Fender Jimi Hendrix Stratocaster Electric Guitar For Sale (2024 Update)

First the good. Neck is straight, properly fitted, and I really like a set radius as opposed to compound. The D profile feels "right" to me. Set bridge (screws vs pivot) is also a huge plus. Trem bar is a flat profile, where its closer to the body, instead of 2 inches too far out. The bad. Tuning machines are slotted too high, and a little wonky/loose. Fret ends are smooth , but not the cut, if that makes sense. So when you run your fretting hand up or down it'll catch on the burr from not smoothing out the neck side(s). The trem springs are way too loose/springy for an off the shelf guitar. Annnd it's really noisy. I expected some hum from vintage pickups but good god. This is something I'll have to deal with straight away. The gnarly. The sound and playability is simply ok out of the box. Not near enough "quack" for what its designed for. Namely doing Hendrix tunes. Barely there, really. All in all. I kinda knew it was going to take around 3-500 to get it where I wanted it. But it is a great starting point for hot-rodding/customization purposes. The headstock does take some getting used to!Bob

Overall: This guitar is modeled after the "Jimi at Woodstock" white Strat, and is a great looking guitar that captures that vibe. But, I also needed something I could gig with. The reverse headstock is great because the longer wound strings have a little more tension, and the shorter G,B, and highE have less tension for great, smooth bends. The C shaped neck isn't super fat, but very comfortable. It gets a lot of attention in a live setting. I actually took mine to Bethel NY and stood on the original Woodstock field, and played "The Star Spangled Banner" on the spot of the original stage with a little battery powered amp. Talk about Bucket List things to do. 😉 A great guitar with vintage tone, easy playability, trem holds tune surprisingly well, not too heavy, and captures that 1969 vibe while being a true gig-worthy guitar. Buy it!Tony

My wife thought the Inca silver guitar was beautiful. I thought it was very unique looking and assumed that since it was made in Japan, it would be very high quality. The Gotoh tuners are incredibly difficult to turn. Hopefully this is an anomaly. I could try to loosen them but I expect a guitar like this to need nothing from the start. Also the guitar would not hold tune and yes, the strings were stretched. The tremelo bar requires an allen wrench (provided) to install and remove. Although I'm no guitar tech, it looked as if the two fulcrum screws were not tightened enough. Regardless, even when not using the tremelo, just the heel of my hand resting on the bridge would make the guitar squirrelly. This was very frustrating. The low E string had a buzz on the lower few frets and I broke the high E string my 2nd day of playing it. I've gone years without breaking a string on other guitars and I just do whole step bends, nothing more. The pickups sounded fine, the TBX tone control is not something I claim to understand, but it sounds ok. The guitar is not very versatile – kind of a one trick pony good for cranked up crunch guitar, which I was ok with. The 12" radius and jumbo frets? Not very comfortable IMHO. Kind of a tiring guitar to play. I wanted to like this guitar, but again, I refuse to start out with it needing work so it 's going back and the days of me assuming that Japanese quality, or at least quality control, are over.Kelly G.

I was in the market for a Fender guitar so as I browsed I saw a beautiful Telecaster that I really liked but it didn't have a whammy bar so I continued to browse, then I saw this beautiful Stratocaster and it was love at first sight. Plus it plays and sounds great. I'm loving it! 👍🏻Clarence

This is a monster of a guitar! You get so much for your money! First off, the feel of this guitar rivals American build quality. The neck has that rolled edge feel to it with more of a satin back. The jumbo frets feel absolutely perfect. If you had told me that this was made in the US, I certainly would believe it based on the feel and quality of construction. The features are so cool on this guitar! While it has two humbuckers, the coil split turns both of them into single coils. Normally, split coil humbuckers do not sound like single coils, but both of these pickups are so good. The split neck pickup has that woody, full tone to it, just like a good quality single coil. The humbuckers have a good throaty feel to them, they are great for rock tones, but they have a vocal quality to them that gives them a really great character even when they are clean. This TBX tone control is an amazing addition and is what makes this guitar so crazy versatile. It has a notch that lets you know it is a halfway. This is like using a regular 250k tone pot. It sounds great with both the humbuckers and the split coils. But, when you take the tone to '10', it enhances both treble and bass by engaging a 1000k pot. It gives a higher gain, somewhat scooped tone. This is great for rock, blues, grunge etc. Just an amazing tone to me! To sum up the tone, this guitar sounds amazing playing high gain rock as well as playing John Mayer licks. It is seriously that versatile. I have never played a guitar that can cover so much tonal territory. The other appointments are absolutely top notch. This guitar has a bone nut, graph tech type saddles, and super high quality gotoh tuners. The crazy thing about this guitar is that I feel that I have just purchased two high quality guitars for a price that is less than one american strat. Gorgeous clean single coil tones, AND heavy, thick humbucker tones all in one unit. I can't recommend this guitar highly enough!Mike

