Are you looking for the Fender Princeton Guitar Amp? If so, you’ve come to the right place.
Choosing the Fender Princeton Guitar Amp can be difficult as there are so many considerations, such as Marshall, Fender, Peavey, Roland, VOX, Blackstar, MESA/Boogie. We have done a lot of research to find the top 20 Fender Princeton Guitar Amp available.
The average cost is $994.96. Sold comparable range in price from a low of $24.99 to a high of $2808.42.
Based on the research we did, we think Fender '65 Princeton Reverb 15-Watt 1×10-Inch Guitar Combo Amp is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Fender Princeton Guitar Amp (20 Sellers)
| Product Image | Product Name | Features | Check Price |
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Reviewers Noted:
Good sound quality . Heavy . Attractive . Quality build . Easy to use
Features:
- 15-watt all tube amp (including tube rectification) offers stellar tone for small stages and the studio.
- 1-10" jensen c-10r, 8 ohm, 40 watt speaker with ceramic magnet.
- Legendary long-spring fender reverb and tube vibrato.
$1299.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Lightweight . Portable
Features:
- 10” jensen c10r speaker
- Single channel and dual inputs
- Long-spring fender reverb and tube tremolo (“vibrato”)
$2349.99
5.0
Reviewers Noted:
Good sound quality . Build quality . Weight
Features:
- Bought it but ended up not using it so it’s practically unused except for when trying it out.
- No issues.
- Mint condition.
$2808.42
4.8
Reviewers Noted:
Good sound quality . Heavy . Attractive . Quality build . Easy to use
Features:
- Found sound australia pty ltd.
- 155 elgin street (via markov place).
$24.99
4.7
Reviewers Noted:
Good sound quality . Portable . Quality build . Easy to use . Attractive
Features:
- 1-6" fender special design speaker
- One channel
- Controls: gain, over-drive select switch, volume, treble, bass
$1336.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Attractive . Easy to use . Quality build
Features:
- Includes dust cover and footswitch.
- Found sound australia pty ltd.
- 155 elgin street (via markov place).
Reviewers Noted:
Good sound quality . Attractive . Easy to use . Build quality . Weight
Features:
- You just can't go wrong with these amps.
- Add the real spring reverb and trem on top of that, and this is the perfect home amp.
- Power cable included.
$1700.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Lightweight . Portable
Features:
- A perfect amp to add to your collection.
- Selling from my own person collection. not entertaining any offers other than the listed price.
- And there's good reason! they are amazing amps! and they have the looks to match the tone!
$1200.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Lightweight . Portable
Features:
- Amp output: 15 watts into 8 ohms.
- Speakers: 1-12" jensen c12q, 8 ohm, 40 watt speaker with ceramic magnet.
- Channels: 1 channel (2 inputs)features: blackface control panel with six silver-top numbered knobs.
$1399.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Lightweight . Portable
Features:
- 15-watt tube combo amp with an updated, vintage look
- 12" weber vintage 50-watt ceramic speaker is perfect for clean headroom
- Vintage-style lacquered tweed covering
Reviewers Noted:
Sound quality . Portable . Attractive . Lightweight . Easy to use
Features:
- Power: 1 watt
- Headphone output
- Battery operated
Reviewers Noted:
Good sound quality . Easy to use . Lightweight . Portable . Quality build
Features:
- Compact 20w combi amplifier
- Lots of quality amplifier voices
- Blackface design
$899.00
4.8
Reviewers Noted:
Good sound quality . Portable . Lightweight . Ease of use . Build quality
Features:
- Selling a mint, barely used princeton.
- Less than 2 hours of play time.
- Never cranked.
$150.00
4.6
Reviewers Noted:
Ease of use . Portability
Features:
- Tested and sounds very good.
- All features work very good.
- Well taken care of and in great shape.
Features:
- 1-channel solid-state 1×10" guitar combo amplifier with reverb
- Selectable output power
- Cab simulation
$199.99
Features:
- Used fender princeton chorus solid state guitar amp…
$169.99
Features:
- Works great. made in: mexico. | fender princeton 650 guitar combo amp…
$199.99
Features:
- Fender princeton 65 dsp guitar combo amp…
$1299.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Fender '65 princeton reverb 1×10" 15-watt tube combo amp condition: new brand: fendernumber of speakers: 1amplifier type: combompn: 2172000000mpn: 2172000000…
$1299.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Get a historically significant amp used on countless hit songs for decades – the fender '65 princeton reverb combo amp – the reissue fender '65 princeton reverb is easily versatile…
1. Fender '65 Princeton Reverb 15-Watt 1×10-Inch Guitar Combo Amp
Product Details:
The original was a historically significant amp used on countless hits over the years, and the reissue ’65 princeton reverb is easily versatile enough to go from the living room to the recording studio to the small gig. it has the vintage vibe that fender die-hards know and love, but the ’65 princeton reverb isn’t only for those who played them 30 or 40 years ago – it’s for anybody who demands top-notch tube tone, naturally dynamic clean and overdriven tones, and unmistakable long-spring fender reverb and tube vibrato.
