Are you looking for the Gibson Electric Guitar For Sale? If so, you’ve come to the right place.
Choosing the Gibson Electric Guitar For Sale can be difficult as there are so many considerations. We have done a lot of research to find the top 20 Gibson Electric Guitar For Sale available.
The average cost is $2634.15. Sold comparable range in price from a low of $825.00 to a high of $9000.00.
Based on the research we did, we think Gibson Les Paul Classic – Heritage Cherry Sunburst Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Electric Guitar For Sale (20 Sellers)
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$2129.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- A truly fantastic guitar that has to have a new home.
- I have loved playing this guitar over the past year or so, but needs must and it has to go.
- You can hear how it sounds if you drop me a message 🙂 happy to send audio and video recordings.
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- In almost new condition.
- No scratches, no wear.
- Comes with humbucker covers and pointers.
$2469.99
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Final price drop for 24 hours.
- Look at this aaaa top – it is simply amazing.
- Being a 'high performance' this les paul offers a great playability in addition to the tonal versatility with 4 push-pull knobs.
$1444.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibuya store in tokyo …
$2999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- 3-ply maple/poplar/maple body w/ gloss nitrocellulose lacquer finish
- 24.75" scale rounded "c" mahogany neck w/ rosewood fingerboard
- Dual calibrated t-type pickups
$3183.19
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Made in america
- Burstbucker pro pickups
- 5-position dip switch
$1599.00
4.8
Reviewers Noted:
Durable . Well made . Good sound quality . Attractive
Features:
- Timeless simplicity and performance
- Detailed specifications
- Body material
$2974.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Durability . Craftsmanship
Features:
- Basically new es335, bought in may of 2020.
- Love the guitar but i'm looking into either funding a custom build or checking out other high end brands.
- Case and case candy will be included!
$2549.00
4.8
Reviewers Noted:
Attractive . Well made . Good sound quality . Weight . Durable
Features:
- Weighing in at a beautifully lightweight 6 lbs. 8 oz. this little beauty is clean!
- He never even took the plastic off of the pickguard!
- There aa couple of tiny, barely noticeable rub marks on the back which is the only reason i'm marking it excellent instead of mint.
$9000.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This guitar is a 2017 true historic specs. cc#43 in new condition.
- The top is very flamey and sounds like and plays awesome.
- The weight is only 3.6kg.
$1599.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Single dog ear p-90 pickup
- Mahogany neck and body
- Rosewood fingerboard
$3099.00$2599.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Trad pro v feature set.
- A weight-relieved mahogany body with flame maple top delivers classic looks.
- The asymmetric profile mahogany neck and 22-fret, compound-radius rosewood fingerboard provide ergonomic advantages for smooth, easy playability.
$2399.00$2049.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- It has been played about 3 times and comes from a smoke and pet free home. never gigged with.
- Has an excellent setup.
- Asymmetric neck (slim taper that isn't a symmetrical taper).
$5499.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Gibson les paul custom – silver burst.
- Time-honored gibson voice… effortless playability.
- If you're seeking an iconic, hand-crafted aesthetic from one of the world's most renowned guitar manufacturers, this beauty meets all the parameters.
$1165.42
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Gibson 2014 les paul futura plain top electric guitar specifications.
- Body: mahogany / modern weight relief.
- Top: plain maple / aa silverburst.
$2499.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Gloss-finished maple top on weight-relieved mahogany body
- 24.75"-scale mahogany neck, 22-fret rosewood fingerboard
- Dual gibson burstbucker 61 pickups, coil tap, phase and bypass on push/pull pots
$1499.00
4.8
Reviewers Noted:
Attractive . Lightweight . Craftsmanship . Durability . Sound quality
Features:
- Gibson exclusive run flying v tribute guitar with case specifications
- Model: flying v tribute
- Color: worn olive drab
$3250.00$3022.50
4.8
Reviewers Noted:
Weight . Craftsmanship
Features:
- Les paul styling in a compact fully hollow archtop
- Rosewood fingerboard
- Mhs humbucking pickups
$825.00
4.6
Reviewers Noted:
Lightweight . Good sound quality . Attractive . Durability
Features:
- Here is my 2015 gibson les paul cm.
- Excellent guitar with 61 zebra humbucker and g force tuning system.
- Rich gibson tone.
$1079.99
4.6
Reviewers Noted:
Sound quality
Features:
- Aluminum stop bar with steel post
- Pickups perfectly matched to the spirit of their historic models and classic gibson controls
- Polished 0.55 frets on top of our original 1.695" neck width and original gibson les paul heel
1. Gibson Les Paul Classic – Heritage Cherry Sunburst Guitar
Product Details:
This gibson les paul classic is yet another reason why that legend will keep on living for generations to come. it's been crafted with the guitar's heritage in mind, delivering that iconic gibson tone in a stylish model that looks as though it's come straight from the '60s – and landed in the 21st century, ready to rock 'n' roll.it feels amazing in your hands. because there's nothing quite like its genuine rosewood fingerboard to provide smooth playability. plus you've got all the power and versatility you'd expect from a les paul. and more. burstbucker open-coil pickups let you blast every note at high volume – without feedback. they'll give you a wealth of tonal options, too, thanks to coil tapping and phase switching. there's not much this guitar doesn't give you, in fact. experience the genius of the classic les paul.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
2. Gibson 2019 Les Paul Classic – Honeyburst
Product Details:
Top and back and neck and headstock are perfect. minor ding on side and some other blemishes on other side. take a look at the pictures. this is the 2019 with upgraded locking tuners and all splitting options the new 2019 gibson les paul classic boasts a traditional tone wood construction of a mahogany back and maple top coupled with a mahogany neck and bound rosewood fingerboard. a slim taper neck profile and 61 r and 61 t zebra pickups provide the playability and classic gibson tones from the era, 4 push-pull control assembly give a sonic variety to this complete guitar package.
