Are you looking for the Gibson Baldwin Electric Guitar? If so, you’ve come to the right place.
Choosing the Gibson Baldwin Electric Guitar can be difficult as there are so many considerations, such as Baldwin, Gibson, Epiphone, Jackson, Dean, ESP, PRS. We have done a lot of research to find the top 20 Gibson Baldwin Electric Guitar available.
The average cost is $2550.20. Sold comparable range in price from a low of $239.00 to a high of $5162.26.
Based on the research we did, we think Gibson Les Paul Classic – Heritage Cherry Sunburst Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Baldwin Electric Guitar (20 Sellers)
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$2129.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- A truly fantastic guitar that has to have a new home.
- I have loved playing this guitar over the past year or so, but needs must and it has to go.
- You can hear how it sounds if you drop me a message 🙂 happy to send audio and video recordings.
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$3499.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Durability . Craftsmanship
Features:
- More photos coming soon.
- Nut width = 1.685 inches.
- Neck thickness @1st fret = .86 inch.
$3999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- Mint condition like new.
- I will be in toowoomba on 2/11 and in brisbane on 3/11.
- Dm me arrange a time for inspection if interested.
$2549.00
4.8
Reviewers Noted:
Attractive . Well made . Good sound quality . Weight . Durable
Features:
- Weighing in at a beautifully lightweight 6 lbs. 8 oz. this little beauty is clean!
- He never even took the plastic off of the pickguard!
- There aa couple of tiny, barely noticeable rub marks on the back which is the only reason i'm marking it excellent instead of mint.
$3999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- Left handed model
- Sixties cherry gloss finish
- 3-ply aaa figured maple/poplar/maple top and back
$1600.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Finish top: light scratches on top of body
- Finish sides: light scratches, trash in finish upper bout around toggle switch
- Finish back: scratches and scuffs, minor lacquer sinking into body joint
$5162.26
4.8
Reviewers Noted:
Weight . Craftsmanship
Features:
- Maple and poplar
- Body maple top mahogany neck
- Two mhs pickups
$825.00
4.6
Reviewers Noted:
Lightweight . Good sound quality . Attractive . Durability
Features:
- Here is my 2015 gibson les paul cm.
- Excellent guitar with 61 zebra humbucker and g force tuning system.
- Rich gibson tone.
$3250.00$3022.50
4.8
Reviewers Noted:
Weight . Craftsmanship
Features:
- Les paul styling in a compact fully hollow archtop
- Rosewood fingerboard
- Mhs humbucking pickups
$3499.00
4.9
Reviewers Noted:
Sound quality . Craftsmanship
Features:
- Vintage deluxe w/ keystone buttons.
- Black top hats with silver reflector.
- Neck pickup: calibrated t-type, rhythm.
$1599.00
4.8
Reviewers Noted:
Durable . Well made . Good sound quality . Attractive
Features:
- Timeless simplicity and performance
- Detailed specifications
- Body material
$3499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- Cherry finish
- Block inlays
- Rosewood fretboard
$2499.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifcations….
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Solid body les paul electric guitar with maple top, mahogany body, mahogany neck and rosewood fingerboard. features burstbucker 61 pickups. individually photographed and listed by serial number and weight. select…
$3999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- The gibson limited-edition es-335 figured blends form and function with a figured maple body and top, rounded mahogany neck and stopbar tailpiece. its equipped with gibsons memphis historic spec ii…
$2499.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- With an overhauled les paul classic design, fantastic specs, and burstbuckers with versatile electronics, this axe is for the les paul lover that wants all the most modern, playable features….
$1999.20
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifcations. as expected, the lp classic is crafted with a mahogany back…
$239.00
Features:
- Black gibson/baldwin epoch les paul electric guitar, has some wear on the body by the input jack. this guitar is used and may need a proper setup upon purchase. feel…
$289.00
Features:
- Black gibson/baldwin epoch les paul electric guitar ( music education ) with gig – very minor wear – see pictures – with gig bag…
1. Gibson Les Paul Classic – Heritage Cherry Sunburst Guitar
Product Details:
This gibson les paul classic is yet another reason why that legend will keep on living for generations to come. it's been crafted with the guitar's heritage in mind, delivering that iconic gibson tone in a stylish model that looks as though it's come straight from the '60s – and landed in the 21st century, ready to rock 'n' roll.it feels amazing in your hands. because there's nothing quite like its genuine rosewood fingerboard to provide smooth playability. plus you've got all the power and versatility you'd expect from a les paul. and more. burstbucker open-coil pickups let you blast every note at high volume – without feedback. they'll give you a wealth of tonal options, too, thanks to coil tapping and phase switching. there's not much this guitar doesn't give you, in fact. experience the genius of the classic les paul.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
2. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
3. Gibson Es-335 Electric Guitar – Vintage Ebony
Product Details:
Gibson's take:the gibson es-335 dot is the cornerstone of the gibson es line-up. from its inaugural appearance in 1958, the gibson es-335 set an unmatched standard. the pearloid dot inlay rosewood fingerboard on a hand-rolled rounded "c" mahogany neck remind players where it all started. gibson's calibrated t-type humbucking pickups are paired with our hand-wired control assembly. the result is that versatile gibson es tone that players have craved for over 60 years. tuning stability and precise intonation are provided by the vintage deluxe tuners with keystone buttons, paired with light weight aluminum abr-1 bridge and stop bar tailpiece, anchored by steel thumb-wheels and tailpiece studs. please email or call with any questions.
Specifications:
| Body Type | Double Cutaway |
| Top wood | 3-piece Maple/Poplar/Maple |
| Body wood | 3-piece Maple/Poplar/Maple |
| Body finish | Gloss |
| Neck shape | Rounded C |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Dual-action |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.69" (43 mm), GraphTech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I use it just for my own enjoyment and growth as a guitarist and musician. I've wanted a top-flight guitar for awhile now. The neck is easily playable, even for a guy like me with relatively small hands. It played well for me right out of the box. It is pricy, but then, you get what you pay for. I would highly recommend.Tony in Vegas
First review I ever wrote. I would feel remiss if I did not post this. This guitar is the finest guitar I have ever owned–and I own 10. The neck feels incredibly smooth, and the finish on it is beautiful. However, I did change the strings to Thomastik-In feld 12 guage. It gives me the low mellow sound I need for my style of play. The guitar sounds incredible. Can't put it down. I always wanted a Gibson. It only took me 62 years to get one (started playing when I was 10). Bottom line, albeit it is pricey, its worth every dime.
