Are you looking for the Flux Capacitor Guitar Pedal? If so, you’ve come to the right place.
Choosing the Flux Capacitor Guitar Pedal can be difficult as there are so many considerations, such as MXR, EarthQuaker Devices, ammoon, NUX, DigiTech, Electro-Harmonix, TC Electronic. We have done a lot of research to find the top 20 Flux Capacitor Guitar Pedal available.
The average cost is $180.14. Sold comparable range in price from a low of $73.50 to a high of $399.00.
Based on the research we did, we think DigiTech FreqOut Natural Feedback Creator Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Flux Capacitor Guitar Pedal (20 Sellers)
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Reviewers Noted:
Ease of use . Size
Features:
- The 9 voltage output offers consistent power supply to the pedal
- Engineered with led indicators to measure the audio feedback
- Its 2 knobs and switches allow you to adjust the sound intensity conveniently
$399.00
4.8
Reviewers Noted:
Easy to use . Portable . Size
Features:
- High gain tones help make this cab pedal suitable for live performances
- Three iconic amplifiers help produce enhanced output
- Stereo amplifier tones offer enriched sound quality
$89.99
4.8
Reviewers Noted:
Easy to use . Compact . Sound quality . Visual appeal . Weight
Features:
- Metal construction enhances the durability of this pedal
- The 9 v of voltage offers an optimal power supply to this device
- This two dial pedal helps provide surround sound effects for music mixing
$129.99
5.0
Reviewers Noted:
Size
Features:
- The mxr deep phase pedal delivers uniquely expressive vintage phaser tones with the impeccable build quality and tweakabiity that mxr is famous for
- Knob functions
- Speed knob adjusts the effect rate
Reviewers Noted:
Compact . Easy to use . Sound quality . Weight
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$349.99
4.8
Reviewers Noted:
Easy to use . Compact . Sound quality . Build quality . Portability
Features:
- Product description
- A/b simul mode for using two patches at once, with your choice of series/parallel connection and mixed or split a/b output
- Insert loop function allows you to use mod effects before, after, or around drive pedals, graphic lcd and intensive real-time control options
$131.50
4.8
Reviewers Noted:
Compact . Easy to use . Weight . Good sound quality . Portability
Features:
- Circuit: analog
- Bypass: true bypass
- Audio: mono
$127.80
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Recreate your tunes with various sound effects from your guitar by using this pedal
- Led indicator lets you check the operating status conveniently
- The 1/4" input jack offers a reliable connection with the compatible devices
$152.94
4.9
Reviewers Noted:
Ease of use
Features:
- High gain overdrive pedal offers synthesize crisp and immersive sound
- Treble and bass controls add various sound effects to the music
- The led indicator lets you keep a precise track of the power connection
$73.50
4.7
Reviewers Noted:
Ease of use . Size
Features:
- Designed with 6 phase shifting stages to create different guitar effects
- Led indicator lets you know the status of the effect
- The metal frame offers strength to the structure of this pedal
$299.00
5.0
Reviewers Noted:
Ease of use . Size
Features:
- Granular delay and pitch shifting allow you to create different music effects
- Capability to remember 127 presets helps you store the music settings conveniently
- Knob controls offer precise tone adjustments
$138.00
4.8
Reviewers Noted:
Sound quality
Features:
- Pre-gain control helps control the pressure applied by the instrument on the compressor
- Sensitivity knob lets you adjust the compression level for an immersive sound output
- Led and lamp helps monitor the uniquely varied compressions visually
Reviewers Noted:
Easy to use . Sound quality . Size
Features:
- Customize your tracks with its 10 stages of programmable phase shifting
- 9 volts power supply delivers an effective performance on the stage
- This pedal lets you control the high and low tones of your guitar
Reviewers Noted:
Easy to use . Compact . Build quality . Portability . Weight
Features:
- Internal controls allow you to set effect parameters accordingly
- Made with aluminum material to help increase the structural integrity of this pedal
- Its compact design allows you to use this pedal in multiple devices
Reviewers Noted:
Easy to use . Compact . Good sound quality . Weight . Portability
Features:
- In-line compressor evens out the signal to your amplifier
- Useful for increased sustain with stable dynamics
- Nashville studio standard
Features:
- Equipped with 3 boost eq treble, mid and flat.
- Expression pedal input.
- Midi function.
Reviewers Noted:
Easy to use . Compact . Sound quality . Build quality
Features:
- Threshold and decay knobs allow you to customize the output
- The 10 k ohms output impedance delivers powerful audio
- The 9v power supply offers uninterrupted usage
Reviewers Noted:
Easy to use . Good sound quality
Features:
- Quickly switch between tones with the flexi-switch technology
- Led indicator offers the real-time operating status of this pedal
- Modulate the tone of your guitar with this shredder pedal
Reviewers Noted:
Easy to use . Compact
Features:
- Metal capacitor enhances the conductivity of the pedal for a harmonious playback
- Engineered with 4 knobs to adjust the sound intensity
- Led indicator lets you keep a track of the power status conveniently
Reviewers Noted:
Fit/security . Ease of setup . Sound quality . Staying in place . Build quality
Features:
- Rotary speaker guitar effects pedal modeled on leslie 122 with sharc dsp
- Wet/dry mixing
- Switch modes
1. Digitech Freqout Natural Feedback Creator Pedal
Product Details:
The digitech freqout natural feedback creator allows you to get sweet, natural feedback at any volume, with or without distortion. the freqout automatically identifies the harmonic content of your chords or single notes and then 'encourages' user-selectable harmonics to feedback. it sounds full and natural, just like a live amp at ear-splitting volume, but without the permanent hearing loss. the freqout is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. however, the freqout can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. the freqout also has adjustable onset, level, dry kill, latching or momentary operation, true bypass, and a rugged road-tough steel chassis. the digitech freqout uses advanced pitch detection technology to identify the harmonic content of your signal and help certain frequencies to feedback. control over the feedback harmonic, the onset speed, and level, allows you to tailor the feedback to sound completely natural and musically appropriate. the footswitch can be set to activate feedback creation either momentarily, for quick temporary feedback, or latching to turn it on and let it roar. a dry-kill switch allows you to eliminate your dry guitar or bass signal to achieve trippy, synth-like tones.
Specifications:
| Weight | 0.95 lb |
| Number of Switches | 2 |
| Voltage | 9V |
| Dimensions | 4.75" L x 2.875" W x 1.75" H |
| Number of Knobs | 2 |
Reviews:
I've had two of these pedals die over the last couple years. The first one died one month after the warranty expired – when plugging it in, two LEDs lit up and it wouldn't pass signal. Contacted Difitech & they swapped it with another. 13 months later, the same thing happened. Digitech said someone from service would contact me but the never did. At this point I don't want it fixed and I don't want another pedal. Too unreliable.guitarz6
I'm reluctant to mention this pedal as it is a stealth secret weapon. I'm sure many like myself have struggled, particularly in the studio, to coax that magic feedback out. Often, when recording… even getting up in the monitors or by the cab, I'm just not using the gain, or I'm direct in and not at the volume or proximity of any speaker reflections etc to get feedback, also.. if I'm using other effects like a bit of flange modulation it really messes with the ability to get feedback. So this solves that problem by giving me a range of options for natural controlled or even unstable feedback, in intervals from suboctave to piercing, and I can make it sound natural or deliberate like a stationary whammy pedal at an interval. It's really very useful in many ways. And even using the Kemper and noise gates, solid state power.. this gives me easy access to breeding edge hot rodded pushed Marshall etc easily in a live setting. It's one of the coolest pedals with so many ways to use it in the studio and live. I reserve it for special moments, of sometimes use it low in the mix to trail sustaining chords with a singing interval. It's good to add a bell/ring hi octave sparkle to leads. So it's fuel for your imagination and keeps me away from keyboards on my guitar-centric recordings to get pad and string effects, too! Don't tell anyone!!!! It's all coaxed out of the guitar and amp, we are purists, right? Sometimes in today's digital and often sterile music world of very controlled sounds we need a little help. This is it! Hendrix would have loved it!