Specifications:
| Finish | Ebony |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Classic |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
3. Gibson Les Paul Standard 2016 Hp Electric Guitar Tea Burst
Product Details:
Very nice hp model. not all original, but close. when i bought it the neck had a crack at the heel which was repaired, but was still visible. i just had the crack lacquered and smoothed so it's not visible anymore. very professional and solid repair. price is reflected in this. tuners have been upgraded to kluson locking, and the 3-way switch which the shaft was broken has been replaced with a standard switch. the original switch is included. with the neck repair and setup this guitar is solid as a rock and ready to play. gorgeous finish on the top and a comfortable weight. gibson locking hard case is included.
Specifications:
| Finish | Blue Mist |
| Year | 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
I'm not a rich guy but I don't want garbage guitar's. This review is more about American Musical supply than this single guitar. In the past 5 year's I have purchased 15 guitar's from American and every one of them have been really great guitar's. I could never afford to buy these guitar's outright being a disabled Veteran I don't make enough money, so American is for ME a life saver. I no longer think about how bad my life is when I pick up one of these beautiful guitar's and play my worries away.Randy
I have played guitar and bass for 20 years, and I have always had average guitars. I just received this Les Paul in wine red. This is my first high end instrument, and it is flawless. The fretwork, finish, and intonation are immaculate. The gold hardware adds luxury to an already classy instrument. I make it a point to play every guitar I own unplugged to hear it's inherit acoustic properties. The tone is rich and snappy. Plugged into my Blackstar HT 60 2×12, this LP gives me epic tone and sustain. I feel the need to learn every riff off of Elegant Gypsy by Al Di Meola to so this guitar justice. I now know why he, and so many of the greats used Les Paul's. Thanks AMS for helping me afford such a beautiful sounding work of art.El Doctor Boca-Dientes
Love the gold hardware on black. Looks sharp.This guitar is very versatile. Lots of sustain and resonance. The pickups have a very clear and transparent tone. Playability is excellent. Had to adjust the action and truss rod. I also dressed the fretboard to make it darker. To me the darker rosewood fretboard looks more attractive. My only complaint is a little bit of dark paint overspray on the fretboard. Hence I darkened the fretboard. Quality is not as good as my American made PRS but the Gibsons have more vibe and mojo to me.A.Santos
4. Gibson Les Paul Studio – Wine Red
Product Details:
The gibson les paul studio, finished in wine red, is perfect for the stage and the studio, with all the quintessential les paul components, plus a host of modern upgrades which enhance playability and sonic versatility. a mahogany body with a maple cap, set up the basis for classic les paul tone. ultra-modern weight relief maintains this tone, while reducing the weight of the guitar, thanks to its high-tech design which offsets relief chambers around the body perimeter, and maintains a solid core through the centre. a slim taper mahogany neck, and a rosewood fretboard with 22 medium jumbo frets, provide super fast playability and comfort. a 490r neck, and 498t bridge humbucker pump out tight, crunchy high-output tone, while two push-pull pots and a three-way pickup selector switch add a huge range of sonic versatility.
Specifications:
| Neck Profile | Slim Taper |
| Neck Material | Mahogany |
| Depth at 1st (in) | .817 |
| Depth at 12th (in) | .923 |
| Nut Width (in) | 1.691 |
| Nut Material | Graph Tech |
| Scale | 24.75 In |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Grovers |
| Bridge | Nashville TOM |
| Neck Pickup | Burstbucker 61R |
| Bridge Pickup | Burstbucker 61T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Finish | BBQ Burst |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
I bought my first Les Paul in 1974. I was a little concerened about the new "lightend and improved" version but it turned out to be great. Pickups are better. Feels great, plays great and all around great guitar at a good price. Required minimal set up to play really good. I liked it so much, I bought another one 3 weeks later. I love my Strats but right out of the box, they require a lot of work to make them play and stay in tune. Got my first Strat in 72. If I was a kid (I'm in my 60's), I would choose this Les Paul Studio first. Because it is easier to set up and play right out of the box. I love my Strats, but this is a really good guitar.Stephen C
Still a novice player, but decided that I had stuck with it long enough to justify spending a bit more than I had spent on my used Squier Strat. After reading a ton of reviews and watching a bunch of YouTube videos, I chose the LP Studio in Smokehouse Burst. Wow! What an incredible difference. I find it easier to play with a wider fretboard and the sound is just amazing. I'm not sure if I just got a good one or if Gibson has stepped up their QA game as mine does not display the defects described by other reviews here. I have not found any cosmetic or fit/finish flaws. The color also closely resembles the photos with just a slightly darker shade on the burst. It is an absolutely gorgeous instrument and I couldn't be more satisfied with it. I know that Gibson switched over to the soft case rather than the hard one to save costs, but quite frankly, I don't see that they could have saved too much. The soft case is very high quality and with the exception of shipping or air travel, I feel that my guitar is well protected when put away. Although, I doubt that I'll ever be traveling to perform in this lifetime. Thanks Gibson. Great job on a beautiful instrument.ArmchairAstro
5. Gibson Es-335 Satin – Satin Vintage Burst Guitar
Product Details:
Gibson es-335 satin in satin vintage burst the gibson es-335 dot is the cornerstone of the gibson es line-up. from its inaugural appearance in 1958, the gibson es-335 immediately set an unmatched standard. the pearloid dot inlay rosewood fingerboard on a hand-rolled rounded "c" mahogany neck remind players where it all started. the all-new gibson calibrated t-type humbucking pickups paired with our hand-wired control assembly showcases the versatile gibson es tone that players have craved for over 60 years. tuning stability and precise intonation are provided by the vintage deluxe tuners with keystone buttons paired with light-weight aluminum abr-1 bridge and stop bar tailpiece. impressive yet subtle satin nitro finishes include cherry, vintage burst and vintage natural. includes case.