Guitar shipped UPS. Unboxed it that same day. Was in perfect condition. Gibson hardcase with red velvet interior box candy included a cheap strap, a universal truss rod adjustment tool, literature and a picture of the guitar at the factory. I plugged it in and after a few amp adjustments on the low gain clean side with reverb and delay began to play. The strings are new 10s, it came tuned down for shipping, I tuned it up and played a few licks. The action is low and does not buzz, truss rod is perfect, annotation perfect, finish perfect. The sound is incredibly clear jangly and tasty unlike any of my other guitars. The T type pickups are unbelievably good. I haven't really tried putting heavy gain on it but I did notice the more gain the more effective the tone knobs become. But even clean the tone and volume adjustments are noticeable more than most guitars. Overall I am very happy with the purchase, I believe I will choose this guitar over every other guitar in my collection. I have played every guitar I can get my hands on and the ES 335 with the T type pickups blows every other guitar away. There is no better guitar on the market. Thank you Gibson for this instrument and thank you Guitar Center for your wonderful customer service.Steve
4. Gibson Es-335 Figured Electric Guitar – Sixties Cherry
Product Details:
This basically unplayed es-335 figured was recently traded in and barely has any player wear. it looks even better in person. all case candy and gibson usa paperwork with ohsc included. from gibson- the gibson es-335 dot is the cornerstone of the gibson es line-up. from its inaugural appearance in 1958, the gibson es-335 set an unmatched standard. the pearloid dot inlay rosewood fingerboard on a hand-rolled rounded "c" mahogany neck remind players where it all started. gibson's calibrated t-type humbucking pickups are paired with our hand-wired control assembly. the result is that versatile gibson es tone that players have craved for over 60 years. tuning stability and precise intonation are provided by the vintage deluxe tuners with keystone buttons, paired with light weight aluminum abr-1 bridge and stop bar tailpiece, anchored by steel thumb-wheels and tailpiece studs.
Specifications:
| Year | 2020 – 2022 |
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson ES-335 TD Block |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Top Material | Maple |
| Wood Top Style | Flamed |
| Center Block | Solid maple |
| Neck | Mahogany, set neck |
| Fretboard | Indian rosewood, with binding |
| Fret Inlays | Blocks, pearloid |
| Binding | Single-ply, cream |
| Headstock Veneer | Holly, crown inlay |
| Pickups | Gibson calibrated T-type bass & treble humbuckers |
| Neck Profile | Rounded C |
| Tuners | Vintage deluxe, with green keystone buttons |
| Controls | 2 volume, 2 tone and 3-way toggle switch |
| Knobs | Black tophats with silver inserts |
| Pick-Guard | Black, 3-ply |
Reviews:
Overall: I live in a large city and it is still impossible to find a Gibson 335 that plays and sounds great, has no issues or questionable history and comes with a price tag lower than a new one to justify the gamble. As a result, I decided to pull the trigger on a new one and went for the figured, not so much for the flame but for the lower weight and select wood, knowing both my back would thank me and that the guitar would probably be a bit more open and resonant. Block inlays are certainly nice and that may have helped sway my decision too. The 335 arrived with an impeccable setup, right out of the box from the factory. In my 35 years of playing, I’ve never had this happen. I’ve heard of it happening but never to me. I always have to tweak the truss rod to straighten the neck a bit, adjust the bridge action, widen the nut slots and intimate the guitar. Every time. The only adjustment I’ve had to make is lower the pickups a bit for balance, that’s it! Plays like an absolute dream. Here is why you want this guitar rather than a used one—. the neck. None of that weird pencil thin 335 necks from the past or those horrible and slow baseball bat necks… this is perfect. I don’t know what Gibson is doing in Nashville now, but they are making these guitars better than they ever have. Having always been a fan of Classic ‘57 pickups, I read about these T Type pickups being bright. It is true that they are bright, however it works so well in this guitar. Roll back the tone knobs for the mellower and darker sounds, especially when in the neck position for a classic straight-ahead jazz sound, or rolled back in the bridge to fatten up rhythms…but the thing is, roll the tone up for that beautiful bite and thunk in single line solos. I have had bright guitars in the past and there is nothing you can do for them. No matter the pickups or amp, it remains bright and pingy. This is not a bright guitar and has such a beautifully balanced and mellow acoustic voice, the pickups suit it well and I will not replace them. Is it an insane amount of money? Yes. It is. In 10 years when I have blown through $4K many times over and have nothing to show for it, will I still have this 335? Yes. I will. It’s an investment and zZounds makes it possible for someone like me to have something nice. This is an absolutely breathtaking guitar. In playability, sound, and appearance—Gibson is on top of their game these days and I think the future will look back at this era as their new golden age.Michael
Upon opening the case, the case was hard to open, like it didn't fit top cover to bottom cover. The guitar smells of cheap carnauba wax (if you wax your own car you know there are great waxes that smell good) this is not the great smell of the past Gibson guitars I have purchased in the past. There was a light haze to the guitar like the wax was dried but not wiped off completely. The was not common of years pasts Gibson's. Its a very light weight guitar. Nice to hold and even sitting with it to play does not dig into the underarm like a thick acoustic does over time. The ice tea version does look great front to back. I can't tell if it's AAA but its very nice. The head stock look s like it wasn't cut symmetrically compared to the other side or sanded to much. The neck is nice and thick and wider top to bottom which I like for fitting all my fingers on the 1-5 frets for chords. Their is a lot of fret buzz on the G string throughout the range of the neck, It looks like the G string is higher than all the other strings in an attempt to reduce the buzz. I thought these were machine prepped ?? I can most likely (hopefully)make some adjustments for this. The frets feel thinner than my Les Paul's. Not sure if I like this but I can get used to it. The sound on a clean channel is great. I really like the sound. The volume knobs have no volume from 0 – almost 2, they don't change the volume a lot from 3-7, from 8-10 is almost all the volume change. I have never had this experience before. The tone knobs actually lowers the volume from 1-3 which I thought is also strange. I have no experience with a ES model so maybe this is normal. If it is, then I am not sure I would have purchased. I don't regret the purchase but I was expecting perfection for this price.Just Me
I love 335 but played several that I found meh. Preferred the Heritage H-535 I bought to most Gibbies I tried. Until I played that one at my local GC store. Was immediately captivated with the tone. Went back several times, and took the plunge despite the sticker shock. At home, in my amp it sounded even better than in the shop. Absolutely wonderful guitar, that feels and sounds as good and sometimes even better than vintage 60s 335 I tried or owned. I am in love! But what a price tag…Gibson CS is becoming unattainable fast.Stéphane
5. Gibson Es-339 Electric Guitar – Cherry
Product Details:
The gibson es-339 figured guitar truly stands out as a masterpiece of modern design. mhs ii humbuckers provide all the juicy, articulate tones which make for them most exceptional music. your riffs, chords, and solos will leap out in impeccable style, with superb definition and am perfectly balanced voicing. your dream guitar. a quarter sawn mahogany neck makes for perfect playing. made to a rounded 'c' profile, it offers unrivalled comfort, allowing you to master the fretboard in no time. the dark rosewood fretboard not only looks stunning, but also sounds exceptional, adding a touch of warmth and plenty of sustain to this instrument. and premium hardware ensures that it always plays exceptionally well, and can easily withstand the rigours of professional touring. the es-339 is sure to ignite your guitar playing passion like nothing else.
