Are you looking for the Gibson Les Paul Double Cutaway Electric Guitar Ebony? If so, you’ve come to the right place.
Choosing the Gibson Les Paul Double Cutaway Electric Guitar Ebony can be difficult as there are so many considerations, such as Gibson, Epiphone, PRS. We have done a lot of research to find the top 20 Gibson Les Paul Double Cutaway Electric Guitar Ebony available.
The average cost is $3045.79. Sold comparable range in price from a low of $449.00 to a high of $8699.00.
Based on the research we did, we think Gibson Custom 1960 Les Paul Junior Double Cut Reissue Electric Guitar – Murphy Lab Ultra Heavy Aged Ebony is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Les Paul Double Cutaway Electric Guitar Ebony (20 Sellers)
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$8699.00
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Ultra heavy aged – 2021.
- *used, no trades please!
- Mods: the original tuners changed to aged grovers. an additional strap button hole ha…
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Body color: ebony
- Body style: les paul
- Body type: solid body
$932.95
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- Maple capped mahagony body with modern weight relief.
- Fast playing d profile neck and contoured heal.
- Gold hardware including locking grover tuners.
$1100.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- A stage and studio workhorse
- Ultra-modern, weight-relieved body allows for longer sets and sessions
- Mahogany slimtaper neck plays like a '60s favorite
$449.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Vintage-style solidbody electric guitar with eye-grabbing worn-in finish
- Maple-over-mahogany construction yields a tried-and-true rock ‘n’ roll tone
- Alnico classic pro humbuckers deliver warmth, punch, and midrange complexity
$2379.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Like new 2020 gibson les paul standard in stunning tobacco burst finish, never played.
- Hardshell case and all paper work.
- Out of the box only to test and photos.
$999.00
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Mahogany body offers harmonic warmth
- 490r and 490t open-coil humbuckers
- Maple neck and rounded neck profile feel extra comfortable in your hand
$5799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Guitar was purchased new from an authorized gibson dealer on 5.23.2022.
- It has been fully tested. the.
- Nitrocellulose lacquer; murphy lab ultra light aged.
$1650.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Really excellent 2018 les paul classic!
- Full spec for these easily available if you do a quick search.
- All of the hardware is perfect.
$1199.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- The essential les paul
- Ultra-modern weight relief
- The latest advancement in maintaining tone with weight relief
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$1599.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Single dog ear p-90 pickup
- Mahogany neck and body
- Rosewood fingerboard
$2400.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This is a 2016 gibson usa les paul standard t in ebony.
- You can't go wrong with a les paul standard.
- This one has a slim 60s neck, burstbuckers and has push pull pots so it has lots of tonal options at your fingertips.
$1279.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Gloss-nitro-finish weight-relieved mahogany body with maple top
- Nitro-finished 24.75" scale mahogany neck with 12" radius, 22-fret torrefied granadillo fretboard
- P-90 soapbar pickups with 3-way toggle switch
$6999.00
4.8
Reviewers Noted:
Visual appeal . Weight
Features:
- Sold out everywhere and backordered across the nation.
- Mint, opened box for pictures.
- This guitar has excellent note separation and amazing sustain. you don't want to miss this one.
$986.79
4.6
Reviewers Noted:
Sound quality
Features:
- Gibson lp studio t ebony
- Grover kidney tuners: durable and superbly efficient
- Tektoid nut: dense and self-lubricating for great sustain and accurate return to pitch
$7799.00
4.8
Reviewers Noted:
Visual appeal . Weight
Features:
- With its elegant lines and ebony/pearl/gold aesthetic.
- The very first les paul to come equipped with humbuckers.
- Gibson have opted to use the vintage-voiced custombucker.
$3150.00
4.8
Reviewers Noted:
Weight . Craftsmanship
Features:
- Les paul styling meets semi-acoustic es-335 construction
- Rosewood fingerboard
- Mhs humbucking pickups
$6899.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Heavy
Features:
- Detailed specifications.
- Body material.
- Weight relief.
$2799.00
4.8
Reviewers Noted:
Durable . Attractive . Well made . Sound quality
Features:
- Actionaction is low and plays great, but may need a quick tweak to your liking!
- Electronicsall electronics are original and work properly.
- Caseoriginal gibson hardshell case included!
1. Gibson Custom 1960 Les Paul Junior Double Cut Reissue Electric Guitar – Murphy Lab Ultra Heavy Aged Ebony
Product Details:
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | Mahogany |
| Neck shape | Slim Taper |
| Neck wood | Solid Mahogany |
| Scale length | 24.75" |
| Truss rod | Standard |
| Radius | 12" |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.687"/Nylon |
| Configuration | H |
| Bridge | Proprietary Humbucker |
| Bridge type | Fixed Bridge |
| Bridge design | Wraparound |
| Tailpiece | Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right-handed |
| Country of Origin | United States |
2. Gibson Les Paul Classic – Ebony
Product Details:
Weight 9 lbs. 9 oz. the gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for functional and versatile sonic variety. price includes the original hard shell case and all original documentation.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
3. Epiphone Matt Heafy Les Paul Custom Origins – Ebony
Product Details:
A highly versatile guitar thats made for metal epiphone is proud to present the third signature model designed in partnership with triviums extraordinary talented matt heafy – the matt heafy les paul custom origins. it features a pair of custom-voiced fishman fluence pickups. each delivers three distinct tones. the alnico neck pickup provides a modern, active, high-output alnico humbucker sound, a crisp, clean, and fluid neck humbucker sound, and a glassy, scooped, hi-fi single coil sound. the ceramic bridge pickup offers a choice of modern, active, high-output ceramic humbucker tone, high-output passive ceramic humbucker tone, and a cutting, overwound single coil tone. these tonal options are selected with push/pull volume and tone pots. the maple-capped mahogany body has modern weight relief for hours of comfortable play, and the mahogany neck has a fast-playing speedtaper d profile and a contoured heel for exceptional upper-fret access. gold hardware, including locking grover rotomatic tuners with tulip buttons, and classic les paul custom cosmetics make this a standout guitar on-stage. available in ebony and bone white gloss finishes. a custom hardshell case is included.
