Les Paul Special Guitar For Sale (2024 Update)

First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt

So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa

This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike

Overall: I've been a guitarist since the late 80's, but I no longer play professionally, but I do play at home a lot. I've sold off most of my Gibsons (I held on to my '19 Les Paul Traditional) and I'm having a blast with these new Epi models. Everyone is raving about the Standard and the '59 models, and rightfully so. I own both, as well as a new Custom Silverburst and they're all great. This Classic is no exception. It actually arrived needing the least amount of setup work of all the others. The Alnico Classic Pros are brighter and a bit hotter than the Probuckers, but they're not at all harsh. The electronics work as expected, the neck pickup sounds sweet when split and the Phase feature sounds good with some moderate gain. The nut was cut extremely well and the frets don't need really much dressing. The neck is a little slimmer than what I'm used to, but it's easy adapting. The fretboard is a bit dry, but that's normal. Actually, these new Epiphone models all arrived in better condition than most of my Gibsons did in the past. The new Epiphone models are players guitars. Not wall art or collector's (cork sniffers) guitars, I wouldn't hesitate to take any of them to a gig and have fun with them. That's the whole point, right? I just wish they had made import guitars of this quality when I first started playing.Uriah

Out of the box and tuned, this guitar was completely unplayable with the neck so bent that pressing the strings at anywhere beyond the 8th fret fouled the frets higher up the neck, this also meant the action (measured at the 12th fret) was over 6mm. Fortunately I’ve a good understanding of how to set-up a guitar so adjusted the neck to have minimal relief with the truss rod – as a point of interest there was no truss rod allen key in the box, so just as well that I have my own tools. Once the action was set to my preferred settings (and by no means not as low as many like it) I had loads of fret buzz all over the place. So resetting the neck flat and using a ‘fret rocker’ I found 17 of the 22 frets (at various points across the neck) in need of remedial work to get them level. However as the guitar was new I decided initially to just add a bit more neck relief & set the action a shade higher, while I decided if I should just send it back or spending some hours sorting the frets in the near future? There are some positive points! I really liked the ‘worn’ (satin) finish although I feel there should have been a higher discount over the gloss finished versions as this must have saved loads of time during the finishing process. The Alnico Classic PRO pickups sound powerful with loads of variation between the neck and bridge and support coil-splitting. With the coils split option, with push/pull volume pots, there is (as expected) a significant drop in output but they do sound good, verging on P90 territory, rather than Strat/Tele sound ‘alikes’. One of the areas that lower cost guitars usually fail on is the quality of the tuners, here they have fitted Grover Rotomatics with an 18:1 ratio. They are smooth and easy to operate with the large kidney button heads, holding tune very well. The nut, a Graph Tech, was superbly cut, but unfortunately this was completely wasted with the poor quality of fret levelling from the factory as several of the strings would buzz when played open when set at a reasonably low action! The trapezoid neck inlays are very well fitted and although acrylic, do a very good impersonation of mother of pearl. Visually the guitar look stunning with its unusual colour and matt (worn) finish, but I do find the inclusion of gold knobs a bit of a clash with the all Nickel hardware and at the back cream control plate covers just don’t look right and should have been black. But both of these last two issues are a really cheap to resolve at about £12 for both black cover plates and 4 clear knobs. Overall both positives & negatives to consider and if I’d been unable to adjust the guitar myself, there would have been no option but to just send it back for a refund/replacement (hence 3 stars which I think is quite generous) as it is I’ll be keeping this. If I could have bought this locally it would have been great to try before I bought, but my local Epiphone dealer (90 mile round trip) didn’t have any in stock and was unlikely to get one, so I went the mail order route. The guitar is now playing well and will be even better when I get the time to sort out the frets and put a set of 9-42 gauge strings on.Paul

This guitar is absolutely stunning. At about $450 the Epiphone Les Paul Special certainly hits its price point without question. This is the 2nd time I bought this guitar, but I couldn't resist buying this again. I'll start with the cons first, that I noticed applied to both Special's I've owned.. The poly finish is thick. The combination of the "tv yellow" color and the thick polyurethane sort of gives a toy like feeling, or a bit of a cheapness to it.. Speaking of "tv yellow," it's really more of a Dijon mustard/ Carmel color. I don't think that's a bad thing or ugly by any means, but as other reviewers may have stated, the Epiphone isn't quite as accurate to its high end counterpart. The pickup routes and control cavity were also a little bit choppy, but that's just nit picking. If you buy this guitar, you will most likely need a setup. 2nd time around, I knew that going in but both guitars I bought needed set ups. That being said, this guitar is awesome. Surprisingly the laurel fingerboard was really smooth and moist. I do not sense bad or tall frets, but are scratchy at first. The P90 pros are so good. The CTS pots are so dynamic. The volume and tone sweeps combined with these P90 pros are so dynamic and touch sensitive, that they can hang with the best of em. The guitar resonates so well and plays both clean and crunchy top notch. Punchy and warm…Absolute quality electronics. I haven't found a bad tone in any position. If your used to playing your guitars with everything at 10, this guitar with inspire you to play around with all the tonal possibilities by simply rolling in & out your pots. The neck on this is fat, and so nice but not absurd. I highly recommend it. For the price, you can't go wrong and will love the tones, just plan on getting a setup and you will absolutely love this guitar.Zac F