When I watched the videos about this pedal, I had to have it. Once I plugged it in, I was a little disappointed. It did what it said it was going to do. With some tweaks, I got the desired effect. For that feedback sound, it really only works best with single sustained notes. Chords or power chords work, but not as well. I'm not sure if this is just a novelty, or if this is going to be a useful tool. The best mode is the momentary latch ON with dry ON. This gives the ability for feedback on demand. I can see using it on solos or ending a song. The other options like momentary OFF or dry OFF, have that eBow sound. Personly, it didn't seem that useful for my style. One note on the sound. If you use the Freqout with a clean tone, you can tell what the pedal is doing. When the "feedback" is enabled, a harmonic tone drones over the dry signal then slowly takes over like a reverse gate. I quicky realised this guy needs some fuzz.Billy the Kid
2. Strymon Iridium Amp & Ir Cab Pedal
Product Details:
Pre-owned strymon iridium. if you re here, you already know the strymon iridium is one of the best amp and cab sims on the market. it s flexible amp tones and cab combinations are amazing on their own, but are then made even better by the fact that it s all in a pedalboard friendly size. i bought list pedal only a few months ago with the idea that i was going to use it as a di tool in my studio for making quick demos. it has lived in my home, smoke free studio, sitting on my desk since i purchased it. turns out, i haven t used it nearly as much i had thought i would. this pedal has a max of 2 hours on it. it comes with the original box and everything else that s included.i work in a music store and will make sure that the pedal is well packed and sent out with daily shipments once purchased. feel free to ask any questions.
Specifications:
| Deluxe Reverb Size | 12′′ |
| AC30 Size | 12′′ |
| Cabinet Size | 12" |
| Vibrolux Size | 10" |
| Number of Vibrolux | 2 |
Reviews:
First off, I would like to say that I have literally owned and tried every single direct amp/cab sim option on the market, both in a studio situation and a live gig/touring situation that required nightly in ear monitor usage. My one and only quest was to get as close to my tube amps, that I dearly miss being able to use, as possible! I have ditched every single unit after one or two gigs for the same reasons; too digital in response, and they just don’t feel good during a gig (which makes the whole gig a struggle in some aspect), and don’t handle analog pedals well. My search has ended with the Strymon Iridium! I popped this little monster on my pedalboard and off to rehearsals, and sessions I went! I have been able to dial in almost exact responses of a gorgeous fender style clean, and a Marshall style lead tone, in seconds. I also have been able to do my beloved overdrive and fuzz stacking to my hearts content and this little black box handled it with ease and felt realistic while doing it! I will leave with this; if you have been struggling like I have to confirm to the direct trend and need an immediate solution to take you as close as you could possibly get to recreating those killer tube amp tones on a nightly basis, definitely cut your journey down by thousands of dollars and countless irritating hours by just going to purchase the Strymon Iridium first! Thanks Strymon for a tremendously useful, well thought out tool for the gigging musician!!!Ryan Ridgeway
I love this pedal. This is the best sounding amp sim on the market. I'm thinking about buying a second one to have a stereo set-up. The only downside is the power issues. Strangely enough you get a high frequency in the signal with both the adapter and a separate power supply. I even had a complete power lock down in my house, when plugging in the pedal. I just wish you could at least save one preset per amp. You can have two, if you set the control to one amp and save one preset with another amp. But that's it. Or you have to work with midi. But that's part of the concept of this pedal; hands-on and WYSIWYG. No one mentions there's a time lag when switching the pre-set on and off, so you cannot switch between amps mid song. I wonder if one could leave the IR empty, to use this pedal as a pre amp-only before a real amp. Have to try that one! I sometimes find the lay-out confusing; if the drive knob is somewhere around 2 o'clock, I tend to think I can use it to switch the amp type. Every time I use it I experience this two or three times.
A little perspective. I've been playing electric guitar for a little over 20 years. I've never had a good situation for loud tube amps so I've used modelers. The last few years I've used the latest and greatest Helix and Axe Fx offerings which are great in their own right. Endless options. You can get lost with chasing your favorite artist's tone. And I did. But in that process I started to become a tone chaser and not a guitar player. I obsessed over the tone and feel and played less and less. Enter the Iridium. Here's my experience: If you turn the knobs and adjust your tone using you ears not your eyes (what your eyes think a good setting looks like) you will easily find exceptional, inspiring tone. No need for menu diving. No need for settling with a tone that's 95% what you want. If you give it a chance this little box can get your musicianship back. There are wannabe recording engineers out there and for such folks I say go get an axe FX. If you want to grab your guitar and make music from jazz to acdc, the Iridium will get you there. This simple little box has breathed new life into my playing and it can for you too. Highly recommended.
3. Mxr M101 Phase 90 Pedal
Product Details:
You know it and you love it! the legendary mxr phase 90 has defined the sound of phased electric guitar for generations. for more than four decades, the mxr phase 90 has been a mainstay on the pedal boards of millions of players around the globe. this little orange box went on to become the sole icon of its effect category, and countless legendary riffs have benefitted from the sonic qualities of this pedal. no matter the genre or instrument, the phase 90 has been there through it all to add its distinctly lush voice to a musician's tone palette. with the twist of the rate knob, you can take the phase 90's warm modulation from subtle, spatial shimmer to all-out high velocity swooshing. very good condition. a previous owner felt the need to carve their initials into the side. some slight wear, typical of average use. sounds fantastic!
Specifications:
| Power Source | Battery |
| Voltage | 9 V |
| Material | Metal |
| Number Of Dials | 2 |
| Number Of Ports | 2 |
Reviews:
Its reputation speaks for itself. This pedal has been on the boards of various professionals, from Billy Corgan to David Gilmour to Tom Morello, and many many more. With just a single knob, you've got all that you need to get some beautiful movement to your playing. If you're looking for a solid phaser, there's really nowhere else worth going than the MXR Phase 90.CoopDbomb
In my search to get an ambient yet present phase sound I bought and sold / returned three "Uni Vibe" type pedals. All expensive, all glorious sounding but all too "over the top" for what I required. A fellow musician suggested the Script Logo Phase 90. And there it was, at about 1/3 to half the cost of the expensive boutique vibe pedals! I love this pedal because it adds just what I require: a lush analog phase effect, very controllable and built to 'take it'. MXR, IMO, is robust and their attention to detail is apparent in sound quality and design / build. I own or have owned pedals by JRAD, Fuller, Keeley and JHS and those brands are present on my pedal board, but right next to them is a Carbon Copy and now, this Script Phase 90. This pedal can take you into Gilmour / psychedelic rock arena without overpowering your sound. I chose the Script model over the "block letter" model because the Script sounded more pleasing across a wide band of frequencies, to me.Silvercrow
I'm very pleased with the way this pedal sounds, both with a 6-string electric guitar and with my P-Bass. Having used a BOSS PH-3 for a while, it just wasn't good enough to get those retro sounds, plus it actually dropped the volume a bit. This MXR unit actually has a slight increase in volume, which I prefer on bass. On guitar however, when it's in front of an overdriven amp, I like mixing the phase effect with some dry signal. I use a BOSS LS-2 (Line Switcher) on the A+B mix setting for that purpose. Some players don't like MXR pedals because the 9V power socket is on the side, rather than on the top. This is not an issue with the Pedaltrain type of pedal board design. Bottom line: Excellent quality, very durable at a great price.iknowashortcut
4. Mxr M279 Deep Phase Pedal
Product Details:
The mxr deep phase pedal delivers uniquely expressive vintage phaser tones with the impeccable build quality and tweakabiity that mxr is famous for. unique vintage voice. based on an iconic vintage circuit, the sound of the deep phase pedal is crystal clear with a pronounced swoosh, scooped midrange, and a dynamic, voice-like response to your attack. whether you are digging in for fat, fluid chords or gently evoking tranquil textured melodies, this pedal will adapt to your playing intensity. it plays very well with the low end of the spectrum, too, so it sounds incredible on bass. while the original suffered from a serious volume drop when engaged, the deep phase pedal has been carefully designed to match your level when you kick the switch. from smooth and subtle to turbulent and intense. with just two knobs and a switch, the deep phase pedal offers a wide range of phase tones, from subtle liquid shifting to thick, swirling turbulence. the speed knob adjusts the effect rate, while the fdbk knob adjusts the intensity and sharpness of the phase peaks. by default, the deep phase pedal runs on 4 phase shifter stages for a smooth effect. the mode ii switch doubles that to 8 stages for twice the number of peaks and a more animated texture. compact and reliably built. the mxr deep phase pedal comes in a road-ready mxr mini housing that will take up hardly any space on your pedalboard.
