Are you looking for the Kurt Cobain Fender Guitar? If so, you’ve come to the right place.
Choosing the Kurt Cobain Fender Guitar can be difficult as there are so many considerations, such as Fender, Martin. We have done a lot of research to find the top 20 Kurt Cobain Fender Guitar available.
The average cost is $1627.82. Sold comparable range in price from a low of $125.00 to a high of $4700.00.
Based on the research we did, we think Fender Kurt Cobain Jag-Stang – Fiesta Red is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Kurt Cobain Fender Guitar (20 Sellers)
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Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durable
Features:
- Fiesta red finish
- Alder body
- Humbucker in the bridge, single coil in the neck position
$2249.99
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Lightweight
Features:
- Get a load of this charming guitar!
- Case candy and trem arm are all included here.
- This is certainly a player’s guitar, but a well-loved and cared for one at that.
$2250.00
4.6
Reviewers Noted:
Attractive . Sound quality . Lightweight . Durable . Craftsmanship
Features:
- Limited time price !!!
- Pickup now dimazrio super distortion dp100bk, was seymour duncan.
- Guitar with deluxe hard case for mustang.
$2179.54
4.6
Reviewers Noted:
Attractive . Sound quality . Lightweight . Durable . Craftsmanship
Features:
- Seymour duncan jb bridge humbucker mounted directly to the body
- Mustang single-coil neck pickup
- Dual on/off phase in-out switches for each pickup
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Weight
Features:
- Dual-coil ceramic noiseless neck, middle, and bridge pickups provide the broad sonic palette jeff utilizes to achieve all those legendary tones.
- A thinner "c" shape maple neck is extremely comfortable and a contoured heel provides easier access to upper frets.
- Vintage tweed case, strap, and cable included.
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of …
$1949.99
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Signature jazzmaster built in collaboration with slipknot guitarist jim root
- Mahogany body for a thicker tone with added midrange
- Emg 60 and 81 humbuckers give you the quintessential metal sound
$2299.99
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Lightweight . Well made
Features:
- Black finish
- Lightweight alder body
- Soft “v” shape neck profile
$4700.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Lightweight
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from …
$1749.99
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Lightweight
Features:
- Solidbody electric guitar with alder body
- 1 humbucking pickup – mystic surf green
- Maple neck fingerboard
Reviewers Noted:
Attractive . Good sound quality . Durable . Weight . Craftsmanship
Features:
- The head stock has some indentations in the wood just to below the fender f and a scratch to the right of the r in fender.
- The body shows some scratches and indents and the pickguard has some heavier scratching and scuffs.
- On the bottom of the body is some heavier scuff wear and bb indentations.
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Lightweight
Features:
- Maple neck in a "modern 'c'" profile
- Maple fingerboard with twenty-two medium jumbo frets
- Two alnico 5 single-coil pickups
Reviewers Noted:
Good sound quality . Well made . Attractive . Heavy . Durability
Features:
- Great guitar but gotta let it go
- Has a few dings and scratches
- No book and fret ends could use dressing but it's still playable
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- An oxblood finish with a four-ply red tortoiseshell pick guard and contrasting white "witch hat" knobs give this guitar a darkly alluring appearance.
- A two-way toggle switch on the upper horn rather than the customary slider switch delivers a unusual twist on traditional jazz master tone switching.
- Hard-shell case included.
$1299.99
5.0
Reviewers Noted:
Visual appeal . Craftsmanship
Features:
- California blue fender aerodyne special stratocaster
- Fender aerodyne special stratocaster
$1599.99
4.8
Reviewers Noted:
Sound quality . Weight . Craftsmanship
Features:
- Fender noiselesstm and seymour duncan hot rails pickups.
- Maple neck w ith rosew ood fingerboard, 9.5"-14" compound radius and 22 medium-jumbo frets.
- Floyd rose tremolo system.
$879.99
4.6
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- This is a 2018 fender player series jaguar in tidepool finish!
- Have this guitar set up exactly the way you like for free!
- This particular guitar weighs 8lbs 11oz.
$125.00
5.0
Features:
- 6 inches tall
- Fully articulated
- Interchangeable hands
$1299.99
4.8
Reviewers Noted:
Attractive . Well made . Durable . Good sound quality . Weight
Features:
- Alder body with transparent cherry finish, matching painted headstock
- Modern c -shaped maple neck with 9.5 radius and 22 medium jumbo frets
- Push-pull tone pot activates double tap function
Features:
- Kurt cobain's ideal instrument: designed by kurt cobain, the jag-stang brings his favorite elements of fender jaguar and mustang together.
- Comfort at its best: the 7.25" radius rosewood fingerboard with maple neck has a comfortable feel that won't fatigue your hands when chording.
- Recreate kurt cobain's classic tones: the vintage-style single-coil and custom humbucking pickups are perfect for recreating kurt's classic tones.
1. Fender Kurt Cobain Jag-Stang – Fiesta Red
Product Details:
The fender kurt cobain jag-stang is product of cobain's personal design. the guitar is a combination of both the features and look of both the fender mustang and jaguar, both of which were personal favourites of kurt's. while the instrument wasn't publicly available until after kurt's untimely passing, he did use a prototype whilst touring for third album 'in utero'. it is a difficult task to recreate the tone that captivated a generation, but the jag-stang succeeds. equipped with a custom jag-stang humbucking pickup at the bridge and a single coil pickup at the neck, producing nirvana's iconic, powerful chordal textures and soaring lead lines. a smooth rosewood fretboard provides efficient playability, allowing your hand to glide from power chord to power chord. this is paired with a slim "c" maple neck, which ensures you have a comfortable grip and allows you to accurately position your fingers without any strain. a stunning, unique aesthetic, built directly from kurt cobain's own depictions of his ideal guitar, a symbiotic design is created marrying all the features kurt favoured from his two favourite guitar models, the fender jaguar and mustang. all of this results in a unique guitar built for alternative rock's most iconic figure.
Specifications:
| Country Of Origin | MX |
| Orientation | Right-Hand |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 7.25" (184.1 mm) |
| Neck Construction | 4-Bolt Standard |
| Neck Finish | Gloss Polyurethane |
| Neck Material | Maple |
| Neck Shape | Slim "C" |
| Number of Frets | 22 |
| Nut Material | Synthetic Bone |
| Nut Width | 1.575" (40mm) |
| Position Inlays | White Pearloid Dot |
| Side Dots | White |
| String Nut | Synthetic Bone |
| Bridge | 6-Saddle Vintage-Style Mustang Tremolo |
| Control Knobs | Vintage Style Black Plastic Jazz Bass |
| Hardware Finish | Nickel/Chrome |
| Neck Plate | 4-Bolt |
| Pickguard | 4-Ply Aged White Pearloid |
| Pickup Covers | White |
| Strap Buttons | Vintage-Style |
| Tuning Machines | Vintage-Style |
| Body Finish | Gloss Polyester |
| Body Shape | Jag-Stang |
| Bridge Pickup | Jag-Stang Humbucking |
| Controls | Master Volume, Master Tone |
| Neck Pickup | Jag-Stang Single-Coil |
| Pickup Configuration | HS |
| Dimensions | 4.50×15.70×41.90 IN |
| Fret Size | Vintage |
| Scale Length | 24" (610 mm) |
Reviews:
what a great bass! It's beautiful, light, and sonically versatile. the different pickup modes have 3 radically different tones which makes this bass right for lots of situations. I've seen some reviews that mentioned so issues with some fret roughness but mine showed up in perfect condition. I couldn't be happier with the bass. I also want to mention the customer service. I used the chat feature to confirm whether this bass came with a bag or case. the agent let me know that it does not but pointed me to the bundle that includes the bag and they set me up with a price I could not pass up. once I completed the purchase the item was shipped within 90 minutes. Other music stores I've done business with are not nearly as responsive. CME killed itShaun M.
This is a great short scale bass. It is a quality instrument. The finish is excellent. Playability straight out of the box was very good. Nicely set up.I love the pick-ups and the ability to blend the two with their individual volume controls. Great range of tones available. It looks good too ! Highly recommended. The only gripe is that at this price it should come in a hard case and not a bag !Reviewed by Andertons Music Co.
Really good guitar for nirvana type music. Only issue is that you need to set it up for it to be playable but once it's set up it's a great instrument. Pickups are pretty articulate but not to bright either just perfectly balanced. If you get one I recommend to lock the bridge down to improve its tuning stability and sustain. Note it DOES NOT sound like a kc style mustang, it has its own sort of sound to it. Fretboard is pretty nice same with the low radius which I prefer. Overall it's one of my favorite guitars I've ever bought and I cannot recommend it enough if you play grunge and nirvana music.Preston
2. Fender Johnny Marr Jaguar Electric Guitar (Metallic Ko)
Product Details:
Specialized features of the fender johnny marr jaguar electric guitar include custom-wound, bare knuckle johnny marr single-coil neck and bridge pickups; custom-shaped maple neck with rosewood fingerboard based on marr's 1965 jaguar; vintage-style truss r – series: artist – body: custom offset alder, lacquer finish – neck: maple, lacquer finish – neck shape: custom neck shape based on johnny's '65 jaguar – fretboard: rosewood – fretboard radius: 7.25" (18.41 cm)frets: 22, vintage style frets – scale length: 24" (61 cm)string nut: synthetic bone, 1.650" (42 mm)truss rod: original vintage style – pickups: custom wound bare knuckle johnny marr bridge pickup – custom wound bare knuckle johnny marr neck pickup – pickup switching: 4-position blade: position 1. bridge pickup, position 2. bridge and – neck pickups (in parallel), position 3. neck pickup, position 4. neck and bridge pickups (in series)aux switching: 2 slide-switches: universal bright switch; bright switch for blade – position 4controls: master volume, master tone – hardware: chrome – tuning keys: vintage style tuning machines – bridge: jaguar bridge with mustang saddles and vintage style "floating"tremolo tailpiece with trem arm that stays in place – pickguard: 3-ply white/black/white – strings: fender usa super 250r, nps, (.010-.046 gauges)incl. accessories: strap, cable, set of flatwound strings – unique features: custom wound pickups, artist signature on front of headstock, nylon bridge post inserts for improved stability; nylon insert in trem arm sleeve to prevent arm swing, "taller" trem arm – includes case
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Alder |
| Body finish | Gloss Lacquer |
| Orientation | Right handed |
| Neck shape | Custom signature |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 24" |
| Truss rod | Standard |
| Neck finish | Gloss Lacquer |
| Radius | 7.25" |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width | 1.653" (42mm) |
| Configuration | SS |
| Neck | Custom wound single-coil |
| Bridge | Custom wound single-coil |
| Active or passive pickups | Passive |
| Piezo | No |
| Active EQ | Yes |
| Special electronics | Dual upper-horn slide switches |
| Control layout | Master volume, tone |
| Pickup switch | 4-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Jaguar bridge with Mustang saddles |
| Tailpiece | Vintage Style Floating Tremolo |
| Tuning machines | American vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem
To start with this review I would like to point out in two different sections. The buying experience with the shop and the guitar set up. 1-The buying experience was great, fast shipping, very well package, tracking feedback. No complaints at all. The guitar, as I said before, came really well package, in two cardboards and bubble plastic. 2-The guitar set up: Out of the box, the guitar set up is horrible, and let me tell you again, horrible. The worst guitar set up I have ever received. My guitar which was "inspected" by a music technician before being shipping to me. I do not know what type of inspection was that but sincerely I think the guitar was not by any means checked. It arrived with crazy fret buzzing through all the neck, gritty frets (almost impossible to do bendings), Sharpen fret edges that felt like knives cutting my fingers, super dry fretboard( I can understand this because of the Indian Laure fretboard), no neck relieve at all ( Truss rod adjustment is needed if you want to play any music with this guitar), the tremolo bridge was rattling like crazy, all strings out of intonation, not to confuse with out of tune. All these things made the playing experience awful. Now I understand why there are so many B-Stocks of this guitar. I thought that being a Chicago Music Exclusive (FSR) product will be take care much better. Do not get me wrong, this is a heck of guitar for the money but be prepared to spend an extra 150 bucks to make this guitar useable. IJ D.