My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay

I'm reviewing the gold top model. I own a lot of guitars but I didn't have a gold top Les Paul and always wanted one. This is an amazing guitar for the price! Fit and finish are perfect. It sounds and plays great. I love it. Note, always put a new set of strings on a guitar that comes with strings on it. It's a simple fix for a lot of problems you thought you had, but don't. Who knows how long they've been on or what brand they are. Now, the details. Frets were perfectly level, no sharp ends. Slight amount of oxidization. I polished the crowns and ends with Micro-Mesh pads. I used 6000>8000>12,000 grit pads. I wasn't taking metal off, just polishing them to a jewelery finish. Really makes bends and vibrato silky and smooth. I do that to all my guitars. I like the Indian laurel fingerboard. It's a good alternative to rosewood. I cleaned it with alcohol, then applied a very light amount of fingerboard oil/conditioner. Let it sit a few minutes then wiped it dry. It has a beautiful look and feel now. As for setup, the only thing that was set correctly was the intonation. So I lowered the bridge to the (low) action I like, and it was pretty clean, a little buzz on the upper frets. The neck was trussed completely flat, so I loosened the truss rod about 1/4 turn and that gave it the right amount of relief. No more buzz. Next, I filed the nut slots slightly wider and deeper. Action was too high off the nut. I use XL strings (9-42) and the slots were even too tight for them! That was the only real glaring problem on this guitar. Tight nut slots cause tuning issues and your average customer isn't going to have the tools or skills to fix that. I have a set of precision nut slotting files and feeler gauges to cut them to the proper depth. Man, that was the magic touch. The action is amazing now, all the way up the neck. No problems with tuning stability. And that's all I needed to do. It plays like a dream. I thought I would need to swap out the pickups but I like these. I'm old and play mostly classic rock, and these sound just right for the Les Pauls of that era. I get that sound that Gary Richrath (REO Speedwagon), early Joe Walsh, Duane Allman, Dicky Betts, Joe Perry, Page, Billy G, had in the late 60's – 70's. I ran it through a Goat distortion simulator and got Tom Scholtz Boston sound perfectly. It was actually better than another LP I have with DiMarzio super distortion pups. Easier to control the overdrive. All in all, Epiphone has really raised their bar. If you have typical electric guitar setup skills, you'll make this a sweet playing guitar. If you don't, it's worth it to find someone who does. Just a few minor adjustments and you'll have a fine axe to play.Rich

What a brilliant guitar and superb value package! I have owned ‘real’ Gibsons over the years and bought this outfit as a birthday gift for my granddaughter who is learning to play. She has had a fender acoustic for a couple of years and now wants her own electric guitar. I chose this outfit as having previously owned one in the past I like Epiphone guitars. Before giving it to her I thought it best to check it over and set it up but there was nothing to do really, after tuning this guitar was perfectly playable right out the box! The feel, balance and weight is very like my Gibson and the sound is superb. The amp is excellent and packs enough punch to put a smile on your face too. She’s delighted with the built in tuner as well as the other essentials included in the outfit. What’s not to like? I can’t find a better value package!W O.

My original review still stands, but I made cosmetic-only upgrades for less than an average couple's meal at a casual restaurant that makes this look much, much more expensive. No tuner, pickup or pot swaps. Replaced black plastic parts with cream, added cream pickguard, replaced chrome tuner knobs with Klausen-style ivory-look knobs. Installed chrome pickup covers. Replaced speed knobs with gold top-hats.Easily done to make this look like a proper Les Paul. I'm happy with the looks for the little extra money spent.Steve

As the song says: "I'm a Sucker for a Cheap Guitar". I own over 30 – some cheap, some not so cheap. This one arrived perfectly set up: low action, no buzzing, no sharp fret edges, easy to play – amazing for a guitar in this price range. Although not great, the pickups even sounded acceptable. It's heavy, which to me means good, though not as heavy as my Gibson. It's OK-looking, but needed something to enhance it – a pickguard. I added one and it looks much better – more expensive. Instead of cutting off part of the guard to accommodate the knob as I've seen some others do, I drilled a hole big enough for the nut on the body underneath the knob to fit through the guard (see photos). Since the guard isn't much thicker than the nut, it allowed the guard to fit flush with the body and the knob to turn without any restriction of motion, and the pickguard is not butchered. It's a very clean look – like it came that way – not modified. So, I am pleased with this instrument, and would recommend it to anyone for any purpose: especially beginners to play or someone like me who just collects cheap guitars to hang on the wall of their studiio.Steve