Specifications:
| Body Shape | 335 |
| Bracing | Spruce |
| Centerblock | Maple |
| Binding | Single-ply Cream |
| Finish | Satin Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Neck Profile | Rounded "C" |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Dots |
| Bridge | ABR-1 Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Vintage Deluxe w/ Keystone Buttons |
| Pickguard | Black 5-ply |
| Control Knobs | Black Top Hats with Silver Reflector |
| Pickups | Calibrated T-Type, Rhythm and Lead |
| Controls | 2 Volumes, 2 Tones & Toggle Switch |
Reviews:
Overall: I live in a large city and it is still impossible to find a Gibson 335 that plays and sounds great, has no issues or questionable history and comes with a price tag lower than a new one to justify the gamble. As a result, I decided to pull the trigger on a new one and went for the figured, not so much for the flame but for the lower weight and select wood, knowing both my back would thank me and that the guitar would probably be a bit more open and resonant. Block inlays are certainly nice and that may have helped sway my decision too. The 335 arrived with an impeccable setup, right out of the box from the factory. In my 35 years of playing, I’ve never had this happen. I’ve heard of it happening but never to me. I always have to tweak the truss rod to straighten the neck a bit, adjust the bridge action, widen the nut slots and intimate the guitar. Every time. The only adjustment I’ve had to make is lower the pickups a bit for balance, that’s it! Plays like an absolute dream. Here is why you want this guitar rather than a used one—. the neck. None of that weird pencil thin 335 necks from the past or those horrible and slow baseball bat necks… this is perfect. I don’t know what Gibson is doing in Nashville now, but they are making these guitars better than they ever have. Having always been a fan of Classic ‘57 pickups, I read about these T Type pickups being bright. It is true that they are bright, however it works so well in this guitar. Roll back the tone knobs for the mellower and darker sounds, especially when in the neck position for a classic straight-ahead jazz sound, or rolled back in the bridge to fatten up rhythms…but the thing is, roll the tone up for that beautiful bite and thunk in single line solos. I have had bright guitars in the past and there is nothing you can do for them. No matter the pickups or amp, it remains bright and pingy. This is not a bright guitar and has such a beautifully balanced and mellow acoustic voice, the pickups suit it well and I will not replace them. Is it an insane amount of money? Yes. It is. In 10 years when I have blown through $4K many times over and have nothing to show for it, will I still have this 335? Yes. I will. It’s an investment and zZounds makes it possible for someone like me to have something nice. This is an absolutely breathtaking guitar. In playability, sound, and appearance—Gibson is on top of their game these days and I think the future will look back at this era as their new golden age.Michael
Upon opening the case, the case was hard to open, like it didn't fit top cover to bottom cover. The guitar smells of cheap carnauba wax (if you wax your own car you know there are great waxes that smell good) this is not the great smell of the past Gibson guitars I have purchased in the past. There was a light haze to the guitar like the wax was dried but not wiped off completely. The was not common of years pasts Gibson's. Its a very light weight guitar. Nice to hold and even sitting with it to play does not dig into the underarm like a thick acoustic does over time. The ice tea version does look great front to back. I can't tell if it's AAA but its very nice. The head stock look s like it wasn't cut symmetrically compared to the other side or sanded to much. The neck is nice and thick and wider top to bottom which I like for fitting all my fingers on the 1-5 frets for chords. Their is a lot of fret buzz on the G string throughout the range of the neck, It looks like the G string is higher than all the other strings in an attempt to reduce the buzz. I thought these were machine prepped ?? I can most likely (hopefully)make some adjustments for this. The frets feel thinner than my Les Paul's. Not sure if I like this but I can get used to it. The sound on a clean channel is great. I really like the sound. The volume knobs have no volume from 0 – almost 2, they don't change the volume a lot from 3-7, from 8-10 is almost all the volume change. I have never had this experience before. The tone knobs actually lowers the volume from 1-3 which I thought is also strange. I have no experience with a ES model so maybe this is normal. If it is, then I am not sure I would have purchased. I don't regret the purchase but I was expecting perfection for this price.Just Me
I love 335 but played several that I found meh. Preferred the Heritage H-535 I bought to most Gibbies I tried. Until I played that one at my local GC store. Was immediately captivated with the tone. Went back several times, and took the plunge despite the sticker shock. At home, in my amp it sounded even better than in the shop. Absolutely wonderful guitar, that feels and sounds as good and sometimes even better than vintage 60s 335 I tried or owned. I am in love! But what a price tag…Gibson CS is becoming unattainable fast.Stéphane
6. Gibson 2019 Les Paul Standard Electric Guitar – Seafoam Green
Product Details:
Designed for professional musicians, the 2019 gibson les paul standard guitar offers the sound and feel you've come to love and expect from a les paul model, but with improved modern performance and sound. burstbucker pro humbuckers provide modern and classic tones, while additional variety from comes from 4 push-pull knobs. tones that previously eluded the les paul are now possible with the new gibson les paul standard 2019, eliminating the need to switch guitars. consider also gibson's ultra-modern weight relief and a gorgeous mahogany body and highly-figured maple top; you'll just love the upgrades gibson presents to you in the les paul standard.