My wife got me this guitar for Christmas and it has more than exceeded my expectations. I had a Fender Jaguar MIJ candy apple red back in the early 90s and it ended up missing. I’ve been waiting for a guitar like that again as it was my absolute favorite guitar to play. I saw this one online and told her this is the one I’d like to have to replace my other Jaguar. I LOVE the tone on these as they give so much depth to the mid and high ranges. The notes just ring so much depth. I must say it sounds even better than I remembered. The matching headstock is another positive for me and sold the look of the guitar. While the tremolo is a little different than I remember (tremolo bar screws in vs push into place) it is probably a better thing that it is that way now. American Musical has always shipped our orders in a few days and didn’t disappoint my wife when it showed up just a few days after ordering and was ready to play directly out of the box. I would recommend this guitar to anyone who wants that perfect surf punk sound.A. Smith
3. Fender Kurt Cobain Mustang Left-Handed Electric Guitar, Sonic Blue
Product Details:
Limited time price !!! this is used, very good condition. my favorite guitar fender mustang sonic blue limited edition 2013 japan for left handed. i sell it guitar, because i need money. very beautifull guitar and perfect sound…. pickup now dimazrio super distortion dp100bk, was seymour duncan. guitar with deluxe hard case for mustang. you can make an offer, i will check your options. good luck everyone !!!
Specifications:
| Finish | Dark Lake Placid Blue with Stripe |
| Year | 2012 – 2014 |
| Made In | Japan |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Neck Material | Maple |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | HS |
| Right / Left Handed | Left Handed |
Reviews:
what a great bass! It's beautiful, light, and sonically versatile. the different pickup modes have 3 radically different tones which makes this bass right for lots of situations. I've seen some reviews that mentioned so issues with some fret roughness but mine showed up in perfect condition. I couldn't be happier with the bass. I also want to mention the customer service. I used the chat feature to confirm whether this bass came with a bag or case. the agent let me know that it does not but pointed me to the bundle that includes the bag and they set me up with a price I could not pass up. once I completed the purchase the item was shipped within 90 minutes. Other music stores I've done business with are not nearly as responsive. CME killed itShaun M.
This is a great short scale bass. It is a quality instrument. The finish is excellent. Playability straight out of the box was very good. Nicely set up.I love the pick-ups and the ability to blend the two with their individual volume controls. Great range of tones available. It looks good too ! Highly recommended. The only gripe is that at this price it should come in a hard case and not a bag !Reviewed by Andertons Music Co.
Really good guitar for nirvana type music. Only issue is that you need to set it up for it to be playable but once it's set up it's a great instrument. Pickups are pretty articulate but not to bright either just perfectly balanced. If you get one I recommend to lock the bridge down to improve its tuning stability and sustain. Note it DOES NOT sound like a kc style mustang, it has its own sort of sound to it. Fretboard is pretty nice same with the low radius which I prefer. Overall it's one of my favorite guitars I've ever bought and I cannot recommend it enough if you play grunge and nirvana music.Preston
4. Fender Kurt Cobain Mustang Electric Guitar – Fiesta Red
Product Details:
Inspired by his arsenal of modded guitars, the new fender kurt cobain mustang takes you back there, with highly distinctive features including an angled single coil mustang neck pickup and ferocious seymour duncan jb humbucking bridge pickup mounted directly to the body, dual on off/phase in-out switches for each pickup, a polyester-finished alder body and an adjusto-matic bridge with dynamic vibrato tailpiece. other features include the classic 24" mustang scale length, c shaped maple neck with urethane finish, 7.25" radius rosewood fretboard with 22 vintage style frets and vintage style ivory dot inlays, four ply pickguard, master volume and tone controls, vintage style tuners, and chrome hardware. finish options include fiesta red, sonic blue and dark lake placid blue with stripe. available in right and left handed models. specifications:- body – body material: alder. body shape: mustang. neck – neck shape: "c" shape. number of frets: 22. fret size: vintage style. position inlays: vintage ivory dots. fretboard radius: 7.25" (18.41 cm). fretboard: rosewood. neck material: maple. neck finish: urethane. nut width: 1.625" (41.3 mm). scale length: 24" (61 cm). electronics – pickup configuration: h/s. bridge pickup: seymour duncan jb model humbucking bridge pickup. neck pickup: mustang single coil neck pickup. pickup switching: on/off, phase slider switch for each pickup (in/out).
Specifications:
| Finish | Dark Lake Placid Blue with Stripe |
| Year | 2012 – 2014 |
| Made In | Japan |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Neck Material | Maple |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | HS |
| Right / Left Handed | Left Handed |
Reviews:
First impression is that this is a quality instrument, it feels very solid and well-crafted. No sharp fret ends or any other flaws (except for a fair amount of debris under the pickguard). It's hard to beat the classic combination of Alder, Maple and Rosewood for a sound that rings out loudly unplugged. I debated between the Vintera, Squier CV and the Performer models because these are the current vibrato-equipped Mustangs – in the end, the new and improved vibrato sold me on the Performer. I bought the Vintage White (butter-colored) and it weighs 7.7 lbs – I've seen this model as low in weight as 7.1 lbs. If the Sonic blue had competition stripes, that would have been my favorite. Out of the box, the setup was perfect (though I did put in a Stew Mac .25 neck shim to raise the bridge some – action-wise, it didn't need the shim, but helps with the trem action), and the urethane off-gassing potent. The Mustang, being on back-order for so long (I waited 3 months from order date), was probably just assembled when I received it on 12/7/21 (August and October '21 production dates are seen in the photo of neck pocket and neck heel). Besides being the only US production-run Mustang, it has the aforementioned revised vibrato – which is super smooth and stays in tune very well. [I did put on a set of locking tuners I had on hand, but I'm sure the stock ones are fine, too.] The obvious welcome revision is the nylon arm sleeve that replaces the screw-in type; it holds the arm in place at any angle. As well, the Performer body has a new rectangular rout, and larger spring routing, under under the tremolo (so, not interchangeable with a vintage unit or guitar without modification) – accommodating a metal plate that reinforces the fulcrum point of the two spring-tethered vibrato posts. This plate is attached with 3 larger screws on the face of the vibrato, giving it a slightly different look from the vintage Mustang vibrato/tremolo.The Fender script is also gone, maybe giving the initial appearance of a plain, cheaper import trem unit? Once removed from the body, the new vibrato feels heavy and substantial. The electronics are interesting – the spirit of the Mustang tone-control quirkiness lives on in the new Performer series Mustang. As a pickup set, they're well-matched and mine register 8k ohms for the neck pickup and 8.5k ohms for the bridge. Unlike a typical tone control that makes the guitar sound increasingly bassy as you roll off the treble, the Greasebucket circuit makes the pickups sound fuller as you roll the tone back – you're not losing the top-end until the very end of the tone range, like on 2. On 10, with the treble all the way up, the sound is very thin (maybe a substitute for the out-of-phase position found on a traditional Mustang?), and can be harsh if the volume knob is also all the way up – rolling the volume back to 8 will clean up the pick-ups. String attack is pronounced with the Yosemite set. The guitar sounds best with the tone rolled back 3/4's of the way, especially the bridge, imo – that's unusual and it gives the pickups a unique character and full sound, or not, depending how you set the tone circuit – from thinner to fuller is really the tonal range of the control set. Therefore, you might not get the immediate sonic versatility of a Strat or Tele (or, vintage-wired Mustang), but you do get cool sound-shaping controls that function differently compared to a normally wired guitar. As well, the Mustang has a more compact and intimate playing area, and with the very responsive vibrato that stays in tune, it's a lot of fun to play. The modern neck with its c-shape, 9.5" radius, medium jumbo frets and satin finish – will be easy to play for lots of different styles of music. String tension is pretty elastic, but still I'm fine with the 9's it comes with (it's what I normally use) as they work well with the spring setting of the trem – mine is set for the least amount of spring tension from the factory. I would imagine as you go up in string gauge you would want to take off the vibrato unit and move the spring position up 1 or 2 spots on the post. **I appreciate the included – made in Vietnam, embroidered Fender logo – light-duty – deluxe gig bag. There aren't a lot of short-scale case options out there and it fits this guitar perfectly, though not a super lot of protection. In the end, Fender has reimagined many aspects of the Mustang: upgraded vibrato; new electronics; medium-jumbo frets; satin finish neck. And, as an American made instrument it retains the traditional Rosewood fretboard, another plus (mine was dry and needed conditioning – to be expected from the fret install process and clean-up). I'm very pleased with this US produced guitar and the way it sounds, plays, feels – and looks!Jon
Really good guitar for nirvana type music. Only issue is that you need to set it up for it to be playable but once it's set up it's a great instrument. Pickups are pretty articulate but not to bright either just perfectly balanced. If you get one I recommend to lock the bridge down to improve its tuning stability and sustain. Note it DOES NOT sound like a kc style mustang, it has its own sort of sound to it. Fretboard is pretty nice same with the low radius which I prefer. Overall it's one of my favorite guitars I've ever bought and I cannot recommend it enough if you play grunge and nirvana music.Preston
I was looking for an American-made Mustang and came across the American Performer series. I purchased the antique white version. It's more of a buttercream yellow than white. I was really surprised by the quality because I'd only previously played MIM models that weren't always great. The tremolo tail piece is different than the Strat and Jazzmaster systems. It's very sensitive and has incredible range. I see why some like to block it up because it bends at the slightest touch, but it works very well and stays in tune for the most part. Sound is great, both clean and crunch – it's very versatile. It's also very light and manageable. It's becoming one of my favorite guitars and I have an American Pro Jazzmaster, a MIM Tele, MIK Esquire, and a Gibson 335. My only quality gripe is the frets are a bit rough on the edges. I like the jumbos, but seems like they need a bit more smoothing over. Other than that the setup was great out of the box, tuners are great, and I like the greasebucket tone.Rojo
5. Fender Jeff Beck Stratocaster Guitar, Olympic White
Product Details:
Fender jeff beck signature stratocaster made in usa in 2007 finished in olympic white. this guitar features an alder body, maple neck and rosewood fingerboard. equipped with 3 fender dual-coil ceramic noiseless pickups controlled by a master volume, 2 tone controls and a 5-way pickup selector switch. the 25.5 scale length neck has a medium c neck shape with a 9.5 fingerboard radius, dot inlays and 22 frets. the fender schaller locking tuners, and american two-point synchronized tremolo keep fantastic tuning stability and work flawlessly. the cream knobs and pickup covers look great paired with the guitar's olympic white finish and white 3-ply pick-guard.
