Are you looking for the Gibson Les Paul Classic Electric Guitar Ebony? If so, you’ve come to the right place.
Choosing the Gibson Les Paul Classic Electric Guitar Ebony can be difficult as there are so many considerations, such as Glarry, Gibson, Epiphone. We have done a lot of research to find the top 20 Gibson Les Paul Classic Electric Guitar Ebony available.
The average cost is $2721.17. Sold comparable range in price from a low of $449.00 to a high of $7799.00.
Based on the research we did, we think Gibson 2018 Les Paul Classic Ebony is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Les Paul Classic Electric Guitar Ebony (20 Sellers)
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$1650.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Really excellent 2018 les paul classic!
- Full spec for these easily available if you do a quick search.
- All of the hardware is perfect.
$2499.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Gloss-finished maple top on weight-relieved mahogany body
- 24.75"-scale mahogany neck, 22-fret rosewood fingerboard
- Dual gibson burstbucker 61 pickups, coil tap, phase and bypass on push/pull pots
$1199.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- The essential les paul
- Ultra-modern weight relief
- The latest advancement in maintaining tone with weight relief
$4330.10
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Strumento completamente originale del 2013
- Tastiera in ebano
- Ottime condizioni generali
$1070.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- This item is in very good condition, comes with original hard case.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$1279.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Gloss-nitro-finish weight-relieved mahogany body with maple top
- Nitro-finished 24.75" scale mahogany neck with 12" radius, 22-fret torrefied granadillo fretboard
- P-90 soapbar pickups with 3-way toggle switch
$2400.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This is a 2016 gibson usa les paul standard t in ebony.
- You can't go wrong with a les paul standard.
- This one has a slim 60s neck, burstbuckers and has push pull pots so it has lots of tonal options at your fingertips.
$1599.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Single dog ear p-90 pickup
- Mahogany neck and body
- Rosewood fingerboard
$449.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Vintage-style solidbody electric guitar with eye-grabbing worn-in finish
- Maple-over-mahogany construction yields a tried-and-true rock ‘n’ roll tone
- Alnico classic pro humbuckers deliver warmth, punch, and midrange complexity
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- In almost new condition.
- No scratches, no wear.
- Comes with humbucker covers and pointers.
$2975.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Finish top: minor finish burns around neck pickup. light scratches.
- Sn label: weak serial number and "made in usa" stamp.
- Finish sides: minor finish blemishes on bass side. light scratches.
$5600.00
4.5
Reviewers Noted:
Sound quality . Attractive . Craftsmanship
Features:
- Gibson custom 57 les pual custom in ebony.
- Solid mahogany.
- Chunky c-shape.
$6899.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Heavy
Features:
- Detailed specifications.
- Body material.
- Weight relief.
$3150.00
4.8
Reviewers Noted:
Weight . Craftsmanship
Features:
- Les paul styling meets semi-acoustic es-335 construction
- Rosewood fingerboard
- Mhs humbucking pickups
$2416.59
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Body shape: single cutaway
- Body type: solid body
- Body material: solid wood
$986.79
4.6
Reviewers Noted:
Sound quality
Features:
- Gibson lp studio t ebony
- Grover kidney tuners: durable and superbly efficient
- Tektoid nut: dense and self-lubricating for great sustain and accurate return to pitch
$825.00
4.6
Reviewers Noted:
Lightweight . Good sound quality . Attractive . Durability
Features:
- Here is my 2015 gibson les paul cm.
- Excellent guitar with 61 zebra humbucker and g force tuning system.
- Rich gibson tone.
$7799.00
4.8
Reviewers Noted:
Visual appeal . Weight
Features:
- With its elegant lines and ebony/pearl/gold aesthetic.
- The very first les paul to come equipped with humbuckers.
- Gibson have opted to use the vintage-voiced custombucker.
$2299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Sweetwater exclusive les paul classic: the tone beast. from its carved maple top and eye-popping custom nitro finish to its stockpile of premium appointments, this sweetwater exclusive gibson les paul…
$2499.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Lp clsc ebony…
1. Gibson 2018 Les Paul Classic Ebony
Product Details:
Sell beautiful left-handed gibson lp classic in ebony with accessories, certificate and the original hard case. condition is excellent, only a few minor scratches and signs of wear. the only more apparent thing i found is a small chip on the headstock and a small spot with no leather cover on the case – see photos.the 2018 les paul classic has two gibson p90 siglecoil pickups and a pleasant 60s slim taper neck profile. rolled fingerboard edges and the pleking from the factory at gibson ensure perfect playability. tuners are from grover.
Specifications:
| Finish | Ebony |
| Year | 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Classic |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
2. Gibson Les Paul Classic Electric Guitar-Honeyburst
Product Details:
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Honeyburst |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Type | Fixed |
| Nut Width | 1.695" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Burstbucker 61T |
| Neck Pickup | Burstbucker 61R |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
3. Gibson Les Paul Studio – Ebony
Product Details:
Less than 20 hours of play time. purchased new in april 2020. guitar made 11/11/2019 according to factory slip. never taken out of the home or gigged. includes all case candy and receipts. comes with mint locking gibson usa ohsc ($200 value). cosmetic 9/10 with faints signs of play on pickguard, body and hardware. light swirling etc, but no dings or flaws, no finish scratches. works perfectly. set up professionally by a luthier in may 2021 in d standard. gibson 490 pickups with coil splitting.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
Not much to say about a GLP – its an amazing guitar as you'd expect and anyone can carry it and comparably price instruments. However, it's the Sweetwater service that makes the difference. Grant is great and super responsive to my questions and issues. You can tell that the people who work here play and love music. I completely trust Sweetwater with my musical instruments. I just purchased my second guitar with them yesterday and the process was fantastic. At this point, I'm only going to buy here. Even if I found an instrument at a cheaper price through one of their competitors, it wouldn't be worth the care and service you get at Sweetwater. 5-Stars guys! Customer 4-Life!