Specifications:
| Finish | Blueberry Burst |
| Year | 2019 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
7. Gibson Les Paul Junior – Vintage Tobacco Burst Guitar
Product Details:
Pickguard has light pick scratches. a few #2 pencil lead sized dimples on the back of body, near the back plate. light swirling in the nitro. a few very small spots on the body where the nitro has a haze and a 1/4" then rub mark near the gibson logo. these will not show up in pics. to be able to see it, you have to have it at the right angle, in the right light. back plate still has the protective plastic. professionally uv inspected for breaks, cracks, repairs, and resprays. deep cleaned, frets polished, fingerboard oiled, and a new set of 10s installed. 6 lbs 15.3 oz. includes gibson ohsc with case candy.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Control layout | Master volume, tone |
| Bridge type | Fixed |
| Bridge design | Vintage-style compensated wraparound |
| Tuning machines | Vintage Deluxe white-key |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Ease of Use: Easy to get good sounds. Combines well with pedals. Very playable. Quality: Feels very well constructed. The Wow Factor: It looks amazing. Overall: I have owned this guitar for 5 months and I love it. I have to admit I have not played many guitars (I was drawn to this one because of Lukas Nelson and the sound he has). I really like the P90 pickup and how this guitar has nice simplicity and yet versatility at the same time. You can really make different tones despite having one pickup. It combines very well with the pedals I like to use, and when also adjusting the tone knob you can really do a lot of things to adjust your tone. It's an awesome guitar to hold and feels very high quality. It came set up well and was ready to go right out of the box. Overall I'm a big fan and I'm really glad to have this guitar which I foresee as my go-to for years to come.Nathan
Overall: This is my second Gibson. I had a gold top a few years ago that I just couldn't bond with. Being a "Telecaster guy" I loved the idea of one pickup and two knobs, like an Esquire without the switch. The shorter scale made it more enticing.The fit and finish is perfect. What I thought was black around the tobacco center and back is actually a maroon tinted mahogany. I didn't notice this until I took it outside in direct sunlight.The fretwork and tuners feel very nice as does all of the hardware. The case is very solid and there is a nice Gibson strap and multi-tool inside.Shipping was next day and free! I didn't leave a Manufacturer Support rating as I just recently received the guitar, and to be honest, I don't think I'll ever need it.Submitting the review I was notified that I needed a Manufacturer Support rating, so I'll give it one star.Tim
Really an awesome guitar. Gibson is back. It was immediately playable out of the box. Stretched the strings, tuned it up, and played. Frets are level. No issues with flat spots or buzzing. Intonation is fine… Close enough for rock n roll. Finish is immaculate. Fattest neck I've ever played. The P90 definitely snarls. Back off the volume, and it cleans up. Sounds incredible through my Marshall. Definite 60 cycle hum with lots of gain, but no surprise there. I bought this on sale here at MF and think it's a good value. Can't understand the reviews that talk about it being overpriced. They obviously thought theirs were with the price as they bought them. Price isn't often the sum of materials and labor plus a small percentage for profit. Look at the price of Apple products. Their cost of components and manufacturing labor per phone are probably in single digits. Anyway this guitar rocks.Honey Badger
8. Gibson Es-335 Vintage Burst Electric Guitar
Product Details:
The gibson es-335 dot is the cornerstone of the gibson es line-up. from itsinaugural appearance in 1958, the gibson es-335 set an unmatched standard. thepearloid dot inlay rosewood ngerboard on a hand-rolled rounded "c" mahoganyneck remind players where it all started. gibson's calibrated t-type humbuckingpickups are paired with our hand-wired control assembly. the result is that versatilegibson es tone that players have craved for over 60 years. tuning stability andprecise intonation are provided by the vintage deluxe tuners with keystone buttons,paired with light weight aluminum abr-1 bridge and stop bar tailpiece, anchored bysteel thumb-wheels and tailpiece studs.
Specifications:
| Body Type | Double Cutaway |
| Top wood | 3-piece Maple/Poplar/Maple |
| Body wood | 3-piece Maple/Poplar/Maple |
| Body finish | Gloss |
| Neck shape | Rounded C |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Dual-action |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.69" (43 mm), GraphTech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I use it just for my own enjoyment and growth as a guitarist and musician. I've wanted a top-flight guitar for awhile now. The neck is easily playable, even for a guy like me with relatively small hands. It played well for me right out of the box. It is pricy, but then, you get what you pay for. I would highly recommend.Tony in Vegas
First review I ever wrote. I would feel remiss if I did not post this. This guitar is the finest guitar I have ever owned–and I own 10. The neck feels incredibly smooth, and the finish on it is beautiful. However, I did change the strings to Thomastik-In feld 12 guage. It gives me the low mellow sound I need for my style of play. The guitar sounds incredible. Can't put it down. I always wanted a Gibson. It only took me 62 years to get one (started playing when I was 10). Bottom line, albeit it is pricey, its worth every dime.