Specifications:
| Finish | Bone White |
| Year | 2021 – 2022 |
| Made In | China |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Opaque |
Reviews:
I am both surprised and please with this guitar I purchased this guitar at GC Nashville after returning a Gibson Les Paul Classic that I bought online. (lesson learned, don't buy from GC online.) The staff there were great and had no issues with me returning a $2200 guitar that I bought online. Even more supportive in helping me pick out a much less expensive guitar. Great people. This Epiphone is awesome. The fit and finish are great. The action is low and no buzz. The tone is great and It is lighter and easier to handle than the Gibson . The best part is it cost a third of the one I returned. I really wanted a Gibson but I am so glad I picked up this Epiphone. A word of caution. I looked at and played several guitars at GC before choosing this one. I even played a couple of other Epiphone Les Paul Customs. No two were the same. One had razors for frets, one had an action you could drive a truck under and this one was just right. Go in an play them before buying.Mike
This is my second 6 string electric, and I couldn't be HAPPIER with it! My first guitar is an entry level Epiphone SG Special that was a couple hundred bucks back in the day. It got the job done…good frets, good tune, good everything. I recently decided to step it up and get a "mid-range" guitar but still not break the bank with an Epiphone. And I'm not calling Epiphone cheap…they are just more in my price range when compared to Gibsons. Stepping it up is the right description for this guitar!! It is AMAZING! The feel, the tone, the look! It sounds great and feels good in the hands too. I especially love the Silverburst color!! The main reason I wanted this specific guitar. It's Adam Jones from TooL color scheme finish but on an epiphone! They are coming out with his own model of epiphone, but I'm impatient lol. Looks are important to picking out a guitar as much as sound! The inlays on the fretboard look beautiful. The pick guard and finish are beautiful, the trim/binding around the guitar… this guitar has reignited my passion for playing! As of this writing, I have no complaints! Excellent guitar!Matt
I purchased this guitar because a Les Paul was missing from my gear arsenal and I didn't want to drop three grand on a Gibson. I played a wall model at a local GC store and decided to buy, but requested a factory new model sent to me, because the wall model I played had some nicks in the fretboard, a sketchy 3 way switch and had worn strings and the intonation was way off above the 14th fret. I paid for next day air shipping to expedite the process because I tend to want the things I pay for fairly quickly. The shipping tag originated from the same city I live in, meaning they had a factory new either in the warehouse or at the neighboring store about 20 miles away. So I essentially paid 42$ for expedited shipping and could had likely gotten it same day if I asked the right questions I suppose. Shame on me. The next business day my guitar is delivered to my residence, I open it and immediately inspected it for possible shipping damage or factory flaws. It arrives with a broken 3 way switch, all strings tuned nearly 2 steps flat and also needed to make a truss rod adjustment to straighten the neck. Completely unacceptable that these issues left both the factory and GC's "quality control" in the condition it did. Luckily I work at a local small box music store and worked with our own luthier after hours to set it up and correct the problems. All that said, this guitar is absolutely fantastic. It plays and sounds very good and even though the stock pickups aren't top tier, they are excellent performers at a very reasonable price point. Monster value in this guitar. If you can acquire one some where other than Guitar Center, do it. If you do purchase from guitar center, make absolutely certain to have it looked at by a professional before accepting it. 5 stars for the guitar and it's value. 1 star for guitar centers lack of QC shipping items.Dan
4. Gibson 2019 Les Paul Studio Ebony
Product Details:
Pickguard and humbucker covers have light pick scratches. if you hold the guitar at the perfect angle, in the correct light, you can see some smudges on the back of the body. very light stand rash near the nut. 490r in the neck and 498t in the bridge. two factory push/pull pots that coil tap the humbuckers. many tone options, incredibly versatile. the grain and colors of the fretboard are beautiful. professionally uv inspected for breaks, cracks, repairs, and resprays. deep cleaned, frets polished, fingerboard oiled, and a new set of 10s installed. 7 lbs 13.3 oz. includes gibson case and gibson strap.