So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.
4. Gibson Les Paul Custom Electric Guitar, Ebony
Product Details:
The epitome of stylish sophistication. – gibson's custom shop les paul custom guitar is crafted in america with a one-piece mahogany set neck, carved maple top and mahogany body for incredible warmth and sustain. a richlite fingerboard provides a crisp, bright attack. 490r and 498t gibson humbucking pickups deliver creamy rhythm and hot, molten lead sounds. also features a nashville tune-o-matic bridge, stopbar tailpiece, and bound body, neck, and headstock, nicely accentuated with gold hardware. use the drop-down menu above to choose colors and other options. includes case. – one-piece mahogany neck – carved maple top – warm-toned mahogany body24-3/4" scale – richlite fingerboard22 frets – figured acrylic block inlays – gold hardware490r neck humbucker with alnico ii magnets498t bridge humbucker with alnico v magnets – nashville tune-o-matic bridge with stopbar tailpiece – tulip tuners – body, neck, and headstock binding1-11/16" nut width – includes gibson custom shop hardshell case
Specifications:
| Finish | Alpine White |
| Year | 2012 – 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Composite |
| Model Sub-Family | Gibson Les Paul Custom |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
5. Gibson 2018 Les Paul Classic Electric Guitar, Gold Top
Product Details:
These 2018 classics are exceptional instruments. non weight relieved, hand wired, orange drop caps and crisp, sweet p90 goodness. aside from the slim neck they have more in common with a 56 reissue than a typical classic. in fact i had both at the same time and sold the r6 because this particular classic was such a great player. these necks are rounder than previous classics which i thought were too flat and uncomfortable to play. it’s set up well, has almost zero noticeable wear and has never been played out. the truss rod cover was changed to a blank one to more closely resemble a reissue. weighs 10 lbs even according to my bathroom scale. rings like a bell, has fantastic resonance, and the grain on the neck, sides and back is gorgeous. comes with original hard case.
Specifications:
| Finish | Ebony |
| Year | 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Bridge/Tailpiece Type | Stop-Bar |
| Model Sub-Family | Gibson Les Paul Classic |
| Number of Frets | 22 |
| Pickup Configuration | SS |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
6. Gibson Limited Edition Les Paul Bfg Electric Guitar Worn Ebony
Product Details:
Double p-90 bfg set up and ready to play, about 2mm action across the board, 10-49 d'addario set. this les paul type is fairly light weight. this particular guitar weighs 7 lbs 2 oz. for comparison, a g&l legacy i have (strat) weighs exactly 8 lbs. the bfg has and attractive and unique design that lends itself to mods, and is meant to be played, not cased up and babied. those who are iffy on the lp feel and/or sound are often drawn to this model due to its light weight and especially the dynamic tonal range of p-90s. i had electronics inspected and the frets leveled a month ago. there is nothing noteworthy in terms of playing wear. all the joints and stress points are in mint shape. i've included many pics in hopes to show full detail of what you'd be getting.
Specifications:
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
7. Gibson 2016 Les Paul Standard Electric Guitar – Ebony
Product Details:
The gibson les paul standard is the solidbody electric guitar for you, if you want to mix vintage tone with uncompromising playability. beyond the classic mahogany body with a maple top, the lp standard delivers both humbucker smoke and single-coil spank in one instrument. you'll appreciate the les paul standard's "modern" weight-relieved body that's lighter in weight but still packs ample sustain. the '60s neck profile is topped by a compound radius rosewood fretboard that makes the les paul standard perfect for both rhythm and lead roles. you get the looks, the feel, and all the classic guitar tone you can handle with the gibson les paul standard premium plus.
Specifications:
| Finish | Blue Mist |
| Year | 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
8. Gibson Les Paul Junior – Ebony Guitar
Product Details:
Ex-demo serial number: 219010349 these instruments may show light signs of use, they are quality checked by our team of repair technicians to ensure that they meet high playing standards. any promotional materials, offers, software or subscriptions available when purchased as new may not be available with this ex-demo product. the gibson les paul junior is a guitar that needs no introduction. boasting an unmistakable tone and a classic design, its been played by a generation of musicians. originally designed as an affordable alternative for students and beginners, the les paul junior has since become a favourite amongst industry experts and the touring elite. now, it's back with all the charm of the 1950s and upgraded features for the modern player. it's that renowned vintage tone that has gifted this junior a place in the rock 'n' roll hall of fame. shred with snarl and bite from a single dogeared p90 neck pickup. whether you're riffing on a tasty lead or keeping it grounded with chords, you'll always get balanced mids, sharp highs, and fierce bottom end. all on a neck that boasts incredible sustain, and a body that's been tried and tested on the road.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | 50s Vintage |
| Neck Material | Mahogany |
| Depth at 1st (in) | .896 |
| Depth at 12th (in) | .994 |
| Nut Width (in) | 1.708 |
| Nut Material | Graph Tech |
| Scale | 24.75 |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Gibson Deluxe |
| Bridge | Wraparound |
| Bridge Pickup | P90 |
| Controls | 1 Volume, 1 Tone |
| Strings | .010, .013, .017, .026, .036, .046 |
| Finish | Ebony |
| Made In | United States |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
P90 purity. An absolutely iconic sound that can spirit you back to the 50s on normal gain – and melt faces through hi gain channel. Set neck sustain and the lower string tension of the Gibson scale make it a dream to play. It also looks amazing, the mirror-like ebony finish is a joy to behold.Richard F.