Specifications:
| Body Body Shape | 339 |
| Back | 3-ply Maple/Poplar/Maple |
| Bracing | Spruce |
| Centerblock | Maple |
| Binding | Single-ply Cream |
| Finish | Gloss Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Dots |
| Hardware Finish | Nickel |
| Bridge | ABR-1 Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Grover Rotomatics w/ Kidney Buttons |
| Pickguard | Black 5-ply |
| Control Knobs | Black Top Hats with Silver Reflector |
| Switch Tip | Cream |
| Electronics Neck Pickup | 57 Classic |
| Bridge Pickup | 57 Classic + |
| Controls | 2 Volumes, 2 Tones & Toggle Switch |
| Miscellaneous Strings | .010, .013, .017, .026, .036, .046 |
Reviews:
Overall: I am very very happy with this guitar. It is not a perfect instrument, but for the price, you can't really get a better semi hollow, and with the 339 body, its almost impossible to find a sub $500 model. Was really happy with the specs that Epiphone has upgraded to, the grover tuners and graphtech nut really help sell the package, (i hate switching out sub-par parts). The paint job on the F holes was a little lacking but I was able to touch up with a paint marker and the plywood top was sanded a little to much in some places, revealing the ply, but I really can't complain. the stock pickups sound great and while setting the instrument up, I was very impressed at how solidly put together it is and how well it plays. Great fret work, usually the frets are lacking on a guitar in this price range. It would be great to see a deluxe model for the 339 with some more cosmetic upgrades and pickups but this instrument is a steal, get it now!
I have always wanted a 335, but did not like the larger size. I saw this 339 and stepped up and bought it home. Had to wait 6 weeks, but was it ever worth it. This is the best guitar I have ever played or been around. Cannot make my mind up if it plays better than it looks, or if it looks better then it sounds. It came set up really well, intonation and all. All I had to do was tune it and go. Cannot find one flaw in the paint, assembly or anything wrong at all. It rings so true, holds a note and there is a major difference when selecting either pickup or both, and the tone and volume controls lets you have an infinite setting control on tone and volume. Set the bridge to really ring out and the neck one a little muddy and together it is killer, but can flip the switch and brighten a solo up good. An absolute joy to play. Just strike your favorite chord and let it ring…beautiful fun. I was worried about the neck thickness, but it is a non issue. Easy to chord, simple to fret in any way you please. I cannot express just how happy I am with this guitar. Michael at musicians friend was a great help in every way getting it here.Keith
Very comfortable to hold and play, with a slightly chunky neck which is my preference. Combines the best aspects of 335s and Les Pauls. It's also heavier than I thought it would be (again for me a good thing, I don't like feather-light guitars) I was expecting SG weights and annoying neck dive. As suggested already it seems to sound somewhere between a full-sized 335 type and a solid body, which again isn't much of a surprise. Seems to have more twang than my LP which is good for my taste, which is more soul and funk. The finish is also perfect, though slightly different to the one advertised at the time of purchase. The neck fades into a natural varnish rather than the all-black paint. Also the sides are solid natural varnish rather than the fading between black and natural effect.Reviewed by Andertons Music Co.
6. Gibson Es-335 Block Left-Handed Figured Sixties Cherry
Product Details:
The gibson es-335 figured is the perfect blend of form and function. crafted with a maple centerblock and quarter-sawn adirondack spruce bracing, players will be impressed by the lightweight feel and expanded range of tonal capabilities. equipped with high-end appointments like our hand-wired control assembly with orange drop capacitors, gibson's new calibrated t-type humbucking pickups, vintage deluxe style tuners and light weight aluminum abr-1 bridge and stop bar tailpiece anchored with steel thumb-wheels and studs. the aaa figured maple is set off by staggering gloss finish sixties cherry.