Sound: I can get any sound I want just through the pickup selector, tbx and midrange boost controls, and the master volume takes it over the edge for extra crunch. Playing by myself I preferred the middle pickup, but in a band situation the neck pup cuts through brilliantly with lovely clean treble twang. This is a great guitar for biting blues or rock tones, or dial it back for a nice soft clean tone. I mostly play through a Blackstar TVP 60 or Marshall DSL40, but I keep both mostly clean where it's just starting to break up, which I can control by my attack. Features: The best feature for me is the playability of the neck. The satin finish combined with the low vintage frets is just super smooth. I played about a dozen different Strat models before finding the EC, and once I played it there was no other choice to make. The noiseless vintages pups are a breeze, and the controls do everything Fender claims. Ease of Use: The EC just fell to hand for me immediately, like no other guitar I'd played before or since. 'Nuff said. The pups allow me to keep tight control on feedback only when I want it. Quality: This is a pure quality instrument, and I love everything about it. Having said that, after 2 years there's quite a bit of fret wear from bending, so I'll need to refret with stainless steel wire for longer wear. The volume pot has started to get a bit dirty and noisy, so it needs a clean, even though I've only played in clean environments. Value: Worth it's weight in gold. I have not played another guitar that makes me want to buy it. Manufacturer Support: Haven't need manufacturer support, but in Australia I have Fender-registered luthiers. The Wow Factor: This is EC's guitar, as close as I'll ever get, which is a big selling point. But sheer playability, quality, and value for money, plus pride of ownership, make it simply the best. Overall: Just a fabulous, playable guitar, the best I've ever played.Peter

Arrived in great shape. So far, I love this guitar, and despite all the videos I watched and reviews I'd read, I was still amazed at the sheer number of tones you can get out of it. With the mid and treble boosts, you can really go from "typical strat" tones to get incredible sustain and hit the front of the amp quite hard to get good breakup.Pros:- American Strat quality, fit and finish is good, rolled fret board, etc.- The electronics – endless variety of tones. Not great for modern metal or hard rock, but anything else will work.Cons:- This would be a hard guitar to work into a live venue if you play with other guitars as well. It is LOUD, so much louder than my Les Paul or anything else I own that I have to play with the levels and EQ on the amp. In my house, no big deal. At a gig, that may be tough. That said, I don't own other guitars with active electronics, so maybe other active pickups are also this much louder?- Requires you to unscrew the back plate to change the battery. I'm sure this keeps costs down, but on my active basses it's a lot easier to open the battery compartment without screws. Make sure you have a full battery before a gig.- I was surprised at the amount of set-up I had to do to get rid of fret buzz. Given the amount of distance in shipping, time in warehouses, temperature/humidity differences, etc. my guess is that it was probably fine when it left the factory, but it's the first guitar I've bought online that had so many strings/frets buzzing. Luckily a couple turns on the saddle screws fixed it all without appreciably raising action.Neither good nor bad: – The neck profile is unique to the Clapton. It feels like "a more playable vintage profile" to me. It's definitely not a modern profile. You'll either like it or you won't 🙂 I found it really easy to adjust to, and it seems to work great for "thumb over"- The bridge is similarly vintage, and comes blocked. If you really want the newer Fender bridge, you are out of luck. Given my set-up experience (above), I'm not convinced I could just "remove the block" and have it playable without additional set-up.- Tweed case looks amazing, but is not form fitting like the new TSA case that comes with other American Fenders. I wanted a tweed case, and I don't fly with my guitar, so not a big deal to me.Overall I feel like I made the right choice in buying a Strat, and I can't put it down. If your goal is to make Clapton sounds (or any other great Blues/Rock sounds) – this is a fantastic guitar.Metal Head

I have wanted an American made Strat for the longest. Not just any American Strat, but The One built to my specs from the looks right down to the pots and of course the feel and sustain. This is it and AMS made it easy and in reach just as they've helped me to make other musical dreams to come true! This guitar feels great, sounds amazing, beyond my hopes & expectations, and even the price tag was a pleasant surprise! Tech has come a long way, but in a lot of ways we've lost craftsmanship. Well, not out of Corona California. Crisp tones, nuanced variation, and that wonderful Fender sustain! I have some other expensive guitars, which I love, but at under their price point the Professional II is going to be a close lifetime friend. If you are looking at these and don't need boutique trimming of the Ultra line or the royal treatment of the Custom Shop, look no further and pay no more. Strat-Halla is right here at a reasonable price point for a heritage worthy instrument. I won't waste time going over the specs. It's all here. Get acquainted with your new best friend!Pete