Specifications:
| Package Dimensions | 5.47 x 4.41 x 2.72 inches |
| Country of Origin | Taiwan |
| Color Name | Orange |
| Signal Format | Analog |
| Voltage | 9 Volts |
Reviews:
I got this for general use and to emulate one lead style from late 70s gospel group that I love. It nails it. Between the speed & feedback control, it can be slightly flavored or heavily phasing. The tone isn't too shrill, deep or nasal. Completely natural sound allowing the tone of your guitar to shine through with the effect.
Overall: Okay. Disclaimer time…I'm not the most objective person when it comes to MXR phasers since I already have the mid 80's 'Series 2000' Phaser, along with the Phase 95, Phase 100 and the incredible Custom Shop Vari-Phase 'X' model; the upgraded version with the toe-down on/off switch.Now having said this…I ordered this only days after zZounds had it in stock. I'd read that it was MXR's take on the EHX Small Stone Phaser. Having never used the Small Stone I had no point of reference but I quickly ordered it because I phind phasers, well, stunning. (Bad Star Trek pun there. Sorry.)It arrived quickly in typical zZounds fashion and I couldn't wait to try it out.First off, it is NOTHING like the Phase 90 which is perhaps the Greatest Phaser Ever.But…It's a marvelous little pedal with a great many sounds contained therein.The response is 'attack sensitive' meaning the harder you pick/strum……well, the first notes to come through will have a quicker sweep speed then it slows down. This is a new thing to me and I'm still adjusting to it. But I like it. On arpeggiated patterns it adds a nice effect that creates a, uh, sonic diversity.The speed control gives you sweeps which go from comfortably subtle to insanely fast, almost to the point of being unusable. If you're into scary sci-fi sounds then there's a lot here to work with in that vein.This pedal has a switch to toggle between four stage and eight stage phasing. (Personally I find the slower speeds to be better in the eight-stage setting.)What REALLY sets this phaser apart from MRX's other phasers is that it has knob to control the Feedback. (I think that is the amount of the signal that is fed back into the effect. The old "Script Logo" phasers had very little Feedback where the "Block Logo" version had an increased level of Feedback.) Whatever it is, I find I get better, more musical tones, when the Feedback isn't set too high – below 12:00.I was disappointed after my first time using this pedal and I resolved to return it as quickly as possible but something told me to play with it some more.The end result is that after having had this pedal for a few weeks, I find that it's a really nice addition to my phaser collection.If your only experience with phasers is the Phase 90 then you'll find this to be something like a weird flanger but if you play with it for a while then I honestly think that you'll grow to like it. (I've owned several flangers and sold off every one of them. They distort the base tone a bit too much for me which is why I almost gave up too soon on this pedal.)While it may not be to everyone's taste, I find myself definitely recommending it to guitarists looking for a different phlavor of phaser.My only criticism is that this is the first MXR 'Mini' pedal I've purchased that didn't come with the 9v power supply.Mark
A phaser was my first pedal when I was a kid playing guitar and growing up in the 80's. But, in today's tight pedalboard real estate, sadly the phaser dropped off for a few years. I ended up using a Line 6 M5 for several modulation effects and recently an HX Stomp. They do a fine job, but when I saw the YouTube video for the Deep Phase, I thought that I could squeeze it in. I tried it out and not only did it's compact size fit in, it sounds great! Keeping the Feedback knob all the way down, it really sounds and responds like a Phase 90, but turning it clockwise adds a ton of versatile sounds to what is already practically perfect. The mode button doubles the stages of phasing and thickens the tone even more. This can cover anything from classic rock to funk to metal or to just animate a clean sound to give it some breadth. I'm using it with a daisy chain power supply and it has very little noise. No complaints about this orange box. I'm going to get a lot of mileage out of this little guy. The metal case is slightly narrower than the TC mini pedals, but the power jack is on the top so a little taller with that plugged in. The jacks are staggered so if you have other mini pedals you can put em really close together. After one jam session I already put a strip of velcro on knowing that its going to stay on my pedalboard. My next venture will be to try it out on bass. I'll let you know.Gary
5. Mxr M290 Phase 95 Mini Guitar Effects Pedal
Product Details:
Mxr knows phasers. the phase 90s compact size, superior construction, and refined sound put mxr on the map, and it set the standard by which all other phasers are judged. two years later, mxr released the phase 45a mellower version of the effect favored for its ability to easily blend into the band mix. now, you can get both iconic circuits in a single pedal while tightening up your pedal board at the same time. the phase 95 combines the phase 45 and phase 90 circuits in a mini housing with about half the footprint of a standard mxr pedal. the 45/90 switch toggles between the phase 45 modes subtle two-stage phasing and the phase 90 modes more pronounced four-stage phasing, while the script switch toggles between two phasing styles. the phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. engaging the script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. the familiar speed control sets the rate of the effect.
Reviews:
Having replaced my early 80's 'Series 2000' MXR Phaser with first an MXR Zakk Wylde Phase 90 and then a Boss PH-2, I found myself using phaser effects less and less. I didn't really dig the harmonic distortion. I have an MXR Uni-Vibe that I keep in the 'Vibrato' mode for the same reason. Somewhere along the way I learned that the vintage MXR phasers ("script logo") didn't have the feedback feature that creates the pungent harmonic distortion. I couldn't decide between the Script Logo reissues of the Phase 45 or the Phase 90 because I liked what each had to offer. Then I happened upon the Phase 95. This pedal combines all four variations of the aforementioned pedals into one compact beauty of a pedal. I run in into my Uni-Vibe and the sound is magnificent. Jimmy Page used a Phase 90 on several Led Zeppelin recordings ('Ten Years Gone', 'Achilles' Last Stand' & 'Nobody's Fault But Mine') and he was using the Script Logo model (because the Block Logo hadn't yet been produced). I'm a huge fan of MXR pedals – I own 11 of them – and this one only serves to burnish their reputation as the first place to look when buying effects pedals.Les Paul Disciple
It’s the classic phaser sound, but with added versatility. 45 is mellow and 90 is full on, which work well for different applications. I like 45 for clean and 90 for drive. Also script mode is worth a mention as it can significantly change the effect; which I prefer on for drive as it’s more focused. Only ‘good’ for features as speed setting only, but suits me as it sounds impressive as is, so would not want more parameters myself, but others might.Reviewed by guitarguitar custome
I been meaning to get a phaser to add to my 80s style guitar playing when I do covers with my friends. After trying this pedal out at Guitar Center, I fell in love and took it home to attach it to my board! It's small so it fits practically anywhere and the 9v adaptor is in the perfect location to plug it in either straight or sideways. The dial is very dynamic and you can go from a Flanger feel to an alien chopper with a turn of the knob. Also, a cool trait is that you can switch between a phase 90 OR a phase 45, so if you want to dial back the tone, press the button from Blue to Red and make your tone from there. My hearing ain't the greatest so I can't really hear what the "script" feature does or doesn't do, but it's there for those who knows what it does! This thing tracks well with my Julianna Chorus, Mel9 pedal, Bigsky, blues driver and Revv G3 along with the numerous other modulations and delays I have on my board. Highly recommended for hair metal players or those who like a little flair to their cleans!John
6. Boss Md-500 Modulation Pedal
Product Details:
This is an awesome modulation pedal. you can get pretty much whatever kind of modulation sound you want out of it. it has 99 banks with 2 sounds per bank and a programmable third switch for tap tempos or to engage a second effect. from choruses to univibes to phasers to flangers to crazy slicers and overtones as well as dimension effects and tremolos and vibratos this pedal has you entirely covered. all of bosses algorithms are digitally programmed and it is just about the most intuitive and user friendly pedal in terms of programming as compared to my strymon big sky, and eventide timefactor. it’s also smaller than either of those as well. only reason i’m selling is because i’m upgrading to a line 6 hx stomp. this pedal was well taken care of and only gigged at church. it works and sounds fantastic. it has velcro on the back and comes with box and original candy.