Specifications:
| Finish | BBQ Burst |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Studio |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
When I first opened the box what I saw was a work of art, I only hoped it was as great as it looked. I pushed the power button on the G-Foece Tuners and the G string light up red, I picked the G and all ways in tune. I checked it with my Petersen Strobe Tuner, and yes it was spot on. I plugged into a Vox AC30 HW, the notes that came out of the speakers seem to bloom with harmonics I've never heard before. The fit and finish looked like someone went through the Les Paul with a fine tooth comb, I figured the Les Paul being a 2016 would need a set of fresh strings. The instruction for the G-Force Tuners states to do one string at a time, so the G-Force would not need to be recalibrate. So I set up the windup wind down menu on the G-Force unwound the low E. The rewind confused me a bit, usually i cut the string about 1 1/2 past the next tuner, not so with the G-Force only cut the string to the next tuner inline, too much string will cause the G-Force to lock up due to too many winds on the post. When you get to the G-B-E Strings 1 1/2 will work better so the Strings don't slip on the post and cause tuning issues. The 490R & 498T pickups really surprised me. The 490R is very articulate not muddy in any way, if fact I use it more that I've ever used a neck pickup…the middle position is great for Lead or Rhythm, I've heard Jimmy Page uses this position a lot now I understand why. The 498T is very hot 13.7 ohms as opposed to the 7.6 ohms neck. Even though the ohms are far apart they work well together. I set my Neck volume about 6 for a nice clean rhythm sound and the bridge I set at 8-9 so when I want that little more bark it's there. So to sum it all up this Les Paul is all I need to get the tones I need. This is my Desert island Guitar.Huncy Sound Studio
I just bought a nice Candy Apple Deluxe Fender Strat a while back to upgrade to a REAL guitar, so a Les Paul was next on my list of guitars to get…someday down the road. Went to GC and traded in my bass to upgrade to a new one. On the wall I saw this deep cobalt blue Les Paul for under 2K. After 2 weeks I could not resist, said YOLO and ordered it online for store pickup. A wonderful instrument and offers a much different sound in contrast with the Strat, no regrets. I often just stare at it because it is a work of art, looks so nice next to my new strat and bass 🙂Anthony
While I still feel that the lower-end Epiphone Les Paul's (I had a Special II as my first electric) are great for the money, I decided to move up to my first actual Gibson Les Paul. The weight relief is what immediately caught my attention and I find this guitar a lot more comfortable to play. I'm also blown away by how much sustain it has over my previous Epiphone not to mention the overall finish and the ability to split the humbuckers. I went for the Cherry Burst but it wasn't easy to choose as the Midnight in Manhattan (blue) looked just as beautiful.Lloyd
5. Epiphone Les Paul Classic Worn Electric Guitar (Worn Ebony)
Product Details:
Vintage les perfection. the epiphone les paul classic worn will give you the style and sound of an iconic late '50s les paul. but at a price that'll finally make it possible for you to experience old-school sound without breaking the bank. equipped with a pair of open-coil alnico v humbuckers, it's full of wonderful vintage tone. and with slightly higher output than standard vintage pickups, you can really make every note you play roar with power.enjoy a stunning heritage aesthetic – a specially worn finish makes this guitar look like a played-in legend of rock. it's easy to play, too. a '60s slimtaper "c"-shaped neck fits comfortably to the contours of your hand, meaning even the most difficult chords and solos are made easy. the finishing touches are applied by a sustain-enhancing angled headstock, pitch perfect locktone abr bridge, and solid grover tuners. there's top quality down to the tiniest detail.
Specifications:
| Grover Rotomatic tuners have an 18 | 1 gear ratio for precise tuning |
| Body Type | Single Cutaway Solid Body |
| Top wood | Maple |
| Body wood | Mahogany |
| Neck shape | Slim Taper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Radius | 12" |
| Fret size | Jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) Plastic |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Coil-split Phase switch |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Orientation | Right handed |
Reviews:
Overall: I've been a guitarist since the late 80's, but I no longer play professionally, but I do play at home a lot. I've sold off most of my Gibsons (I held on to my '19 Les Paul Traditional) and I'm having a blast with these new Epi models. Everyone is raving about the Standard and the '59 models, and rightfully so. I own both, as well as a new Custom Silverburst and they're all great. This Classic is no exception. It actually arrived needing the least amount of setup work of all the others. The Alnico Classic Pros are brighter and a bit hotter than the Probuckers, but they're not at all harsh. The electronics work as expected, the neck pickup sounds sweet when split and the Phase feature sounds good with some moderate gain. The nut was cut extremely well and the frets don't need really much dressing. The neck is a little slimmer than what I'm used to, but it's easy adapting. The fretboard is a bit dry, but that's normal. Actually, these new Epiphone models all arrived in better condition than most of my Gibsons did in the past. The new Epiphone models are players guitars. Not wall art or collector's (cork sniffers) guitars, I wouldn't hesitate to take any of them to a gig and have fun with them. That's the whole point, right? I just wish they had made import guitars of this quality when I first started playing.Uriah