Specifications:
| Finish | Figured Antique Natural |
| Year | 2020 – 2022 |
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson ES-335 TD Block |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Left Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
Overall: I live in a large city and it is still impossible to find a Gibson 335 that plays and sounds great, has no issues or questionable history and comes with a price tag lower than a new one to justify the gamble. As a result, I decided to pull the trigger on a new one and went for the figured, not so much for the flame but for the lower weight and select wood, knowing both my back would thank me and that the guitar would probably be a bit more open and resonant. Block inlays are certainly nice and that may have helped sway my decision too. The 335 arrived with an impeccable setup, right out of the box from the factory. In my 35 years of playing, I’ve never had this happen. I’ve heard of it happening but never to me. I always have to tweak the truss rod to straighten the neck a bit, adjust the bridge action, widen the nut slots and intimate the guitar. Every time. The only adjustment I’ve had to make is lower the pickups a bit for balance, that’s it! Plays like an absolute dream. Here is why you want this guitar rather than a used one—. the neck. None of that weird pencil thin 335 necks from the past or those horrible and slow baseball bat necks… this is perfect. I don’t know what Gibson is doing in Nashville now, but they are making these guitars better than they ever have. Having always been a fan of Classic ‘57 pickups, I read about these T Type pickups being bright. It is true that they are bright, however it works so well in this guitar. Roll back the tone knobs for the mellower and darker sounds, especially when in the neck position for a classic straight-ahead jazz sound, or rolled back in the bridge to fatten up rhythms…but the thing is, roll the tone up for that beautiful bite and thunk in single line solos. I have had bright guitars in the past and there is nothing you can do for them. No matter the pickups or amp, it remains bright and pingy. This is not a bright guitar and has such a beautifully balanced and mellow acoustic voice, the pickups suit it well and I will not replace them. Is it an insane amount of money? Yes. It is. In 10 years when I have blown through $4K many times over and have nothing to show for it, will I still have this 335? Yes. I will. It’s an investment and zZounds makes it possible for someone like me to have something nice. This is an absolutely breathtaking guitar. In playability, sound, and appearance—Gibson is on top of their game these days and I think the future will look back at this era as their new golden age.Michael
Upon opening the case, the case was hard to open, like it didn't fit top cover to bottom cover. The guitar smells of cheap carnauba wax (if you wax your own car you know there are great waxes that smell good) this is not the great smell of the past Gibson guitars I have purchased in the past. There was a light haze to the guitar like the wax was dried but not wiped off completely. The was not common of years pasts Gibson's. Its a very light weight guitar. Nice to hold and even sitting with it to play does not dig into the underarm like a thick acoustic does over time. The ice tea version does look great front to back. I can't tell if it's AAA but its very nice. The head stock look s like it wasn't cut symmetrically compared to the other side or sanded to much. The neck is nice and thick and wider top to bottom which I like for fitting all my fingers on the 1-5 frets for chords. Their is a lot of fret buzz on the G string throughout the range of the neck, It looks like the G string is higher than all the other strings in an attempt to reduce the buzz. I thought these were machine prepped ?? I can most likely (hopefully)make some adjustments for this. The frets feel thinner than my Les Paul's. Not sure if I like this but I can get used to it. The sound on a clean channel is great. I really like the sound. The volume knobs have no volume from 0 – almost 2, they don't change the volume a lot from 3-7, from 8-10 is almost all the volume change. I have never had this experience before. The tone knobs actually lowers the volume from 1-3 which I thought is also strange. I have no experience with a ES model so maybe this is normal. If it is, then I am not sure I would have purchased. I don't regret the purchase but I was expecting perfection for this price.Just Me
I love 335 but played several that I found meh. Preferred the Heritage H-535 I bought to most Gibbies I tried. Until I played that one at my local GC store. Was immediately captivated with the tone. Went back several times, and took the plunge despite the sticker shock. At home, in my amp it sounded even better than in the shop. Absolutely wonderful guitar, that feels and sounds as good and sometimes even better than vintage 60s 335 I tried or owned. I am in love! But what a price tag…Gibson CS is becoming unattainable fast.Stéphane
7. Gibson Les Paul Less Plus Desert Burst 2015
Product Details:
These things are awesome. they play like les paul s, but feel almost like a sg. this is one of my best playing les paul s i ve ever had. fat 50s neck. it has light wear, but plays phenomenally. would make a great gift! great alternative to your old 10 pound les paul. check the photos to get an exact idea of the condition.
Specifications:
| Finish | Desert Burst |
| Year | 2015 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Less Plus |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
8. Gibson Memphis Es-Les Paul Faded Light Burst
Product Details:
Producing powerful tones, the es les paul has been an iconic symbol of the gibson memphis line. by combining the best elements of the les paul standard and the es-335, the es-les paul has emerged as one of the most appealing new gibson designs in decades. now the es-les paul takes it up a notch with a highly desirable custom color finish. top-notch details include quarter-sawn adirondack spruce braces, two paf-like mhs humbuckers that are calibrated for each position, rolled neck binding for an improved playing feel, titanium bridge saddles, historic truss rod, genuine bone nut and more. gibson 2016 le es les paul electric guitar with case features les paul styling meets semi-acoustic es-335 construction rosewood fingerboard mhs humbucking pickups hardshell case included redesigned neck dimensions and added thickness to the peghead transition provides great strength and stability. with the historic truss rod which has superior adjustability due to the larger diameter rod, original brass anchor and larger wash, this guitar is ready to rock. the es-les paul has a bone nut for smooth tuning and excellent durability. the neck has rolled binding which means the binding is rounded off to comfortably fit the contours of the player's hand. it also has low profile frets that give you smooth playability and accurate intonation. and if that wasn’t enough, this guitar is loaded with the mhs humbucker pickups.
Specifications:
| Finish | Blue Stain |
| Year | 2014 – 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul ES |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
Très bon instrument qui m'est malheureusement parvenu avec un problème de blindage de micro manche qui a été résolu par mon luthier pour la somme de 65 euros car je voulais éviter un retour.Sans difficulté stars-music a accepté de me rembourser cette somme et je les en remercie chaleureusement.Je n'hésiterai pas une seconde à faire d'autres achats chez eux bien que l'instrument aurait dû être vérifié avant l'envoi.
