IS REALLY KOOL SOUNDING,WELL WORTH THE 100 DOLLARS I PAID JUST NEED TOO UPGRADE SPEAKER SIZE TO A 10 INCH!!PAUL

Fantastic amp for the price! The clean channel is great, and has time delay effects that is unexpected for an amp in this range. The overdrive is excellent too, and you can control different frequencies as well. It also has two inputs for guitars, and a microphone input! So you can jam with friends and sing along. At 40w output, it is pretty loud. If you are in the fence, get it! You won't regret it!integrationbyparths1