Out of the box and tuned, this guitar was completely unplayable with the neck so bent that pressing the strings at anywhere beyond the 8th fret fouled the frets higher up the neck, this also meant the action (measured at the 12th fret) was over 6mm. Fortunately I’ve a good understanding of how to set-up a guitar so adjusted the neck to have minimal relief with the truss rod – as a point of interest there was no truss rod allen key in the box, so just as well that I have my own tools. Once the action was set to my preferred settings (and by no means not as low as many like it) I had loads of fret buzz all over the place. So resetting the neck flat and using a ‘fret rocker’ I found 17 of the 22 frets (at various points across the neck) in need of remedial work to get them level. However as the guitar was new I decided initially to just add a bit more neck relief & set the action a shade higher, while I decided if I should just send it back or spending some hours sorting the frets in the near future? There are some positive points! I really liked the ‘worn’ (satin) finish although I feel there should have been a higher discount over the gloss finished versions as this must have saved loads of time during the finishing process. The Alnico Classic PRO pickups sound powerful with loads of variation between the neck and bridge and support coil-splitting. With the coils split option, with push/pull volume pots, there is (as expected) a significant drop in output but they do sound good, verging on P90 territory, rather than Strat/Tele sound ‘alikes’. One of the areas that lower cost guitars usually fail on is the quality of the tuners, here they have fitted Grover Rotomatics with an 18:1 ratio. They are smooth and easy to operate with the large kidney button heads, holding tune very well. The nut, a Graph Tech, was superbly cut, but unfortunately this was completely wasted with the poor quality of fret levelling from the factory as several of the strings would buzz when played open when set at a reasonably low action! The trapezoid neck inlays are very well fitted and although acrylic, do a very good impersonation of mother of pearl. Visually the guitar look stunning with its unusual colour and matt (worn) finish, but I do find the inclusion of gold knobs a bit of a clash with the all Nickel hardware and at the back cream control plate covers just don’t look right and should have been black. But both of these last two issues are a really cheap to resolve at about £12 for both black cover plates and 4 clear knobs. Overall both positives & negatives to consider and if I’d been unable to adjust the guitar myself, there would have been no option but to just send it back for a refund/replacement (hence 3 stars which I think is quite generous) as it is I’ll be keeping this. If I could have bought this locally it would have been great to try before I bought, but my local Epiphone dealer (90 mile round trip) didn’t have any in stock and was unlikely to get one, so I went the mail order route. The guitar is now playing well and will be even better when I get the time to sort out the frets and put a set of 9-42 gauge strings on.Paul
This guitar is absolutely stunning. At about $450 the Epiphone Les Paul Special certainly hits its price point without question. This is the 2nd time I bought this guitar, but I couldn't resist buying this again. I'll start with the cons first, that I noticed applied to both Special's I've owned.. The poly finish is thick. The combination of the "tv yellow" color and the thick polyurethane sort of gives a toy like feeling, or a bit of a cheapness to it.. Speaking of "tv yellow," it's really more of a Dijon mustard/ Carmel color. I don't think that's a bad thing or ugly by any means, but as other reviewers may have stated, the Epiphone isn't quite as accurate to its high end counterpart. The pickup routes and control cavity were also a little bit choppy, but that's just nit picking. If you buy this guitar, you will most likely need a setup. 2nd time around, I knew that going in but both guitars I bought needed set ups. That being said, this guitar is awesome. Surprisingly the laurel fingerboard was really smooth and moist. I do not sense bad or tall frets, but are scratchy at first. The P90 pros are so good. The CTS pots are so dynamic. The volume and tone sweeps combined with these P90 pros are so dynamic and touch sensitive, that they can hang with the best of em. The guitar resonates so well and plays both clean and crunchy top notch. Punchy and warm…Absolute quality electronics. I haven't found a bad tone in any position. If your used to playing your guitars with everything at 10, this guitar with inspire you to play around with all the tonal possibilities by simply rolling in & out your pots. The neck on this is fat, and so nice but not absurd. I highly recommend it. For the price, you can't go wrong and will love the tones, just plan on getting a setup and you will absolutely love this guitar.Zac F
6. Gibson Les Paul Standard '50s Electric Guitar (Tobacco Burst)
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. pure tone, prime playability. two classic burstbucker humbuckers adorn this feisty '50s guitar, giving it that vibrant vintage crunch which sails through to the soul. your licks will sing powerfully as you strum and pick your way through songs, with each note shining with crystalline clarity. the beautiful neck and fretboard bring you the ultimate playing satisfaction, feeling chunky and dense whilst offering beautiful resonance. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | Probucker |
| Bridge | Probucker |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
7. Gibson Les Paul Special Tribute Humbucker Electric Guitar (Ebony)
Product Details:
Mild players wear as it s a satin nitro finish and prone to easy wear. i circled a super tiny barely visible scratch on the front. there s a factory finish flaw on the tip of the headstock. factory 490 pickups. output jack and plate have been replaced with a puretone jack and gibson metal plate. feet ends are smooth, neck is straight. plays great. bought it summer of 2020, just played it at home as church wasn t having live worship. smoke free home. i do have the gibson gig bag as well.
Specifications:
| Body Type | Single-Cutaway Solid Body |
| Body wood | Mahogany |
| Body finish | Satin |
| Neck shape | Rounded |
| Neck wood | Solid Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 10" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Acrylic Dot |
| Nut width/material | 1.695 in. (43.05 mm) GraphTech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Compensated wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
8. Gibson Custom Murphy Lab 1957 Les Paul Goldtop Reissue Ultra Light Aged Electric Guitar Double Gold
Product Details:
Bought new from cme last year and kept in my smoke free home. humidified during the winter and treated with tlc. i m really getting into fender strats and jazzmasters now so i m selling this beauty. has aged nicely as the lacquer continues to crack up. very cool guitar! 8.66 lbs. $4200 obo.