Purchased a 2020 LP Junior in ebony from AMS. Arrived with chipped and bubbling paint at the neck joint. Can't believe any respectable quality control engineer would allow this out of the factory. Having purchased a 2019 Les Paul Special last year through AMS, I thought Gibson had turned the corner! And although AMS has a great return policy, I can't purchase another until the guitar has been inspected and credited to my account. So 5-7 days before I can reorder! Total Disappointment! Looks like my Gibson buying days at AMS are over. Never had a problem with my Fenders!EJ Maynard
Very nice little guitar. The quality of the instrument is awesome. The case it came with is super nice. It was set up excellently at the factory. It even came with a picture of the guitar taken at the factory while it was being set up. The also included a nice little multi tool and polishing cloth. Really good attention to detail. The sound of the guitar is great. It's exactly what I was looking for when I bought it. I play in a few different cover bands and play a lot of different music. This guitar gave me the different sound I needed and couldn't get from my Telecaster, ESP, or Schecter guitars.Frank
9. Epiphone Les Paul Classic Worn Electric Guitar (Worn Ebony)
Product Details:
Vintage les perfection. the epiphone les paul classic worn will give you the style and sound of an iconic late '50s les paul. but at a price that'll finally make it possible for you to experience old-school sound without breaking the bank. equipped with a pair of open-coil alnico v humbuckers, it's full of wonderful vintage tone. and with slightly higher output than standard vintage pickups, you can really make every note you play roar with power.enjoy a stunning heritage aesthetic – a specially worn finish makes this guitar look like a played-in legend of rock. it's easy to play, too. a '60s slimtaper "c"-shaped neck fits comfortably to the contours of your hand, meaning even the most difficult chords and solos are made easy. the finishing touches are applied by a sustain-enhancing angled headstock, pitch perfect locktone abr bridge, and solid grover tuners. there's top quality down to the tiniest detail.
Specifications:
| Grover Rotomatic tuners have an 18 | 1 gear ratio for precise tuning |
| Body Type | Single Cutaway Solid Body |
| Top wood | Maple |
| Body wood | Mahogany |
| Neck shape | Slim Taper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Radius | 12" |
| Fret size | Jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) Plastic |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Coil-split Phase switch |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Orientation | Right handed |
Reviews:
Overall: I've been a guitarist since the late 80's, but I no longer play professionally, but I do play at home a lot. I've sold off most of my Gibsons (I held on to my '19 Les Paul Traditional) and I'm having a blast with these new Epi models. Everyone is raving about the Standard and the '59 models, and rightfully so. I own both, as well as a new Custom Silverburst and they're all great. This Classic is no exception. It actually arrived needing the least amount of setup work of all the others. The Alnico Classic Pros are brighter and a bit hotter than the Probuckers, but they're not at all harsh. The electronics work as expected, the neck pickup sounds sweet when split and the Phase feature sounds good with some moderate gain. The nut was cut extremely well and the frets don't need really much dressing. The neck is a little slimmer than what I'm used to, but it's easy adapting. The fretboard is a bit dry, but that's normal. Actually, these new Epiphone models all arrived in better condition than most of my Gibsons did in the past. The new Epiphone models are players guitars. Not wall art or collector's (cork sniffers) guitars, I wouldn't hesitate to take any of them to a gig and have fun with them. That's the whole point, right? I just wish they had made import guitars of this quality when I first started playing.Uriah
Out of the box and tuned, this guitar was completely unplayable with the neck so bent that pressing the strings at anywhere beyond the 8th fret fouled the frets higher up the neck, this also meant the action (measured at the 12th fret) was over 6mm. Fortunately I’ve a good understanding of how to set-up a guitar so adjusted the neck to have minimal relief with the truss rod – as a point of interest there was no truss rod allen key in the box, so just as well that I have my own tools. Once the action was set to my preferred settings (and by no means not as low as many like it) I had loads of fret buzz all over the place. So resetting the neck flat and using a ‘fret rocker’ I found 17 of the 22 frets (at various points across the neck) in need of remedial work to get them level. However as the guitar was new I decided initially to just add a bit more neck relief & set the action a shade higher, while I decided if I should just send it back or spending some hours sorting the frets in the near future? There are some positive points! I really liked the ‘worn’ (satin) finish although I feel there should have been a higher discount over the gloss finished versions as this must have saved loads of time during the finishing process. The Alnico Classic PRO pickups sound powerful with loads of variation between the neck and bridge and support coil-splitting. With the coils split option, with push/pull volume pots, there is (as expected) a significant drop in output but they do sound good, verging on P90 territory, rather than Strat/Tele sound ‘alikes’. One of the areas that lower cost guitars usually fail on is the quality of the tuners, here they have fitted Grover Rotomatics with an 18:1 ratio. They are smooth and easy to operate with the large kidney button heads, holding tune very well. The nut, a Graph Tech, was superbly cut, but unfortunately this was completely wasted with the poor quality of fret levelling from the factory as several of the strings would buzz when played open when set at a reasonably low action! The trapezoid neck inlays are very well fitted and although acrylic, do a very good impersonation of mother of pearl. Visually the guitar look stunning with its unusual colour and matt (worn) finish, but I do find the inclusion of gold knobs a bit of a clash with the all Nickel hardware and at the back cream control plate covers just don’t look right and should have been black. But both of these last two issues are a really cheap to resolve at about £12 for both black cover plates and 4 clear knobs. Overall both positives & negatives to consider and if I’d been unable to adjust the guitar myself, there would have been no option but to just send it back for a refund/replacement (hence 3 stars which I think is quite generous) as it is I’ll be keeping this. If I could have bought this locally it would have been great to try before I bought, but my local Epiphone dealer (90 mile round trip) didn’t have any in stock and was unlikely to get one, so I went the mail order route. The guitar is now playing well and will be even better when I get the time to sort out the frets and put a set of 9-42 gauge strings on.Paul