Specifications:
| Sampling Frequency | 96 kHz |
| AD/DA Conversion | 32 bits |
| Processing | 32-bit floating point |
| Bypass | Buffered bypass or True bypass (with relays) |
| Display | Graphic LCD (128 x 64 dots, backlit LCD) |
| CTL 1,2/EXP jack | 1/4" TRS phone type |
| USB COMPUTER port | USB type B |
| Current Draw | 225 mA |
| Footswitch | FS-5U, FS-5L |
| Dual Footswitch | FS-6, FS-7 |
| Expression Pedal | FV-500H, FV-500L, EV-30, Roland EV-5 |
| Dimensions (WxDxH) | 6-3/4" x 5-7/16" x 2-1/2" (170 x 138 x 62 mm) |
| Weight (including battery) | 2 lbs 4 oz (1.0 kg) |
| INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks | 1/4" phone type |
| Alkaline | Approx. 4.5 hours |
| AC adaptor | PSA-S series |
| OUR PART | MD-500 |
| Controls | A switch, B switch, TAP/CTL switch |
Reviews:
Sound: It's a basic looper, but the footswitch allows to stop with one tap. All I need for acoustic show. Overall: I purchased the RC-1 for my weekly acoustic shows to replace my RC-300 that I purchased several years ago and love to use, but after lugging up three floors for a show at a wine bar, and the fact that I don't even use the 2nd and 3rd tracks for acoustic show, I decided the only thing I really need for most of my acoustic looping was just one track. In no way could I get used to double-tap to stop, but I have my FS-6 footswitch that works great to stop the RC-1 with one tap AND I can move the footswitch a few feet away so I don't have to be 'perfect' on the stepping like I would the Rc-300. I would still use the 300 for rock/electric shows, as it has mega capabilities, but for my acoustic show where i just usually either want to loop the solo section, or the entire song, this little inexpensive RC-1 works great, and the $100 price justifies the purchase.
For a compact looper pedal this has, great features. The deal breaker is the circular led panel. While this pedal functions in a basic way the led tells you exactly what is happening and where you are in you loop. That knowledge makes me far more confident to use it live. You can end the playback and erase the loop silently or pause the playback and use it again – useful if a lead break is later in the song. You record the rhythm part, pause it and start it later on in the song. There options for adding extra pedal to control things but I found I got on OK without them. Basically a solid looper with a useful display that is, easy to read in a live situation. The trick to silently erase is to double tap and hold the second tap. Stops instantly and the erases a couple of seconds later – this isn't clear in the instructions.David M.
High value and quality! Maybe not for the touring professional who needs every bell and whistle, but for beginners or intermediates it's a really solid feature set and great quality at a price point that is just a hair over the price of some much more basic units. Spend the extra $20 and get a pedal you'll love! Loopers are super fun, this one is no exception. There is a learning curve but that's more on the player than the pedal. (If your timing/coordination are not on point, a looper, like any recording method, will really highlight that.) Would highly recommend to anyone interested in a looper for fun, creativity, practice, comping, improving over your own backing, even for pro use if you don't need the fanciest bells n' whistles.Steverino
7. Electro-Harmonix J Mascis Ram's Head Big Muff Pi Pedal
Product Details:
The j mascis ram’s head big muff pi fuzz pedal pays homage to the sonic center of the alt-rock legend’s iconic tone of equal parts thickness and clarity in a special edition white and violet finish. “that’s my sound. the muff is always on,” j says. “all distorted sounds begin with the muff. that’s what i grew up playing so it’s kind of amazing to have my own signature one.” based on the highly coveted 1973 electro-harmonix v2 violet ram’s head big muff, j’s signature big muff produces the indulgent fuzz and exceptional sustain used as his sonic center for decades. the fuzz is sonically more articulate than other big muffs with excellent string separation and dynamics, which make it one of the most versatile big muffs. the pedal’s response feels smooth and aggressive making your leads scream and chords thunder. feel the fuzz of a guitar giant: the j mascis ram’s head big muff pi fuzz pedal from electro-harmonix.
Specifications:
Reviews:
How odd. This review was flagged for writing Big Mu** using the two F's 🙂 For the money, this is a really hard pedal to beat. It goes from mild and laid-back to wild and intense. The controls feel great…like as in excellent quality. This is a reissue of the original Big Mu** PI. I tried a Big Mu** PI with Wicker and forget about it. It hissed so loud in Wicker mode that I couldn't even here myself think and it got even worse with the tone switch off. And even in the so-called Big Mu** PI mode, it didn't sound anywhere near as good as this Rams Head does. And, the Rams Head is quiet compared to the BM PI with Wicker. One more thing, The BM PI with Wicker does not say anywhere on it nor in the included paperwork where it's made, whereas the RH BM PI clearly says New York City on the face of it…Vincent
The tone sweep is nice and there are some interesting spots because it is linear while kind of non-linear at 10 to noon and about 1-2 on tone control. I can't say why but usually I had purchased like more expensive versions of ehx pedals. That being said, I think people need to realize that these are quite accurate reissues and circuits, and just because it is an affordable pedal doesn't mean it isn't great.
Overall: Floats like a stone and stings like a nest of angry hornets! This box has the buzzsaw sound down pat. The fuzz is a thick, smooth, and consistent. I like this kind of fuzz in particular because it’s less fuzzy and little more distortion-like. The Tone knob has a really wide sweep from boomy bass to mid-range Hades. It has plenty of gain on tap and even sounds pretty good with the guitar’s volume rolled back a skosh.I’ve never used the original Green Russian Muff and have only heard them compared through videos online, so I can’t speak as to how they’re different/alike. I got it because I didn’t want to haul my vintage Black Russian Muff around from gig to gig anymore because it’s getting valuable and since it was a pretty jenky design to begin with, it’s liable to break with heavy use. That being said, the reissue Green Russian Muff has a different sound than an original V8 Black Russian Muff. It doesn’t sound as good to me, but it’s not so different that I wouldn’t use the Green Russian live in lieu of the Black Russian for the aforementioned reasons. One huge plus for the Green Russian is its pedalboard friendly size. The Black Russian is the size of an 80s metal lunchbox and took up an awkward sized chunk of the pedalboard. Now there’s more room for other unnecessary boxes (gulp)! One noteworthy ding for this pedal is how difficult it is to see the script on the top of the pedal. The words are printed right underneath the knobs, so if it’s kinda dark (which it usually is) and the lights are all in front of you (which they usually are) the words are impossible to see. Overall it’s a nice fuzz especially for the price. It’s noisy, but once the music gets rolling you won’t even notice it.Brad
8. Electro Harmonix Freeze Sound Retainer Pedal
Product Details:
Capture a frozen moment and turn it into a tonally unique sonic foundation. the electro-harmonix freeze sound retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. release the footswitch and you are again sample ready. three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions. hook the freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard. it's like adding an extra musician to the band.