This is my second American Stratocaster. My first is from 2007 and it has a rosewood fretboard. I wanted a maple neck strat as well. I bought the Miami blue version and love it. To me, Strats are each very unique in the way they play and sound. My other Strat has Dimarzio Area pickups in it (which I love), so I’m having to get used to the stock single coils. I love the bridge, but to my ears the neck pickup it too muddy. The trem system is good, and the overall construction is good. I had to re set it up because I use heavier strings. I may end up changing pickups before it’s all said and done. Only time will tell. I wish Fender would have put Locking tuners on from factory! That’s a must for me.Justin

I purchased this guitar about 3 weeks ago (working with Zach), it has quickly become my favorite guitar I own. The full rosewood neck is incredibly smooth and the the deep C shape is extremely comfortable. I mostly play through a Helix Stomp and have been really happy with the sound and tone variability I can get with it using the various pickup selections especially with the push/push for adding the top pickup to the mix for positions 1 and 2. The pictures in the listing look great, but it looks much better in person. The pictures have a lot of light which makes the blue appear lighter than it would in a normal room. The picture where the guitar is positioned in the case is a great representation of the color in a normally lit room.Kevin

Just love it. This is the perfect guitar for me. The quality is excellent. The sound is amazing. The neck and feel of the guitar is possibly the best that ive come across. Oh, and it looks good too, a vintage vibe. Fender Strat USA Jeff Beck model. Enough said.Damien T.

I honestly feel that the Jeff Beck Stratocaster is the best value guitar that Fender offers today. For just a couple hundred dollars more than an American Professional Stratocaster you get an upgraded, hot rodded, American made Stratocaster second to none! Anyone that knows the history of the Jeff Beck Signature Stratocaster knows that it inspired the Stratocaster Plus of the late 1980s. Roller nut, locking tuners, cutaway heel, noiseless pickups, tweed hardshell case, and American made for just a little more than the American Pro?! Duh! Despite all the upgraded "value" I keep going on about, the Jeff Beck Signature Stratocaster plays great! My model needed slight tuning straight out of the box but the action and intonation was perfect. Remember, these are standard production line guitars, not Custom Shop pieces. Whoever is doing the assembly and final setup of these guitars really takes pride in their work! I highly recommend this guitar regardless of your opinion of Jeff Beck. Jeff Beck happens to be my favorite guitar player and I always wanted a white Stratocaster with a rosewood fingerboard like the one he plays and was on the cover of the Wired album. This is the first Signature guitar I have ever bought and I could not be happier.Ty

This is truly the best current production strat by fmic you can get outside of the custom shop. And not just for the money, like overall. I've tried/owned Strats from the player, vintera, performer, pro, american OG, ultra, custom shop. Outside of the custom shop this is the crown jewel of the line. The Cort factory knows what they're doing and does it better than american line guitars at 3-4 times the price. It has the same narrow tall frets they're putting on the american pros, which make bends go off like butter. It's an extremely fast feeling neck without being too skinny (I have large hands and generally prefer a bigger neck, but I love this neck. It's like a medium c with the slightest hint of a v, not a baseball bat but not a toothpick). The back of the neck is lacquered but it never gets sticky when sweating. The fretwork is immaculate, better than all the fender Mexican guitars. The frets are polished to a mirror finish, the fretboard edges are rolled. The tuners are smooth turning vintage style. Bone nut, steel saddles, perfect semi-light weight… it literally ticks every single box a vintage strat enthusiast could want. Oh and the pickups? Don't worry about having to swap them out for some expensive after market pups. They are PERFECTLY voiced for this instrument. Plenty of low end but not overwound, striking clarity and glassiness, middle positions quack properly, and the bridge pup is even wired to the tone control stock! I'd wager to bet this will become your #1 strat…JT

First the good. Neck is straight, properly fitted, and I really like a set radius as opposed to compound. The D profile feels "right" to me. Set bridge (screws vs pivot) is also a huge plus. Trem bar is a flat profile, where its closer to the body, instead of 2 inches too far out. The bad. Tuning machines are slotted too high, and a little wonky/loose. Fret ends are smooth , but not the cut, if that makes sense. So when you run your fretting hand up or down it'll catch on the burr from not smoothing out the neck side(s). The trem springs are way too loose/springy for an off the shelf guitar. Annnd it's really noisy. I expected some hum from vintage pickups but good god. This is something I'll have to deal with straight away. The gnarly. The sound and playability is simply ok out of the box. Not near enough "quack" for what its designed for. Namely doing Hendrix tunes. Barely there, really. All in all. I kinda knew it was going to take around 3-500 to get it where I wanted it. But it is a great starting point for hot-rodding/customization purposes. The headstock does take some getting used to!Bob