This guitar is absolutely stunning. At about $450 the Epiphone Les Paul Special certainly hits its price point without question. This is the 2nd time I bought this guitar, but I couldn't resist buying this again. I'll start with the cons first, that I noticed applied to both Special's I've owned.. The poly finish is thick. The combination of the "tv yellow" color and the thick polyurethane sort of gives a toy like feeling, or a bit of a cheapness to it.. Speaking of "tv yellow," it's really more of a Dijon mustard/ Carmel color. I don't think that's a bad thing or ugly by any means, but as other reviewers may have stated, the Epiphone isn't quite as accurate to its high end counterpart. The pickup routes and control cavity were also a little bit choppy, but that's just nit picking. If you buy this guitar, you will most likely need a setup. 2nd time around, I knew that going in but both guitars I bought needed set ups. That being said, this guitar is awesome. Surprisingly the laurel fingerboard was really smooth and moist. I do not sense bad or tall frets, but are scratchy at first. The P90 pros are so good. The CTS pots are so dynamic. The volume and tone sweeps combined with these P90 pros are so dynamic and touch sensitive, that they can hang with the best of em. The guitar resonates so well and plays both clean and crunchy top notch. Punchy and warm…Absolute quality electronics. I haven't found a bad tone in any position. If your used to playing your guitars with everything at 10, this guitar with inspire you to play around with all the tonal possibilities by simply rolling in & out your pots. The neck on this is fat, and so nice but not absurd. I highly recommend it. For the price, you can't go wrong and will love the tones, just plan on getting a setup and you will absolutely love this guitar.Zac F
10. Gibson 2019 Les Paul Classic – Honeyburst
Product Details:
Top and back and neck and headstock are perfect. minor ding on side and some other blemishes on other side. take a look at the pictures. this is the 2019 with upgraded locking tuners and all splitting options the new 2019 gibson les paul classic boasts a traditional tone wood construction of a mahogany back and maple top coupled with a mahogany neck and bound rosewood fingerboard. a slim taper neck profile and 61 r and 61 t zebra pickups provide the playability and classic gibson tones from the era, 4 push-pull control assembly give a sonic variety to this complete guitar package.
Specifications:
| Finish | Ebony |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Classic |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
11. Gibson Les Paul Standard Hp-Ii Limited Edition Electric Guitar Translucent Ebony
Product Details:
A great design with player-friendly features make this one of the most versatile and fun to play les paul ever made! the les paul standard hp retains popular features, including comfortable asymmetrical slim taper neck profile, while enhancing the experience with upgraded takes on the hallowed paf humbucking pickups and a aaa+ figured maple top with high-end appointments. the hp model delivers cutting-edge innovations for the forward-looking player including ultra-modern weight relief with belly scarf, fast-access heel, soloist neck width, and titanium adjustable zero-fret nut and saddles. exceptional sonic tonal variety provided by 4 push-pull pots with dip switch for over 150 reversible instant rewiring options.
Specifications:
| Finish | Blood Orange Fade |
| Year | 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
12. Gibson Custom 1957 Les Paul Custom Reissue Vos – Ebony 2-Pickup
Product Details:
Very cool non-historic les paul that is more or less a mix of a ’56 goldtop and ’57 black beauty! very rare, 1 of only 25 instruments made in 2014 for the european market. the guitar is essentially a les paul custom but with a rosewood fingerboard, p-90 pickups and a vos finish. specs are a hand-carved maple top with a chambered mahogany body, resulting in a les paul with enhanced acoustic qualities and improved resonance. the neck has standard custom spec pearl block inlays and and the rest of the guitar is also standard lp custom spec – nashville tune-o-matic bridge and stopbar tailpiece, grover keystone tuners, multi-ply binding on both the top and back, gold hardware and a 1 11/16′′ nut width. weight is 4310 grams. comes with case and all paperwork.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | 1-piece Mahogany |
| Body finish | VOS nitrocellulose |
| Orientation | Right handed |
| Neck shape | Rounded C |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | VOS |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width | 1.687 in. (42.8 mm) |
| Configuration | HH |
| Neck | Burstbucker |
| Bridge | Burstbucker |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Kluson |
| Number of strings | 6-string |
| Country of origin | United States |
13. Gibson Custom 1957 Les Paul Custom Reissue Vos – Ebony 3-Pickup Guitar
Product Details:
This is a 2020 gibson '57 reissue les paul custom with vos finish and ebony fingerboard. all of the gold hardware has been swapped out for nickel (please don't change it back!). it currently has a faber bridge and tailpiece, lindy fralin humbucker covers, and nickel kluson waffleback tuners. this is loaded with 3 custombuckers and she screams! the weight is a perfect 9 lbs and it has a wonderful neck carve – .90 at the first fret.all of the original gold hardware will come in the original hardshell case. i found a minor scrap on the back of the neck that is pictured, otherwise in excellent shape.