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Gold Top |
| Finish Type | Lacquer |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Type | Fixed |
| Nut Material | Nylon |
| Nut Width | 1.687" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Custombucker Alnico 3 (Unpotted) |
| Neck Pickup | Custombucker Alnico 3 (Unpotted) |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
9. Gibson 2018 Les Paul Classic Ebony
Product Details:
Sell beautiful left-handed gibson lp classic in ebony with accessories, certificate and the original hard case. condition is excellent, only a few minor scratches and signs of wear. the only more apparent thing i found is a small chip on the headstock and a small spot with no leather cover on the case – see photos.the 2018 les paul classic has two gibson p90 siglecoil pickups and a pleasant 60s slim taper neck profile. rolled fingerboard edges and the pleking from the factory at gibson ensure perfect playability. tuners are from grover.
Specifications:
| Finish | Ebony |
| Year | 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Classic |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
10. Gibson Les Paul Studio – Ebony
Product Details:
Less than 20 hours of play time. purchased new in april 2020. guitar made 11/11/2019 according to factory slip. never taken out of the home or gigged. includes all case candy and receipts. comes with mint locking gibson usa ohsc ($200 value). cosmetic 9/10 with faints signs of play on pickguard, body and hardware. light swirling etc, but no dings or flaws, no finish scratches. works perfectly. set up professionally by a luthier in may 2021 in d standard. gibson 490 pickups with coil splitting.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
Not much to say about a GLP – its an amazing guitar as you'd expect and anyone can carry it and comparably price instruments. However, it's the Sweetwater service that makes the difference. Grant is great and super responsive to my questions and issues. You can tell that the people who work here play and love music. I completely trust Sweetwater with my musical instruments. I just purchased my second guitar with them yesterday and the process was fantastic. At this point, I'm only going to buy here. Even if I found an instrument at a cheaper price through one of their competitors, it wouldn't be worth the care and service you get at Sweetwater. 5-Stars guys! Customer 4-Life!
So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.
11. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
12. Gibson Les Paul Junior – Ebony Guitar
Product Details:
Ex-demo serial number: 219010349 these instruments may show light signs of use, they are quality checked by our team of repair technicians to ensure that they meet high playing standards. any promotional materials, offers, software or subscriptions available when purchased as new may not be available with this ex-demo product. the gibson les paul junior is a guitar that needs no introduction. boasting an unmistakable tone and a classic design, its been played by a generation of musicians. originally designed as an affordable alternative for students and beginners, the les paul junior has since become a favourite amongst industry experts and the touring elite. now, it's back with all the charm of the 1950s and upgraded features for the modern player. it's that renowned vintage tone that has gifted this junior a place in the rock 'n' roll hall of fame. shred with snarl and bite from a single dogeared p90 neck pickup. whether you're riffing on a tasty lead or keeping it grounded with chords, you'll always get balanced mids, sharp highs, and fierce bottom end. all on a neck that boasts incredible sustain, and a body that's been tried and tested on the road.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | 50s Vintage |
| Neck Material | Mahogany |
| Depth at 1st (in) | .896 |
| Depth at 12th (in) | .994 |
| Nut Width (in) | 1.708 |
| Nut Material | Graph Tech |
| Scale | 24.75 |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Gibson Deluxe |
| Bridge | Wraparound |
| Bridge Pickup | P90 |
| Controls | 1 Volume, 1 Tone |
| Strings | .010, .013, .017, .026, .036, .046 |
| Finish | Ebony |
| Made In | United States |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
P90 purity. An absolutely iconic sound that can spirit you back to the 50s on normal gain – and melt faces through hi gain channel. Set neck sustain and the lower string tension of the Gibson scale make it a dream to play. It also looks amazing, the mirror-like ebony finish is a joy to behold.Richard F.
Purchased a 2020 LP Junior in ebony from AMS. Arrived with chipped and bubbling paint at the neck joint. Can't believe any respectable quality control engineer would allow this out of the factory. Having purchased a 2019 Les Paul Special last year through AMS, I thought Gibson had turned the corner! And although AMS has a great return policy, I can't purchase another until the guitar has been inspected and credited to my account. So 5-7 days before I can reorder! Total Disappointment! Looks like my Gibson buying days at AMS are over. Never had a problem with my Fenders!EJ Maynard
Very nice little guitar. The quality of the instrument is awesome. The case it came with is super nice. It was set up excellently at the factory. It even came with a picture of the guitar taken at the factory while it was being set up. The also included a nice little multi tool and polishing cloth. Really good attention to detail. The sound of the guitar is great. It's exactly what I was looking for when I bought it. I play in a few different cover bands and play a lot of different music. This guitar gave me the different sound I needed and couldn't get from my Telecaster, ESP, or Schecter guitars.Frank
13. Gibson 2016 Les Paul Standard Electric Guitar – Ebony
Product Details:
The gibson les paul standard is the solidbody electric guitar for you, if you want to mix vintage tone with uncompromising playability. beyond the classic mahogany body with a maple top, the lp standard delivers both humbucker smoke and single-coil spank in one instrument. you'll appreciate the les paul standard's "modern" weight-relieved body that's lighter in weight but still packs ample sustain. the '60s neck profile is topped by a compound radius rosewood fretboard that makes the les paul standard perfect for both rhythm and lead roles. you get the looks, the feel, and all the classic guitar tone you can handle with the gibson les paul standard premium plus.