Overall: This guitar is modeled after the "Jimi at Woodstock" white Strat, and is a great looking guitar that captures that vibe. But, I also needed something I could gig with. The reverse headstock is great because the longer wound strings have a little more tension, and the shorter G,B, and highE have less tension for great, smooth bends. The C shaped neck isn't super fat, but very comfortable. It gets a lot of attention in a live setting. I actually took mine to Bethel NY and stood on the original Woodstock field, and played "The Star Spangled Banner" on the spot of the original stage with a little battery powered amp. Talk about Bucket List things to do. 😉 A great guitar with vintage tone, easy playability, trem holds tune surprisingly well, not too heavy, and captures that 1969 vibe while being a true gig-worthy guitar. Buy it!Tony

I've owned several Strats over the years, including a 1968 (my first real guitar) and a Custom shop with Ibarra pickups. The Eric Johnson is as good or better for me than any of them. I play mainly blues-based classic rock, Hendrix, Clapton, Zeppelin, Beatles, etc. I've had this white-blonde with maple fingerboard for a little over two months at this writing. The larger-than-usual neck is outstanding–much like a Custom shop. Although the 12" radius isn't as comfortable for chording as the standard, rounder 9.5", it provides a more consistent feel for fast playing, runs, etc., imo, because my fingers don't need to adjust to the larger curvature. It's like a classical guitar in that respect. The pickups with their staggered pole pieces sound lovely–almost vintage sounding with loads of classic character. The neck position is honky, midrangy, not smooth like normal Strats, so it cuts. Where I might have preferred the neck position on other Strats, I prefer the 4th position on this one, which has the fat smoothness appropriate for mellower rock rhythm or fills. The middle pickup (without tone control) is louder, and a great go-to for a quick volume and tone change for solos. 2nd position is quacky and biting, great for distorted solos that cut, and the 1st (bridge) position is good for higher gain leads (with the tone rolled back a bit) or for twangy country licks. I've never much liked the bridge pickup on Strats, but this one is less harsh than usual, and with the tone rolled back to 5 or 6 is definitely usable. I'm leaving the tremolo with five springs on, flat to the body for tuning stability; but I do miss being able to whammy in both directions rather than just downward. The staggered tuners undoubtedly help maintain tension, and a bounce on the whammy bar resets intonation pretty well, though not perfectly (this could be due to other factors such as the nut, string gauge, etc.), so I don't use it much. I'm using NYXL9544 (the 9.5 "half-size" gauge).Tanuki

Very nice guitar that is era correct. Has flash coat nitrocellulose finish like original 50's strats that is thinner than other model ej strats. Even has correct '54 patent pending stamped saddles and smoothed headstock corners. These are slightly heavier than alder body EJ strats and doesn't have as deep of contours but is correct for '54 models. Neck is dead on with '54 profile, very slightly larger than previous models. It is listed that it has quarter sawn neck but mine isn't, it is more between flat and rift sawn like original '54. You can tell that fender went through some effort, likely from ej's request, to make these as close as possible to original'54 specs. Only non '54 items are pickups and Bakelite knobs but "Virginia" had these changed out.N. Collins

Beautiful white blonde finish, silky smooth neck finish. The soft V is quite round and is a robust neck, but the V keeps it from being ball bat. If you really like the "Modern C" you may find the neck a little large. It's certainly comfortable to play, and I like it a great deal, even though most of my other guitars are modern C's or similar. So, maybe you won't. I've found that I like larger necks more the longer I play, and the resonance of this neck is just a great feeling. Hard to explain, but it seems more alive than most strats I've played. Some folks have found the neck sticky, but I didn't think that at all. Plays amazing right out of the gate. Intonation was perfect out of the box and setup was just fine, although I may play with it a little for my personal preferences. Tuning stability is good. Came with all of the springs installed on the bridge, so the trem bar was not even usable, but with one spring removed, it allows the trem to be functional while still keeping the bridge hard against the body for better resonance and stability. Pickups are amazing. I have some strats with Texas specials and I've had just about every pickup out there, but these are just perfect. Sounds like a strat should sound, and the "in-between" positions are more usable and pleasing that on any other strat I've ever played. Volume knob reacts perfectly and really changes presence and drive in a predictable fashion. Break up is sweet, and can get quite crunchy on the bidge. Neck is just a perfect blues tone with lots of options to shape character with volume and tone. The treeless headstock is nice…I've had better tuning stability for my plain strings than other strats, and I didn't find the plain strings dead or lacking in any way. This is certainly my new favorite guitar. I don't really know how much having no trem pocket cover on the back of the guitar helps tone, and it kind of looks unfinished without it, but I don't know that I'll bother to add one. Case is great, also.DJ