Specifications:
| Body Shape | Les Paul |
| Binding | Multi-ply |
| Finish | Nitrocellulose VOS (Vintage Patina) |
| Neck Material | Solid Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Solid Ebony |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Historic Medium-Jumbo |
| Nut Material | Nylon |
| Nut Width | 1.687" |
| End of Board Width | 2.24" |
| Inlays | 1950s Pattern Mother of Pearl |
| Joint | Long Tenon, Hide Glue Fit |
| Hardware Finish | Gold |
| Tuner Plating | Gold |
| Bridge | No-Wire ABR-1 |
| Tailpiece | Lightweight Aluminum Stop Bar |
| Tuning Machines | Kluson Waffleback w/ Pearloid Tips |
| Pickguard | Multiply Laminated Acrylic |
| Truss Rod Cover | Authentic Stepped 2-Ply Les Paul Custom |
| Control Knobs | Butyrate Black Top Hats |
| Switch Tip | Amber Catalin |
| Switchwasher | Silkscreened Cellulose Acetate Butyrate |
| Jack Plate Cover | Multiply Laminated Acrylic |
| Control Covers | Black Royalite |
| Strap Buttons | Brass |
| Mounting Rings | M69 Cellulose Acetate Butyrate |
| Pickup Covers | Authentic Profile Gold-plated Nickel Silver |
| Neck Pickup | Custombucker Alnico III (Unpotted) |
| Middle Pickup | Custombucker Alnico III |
| Bridge Pickup | Custombucker Alnico III (Unpotted) |
| Pickup Selector | 3-Way Switchcraft |
| Output Jack | Switchcraft |
| Strings | .010, .013, .017, .026, .036, .046 |
Reviews:
This is my first Gibson guitar purchase. I waited over 5 months for this guitar to arrive. I've had it for a few days now and I'm trying to process how this guitar passed Gibson Quality Assurance. The guitar for the most part sounds amazing, plays pretty good, despite action being higher than I expected. However, the reason for the low rating is craftsmanship is poor, the finish on the back of the guitar is different than what's advertised, and I didn't get the case it was supposed to come with. The fretboard has glue stains all over it, which I know is something that can be cleaned up. But what's most disturbing are the dents on the fretboard and these two hole punches on the 11th fret. I don't even think Epiphones are this bad. The top looks amazing otherwise and the guitar sounds great. I've made inquiries to Musicians Friend, twice. I was promised to receive a call from someone in the Private Reserve department or a supervisor. No one has called back. So I took matters into my own hands and called Gibson. They told me to email photos and they would make an exception to cover shipping costs back to them(thank you, Gibson!). However after I emailed Gibson, I never heard anything back and I'm not sure how they're going to fix the holes on the fretboard. This doesn't seem like something that's fixable. For spending this kind of money, I expected so much better from both parties. If I wanted a used Gibson with a mismatched case, I would've bought one for much less. It's very disturbing nobody from Musicians Friend is taking this matter seriously given the amount of money I've spent on this guitar. Anyone considering purchasing any instrument from Musicians Friend, especially one that is high end, I strongly suggest shopping elsewhere. They don't stand by the products they sell. I'm still holding out hope Gibson is gonna take care of this issue and make this right. Thank you, Musicians Friend for being my "friend" and advocating for me. (sarcasm)gofarkid
Overall: In a word: ******* amazing. No matter the price, you would think a guitar sitting in a warehouse for any length of time would need a setup. Not with this Wine Red Les Paul Custom! The only caveat is it was completely out of tune (to be expected); a little "nut sauce" and it was good as gold. And that lacquer smell still haunts my house! Well worth it…Mere words are not enough to describe the sound and the power with this guitar. It blows away my 2014 Traditional (a nice guitar in its own right); it is not even a comparison. The neck is so much easier to play. Fit and finish are flawless. In closing: save your money, eat Ramen noodles for a year if you must, wear your hole-in-the-crotch jeans for as long as necessary and BUY THIS GUITAR!Jeff
I never leave reviews, after receiving this guitar and examining the beauty and perfection I had to leave one.. The fifth and finish our flawless. Everything about this guitar says perfection from the tip to the viral. It arrived perfect in the box perfectly packaged even in tune. I was pleasantly surprised with the amount of detail page in there quality control department. Yes the cost is steep at $5,000 but it is an investment. Don't think of it as a purchase think of it as a family airline that you can play for years and years and it will only increase in value. The pickups are fantastic, the neck is so perfect and the weight is spot on.
14. Gibson Es-Les Paul Ebony 2014
Product Details:
Semi-hollow electric guitar with les paul body shape from es series that has already proved itself a modern classic and is set to be better than ever. it features a 3-ply maple/poplar/maple body with cream binding, high-gloss nitrocellulose lacquer finish and adirondack spruce top bracing, delivering beautiful sound that resonates within the hollow airspace of the body around the f-holes and throughout the solid glue joints. one-piece mahogany neck has a rounded "c" profile and features historic truss rod, providing an ergonomic feel and adding a rich tonal quality to the overall sound profile. the neck is fitted with 12"-radius rosewood fingerboard with 22 frets, trapezoidal pearloid les paul inlays and rolled cream binding for superb playing comfort. scale length is 628.65 mm, width of the white bone nut fret is 42.863 mm. the guitar is equipped with two mhs humbucker pickups, historically accurate paf replicas that are slightly under wound and feature unbalanced coils, delivering an airy tone. sound can be controlled by two volume and two tone controls and by rhythm/treble switch. other features include the abr-1 bridge with titanium saddles, lightweight stop bar tailpiece, cream les paul pickguard, gold top-hat knobs and kluson single ring tulip button tuning keys. the instrument comes supplied with brown hard-shell case. ebony colour design.