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
2. Fender 65 Princeton Reverb 15w 1×10 Tube Guitar Combo Amp, Black
Product Details:
A historically significant amp used on countless hit songs for decades. today, the 65 princeton reverb is as phenomenal looking, sounding and performing as ever, and is easily versatile enough to go from the living room to the recording studio to the gig with the great sound, style, reliability and authentic vintage vibe that fender players know and love. one of the coolest amps around, period, it's ideal for anyone who demands top-notch tube tone, naturally dynamic clean and overdriven sound, and unmistakable long-spring fender reverb and tube vibrato.
Specifications:
| Length | 20 in |
| Height | 9.5 in |
| Width | 16 in |
Reviews:
I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911
This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben
I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.
3. Fender '62 Princeton Amp Chris Stapleton Edition
Product Details:
Very cool little amp – the tremolo is particularly nice. the brown ’62 princeton amp’s sensitivity and smooth organic tremolo made it a longtime studio favorite and the ideal partner for grammy -winning country artist, chris stapleton. the hand-wired ’62 princeton chris stapleton edition combines the classic 6g2 circuit with stapleton’s favorite features and personally chosen aesthetic touches. this 12w combo features fender vintage “blue” tone caps, schumacher transformers, an upgraded eminence 12” special design “cs” speaker, and an output tube-biased tremolo circuit. the acoustically resonant solid pine cabinet wears rough brown textured vinyl covering, wheat grille cloth and thick dark brown leather handle, while the dark brown control panel sports dark brown “radio” knobs and the rear panel features an engraved brass plate with chris stapleton's signature. includes 1-button switch for tremolo and retro-styled filson rugged twill fabric cover.
Specifications:
| Footswitch | 1-Button Footswitch Included |
| Included Accessories | 1-Button Footswitch, Filson Heavy Fabric Cover |
| Voltage | 120 V |
| Wattage | 12 Watts |
| Controls | Volume, Tone, Speed, Intensity |
| Channels | One |
| Inputs | Two – (1/4", Input 2 operates at -6dB) |
| Speaker Jack | Two 1/4" Parallel (Internal and External) |
| Effects | Tremolo |
| Cabinet Material | Solid Pine |
| Amplifier Covering | Brown Textured Vinyl |
| Grille Cloth | Wheat |
| Amplifier Jewel | Red Jewel |
| Front Panel | Brown |
| Speakers | One – 12" Eminence Special Design |
| Total Impedance | 8 ohms |
| Preamp Tubes | 2 x 12AX7 |
| Power Tubes | 2 x 6V6 |
| Rectifier | Tube (1 x 5Y3) |
| Amp Height | 23" |
| Amp Width | 20.5" |
| Amp Length | 12.75" |
| Amp Weight | 22.40 lbs |
Reviews:
Overall: This amp sounds incredible. It sounded a little stiff at first, but after a few hours, it really came alive. The tube tremolo is outstanding and I use it more than I thought I would. I thought I would miss reverb, but I don't. It takes pedals well…if you want to use them…it sounds so good, you might end up selling your pedals. It's a very simple amp, but not in a bad way. The handwired 12 watts is perfect for me. You can turn it up enough so it sounds good at home, but you can also play gigs with a drummer without any issues. I was surprised how much headroom the amp had. I would highly recommend this amp unless you're looking to play hard rock/ heavy medal.