Specifications:
| Indicator Type | LED |
| Width | 2.75" |
| Length | 4.5" |
| Height | 2.1" |
| Input Jack Size | 1/4" |
Reviews:
Great little device. Different to a looper. Great for creating background washes of tonal color on-the-fly. If you got adept at it, you could use it to great effect in live performance. Personally, I use it to practice scales and arpeggios. Very effective and easy to use. I don't know how different or similar the electronics are, but it would be great to see this device combined with a looper. They're similar in concept. An extra stomp switch combination, and you could be looping, not just freezing. Not a criticism. Just a suggestion.jamesbwar
This is a great little pedal! Whether I need to sustain a note or chord while playing/riffing over the chord, and/or using it to hold a note in a live performance, this pedal can do it. It's a seamless sustain pedal that you can't hear when it's turned on or off. This far exceeded my expectations. I currently use this pedal with my bass to hold keyboard notes while playing my bass lines (since our band doesn't have a keyboard player).SLoveland
It's a nice pedal it's like a sustain pedal for the piano but for the guitar. Really fun to use. Been using it on my gigs ever since I got it. Works great for ballads and intros. The only issue is the foot button makes a loud click. Seems that they would have put a silent one in over the loud clicking one. Also wondering why they couldn't have made it more like an actual pedal like a wah or volume pedal… I've never seen one for the guitar so I imagine it has something to do with capturing the sound. But electro-harmonix if you're reading there's an idea for you. I know a lot of guitarists that would love a pedal that you can work like a true sustain pedal.Marco
9. Mesa Boogie Flux Drive Overdrive Pedal
Product Details:
The flux-drive is the overdrive pedal for those who want more of all the best things from an overdrive! it has more liquid gain and enhanced sustain that easily feeds into rich harmonic overtones making it incredibly addictive and inspiring to play, whether into a clean amp channel or especially to enhance a crunch or higher gain channel! it also offers a more complete tone-shaping network with individual treble and bass controls. this architecture makes the flux-drive a more complete preamp with added versatility beyond that of most overdrive pedals. there is one small imperfection in the finish near where the power adapter plugs in. otherwise in great condition.
Specifications:
| Weight | 0.802 lbs |
| Dimensions | 2.87" W x 4.77" D x 2.28" H |
| Battery Type | 9VDC |
| Input Impedance | 1M Ohms |
| Output Impedance | 10k Ohms |
Reviews:
The quality components of this overdrive pedal allow precise tweeking. The tone that I look for in this pedal is just enough seasoning to compliment in certain compositions of smooth jazz which the "Flux Drive" is quite able to deliver. The Level is set at 9am – the Gain at 11 – the Bass at 1pm – the Treble at noon. I have the Flux Drive pedal before my Boss DS1 in the signal chain. I am very pleased and satisfied with the MESA Flux Drive Overdrive pedal.jerichos2custom24
Great pedal. Bought after watching Bea's review on youtube.Reviewed by Andertons Music Co.
I bought this for my son so to be honest I haven't got a clue but he says its megaReviewed by Andertons Music Co.
10. Electro Harmonix Bad Stone Phase Shifter Pedal
Product Details:
The original electro harmonix bad stone is back! originally launched in 1977 this really cool six stage phase shifter could be heard on a plethora of different albums throughout the late 70's and early 80's before it was discontinued. now ehx are bringing this legend back with modern tweaks and build quality. the only change made to the circuit from the original pedal is that the minimum modulation rate is now a bit slower than before which suits some of the more modern guitar styles. just like the original pedal you have two modes of operation. you can either control it in auto mode with your standard rate and feedback controls which uses the lfo to constantly move the phase. the other mode disables the lfo and you instead control the frequency with the manual shift control. this second mode lets you get everything for a subtle parked wah effect to some really cool out of phase tones.
Specifications:
| Control Type | Knob |
| Number of Knobs | 3 |
| Indicator Type | LED |
| Voltage | 9 V |
| Frame Material | Metal |
Reviews:
My board is pretty basic – ancient Cry Baby, Dynacomp, ehx Glove, Echoplex, Boss tremelo and, now, the Badstone. Tried several, but was most pleased with the Badstone. It has the widest rate range of all, the depth pot is very usable, and the manual mode is great for comb filter/cocked-wah effects. Clean you have that classic 70's Waylon phase, all the way to space ship madness with some gain and creativity. The only criticism is it would be very useful to have a more subtle range on the shallow end of the depth control. Rolled hard left it is still not very subtle. But it is lush, syrupy, and very good for the money.Fixit Guy
I wholly recommend the Bad Stone! Many phasers coat your sound, and you feel as though you're playing the pedal rather than the guitar, but with the bad stone your instrument's sound shines through, dynamics, pickup selection, and all. The speed all the way up yields an almost ring-mod effect. The manual switch can grant you some deliberately tinny rhythm guitar effects, not unlike out-of-phase pickups. The feedback knob dimed gives you a bizarre low oscillator effect. It's a lot of pedal in a small box!kevsonicist
I love this. Been using it now for almost a year. Goes from subtle to full phase in a instant. Get you one!MThomas
11. Red Panda Particle 2 Granular Delay Pitch Shifting Pedal
Product Details:
Excelling in the home of guitarists and keyboardists, particle 2 granular delay pitch-shifting pedal from red panda is a sophisticated and powerful pedal that uses granular audio synthesis technology to chop up your audio input into small segments called grains, and shift, rearrange, and mangle them in real time. this allows for the creation of an astonishingly wide range of sounds from simple modulation-style sounds like chorus. flanger, and pitch-shifted delay to glitched-out stuttering textures and drone-like effects. five delay and three pitch modes provide plenty of sonic potential, with the ability to mix modes for some truly unique and otherworldly sound effects. all parameters can be accessed via midi and the touchosc app through either the convenient usb jack or the multifunctional ctrl 1/4" trs jack, which also enables external control from expression pedal, remote switch, or control voltage. particle 2 is pedalboard-friendly with all of the jacks—stereo input and output—located on top and has a surprisingly compact form factor, making it equally at home in your signal chain and modular setups. with almost too many features to list, an intuitive interface, and extremely powerful sound-mangling capabilities, the usa-made particle 2 granular delay and pitch-shifter pedal is a versatile and user-friendly stompbox, and an adventurous multifaceted sound-creation tool.
Specifications:
Reviews:
12. Electro-Harmonix White Finger Optical Compressor
Product Details:
Electro harmonix white finger with original european adapter in excellent conditionand full working order.quote from electro harmonixthe white finger yields transparent, long sustain that preserves attack. two optocouplers (led and lamp) offer distinctly different readings and uniquely varied compressions. the white finger features multiple fets instead of vacuum tubes to get its compression.it's a great sounding compressor. only a slight blemish in the "w" prevents this from being mint as far as i can tell and it probably came that way from the factory. pedal, box, power supply and various inserts from ehx. make me an offer.
Specifications:
| Number of Knobs | 6 |
| Output Type | DC |
| Compressor Type | Analog |
| Number of Optocouplers | 2 |
| Width | 4.75" |
Reviews:
Some people say it is a noisy pedal but I don't find it to be (my guitars have humbuckers so that may be why). I wouldn't say it doesn't affect your tone because it makes my rather bright/trebbly sounding Trace Elliot amp (mine happens to be all solid state) sound warmer, darker, fatter," but not necessarily muddier. I would say the sound changes quite dramatically when I switch it on. One thing this compressor does which I wasn't expecting is that it can add quite a bit of gain to the signal and really push the amp like an overdrive or boost pedal. Perhaps this is what some reviewers mean by ""noise"". So", I have the pre gain knob turned all the way up and the post gain knob only about 1/4 of the way. I set the compression at about 1/3 and sensitivity knob all the way to the left. I find I like the sound of the LED setting better and I leave the squash setting on. Even with the post gain at 1/4 of the way it seems like it is pushing my amp and making it distort. To my ears the lamp setting seems even more distorted than the led and doesn't seem as smooth. One sound I was trying to get is the sound on some of the old Bread recordings from the 1970's (compressed but not a lot of distortion). I'd say the post gain knob probably has to go lower than even 1/4 of the way on to get anything like the sound of Bread. But, the sounds it does seem to want to make would be say the sound of Slash on Sweet Child of Mine or Neal Schon doing a solo. So, since this is my first compressor pedal I guess I didn't know which one would give me the 1970's Bread sound. I guess it sounds more like it with the pedal than without. It may be that the sound was achieved with a certain kind of tube amp, etc. Once the pedal is on I'd probably have to leave it on if I was performing because otherwise I'd have to adjust all the treble knobs on my amp. With the compressor on I can turn the treble all the way up on my amp and it doesn't sound harsh but with the compressor off I have to roll the trebles back quite a bit. A drummer I used to play with would have liked this because the brightness of my amp always bothered him. To my ears the compression doesn't affect my pick attack much (perhaps because I have the sensitivity knob all the way left). With the unit on my sound just seems a lot warmer and I don't get the ear drum bursting treble peaks that I used to without any compression. Maybe if you have a nice tube amp it does all that without needing a compressor but I think it would still give you more control over your sound. Playing around with the settings you can get weird swells, etc. I was mostly just trying to get a smoother sound and now that I have it I think it is going to stay on most of the time. Quite a few nobs and several switches to play around with. Seems well made. Not sure it does everything but it does do some interesting things. Ordered on a Monday and it arrived on a Wednesday with the free shipping.