Specifications:
| Body Finish | Urethane |
| Body Shape | Stratocaster |
| Neck Material | Maple |
| Neck Finish | Satin Urethane |
| Neck Shape | "C" Shape |
| Scale Length | 25.5" / 647.70mm |
| Fingerboard | Rosewood |
| Fingerboard Radius | 9.5" / 241.30mm |
| Number of Frets | 22 |
| Fret Size | Medium Jumbo |
| String Nut | LSR Roller |
| Nut Width | 1.68" / 42.67mm |
| Position Inlays | Pearloid Dot |
| Truss Rod Nut | 1/8" American Series |
| Headstock | Artist Signature on Headstock |
| Bridge Pickup | Dual-Coil Ceramic Noiseless |
| Middle Pickup | Dual-Coil Ceramic Noiseless |
| Neck Pickup | Dual-Coil Ceramic Noiseless |
| Pickup Configuration | SSS |
| Hardware Finish | Chrome |
| Tuning Machines | Deluxe Staggered Cast/Sealed Locking |
| Pickguard | 3-Ply Parchment |
| Control Knobs | Aged White Plastic |
| Switch Tips | Aged White |
| Handedness | Right-Handed |
| Body Type | Solidbody |
| Neck Construction | Bolt-On |
Reviews:
I honestly feel that the Jeff Beck Stratocaster is the best value guitar that Fender offers today. For just a couple hundred dollars more than an American Professional Stratocaster you get an upgraded, hot rodded, American made Stratocaster second to none! Anyone that knows the history of the Jeff Beck Signature Stratocaster knows that it inspired the Stratocaster Plus of the late 1980s. Roller nut, locking tuners, cutaway heel, noiseless pickups, tweed hardshell case, and American made for just a little more than the American Pro?! Duh! Despite all the upgraded "value" I keep going on about, the Jeff Beck Signature Stratocaster plays great! My model needed slight tuning straight out of the box but the action and intonation was perfect. Remember, these are standard production line guitars, not Custom Shop pieces. Whoever is doing the assembly and final setup of these guitars really takes pride in their work! I highly recommend this guitar regardless of your opinion of Jeff Beck. Jeff Beck happens to be my favorite guitar player and I always wanted a white Stratocaster with a rosewood fingerboard like the one he plays and was on the cover of the Wired album. This is the first Signature guitar I have ever bought and I could not be happier.Ty
The Jeff Beck Strat is one of the nicest guitars I’ve ever played. This is a top quality, ultra high end player. The maple neck and rosewood fingerboard simply purrs. The c shape neck is instantly comfortable even if you’re used to thicker necks or wizard necks. Everything is top quality; high end schaller locking tuners. Two point modern trem, and AMAZING sounding pickups!!! You can plug this guitar straight into an amp with no pedals and she sings. Sounds like liquid gold. Not to mention how beautiful she looks! Classic and timeless. Comes with a vintage style tweed Hardshell case w/ gold velvet lining. Rockstar looks. I can’t stop playing this guitar!!!
6. Fender Jimi Hendrix Stratocaster – Olympic White
Product Details:
Honoring the electrifying "voodoo chile" who popularized the stratocaster guitar and its tremendous sonic flexibility, the jim hendrix stratocaster gives you the same fiery tone and playing feel to wield as your own. full of incendiary vintage tone and classic style, this extraordinary instrument features signature touches and unique appointments based on his distinctive "flipped-over" guitars. the foundation of hendrixs uniquely personal sound and playing style was his habit of flipping his guitars over and restringing them to accommodate his left-handed playing, resulting in a "reverse" headstock and bridge pickup- features reproduced here in exacting detail. the "reverse" headstock produces a longer string length for the bass strings, creating a tighter playing feel along with easier bending and vibrato on the treble strings. a trio of unsurpassed american vintage 65 single-coil pickups includes a reverse-slant bridge pickup, producing uniquely inspiring tone with tight, warm sound and enhanced upper harmonics and definition. the highly versatile 9. 5radius "c-shaped maple neck with medium jumbo frets offers a flatter playing surface-ideal for chording while simultaneously allowing you to bend notes to the stratosphere without fear of fretting out during scorching solos. commemorating hendrixs unrivaled legacy, the large 70s-style headstock bears the guitarists signature on the rear. a unique neck plate displays a shoulders-up silhouette of the man himself and the engraved inscription, "authentic hendrix, " leaving no doubt as to the inspiration behind this guitar. available in classic olympic white or black, both with chrome hardware and including a gig bag, the jim hendrix stratocaster is your chance to unleash your own "electric sky church" music.
Specifications:
| Body Finish | Gloss Polyester |
| Body Shape | Stratocaster |
| Body Color | Olympic White |
| Neck Material | Maple |
| Neck Finish | Gloss Polyester |
| Neck Shape | "C" Shape |
| Scale Length | 25.5" (648mm) |
| Fingerboard Material | Maple |
| Fingerboard Radius | 9.5" (241mm) |
| Number of Frets | 21 |
| Fret Size | Medium Jumbo |
| Nut Material | Synthetic Bone |
| Nut Width | 1.650" (42mm) |
| Position Inlays | Black Dot |
| Truss Rod | Standard |
| Configuration | SSS |
| Bridge | 6-Saddle Vintage-Style Synchronized Tremolo |
| Hardware Finish | Chrome |
| Tuning Machines | Vintage-Style |
| Pickguard | 3-Ply White |
| Control Knobs | Aged White Plastic |
| Switch Tip | Aged White |
| Neck Plate | 4-Bolt |
| Handedness | Right-Handed |
| Body Type | Solidbody |
| Neck Construction | Bolt-On |
Reviews:
First the good. Neck is straight, properly fitted, and I really like a set radius as opposed to compound. The D profile feels "right" to me. Set bridge (screws vs pivot) is also a huge plus. Trem bar is a flat profile, where its closer to the body, instead of 2 inches too far out. The bad. Tuning machines are slotted too high, and a little wonky/loose. Fret ends are smooth , but not the cut, if that makes sense. So when you run your fretting hand up or down it'll catch on the burr from not smoothing out the neck side(s). The trem springs are way too loose/springy for an off the shelf guitar. Annnd it's really noisy. I expected some hum from vintage pickups but good god. This is something I'll have to deal with straight away. The gnarly. The sound and playability is simply ok out of the box. Not near enough "quack" for what its designed for. Namely doing Hendrix tunes. Barely there, really. All in all. I kinda knew it was going to take around 3-500 to get it where I wanted it. But it is a great starting point for hot-rodding/customization purposes. The headstock does take some getting used to!Bob
Sweetwater did right by me, setting up my Hendrix signature guitar with loaded pickguard with Seymour Duncan signature Hendrix pickups, bone nut, and pleking. Delivered double boxed, and in tune! Wow! Service was above and beyond at Sweetwater. The tones out of this guitar are killer, that is without any boxes! They have made themselves a lifetime customer! I highly recommend Sweetwater to anyone buying the guitar of your dreams! Thank you Sweetwater! You knocked it out of the park on this one!
Overall: This guitar is modeled after the "Jimi at Woodstock" white Strat, and is a great looking guitar that captures that vibe. But, I also needed something I could gig with. The reverse headstock is great because the longer wound strings have a little more tension, and the shorter G,B, and highE have less tension for great, smooth bends. The C shaped neck isn't super fat, but very comfortable. It gets a lot of attention in a live setting. I actually took mine to Bethel NY and stood on the original Woodstock field, and played "The Star Spangled Banner" on the spot of the original stage with a little battery powered amp. Talk about Bucket List things to do. 😉 A great guitar with vintage tone, easy playability, trem holds tune surprisingly well, not too heavy, and captures that 1969 vibe while being a true gig-worthy guitar. Buy it!Tony
7. Fender Jim Root Jazzmaster Electric Guitar – Flat Black
Product Details:
Save big when you buy today! mahogany jazzmaster body – maple neck with c shape – ebony fretboard with compound radius22 jumbo frets – active emg 60/81 humbucking pickups6-saddle american standard strings-thru-body bridge – large '70s-style headstock with jim root's signature on the back black bezels – contoured neck heel – no position inlays on fingerboard face – side dots only – no pickguard – straplock-ready strap buttons – single "t" roller string tree – side-mounted output jack – rear-routed control cavity – black tweed case with red plush interior – included accessories: strap – polishing clothcablestraplocksowner's manual
Specifications:
| Body Finish | Satin Urethane |
| Body Shape | Jazzmaster |
| Bridge Pickup | EMG Jim Root Signature Bridge Pickup |
| Configuration | HH |
| Control Knobs | Black Plastic |
| Controls | Master Volume |
| Country Of Origin | US |
| Fingerboard | Ebony |
| Fingerboard Radius | 12" to 16" Compound Radius (304.8 mm to 406.4 mm) |
| Fret Size | Jumbo |
| Hardware Finish | Black |
| Neck Finish | Satin Urethane |
| Neck Material | Maple |
| Neck Pickup | EMG Jim Root Signature Neck Pickup |
| Neck Shape | Modern "C" |
| Number of Frets | 22 |
| Nut Material | Synthetic Bone |
| Nut Width | 1.685" (42.8 mm) |
| Orientation | Right-Hand |
| Pickup Configuration | HH |
| Scale Length | 25.5" (648 mm) |
| String Nut | Synthetic Bone |
| Truss Rods | Bi-Flex |
| Tuning Machines | Deluxe Staggered Cast/Sealed Locking |
| Finish | Flat Black |
| Right / Left Handed | Right Handed |
| Number of Strings | 6-String |
| Body Type | Solid Body |
| Year | 2014 – 2022 |
| Finish Style | Satin |
| Fretboard Material | Ebony |
| Offset Body | Yes |
Reviews:
This guitar as a whole is perfect- the neck is the BEST I've ever played. The body and the matte black – sweet!!!! I have one and I modified it though from a one volume to two independent and a kill switch and different pups – I'm NOT a signature fan. This guitar as a whole is VERY underrated and sure beats out the Meteora when it comes to anything off the cuff. Plus you get a ton of case candy and a GG case black and white fabric. Hence why I will get another . Trust me – you will love this axe !! Who cares if Jim Root put his name to it – he doesn't even play this model. Fender should do a totally different version of this but with 3 witch hat knobs , black and white Dimarzio pickups!! Which ones? Hey Fender – give me a holla- u need a fresh bended vision. Brexxe BBrian
I got my 1st Tele back in 1972 to temporarily replace my injured 335 (Neck break) caused by an overzealous drummer during a gig in Keflavik Iceland (Mark, if you see this , I forgive you). But for reasons long forgot, I never liked.it and soon traded it for a Strat. I never touched another Tele for a long time. Fast forward to 2018 when I got re-introduced to the Tele Elite model while testing out amplifiers at a local music store and was immediately taken it under its spell. The tone, new contoured body shape, compound neck and superb playability made it hard to put down until I was forced to do so leave when the store closed for the night.. I went home and ordered it on line thru MF"s parent company.as they didn't have the color I wanted in stock. . It arrived about 5 days (overseas delivery) and has been my "GO-TO" axe ever since. I've had it now about 1-1/2 years now and my original opinion has not faltered. I agree with all of the 5 star reviewers and opinions which are right on the money. I don't need to carry two or three guitars to gig anymore. I can play almost any genre with it and get all the sounds and tones I need And, importantly to me, its easy on these aging hands and creaking body parts. My only gripe, if you can call it that, is that Fender discontinued the Elite model a few months after I got mine in favor of their new Ultra line. Okay, I get that a company has to continue to provide new and exciting products to keep up with the market trends. I haven't tried the Ultra's yet and can't comment on them. But, I find it hard to believe they could improve upon an almost perfect Tele.. You can still buy the Elites from distributors and can now get some very good deals at very attractive price points. I would buy this model again. For now, my Elite is my top dog in my arsenal.Will J
Overall: Jim Root, showing his love for Fender's classic body shapes, while also creating wonderfully tortuous, turbulent, and high gain guitar tones, have came together in a perfect blend of classic, and modern metal. His take on the Jazzmaster really only takes after its namesake in shape. Switching from alder to mahogany body material, dual, active humbuckers from EMG, the 81/60 combo is capable of earsplitting high gain tones all the way to creamy leads and even clear, sultry cleans. With only one volume knob, this Jazzmaster is ready to rip, and most definetley is NOT your grandpa's Jazzmaster. The satin black finish evokes mean, evil looks, with the blank fretboard finishing the clean, stripped down look. This axe took the JM body style and brought it to modern metal in a big way. 25.5 inch scale allows for lower tuning, to bring those growling, booming riffs to life without the "string flap" you can get with shorter scales, and the active EMGs provide clear, articulate riffing in high gain situations. If you're after a classic look, while melting the faces off of the folks who are within earshot, then this awesome signature series is everything you have dreamed of. With locking Fender tuners on an oversized 70s headstock , tuning is stable and steadfast when smashing on those aggressive , ripping metal riffs. 10 out of 10 in my opinion, rapidly becoming my go to workhorse guitar, because this thing has everything a modern metal player could ever want.Mikey
8. Fender Eric Johnson Stratocaster Maple | Black
Product Details:
This is it. the heart of fender and home of the legendary guitar that has rocked the world for half a century now the stratocaster. the long-awaited eric johnson stratocaster guitar arose from johnsons express wish to give something back to the collectors, players and fans whove supported him throughout his career. designed by johnson himself with his own personal features and preferences, this signature model has a highly contoured two-piece alder body with a very thin nitrocellulous lacquer finish. the one-piece quarter- sawn maple neck has a v-shaped profile, 12 fingerboard radius and 21 polished frets. the staggered vintage-style machine heads eliminate the need for a string tree, and the custom pickups are wound to johnsons specs. other features include a parchment 57-style pickguard, four-spring vintage tremolo, silver-painted block and 57-style string recess with no paint between the base plate and the block.