This amp is the one I've been looking for! Great tones at all levels, handles pedals nicely, Seems to be built like a tank and easy to transport. The 12'" speaker works great with this circuit especially in live situations, I don't think a 10" as in the originals do as well for live applications. If this amp was available 30+ yrs ago I would've saved a lot of money!pajita128189
This simple little amp is expensive, but the tone that it exudes is stunning. Just a whole lot of punchy and crispy cleans, and a sag-fest when you put some fuzz or bender like distortion. Has the 60's sound, and the tremolo is one of the warmest and fun to play. Little piece of history.Garrett
4. Fender 64 Custom Princeton Reverb
Product Details:
Terrific for any kind of music, fender’s princeton is simply one of the most versatile and beloved guitar amplifiers of all time. it delivers quintessential fender tonal response, reverb and tremolo; and it is the perfect size for guitarists who want a moderately powered amp for any stage or studio situation. and in the modern pedalboard era, it is the perfect platform for tone building. highly collectable 1960s models bring big money on the vintage gear market. these originals, as well as long-running fender reissue models, are used on every stage and in every venue worldwide. hand-wired in corona, calif., the 12-watt ’64 custom princeton reverb joins this prestigious group. premium features include: hand-wired aa764 circuit with tube-driven spring reverb and tremolo, fender vintage blue tone capacitors, three 12ax7 and one 12at7 preamp tubes, 5ar4/gz34 rectifier tube, matched pair of 6v6 power tubes, 12 watts output power, 10” jensen alnico p10-r speaker for sparkling clean tones and moderate breakup, solid pine cabinet for resonance and lighter weight, extra-heavy textured vinyl covering, lightly aged silver grille cloth, footswitch and amp cover included.
Specifications:
| Country Of Origin | US |
| Amplifier Type | Tube |
| Control Knobs | Skirted Black Plastic with Numbered Indicators |
| Inputs | Two – (1/4", Input 2 operates at -6dB) |
| Rectifier | Tube (1 x 5AR4) |
| Cabinet Material | Solid Pine |
| Handle | Reinforced Plastic Strap with Nickel-Plated Caps |
| Speakers | One – 10" Jensen P10R Alnico |
| Total Impedance | 8 ohms |
| Power Tubes | 2 x 6V6 |
| Preamp Tubes | 1 x 12AT7, 3 x 12AX7 |
| Dimensions | 13.30×19.90×23.20 IN |
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
5. Fender Frontman 10g Electric Guitar Amplifier
Product Details:
Our frontman amps deliver quality tone at a great price, with custom-voiced built-in overdrive for great tone and the unmistakable fender blackface look. the 10-watt frontman 10g features a 6-inch special design speaker and a selectable gain control that can rock guitar tones from tube-emulated overdrive to full strength ultra-saturated distortion perfect for blues, metal and the famous fender clean tone.
Specifications:
| Product Dimensions | 5.75 X 10.25 X 11 Inches |
| Color Name | Black |
| Compatible Devices | Guitar |
| Output Wattage | 10 |
| Power Source | Electric |
Reviews:
I bought this amp to have a small, cheap portable amp to play harmonica through. For that, it is decent enough. I use a Shure bullet mic and the amp produces good enough tone and is plenty loud for practice or small gigs. When I plug my tele into it the clean channel is decent and clear, but the overdrive channel is junk and hurts my ears. I would rather run the clean channel and use a fuzz or distortion pedal. So that being said it is decent enough to practice licks on and it is tiny so it tucks away easy. If you look around you can find a bigger amp with more features used for the same price but if you want a new amp, this one is probably worth what they charge for it. I would only buy it if you have a specific purpose for it though.Roy
It's small, and pretty portable. However, the sound quality is trash, given the speaker is tiny, but the overdrive is just horrible. If you buy this, try returning it. If you can't return it, just get a fuzz pedal and leave it on clean. Imo, just buy the mustang lt25-50Hotdog Games
I actually bought it 4 years ago, but realized I never wrote a review. It's surprising how light it is, almost felt like a toy. That being said, it's sturdily built, just very, very lightweight which is quite nice. I do mostly clean channel playing, not really much into heavy rocking much anymore. For clean channel playing, this little amp has a great sound. It puts out quite a bit of volume. I have used it playing for church and was more than enough volume to be heard with folks singing. The distortion is just okay, which is what kept me from giving the amp a 5-star review. But, most folks who want to rock out, probably aren't going for a 10-watt amp anyway. The distortion is decent enough for use in practice or playing along to your own music collection.
6. Fender '65 Princeton Reverb
Product Details:
A historically significant amp used on countless hit songs for decades. today, the '65 princeton reverb is as phenomenal looking, sounding and performing as ever, and is easily versatile enough to go from the living room to the recording studio to the gig with the great sound, style, reliability, and authentic vintage vibe that fender players know and love. one of the coolest amps around, period, it's ideal for anyone who demands top-notch tube tone, naturally dynamic clean and overdriven sound, and unmistakable long-spring fender reverb and tube vibrato.