Guitar shipped UPS. Unboxed it that same day. Was in perfect condition. Gibson hardcase with red velvet interior box candy included a cheap strap, a universal truss rod adjustment tool, literature and a picture of the guitar at the factory. I plugged it in and after a few amp adjustments on the low gain clean side with reverb and delay began to play. The strings are new 10s, it came tuned down for shipping, I tuned it up and played a few licks. The action is low and does not buzz, truss rod is perfect, annotation perfect, finish perfect. The sound is incredibly clear jangly and tasty unlike any of my other guitars. The T type pickups are unbelievably good. I haven't really tried putting heavy gain on it but I did notice the more gain the more effective the tone knobs become. But even clean the tone and volume adjustments are noticeable more than most guitars. Overall I am very happy with the purchase, I believe I will choose this guitar over every other guitar in my collection. I have played every guitar I can get my hands on and the ES 335 with the T type pickups blows every other guitar away. There is no better guitar on the market. Thank you Gibson for this instrument and thank you Guitar Center for your wonderful customer service.Steve
9. Gibson Es-339 Electric Guitar – Cherry
Product Details:
The gibson es-339 figured guitar truly stands out as a masterpiece of modern design. mhs ii humbuckers provide all the juicy, articulate tones which make for them most exceptional music. your riffs, chords, and solos will leap out in impeccable style, with superb definition and am perfectly balanced voicing. your dream guitar. a quarter sawn mahogany neck makes for perfect playing. made to a rounded 'c' profile, it offers unrivalled comfort, allowing you to master the fretboard in no time. the dark rosewood fretboard not only looks stunning, but also sounds exceptional, adding a touch of warmth and plenty of sustain to this instrument. and premium hardware ensures that it always plays exceptionally well, and can easily withstand the rigours of professional touring. the es-339 is sure to ignite your guitar playing passion like nothing else.
Specifications:
| Body Body Shape | 339 |
| Back | 3-ply Maple/Poplar/Maple |
| Bracing | Spruce |
| Centerblock | Maple |
| Binding | Single-ply Cream |
| Finish | Gloss Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Dots |
| Hardware Finish | Nickel |
| Bridge | ABR-1 Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Grover Rotomatics w/ Kidney Buttons |
| Pickguard | Black 5-ply |
| Control Knobs | Black Top Hats with Silver Reflector |
| Switch Tip | Cream |
| Electronics Neck Pickup | 57 Classic |
| Bridge Pickup | 57 Classic + |
| Controls | 2 Volumes, 2 Tones & Toggle Switch |
| Miscellaneous Strings | .010, .013, .017, .026, .036, .046 |
Reviews:
Overall: I am very very happy with this guitar. It is not a perfect instrument, but for the price, you can't really get a better semi hollow, and with the 339 body, its almost impossible to find a sub $500 model. Was really happy with the specs that Epiphone has upgraded to, the grover tuners and graphtech nut really help sell the package, (i hate switching out sub-par parts). The paint job on the F holes was a little lacking but I was able to touch up with a paint marker and the plywood top was sanded a little to much in some places, revealing the ply, but I really can't complain. the stock pickups sound great and while setting the instrument up, I was very impressed at how solidly put together it is and how well it plays. Great fret work, usually the frets are lacking on a guitar in this price range. It would be great to see a deluxe model for the 339 with some more cosmetic upgrades and pickups but this instrument is a steal, get it now!
I have always wanted a 335, but did not like the larger size. I saw this 339 and stepped up and bought it home. Had to wait 6 weeks, but was it ever worth it. This is the best guitar I have ever played or been around. Cannot make my mind up if it plays better than it looks, or if it looks better then it sounds. It came set up really well, intonation and all. All I had to do was tune it and go. Cannot find one flaw in the paint, assembly or anything wrong at all. It rings so true, holds a note and there is a major difference when selecting either pickup or both, and the tone and volume controls lets you have an infinite setting control on tone and volume. Set the bridge to really ring out and the neck one a little muddy and together it is killer, but can flip the switch and brighten a solo up good. An absolute joy to play. Just strike your favorite chord and let it ring…beautiful fun. I was worried about the neck thickness, but it is a non issue. Easy to chord, simple to fret in any way you please. I cannot express just how happy I am with this guitar. Michael at musicians friend was a great help in every way getting it here.Keith
Very comfortable to hold and play, with a slightly chunky neck which is my preference. Combines the best aspects of 335s and Les Pauls. It's also heavier than I thought it would be (again for me a good thing, I don't like feather-light guitars) I was expecting SG weights and annoying neck dive. As suggested already it seems to sound somewhere between a full-sized 335 type and a solid body, which again isn't much of a surprise. Seems to have more twang than my LP which is good for my taste, which is more soul and funk. The finish is also perfect, though slightly different to the one advertised at the time of purchase. The neck fades into a natural varnish rather than the all-black paint. Also the sides are solid natural varnish rather than the fading between black and natural effect.Reviewed by Andertons Music Co.
10. Gibson Les Paul Standard Custom
Product Details:
Here is an incredible collectors choice ’58 aged reproduction of mick ralphs famous “burst”. this guitar is aged to perfection and has a very warm snappy tone. the neck carve is very comfortable and not to big being a ’58. i played this guitar unplugged and was blown away by the tone. its very loud and very clear. plugged in it takes this to another level.
Specifications:
| Finish | Ralph's Burst |
| Year | 2010s |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
11. Gibson Les Paul Junior – Ebony Guitar
Product Details:
Ex-demo serial number: 219010349 these instruments may show light signs of use, they are quality checked by our team of repair technicians to ensure that they meet high playing standards. any promotional materials, offers, software or subscriptions available when purchased as new may not be available with this ex-demo product. the gibson les paul junior is a guitar that needs no introduction. boasting an unmistakable tone and a classic design, its been played by a generation of musicians. originally designed as an affordable alternative for students and beginners, the les paul junior has since become a favourite amongst industry experts and the touring elite. now, it's back with all the charm of the 1950s and upgraded features for the modern player. it's that renowned vintage tone that has gifted this junior a place in the rock 'n' roll hall of fame. shred with snarl and bite from a single dogeared p90 neck pickup. whether you're riffing on a tasty lead or keeping it grounded with chords, you'll always get balanced mids, sharp highs, and fierce bottom end. all on a neck that boasts incredible sustain, and a body that's been tried and tested on the road.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | 50s Vintage |
| Neck Material | Mahogany |
| Depth at 1st (in) | .896 |
| Depth at 12th (in) | .994 |
| Nut Width (in) | 1.708 |
| Nut Material | Graph Tech |
| Scale | 24.75 |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Gibson Deluxe |
| Bridge | Wraparound |
| Bridge Pickup | P90 |
| Controls | 1 Volume, 1 Tone |
| Strings | .010, .013, .017, .026, .036, .046 |
| Finish | Ebony |
| Made In | United States |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
P90 purity. An absolutely iconic sound that can spirit you back to the 50s on normal gain – and melt faces through hi gain channel. Set neck sustain and the lower string tension of the Gibson scale make it a dream to play. It also looks amazing, the mirror-like ebony finish is a joy to behold.Richard F.