Specifications:
| Handedness | Right-Handed |
| Body Type | Solidbody |
| Neck Construction | Bolt-On |
| Body Finish | Nitrocellulose Lacquer |
| Body Shape | Stratocaster |
| Neck Material | 1-Piece Quartersawn Maple |
| Neck Finish | Nitrocellulose Lacquer |
| Neck Shape | Soft "V" |
| Scale Length | 25.5" / 647.70mm |
| Fingerboard | Maple |
| Fingerboard Radius | 12" / 304.80mm |
| Number of Frets | 21 |
| Fret Size | Medium Jumbo |
| String Nut | Synthetic Bone |
| Nut Width | 1.65" / 41.91mm |
| Position Inlays | Black Dot |
| Truss Rod Nut | Vintage-Style Slotted |
| Neck Plate | 4-Bolt Custom |
| Pickup Configuration | SSS |
| Bridge | 6-Saddle American Vintage Synchronized Tremolo |
| Hardware Finish | Nickel/Chrome |
| Bridge Cover | Includes Chrome Bridge Cover |
| Tremolo Arm Handle | American Vintage |
| Tuning Machines | Vintage-Style Staggered |
| Pickguard | 1-Ply Parchment |
| Control Knobs | Parchment Plastic |
| Switch Tips | Parchment |
Reviews:
I've owned several Strats over the years, including a 1968 (my first real guitar) and a Custom shop with Ibarra pickups. The Eric Johnson is as good or better for me than any of them. I play mainly blues-based classic rock, Hendrix, Clapton, Zeppelin, Beatles, etc. I've had this white-blonde with maple fingerboard for a little over two months at this writing. The larger-than-usual neck is outstanding–much like a Custom shop. Although the 12" radius isn't as comfortable for chording as the standard, rounder 9.5", it provides a more consistent feel for fast playing, runs, etc., imo, because my fingers don't need to adjust to the larger curvature. It's like a classical guitar in that respect. The pickups with their staggered pole pieces sound lovely–almost vintage sounding with loads of classic character. The neck position is honky, midrangy, not smooth like normal Strats, so it cuts. Where I might have preferred the neck position on other Strats, I prefer the 4th position on this one, which has the fat smoothness appropriate for mellower rock rhythm or fills. The middle pickup (without tone control) is louder, and a great go-to for a quick volume and tone change for solos. 2nd position is quacky and biting, great for distorted solos that cut, and the 1st (bridge) position is good for higher gain leads (with the tone rolled back a bit) or for twangy country licks. I've never much liked the bridge pickup on Strats, but this one is less harsh than usual, and with the tone rolled back to 5 or 6 is definitely usable. I'm leaving the tremolo with five springs on, flat to the body for tuning stability; but I do miss being able to whammy in both directions rather than just downward. The staggered tuners undoubtedly help maintain tension, and a bounce on the whammy bar resets intonation pretty well, though not perfectly (this could be due to other factors such as the nut, string gauge, etc.), so I don't use it much. I'm using NYXL9544 (the 9.5 "half-size" gauge).Tanuki
Very nice guitar that is era correct. Has flash coat nitrocellulose finish like original 50's strats that is thinner than other model ej strats. Even has correct '54 patent pending stamped saddles and smoothed headstock corners. These are slightly heavier than alder body EJ strats and doesn't have as deep of contours but is correct for '54 models. Neck is dead on with '54 profile, very slightly larger than previous models. It is listed that it has quarter sawn neck but mine isn't, it is more between flat and rift sawn like original '54. You can tell that fender went through some effort, likely from ej's request, to make these as close as possible to original'54 specs. Only non '54 items are pickups and Bakelite knobs but "Virginia" had these changed out.N. Collins
Beautiful white blonde finish, silky smooth neck finish. The soft V is quite round and is a robust neck, but the V keeps it from being ball bat. If you really like the "Modern C" you may find the neck a little large. It's certainly comfortable to play, and I like it a great deal, even though most of my other guitars are modern C's or similar. So, maybe you won't. I've found that I like larger necks more the longer I play, and the resonance of this neck is just a great feeling. Hard to explain, but it seems more alive than most strats I've played. Some folks have found the neck sticky, but I didn't think that at all. Plays amazing right out of the gate. Intonation was perfect out of the box and setup was just fine, although I may play with it a little for my personal preferences. Tuning stability is good. Came with all of the springs installed on the bridge, so the trem bar was not even usable, but with one spring removed, it allows the trem to be functional while still keeping the bridge hard against the body for better resonance and stability. Pickups are amazing. I have some strats with Texas specials and I've had just about every pickup out there, but these are just perfect. Sounds like a strat should sound, and the "in-between" positions are more usable and pleasing that on any other strat I've ever played. Volume knob reacts perfectly and really changes presence and drive in a predictable fashion. Break up is sweet, and can get quite crunchy on the bidge. Neck is just a perfect blues tone with lots of options to shape character with volume and tone. The treeless headstock is nice…I've had better tuning stability for my plain strings than other strats, and I didn't find the plain strings dead or lacking in any way. This is certainly my new favorite guitar. I don't really know how much having no trem pocket cover on the back of the guitar helps tone, and it kind of looks unfinished without it, but I don't know that I'll bother to add one. Case is great, also.DJ
9. Fender Custom Shop Eric Clapton Signature Stratocaster – Mercedes Blue Guitar
Product Details:
Built to clapton’s specs, the custom shop eric clapton signature stratocaster guitar features an alder body, special soft v-shaped maple neck, three vintage noiseless pickups, blocked tremolo and clapton’s signature on the headstock.tweed hardshell case, certificate and custom shop leather guitar strap included.
Specifications:
Reviews:
Overall: This is my second review. I’ve owned three Clapton Stratocasters. I’ve been gigging quite a bit with them. I play classic rock, country, some heavier stuff GNR and stuff like that. I tried to use this guitar for these extensive cover bands. I’ve done maybe 50 shows with the Clapton Stratocaster. I’ve learned a few important things. Here’s some pros and cons: The mid boost really pushes an amp. I mean it pushes. This guitar comes in hotter than my Gibson Les Paul classic and my 2016 standard. You need almost no gain to get break up with this guitar. This is very important to know if you are considering this guitar. The mid boost is always active even when turned down, so the guitar is really hot. That being said, the mid boost compliments certain drives and distortions amazingly well. I’d have to say that’s my favorite thing about the guitar. The mid boost makes most gain channels sound really amazing. I was so hooked on this guitars overdriven sound that I initially bought 3 of these guitars and dropped all my old gear. You could almost use it for Van Halen type sounds. Just be careful because it will push it until it gets muddy depending on your rig. Here’s some real important cons:The mid boost is 25 decibels. That’s a lot. I find that if I have it all the way up the rhythm sounds awesome , but then I cant go any higher in volume for leads without a boost and then you’re getting way too much break up. Of course you call roll off the mid boost for your rhythm but that causes so many inconsistencies in your volume during a show that it gets cumbersome. I mean you cant tell if your knob is at 3, 5 or 7 when on stage in the lights and All that. On top of that, if you don’t roll that mid boost down before you go back to your clean channel, you better watch out because you’ll blast everyone with so much volume it ain’t funny. You can’t get a good clean sound without turning the mid boost down. Basically you have to think that Clapton does not use pedals or clean/ dirty channels. He is using a dimed amp and just this mid boost knob. For most of us pedal users and channel switchers this doesn’t really fit our needs. Be aware ! Here’s my biggest complaint:The volume pot on two of my three Strats went to complete crap within the first 6 months. I mean the volume pot is junk. Do not overturn it or even try to use use it. It will start popping and cracking and no amount of cleaning will fix it. Trust me this is a serious issue that has seriously made me not want to play this guitar anymore. Again if you watch Clapton you’ll see that he doesn’t really use the volume knob so he probably doesn’t notice. The high strings above the 12th fret area can’t be bent very much without fretting out. Especially the first string. If you watch current Clapton live enough just look when he bends really high, you’ll see that it won’t sustain. This is probably due to vintage small fret wire combined with the radius. Similarly the high E string is likely to break if bent to a full bend. On top of that, the high E string is so close to the edge it slips off the neck a lot , and you’ll find your self pushing the saddle in as far as you can. Seriously the high E string is almost useless on this guitar.