Specifications:
| Amplifier Type | Tube |
| Country Of Origin | US |
| Platform | Pro Tube |
| Channels | One |
| Connection Type | 1/4" |
| Control Panel | Volume, Treble, Bass, Reverb, Speed, Intensity |
| Controls | Volume, Treble, Bass, Reverb, Speed, Intensity |
| Effects | Reverb, Vibrato |
| Inputs | Two – (1/4", Input 2 operates at -6dB) |
| Voltage | 240V AUS |
| Wattage | 12 Watts |
| Power Tubes | 2 x 6V6 |
| Preamp Tubes | 3 x 12AX7, 1 x 12AT7 |
| Rectifier | Tube (1 x 5AR4) |
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
7. Fender '68 Custom Princeton Reverb
Product Details:
I bought this amp new 5 or 6 years ago, and used it lightly on the road and on recordings with st. paul and the broken bones for a couple of years. the amp is cosmetically in good shape, but has developed a slight rattle in the baffle at various frequencies and volumes. i had the original 10" speaker swapped out for a 12" weber ferromax, and this operation is perhaps what eventually led to the rattle. regardless, i could have it fixed but am looking to get some different gear for my studio, and so have elected to sell it as-is instead. i am fairly sure that all of the electronics themselves are in good working order.hear the amp in the linked video, i'm playing my gibson 135 straight in on austin city limits. i can pull the road tape off and clean up the adhesive if desired! feel free to contact with additional questions or for more photos.
Specifications:
| Voltage | 120V |
| Wattage | 12 Watts |
| Controls | Volume, Treble, Bass, Reverb, Speed, Intensity |
| Channels | One |
| Inputs | Two – (1/4-inch, Input 2 operates at -6dB) |
| Speaker jack | Two – 1/4-inch Parallel |
| Effects | Reverb |
| Cabinet material | 7-Ply 3/4-inch Birch/Maple Plywood |
| Amplifier covering | Black Textured Vinyl |
| Grille cloth | Silver Turquoise |
| Amplifier Jewel | Blue Jewel |
| Front panel | Silver |
| Handle | Molded Plastic Strap with Nickel-Plated Caps |
| Speakers | One – 10-inch Celestion TEN 30 |
| Total impedance | 8 ohms |
| Speaker wattage | 30 Watts |
| Preamp tubes | 3 x 12AX7, 1 x 12AT7 |
| Power tubes | 2 x 6V6 |
| Rectifier | Tube (1 x 5AR4) |
| Amp height | 16-inch (40.6 cm) |
| Amp depth | 9.5-inch (24.13 cm) |
| Amp width | 19.875-inch (50.5 cm) |
| Amp weight | 34 lb (15.4 kg) |
Reviews:
I purchased the 68 CPR I believe about September 2017 and I also had a blues jr and ac10 at the time and wanted to add another flavor or what my mistake was to think I would have something closer to the traditional Fender sound. I noticed a few days later the control face plate was misaligned with a larger gap on the left side. I didn't get the floor model received one from backroom. To get right down to it this thing is incredibly dark and muddy. I kept mine and used it until February so I gave the amp and speaker time to open up. The bass knob is useless, 0 is like 6 on a 65 PRRI (I now own one). No matter what I threw at it single coils, filtertrons, p90, humbuckers, and teles. The neck pickups could be decent on the tele/strat, filtertrons, but sounded terrible on everything else. I own 20 guitars but maybe 15 at the time. Everything just sounded bloated I couldn't believe it and I using the "let the speaker break in and such" shot the return window. I'll never use that practice. If you don't like the sound of something a speaker breaking in is not going to cure it unless you think something is slightly off to your ears but not a miracle. I read a lot of bass heavy reviews on this all over the net with the random opposite opinion or right in the goldilocks zone. I even see them with greenbacks in them and man I cannot imagine how bass heavy that is on an already guitar amp that can take on a Fender Rumble. Yet.. I want to give it another shot but thinking more the deluxe as I have a better understanding of the build and amps in general. I just wanted to share my experience more than review. Everything else worked great tremolo and reverb but the faceplate was deplorable how that passed QC is beyond me having big gaps on each side and some noise from maybe the baffle or something but once the volume hit four you heard rattling. Still I will go play them in stores and if the one I play sounds good I'll buy it and not one from the back. I love Fender so I'll try..Gary G'nu
This amp is great. Unreal that anyone would say this is a negative purchase. If you need an amp with clean tones and good reverb this is exactly the one. I should mention that it takes pedals well which is great for such a light amp. I have played through many other in its class and this is second to none. I have Fenders from small to large, This Princeton, The Hot Rod Deluxe, and a Twin. They are all tubes and all great amps. You can't go wrong here.Al
After >50 years of playing, I've finally tired of lugging 45-65 lb amps to practice. I went to my local GC to check out smaller and low wattage amps. In my teens I had frequently played through my friend's Princeton Reverb (this was 1966…an original amp) and in fact we would both plug into it and I recall how great it sounded. I tried this 68 "whiteface" reissue and was blown away. Warm and fat sound even at low volume..with my Strat, Tele, LP, ES-335 and PRS CE 24…they all sound great. I bought it and I can't stop playing through it. I own a number of other great amps…Deluxe Reverb, Supro Dualtone, Orange TH-30, Marshall JTM 30. This amp, I think sounds better than any of them. As others have stated, extremely touch sensitive for those of you who appreciate how much of a tactile experience playing guitar can be. I predict it will be great for band practice and hope to use it in smaller venues. It works great with my effects pedals. I highly recommend this amp and only regret that I waited until retirement to purchase one.Bob the Stratplayer
8. Fender Fsr Blue Flower '65 Princeton Reverb 12 Watt Guitar Combo
Product Details:
Specifications:
Reviews:
I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911
This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben
I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.