Specifications:
| Finish | Blue Mist |
| Year | 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
14. Gibson Limited Edition Les Paul Bfg Electric Guitar Worn Ebony
Product Details:
Double p-90 bfg set up and ready to play, about 2mm action across the board, 10-49 d'addario set. this les paul type is fairly light weight. this particular guitar weighs 7 lbs 2 oz. for comparison, a g&l legacy i have (strat) weighs exactly 8 lbs. the bfg has and attractive and unique design that lends itself to mods, and is meant to be played, not cased up and babied. those who are iffy on the lp feel and/or sound are often drawn to this model due to its light weight and especially the dynamic tonal range of p-90s. i had electronics inspected and the frets leveled a month ago. there is nothing noteworthy in terms of playing wear. all the joints and stress points are in mint shape. i've included many pics in hopes to show full detail of what you'd be getting.
Specifications:
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
15. Gibson Custom 1968 Les Paul Custom Reissue Electric Guitar – Murphy Lab Ultra Light Aged Ebony
Product Details:
Specifications:
| Year | 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Features | Relic |
| Fretboard Material | Ebony |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Custom |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Love this guitar. I own multiple Gibson's and always seem to find my way back to this one.~W~
first look was not good but it cleaned up good nice guitar for the moneyguitar man
16. Gibson 2017 Les Paul Studio T Electric Guitar – Ebony
Product Details:
For players that prefer a more vintage feel, this years les paul studio '50s tribute combines all the right features at an irresistible price. it packs the prefect combination of a traditional mahogany body with modern weight relief and a grain textured satin finish maple top. these time-tested tonewoods with a set mahogany neck produce legendary les paul sound and resonance. the neck sports a rounded '50s neck profile that traditionalists love. the fretbourd is made of a single piece of thick rosewood for seminal tone and enhanced sustain. a historically correct neck width and graph tech nut make for a familiar feel with enhanced sustain. a pair of 490r (neck) and hotter 498t (bridge) pickups showcases the full power of alnico magnets recreating faithfully the experience of the original patent applied for humbuckers of the day. traditional green-key tuners blend vintage appearance with modern performance while an abr adjustable bridge with stop.
Specifications:
| Finish | Black Cherry Burst |
| Year | 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Studio |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Ich habe mir dieses Gibson Model bei Kirstein gekauft, weil neben dem Koffer ein Gurt, ein Einstellwerkzeug und ein Reinigungstuch dabei waren. Am Anfang wollte ich mir eine günstige Gitarre kaufen, da aber in den Foren manche Musiker nicht mit den Pickups zufrieden waren, entschied ich mich für eine Gibson. Die Tonabnehmer zu wechseln lohnt sich nicht wirklich, besonders wenn man den Wiederverkaufswert berücksichtigt. Bei einem Preis von 1100€ bekommt man eine Gitarre die klanglich mit den weitaus teureren Modellen mithalten kann. An der Gitarre selber konnte ich keine Mängel feststellen. Einziger Punkt war das ich die Oktavreinheit ein- stellen musste. Vom Klang her bekommt das was man erwartet eine Gibson Les Paul.Karl-Heinz
Sehr fein gearbeitete Gitarre mit sehr schönem und breitem Soundspektrum, auch den Response mag ich sehr. Entäuscht bin ich von der Stimmstabilität, nach ein paar Minuten bespielen ist schnell einmal eine Neustimmung notwendig. Da sind meine Gitarren mit Tremoloblock selbst bei intensiver Verwendung stabiler, hier würde ich von der Preislage her und dem prestigeträchtigen Namen mehr erwarten deswegen gibt es nur 3 von 5 …Sigurd
A really nice guitar. It looks good with its translucent red finish and it plays well too. The first thing I did was change the supplied Gibson .010 strings for a set of .009 Ernie Ball super slinkies and this bid cause a bit of a buzz on the bottom E, but a minor adjustment to the bridge cured that. This has resulted in the easiest guitar to play that I have ever used. There is plenty of tonal variation available and the coil taps double your options.davladd-9
17. Gibson Custom 1957 Les Paul Custom Reissue 2-Pickup Electric Guitar – Murphy Lab Ultra Light Aged Ebony
Product Details:
Specifications:
| Body Type | Single-Cutaway Solid Body |
| Top wood | Mahogany |
| Body wood | Solid Mahogany |
| Neck shape | Chunky C |
| Neck wood | Solid Mahogany |
| Scale length | 24.75" |
| Truss rod | Standard |
| Radius | 12" |
| Number of frets | 22 |
| Inlays | Mother-of-pearl |
| Nut width/material | 1.687"/Nylon |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Locking |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Love this guitar. I own multiple Gibson's and always seem to find my way back to this one.~W~
first look was not good but it cleaned up good nice guitar for the moneyguitar man
18. Gibson Es-Les Paul Ebony 2014
Product Details:
Semi-hollow electric guitar with les paul body shape from es series that has already proved itself a modern classic and is set to be better than ever. it features a 3-ply maple/poplar/maple body with cream binding, high-gloss nitrocellulose lacquer finish and adirondack spruce top bracing, delivering beautiful sound that resonates within the hollow airspace of the body around the f-holes and throughout the solid glue joints. one-piece mahogany neck has a rounded "c" profile and features historic truss rod, providing an ergonomic feel and adding a rich tonal quality to the overall sound profile. the neck is fitted with 12"-radius rosewood fingerboard with 22 frets, trapezoidal pearloid les paul inlays and rolled cream binding for superb playing comfort. scale length is 628.65 mm, width of the white bone nut fret is 42.863 mm. the guitar is equipped with two mhs humbucker pickups, historically accurate paf replicas that are slightly under wound and feature unbalanced coils, delivering an airy tone. sound can be controlled by two volume and two tone controls and by rhythm/treble switch. other features include the abr-1 bridge with titanium saddles, lightweight stop bar tailpiece, cream les paul pickguard, gold top-hat knobs and kluson single ring tulip button tuning keys. the instrument comes supplied with brown hard-shell case. ebony colour design.