Built like a tank. Clean sound (I have a good power noise filter). It's got many options that I like….a clean boost with the compressor turned down, makes a good smoothed signal, or make your signal percussive, can be set as more of a limitor….. If I use a digital effect, I put it in front of this, then through my tube distortion and to a tube/hybrid amp. I plugged my digital drums into this enhanced the sound as well. Like the big ehx pedals, you have more options to shape you sound than most other pedals. Their new digital octaves and delays make me wish that it could save settings, lol this a great analog comp.Anonymous
So versatile and sounds great on almost anything! I love it on guitar, vocals, and especially on drums and synthsubassturdguy
13. Mxr M107 – Phase 100 Pedal
Product Details:
Wonderful classic sounding phaser. pedal shows some signs of wear and has a couple of chips but overall is in very good condition. the mxr phase 100 takes the lush and dreamy sound of the iconic mxr phase 90 and turns it up a notch. actually, it turns it up four notches! packed with four selectable preset intensities, the mxr phase 100 can produce a range of phased-out sounds from subtle swooshes to deep, warbling modulations and includes a speed knob to control how wild or mild it gets. not just for guitars, the mxr phase 100 is a great tool for the studio that can add excitement to drum overheads, vocals, synths, and more. when choosing a phaser, guitarists at sweetwater know they can trust anything in an orange box. and for those looking for a touch more tweakability, the mxr phase 100 is a perfect choice!
Specifications:
| Input Impedance | 500 kΩ |
| Output Impedance | 3 kΩ |
| Phase Shift Range | 180° |
| Power Supply | 9 volts |
| Power Type | DC |
Reviews:
An all-time classic! I had the Phase 90 many years ago and it's still a wonderful pedal. The 100 adds sophistication without detracting from the qualities of the 90. Prices are obviously rising, but this is one of a core set of pedals for achieving a range of valuable sounds.hanr3b
This phaser can get nice FAT bass tones on 2 of the 4 choices of phasing (the bigger circles). The other 2 do a nice job of phasing, but with less volume and girth. The far left phaser is the best, volume stays the same or there may be the slightest increase…hard to tell exactly. However, the sound stays nice and FAT. Your bass continues to sound like an effected bass. Very sweet and rich. The speed knob can give varying degrees of warble. Cleaner than a flanger and more sparkling than a chorus pedal. Like every MXR pedal I have owned, this one is built like a tank and it adds very little or no extra noise when engaged. The bomb.Yaathrik
14. Dunlop Volume (X) Pedal Dvp3
Product Details:
This is the dunlop volume x pedali added space grip tape for aesthetics and functionality. i also substituted the original soft pads underneath the heel section for rubber pads to prevent metal contact (volume still reaches 0 when heel is down, so no worries on that). the velcro is glued on and there is a small piece from the bottom plate cracked off. despite that, it is still a great functional pedal with adjustable resistance.
Specifications:
| Material | Aluminum |
| Number of Jacks | 4 |
| Color | Black |
| Input Type | Mono |
| Output Type | Mono |
Reviews:
So, one of the "features" of this pedal ended up being its Achilles heel. Out of the box the rocker pedal was extremely floppy. I *very slightly* tightened the adjustment screw to increase pedal tension just a little, just like the instructions say. Turns out this was a bad idea because after literally 20 or so sweeps, the low-friction band broke and the pedal got stuck in the no-volume position. (The grub screw protruding from the rocker arm jammed against the base.) No abuse or excessive force, just regular volume swells and it busted. Hard to believe how easily this could happen with gentle use. I would NOT trust this pedal in gigging situations, even set at factory tension. Very happy now with the Ernie Ball VP JR, which costs less, BTW.TJPenitencia
In need of a new Volume Pedal I had purchased Dunlop's DVP-1 about 1 year ago, but while I loved the top-knotch build quality, adjustable tension, Steel-Band Drive (compared to other Volume Pedal usage of STRING and other non-hardened material) and Aluminium Casing… it's overall size (and to a lesser degree, weight) was too large for my Pedalboard no matter how I shifted effects around to try and make room for it. And so it sat in its box while I continued to use my old-school Dunlop GCB-80 Volume Pedal that over the gigging years had done well but was showing its age… Until I received notice that Dunlop had released the DVP3(X), a new, smaller footprint & lighter weight version of the DVP-1 while adding the ability to function as an Expression Pedal for so-equipped Effects and gear. Trying one out it person, it had the same Steel-Band Drive and heavy duty casing, Adjustable Tension and overall "feel" underfoot that had drawn me to its "Bigger Brother". As I hadn't used my original DVP-1 for even practices Musician's Friend was kind enough to take it as a return/exchange for the DVP3(X), which made the "upgrade" to the DVP3 an extremely minimal amount. The only "negative" issue I could find is that the DVP3 comes in an all-black finish, while the DVP-1 has a "Natural Aluminium Silver" – it would be nice to offer either pedal in both colors. But that's an extremely minor issue. I imagine it will be a long time until I need to upgrade my Volume Pedal again, but I *am* considering another DVP3(X) set up in its "Expression Pedal" mode to use with my SWR Mini Mo' Preamp for manual control of the Filter Sweep setting on its Envelope Filter. A fantastic pedal at a killer price considering all of its features.
I purchased this to work as an expression pedal for the Line 6 HX effects. It works straight out of the box, It connect with as TRS jack (a ¼ inch jack with Tip, Ring, Sleeve). It works perfectly and has opened up more features on the line 6. I Connected to the Line 6 HX effects, Turning on the Weeper, Classic distortion and the Colourdrive , Tonight Matthew, I'm going to be Jimi Hendrix.Reviewed by guitarguitar custome
15. Mxr Dyna Comp Compressor Pedal – M102
Product Details:
The mxr dyna comp is a compressor pedal designed for guitar players. it's a signal limiting processor, which varies its gain so the output signal that you set remains constant. this compression circuit is coupled with a sensitivity control. this combination of controls made the dyna comp one of the most popular guitar compressors ever. for overdrive or clean sounds, you get increased sustain and superb tone. mxr m102 dyna comp compressor pedal features output & sensitivity foot control knobs led on/off indicator powered by the dunlop ecb-02 ac adapter and/or 9 volt battery the mxr dyna comp is a compressor that allows you to set an output level and the sensitivity at which it kicks in. this device can produce that percussive, clicky sound on a clean guitar – the mainstay of 80s pop players – or a mellow sustain for lead work. the m-102 is designed to capture the sound and performance of the originals which it does with an authentic vintage flavor. rack spotters may have noticed several dyna comps in dave gilmour's monster system.