9. Fender Limited Edition '65 Princeton Reverb C12q 1×12" Combo
Product Details:
For your consideration, garrett park guitars presents the fender ’65 princeton reverb c12q limited edition these amps are a limited run for fender, and are available through garrett park guitars. a historically significant amp used on countless hit songs for decades. today, the ‘65 princeton reverb is as phenomenal looking, sounding and performing as ever with a 12” jensen c12q speaker, and is easily versatile enough to go from the living room to the recording studio to the gig with the great sound, style, reliability and authentic vintage vibe that fender players know and love. one of the coolest amps around, period, it’s ideal for anyone who demands top-notch tube tone, naturally dynamic clean and overdriven sound, and unmistakable long- spring fender reverb and tube vibrato.
Specifications:
Reviews:
I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911
This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben
I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.
10. Fender 65 Princeton Reverb Limited Edition Tweed G1265 – Used
Product Details:
It's an historically significant amp used on countless hit songs for decades. today, the '65 princeton reverb is as phenomenal looking, sounding and performing as ever, and is easily versatile enough to go from the living room to the recording studio to the gig with the great sound, style, reliability and authentic vintage vibe that fender players know and love. one of the coolest amps around, period, the '65 princeton reverb 12w combo amp is ideal for anyone who demands top-notch tube tone, naturally dynamic clean and overdriven sound, and unmistakable long-spring fender reverb and tube vibrato. this limited-edition amp features a solid pine cabinet, lacquered tweed covering, vintage bassman grille cloth and a celestion g12-65 ceramic speaker that increases low-end tightness and has a warm midrange that is unmistakably british.
Specifications:
Reviews:
I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911
This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben
I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.
11. Fender Mini Deluxe Amp
Product Details:
The fender mini deluxe amp has a level of detail unmatched by any other mini amplifier. functional "dogbone" handle, chrome control plate, mini chicken-head knobs. and the mini deluxe has fender tone, too! one watt of powersingle 8 ohm, two-inch speaker9v battery-poweredheadphone out
Specifications:
| Weight | 5 lb |
Reviews:
I picked this up for my son so he could practice around the house. Killer stocking stuffer! When the son is away the dad will now play. I started playing my Mustang Bass through this and it did the job. It's a small amp, not a practice amp. This is perfect for camping trips, rocking at the office or kicking it in the backyard. Oh yeah and you can plug in 1/4 headphones and keep the concert to yourself. It runs on a 9-volt battery or you can plug in a 9-volt adapter.SERGIO
Took a chance on this and purchased it without every playing it. Watched video reviews on it and gave it a shot. Yes, I know that it's small in size, smaller than a kids lunchbox but I hoped it'd produce quality sound and what I got was muddy sounds at increased volumes. It's not clear sounding and my goal to play through an amp is to sound good and I felt if I actually played this in front of people, the muddyness would make me sound amateurish. So, for what you pay for this, yes, you get amplified but it's not real great quality, unless you're a metal player because you don't get a clean sound from this. I rate this 3 stars because it's convenient to have a portable battery operated tiny amp that you can plug into and get sound from, however, the quality almost makes you not even want to play it.Jesse
This ain't no micro cube or vox. This less than 20$ & runs on 1 9v battery or 9v plug in the wall.(transformer not included)& Holy Friggin' Smokes does this baby perform.Monster overdrive tone & super bright, clean tone.Headphone input.Probably exceeds 60 decibels,which is beyond city ords. could get U a fine it's so damn loud. My Strat Squire sounds soooo Fender good out of this lil sucka & my electric/acoustic, sooo crisp.Ultra light to carry around.I've been using the JOYO mini,I love it,plug in,no chord,fun but this Fender mini is a bit more.More tone options and louder.I've yet to find out how quick it eats batteries. The JOYO burns them up fast.Get the rechargeables.Also the JOYO has an MP3 input.This doesn't. I run guitar strap thru the handle so the chord is like non-existent or U can old school it and have a 10 or 20 ft chord.So light it can be pulled over by the chord.These mini amps also pick up radio signals. When I turn them on I can hear radio stations at certain angles. So get 1 for the road.It's all about the fun.annoyingted1
12. Fender Guitar Amp Champion 20 20w
Product Details:
The fender champion 20 combo w/ effects is a simple to use yet powerfully voiced amplifier. fantastic for a home practice or jamming sessions, you can develop your playing through the multiple pristine voicings offered by fender. from crystal clear cleans to gravelly, crunchy overdrive, you'll be able to dive into any genre of your choosing. while you're exploring genres you can make use of the champion's diverse palette of effects to spice up your sound. these include delay and tremolo speed, so experiment and find new thrilling sonics! and if you just want to master your favourite song, an aux input allows you to jam over a backing track. speaking of practising, you'll be able to do that at any time thanks to a headphone output. backed up by fender's expert speaker design and sturdy construction, this is an amp to last you.
Specifications:
Reviews:
It is a great amp. Very good sound and options for the price. It is not heavy which is a big deal to someone who has had back surgery. I gave it a 5 in spite of one big complaint. When you turn it off you hear a loud "POP!" Wow, is that loud is what I thought the first time I heard it. I read about it online and there is a simple fix. Find an old set of ear phones or ear buds that you would use on a cassette player or a Sony Walkman. (Yes, these are ancient electronic relics from the past for you younger people. You might ask your parents if they have a cassette player and borrow the ear plugs.) Just plug that earphone jack into the "PHONES" input BEFORE you turn it off. THEN you only hear a little blip when you turn it off. THEN just pull the jack out of the "PHONES" input before you start it next time.chasmigu
This amp is better than I thought. I've had it for over a year. I use it for practice sessions (classic rock mostly), and I haven't gone over '4 1/2' on the volume (it does give good feedback if you want it). I did upgrade the speaker to a 12" 'Celestion' Vintage 30 and am absolutely happy! This could easily be mic'd for larger venues. Lightweight, powerful enough, and the effects are a good assortment. One small glitch…when using the footswitch, there is a short, instantaneous volume boost when the pedal is pressed for distortion. Could possibly be a problem for recording. Besides that, 5 stars for me.Myk
After playing acoustic guitar for 15+ years and rarely plugging in, I finally decided to make the plunge and try out an electric. I was advised by a buddy to not buy too big, that 15W-20W would be plenty to practice with. So, I found this little Champion at Sam Ash, and so far it's been great! I bought the display model and have had no issues at all with it. Great sound, enough presets and effects to play around with, and sounds great clean too. Having a blast and loving it.Nate-O
13. Fender ’68 Custom Princeton Reverb Guitar Amplifier | Silver/blue
Product Details:
Vintage princeton reverb with eminence copperhead speaker. this thing barks! perfect classic fender tones for days and plenty loud to gig these days. i have had this amp for 5 or 6 years and just don't play it enough. the transformers were replaced and can accept 6l6 tubes if you need more power (you dont). everything works perfect, with the exception of the tremolo. i had this fixed shortly after i bought, but it quit working years ago. i never use it so it doesn't bother me. can be easily remedied for a nominal fee.
Specifications:
Reviews:
Fender has knocked it out of the park with this amp, in my opinion. The bias tremolo is better than the trem in my Princeton, it can be both less intense and more intense. The speed of the trem can be slower than on any other Fender amp I have used, and plenty fast as well. The reverb is more usable through the sweep of the knob, BUT it won't do the crazy washed out reverb of a Princeton or a Super Reverb. It has the warmth of the Princeton, nearly the power of the Super Reverb, and weighs 35 lbs. The box itself does not suffer from high volume. Mine has no rattle or vibration. The 6L6 tubes have a deeper, bass/low mids quality in the bottom than 6v6 tubes, so expect a deeper quality to the amp if you have used the Princeton or the Deluxe prior to this. The mids knob allows you to bring in high mids, and not the darker, nasal mids of a tweed. You can get the tweed tone (or close) by experimenting with high volume and bass, almost no treble, and mids to taste. The bright switch on mine is relatively subtle, but I leave it off when using pedals, as I feel they interact better with the cap off. Your mileage will probably vary though. Finally, contrary to popular belief, I think the more powerful, room-filling amps are the best practice amps. They sound awesome and full at low volume,. My 4-10 Super and 2×15 Bandmaster sound amazing at low volume (were talking even 75 dbls in the room here), and so does the Custom Pro. Fender, you listened to players, and you nailed it with this totally usable, portable, plug and play amp.Craig S.