Purchased a 2020 LP Junior in ebony from AMS. Arrived with chipped and bubbling paint at the neck joint. Can't believe any respectable quality control engineer would allow this out of the factory. Having purchased a 2019 Les Paul Special last year through AMS, I thought Gibson had turned the corner! And although AMS has a great return policy, I can't purchase another until the guitar has been inspected and credited to my account. So 5-7 days before I can reorder! Total Disappointment! Looks like my Gibson buying days at AMS are over. Never had a problem with my Fenders!EJ Maynard
Very nice little guitar. The quality of the instrument is awesome. The case it came with is super nice. It was set up excellently at the factory. It even came with a picture of the guitar taken at the factory while it was being set up. The also included a nice little multi tool and polishing cloth. Really good attention to detail. The sound of the guitar is great. It's exactly what I was looking for when I bought it. I play in a few different cover bands and play a lot of different music. This guitar gave me the different sound I needed and couldn't get from my Telecaster, ESP, or Schecter guitars.Frank
12. Gibson Les Paul Traditional Pro V Washed Cherry Sunburst
Product Details:
Very nice 2019 les paul traditional v flame top guitar. guitar was very gently played in a home environment only. neck is straight and frets are fine. plays well and sounds great. a few very very fine scratches but you have to look very close to see them. finish on the back is a bit darker in person than it is in the photos comes with original case and paperwork as shown. please check my other items for more great gear.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Flame maple |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Asymmetrical |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | Compound radius |
| Fret size | Modern |
| Number of frets | 22 |
| Inlays | Trap |
| Nut width | 1.69" |
| Configuration | HH |
| Active or passive | Passive |
| Special electronics | Split |
| Rhythm tone control | Push/pull phase switch |
| Bridge type | Nashville |
| Tailpiece | Aluminum |
| Tuning machines | Locking Grover |
| Number of strings | 6 |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
13. Gibson Les Paul Traditional Pro V Satin Electric Guitar Satin Wine Red
Product Details:
This guitar plays and sounds great! it has some general playwear, but is overall good condition with pretty much no noticeable fret wear, and it is set up with low action. it has a little belt rash on the bottom of the body. it includes the original case, and original case candy seen in the photos. it is hard to see in the photos, but the satin finish really compliments the wood grain nicely, and it is very pretty. the neck plays very nicely with the finish as well! what a bang for the buck! check all photos to get an understanding of the condition.
Specifications:
| Body Type | Single Cutaway Other |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Satin |
| Neck shape | Asymmetric |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | Compound |
| Number of frets | 22 |
| Inlays | Custom |
| Nut width/material | 1.687" (42.8 mm) |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Coil-split, Coil-tap, Phase switch |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Locking Vintage-style |
| Number of strings | 6 String |
| Orientation | Right Handed |
| Country of Origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
14. Gibson Les Paul Custom Silverburst
Product Details:
The les paul custom was the original ‘dressed up’ electric guitar with an unmistakable visual appeal to match with big les paul tone! beneath the layers of its ‘tuxedo’ appointments lies the crisp, edgy voice of a matched 490/498 humbucker set, a solid ebony fingerboard, a long neck tenon for maximum sustain and a twopiece maple top over a solid mahogany body which adds the perfect amount of sonic bite to everything from jazz to hard rock. it sounds as good as it looks, and it looks as good as it sounds! each instrument celebrates gibson's legacy through accuracy, authenticity and attention to detail.
Specifications:
| Finish | Alpine White |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Ebony |
| Model Sub-Family | Gibson Les Paul Custom |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
15. Gibson Les Paul Futura Champagne 2014
Product Details:
Mahogany body with maple top. maple neck and rosewood fingerboard with a 60s slim taper profile. trapezoid inlays with 120th banner. 12" radius. grover locking tuners tune-o-matic bridge, chrome burstbucker 3 in bridge p-90h sidewinder in neck. black supreme grip speed knob chrome straplocks 2 coil split push/pull volume controls, 1 push/pull – rhythm tone control (15db boost), 1 master tone control three-way switchcraft toggle 1/4" monoelectronics output jack black hardshell case with gibson logo and plush interior.
Specifications:
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
16. Gibson Les Paul Classic Electric Guitar-Honeyburst
Product Details:
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Honeyburst |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Type | Fixed |
| Nut Width | 1.695" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Burstbucker 61T |
| Neck Pickup | Burstbucker 61R |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
17. Gibson Flying V Tribute Olive Drab
Product Details:
Just behind the stop bar, dimple in the finish, smaller than a pencil lead. 1 cm sized scuff just above that. you have to hold the guitar at the right angle, in the perfect light, to even see it. this beast is clean! still has the protective plastic on the pickguard. borderline mint. the olive drab looks great and is incredibly hard to find. upgraded strap lock buttons and seymour duncan invader pickups.professionally uv inspected for breaks, cracks, repairs, and resprays. deep cleaned and a new set of 10s installed. stored at a digitally controlled 45% humidity. 6 lbs 5.2 oz. includes gibson locking hard shell case, keys, strap locks, and case candy.