Reviews:
I originally bought this effect pedal because I play keyboards on Saturday morning/afternoon at a local restaurant and the way the sound system was set up, there were a lot of peaks and valleys in the sound. The waitresses would come over and ask me to turn down (and rarely, turn up) the volume. Remembering that I used an MXR DynaComp before in one of my Top 40 groups to smooth out my synth solo lines and add "punch" to certain sounds, I located one on Ebay and bought it. At first my intention was to run it on the effects send/return lines of my Yorkville KB-50 keyboard amplifier, but when I did that, I noticed that there was noticeable distortion in the resulting sound output. Taking the signal straight from the keyboard mixer into the MXRs input solved that problem. I also now get rave reviews from nearly all my performances- not that I have gotten any better, but the sound quality has been markedly improved with my addition of this effect pedal to my setup. One quirk I did notice is that the device powers on when you plug into either the input or the output jack. The MXR DynaComp I had years before only came on when you plugged a cord into the INPUT jack. I'm not sure if they changed the wiring design or if something might be miswired somewhere. The pedal is solidly built and all the controls have a rugged, professional feel. The OUTPUT and SENSITIVITY knobs move smoothly, with no clicks or hangs and I love the rubber grabber rings on them that respond to your toe's lightest touch. One alkaline 9V battery lasts for many many gigs (months) so you're not always spending money buying batteries.so_kuhl56
The Dyna Comp deserves its reputation as a classic, an industry standard. The compression is natural, not too obvious, and with minimal tone coloration. There are just two knobs: 1) the Output control, which is equivalent to the make-up gain control on other compressors, and 2) the Sensitivity control. The latter combines the typical threshold, ratio, attack, and release controls into a single knob optimized for guitar. It makes finding the right setting a breeze. If you're looking for more extreme compression for a more "squashed" sound, this unit won't do, but for most applications, I recommend it. I've had a Dyna Comp in my studio for years. I never turn it off when I'm recording electric guitars. (Doesn't matter if it's clean or overdrive; single coils or humbuckers. They always sound better when the pedal is engaged.) Now I've added a second Dyna Comp, this one for my live rig.Gordon the Pro
I've played as a very avid hobbyist for most of my life. I recently decided to try out a compressor and did a ton of online research. I thought I wanted one with a parallel blending function but that added a bit more cost and this (basic) pedal was sort of the "standard choice" so it seemed like a safe purchase for my first compressor. I had a chance to try it out last night and was very impressed with its effectiveness. It very powerfully evened out the volume to a desirable consistency. I gently fingerpicked a bit, then took a pick and strummed very aggressively – they were very consistent volume. There was a little more sustain – not a huge amount but a nice added bit. I did notice the pedal settings might seem "finicky" but there is a "sweet spot" where it just works like magic – so the trick is to play a bit and adjust the controls until you get the sweet spot for you. Once you find that setting it's a really wonderful pedal and I wish I would have done this years ago. Now, it's not perfect and it tends to add a little noise to the chain. Again, this is more/less noticeable depending upon the settings – once you fiddle with the settings you can minimize the noise. Also, I read that it is recommended to put this first in your pedal chain, which makes sense, since you are evening out the guitar's signal and sustaining right from the guitar into all the other effects. Doing so, made this a much more transparent effect without that weird "squished" sound people talk about. I did not find this to be a tone killer at all – Again, if you use it as a subtle evening out of your input volumes it won't be noticeable. If you heavily compress your signal then, yes, you will get some tone loss.fazool
16. Strymon Compadre Dual Voice Compressor & Boost
Product Details:
From pickups, tubes, capacitors, to speaker cabinets-the aspects of a rig that can be upgraded or changed are nearly endless. plug in compadre and you may find you already have everything you need for the tone you've been seeking. start your signal chain with the best possible version of your guitar tone. treat your guitar signal to true studio quality analog compression with two distinct voices for smooth transparency or vintage squeeze. hit the boost switch to add clean boost or soft-clipped dirty boost, with the eq curve of your choice. mix in some dry signal for natural attack even with extreme compression settings. feel the perfectly tailored dynamic response, feeding your amp and effects just what they need to sound their best. from pickups, tubes, capacitors, to speaker cabinets-the aspects of a rig that can be upgraded or changed are nearly endless. plug in compadre and you may find you already have everything you need for the tone you've been seeking. bring out your amp's character in ways you never thought possible. compadre's class a jfet input circuit, studio quality analog compression, and musically voiced analog boost circuits all work together to make your amp sound like it was just modified by a world-class boutique amp designer.
Specifications:
| Pedal Type | Compressor, Boost |
| Analog/Digital | Analog VCA Compression, Digital Control |
| Inputs | 1 x 1/4" |
| Outputs | 1 x 1/4" |
| Other I/O | 1 x 1/4" TRS (volume expression) |
| MIDI I/O | 1 x 1/4" TRS (MIDI EXP cable required) |
| True Bypass | Yes, Switchable to Buffered |
| Bypass Switching | Buffered |
| Power Source | 9V DC power supply (included) |
Reviews:
Great service from PMT – ordered Friday with free delivery on Saturday (most other places seem to charge extra for Sat delivery). Pedal arrived safely and well packed. The combination of compression and clean/dirty boost works perfectly on the front end of a Strymon Iridium as I'm using it – and I think would work equally well for other amp modellers and definitely in front of a good tube amp. The 3 eq curves for the boost make this pedal super flexible and versatile. This is definitely one of those always on pedals! Great product and service from PMT.Shaun M.
This it's a very high quality, low noise, compressor and boost pedal. The compressor is subtle but I really miss it if I switch it off. It offers both studio and stomp-box style compression which, along with a solid boost function, makes it invaluable to me. I've dropped a star because there are no compression ratio, attack, or release controls on the compressor although this may not be entirely fair as is seems to be set up perfectly as is. It's expensive, but was well worth the money.Paul, S.
17. Boss Noise Suppressor Ns-2 Pedal
Product Details:
Boss ns-2 noise suppressor pedal authorized dealer!! the boss ns-2 gives you a guitar effect pedal that is both powerful and efficient. this guitar pedal was designed to create tones with noise suppression effects. the boss ns-2 frees up your creativity for when you need to reduce the noise from your guitar such as buzz from the input signal or excessive noise from high-gain channels. the boss ns-2 noise suppressor gets rid of that annoyance without compromising the sound that you expect to hear from your guitar. the device uses a unique circuit that is designed to detect noise in order to deliver the guitar's natural sound. it features threshold and decay knobs that allow you to easily customize the suppression amount based on your desires and needs. this boss ns-2 guitar effect pedal is powered by either a 9v battery or an ac adapter.
Specifications:
| Input Impedance | 1 M ohms |
| Output Impedance | 10 k ohms |
| Current Draw | 20 mA |
| Input Noise Level | 110 dBuvv |
| Output Power Supply | 9V DC |
Reviews:
I should start by telling you all that i play modern metal, not classic rock or anything close. I bought this pedal a few years back hoping to squash out the hiss in my amp due to my use of an overdrive in front of the amp.I used it in front of my amp with a ts9 in its little effects loop. it was very difficult to get the start-stop quick djent style stuff i wanted without a feedback remnant always cutting in. also, there was a noticable amount of cut on any palm-muted notes and really any note played would not sustain naturally. any setting on the decay would not help. but, i had to have the threshold up pretty high to knock out the hiss. you must also know that i am using a horrific amount of gain with a 6505+. I have the post gain maxed out and most other things maxed out as well.After much research and saving, i invested in the isp decimater g-string. this product was on a whole other level. the things that the ns-2 lacked this thing just has. It senses when you are playing, instead of opening a gate when you play loud enough. Even with my extreme gain settings, overdrive in front, booster in the effects loop, and volume all the way up on my guitar, i can start-stop all day long just like periphery and animals as leaders. plus, my palm muted notes fade naturally as do normally fretted notes. Another thing i have recently learned is that the ns-2 manufacturing process uses lead free solder, whereas the ns-1 has lead based solder. This resulted in a big difference in signal integrity, and is very evident if you leave the pedal on bypass and play something, then removeit from the chain, and play something. it darkens the tone alot. In conclusion, if you want play the new styles of metal with all the gain and start-stop, buy the isp decimater g-string or pro rack g.MTloveit
This is a must have if you have a multitude of effects esp. overdrives, distortions at high gains and volume. Any nuance of movement on a string and the cats are climbing the curtains and your pissing off your neighbors 🙂 BUT! with this suppressor your sloppy metal play is crisp and tight full of clarity and your sound is cleaned up. Must have for overdriven metal heads…Azuljay
It's a huge compliment to any pedal board. If your tired of excessive hum, buzzing or just white noise especially when using multiple pedals on a pedal board this is the solution. I mated mine with a BOSS LS-2 Line Selector pedal at the start of my pedal chain so every pedal is covered by it. It allows instant quiet after quick aggressive picking starts and stops while using heavy distortion. It's a "Fire and Forget" pedal for the most part if your running the same gear regularly. It's a must have if you want clarity and certainly worth the space it takes up on your board. It's the magic behind the curtain.kt.precisio-7
18. Earthquaker Devices Plumes Overdrive
Product Details:
Plumes is a unique, all-analog approach to a classic tube-like overdrive circuit offering 3 different clipping voices, loads of headroom, and almost three-dimensional clarity that will push your amp over the edge. the reimagined tone control is finely tuned to sculpt low end, clear top end, and focus midrange with blooming sustain. flexi-switch technology this device features flexi-switch technology. this relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. for standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. for momentary operation, hold the footswitch down for as long as you d like to use the effect. once you release the switch the effect will be bypassed. since the switching is relay-based, it requires power to pass the signal.