Specifications:
| Finish | Blue Stain |
| Year | 2014 – 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul ES |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
Très bon instrument qui m'est malheureusement parvenu avec un problème de blindage de micro manche qui a été résolu par mon luthier pour la somme de 65 euros car je voulais éviter un retour.Sans difficulté stars-music a accepté de me rembourser cette somme et je les en remercie chaleureusement.Je n'hésiterai pas une seconde à faire d'autres achats chez eux bien que l'instrument aurait dû être vérifié avant l'envoi.
Five stars ~ hands down, one of the finest Gibson guitars ever made. I used to own a solid body Les Paul, but, I sold it to buy two Les Paul ES models ~ yep, these guitars are THAT impressive. Best choices I made was to own one flametop LP ES with the MHS PAF pickups and also, own the second LP ES ~ a goldtop sporting the P90 pickups. Centerblock construction of the Les Paul ES helps control feedback, as I have two 50's Gibson ES models to compare to. The LP ES is very comparable to my little parlor, 1953 140 ES, but with unbelievable control with feedback and wider range of tones with the two pickups instead of one. As far as her body lines, she has a very lovely, one piece maple back. Compared to the back plastic cover 'cuts' Les Paul solid bodies have for the wiring/control knobs, the LP ES is much more appealing as a one piece, dark stain, maple back. The front top is a laminate, and sports the lovely 3-D sculpt Les Paul's are sought after for. AAA flame tops or painted tops, they are a work of art, stunning craftsmanship and attention to detail throughout. At less than 5 lbs., what a light experience she offers, sailing on your shoulder ~ instead of after only a few minutes, suddenly feeling like you are wearing a shoulder anchor! If you are a true fan of Les Paul guitars, you owe it to yourself to check out the ES model! The price is right for a limited run issue Les Paul, as Gibson only makes 200 of any one ES model. The goldtop Bigsby has an even lower number for production. ENJOY!fayewrey
Very light and nice sounding guitar.casthe
15. Gibson 2016 Les Paul Standard Hp Electric Guitar – Ebony
Product Details:
The les paul standard 2016 hp is the utmost in luxury and performance in gibson's 2016 lineup with a flamboyant aaaa flamed maple top, it boasts a new exclusive fast-access heel, developed specifically for the gibson usa high performance lineup. combined with our new soloist neck width, the pair provides the fastest and most comfortable les paul neck you've ever played.
Specifications:
| Finish | Blue Mist |
| Year | 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
I'm not a rich guy but I don't want garbage guitar's. This review is more about American Musical supply than this single guitar. In the past 5 year's I have purchased 15 guitar's from American and every one of them have been really great guitar's. I could never afford to buy these guitar's outright being a disabled Veteran I don't make enough money, so American is for ME a life saver. I no longer think about how bad my life is when I pick up one of these beautiful guitar's and play my worries away.Randy
I have played guitar and bass for 20 years, and I have always had average guitars. I just received this Les Paul in wine red. This is my first high end instrument, and it is flawless. The fretwork, finish, and intonation are immaculate. The gold hardware adds luxury to an already classy instrument. I make it a point to play every guitar I own unplugged to hear it's inherit acoustic properties. The tone is rich and snappy. Plugged into my Blackstar HT 60 2×12, this LP gives me epic tone and sustain. I feel the need to learn every riff off of Elegant Gypsy by Al Di Meola to so this guitar justice. I now know why he, and so many of the greats used Les Paul's. Thanks AMS for helping me afford such a beautiful sounding work of art.El Doctor Boca-Dientes
Love the gold hardware on black. Looks sharp.This guitar is very versatile. Lots of sustain and resonance. The pickups have a very clear and transparent tone. Playability is excellent. Had to adjust the action and truss rod. I also dressed the fretboard to make it darker. To me the darker rosewood fretboard looks more attractive. My only complaint is a little bit of dark paint overspray on the fretboard. Hence I darkened the fretboard. Quality is not as good as my American made PRS but the Gibsons have more vibe and mojo to me.A.Santos
16. Gibson 2017 Les Paul Studio T Electric Guitar – Ebony
Product Details:
For players that prefer a more vintage feel, this years les paul studio '50s tribute combines all the right features at an irresistible price. it packs the prefect combination of a traditional mahogany body with modern weight relief and a grain textured satin finish maple top. these time-tested tonewoods with a set mahogany neck produce legendary les paul sound and resonance. the neck sports a rounded '50s neck profile that traditionalists love. the fretbourd is made of a single piece of thick rosewood for seminal tone and enhanced sustain. a historically correct neck width and graph tech nut make for a familiar feel with enhanced sustain. a pair of 490r (neck) and hotter 498t (bridge) pickups showcases the full power of alnico magnets recreating faithfully the experience of the original patent applied for humbuckers of the day. traditional green-key tuners blend vintage appearance with modern performance while an abr adjustable bridge with stop.