Specifications:
| Finish | Olive Drab |
| Year | 2020 |
| Made In | United States |
| Body Shape | V-Style |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Flying V Tribute |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
I am thoroughly disappointed in the quality of the paint job on this guitar. The finish looks and feels like it wasn't sanded smooth, and the paint job is cheesy. You can see the un-smoothness of the wood. Also, the pick-guard has a bunch of scratches, and a couple of spots where it's damaged and white shows through the black finish of the pick guard. $1,499 plus tax and shipping for an instrument that is damaged and has a worse fit and finish than my $199 Epiphone SG. The pick guard protective plastic had been removed, which, along with the scratches/damage, tells me this was used and returned, and sold again to me as new. I complained and they've offered me a $120 refund. Not happy with my first and last experience with American Musical Supply.
Great comfortable weight and excellent sustain. I'd prefer a hotter set of pickups such as the 500t or Dirty Fingers but the 490 set will suit the majority of rock players just fine. That is a subjective matter regarding pickups. It comes with a super nice case and my example has no flaws whatsoever. I'd suggest applying some conditioner to the fretboard early on as it seems most newer fretboards are on the dry side- regardless of brand. No sharp fret ends are present here. I really like the simple control layout. I've had it well over a month so I'm well out of honeymoon stage. This one is so good that I do not see the benefit of buying the next one up for a $300 upcharge, that is unless you simply don't like the green.
This is my first Gibson. I have a bunch of Fender strats and a few Ibanez guitars that I love, but the sound from this guitar is so nice. Really nice clean sounds and amazing crunch. The setup on the guitar was perfect out of the box. The guitar isn't heavy and feels comfortable to play standing or sitting. It doesn't feel bottom heavy like a few Les Pauls I have tried in the past. I really like the olive drab color. Makes this guitar really stand out in my collection.Kris A.
18. Gibson Memphis Es-Les Paul Bourbon Burst 2015
Product Details:
Here is a pre-owned and lightly played gibson es-les paul in a bourbon burst finish, with only light marks to be seen on it. the body has been weight relieved by using lightweight materials and a modified 1959 profile one-piece mahogany neck. additional appointments include a rosewood fingerboard with trapezoid inlays, spruce top bracing and a lightweight stop bar tailpiece with long anchors and studs. the alnico pickups come together to produce some tasty, yet familiar les paul tone.
Specifications:
| Finish | Blue Stain |
| Year | 2014 – 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul ES |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
Très bon instrument qui m'est malheureusement parvenu avec un problème de blindage de micro manche qui a été résolu par mon luthier pour la somme de 65 euros car je voulais éviter un retour.Sans difficulté stars-music a accepté de me rembourser cette somme et je les en remercie chaleureusement.Je n'hésiterai pas une seconde à faire d'autres achats chez eux bien que l'instrument aurait dû être vérifié avant l'envoi.
Five stars ~ hands down, one of the finest Gibson guitars ever made. I used to own a solid body Les Paul, but, I sold it to buy two Les Paul ES models ~ yep, these guitars are THAT impressive. Best choices I made was to own one flametop LP ES with the MHS PAF pickups and also, own the second LP ES ~ a goldtop sporting the P90 pickups. Centerblock construction of the Les Paul ES helps control feedback, as I have two 50's Gibson ES models to compare to. The LP ES is very comparable to my little parlor, 1953 140 ES, but with unbelievable control with feedback and wider range of tones with the two pickups instead of one. As far as her body lines, she has a very lovely, one piece maple back. Compared to the back plastic cover 'cuts' Les Paul solid bodies have for the wiring/control knobs, the LP ES is much more appealing as a one piece, dark stain, maple back. The front top is a laminate, and sports the lovely 3-D sculpt Les Paul's are sought after for. AAA flame tops or painted tops, they are a work of art, stunning craftsmanship and attention to detail throughout. At less than 5 lbs., what a light experience she offers, sailing on your shoulder ~ instead of after only a few minutes, suddenly feeling like you are wearing a shoulder anchor! If you are a true fan of Les Paul guitars, you owe it to yourself to check out the ES model! The price is right for a limited run issue Les Paul, as Gibson only makes 200 of any one ES model. The goldtop Bigsby has an even lower number for production. ENJOY!fayewrey
Very light and nice sounding guitar.casthe
19. Gibson Les Paul Cm 2015 Electric Guitar
Product Details:
Here's a super nice and clean 2015 gibson usa les paul cm finished in satin ebony. the pickup is the original burstbucker 61 lead with zebra bobbins. the wiring has been upgraded to top quality cts / wd music 550 k custom taper potentiometers and with mod .022 f oil-filled capacitor with 50s style wiring. gavitt vintage style braided shield pushback wire and a switchcraft #11 mono output jack were also used.the guitar plays like a dream. the neck is straight and the truss rod functions properly. the frets are in great shape and show virtually zero wear and have been cleaned a polished. the rosewood fretboard and been cleaned and conditioned as well.overall a fantastic playing guitar in fantastic condition – no notable blemishes outside of very light playing wear. comes complete with the original gibson literature, "baby photo", and gig bag. these models were produced for just 2 years and and are essential a thin body carve top les paul junior.