Five stars ~ hands down, one of the finest Gibson guitars ever made. I used to own a solid body Les Paul, but, I sold it to buy two Les Paul ES models ~ yep, these guitars are THAT impressive. Best choices I made was to own one flametop LP ES with the MHS PAF pickups and also, own the second LP ES ~ a goldtop sporting the P90 pickups. Centerblock construction of the Les Paul ES helps control feedback, as I have two 50's Gibson ES models to compare to. The LP ES is very comparable to my little parlor, 1953 140 ES, but with unbelievable control with feedback and wider range of tones with the two pickups instead of one. As far as her body lines, she has a very lovely, one piece maple back. Compared to the back plastic cover 'cuts' Les Paul solid bodies have for the wiring/control knobs, the LP ES is much more appealing as a one piece, dark stain, maple back. The front top is a laminate, and sports the lovely 3-D sculpt Les Paul's are sought after for. AAA flame tops or painted tops, they are a work of art, stunning craftsmanship and attention to detail throughout. At less than 5 lbs., what a light experience she offers, sailing on your shoulder ~ instead of after only a few minutes, suddenly feeling like you are wearing a shoulder anchor! If you are a true fan of Les Paul guitars, you owe it to yourself to check out the ES model! The price is right for a limited run issue Les Paul, as Gibson only makes 200 of any one ES model. The goldtop Bigsby has an even lower number for production. ENJOY!fayewrey
Very light and nice sounding guitar.casthe
9. Gibson Les Paul Cm 2015 Electric Guitar
Product Details:
Here's a super nice and clean 2015 gibson usa les paul cm finished in satin ebony. the pickup is the original burstbucker 61 lead with zebra bobbins. the wiring has been upgraded to top quality cts / wd music 550 k custom taper potentiometers and with mod .022 f oil-filled capacitor with 50s style wiring. gavitt vintage style braided shield pushback wire and a switchcraft #11 mono output jack were also used.the guitar plays like a dream. the neck is straight and the truss rod functions properly. the frets are in great shape and show virtually zero wear and have been cleaned a polished. the rosewood fretboard and been cleaned and conditioned as well.overall a fantastic playing guitar in fantastic condition – no notable blemishes outside of very light playing wear. comes complete with the original gibson literature, "baby photo", and gig bag. these models were produced for just 2 years and and are essential a thin body carve top les paul junior.
Specifications:
| Finish | Satin Ebony |
| Year | 2015 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul CM |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | H |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
First of all, don't believe everything you read about the 2015 Gibsons. I own about a dozen Gibsons with the oldest being a 1991 Les Paul Studio Lite and the newest being a 2017 SG Standard, the quality of the 2015 Gibsons I own are on par with all of them. Now on to this particular guitar… I really wasn't expecting much for the price. This is definitely a "no frills" model. That being said, it is a lot of fun to play! The thin, contoured body is very comfortable and a nice change from the usual Les Paul. And it is a good bit lighter on the shoulder! The sound from the single humbucker can be anywhere from crystal clear to gritty and crunchy depending on your volume, tone and amp settings. It is a lot more versatile than I was expecting. And I prefer the carved maple top and humbucker to the P90 and flat top of my Les Paul Jr. All in all, a great guitar for the money!JD
Overall, this is a fantastic guitar that does exactly what I hoped it would. The Good: The neck is, by far, the standout feature. Absolutely wonderful & comfortable, with just the right profile that's not too slim, nor too chunky. The slim body is a nice touch, and helps to make the guitar super lightweight. The wraparound bridge is totally adequate; not nearly as imprecise as the internet forums would have you believe. The Bad: there was a short or some issue with my output jack, so I've yet to really hear or form an opinion on the pickup. Now, I planned on putting a new pickup in this guitar before I bought it, so a more thorough re-wiring is not beyond the scope of what I'm prepared to do. I am a little disappointed it came from the factory like this, but it's not a deal breaker; it's just a faulty jack, certainly not worth returning the whole guitar to Sam Ash. The Ugly: The fretwork isn't too great. I did have to file them down a bit so they're flush to the neck, and not poking my hands. But again, I was prepared for this, and expect most guitars (especially ones in this price point) to need some minor fretwork. Finally, a few words on the much maligned G-Force tuners. Out of the box, they didn't work well — at all. Since the strings were installed on the guitar in 2015, I changed them (which is a bit of a process, to be honest) & it worked like a champ. I really like the idea of having multiple tunings available at the press of a few buttons. However, for me: this guitar is supposed to be simple — one pickup, two knobs, & a wraparound bridge. So the "robot" tuners clash with that motif, and I will be swapping them out when I re-wire the guitar. That being said, they're definitely not a reason to avoid this guitar — give 'em a fair chance, and make up your own opinions on them. Overall, I'm quite pleased with this guitar. The wiring issue is disappointing, for sure. But acoustically the guitar sounds great, plays well, & looks awesome!Nate
I've spent about 13 years buying relatively cheap guitars, as I just record music at home as a hobby. I never considered a Les Paul because they're so expensive. When I saw the CM 2015's price tag, I thought "this is probably not that great", but after a lot of research and watching videos, I decided to take a risk. I was not disappointed. This guitar feels great in the hands, it stays in tune, and it's really beautiful. But, most importantly, it sounds great. I'm producing music that sounds levels ahead of anything I've made in the past. So much, that I've been going back to older stuff and re-recording it. This is worth the price.Shane
10. Gibson Memphis Es-Les Paul Bourbon Burst 2015
Product Details:
Here is a pre-owned and lightly played gibson es-les paul in a bourbon burst finish, with only light marks to be seen on it. the body has been weight relieved by using lightweight materials and a modified 1959 profile one-piece mahogany neck. additional appointments include a rosewood fingerboard with trapezoid inlays, spruce top bracing and a lightweight stop bar tailpiece with long anchors and studs. the alnico pickups come together to produce some tasty, yet familiar les paul tone.
Specifications:
| Finish | Blue Stain |
| Year | 2014 – 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul ES |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
Très bon instrument qui m'est malheureusement parvenu avec un problème de blindage de micro manche qui a été résolu par mon luthier pour la somme de 65 euros car je voulais éviter un retour.Sans difficulté stars-music a accepté de me rembourser cette somme et je les en remercie chaleureusement.Je n'hésiterai pas une seconde à faire d'autres achats chez eux bien que l'instrument aurait dû être vérifié avant l'envoi.