Specifications:
| Finish | Black Cherry Burst |
| Year | 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Studio |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Ich habe mir dieses Gibson Model bei Kirstein gekauft, weil neben dem Koffer ein Gurt, ein Einstellwerkzeug und ein Reinigungstuch dabei waren. Am Anfang wollte ich mir eine günstige Gitarre kaufen, da aber in den Foren manche Musiker nicht mit den Pickups zufrieden waren, entschied ich mich für eine Gibson. Die Tonabnehmer zu wechseln lohnt sich nicht wirklich, besonders wenn man den Wiederverkaufswert berücksichtigt. Bei einem Preis von 1100€ bekommt man eine Gitarre die klanglich mit den weitaus teureren Modellen mithalten kann. An der Gitarre selber konnte ich keine Mängel feststellen. Einziger Punkt war das ich die Oktavreinheit ein- stellen musste. Vom Klang her bekommt das was man erwartet eine Gibson Les Paul.Karl-Heinz
Sehr fein gearbeitete Gitarre mit sehr schönem und breitem Soundspektrum, auch den Response mag ich sehr. Entäuscht bin ich von der Stimmstabilität, nach ein paar Minuten bespielen ist schnell einmal eine Neustimmung notwendig. Da sind meine Gitarren mit Tremoloblock selbst bei intensiver Verwendung stabiler, hier würde ich von der Preislage her und dem prestigeträchtigen Namen mehr erwarten deswegen gibt es nur 3 von 5 …Sigurd
A really nice guitar. It looks good with its translucent red finish and it plays well too. The first thing I did was change the supplied Gibson .010 strings for a set of .009 Ernie Ball super slinkies and this bid cause a bit of a buzz on the bottom E, but a minor adjustment to the bridge cured that. This has resulted in the easiest guitar to play that I have ever used. There is plenty of tonal variation available and the coil taps double your options.davladd-9
17. Gibson Les Paul Cm 2015 Electric Guitar
Product Details:
Here's a super nice and clean 2015 gibson usa les paul cm finished in satin ebony. the pickup is the original burstbucker 61 lead with zebra bobbins. the wiring has been upgraded to top quality cts / wd music 550 k custom taper potentiometers and with mod .022 f oil-filled capacitor with 50s style wiring. gavitt vintage style braided shield pushback wire and a switchcraft #11 mono output jack were also used.the guitar plays like a dream. the neck is straight and the truss rod functions properly. the frets are in great shape and show virtually zero wear and have been cleaned a polished. the rosewood fretboard and been cleaned and conditioned as well.overall a fantastic playing guitar in fantastic condition – no notable blemishes outside of very light playing wear. comes complete with the original gibson literature, "baby photo", and gig bag. these models were produced for just 2 years and and are essential a thin body carve top les paul junior.
Specifications:
| Finish | Satin Ebony |
| Year | 2015 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul CM |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | H |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
First of all, don't believe everything you read about the 2015 Gibsons. I own about a dozen Gibsons with the oldest being a 1991 Les Paul Studio Lite and the newest being a 2017 SG Standard, the quality of the 2015 Gibsons I own are on par with all of them. Now on to this particular guitar… I really wasn't expecting much for the price. This is definitely a "no frills" model. That being said, it is a lot of fun to play! The thin, contoured body is very comfortable and a nice change from the usual Les Paul. And it is a good bit lighter on the shoulder! The sound from the single humbucker can be anywhere from crystal clear to gritty and crunchy depending on your volume, tone and amp settings. It is a lot more versatile than I was expecting. And I prefer the carved maple top and humbucker to the P90 and flat top of my Les Paul Jr. All in all, a great guitar for the money!JD
Overall, this is a fantastic guitar that does exactly what I hoped it would. The Good: The neck is, by far, the standout feature. Absolutely wonderful & comfortable, with just the right profile that's not too slim, nor too chunky. The slim body is a nice touch, and helps to make the guitar super lightweight. The wraparound bridge is totally adequate; not nearly as imprecise as the internet forums would have you believe. The Bad: there was a short or some issue with my output jack, so I've yet to really hear or form an opinion on the pickup. Now, I planned on putting a new pickup in this guitar before I bought it, so a more thorough re-wiring is not beyond the scope of what I'm prepared to do. I am a little disappointed it came from the factory like this, but it's not a deal breaker; it's just a faulty jack, certainly not worth returning the whole guitar to Sam Ash. The Ugly: The fretwork isn't too great. I did have to file them down a bit so they're flush to the neck, and not poking my hands. But again, I was prepared for this, and expect most guitars (especially ones in this price point) to need some minor fretwork. Finally, a few words on the much maligned G-Force tuners. Out of the box, they didn't work well — at all. Since the strings were installed on the guitar in 2015, I changed them (which is a bit of a process, to be honest) & it worked like a champ. I really like the idea of having multiple tunings available at the press of a few buttons. However, for me: this guitar is supposed to be simple — one pickup, two knobs, & a wraparound bridge. So the "robot" tuners clash with that motif, and I will be swapping them out when I re-wire the guitar. That being said, they're definitely not a reason to avoid this guitar — give 'em a fair chance, and make up your own opinions on them. Overall, I'm quite pleased with this guitar. The wiring issue is disappointing, for sure. But acoustically the guitar sounds great, plays well, & looks awesome!Nate