Specifications:
| Finish | Satin Ebony |
| Year | 2015 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul CM |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | H |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
First of all, don't believe everything you read about the 2015 Gibsons. I own about a dozen Gibsons with the oldest being a 1991 Les Paul Studio Lite and the newest being a 2017 SG Standard, the quality of the 2015 Gibsons I own are on par with all of them. Now on to this particular guitar… I really wasn't expecting much for the price. This is definitely a "no frills" model. That being said, it is a lot of fun to play! The thin, contoured body is very comfortable and a nice change from the usual Les Paul. And it is a good bit lighter on the shoulder! The sound from the single humbucker can be anywhere from crystal clear to gritty and crunchy depending on your volume, tone and amp settings. It is a lot more versatile than I was expecting. And I prefer the carved maple top and humbucker to the P90 and flat top of my Les Paul Jr. All in all, a great guitar for the money!JD
Overall, this is a fantastic guitar that does exactly what I hoped it would. The Good: The neck is, by far, the standout feature. Absolutely wonderful & comfortable, with just the right profile that's not too slim, nor too chunky. The slim body is a nice touch, and helps to make the guitar super lightweight. The wraparound bridge is totally adequate; not nearly as imprecise as the internet forums would have you believe. The Bad: there was a short or some issue with my output jack, so I've yet to really hear or form an opinion on the pickup. Now, I planned on putting a new pickup in this guitar before I bought it, so a more thorough re-wiring is not beyond the scope of what I'm prepared to do. I am a little disappointed it came from the factory like this, but it's not a deal breaker; it's just a faulty jack, certainly not worth returning the whole guitar to Sam Ash. The Ugly: The fretwork isn't too great. I did have to file them down a bit so they're flush to the neck, and not poking my hands. But again, I was prepared for this, and expect most guitars (especially ones in this price point) to need some minor fretwork. Finally, a few words on the much maligned G-Force tuners. Out of the box, they didn't work well — at all. Since the strings were installed on the guitar in 2015, I changed them (which is a bit of a process, to be honest) & it worked like a champ. I really like the idea of having multiple tunings available at the press of a few buttons. However, for me: this guitar is supposed to be simple — one pickup, two knobs, & a wraparound bridge. So the "robot" tuners clash with that motif, and I will be swapping them out when I re-wire the guitar. That being said, they're definitely not a reason to avoid this guitar — give 'em a fair chance, and make up your own opinions on them. Overall, I'm quite pleased with this guitar. The wiring issue is disappointing, for sure. But acoustically the guitar sounds great, plays well, & looks awesome!Nate
I've spent about 13 years buying relatively cheap guitars, as I just record music at home as a hobby. I never considered a Les Paul because they're so expensive. When I saw the CM 2015's price tag, I thought "this is probably not that great", but after a lot of research and watching videos, I decided to take a risk. I was not disappointed. This guitar feels great in the hands, it stays in tune, and it's really beautiful. But, most importantly, it sounds great. I'm producing music that sounds levels ahead of anything I've made in the past. So much, that I've been going back to older stuff and re-recording it. This is worth the price.Shane
20. Gibson 2017 Les Paul Studio T Electric Guitar With Case, Wine Red
Product Details:
Beautiful yet simple, the les paul studio offers everything you demand from a true les paul and then some. lighter than ever, the 2017 les paul studio t benefits from gibson's new ultra-modern weight relief that offers endless sustain and hours of comfortable playing, while its slim-taper neck profile is ideal for fast yet comfortable playing. a combination of 490r and 498t humbuckers provides genuine gibson tones with a hint of modernity and aggression, wired to comprehensive controls and coil tapping for outstanding sonic versatility. this versatile performer is delivered in a classic gibson brown hardshell case, along with a premium leather strap, a gibson multi-tool and a polishing cloth. body shape:les paul. body type:solid body. body material:mahogany. top wood:grade a plain maple. body wood: mahogany. body finish: select finish. orientation:right handed. neck shape: slim taper. neck wood: mahogany. joint: set neck. scale length: 24.75". truss rod:single action. neck finish: select finish. fretboard material: rosewood. radius:12". fret size: medium. number of frets: 22. inlays: trapezoid. nut width:1.695" pickups – configuration: dual humbuckers. neck:490r. middle: n/a. bridge: 498t. brand: gibson.
Specifications:
| Finish | Black Cherry Burst |
| Year | 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Studio |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Ich habe mir dieses Gibson Model bei Kirstein gekauft, weil neben dem Koffer ein Gurt, ein Einstellwerkzeug und ein Reinigungstuch dabei waren. Am Anfang wollte ich mir eine günstige Gitarre kaufen, da aber in den Foren manche Musiker nicht mit den Pickups zufrieden waren, entschied ich mich für eine Gibson. Die Tonabnehmer zu wechseln lohnt sich nicht wirklich, besonders wenn man den Wiederverkaufswert berücksichtigt. Bei einem Preis von 1100€ bekommt man eine Gitarre die klanglich mit den weitaus teureren Modellen mithalten kann. An der Gitarre selber konnte ich keine Mängel feststellen. Einziger Punkt war das ich die Oktavreinheit ein- stellen musste. Vom Klang her bekommt das was man erwartet eine Gibson Les Paul.Karl-Heinz
Sehr fein gearbeitete Gitarre mit sehr schönem und breitem Soundspektrum, auch den Response mag ich sehr. Entäuscht bin ich von der Stimmstabilität, nach ein paar Minuten bespielen ist schnell einmal eine Neustimmung notwendig. Da sind meine Gitarren mit Tremoloblock selbst bei intensiver Verwendung stabiler, hier würde ich von der Preislage her und dem prestigeträchtigen Namen mehr erwarten deswegen gibt es nur 3 von 5 …Sigurd
A really nice guitar. It looks good with its translucent red finish and it plays well too. The first thing I did was change the supplied Gibson .010 strings for a set of .009 Ernie Ball super slinkies and this bid cause a bit of a buzz on the bottom E, but a minor adjustment to the bridge cured that. This has resulted in the easiest guitar to play that I have ever used. There is plenty of tonal variation available and the coil taps double your options.davladd-9
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