You got it right. There's a mural just off downtown Tulsa featuring prominent black musicians including Hendrix but they totally missed it. The Hendrix image captured him very well except that he's shown playing right-handed Strat right-handed. If you're going to put something that well-known out there, it better be right ! ! ! Just saying, as an artist, a player, AND a Hendrix fan . . .Scantman

This is the first Acoustic/electric that I have owned that I actually love playing. The action is great even with the large gauge acoustic strings on it. Comes with a very nice gig-bag/case. I love the way the neck and back of the guitar looks. I also love the Strat 5-way switch that selects the degree and type of acoustic sound. The only downside with this guitar is the cover that serves as a cover for the electronics and pick guard. It looks cheap, more like a decal than a cover. I think Fender can do better on this detail for the price of the guitar. However, if you can get past that then it is a fine playing and sounding guitar. I have owned several Acoustic and Acoustic/Electric guitars. The action on even high-priced acoustics was so terrible I just ended up selling them. I also do not like the large back ends of most acoustic and acoustic electric guitars, but this guitar is small and easy to play. I would give it an A-.Bill

The research I did on trying to learn more about this instrument via general internet, YouTube, assorted standard Music Company's like Sam Ash; Sweetwater; Guitar Center; Alamo; and other assorted Music Guitar critics provided a good array of opinions and product test results that produced a positive majority with impressive perspectives for the instrument I purchased. The Fender American Acoustasonic Stratocaster Acoustic-Electric Guitar Cocobolo I purchased from Sam Ash was not a disappointment. Aside from the 10 different options of Guitar unique sounds it provides from Acoustic and Electric mixes. The one-of-a-kind Cocobolo wood identifies a further fingerprint in supporting its own private one-of-a-kind signature sound with relationship to the Cocobolo wood unique to it alone. That just blows me away with how special the sound of specialty signature sound it produces with the ten different built in technical sounds the Fender Guitar company developed with this special edition. I feel overwhelmed in learning to continue how to play this guitar. It allows me so many more possibilities with playing soft country to hard rock a really strong guitar enjoyment experience.Guitar Enthusiast

Overall, I am very happy with this guitar. It exudes classic Fender looks and tone. The quality and craftsmanship are decent for the price point. I have a US Tele and, after putting some TLC into this player strat, it feels and plays almost as good as the Tele. I would give it five stars if it were not for fretwork that was needed. Body – The finish and surf pearl color are gorgeous. The wood grain is barely visible (raised) so I would not say the finish is flawless, but the grain is very subtle and adds character in my opinion. The routed cavities for the electronics (top) and the tremolo springs (back) are precisely cut and clean. The electronics cavity was even finished with black paint. Neck – The finish and appearance are great. However, all 22 frets had sprouted; some as much as 1/32". I can't say this is a craftsmanship issue as the frets were probably fine when it was assembled. It must have been a very high humidity environment, though. Nevertheless, after painstakingly filing and redressing all 44 fret ends it feels good. The frets themselves were well seated and leveled. The 3rd and 11th frets were a few thousands of an inch high, but not enough to cause any buzzing issues. The frets were well rounded and polished. Hardware – The tuners are just okay. One of them feels a little rough turning, and they seem to have a low turning ratio making it very touchy to dial in perfect pitch. The 2-point fulcrum tremolo bridge seems like a better design than the traditional (six screw) bridges, but I did not test it. I prefer to block them for more stable tuning, which worked great with this bridge. I have upgraded electronics I had planned to install in this guitar, but the stock pickups aren't bad. They are very quiet and have good tone – there is no rush to replace them. Setup was a breeze. Truss rod adjustment was smooth, nut slots were to spec, and intonation was perfect. The action needed adjustment since I blocked the tremolo, but that was easy.Dave S.