I've spent about 13 years buying relatively cheap guitars, as I just record music at home as a hobby. I never considered a Les Paul because they're so expensive. When I saw the CM 2015's price tag, I thought "this is probably not that great", but after a lot of research and watching videos, I decided to take a risk. I was not disappointed. This guitar feels great in the hands, it stays in tune, and it's really beautiful. But, most importantly, it sounds great. I'm producing music that sounds levels ahead of anything I've made in the past. So much, that I've been going back to older stuff and re-recording it. This is worth the price.Shane
18. Gibson Custom 1957 Les Paul Custom Reissue 2-Pickup Electric Guitar – Murphy Lab Ultra Light Aged Ebony
Product Details:
Specifications:
| Body Type | Single-Cutaway Solid Body |
| Top wood | Mahogany |
| Body wood | Solid Mahogany |
| Neck shape | Chunky C |
| Neck wood | Solid Mahogany |
| Scale length | 24.75" |
| Truss rod | Standard |
| Radius | 12" |
| Number of frets | 22 |
| Inlays | Mother-of-pearl |
| Nut width/material | 1.687"/Nylon |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Locking |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Love this guitar. I own multiple Gibson's and always seem to find my way back to this one.~W~
first look was not good but it cleaned up good nice guitar for the moneyguitar man
19. Gibson Les Paul Classic Electric Guitar – Smokehouse Burst, Sweetwater Exclusive
Product Details:
Sweetwater exclusive les paul classic: the tone beast. from its carved maple top and eye-popping custom nitro finish to its stockpile of premium appointments, this sweetwater exclusive gibson les paul classic is ready to rock. 60s burstbucker pickups with coil-splitting and polarity switching deliver a massive tone arsenal. and you’ll enjoy effortless playability, courtesy of a fast slim – taper profile neck and silky-smooth rosewood fingerboard with plek’d frets. the gibson les paul classic is the guitar you’ve been waiting for. unprecedented tonal versatility. when it comes to capturing vintage patent applied for (paf) humbucker tone, nothing beats the sound of this les paul standard’s 60s burstbucker pickups. 1961 happens to be the year gibson started using alnico v magnets, which deliver greater touch sensitivity and high-frequency output. these magnets — along with period-correct unmatched windings on the bobbins — capture the subtle historical variations in true humbucker tone. plug into your favorite amp, and experience smooth low-end response, complex midrange crunch, and sweet-sounding highs. these pickups sound great clean or they can be used to push your amp into overdrive for the legendary fat, snarling tone you can only get with a humbucker-equipped les paul. but in addition, you also have push-pull volume and tone controls that open up a range of spanky single-coil and wiry “out-of-phase” sounds that make the sweetwater exclusive gibson les paul classic a total tone beast! slim – taper neck and plek’d frets for optimized playability. comfort and playability were two of gibson’s primary concerns when they were designing the sweetwater exclusive les paul classic. you’ll be delighted at how this guitar’s slim – taper neck profile comfortably fits your hand in just the right way. for your playing pleasure, the rosewood fingerboard is buffed to silky smoothness and bound with rolled edges so no fret ends impede your dexterity. the frets are dressed to perfection using a plek pro machine for optimized playability. typically reserved for top-dollar custom guitars, this process levels the frets with pinpoint precision, providing you with the most playable fretboard you’re likely to own. – nitro finish, for the look and feel of a classic. gibson gave the les paul classic a gorgeous nitrocellulose lacquer finish. nitro finishes — standard back in the day — are significantly thinner than today’s polyurethane finishes, allowing the guitar to "breathe." nitro finishes not only look amazing; they also enhance the instrument’s tonal qualities. this sweetwater exclusive les paul classic has the look and feel of a lovingly cared-for classic — one that will only improve with age. – gibson les paul classic solidbody electric guitar features:. sweetwater exclusive with custom finish and electronics. mahogany body, figured maple top; gloss nitrocellulose lacquer finish. mahogany neck, slim – taper profile, gloss nitro finish. rosewood fingerboard, 12" radius, acrylic trapezoid inlays. plek pro fret treatment for optimized playability. 24.75" scale length; 22 medium-jumbo frets. bridge pickup: 60s burstbucker humbucker. neck pickup: 60s burstbucker humbucker. bridge and neck volume controls (push/pull for coil-splitting). bridge and neck tone controls (push/pull for bypass/polarity). abr-1 tune-o-matic bridge; stopbar tailpiece. 1.695" graph tech nut (proprietary gibson formula). grover rotomatic tuning machines. single-action truss rod.
Reviews:
I love my new Smokehouse Classic. I couldn't find a flaw in the finish, and I haven't experienced any of the tuning issues that I've always heard said about Les Pauls. I doubt I'll ever really use the push/pull features that this model has. I always imagined my first Les Paul being a Standard, but the Smokehouse finish with cream colored accents just looked too good to pass up. There was a sharp corner on the nut that would occasionally bite the side my first finger if I moved down to the first fret too quickly, but I realize that this isn't a Custom Shop piece, so a piece of masking tape across the first fret for protection and couple strokes with a fine sharpening stone just to knock the sharpness off of that corner, and now all is well. To me the factory sling is kind thin and narrow for a heavier guitar like a Les Paul, but no biggie. All in all, I'm very happy with my purchase. I would also like to mention how much I liked that Sweetwater had pictures of multiple guitars to pick from, and that a sales associate (thans again Ryan Haines) called me to see if I had any questions, concerns or special requests before they did their final inspection and shipped my guitar. Well done, Gibson, and well done, Sweetwater!
20. Gibson Les Paul Classic Electric Guitar Ebony
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
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