Specifications:
| Finish | Blue Stain |
| Year | 2014 – 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul ES |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
Très bon instrument qui m'est malheureusement parvenu avec un problème de blindage de micro manche qui a été résolu par mon luthier pour la somme de 65 euros car je voulais éviter un retour.Sans difficulté stars-music a accepté de me rembourser cette somme et je les en remercie chaleureusement.Je n'hésiterai pas une seconde à faire d'autres achats chez eux bien que l'instrument aurait dû être vérifié avant l'envoi.
Five stars ~ hands down, one of the finest Gibson guitars ever made. I used to own a solid body Les Paul, but, I sold it to buy two Les Paul ES models ~ yep, these guitars are THAT impressive. Best choices I made was to own one flametop LP ES with the MHS PAF pickups and also, own the second LP ES ~ a goldtop sporting the P90 pickups. Centerblock construction of the Les Paul ES helps control feedback, as I have two 50's Gibson ES models to compare to. The LP ES is very comparable to my little parlor, 1953 140 ES, but with unbelievable control with feedback and wider range of tones with the two pickups instead of one. As far as her body lines, she has a very lovely, one piece maple back. Compared to the back plastic cover 'cuts' Les Paul solid bodies have for the wiring/control knobs, the LP ES is much more appealing as a one piece, dark stain, maple back. The front top is a laminate, and sports the lovely 3-D sculpt Les Paul's are sought after for. AAA flame tops or painted tops, they are a work of art, stunning craftsmanship and attention to detail throughout. At less than 5 lbs., what a light experience she offers, sailing on your shoulder ~ instead of after only a few minutes, suddenly feeling like you are wearing a shoulder anchor! If you are a true fan of Les Paul guitars, you owe it to yourself to check out the ES model! The price is right for a limited run issue Les Paul, as Gibson only makes 200 of any one ES model. The goldtop Bigsby has an even lower number for production. ENJOY!fayewrey
Very light and nice sounding guitar.casthe
19. Gibson Custom 1957 Les Paul Custom Reissue Vos – Ebony 3-Pickup Guitar
Product Details:
This is a 2020 gibson '57 reissue les paul custom with vos finish and ebony fingerboard. all of the gold hardware has been swapped out for nickel (please don't change it back!). it currently has a faber bridge and tailpiece, lindy fralin humbucker covers, and nickel kluson waffleback tuners. this is loaded with 3 custombuckers and she screams! the weight is a perfect 9 lbs and it has a wonderful neck carve – .90 at the first fret.all of the original gold hardware will come in the original hardshell case. i found a minor scrap on the back of the neck that is pictured, otherwise in excellent shape.