Five stars ~ hands down, one of the finest Gibson guitars ever made. I used to own a solid body Les Paul, but, I sold it to buy two Les Paul ES models ~ yep, these guitars are THAT impressive. Best choices I made was to own one flametop LP ES with the MHS PAF pickups and also, own the second LP ES ~ a goldtop sporting the P90 pickups. Centerblock construction of the Les Paul ES helps control feedback, as I have two 50's Gibson ES models to compare to. The LP ES is very comparable to my little parlor, 1953 140 ES, but with unbelievable control with feedback and wider range of tones with the two pickups instead of one. As far as her body lines, she has a very lovely, one piece maple back. Compared to the back plastic cover 'cuts' Les Paul solid bodies have for the wiring/control knobs, the LP ES is much more appealing as a one piece, dark stain, maple back. The front top is a laminate, and sports the lovely 3-D sculpt Les Paul's are sought after for. AAA flame tops or painted tops, they are a work of art, stunning craftsmanship and attention to detail throughout. At less than 5 lbs., what a light experience she offers, sailing on your shoulder ~ instead of after only a few minutes, suddenly feeling like you are wearing a shoulder anchor! If you are a true fan of Les Paul guitars, you owe it to yourself to check out the ES model! The price is right for a limited run issue Les Paul, as Gibson only makes 200 of any one ES model. The goldtop Bigsby has an even lower number for production. ENJOY!fayewrey
Very light and nice sounding guitar.casthe
11. Gibson Es-335 Semi-Hollow Electric Guitar Vintage Burst
Product Details:
The gibson es-335 dot is the cornerstone of the gibson es line-up. from its inaugural appearance in 1958, the gibson es-335 immediately set an unmatched standard. the pearloid dot inlay rosewood fingerboard on a hand-rolled rounded "c" mahogany neck remind players where it all started. the all-new gibson calibrated t-type humbucking pickups paired with our hand-wired control assembly showcases the versatile gibson es tone that players have craved for over 60 years. tuning stability and precise intonation are provided by the vintage deluxe tuners with keystone buttons paired with light-weight aluminum abr-1 bridge and stop bar tailpiece. impressive yet subtle satin nitro finishes include cherry, vintage burst and vintage natural. features: vintage deluxe w/ keystone buttons black top hats with silver reflector neck pickup: calibrated t-type, rhythm bridge pickup: calibrated t-type, lead hard shell case get your gibson es-335 satin semi-hollow electric guitar (satin vintage burst…
Specifications:
| Electric Guitar Type | Semi-Hollow Body Electric Guitar |
| Finish | Vintage Sunburst |
| Electric Guitar Body Style | ES |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | 3-Ply Maple/Poplar/Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Material | Steel |
| Bridge Type | Fixed |
| Nut Material | Graph Tech |
| Nut Width | 1.695 |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Calibrated T-Type, Lead |
| Neck Pickup | Calibrated T-Type, Rhythm |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Case Included | Hard Case |
Reviews:
I generally prefer the vintage instruments to reissues, but this guitar was very impressive. The set up was great, the sound was incredible, and the action was tremendous. I played it through a vintage Marshall Plexi, and a 1987X it sounded excellent through both for the Blues, Rock stuff. I also played it through a 1965 Twin Reverb for Jazz… WOW, I mean this is an excellent sounding guitar. The semi-hollow body delivers big, full, sound while remaining clean and warm. When playing some old Blues this git-fiddle sounds absolutely creamy and delicious through any old Marshall, or reissue I didn't use any effects because you really do not need to, this guitar has it all. The 335 also delivers incredily wonderful, warm tones for Jazzy material. This truly is a well rounded instrument that will be cherished for years to come.Vintagesound335.
Always wanted one, now I got one. Good price. Quick shipping. Versatile guitar. Great sounds. Gibson soul!Steven
12. Gibson Les Paul Junior – Vintage Tobacco Burst Guitar
Product Details:
Pickguard has light pick scratches. a few #2 pencil lead sized dimples on the back of body, near the back plate. light swirling in the nitro. a few very small spots on the body where the nitro has a haze and a 1/4" then rub mark near the gibson logo. these will not show up in pics. to be able to see it, you have to have it at the right angle, in the right light. back plate still has the protective plastic. professionally uv inspected for breaks, cracks, repairs, and resprays. deep cleaned, frets polished, fingerboard oiled, and a new set of 10s installed. 6 lbs 15.3 oz. includes gibson ohsc with case candy.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Control layout | Master volume, tone |
| Bridge type | Fixed |
| Bridge design | Vintage-style compensated wraparound |
| Tuning machines | Vintage Deluxe white-key |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Ease of Use: Easy to get good sounds. Combines well with pedals. Very playable. Quality: Feels very well constructed. The Wow Factor: It looks amazing. Overall: I have owned this guitar for 5 months and I love it. I have to admit I have not played many guitars (I was drawn to this one because of Lukas Nelson and the sound he has). I really like the P90 pickup and how this guitar has nice simplicity and yet versatility at the same time. You can really make different tones despite having one pickup. It combines very well with the pedals I like to use, and when also adjusting the tone knob you can really do a lot of things to adjust your tone. It's an awesome guitar to hold and feels very high quality. It came set up well and was ready to go right out of the box. Overall I'm a big fan and I'm really glad to have this guitar which I foresee as my go-to for years to come.Nathan
Overall: This is my second Gibson. I had a gold top a few years ago that I just couldn't bond with. Being a "Telecaster guy" I loved the idea of one pickup and two knobs, like an Esquire without the switch. The shorter scale made it more enticing.The fit and finish is perfect. What I thought was black around the tobacco center and back is actually a maroon tinted mahogany. I didn't notice this until I took it outside in direct sunlight.The fretwork and tuners feel very nice as does all of the hardware. The case is very solid and there is a nice Gibson strap and multi-tool inside.Shipping was next day and free! I didn't leave a Manufacturer Support rating as I just recently received the guitar, and to be honest, I don't think I'll ever need it.Submitting the review I was notified that I needed a Manufacturer Support rating, so I'll give it one star.Tim