It has great tone from all pickups with extremely noticeable changes with each time you flip the switch. Works good with clean, but great for any sort of overdrive or distortion. The killswitch is cool and it holds tune very well.Ryan H

Bought the Tom Morello Guitar Strat Soul Power, finally arrived and the guitar was Missing screws on the chrome pick guard!!!! What the heck!! Had an approved quality inspection receipt. Ummm??? This is a FENDER Quality inspection pass ? Makes you wonder if quality is even a thing with fenderCarlos

This is the first Acoustic/electric that I have owned that I actually love playing. The action is great even with the large gauge acoustic strings on it. Comes with a very nice gig-bag/case. I love the way the neck and back of the guitar looks. I also love the Strat 5-way switch that selects the degree and type of acoustic sound. The only downside with this guitar is the cover that serves as a cover for the electronics and pick guard. It looks cheap, more like a decal than a cover. I think Fender can do better on this detail for the price of the guitar. However, if you can get past that then it is a fine playing and sounding guitar. I have owned several Acoustic and Acoustic/Electric guitars. The action on even high-priced acoustics was so terrible I just ended up selling them. I also do not like the large back ends of most acoustic and acoustic electric guitars, but this guitar is small and easy to play. I would give it an A-.Bill

The research I did on trying to learn more about this instrument via general internet, YouTube, assorted standard Music Company's like Sam Ash; Sweetwater; Guitar Center; Alamo; and other assorted Music Guitar critics provided a good array of opinions and product test results that produced a positive majority with impressive perspectives for the instrument I purchased. The Fender American Acoustasonic Stratocaster Acoustic-Electric Guitar Cocobolo I purchased from Sam Ash was not a disappointment. Aside from the 10 different options of Guitar unique sounds it provides from Acoustic and Electric mixes. The one-of-a-kind Cocobolo wood identifies a further fingerprint in supporting its own private one-of-a-kind signature sound with relationship to the Cocobolo wood unique to it alone. That just blows me away with how special the sound of specialty signature sound it produces with the ten different built in technical sounds the Fender Guitar company developed with this special edition. I feel overwhelmed in learning to continue how to play this guitar. It allows me so many more possibilities with playing soft country to hard rock a really strong guitar enjoyment experience.Guitar Enthusiast

Overall, I am very happy with this guitar. It exudes classic Fender looks and tone. The quality and craftsmanship are decent for the price point. I have a US Tele and, after putting some TLC into this player strat, it feels and plays almost as good as the Tele. I would give it five stars if it were not for fretwork that was needed. Body – The finish and surf pearl color are gorgeous. The wood grain is barely visible (raised) so I would not say the finish is flawless, but the grain is very subtle and adds character in my opinion. The routed cavities for the electronics (top) and the tremolo springs (back) are precisely cut and clean. The electronics cavity was even finished with black paint. Neck – The finish and appearance are great. However, all 22 frets had sprouted; some as much as 1/32". I can't say this is a craftsmanship issue as the frets were probably fine when it was assembled. It must have been a very high humidity environment, though. Nevertheless, after painstakingly filing and redressing all 44 fret ends it feels good. The frets themselves were well seated and leveled. The 3rd and 11th frets were a few thousands of an inch high, but not enough to cause any buzzing issues. The frets were well rounded and polished. Hardware – The tuners are just okay. One of them feels a little rough turning, and they seem to have a low turning ratio making it very touchy to dial in perfect pitch. The 2-point fulcrum tremolo bridge seems like a better design than the traditional (six screw) bridges, but I did not test it. I prefer to block them for more stable tuning, which worked great with this bridge. I have upgraded electronics I had planned to install in this guitar, but the stock pickups aren't bad. They are very quiet and have good tone – there is no rush to replace them. Setup was a breeze. Truss rod adjustment was smooth, nut slots were to spec, and intonation was perfect. The action needed adjustment since I blocked the tremolo, but that was easy.Dave S.

So I have had this guitar for two years now, and while it is a fantastic guitar for the rock/ hard rock/ metal thing, it is not very useful for anything else. The craftsmanship is great, it is American, not Mexican, mine in particular is lightweight. If you try to keep you guitars pristine then do not get this guitar. The finish is very thin, and is prone to chipping fairly easily, which doesn't bother me, but if things like that bother you then look elsewhere. The EMG's are EMG's that's the tone that you'll get. The ebony fretboard is smooth and consistently black, and the action can be set quite low. Overall it is a very solid guitar, but if you want versatility look for a different guitar, but if you want a guitar with all these specs, just some different pickups then get some different pickups. The neck is not a thin as maybe people think, just a modern C so its thin enough for comfort and speed, but thick enough so it feels like their something there. But worth the cash.Kyle

Really awesome guitar, simplicity at it's finest. 2 Great pickups, EMG 81 bridge, 60 neck ups, 3 position switch, one volume knob and hard tail bridge. Cleans up nicely and gets all the tones.Will

