Are you looking for the Gibson Les Paul Classic Electric Guitar Transparent Cherry? If so, you’ve come to the right place.
Choosing the Gibson Les Paul Classic Electric Guitar Transparent Cherry can be difficult as there are so many considerations, such as Gibson, Epiphone. We have done a lot of research to find the top 20 Gibson Les Paul Classic Electric Guitar Transparent Cherry available.
The average cost is $2480.09. Sold comparable range in price from a low of $1799.99 to a high of $5399.00.
Based on the research we did, we think Gibson Les Paul Classic Electric Guitar (Translucent Cherry) is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Les Paul Classic Electric Guitar Transparent Cherry (20 Sellers)
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$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Colour: translucent red
- Construction type: solid body with weight reliefs
- Body shape: les paul
$2499.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Trans cherry w/hard case.
- 2nd hand details:this is a previously loved item and as such may have signs of use.
$2399.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- From gibson: the les paul junior returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. it pays tribute…
$1999.20
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifcations. as expected, the lp classic is crafted with a mahogany back…
$2167.75
Features:
- Beautiful example of a gibson bfg, in red.owned from about a year after manufacture.fully working and sounds great, just put on a new set of strings and it really sings!never…
$2249.00
Features:
- Up for grabs: gibson les paul classic electric guitar transparent cherry look make offer cool fsa find please ask first about intl shipments and we do not lower values. new…
$5399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This item is in great condition and is barely used, showing only minor signs of usage from display on our showroom floor. – for over 20 years gibson custom has…
$2499.00
Features:
- The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back…
$2499.00
Features:
- The gibson les paul? classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back…
$1999.99
Features:
- This product comes with a case. | gibson les paul classic solid body electric guitar translucent cherry…
$2499.00
Features:
- Weight: 9.16lbsstrap on gibson s les paul classic, and you ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that s…
$2499.00
Features:
- This item is in excellent working condition and barely used. the time-tested gibson classic, viewed by many as the perfect electric guitar. iconic. inimitable. from its commercial debut in 1952,…
$2499.00
Features:
- This is a used 2019 gibson les paul classic in the transluscent cherry finish. the guitar has a maple top over a 9-hole weight relief body, a set of zebra-bobbin…
$1994.59
Features:
- The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back…
$1799.99
Features:
- This product comes with a case. | gibson les paul classic solid body electric guitar cherry sunburst…
$1929.99
Features:
- Near mint, unplayed condition. original case and paperwork included!!made in: united states. this product comes with a case. | gibson 2022 les paul classic solid body electric guitar cherry…
$2195.00
Features:
- For sale is a gibson les paul classic '60 reissue cherry burst with chrome tuners and strap buttons, chrome tail, chrome tune-o-matic bridge, humbucker pickups, rosewood fingerboard with trapezoid inlays,…
$4000.00
Features:
- Early 93 classic plus ,with the small head stock that says model instead of classic, and the thin binding, which gibson stopped doing in mid 93.these early models were more…
$1975.39
Features:
- Description (used) gibson / les paul classic translucent cherry versatile model that incorporates easy-to-use functions into the 60's style les paul! the les paul classic is a versatile model that…
$1999.95
Features:
- Item description *used* the surface color has been repainted in harrison-clapton's lucy color. the back is painted with aniline dye. reshaped neck grip. it is thin and easy to play….
1. Gibson Les Paul Classic Electric Guitar (Translucent Cherry)
Product Details:
A traditional look and build techniques combine with some modern touches, resulting in a go-to axe for any stage or studio session! as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. taking its functionality to another level, the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for great versatility.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
2. Gibson Les Paul Classic Left-Handed Electric Guitar Transparent Cherry
Product Details:
The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching, and pure bypassing for functional and versatile sonic variety.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Left handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
3. Gibson Les Paul Classic Electric Guitar Translucent Cherry
Product Details:
From gibson: the les paul junior returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. it pays tribute to gibson's golden era of innovation and brings authenticity back to life. introduced as an affordable option for students and beginners in 1954, the les paul junior has been embraced by musicians for over 60 years.
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
4. Gibson Les Paul Classic Electric Guitar Heritage Cherry Sunburst 194744745522
Product Details:
The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifcations. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features four push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for functional and versatile sonic variety. – gloss-finished maple top on weight-relieved mahogany body24.75"-scale mahogany neck, 22-fret rosewood fingerboard – dual gibson burst – bucker 61 pickups, coil tap, phase and bypass on push/pull pots – nashville-style tune-o-matic bridge, grover tuners
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
5. Gibson Les Paul Bfg Transparent Cherry
Product Details:
Beautiful example of a gibson bfg, in red.owned from about a year after manufacture.fully working and sounds great, just put on a new set of strings and it really sings!never gigged or toured in my possession, seeing only light studio play.will be a shame seeing this one go :(these are pretty rare these days and fetch collectors quite well so make your offers count :)includes gibson case.guitar is based in central manchester uk, but will be able to ship internationally bar the usa, as shipping there has become insanely expensive.please let me know if you have any questions or queries!