Specifications:
| Body Shape | Les Paul |
| Binding | Multi-ply |
| Finish | Nitrocellulose VOS (Vintage Patina) |
| Neck Material | Solid Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Solid Ebony |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Historic Medium-Jumbo |
| Nut Material | Nylon |
| Nut Width | 1.687" |
| End of Board Width | 2.24" |
| Inlays | 1950s Pattern Mother of Pearl |
| Joint | Long Tenon, Hide Glue Fit |
| Hardware Finish | Gold |
| Tuner Plating | Gold |
| Bridge | No-Wire ABR-1 |
| Tailpiece | Lightweight Aluminum Stop Bar |
| Tuning Machines | Kluson Waffleback w/ Pearloid Tips |
| Pickguard | Multiply Laminated Acrylic |
| Truss Rod Cover | Authentic Stepped 2-Ply Les Paul Custom |
| Control Knobs | Butyrate Black Top Hats |
| Switch Tip | Amber Catalin |
| Switchwasher | Silkscreened Cellulose Acetate Butyrate |
| Jack Plate Cover | Multiply Laminated Acrylic |
| Control Covers | Black Royalite |
| Strap Buttons | Brass |
| Mounting Rings | M69 Cellulose Acetate Butyrate |
| Pickup Covers | Authentic Profile Gold-plated Nickel Silver |
| Neck Pickup | Custombucker Alnico III (Unpotted) |
| Middle Pickup | Custombucker Alnico III |
| Bridge Pickup | Custombucker Alnico III (Unpotted) |
| Pickup Selector | 3-Way Switchcraft |
| Output Jack | Switchcraft |
| Strings | .010, .013, .017, .026, .036, .046 |
Reviews:
This is my first Gibson guitar purchase. I waited over 5 months for this guitar to arrive. I've had it for a few days now and I'm trying to process how this guitar passed Gibson Quality Assurance. The guitar for the most part sounds amazing, plays pretty good, despite action being higher than I expected. However, the reason for the low rating is craftsmanship is poor, the finish on the back of the guitar is different than what's advertised, and I didn't get the case it was supposed to come with. The fretboard has glue stains all over it, which I know is something that can be cleaned up. But what's most disturbing are the dents on the fretboard and these two hole punches on the 11th fret. I don't even think Epiphones are this bad. The top looks amazing otherwise and the guitar sounds great. I've made inquiries to Musicians Friend, twice. I was promised to receive a call from someone in the Private Reserve department or a supervisor. No one has called back. So I took matters into my own hands and called Gibson. They told me to email photos and they would make an exception to cover shipping costs back to them(thank you, Gibson!). However after I emailed Gibson, I never heard anything back and I'm not sure how they're going to fix the holes on the fretboard. This doesn't seem like something that's fixable. For spending this kind of money, I expected so much better from both parties. If I wanted a used Gibson with a mismatched case, I would've bought one for much less. It's very disturbing nobody from Musicians Friend is taking this matter seriously given the amount of money I've spent on this guitar. Anyone considering purchasing any instrument from Musicians Friend, especially one that is high end, I strongly suggest shopping elsewhere. They don't stand by the products they sell. I'm still holding out hope Gibson is gonna take care of this issue and make this right. Thank you, Musicians Friend for being my "friend" and advocating for me. (sarcasm)gofarkid
Overall: In a word: ******* amazing. No matter the price, you would think a guitar sitting in a warehouse for any length of time would need a setup. Not with this Wine Red Les Paul Custom! The only caveat is it was completely out of tune (to be expected); a little "nut sauce" and it was good as gold. And that lacquer smell still haunts my house! Well worth it…Mere words are not enough to describe the sound and the power with this guitar. It blows away my 2014 Traditional (a nice guitar in its own right); it is not even a comparison. The neck is so much easier to play. Fit and finish are flawless. In closing: save your money, eat Ramen noodles for a year if you must, wear your hole-in-the-crotch jeans for as long as necessary and BUY THIS GUITAR!Jeff
I never leave reviews, after receiving this guitar and examining the beauty and perfection I had to leave one.. The fifth and finish our flawless. Everything about this guitar says perfection from the tip to the viral. It arrived perfect in the box perfectly packaged even in tune. I was pleasantly surprised with the amount of detail page in there quality control department. Yes the cost is steep at $5,000 but it is an investment. Don't think of it as a purchase think of it as a family airline that you can play for years and years and it will only increase in value. The pickups are fantastic, the neck is so perfect and the weight is spot on.
20. Gibson Les Paul Standard '60s – Triburst
Product Details:
I'm selling a 2020 les paul standard 60s in tri burst that i received in trade. it has a few small marks on it, but none of them are terrible and none through the paint. i've tried to capture these marks in the pics. i'd give it excellent condition. it plays extremely well and all electronics perform flawlessly. it came to me without any case candy, but gibson did confirm it as authentic. i'm happy to send that email correspondence to anyone interested. it weighs 9lbs, 7oz on my postal scale and the neck is .81 – .92, 1st to 12th. i've included pics with overhead lighting as well as natural lighting. please let me know what other questions you have! thanks!
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose Lacquer |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Gloss Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) Compensated |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Hand wired Orange Drop caps |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style High-ratio |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I am a home hobbyist. I have played guitar for about 40 years and have had dozens of guitars over that time. I've owned several Les Paul's over the years including another Standard. This guitar had a great setup right from the factory. Very low action with no fret buzz. The neck feels great in my hand, the pickups sound great, and the finish (triburst) is amazing. The only negative thing I would mention is that it appears that Gibson is using a different color rosewood on their fingerboards these days. It's more of a gray color than the traditional reddish that I prefer. The fingerboard itself feels great but I like a darker red color than gray.Mark
I've been eyeballing this guitar for quit sometime in the GC website. Unfortunately, the local GC never had it in stock in their store. I asked the local GC store manger if he can check the other GC stores if they have one available. Fortunately he found a GC store that just received one. So, I drove 2 hours to the GC that had one. Arrived at the GC, walked in and long and behold, there it was on the very top display rack. I asked one of the GC sales rep if I can try it out, he replied that the store just received the guitar and that I'd be the first one to play it. Played it for 30mins, I love the feel of the 60's slim tapered neck and the sound of the Burstbucker pick-ups. I end up taking her home!Art
I am not going to say anything all the other reviewers did not. My only gripe is the solder joints were broken on both pickup covers causing some pretty bad Microphonics. Big deal. I swapped in a SD JB/Jazz set an now it even sounds better! I did not know about the busted solder until I realized that's what they do to keep the covers on. I will not get rid of the pickups and will fix them and drop them in another Paul I have. But the guitar plays so good. Also, with the TRI-burst limited we are just a little cooler than everyone else! Thank you Elvis at Clackamas GC!Ivan
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