I once owned a Fender Vibrolux and sold it and regretted it almost immediately. I tried a few boutique amps and a modeler but missed that warm chimey sound that my Vibrolux used to get. I went to GC to buy a new VL but decided to try the '68 Custom Pro and WOW! This thing sings! It has that same warm, chimey sound but has a beautiful breakup IF you have the chance to push it. I say IF because this bad boy gets LOUD! It is 40W but seems more powerful. I hooked up an attenuator so that I could really push those tubes without my wife filing for divorce. This is MY amp now. I love it!Derek
My original review was in depth and compared it to my SF Champ and Princeton Reverb. I still like the amp, but wish it didn't have the PC board, more for the repair capability down the line than any impact on sound. I did swap out the speaker. The poor Celestion 10-30 doesn't get much love among some people, then again it's not a $100 Celestion. It is what it is; I don't "dislike" the speaker, but wanted to see if I could eke out any improvements with a swap. Anyway, I thought I'd try a different speaker and went for the WGS Veteran 10. There's not a lot of 4 ohm 10" guitar speakers out there and luckily WGS does offer some 4 ohm options. I hooked the speakers to an old DOD A/B box so I could immediately switch back and forth. I found the WGS Veteran 10 to my liking over the Celestion, but j-u-s-t barely. Top end,low end and volume were about the same on both to my ears. Where I perceived a slight difference was in the midrange, where the WGS Veteran 10 seemed to have a bit more clarity, and after all, the guitar lives in the midrange for the most part. When I cranked it up to "10" though, I definitely preferred the Celestion, which had more clarity; the WGS 10 seemed a bit dark and muddy. To my ears the Celestion 10-30 handled the full out distortion better. Then again, sound is very subjective. Was the WGS 10 a "big" improvement? To my ears no; I could live with the Celestion 10-30. And if I was gonna dime the controls and go for that bluesy grind I'd keep the Celestion in there. But for the lower volume clean sounds I favor I'll go with the WGS 10 for now. Bottom line, in my opinion and to my ears, the Celestion 10-30 is a pretty good match for the amp, but feel free to experiment like I did. After playing it for a while I'm not bothered by the lack of a spring reverb, the digital HALL emulation works fine for me.
14. Fender G-Dec Guitar Amplifier
Product Details:
Fender amp 30 watt 8 ohms delivering a powerful sound. an amp perfect for the solo musician looking to jam out at home or build their foundation, the fender g-dec provides amps, effects, and loops that are perfect for every player. create loops and jam along with mp3s as well as connect to external speakers, this amp is made to jam! speaker is in good condition including original box. never gigged smoke free home part of my personal connection.i have a quick lock amp stand for it if interested. obo no low ballers please.
Specifications:
Reviews:
Drop in an SD card with your favorite jam tracks or use the ones that are on board, and play away! This amp will not complain because you can't keep time, can't remember which key your in or insult you because you just can't keep up with the big boys! Sad to say though, Fender has discontinued this really versatile amplifier.the_laymans-layman
Another ebayer correctly pointed out that 50 wats is the power consumption, not the power output. The maximum wattage of any G-DEC amp is 30 watts. Furthermore, the description says this is a G-DEC 3 Thirty amp. If the photo is of the actual product, this clearly is NOT a G-DEC 3 Thirty amp, but is an earlier version of the G-DEC series. G-DEC 3 Thirty has an SD card slot and does not have MIDI inputs as this one has. Be careful before you bid.tiburonjjc
Sorry I took so long to make a review. I was too busy setting up a show after immediately realizing the potential of this machine. No Wonder that they took it off the market; IT DOES EVERYTHING YOU NEED, PERIOD !!! SOUND – A+, CONNECTIVITY – A+, CUSTOMIZABLE – A++, RELIABILITY – A+. I play a Godin Session Tripleplay (midi-wireless). I assign my midi to the L/R outs and guitar analog to amp speaker. IF you know EFFECTS – you can dial in some surprisingly great tone and sound. Can't wait to buy 2-3 more. Seriously. Outside of a Fender Deluxe 65', I will never own any other amps.edwardsweb
15. Fender Tone Master Princeton Reverb Guitar Combo Amp
Product Details:
The tone master princeton reverb is the latest addition to fender's acclaimed series of legendary amplifiers. using fender's proprietary tone master modeling process the tone master princeton is a perfect replication of the legendary tube amplifier. with player-centric features and modern conveniences it's sure to appeal to today's most demanding professionals. the tone master princeton reverb is versatile enough to go from the bedroom to the recording studio to the gig with the great sound and authentic vintage vibe that fender players know and love. it delivers classic fender tone, reverb and tremolo; and it's the perfect size for guitarists who want a moderately powered amplifier for any situation. additional rear-panel features deliver modern convenience and flexibility – including an output power selector for full power and five attenuated settings, balanced xlr line output with impulse response (ir) cabinet simulations captured with shure sm57 and royer r-121 microphones, mute switch for silent stage or recording use, usb port for firmware upgrades, and more.