Sound: I can get any sound I want just through the pickup selector, tbx and midrange boost controls, and the master volume takes it over the edge for extra crunch. Playing by myself I preferred the middle pickup, but in a band situation the neck pup cuts through brilliantly with lovely clean treble twang. This is a great guitar for biting blues or rock tones, or dial it back for a nice soft clean tone. I mostly play through a Blackstar TVP 60 or Marshall DSL40, but I keep both mostly clean where it's just starting to break up, which I can control by my attack. Features: The best feature for me is the playability of the neck. The satin finish combined with the low vintage frets is just super smooth. I played about a dozen different Strat models before finding the EC, and once I played it there was no other choice to make. The noiseless vintages pups are a breeze, and the controls do everything Fender claims. Ease of Use: The EC just fell to hand for me immediately, like no other guitar I'd played before or since. 'Nuff said. The pups allow me to keep tight control on feedback only when I want it. Quality: This is a pure quality instrument, and I love everything about it. Having said that, after 2 years there's quite a bit of fret wear from bending, so I'll need to refret with stainless steel wire for longer wear. The volume pot has started to get a bit dirty and noisy, so it needs a clean, even though I've only played in clean environments. Value: Worth it's weight in gold. I have not played another guitar that makes me want to buy it. Manufacturer Support: Haven't need manufacturer support, but in Australia I have Fender-registered luthiers. The Wow Factor: This is EC's guitar, as close as I'll ever get, which is a big selling point. But sheer playability, quality, and value for money, plus pride of ownership, make it simply the best. Overall: Just a fabulous, playable guitar, the best I've ever played.Peter
Arrived in great shape. So far, I love this guitar, and despite all the videos I watched and reviews I'd read, I was still amazed at the sheer number of tones you can get out of it. With the mid and treble boosts, you can really go from "typical strat" tones to get incredible sustain and hit the front of the amp quite hard to get good breakup.Pros:- American Strat quality, fit and finish is good, rolled fret board, etc.- The electronics – endless variety of tones. Not great for modern metal or hard rock, but anything else will work.Cons:- This would be a hard guitar to work into a live venue if you play with other guitars as well. It is LOUD, so much louder than my Les Paul or anything else I own that I have to play with the levels and EQ on the amp. In my house, no big deal. At a gig, that may be tough. That said, I don't own other guitars with active electronics, so maybe other active pickups are also this much louder?- Requires you to unscrew the back plate to change the battery. I'm sure this keeps costs down, but on my active basses it's a lot easier to open the battery compartment without screws. Make sure you have a full battery before a gig.- I was surprised at the amount of set-up I had to do to get rid of fret buzz. Given the amount of distance in shipping, time in warehouses, temperature/humidity differences, etc. my guess is that it was probably fine when it left the factory, but it's the first guitar I've bought online that had so many strings/frets buzzing. Luckily a couple turns on the saddle screws fixed it all without appreciably raising action.Neither good nor bad: – The neck profile is unique to the Clapton. It feels like "a more playable vintage profile" to me. It's definitely not a modern profile. You'll either like it or you won't 🙂 I found it really easy to adjust to, and it seems to work great for "thumb over"- The bridge is similarly vintage, and comes blocked. If you really want the newer Fender bridge, you are out of luck. Given my set-up experience (above), I'm not convinced I could just "remove the block" and have it playable without additional set-up.- Tweed case looks amazing, but is not form fitting like the new TSA case that comes with other American Fenders. I wanted a tweed case, and I don't fly with my guitar, so not a big deal to me.Overall I feel like I made the right choice in buying a Strat, and I can't put it down. If your goal is to make Clapton sounds (or any other great Blues/Rock sounds) – this is a fantastic guitar.Metal Head
10. Fender American Professional Ii Stratocaster Hss, Maple Fingerboard – Mystic Surf Green
Product Details:
The american professional ii stratocaster hss draws from more than 60 years of innovation, inspiration and evolution to meet the demands of today's working player. the popular deep "c" neck now sports smooth rolled fingerboard edges, a "super-natural" satin finish and a newly sculpted neck heel for a supremely comfortable feel and easy access to the upper register. v-mod ii stratocaster single-coil pickups are more articulate than ever while retaining bell-like chime and warmth, while the double tap bridge pickup delivers punchy humbucking tones as well as calibrated single coil sounds at the push of a button. an upgraded 2-point tremolo with a cold-rolled steel block increases sustain, clarity and high-end sparkle. the american pro ii stratocaster hss delivers instant familiarity and sonic versatility you'll feel and hear right away, with broad ranging improvements that add up to nothing less than a new standard for professional instruments.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | Alder |
| Body finish | Gloss Urethane |
| Neck shape | C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Standard |
| Neck finish | Satin Urethane |
| Radius | 9.5" |
| Fret size | Narrow-Tall |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.687 in. (42.8 mm) Bone |
| Configuration | HSS |
| Neck | Proprietary Single Coil |
| Middle | Proprietary Single Coil |
| Bridge | Proprietary Humbucker |
| Control layout | Master volume Individual tone |
| Pickup switch | 5-Way |
| Special electronics | Tone bypass |
| Bridge type | Tremolo/Vibrato |
| Bridge design | 2-point Fulcrum tremolo Individual saddle |
| Tuning machines | Sealed High-ratio |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I have wanted an American made Strat for the longest. Not just any American Strat, but The One built to my specs from the looks right down to the pots and of course the feel and sustain. This is it and AMS made it easy and in reach just as they've helped me to make other musical dreams to come true! This guitar feels great, sounds amazing, beyond my hopes & expectations, and even the price tag was a pleasant surprise! Tech has come a long way, but in a lot of ways we've lost craftsmanship. Well, not out of Corona California. Crisp tones, nuanced variation, and that wonderful Fender sustain! I have some other expensive guitars, which I love, but at under their price point the Professional II is going to be a close lifetime friend. If you are looking at these and don't need boutique trimming of the Ultra line or the royal treatment of the Custom Shop, look no further and pay no more. Strat-Halla is right here at a reasonable price point for a heritage worthy instrument. I won't waste time going over the specs. It's all here. Get acquainted with your new best friend!Pete
This is my second American Stratocaster. My first is from 2007 and it has a rosewood fretboard. I wanted a maple neck strat as well. I bought the Miami blue version and love it. To me, Strats are each very unique in the way they play and sound. My other Strat has Dimarzio Area pickups in it (which I love), so I’m having to get used to the stock single coils. I love the bridge, but to my ears the neck pickup it too muddy. The trem system is good, and the overall construction is good. I had to re set it up because I use heavier strings. I may end up changing pickups before it’s all said and done. Only time will tell. I wish Fender would have put Locking tuners on from factory! That’s a must for me.Justin
I purchased this guitar about 3 weeks ago (working with Zach), it has quickly become my favorite guitar I own. The full rosewood neck is incredibly smooth and the the deep C shape is extremely comfortable. I mostly play through a Helix Stomp and have been really happy with the sound and tone variability I can get with it using the various pickup selections especially with the push/push for adding the top pickup to the mix for positions 1 and 2. The pictures in the listing look great, but it looks much better in person. The pictures have a lot of light which makes the blue appear lighter than it would in a normal room. The picture where the guitar is positioned in the case is a great representation of the color in a normally lit room.Kevin
11. Fender Player Lead Ii Electric Guitar – Neon Green
Product Details:
The player lead series offers style, power and versatility in a comfortable, easy-to-play package. a homage to fender's most innovative era. created in 1979, the ground-breaking lead series marked a fresh start for the world of guitars, combining unique electronics and distinctive style with a familiar feel. the original concept was to provide a more accessible variant of the stratocaster, with a neck and pickup selection that stood out to players of all genres. and now, fender have relaunched the esteemed series and equipped it for the modern stage. the lead ii offers even more sonic options than your average fender. an integrated phase switch lets you alternate between the pickups working in or out of phase with each other. what this means, is that you have two different voicings to experiment with the same pickups, gifting you with a simple-yet-versatile setup for your electronics. a traditional 3-way selector switches the use of the neck pickup, bridge pickup, or both. so, you can instantly transition between twanging leads, and more textured chords in performance. discover the secret to your sound.
Specifications:
| Length | 41.75 in |
| Height | 4.25 in |
| Width | 15 in |
Reviews:
PMT service is fantastic, ordered it on a Sunday had it buy the Wednesday that week. Unpacked it gave it a quick tune and of I went started playing. This is my first fender and what can I say it's a lovely looking guitar, well finished and sounds great . There is a lot of variation you can get from switching between the different pickups which I love.John O.
Received my Olympic white lead iii a few days ago, tuned and tweaked a bit and fired it up. I play direct into a Bose L1 model ii with boss me 70 and speaker emulation. I do this because at our church we play direct in so that’s my set up. This guitar sounded very nice but a tad thin so I changed out the strings to fender 10’s and wow! This little beast came to life! Very nice almost vintage tone and beautiful resonance with the alder body. Not really a coil split fan but has a nice Tele/Strat quack to it. At this price point you can not go wrong. GET ONE, GET ONE NOW!
The guitar came in faster than expected. The service at Sam Ash was excellent, and the salesman was very helpful with putting my order together. After unboxing, I looked the guitar over closely before plugging to my amp. The fit and finish was flawless. The neck relief, string action, and pickup height were spot on. Then I plugged in and cranked up. This guitar comes with Player Strat pickups, and Player Strat neck. And it flat out Rocks. Everyone says the Korean guitars are so good for the money. But these Mexican made Fenders are every bit as good. Personally, I'd rather have a guitar made in the American continent than one made in Asia. Good job Fender. And Kudos to Sam Ash.michael
12. Fender Player Stratocaster Hss Electric Guitar (Maple/polar White)
Product Details:
The fender player stratocaster hss mn offers fenders iconic crisp, clean tones and style. the combination of the guitars alder body, maple neck and hss pickup configuration guarantees that you will always perform with bright highs, rounded lows and a powerful midrange. thanks to these, the fender player is versatile enough to suit any genre, giving you creative freedom in your performance. you are also provided with a 2-point synchronised tremolo, which gives you the ability to add stunning pitch shifting effects to your music to make it uniquely yours. not only does the tone make this guitar the perfect addition to your collection, but its body has also been sculpted to perfection. well-crafted into a modern c? neck profile, you are provided with hours of comfortable playing due to the way the shape fits naturally in your hand. tuning stability is also offered with this guitar, which means you are able to focus all your attention on your performance. discover your sound and style with the fender player.