6. Gibson Les Paul Classic Electric Guitar Transparent Cherry
Product Details:
Up for grabs: gibson les paul classic electric guitar transparent cherry look make offer cool fsa find please ask first about intl shipments and we do not lower values. new … please inquire about international shipments before you buy, please! we cannot ship everywhere due to box size limits. all guitars ship insured fedex, international shipments must meet country specific size limitations and shipping constraints and we will not lower the value for customs and may not ship the same day, we have our handling time as 5 days. returns must have prior approval. please do not buy if you are not going to pay. thanks, full steam ahead!!!! we are not a dealer!!! fsa's standard shipping and handling time is 3-5 business days from the end of auction and is based on a wide variety of situations. if you need your guitar asap, please let us know. also, your purchase may or may not ship immediately. another great find by fsa guitars!!!!! !!!!!!! fsa guitars – full steam ahead! !!!!!!! we are back!!!!
7. Gibson 1958 Les Paul Standard Plain Top Cherry Tea Burst
Product Details:
This item is in great condition and is barely used, showing only minor signs of usage from display on our showroom floor. – for over 20 years gibson custom has been carrying on their legacy of american craftsmanship and human ingenuity. they firmly believe that there remains a place in the world for the best of the best, and the value of their achievement extends well beyond the glossy sheen and gratifying weight of a well crafted les paul guitar. – gibson custom takes pride in knowing they bring the most discerning players and collectors in the world some of the most refined historic reissue, archtop and custom guitars available today. their achievements reflect decades of a passionate commitment to their position as the world s finest guitar maker. – model number: lpr58psl16761serial number: cme01147finish package: vosconstruction: all hide-glue construction – weight: 8lbs 11.2oz – neck material: mahogany (cme hand-selected)peghead: 2019 gibson reissue les paul – head veneer: holly 2019dimensions: …
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
8. Gibson Les Paul Classic Translucent Cherry 8.12 #226110280
Product Details:
The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for functional and versatile sonic variety. other specifications include: body material mahogany top material maple weight relief 9-hole finish gloss nitrocellulose lacquer neck material mahogany neck profile slim taper scale length 24.75" / 62.865cm fingerboard material rosewood fingerboard radius 12" / 304.8mm number of frets 22 frets medium jumbo nut material graph tech nut width 1.695" / 43.05mm end-of-board width 2.26" / 57.4mm inlays acrylic trapezoids hardware finish nickel bridge abr-1 tune-o-matic tailpiece aluminum stopbar tuners grover rotomatics w/ kidney buttons pick guard cream control knobs gold top hats with silver reflector switch tip cream switch washer cream jack plate nickel neck pickup burstbucker 61r (zebra) bridge pickup burstbucker 61t (zebra) controls 2 push/pull volumes (coil-tap), 2 push/pull tones (pure bypass/phase) & toggle switch strings .010, .013, .017, .026, .036, .046 case hard shell case included accessories includes gibson accessory kit lpcs00trnh1 8 lbs 12 oz #226110280 for more information on this gibson instrument, please contact us.
9. Gibson Les Paul Classic, Electric Guitar, Translucent Cherry
Product Details:
The gibson les paul? classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker? 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching, and pure bypassing for functional and versatile sonic variety.
10. Gibson Les Paul Classic Solid Body Electric Guitar Translucent Cherry
Product Details:
11. Gibson Les Paul Classic (Demo Model) Translucent Cherry
Product Details:
Weight: 9.16lbsstrap on gibson s les paul classic, and you ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs. classic mahogany/maple body for signature les paul tonesomething magical happened when gibson paired mahogany and maple for the les paul. the mahogany back offers warmth and sustain that is beautifully translated through the humbucking pickups. the maple top brings more than…
12. Gibson Usa Les Paul Classic Translucent Cherry
Product Details:
This item is in excellent working condition and barely used. the time-tested gibson classic, viewed by many as the perfect electric guitar. iconic. inimitable. from its commercial debut in 1952, the les paul has been the instrument of choice for many of music's most renowned luminaries, and to the eye has remained virtually unchanged for over 60 years. the gibson usa les paul classic includes just a few updates to the traditional feature set, like 61r and 61t zebra humbucking pickups and push-pull control assembly, but otherwise this beauty is pure lp down to the bound slim taper neck with solid rosewood fingerboard and nine-hole weight-relieved mahogany body with bound maple top. body: material mahogany top: maple weight: relief 9-hole neck: mahogany profile: slim taper nut width: 1.695" / 43.05mm fingerboard: rosewood scale length: 24.75" / 628.65mm number of frets: 22 nut: graph tech inlay: acrylic trapezoids bridge: abr-1 tune-o-matic tailpiece: aluminum stopbar knobs: gold top hats with silver reflector tuners: grover rotomatics w/ kidney buttons plating: nickel neck pickup: burstbucker 61r (zebra) bridge pickup: burstbucker 61t (zebra) controls: 2 push/pull volumes (coil-tap), 2 push/pull tones (pure bypass/phase) & toggle switch case: hard shell case please note: the item displayed in the images may not be the actual item you receive.