My wife thought the Inca silver guitar was beautiful. I thought it was very unique looking and assumed that since it was made in Japan, it would be very high quality. The Gotoh tuners are incredibly difficult to turn. Hopefully this is an anomaly. I could try to loosen them but I expect a guitar like this to need nothing from the start. Also the guitar would not hold tune and yes, the strings were stretched. The tremelo bar requires an allen wrench (provided) to install and remove. Although I'm no guitar tech, it looked as if the two fulcrum screws were not tightened enough. Regardless, even when not using the tremelo, just the heel of my hand resting on the bridge would make the guitar squirrelly. This was very frustrating. The low E string had a buzz on the lower few frets and I broke the high E string my 2nd day of playing it. I've gone years without breaking a string on other guitars and I just do whole step bends, nothing more. The pickups sounded fine, the TBX tone control is not something I claim to understand, but it sounds ok. The guitar is not very versatile – kind of a one trick pony good for cranked up crunch guitar, which I was ok with. The 12" radius and jumbo frets? Not very comfortable IMHO. Kind of a tiring guitar to play. I wanted to like this guitar, but again, I refuse to start out with it needing work so it 's going back and the days of me assuming that Japanese quality, or at least quality control, are over.Kelly G.

I was in the market for a Fender guitar so as I browsed I saw a beautiful Telecaster that I really liked but it didn't have a whammy bar so I continued to browse, then I saw this beautiful Stratocaster and it was love at first sight. Plus it plays and sounds great. I'm loving it! 👍🏻Clarence

This is a monster of a guitar! You get so much for your money! First off, the feel of this guitar rivals American build quality. The neck has that rolled edge feel to it with more of a satin back. The jumbo frets feel absolutely perfect. If you had told me that this was made in the US, I certainly would believe it based on the feel and quality of construction. The features are so cool on this guitar! While it has two humbuckers, the coil split turns both of them into single coils. Normally, split coil humbuckers do not sound like single coils, but both of these pickups are so good. The split neck pickup has that woody, full tone to it, just like a good quality single coil. The humbuckers have a good throaty feel to them, they are great for rock tones, but they have a vocal quality to them that gives them a really great character even when they are clean. This TBX tone control is an amazing addition and is what makes this guitar so crazy versatile. It has a notch that lets you know it is a halfway. This is like using a regular 250k tone pot. It sounds great with both the humbuckers and the split coils. But, when you take the tone to '10', it enhances both treble and bass by engaging a 1000k pot. It gives a higher gain, somewhat scooped tone. This is great for rock, blues, grunge etc. Just an amazing tone to me! To sum up the tone, this guitar sounds amazing playing high gain rock as well as playing John Mayer licks. It is seriously that versatile. I have never played a guitar that can cover so much tonal territory. The other appointments are absolutely top notch. This guitar has a bone nut, graph tech type saddles, and super high quality gotoh tuners. The crazy thing about this guitar is that I feel that I have just purchased two high quality guitars for a price that is less than one american strat. Gorgeous clean single coil tones, AND heavy, thick humbucker tones all in one unit. I can't recommend this guitar highly enough!Mike

When Fender comes out with a new series they add features that players actually want while retaining the classic Fender experience, and the same goes for the new Professional series. Tim Shaw redesigned pickups sound better than ever, while narrow tall frets help intonate chords all the way up fret board. And now, the popular treble-bleed mod now comes stock!tHOM

I play a lot of strats. This one is superior to most. These new pickups sound full and crisp without being harsh. The pickups are very balanced from one position to the next. The tremolo works great. l really like the new colors offered as well. If you haven't played one of the new strats, you should. this is a sam ash review.Guitar Jeff

Fender has really stepped up the Professional Series. The Shawbucker is great, vintage sounding, lower output pickup. Humbuckers will never be balanced with single coils, but if you are used to using the volume and tone controls (as you should be), you will find it very comfortable. Highly recommended.William