Specifications:
| Finish | 3-Color Sunburst |
| Year | 2018 – 2022 |
| Made In | Mexico |
| Body Shape | S-Style |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Bridge |
| Finish Features | Matching Headstock |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Fretboard Radius | 9.5" |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.65" |
| Offset Body | No |
| Pickup Configuration | HSS |
| Right / Left Handed | Right Handed |
| Wood Top Style | Opaque |
| Body Finish | Gloss Polyester |
| Neck | Maple, Modern "C" |
| Fingerboard | Maple 9.5" (241 mm) |
| Frets | 22, Medium Jumbo |
| Position Inlays | Black Dots |
| Nut (Material/Width) | Synthetic Bone, 1.650" (42 mm) |
| Tuning Machines | Standard Cast/Sealed |
| Pickguard | 3-Ply Parchment |
| Control Knobs | Parchment Plastic |
| Hardware Finish | Nickel/Chrome |
| Strings | Fender USA, NPS, (.009-.042 Gauges) |
Reviews:
This is the first Acoustic/electric that I have owned that I actually love playing. The action is great even with the large gauge acoustic strings on it. Comes with a very nice gig-bag/case. I love the way the neck and back of the guitar looks. I also love the Strat 5-way switch that selects the degree and type of acoustic sound. The only downside with this guitar is the cover that serves as a cover for the electronics and pick guard. It looks cheap, more like a decal than a cover. I think Fender can do better on this detail for the price of the guitar. However, if you can get past that then it is a fine playing and sounding guitar. I have owned several Acoustic and Acoustic/Electric guitars. The action on even high-priced acoustics was so terrible I just ended up selling them. I also do not like the large back ends of most acoustic and acoustic electric guitars, but this guitar is small and easy to play. I would give it an A-.Bill
The research I did on trying to learn more about this instrument via general internet, YouTube, assorted standard Music Company's like Sam Ash; Sweetwater; Guitar Center; Alamo; and other assorted Music Guitar critics provided a good array of opinions and product test results that produced a positive majority with impressive perspectives for the instrument I purchased. The Fender American Acoustasonic Stratocaster Acoustic-Electric Guitar Cocobolo I purchased from Sam Ash was not a disappointment. Aside from the 10 different options of Guitar unique sounds it provides from Acoustic and Electric mixes. The one-of-a-kind Cocobolo wood identifies a further fingerprint in supporting its own private one-of-a-kind signature sound with relationship to the Cocobolo wood unique to it alone. That just blows me away with how special the sound of specialty signature sound it produces with the ten different built in technical sounds the Fender Guitar company developed with this special edition. I feel overwhelmed in learning to continue how to play this guitar. It allows me so many more possibilities with playing soft country to hard rock a really strong guitar enjoyment experience.Guitar Enthusiast
Overall, I am very happy with this guitar. It exudes classic Fender looks and tone. The quality and craftsmanship are decent for the price point. I have a US Tele and, after putting some TLC into this player strat, it feels and plays almost as good as the Tele. I would give it five stars if it were not for fretwork that was needed. Body – The finish and surf pearl color are gorgeous. The wood grain is barely visible (raised) so I would not say the finish is flawless, but the grain is very subtle and adds character in my opinion. The routed cavities for the electronics (top) and the tremolo springs (back) are precisely cut and clean. The electronics cavity was even finished with black paint. Neck – The finish and appearance are great. However, all 22 frets had sprouted; some as much as 1/32". I can't say this is a craftsmanship issue as the frets were probably fine when it was assembled. It must have been a very high humidity environment, though. Nevertheless, after painstakingly filing and redressing all 44 fret ends it feels good. The frets themselves were well seated and leveled. The 3rd and 11th frets were a few thousands of an inch high, but not enough to cause any buzzing issues. The frets were well rounded and polished. Hardware – The tuners are just okay. One of them feels a little rough turning, and they seem to have a low turning ratio making it very touchy to dial in perfect pitch. The 2-point fulcrum tremolo bridge seems like a better design than the traditional (six screw) bridges, but I did not test it. I prefer to block them for more stable tuning, which worked great with this bridge. I have upgraded electronics I had planned to install in this guitar, but the stock pickups aren't bad. They are very quiet and have good tone – there is no rush to replace them. Setup was a breeze. Truss rod adjustment was smooth, nut slots were to spec, and intonation was perfect. The action needed adjustment since I blocked the tremolo, but that was easy.Dave S.
13. Fender Artist Series Kurt Cobain Jaguar Electric Guitar, Sunburst
Product Details:
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Alder |
| Body finish | Gloss |
| Orientation | Left handed |
| Neck shape | C modern |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 24" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 9.5" |
| Fret size | Medium |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width | 1.65" (42mm) |
| Configuration | HH |
| Neck | DP103 PAF 36th Anniversary |
| Bridge | DP100 Super Distortion |
| Active or passive | Passive |
| Series or parallel | Series |
| Piezo | No |
| Active EQ | No |
| Special electronics | Jaguar lead/rhythm switch |
| Control layout | Volume 1, volume 2, master tone |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Floating tremolo tailpiece |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
This guitar was so hard to find but was well worth the wait! The quality is outstanding and the sound is incredible. Being a huge Nirvana fan also helps 🙂 but even if you're not, this guitar will not disappoint. A big thanks to Hope from customer service who answered my many questions. Excellent communication, pricing and super quick delivery to Melbourne. Thanks a million team!DAN O.
I am a huge Nirvana fan and was living in a figurative cave for a long while so when I finally opened my eyes and knew about this signature KC guitar, I knew I wanted it badly! The overall craftsmanship is great considering it is a MIM but many MIM's nowadays are great too. The only "cheap" part on this guitar is the synthetic nut but that can easily be replaced. The Dimarzio PUPs really scream! The neck is very smooth and playability is awesome! I took it to a guitar tech who set it up. He said he had to shim the neck because the TOM bridge is not stock to the guitar which is no problem and he also had to do a minor fret dress on a few that were a but off.JR
I have played guitar since age 12 or 13. My first guitar I purchased and took lessons at the store was a Fender Squier I believe I can't remember exactly. After that I had to upgrade from a squire.I couldn't stand a squire and never will again. After that I purchased a nice Fender strat. I can remember I kept searching stores looking for a guitar like Kurt Cobain played in Nirvana. And after this guitar purchase I have found the guitar I've been wanting since way back!!! All I can say is WOW!! I am astonished at how great a guitar this is. I recommend this guitar to anyone. The guitar is not just for Nirvana fan's. And you can go spend way over thousands of dollar_s for a vintage strat. To me this guitar looks better and the quality is great and sounds different than a Strat but of course it's a KC Jag. I would love to have a particular vintage strat but not for the vintage prices no way on this earth. The guitar is great with distortion. I recommend to buy this guitar. I don't believe you'll be disappointed. Very cool, very great overall. I give a star rating of 10/10 stars!!!Jimmy
14. Fender Troy Van Leeuwen Jazzmaster Electric Guitar Oxblood
Product Details:
Well back into the 1990s and right up to this day, troy van leeuwen has contributed deftly textural guitar work and atmospherics to some of alt-heavy rock's most acclaimed and forward-thinking bands. from the influential '90s alternative of failure to a perfect circle, queens of the stone age, eagles of death metal, puscifer and others, van leeuwen's multi-instrumental expertise has given great color and power to a great deal of very creative rock music. – the troy van leeuwen jazzmaster is as distinctive as the sounds he wrings from it. its gloss oxblood finish with a four-ply red tortoiseshell pickguard is darkly alluring, with the interestingly contrasting touch of two white "witch hat" control knobs. the dual tone circuits (lead, rhythm) use a two-way toggle switch on the upper horn rather than the customary slider switch, and the brass-saddle mustang bridge is combined with a jazzmaster tailpiece. – other features include a maple neck with "c"-shaped profile and heel-end truss rod adjustment, 7.25"-radius bound rosewood fingerboard with 21 vintage-style frets and pearloid block inlays, two american vintage '65 jazzmaster single-coil pickups with three-way tog – alder jazzmaster body – maple neck with c shape – rosewood fretboard with 7.25"radius21 vinage-style frets – american vintage '65 jazzmaster pickups – jazzmaster bridge with floating tremolo tailpiece – troy van leeuwen signature on back of headstock2-position toggle lead/rhythm switch in upper position – metallic oxblood paint – matching painted headstock face – white plastic parts"witch hat" control knobs – single "wing" string tree – vintage-style strap buttons – case/gig bag: black hardshell case
Specifications:
| Body Finish | Gloss Polyester |
| Body Shape | Jazzmaster |
| Neck Material | Maple |
| Neck Finish | Gloss Urethane |
| Neck Shape | "C" Shape |
| Scale Length | 25.5" (648 mm) |
| Fingerboard Material | Bound Rosewood |
| Fingerboard Radius | 7.25" (184.1 mm) |
| Number of Frets | 21 |
| Fret Size | Vintage Style |
| Nut Material | Synthetic Bone |
| Nut Width | 1.650" (42 mm) |
| Position Inlays | Pearloid Blocks |
| Truss Rod | Vintage-Style Butt Adjust |
| Bridge Pickup | Pure Vintage '65 Single-Coil Jazzmaster |
| Neck Pickup | American Vintage '65 Single-Coil Jazzmaster |
| Configuration | SS |
| Hardware Finish | Nickel/Chrome |
| Tuning Machines | Vintage-Style |
| Pickguard | 4-Ply Tortoiseshell |
| Control Knobs | White "Witch Hat" |
| Neck Plate | 4-Bolt Vintage-Style |
| Strings | Fender USA 250R NPS, (.010-.046 Gauges) |
| Case/Gig Bag | Hardshell Case |
Reviews:
I've owned the classic player JM before and later I realized I hadn't given jazzmasters a real shot because that guitar just looks like a jazzmaster but is very different from the guitar Leo wanted me to be playing. In terms of the tradeoffs that are made to get to the classic player pricepoint and audience (for example p90's instead of real JM pickups , lack of shielding). I even thought the bridge changes on the classic player were but I really wanted to get more string tension. Then I finally discovered the real story. Leo wanted JMs guitar to have all the trade offs in the original, and if you play with heavy strings (11's or higher) you can see the original specs make the guitar come to life. The only problem is the original USA models are pricey. The TVL is made in Mexico with the same parts as the USA and the same decide. It has the right pickups and everything. It comes with 10's but trust me and put 11's on it and give it a few weeks. This guitar is yet another example of the genius of Leo Fender. It sounds and plays fantastic and it inspires me. I've owned so many guitars you wouldn't believe me if I told you the number. The original spec Jazzmaster is right up there with or even surpasses with the Tele, Strat, LP, SG, and Firebird designs. And this TVL gave me that all at a reasonable price. This the only non-usa guitar I have that I can honestly say is right up there in quality with my other USA guitars. I only made one small tweak to it. The frets were very good for a Mexican Fender guitar. I I made two adjustments to turn this guitar into a dream. First a little light filing to round out the corners of the frets (the corners that sit above the binding). A youtube video will show you how to do it. It took me 15 minutes to take my time and do it right. Second I took some ultra fine steel wool and took the gloss of the back of the neck. Now if I handed this guitar to you, you would not be able to tell the difference from the AVRIJEB