Specifications:
| CONTROL PANEL | Volume, Treble, Bass, Reverb, Speed, Intensity |
| INPUTS | Two – (1/4", Input 2 operates at -6dB) |
| CHANNELS | One |
| EFFECTS | Reverb, Tremolo |
| CONNECTIVITY | USB For Firmware Updates |
| CONNECTION TYPE | 1/4" |
| VOLTAGE | 120V |
| WATTAGE | 12 Watts (Simulated) |
| CONTROL KNOBS | Vintage-Style Skirted Black Plastic |
| AMPLIFIER COVERING | Black Textured Vinyl |
| CABINET MATERIAL | Lightweight Solid Pine |
| GRILLE CLOTH | Silver-Strand |
| HANDLE | Molded Plastic Strap with Nickel-Plated Caps |
| AMPLIFIER JEWEL | Red (Power), Red/Amber (Warmup), Amber (Mute) |
| FRONT PANEL | Black |
| REVERB TANK | DSP |
| REVERB TANK TYPE | DSP |
| SPEAKERS | One – 10" Jensen C10R with Ceramic Magnet |
| TOTAL IMPEDANCE | 8 ohms |
| FOOTSWITCH | 2-Button Footswitch Included |
16. Used Fender Princeton Chorus Solid State Guitar Amp
17. Fender Princeton 650 Guitar Combo Amp
Product Details:
18. Fender Princeton 65 Dsp Guitar Combo Amp
19. Fender '65 Princeton Reverb 1×10" 15-Watt Tube Combo Amp
Product Details:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
20. Fender '65 Princeton Reverb Combo Amp – Black – Floor Model
Product Details:
Get a historically significant amp used on countless hit songs for decades – the fender '65 princeton reverb combo amp – the reissue fender '65 princeton reverb is easily versatile enough to go from the living room to the recording studio to the small gig. it has the vintage vibe that fender die-hards know and love, but the 12-watt fender '65 princeton reverb isn't only for those who played them 30 or 40 years ago – it's for anybody who demands top-notch tube tone, naturally dynamic clean and overdriven tones, and unmistakable long-spring fender reverb and tube vibrato. – tube circuitrysimply put, there's really nothing quite like the pure, powerful sound of a fender tube amplifier. for decades, the tonal richness and touch-sensitive dynamics of real tubes have given fender amps a defining and unmistakable voice, as heard on most professional recordings and performances of the past 60 years-the music you've known your whole life. – spring reverbamong their many fine sonic attributes, fender guitar amps like this one are prized in particular for their luscious spring reverb. for that wet, shimmering ambient sound ranging from subtle to cavernous, fender lets you dial it in exactly to taste. – tremolorich, pulsating tremolo in any shade from subtle to stupendous is simply part of fender's guitar-amp dna. always has been and always will be. – classic blackface toneheard on countless recordings, this is the fantastic sparkling-clean sound, warm breakup when pushed, and cavernous reverb of fender's famous –"blackface–" amps of the early 1960s and subsequent decades, prized by guitarists everywhere. – assembled in the u.s.a.just like the great fender guitar amps of the 1950s and '60s that founded our amp legacy and defined the essence of pure tone and power, this amplifier is assembled in the united states. – jensen speakerjensen and fender go way back-to the very beginning, in fact. jensen speakers are the traditional fender speakers, with sweet articulation for clean sounds and cool vintage-style breakup when pushed.
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