Really an awesome guitar. Gibson is back. It was immediately playable out of the box. Stretched the strings, tuned it up, and played. Frets are level. No issues with flat spots or buzzing. Intonation is fine… Close enough for rock n roll. Finish is immaculate. Fattest neck I've ever played. The P90 definitely snarls. Back off the volume, and it cleans up. Sounds incredible through my Marshall. Definite 60 cycle hum with lots of gain, but no surprise there. I bought this on sale here at MF and think it's a good value. Can't understand the reviews that talk about it being overpriced. They obviously thought theirs were with the price as they bought them. Price isn't often the sum of materials and labor plus a small percentage for profit. Look at the price of Apple products. Their cost of components and manufacturing labor per phone are probably in single digits. Anyway this guitar rocks.Honey Badger
13. Gibson Es335 ( Sixties ) Cherry 2021
Product Details:
These instruments are all future classics boasting unmistakable quality, tone and vibe. all feature certificates of authenticity and include custom cases. beginning in 1960, gibson looked to slim down the chunky round neck profile on the revolutionary es-335 of the 1950's. in 1961, the es-335 featured a thinner flatter neck that players immediately appreciated for having a comfortable feel and fast action. the 2018 es-335 '61 is a historically accurate recreation of the es-335 that combined 1950's looks with 1960's play-ability. the mouse ear body shape, rounded 60's slim taper neck profile, and dark rosewood fingerboard with pearloid dot inlays, ensure that there is no mistaking this guitar's lineage. featuring a
Reviews:
Overall: I live in a large city and it is still impossible to find a Gibson 335 that plays and sounds great, has no issues or questionable history and comes with a price tag lower than a new one to justify the gamble. As a result, I decided to pull the trigger on a new one and went for the figured, not so much for the flame but for the lower weight and select wood, knowing both my back would thank me and that the guitar would probably be a bit more open and resonant. Block inlays are certainly nice and that may have helped sway my decision too. The 335 arrived with an impeccable setup, right out of the box from the factory. In my 35 years of playing, I’ve never had this happen. I’ve heard of it happening but never to me. I always have to tweak the truss rod to straighten the neck a bit, adjust the bridge action, widen the nut slots and intimate the guitar. Every time. The only adjustment I’ve had to make is lower the pickups a bit for balance, that’s it! Plays like an absolute dream. Here is why you want this guitar rather than a used one—. the neck. None of that weird pencil thin 335 necks from the past or those horrible and slow baseball bat necks… this is perfect. I don’t know what Gibson is doing in Nashville now, but they are making these guitars better than they ever have. Having always been a fan of Classic ‘57 pickups, I read about these T Type pickups being bright. It is true that they are bright, however it works so well in this guitar. Roll back the tone knobs for the mellower and darker sounds, especially when in the neck position for a classic straight-ahead jazz sound, or rolled back in the bridge to fatten up rhythms…but the thing is, roll the tone up for that beautiful bite and thunk in single line solos. I have had bright guitars in the past and there is nothing you can do for them. No matter the pickups or amp, it remains bright and pingy. This is not a bright guitar and has such a beautifully balanced and mellow acoustic voice, the pickups suit it well and I will not replace them. Is it an insane amount of money? Yes. It is. In 10 years when I have blown through $4K many times over and have nothing to show for it, will I still have this 335? Yes. I will. It’s an investment and zZounds makes it possible for someone like me to have something nice. This is an absolutely breathtaking guitar. In playability, sound, and appearance—Gibson is on top of their game these days and I think the future will look back at this era as their new golden age.Michael
Upon opening the case, the case was hard to open, like it didn't fit top cover to bottom cover. The guitar smells of cheap carnauba wax (if you wax your own car you know there are great waxes that smell good) this is not the great smell of the past Gibson guitars I have purchased in the past. There was a light haze to the guitar like the wax was dried but not wiped off completely. The was not common of years pasts Gibson's. Its a very light weight guitar. Nice to hold and even sitting with it to play does not dig into the underarm like a thick acoustic does over time. The ice tea version does look great front to back. I can't tell if it's AAA but its very nice. The head stock look s like it wasn't cut symmetrically compared to the other side or sanded to much. The neck is nice and thick and wider top to bottom which I like for fitting all my fingers on the 1-5 frets for chords. Their is a lot of fret buzz on the G string throughout the range of the neck, It looks like the G string is higher than all the other strings in an attempt to reduce the buzz. I thought these were machine prepped ?? I can most likely (hopefully)make some adjustments for this. The frets feel thinner than my Les Paul's. Not sure if I like this but I can get used to it. The sound on a clean channel is great. I really like the sound. The volume knobs have no volume from 0 – almost 2, they don't change the volume a lot from 3-7, from 8-10 is almost all the volume change. I have never had this experience before. The tone knobs actually lowers the volume from 1-3 which I thought is also strange. I have no experience with a ES model so maybe this is normal. If it is, then I am not sure I would have purchased. I don't regret the purchase but I was expecting perfection for this price.Just Me
I love 335 but played several that I found meh. Preferred the Heritage H-535 I bought to most Gibbies I tried. Until I played that one at my local GC store. Was immediately captivated with the tone. Went back several times, and took the plunge despite the sticker shock. At home, in my amp it sounded even better than in the shop. Absolutely wonderful guitar, that feels and sounds as good and sometimes even better than vintage 60s 335 I tried or owned. I am in love! But what a price tag…Gibson CS is becoming unattainable fast.Stéphane
14. Gibson Les Paul Classic Electric Guitar-Honeyburst
Product Details:
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Honeyburst |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Type | Fixed |
| Nut Width | 1.695" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Burstbucker 61T |
| Neck Pickup | Burstbucker 61R |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
15. Gibson Les Paul Standard '60s Electric Guitar Bourbon Burst
Product Details:
Specifications:
| Finish | Bourbon Burst |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Standard '60s |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
16. Gibson Es-335 Figured Limited-Edition Semi-Hollow Electric Guitar Blueberry Burst
Product Details:
The gibson limited-edition es-335 figured blends form and function with a figured maple body and top, rounded mahogany neck and stopbar tailpiece. its equipped with gibsons memphis historic spec ii (mhs ii) humbucking pickups and an abr-1 bridge. completing this impressive model is a 22-fret rosewood fretboard and a gloss finish. – figured maple semi-hollowbody – rounded mahogany neck, 22-fret rosewood fretboard, graph – tech nut, block inlays – dual mhs ii humbuckers (neck and bridge), 2 volume, 2 tone, orange drop capacitors – abr-1 bridge, stopbar tailpiece