Overall: This was my first jazzmaster ever. I'd wanted it for a few years but didn't quite have enough information to justify the somewhat steep pricing. So I researched as the reviews slowly rolled in over time. I sing backup and play for the local church and was aware of a slight learning curve with this guitar. I had to really get used to the rhythm circuit's function while trying to stay on pitch with the singers. There were parts of songs where I wanted to activate it while singing, but couldn't look down, so I anxiously fumbled around to feel for it. But after a few sessions, I'm glad it's there and have adapted to its placement. There's a bevy of YouTube videos with gorgeous demos that just drip with tone perfection, actively going back and forth in turning the circuit on and off. To add onto that, a main reason I remained intrigued was the wide variety of tones you can get out it. The vintage pickups are remarkable. I believe they are (I forgot where I learned it) overwound, so the signal punches out pretty hot, so be gentle when you first plug in. There's tremendous string separation, and great articulation. I like to play swells with multiple layers of reverbs with shimmer, and bending the tremolo arm at just the right time definately adds another texture on top of them. Keep in mind that this guitar does not come set up out the box. The pickups were unscrewed way too high, the neck was pretty dry, and the strings were not in tune. If you know how to do a decent setup, you're covered. There's nothing confusing going on here. But if you're unsure, just take it to your friendly neighborhood guitar tech, and that's that. Fender swapped out the saddles with the mustang bridge, which is fine, since players had been doing that for years. But I still had to do that tape trick for a bit to keep the thing secured. PLEASE! PLEASE! PLEASE! If you're really considering this guitar or any other jazzmaster or jaguar for that matter, don't do it unless you can also commit to upgrading to the Mastery bridge. You'll be happy that you did so. I cannot speak high enough praise to their product. On top of the stability and durability of them, they actually add sustain to your playing. Google it and find out for yourself. This is just my humble opinion. But now let me talk about what everyone already knows. We can all agree that this is arguably one of the most visually stimulating guitars on the planet. Trust me, as great as the photos are, they do not do this guitar justice. When I first opened the box, I just sat there, appreciating its splendor. I almost felt that I shouldn't touch it. The oxblood body with matching headstock are an immaculately wonderful union, and the rosewood fretboard with pearloid inlays are perfectly in sync between the two. The vintage tuners were a completely new thing to me, but a quick tutorial brought me up to speed. The hardshell case is good quality, very secure fit inside, next to a large storage compartment for my other accessories and strap. The price point is a bit high for what you're getting out of the box, what with upgrading saddles, and not arriving in playing condition. In my opinion, 1,199.99 should've been the highest recommended retail. But to my knowledge, a lot of detail goes into this guitar's design, so maybe Fender is trying to cover some internal cost, I don't know for sure. Take that in with a huge grain of salt. I'm not putting it lightly when I say that this is not what I would call a value guitar. But when you consider all the other aspects, you are getting tons of valuable features. People drool over this thing wherever I take it, I always find what I'm looking for when tweaking effects and amp models, and the sound is undeniably without flaw after adding the mastery bridge. I would recommend this guitar to the seasoned player who can either play confidently, or can adapt easily from guitar to guitar. This shouldn't be with a novice player who is still learning, or is still building player confidence. There's a lot to understand about this beautiful jazzmaster, and it requires a player who understands themself.Ildefonso
I bought this guitar about four months ago now and I absolutely love it. I had mainly considered this model and the american vintage while looking for a jazzmaster and ended up choosing this one because it had the same hardware, electronics, and pickups as the american vintage at a much cheaper price, and in my opinion looked even better than the av. I also own a Gibson Les Paul Classic Custom and Explorer 120, and this guitar holds it's own with those even being made at the Mexican factory as a more budget guitar. This guitar is a great deal, and you get a lot for what you pay. I was expecting to like the guitar mainly for cleans, but it sounds fantastic for classic rock and even metal along the lines of Mastodon, The Sword, etc. The pickups are also super versatile with each of the four positions sounding very different. I got it thinking I'd use it for one particular sound and was very happily surprised. Also, this is the first guitar that I own with a trem, and I've never liked trems on other guitars I've played before so I wasn't expecting to use this one. After playing with this trem a bit I found it was very usable and also relatively stable. The only changes I made to the guitar was swapping the mustang bridge for a Mastery bridge and swapping the the strap buttons for Schaller strap locks. The stock bridge was good, but I prefer the Mastery. Other than that, everything was great stock. Overall, the finish, frets, binding, and setup are pretty great. The finish looks amazing in person, the pictures online that I've seen really don't do it justice. It goes great with the block inlays, binding, and tortoise shell pickguard. Fender and TVL did a great job with this design. The neck profile feels nice, and it's probably the lightest guitar I own making it the most comfortable to play.Andrew
15. Fender Aerodyne Special Stratocaster (California Blue)
Product Details:
The mij aerodyne strats are back, this one in a california blue. cool guitars! the aerodyne special series offers a contemporary take on classic fender designs. distinctive aerodynamic lines, custom voiced pickups, state-of-the-art hardware, dazzling finishes and unmistakable silhouettes combine to create instruments that are pure, purposeful, instantly familiar and radically new. the aerodyne special stratocaster features a sleek new look with vibrant colors adorning the elegantly bound basswood body and the matching headcap. a modern “c” shape satin finished neck with 12” radius fingerboard ensures effortless playability, while newly designed vintage-voiced stratocaster pickups and a babicz z-series fch-2 point tremolo deliver a perfect balance of high-performance and classic fender tone. the made-in-japan aerodyne special stratocaster inspires with futuristic style, premium appointments and exceptional tone. the bold and original designs that inspired generations live on in the aerodyne special series.
Specifications:
| Body wood | Basswood |
| Body finish | Gloss |
| Neck shape | C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Head adjust |
| Neck finish | Satin |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.69"/Synthetic bone |
| Configuration | SSS |
| Neck | Proprietary single coil |
| Middle | Proprietary single coil |
| Bridge | Proprietary single coil |
| Control layout | Master volume, Tone 1, Tone 2 |
| Pickup switch | 5-way |
| Bridge type | Tremolo/Vibrato |
| Bridge design | 2-point fulcrum tremolo |
| Tuning machines | Sealed locking |
| Number of strings | 6 string |
| Orientation | Right-handed |
| Country of origin | Japan |
| Finish | Bright White |
| Year | 2022 |
| Made In | Japan |
| Body Shape | S-Style |
| Bridge/Tailpiece Type | Tremolo Bridge |
| Finish Features | Matching Headstock |
| Finish Style | Gloss |
| Fretboard Material | Maple |
| Fretboard Radius | 12" |
| Frets | Medium Jumbo |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Pickup Configuration | SSS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Opaque |
Reviews:
I just got a grey aerodyne SSH strat. I've never gelled with a fender before. After playing my first gig with this thing I'm so impressed. The neck is amazing. Looks are a amazing. The weight is perfect. That top contouring is so comfortable. The controls… I thought I would want to swap the metal knobs out for traditional plastic knobs because they were smooth, however I had no issues making adjustments to the volume and tone mid song… and they look amazing. The knobs are staying. The pickups. wow. just wow. The traditional strat sounds are here, but they offer more to my ears. More aggression when I needed it. The neck and middle pickups worked perfectly with that bridge humbucker. Switching to the bridge for leads was so satisfying. The sound guy came over after we finished and complimented my tone. He asked me what pedals I was using, and was surprised when I told him I just used delay and reverb. Everything else was the amp and adjusting the controls. These pickups… even when I roll off the tone they somehow still retain clarity. The right kind of clarity. I've played other strats, even American strats (but never custom shop), and these aerodyne pickups are in a league of their own. Bottom line… I've never bought a guitar and wanted to immediately go out and buy another if the same guitar "just in case" something happens to the first one. This guitar is THAT good.Sam
I just got a grey ssh aerodyne. I Never gelled with a fender before. This aerodyne is just too good. After playing my first gig with this thing I'm so impressed. The neck is amazing. Looks are a amazing. The weight is perfect. That top contouring is so comfortable. The controls… I thought I would want to swap the metal knobs out for traditional plastic knobs because the were smooth, however I had no issues making adjustments to the volume and tone mid song… and they look amazing. The knobs are staying. The pickups. wow. just wow. The traditional strat sounds are here, but they offer more to my ears. More aggression when I needed it. The neck and middle pickups worked perfectly with that bridge humbucker. Switching to the bridge for leads was so satisfying. The sound guy came over after we finished and complimented my tone. He asked me what pedals I was using, and was surprised when I told him I just used delay and reverb. Everything else was adjusting the controls. These pickups… even when I roll off the tone they somehow still retain clarity. The right kind of clarity. I've played other strats, even American strats (but never custom shop), and these aerodyne pickups are in a league of their own. Bottom line… I've never bought a guitar and wanted to immediately go out and buy another if the same guitar "just in case" something happens to the first one. This guitar is THAT good.
16. Fender Tom Morello Stratocaster – Black
Product Details:
The fender tom morello stratocaster is a recreation of a signature model of one of the most inventive guitarists in history. based on the iconic 'soul power' strat that he used during his time with audioslave, this is an instrument that's crafted for those who dare to be different. a searing hot rails bridge humbucker provides players with an aggressive, high-output tone that defined morello's sound during his time with rage against the machine. and, combined with a pair of vintage noiseless single-coils, players are offered a world of sonic possibilities.fender have taken every step to ensure that this signature model meets morello's unique demands. a dedicated 'killswitch' function unlocks a new way of playing the guitar in a more percussive, rhythmic style. and, thanks to a locking floyd rose tremolo bridge, players can unleash all the dive bombs and whammy antics they wish. finally, a sculpted modern "c" shaped neck unites with a sleek rosewood surface for a performance of absolute precision.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | Top-Bound Alder |
| Body finish | Gloss |
| Neck shape | Modern C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Dual-action |
| Neck finish | Gloss |
| Radius | Compound 9.5–14" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.65 in. (42 mm) Locking |
| Configuration | HSS |
| Neck | Proprietary Noiseless Single Coil |
| Middle | Proprietary Noiseless Single Coil |
| Bridge | Seymour Duncan Humbucker |
| Control layout | Master volume Master tone |
| Pickup switch | 5-Way |
| Special electronics | Kill switch |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Floating Locking |
| Tuning machines | Locking High-ratio |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | Mexico |
Reviews:
Bought the Tom Morello Guitar Strat Soul Power, finally arrived and the guitar was Missing screws on the chrome pick guard!!!! What the heck!! Had an approved quality inspection receipt. Ummm??? This is a FENDER Quality inspection pass ? Makes you wonder if quality is even a thing with fenderCarlos
Quality strat packed with features.Reviewed by Kenny's Music custom
17. Fender Player Jaguar Electric Guitar (Pau Ferro/tidepool)
Product Details:
Player jaguar features slinky feel with 9.5 fingerboard radius, player series humbucking bridge pickup, alder body with gloss finish, and one single-coil jaguar neck pickup. the sleek and stylish player jaguar has a unique slinky playing feel and is decked out with spotlight-ready chrome accents. it's authentic sound and feel has inspired countless artists to write new songs and create new genres of music by encouraging the player to reach for new chords and explore different tonalities. this guitar features an alder body with gloss finish, player series humbucking bridge pickup, one single-coil jaguar neck pickup, slide pickup switch, "modern c"-shaped neck profile, 9.5" radius fingerboard, and an "f"-stamped neck plate true to all player jaguars.