Ok I felt the need to jump in here after reading some just off reviews about this guitar after purchasing mine. 1. Go to literally any guitar shop and play 5 of the same guitar and each one will play and sound slightly different with various levels of quality control which comes with any manufacturing environment. If you purchased one of these blind and did not play and examine it in store and got a lemon that's on you. Also the one dude that said these are repainted are simply false. Check out Trogly's show you Youtube where he does a full review of both Raven's. 2. Since it's release I'm lucky to have a few GC in my geographic area that I check out when I can. I played LP Studio's, Tribute's, SGs, and tone wise this one won all. These ceramic pickups are a step up from anything in the 1-2k price range in the Gibson line if you like to play overdriven and loud. Cleaned up they sound good but make no mistake this thing is built to roar. 3. STOP hating on Richlite. I simply don't get it. If you apply this same principle on materials guitar nerds are saying man that plane in 1930 flew beautiful so the materials used then are the ONLY materials we can use to build planes today. Pretty silly huh? Technology should advance to build better, more sustainable instruments. The fretboard feels great and the fret word is very good. But read I played many many over the past few months before I finally pulled the trigger. 4. One thing that gets an at mention but I think deserves some additional props is the fact that it's a mahogany body AND neck and it's a true solid body with no weight relief. It definitely adds extra ompf. 5. To wrap up, it's an awesome guitar and mine is well finished, set up, and assembled (including wiring). Do your homework, play a lot of rigs, and know what to look for in quality control and finish.Ryan

If I could give 0 stars, I would. I received this guitar new and it is, without a doubt, the worst $1100+ guitar available anywhere on the market. There is NO WAY this should have ever left the factory and ended up as my problem, but I'm not surprised considering Gibson's so called QC and "customer service". And don't expect them to care about your "cheap" guitar (quote from Gibson "customer service".) Just look at the pics- paint missing so you can see the bare wood underneath (not red underneath like the other reviewer said, just brown), scratches and scuffs and grey paint all over the neck and headstock, a bunch of the greying out over the dots was sanded off down to white, scuffs and what looks like grey paint all over the tuners, bridge pickup was a mess (the edge looked all chewed up and the tape was higher than the top edge of the pickup, it was also as low as it could possibly go), even the "baby pic" of the guitar that was included was a joke (washed out, borders on 2 sides, a dirty rag prominently displayed). I could go on, but you get the point. Gibson and Guitar Center should be ashamed of selling garbage like this, but of course, they are not.Eric

I have always enjoyed the tones of the 496R/500T pickup combination but they are hard to come by these days. My LP Traditional has a Duncan Distortion in the bridge but sounds nothing like this one. I already have an LP Special with the 490's in them and I'll grant that they are better for clean stuff, but these pickups have that gnarly, saturated gain tone that some us cherish. She plays like a dream as well. This guitar also comes with an excellent soft case (unlike the chintzy gig bag of my other Special) and a stop bar tail piece, rather than the wraparound bridge. I have had the Richlite fingerboard on higher-end Gibsons and have no complaints with that either. It looks a bit like ebony, but perhaps a bit warmer sounding. Oh, and please enough about the finish wearing quickly. ALL of the tributes do that. Some call them battle scars as it happens on high gloss nitro as well if played long enough. First they get shiny as your playing rubs on the top coat and then they can wear through. Would you rather have a polyester finish that feels like a plastic hard coat and muffles the tone? So… here is an American-made Gibson with a nice case for about a grand? Grab one while you can!Franco

I got the yellow one for about $50 less than the red and black ones. I am assuming it is because the color is not popular, but I love it. It is a satin, very similar to my Gibson Melody Maker. As a matter if fact, the guitar itself is a lot like my MM. The size, weight and feel of it and it was a lot less $$. Sure this is a bolt on neck, but I have found that doesn't really make that much of a difference. To ME…. Even though I have been playing guitar for about 40 years, I have never played a P-90 guitar. That is why I picked this up. I like the tone. I am playing around with it quite a bit. It won't replace any of my other guitars, but it is a nice addition.Gene S