Specifications:
| Body type | Semi-hollowbody |
| Top wood | Figured maple |
| Body wood | Figured maple |
| Body finish | Gloss |
| Neck shape | Rounded |
| Neck wood | Mahogany |
| Number of frets | 22 |
| Inlays | Blocks |
| Nut material | GraphTech |
| Configuration | HH |
| Neck | MHS II |
| Bridge | MHS II |
| Control layout | 2 Volume, 2 Tone, |
| Special electronics | Orange drop capacitors |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Vintage deluxe |
| Number of strings | 6-string |
| Orientation | Right-handed |
Reviews:
Overall: Gone are the days of buying an Epiphone for the bones and upgrading everything.Out of the box, the bass side action was pretty high. 3 turns of a screw driver and a retune and it's perfection.Sweet, sustaining tones. The neck pickup is thick and rich, the bridge pickup bites with nice midrange.I have the Iced Tea finish and it is flawless.It's pretty loud, acoustically as well.The fingerboard is a nice, even, dark chocolatey color. There are no sharp frets, and the frets themselves are smooth and there's no grittiness when you bend a string.The tuners feel like quality.the right amount of resistance when you turn the key,.very smooth tuning.This guitar holds tune amazingly well. The nut is cut very, very well. I just spent an hour bending the hell out of notes and it's still perfectly in tune.Even the strings that come with It are decent.If this was my only guitar (it's not, I own over 20 lol), I would be happy.If you've got less than $600 to spend and you want a high quality guitar, this is the one.Now, can it be made better with some upgrades?Maybe. We shall see. It's very easy to swap out the tailpiece for a lightweight aluminum one, the studs for locking steel studs, and the inserts for steel inserts. You can even find brass saddles that fit this bridge perfectly if you know where to look, as well as steel thumbwheel posts. Throw on some locking tuners while you've got it apart, and Bob's yer auntie.This one is a keeper. And with a 12 month payment plan? I'd only have to sell plasma twice a month to pay for it!Cody
Sound: It sounds good, it just needs better attention to detail on the manufacturers part. It sounds good in the blues rock/early 70s metal setting that i play Features: 2 humbuckser. Pretty basic, but iconic. Ease of Use: It would be easier if the frets were leveled correctly at the factory Quality: Needs feet work Value: Needs to be dropped down sub 300 with that fret work The Wow Factor: Looks good. Needs work right out of the box Overall: It needs fretwork out of the box. Which is pretty unacceptable. I’m tempted to send it back and try again, but I think I’ll just get fretwork done, as I don’t expect a replacement to be much better really. Sounds good when it isn’t buzzing.
Epiphone did a good job of recreating the classic semi-hollow body, but it isn't perfect. To start, it's very heavy. The neck and giant head (while very cool) causes significant "nose dive". I find myself pulling it up way more often then I would like. My second con is the pickups. They are good but break up a little too early for me. But, other than those two things it's an awesome guitar. The features like the binding on the neck, a burst finish, and inlays all over make it beautiful to look at and feel on the hands. You would pay big money for a Gibson with the same level of features. Build quality on mine is fine, binding edges are crisp, frets are level, wiring seems to be assembled well. I'm putting a better set of strings on mine (no idea what comes on it but I hate it) and smile every time I pick it up.James
17. Gibson Les Paul Classic Electric Guitar Heritage Cherry Sunburst
Product Details:
With an overhauled les paul classic design, fantastic specs, and burstbuckers with versatile electronics, this axe is for the les paul lover that wants all the most modern, playable features. overhauled les paul classic designthis excellent les paul classic is built from mahogany and topped with an elegant maple. the body is crafted with 9-hole weight relief, making it easy to handle and comfortable for all to play. it's finished in gloss nitrocellulose lacquer. the slim taper maple neck also allows for fast, smooth, fluid movements over the rosewood fretboard. fantastic specsthe les paul classic is built with stylish rock aesthetics and fantastic playability in mind. all the specs go towards that end. the fretboard of this les paul has 22 medium jumbo frets and acrylic trapezoid inlays. it's got a graph tech nut for smooth string movement. the bridge on this les paul classic is an always solid tune-o-matic design with a stop bar tailpiece. it's also got gold top hat knobs with silver reflectors. burstbuckers with versatile electronicsfor excellent sonic versatility, this les paul modern takes the classic gibson dual humbucker design and levels it up. it has a burstbucker 61r (zebra) at the neck position and a burstbucker 61t (zebra) at the bridge position. both feature an open-coil, zebra design, and are calibrated for some excellent tonal power. even more impressive, all the knobs are push/pull for additional sonic excellence. the two volume knobs are push/pull and engage a coil-tapping feature, giving each blazing hot humbucker a sweet p-90 style single-coil sound. one tone knob puts the bridge pickup in pure bypass mode, skipping the tone controls and running straight from the pickup to the output jack. the other push/pull tone knob is a phase switch. clearly this les paul has a lot of options for you to find your sound. features: maple topped mahogany body with 9-hole weight relief 24.75" scale slim taper mahogany neck rosewood fretboard with 22 frets and acrylic trapezoid inlay dual burstbucker 61 pickups with coil-tapping, pure bypass, and phase switching tune-o-matic bridge with stopbar tailpiece grover rotomatic tuners
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Heritage Cherry Sunburst |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Nut Width | 1.695" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Burstbucker 61T |
| Neck Pickup | Burstbucker 61R |
| Controls | 2 x Volume & 2 x Tone |
| Coil Tapping | Yes |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
18. Gibson Les Paul Classic Electric Guitar Heritage Cherry Sunburst 194744692666
Product Details:
The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifcations. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features four push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for functional and versatile sonic variety. – gloss-finished maple top on weight-relieved mahogany body24.75"-scale mahogany neck, 22-fret rosewood fingerboard – dual gibson burst – bucker 61 pickups, coil tap, phase and bypass on push/pull pots – nashville-style tune-o-matic bridge, grover tuners
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
19. Epoch Epoch Baldwin Les Paul Black Black 2000's
Product Details:
20. Black Gibson/baldwin Epoch Les Paul Electric Guitar ( Music Education
Product Details:
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