1 month review with guitar being setup professionally: Great pickups and tone and overall good sounding guitar after a proper setup, gorgeous nitro finish and paintjob. Relic effects are beautiful. The nitro finish feels thin enough for you to eventually make your own marks from repeated playing – a perfect way to tell a story and give the guitar character. Worn in neck feels amazing to play and not sticky to touch. Worth noting that the Pure Vintage 59 pickups on these don't have a reverse-wound middle pick, so there will be hum including positions 2 and 4. If you are easily annoyed with single coil hum, these pickups might not be for you. Also worth noting that these pickups do sound a bit warmer than a stock Fender Player pickups. These respond so MUCH better to high gain type of playing, all while still sounding amazing on low-gain and clean playing. Despite the pros, there are still some areas are lacking and needs improvement. The guitar had razor sharp frets along the binding that could easily cut you, meanwhile I have a $700 MIM fender player didn't have this problem straight out of the box. It's crazy to think that $700 guitar went through better QA than a $1200 guitar, but whatever, the frets are bound to be polished and worked on anyway with your initial setup regardless. CME's shipping page policies say "Every guitar gets a full inspection, as well as basic setup." Guitar came with an inspection card that had overall playability specs checked but some of it was questionable. The guitar was not playable at all out of the box despite letting it acclimate for over a day before opening BUT that is a given considering it spent time in a delivery truck trunk in freezing winter. However, it was a bit bogus how they even checked off volume output when the pickups were NOWEHERE near the appropriate height out of the box and there was BARELY any audible output on the treble side of the guitar. I highly doubt weather and temperature fluctuation will make the pickup screws spin by themselves to the degree at which the pickups came out of the box. Secondly, the tremolo springs at the back also weren't ******* in the appropriate depth for a either a floating or flushed trem setup – it was just sort of in the middle of the cavity. Weather fluctuation from their shop and may have affected string tension, but I also don't think it would make the claw springs in the back unscrew themselves to the degree the guitar came. Makes me wonder how thorough the inspection was. These might not matter as much to some especially those who will get their new guitars setup anyway, but it's good to note that you may still need to budget for a setup if you aren't doing it yourself. Although there could've been improvements on Fender and CME's part that I don't think could be blamed on external factors such as weather and climate fluctuations, overall, I would still 100% recommend this guitar, and it's a gem. The guitar played well after a proper setup, so I'm happy with it now. The price may be too expensive for some considering it's not made in USA, but it must be considered that this is the cheapest proper nitro-finish guitar you will currently find. The next best thing are Fender custom shop, so this guitar is perfect for those looking to enjoy vintage style paint/nitro body finish, and vintage specs without paying custom shop prices. The appearances are just a plus, since they sound and play amazing after a proper set up.Carlos T.

I've been playing for a little while, I rehearse with my band once/twice a week so my guitars definitely get played quite a bit, I've preferred Stratocasters from an early age. The shape is legendary and the tone is versatile. I own Chinese, Japanese, U.S. and Mexican Strats. This one is very comparable to my American Professional Stratocaster, the neck profile, the weight and intonation. Electronics are great, single coils produce a sweet twangy clean tone and the humbucker roars really nice with the right amount of gain/distortion. Makes it a very comfortable instrument that plays as easy as mantequilla on a hot tortilla. Only issue, (hence the 'almost comparable to MIA strats comment in the headline) are the frets… They are a little bit on the sharp side, I'm guessing it comes down to a player's preference? A competent luthier can dress the fret ends and make this one a real player/main axe. Other than the sharp frets, everything else is pretty solid and straight, the vatos down in Ensenada MX do great work producing these!Benjamin

So my story goes like this, I flew into Portland Oregon for work and immediately drove from the airport to Guitar Center. Upon walking in, someone was shredding on a guitar and it went on for a good 10 minutes. The guitar he was playing was the Candy Red Burst Fender Stratocaster Player Series. After he was done, I grabbed it and saw why he played it so long. It felt just solid in the hands. The strings, fret board and neck were silky smooth; Super easy to glide up and down with no fret buzz. The pickups are all Fender Player Stratocaster series which I have had no issue with and perform great out of the box. Also, just holding the guitar is a treat in the hands. It's a beautiful guitar. The Candy Red Burst has a very high functioning coat that gives a deep black fade anyway you turn it. It also fit my bill for something to remember Oregon by since the guitar is a deep Rose Red and Portland is know as the City of Roses.The Pau Ferro fingerboard is also eye candy as it has black veins that run through the grain matching the black hardware of the guitar. Other then that, I have had this guitar for 5 months as of this review and absolutely love it. The guitar holds its tune very well I enjoy playing it every time. Wait, you still reading this? Go get one already!Allan

If you like beefy straight maple necks, bright sounding ash bodies, and hardware that stays in tune for days – you should consider this guitar. This is a no-nonsense replica of a 50's strat that is not distressed to look old. It's exactly as you would have purchased it in 1956. Sometimes a design reaches its peak early on and later modifications only detract from the original. The boat neck carve pushes into my big hand but doesn't inhibit speed or thumbing the low e string. That translates into comfort and easy string bending. The six screw bridge looks funky but contributes to the fact this guitar just won't go out of tune. The stock electronics are the only thing I'd consider changing. It has a three-way switch (although a five-way is provided), and the pickups, although excellent, are low output. If I put in some vintage hot style pickups and a five-way switch, I think it will rival my master-built strat. This is a great bang for the buck axe.fstann1014