Specifications:
| Current Draw | 25 mA |
| Technology | Flexi-Switch |
| Output Impedance | 100 Ohm |
| Current Draw | 25 mA |
| Number of Modes | 2 |
Reviews:
This pedal delivers what is promised. Yes it is a tube screamer clone, but it has more gain on tap, and the 3 way selector switch allows for more crunch and compression or to use as a boost as well as the the normal Tubescreamer functions. The down side with this is that I clearly received a pedal that had been opened before and was missing all the inserts, device instruction, warranty slip, sticker etc.. This may not seem like the biggest deal but that means this product isn't new. Just like physical retailers do it should have been sold at a discount and I should have been sent a new pedal because that was what I ordered. I just recently received another pedal from them "new" that didn't even come in a box it was just bubble wrapped which makes me think it was a floor model. Not new at all. Very disappointed.Micah
One of the best pedals around at the moment. Very versatile for different needs. Lots of different tones to get so many different sounds. Surprising amount of gain should you need it as well. Well worth it for the price as well as it’s far better than a lot of pedals that are a lot more expensive.John H.
I have been really enjoying adding this pedal to my collection. Great clarity, plenty of gain and volume. A working tone knob is not as common as you would think since it is on most overdrive pedals but this is one that works and has a good usable range unlike some other brands I shouldn't have to mention. This has worked well on my solid state amp, modeling amp, modeling pedal, and my tube amps. This is a great overdrive pedal to have.Doug
19. Keeley Compressor Plus Pedal
Product Details:
The legendary mr. keeley's creamy compressor gets gorgeous sustain, reminiscent of dimeola playing strawberry fields. sonny landreth tones are ready to roll out of your rig, with this gem at the front end to push all subsequent sounds and pedals into a bit sweeter dimension of smoothness, like a hand polished sculpture made of sound.4 knobs give you a fine tuned tone palette with a wealth of "sweet spots" across a spectrum of tones. can't find a bad one. just leave it on, like butter on your toasty playing. adjust on the fly for getting more moody, more glass, or more grit. flip the switch to set if for your single coils or humbuckers – yeah, keeley thought of that and gave us a head start to set up our primary tonality. this pro level pedal is a classy as can be! the box is long gone, but this pedal is built to last a lifetime of professional enjoyment.
Specifications:
| Control Type | Knob |
| Number of Knobs | 4 |
| Resistor Material | Metal |
| Capacitor Material | Metal |
| Indicator Type | LED |
Reviews:
I bought this compressor intending to use it with both Fender Strat and my bass guitar. I am a professional music producer and listened to the unit carefully in the studio headphones. It is a great tool if you know what to use it for. When used with a strat it makes the sound crisp and places the funky clean tone perfectly in the mix. The tone is somewhat on the colder side, with bright fluid sustain added to the sound. Think about it as a sustainer first and then compressor. Great tool in the pallette. However, there are a few things to keep in mind: – the unit makes a sub low cut when engaged even with the minimum effect added to the direct signal. Bassists bear this in mind (unless you are a hardcore punk bassist playing with distortion and a pick and don't care much about your sub bass tone). It can also be felt on the clean electric guitar sound (if it's funky tone in the band setting you would cut off the low end of the strat anyway). – with higher compression ratio settings you get more sustain but some noise is also added. – if you want to use the 9V battery with the unit keep in mind that to change the battery you need to use a screwdriver for 4 screws to remove the back panel of the unit.J
I love this pedal. I play an Epi Les Paul Classic, into my pedalboard, and into a 90's Peavey Bandit. The amp has a Jensen Mod soesker, not the original Scorpion speaker. The Bandit with this speaker has a great clean channel. I'm a long time Fender guy. Strats and Teles. I like a clear, bright fundamental tone. I found myself compensating with the LP and using the bridge pickup a lot. But still not satisfied with the clean tones from the LP. That changed when I put the Keeley Compressor Plus on my board. The conbination of the Blend control and the Tone knob gives me what I want. The Tone control is, to my ear, an exceptional circuit. I get the bright, clear tone I need and superb sustain. This pedal is a godsend for playing slide. The compressor goes before my dirt pedals with beautiful results-1-. I use a Boss SD-1 overdrive and a Donner Dark Mouse – a Rat clone. I'm very impressed with this compressor. I put all controls at about 12:00, which the manual recommends for humbuckers. Minimal tweaks from there to get what I want. I love that it doesn't squash the life out of my pick attack. It is always on. Works great with acoustic/electrics as well. Great, musical piece of gear. Well done, Mr. Keeley.Mister G.
Bought it to replace a cheaper compressor pedal that I wasn't happy with. Having been used to high quality rack compressors, was looking for a compressor pedal that could keep up to the bare minimum quality I need to record at home. Inserted it on my signal chain, turned it on and it was pure magic, just couldn't stop playing and fiddling with the controls. Especially love the blend control, that gives this pedal a lot of versatility. For the price you get amazing quality. Really, buy it, you won't regret it.
20. Neo Instruments Micro Vent 122 Rotary Speaker Simulator Pedal
Product Details:
Truly organic. the neo instruments micro vent 122 rotary cabinet simulator generates waves of magical rotary cabinet goodness. faithfully emulating the legendary leslie 122, it will give your music that classic, glimmering, organ-like rotary cabinet voicing – everything will stand out. boasting four different control dials, it allows you to sculpt and shape the effect until you've found the perfect settings. whether you want a super fast, intense voicing or a slower, subtler effect, you can enrich your music with a variety of different rotary cabinet sounds. and you can even emulate mic distance using the distance knob, which also yields a fresh array of tones. get ready to write your best music yet.
Specifications:
| Analog Digital Conversion | 48khz, 24 Bit |
| Digital Analog Conversion | 48khz, 24 Bit |
| Noise Level | -90 dBA |
| Max Input Level | +5 dBV |
| Input Impedance | 0.5MOhm |
| Output Impedance | 400 Ohms |
| Recommended Load Impedance | 10 KOhms or more |
| Dimensions (W x D x H) | 113x 65x 47mm |
| Current Draw | 180mA |
| Connectors | Input, Output, DC In |
Reviews:
A rather expensive one-trick pony, but boy oh boy what a trick! Yes it's mono, but it sounds fantastic and is really convincing in recreating the rotary speaker vibe including the 'movement' Plus it adds a really pleasing 'pre-amp' sound, touch & feel under the fingers to your tone – short of getting an actual rotary speaker set-up I don't think one can get closer. All contained in a standard sized 9V pedal board format that doesn't take up too much real estate on a crowded board – early days so can't comment on durability yet but seems robust enough, only time will tell. Yes it's expensive for 'one sound' but what a sound it is!Reviewed by Andertons Music Co.
The Micro Vent takes the Ventilator magic and shoehorns it into a standard stompbox aimed at guitarists, so unlike the larger Ventilator models it's 9VDC and will fit onto any pedalboard. An edit mode uses the four knobs to access some useful hidden functions. It's mono in/out however there's some clever stuff going on that tricks your ears into thinking it's a real Leslie 122, I don't know how they do it but it lives up to all the hype and while it's expensive, the quality of the sound is more than worth it.Reviewed by Andertons Music Co.
Excellent sound. Power requirements are a little excessive but the sound is worth itReviewed by Andertons Music Co.
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