13. Gibson Les Paul Classic Translucent Cherry 2019
Product Details:
This is a used 2019 gibson les paul classic in the transluscent cherry finish. the guitar has a maple top over a 9-hole weight relief body, a set of zebra-bobbin burstbucker 61r and 61t pickups, and switching that lets you get single-coil, out of phase, and pure bypass (bridge pickup straight to the output jack) all in one instrument! there are aftermarket strap pins on the guitar, with the original ones included in the case. the guitar is still in overall excellent condition.includes: original hardshell case solidbody electric guitar maple top and 9-hole weight relief mahogany body mahogany neck and rosewood fretboard slim taper neck profile medium jumbo frets 24-3/4" scale length 1.69" nut width, 12" fretboard radius burstbucker 61r and 61t zebra-bobbin humbuckers 2 push/pull volumes (coil-tap), 2 push/pull tones (pure bypass/phase) & toggle switch graphtech nut abr-1 bridge and stopbar tailpiece grover rotomatic tuners with kidney buttons chrome hardware 8 lbs, 14 oz. .800" neck thickness at 1st fret .920" neck thickness at 12th fret
14. Gibson Les Paul Classic Lh Translucent Cherry
Product Details:
The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching, and pure bypassing for functional and versatile sonic variety.
15. Gibson Les Paul Classic Solid Body Electric Guitar Cherry Sunburst
Product Details:
16. Gibson 2022 Les Paul Classic Solid Body Electric Guitar Cherry
Product Details:
17. Gibson Les Paul Classic Heritage Cherry Sunburst
Product Details:
For sale is a gibson les paul classic '60 reissue cherry burst with chrome tuners and strap buttons, chrome tail, chrome tune-o-matic bridge, humbucker pickups, rosewood fingerboard with trapezoid inlays, .83" depth at 2nd fret, 1.69" nut width, 10" fingerboard radius, minimal fret wear, some buckle rash and blemishes on body, condition is very good–see pictures for more details. feel free to message us for more in-depth information or for additional photos and videos! our hours of operation are tuesday, friday and saturday, 11:30am-5:30pm pst. thank you!
18. Gibson Les Paul Classic Plus Heritage Cherry Sunburst
Product Details:
Early 93 classic plus ,with the small head stock that says model instead of classic, and the thin binding, which gibson stopped doing in mid 93.these early models were more like the original 60s i believe then anything they ve made so far.they pre-date gibsons custom shop.i removed the pick guard and replaced the truss rod cover with a plain one, which makes it look like a standard. i also replaced the pick ups with a set of cream-t billy gibbons whisker buckers, they are a clone set of the reverends 50s les paul pearly gates!! the original truss cover,pick guard, and pick ups are included.this by far is one of the best playing and best sounding les pauls, i ve ever played or owned. i ve been playing since the early 60s!i will sell it for $3200.00 and have the original pick ups reinstalled if someone wishes to do that but these pick ups make it sound like a 59. unbelievable.this one i really hate to sell,it plays and sound so good, it s a little on the heavy side for me( i got old a…
19. Used Gibson / Les Paul Classic Translucent Cherry 207510138 Guitar
Product Details:
Description (used) gibson / les paul classic translucent cherry versatile model that incorporates easy-to-use functions into the 60's style les paul! the les paul classic is a versatile model that incorporates easy-to-use features into the early 60's style les paul. playability is excellent with a narrow slim taper neck. burstbucker 61r and 61t zebra open-coil pickups deliver traditional gibson tone with a little more power. four push-pull knobs enable coil tapping, phase sound, and direct sound, making it an almighty sound. *there is a feeling of use with scratches and dents, but the playing condition is good. product rank: b+ s/n: 207510138 truss rod: there is room fret: about 70% case type: hard case weight: 4.14kg payment please pay within 4 days after purchase. shipping please refer to shipping and handling. about other area, please ask me. returns returns are accepted only if the item was not the item described. international buyers – please note: * import duties, taxes and charges are not included in
20. Gibson Les Paul Classic Translucent Cherry Electric Guitar Usa Lucy
Product Details:
Item description *used* the surface color has been repainted in harrison-clapton's lucy color. the back is painted with aniline dye. reshaped neck grip. it is thin and easy to play. there are no noticeable scratches or dents. there is no problem with the electrical system. there is no decrease in frets. the neck is also good. it was out for regular maintenance. it was stored in a hard case. burstbucker 61r & 61t pickups. you can control 2 volumes, 2 tones, coil taps, phase outs, and direct outs. status criterion *brand new* / *mint* have not used. / open box and still in a good condition. *lightly used* some scratches that are not noticeable. *used* some scratches and stains that are noticeable. *very used* some scratches stains that are noticeable. *damaged/junk* it has some problem. we don't usually re-stock again. please feel free to ask anything if you have a issue. i may be able to find for you if the item you are looking for is not on my online shop. please feel free to contact me.. * the string star
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