Specifications:
| Body shape | Double cutaway Offset |
| Body type | Solid body |
| Body wood | Alder |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | C modern |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 24 in. |
| Truss rod | Dual-action |
| Neck finish | Satin |
| Radius | 9.5 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | HS |
| Neck | Player Series single-coil Alnico |
| Bridge | Player Series humbucker Alnico |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | Coil split on slide switch |
| Kill switch | No |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Vintage-style |
| Tailpiece | Vintage Style Floating Tremolo |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
Overall: Wow, I love this bass……From the moment I received this bass, it has been my go to axe. The pickups are excellent and very aggressive, yet keep that P bass type tone. Both pickups have proven to be very articulated in the mids and not to boomy in the lows. Just perfect for my taste. The highs are very clear but not too disjointed from the mids and lows. I use Rotosound 77 flatwounds. I did change the crappy bridge to a Hipshot Kickass bridge.Now, lets talk about the neck. I do agree that the neck is a little heavy but if you are sitting down, that should not be a problem. If you are standing up then you should be using a 3" wide strap. That rule goes for most Fender style basses. The neck is wide because it projects a P style tone that can only be accomplished by this thick neck type. If you pick up a 50's type P bass you will notice very quickly how thick the neck is, yet some bass players won't play anything else.Tone, sustain and playability. That is what you get with this bass. It's definitely not a bass for everyone but this bass is a kickass bass if you are comfortable with it.The frets were perfectly dressed and the fretboard had a nice finish. If you look at the shape of this Jaguar bass you will notice a lot of real estate in the slab of the body. This, along with this neck makes a perfect combination for sustain and presence which you can feel through your chess as you play it. The designers at Fender really know what they are doing.There is a reason why the Fender MIM basses are so popular.Sotero
Overall: Wonderful instrument, the best I've owned. Setting the intonation was the hardest for me of the guitars I've owned, but once it is setup it is wonderful. The quality is amazing. I have never owned a Fender before and it is the best I have had. The vibrato arm sends it out of tune if you try dive bombing lulz Not really a complaint, just a fact. I am not too impressed with the pickups (they produce what seems to be a lot of telecaster sound) but that is not a problem either because I always swap the stock pickups out anyways. I love the 24 inch scale, I feel like the 22nd fret in not necessary though on this short scale, the additional fret pushes the frets closer together and would makes some chords harder to pull off that need lots of fingers on the same fret. Luckily for me i have small hands and fingers so not an issue. I still love this guitar and plan to keep it forever.Justin
If it wasn't so beautiful looking and if it didn't sound so good I wouldn't have played it so much. Now I can't return it without significant restock fees and shipping. My opinion is that the guitar I received has a major problem. I haven't completely sorted it out but here it is: significant static pops come through the amp when I touch or rub a a place on the pickguard near the selector switch. My guess is there is either a bad solder joint or two wires pinched together. So I have to pack the thing off to a Fender repair shop for warranty work. I've owned many guitars both new and old and this is a first. Yes it is the lowest cost offset one can buy with the name Fender on the headstock. But I've several less expensive Squiers that were perfect. The quality of the components and the fit and finish of this guitar seem great. Now to get the static fixed. I had heard that MExican Fenders were very well made, not the electronics on this one.vinny71
18. Neca Kurt Cobain Smells Like Teen Spirit Fender Guitar Action Figure Toy
Product Details:
A modern icon presented for the first time as an action figure. based on his appearance in the breakthrough smells like teen spirit video, cobain comes with his guitar and a gymnasium floor base. the highly detailed action figure stands approx. 18 cm tall and comes in a blister packaging.
Specifications:
| Figure/Doll Size | 7" |
| Occupation/Role | Musician |
| Character Name | Kurt Cobain |
| Age Range | 5 – 7 Years |
Reviews:
This was great thankyou so muchdapar700
19. Fender Tash Sultana Stratocaster Transparent Cherry
Product Details:
Tash sultana's explosive loop-based performances, gorgeous layered guitar parts and jubilant leads rocketed the melbourne artist from street busking to sold out shows around the world almost overnight – with a fender in hand from the beginning. finished in vibrant transparent cherry and furnished with all-gold hardware, the tash sultana stratocaster has good looks to match its upscale appointments – the clarity and sparkle of yosemite single-coil strat pickups combine with the powerful double tap humbucking bridge pickup to deliver a wide range of tonal options at your fingertips. the deep "c"-shape maple neck with 9.5" radius and 22 medium jumbo frets provides comfortable modern playability, while the vintage-style synchronized tremolo offers classic strat vibrato action. other features include a matching painted headstock and custom "skull" neck plate. includes gig bag. transparent cherry finish vivid see-through finish over a solid alder body. maple neck with 9.5" radius fingerboard traditional fender tone with superb playability. yosemite pickups alnico 4 equipped single-coil pickups for expressive and dynamic sounds. double tap humbucking pickup fender's patented design combines full-bodied humbucking with crystal-clear single-coil sounds conveniently accessible via push-pull tone pot. premium finishing touches all-gold hardware and a 4-ply aged white pearl pickguard play beautifully off of the deep red transparent cherry finish. engraved neckplate includes a custom engraved tash sultana neck plate.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | Alder |
| Body finish | Gloss |
| Neck shape | C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 9.5" |
| Fret size | Tall Narrow |
| Number of frets | 22 |
| Nut width/material | Bone |
| Configuration | HSS |
| Neck | Proprietary Single Coil |
| Middle | Proprietary Single Coil |
| Bridge | Proprietary Humbucker |
| Control layout | Master volume Individual tone |
| Pickup switch | 5-Way |
| Special electronics | Coil-split |
| Bridge type | Fixed Bridge |
| Bridge design | 6-point tremolo |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right Handed |
| Country of Origin | Mexico |
Reviews:
My wife thought the Inca silver guitar was beautiful. I thought it was very unique looking and assumed that since it was made in Japan, it would be very high quality. The Gotoh tuners are incredibly difficult to turn. Hopefully this is an anomaly. I could try to loosen them but I expect a guitar like this to need nothing from the start. Also the guitar would not hold tune and yes, the strings were stretched. The tremelo bar requires an allen wrench (provided) to install and remove. Although I'm no guitar tech, it looked as if the two fulcrum screws were not tightened enough. Regardless, even when not using the tremelo, just the heel of my hand resting on the bridge would make the guitar squirrelly. This was very frustrating. The low E string had a buzz on the lower few frets and I broke the high E string my 2nd day of playing it. I've gone years without breaking a string on other guitars and I just do whole step bends, nothing more. The pickups sounded fine, the TBX tone control is not something I claim to understand, but it sounds ok. The guitar is not very versatile – kind of a one trick pony good for cranked up crunch guitar, which I was ok with. The 12" radius and jumbo frets? Not very comfortable IMHO. Kind of a tiring guitar to play. I wanted to like this guitar, but again, I refuse to start out with it needing work so it 's going back and the days of me assuming that Japanese quality, or at least quality control, are over.Kelly G.
I was in the market for a Fender guitar so as I browsed I saw a beautiful Telecaster that I really liked but it didn't have a whammy bar so I continued to browse, then I saw this beautiful Stratocaster and it was love at first sight. Plus it plays and sounds great. I'm loving it! 👍🏻Clarence
This is a monster of a guitar! You get so much for your money! First off, the feel of this guitar rivals American build quality. The neck has that rolled edge feel to it with more of a satin back. The jumbo frets feel absolutely perfect. If you had told me that this was made in the US, I certainly would believe it based on the feel and quality of construction. The features are so cool on this guitar! While it has two humbuckers, the coil split turns both of them into single coils. Normally, split coil humbuckers do not sound like single coils, but both of these pickups are so good. The split neck pickup has that woody, full tone to it, just like a good quality single coil. The humbuckers have a good throaty feel to them, they are great for rock tones, but they have a vocal quality to them that gives them a really great character even when they are clean. This TBX tone control is an amazing addition and is what makes this guitar so crazy versatile. It has a notch that lets you know it is a halfway. This is like using a regular 250k tone pot. It sounds great with both the humbuckers and the split coils. But, when you take the tone to '10', it enhances both treble and bass by engaging a 1000k pot. It gives a higher gain, somewhat scooped tone. This is great for rock, blues, grunge etc. Just an amazing tone to me! To sum up the tone, this guitar sounds amazing playing high gain rock as well as playing John Mayer licks. It is seriously that versatile. I have never played a guitar that can cover so much tonal territory. The other appointments are absolutely top notch. This guitar has a bone nut, graph tech type saddles, and super high quality gotoh tuners. The crazy thing about this guitar is that I feel that I have just purchased two high quality guitars for a price that is less than one american strat. Gorgeous clean single coil tones, AND heavy, thick humbucker tones all in one unit. I can't recommend this guitar highly enough!Mike
20. Fender Kurt Cobain Jag-Stang – Fiesta Red Bundle With Gig Bag, Tuner, Strap, Instrument Cable, Strings, Picks, Capo, And Austin Bazaar Instructional
Product Details:
Kurt cobain's ideal instrument: designed by kurt cobain, the jag-stang brings his favorite elements of fender jaguar and mustang together. comfort at its best: the 7.25" radius rosewood fingerboard with maple neck has a comfortable feel that won't fatigue your hands when chording. various in and out-of-phase tones: the mustang slider switches provide the flexibility to dial in four distinct settings for a variety of in or out-of-phase tones. recreate kurt cobain's classic tones: the vintage-style single-coil and custom humbucking pickups are perfect for recreating kurt's classic tones. everything you need in one box: bundle incliudes deluxe gig bag, tuner, strap, instrument cable, strings, picks, capo, and austin bazaar guitar essentials dvd. save yourself the hassle and save some money while you're at it. a gig bag is included so you can keep your instrument safely packed away when you're on the go. an easy-to-use clip-on tuner is included so you can keep your instrument in tune. a strap is included so you can practice or better yet perform while standing up. strings are included so you have extra for later. instrument cable is included so you can start playing right out of the box. the included capo delivers ideal capo performance anywhere along the neck of any electric guitar. picks are included so you have extra for later. an austin bazaar instructional dvd is included so you can pick up some tips while learning your new instrument. br br few artists in music history can be credited with changing the industry nearly overnight and continuing to influence music culture three decades after the height of their popularity. kurt cobain and his bandmates in nirvana appeared on the scene in the early '90s as generational talents who combined raucous, heavy tones, punk-infused energy and melodic hooks to create a sound that quickly attracted millions of fans and established grunge and alternative rock as a genre with legitimate mainstream appeal.although kurt was seen playing a variety of fender guitars over the years, his fender jaguar and mustang remain the most iconic due to their use on the "nevermind" tour and "smells like teen spirit" music video. commemorating the 30th anniversary of nirvana's seminal record "nevermind," this jag-stang comes equipped with the same features that made it kurt's ideal instrument. the alder body delivers a punchy tone perfect for big power chords, the 24
Specifications:
| Package Dimensions | 42.7 x 15.2 x 4.5 inches |
| Back Material | Alder |
| Color Name | Fiesta Red |
| Fretboard Material | Rosewood |
| Guitar Pickup Configuration | HS |
| Top Material | Alder |
| Neck Material Type | Maple |
| Number of Strings | 6 |
| Guitar Bridge System | 6-Saddle Vintage-Style Mustang Tremolo |
| Fretboard Material Type | Rosewood |
| Hand Orientation | Right |
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