After reading the reviews, I went ahead and popped for one of these. Mine needed some setup work. They were 2 high frets that needed to be tapped into place and a neck adjustment. Pretty typical for a brand new guitar. Now for the guitar itself … WOW! This thing sings. NECK: very fast action neck with real Les Paul Deluxe (circa 1970's) style frets make it easy to bend strings. I'll be putting my personal string configuration on it, but the OOTB strings are just fine. SOUND: The combination of the two P90 pickups PLUS the flexibility of the tone control let you get a wide range of sound. I'm playing through a 1973 era MusicMan 112RD 100 and this guitar makes it sound like a Marchall 50. SUSTAIN: I guess this proves that you don't need a 50LB piece of lumber and $1000 to get awesome sustain. Whatever tonewood they are using on these, coupled with the electronics, man this baby sings. TUNERS: Not bad, not great. You need to stretch the strings out, like any new setup. The stock strings did stretch quite a bit and after stretching it stayed in tune nicely, prior to that they went out of tune about every 5 seconds. NUT AND BRIDGE: Nut was properly set and at the right height. It "could come down a smidgen on the 6th and 5th strings, but the adjustment would be so slight as to not be noticeable in real world playing. The bridge also needed to be lowered a bit. That is easily done. Intonation was perfect all the way up and down the neck. As this is critical it's especially important to note that the bridge is a non-adjustable compensating saddle arrangement that has been around since the "time before time" (Planet of the Apes) FINAL COMMENTS: After playing this for about an hour, I realized that these guitar may be discontinued models. I tried to find it on the Epiphone website, no luck. Then I got to thinking that GC could either sell out or the price could go up, so I rushed over to GC and ordered a second one. They are THAT good! I am curious as to what the warranty is, I haven't checked the paperwork that came with the guitar. I doubt I'll have any use for it.E

First of all, it's 2020. Epiphone appears to have improved quality control over previous GC reviews. Just got it out of the box. It needed tuning, but strings are purposely tuned low for shipping reasons. Tuners are perfectly fine. No particular fret buzz. Neck is straight and true. Nut is plastic, but appears fine. Volume and Tone controls & switch work fine. Strap bolts are sturdy. Installed strings are clean, but I'll put a fresh set on in the near future. Frets ends are sharp, and will need to be filed at some point. While the bridge works, it's an "all-or-nothing" bridge. No individual control string adjustment. Just two flat-head screwdriver knobs on the 1st and 6th string. The guitar is feather-weight; a major reason I got it. And the cheap price, as I want something I can carry in public without worrying about getting busted or stolen. No hum or noise when plugged in. I play straight-ahead jazz, so I'm not the best critic on pickups. I actually want a boxy, dead sound. However, I get a good blues tone when I dial in a Blues effect on my stomp box. All by itself without any effects, it sounds great. Got TV yellow rather than red. I had to order yellow, although there were plenty of reds in the store. I suspect you'll prefer red. Yellow shouts at you, but I wanted the "vintage" color. Two mods in the future — a new bridge and filing fret ends. However, the bridge works fine as-is. But you can't control individual string height at the bridge. Bottom line — considering the price, it's a steal !! I've been playing for decades. It does an excellent job as an affordable jazz-box I can carry without worries.Jazzy

This is my first Gibson guitar purchase. I waited over 5 months for this guitar to arrive. I've had it for a few days now and I'm trying to process how this guitar passed Gibson Quality Assurance. The guitar for the most part sounds amazing, plays pretty good, despite action being higher than I expected. However, the reason for the low rating is craftsmanship is poor, the finish on the back of the guitar is different than what's advertised, and I didn't get the case it was supposed to come with. The fretboard has glue stains all over it, which I know is something that can be cleaned up. But what's most disturbing are the dents on the fretboard and these two hole punches on the 11th fret. I don't even think Epiphones are this bad. The top looks amazing otherwise and the guitar sounds great. I've made inquiries to Musicians Friend, twice. I was promised to receive a call from someone in the Private Reserve department or a supervisor. No one has called back. So I took matters into my own hands and called Gibson. They told me to email photos and they would make an exception to cover shipping costs back to them(thank you, Gibson!). However after I emailed Gibson, I never heard anything back and I'm not sure how they're going to fix the holes on the fretboard. This doesn't seem like something that's fixable. For spending this kind of money, I expected so much better from both parties. If I wanted a used Gibson with a mismatched case, I would've bought one for much less. It's very disturbing nobody from Musicians Friend is taking this matter seriously given the amount of money I've spent on this guitar. Anyone considering purchasing any instrument from Musicians Friend, especially one that is high end, I strongly suggest shopping elsewhere. They don't stand by the products they sell. I'm still holding out hope Gibson is gonna take care of this issue and make this right. Thank you, Musicians Friend for being my "friend" and advocating for me. (sarcasm)gofarkid

Overall: In a word: ******* amazing. No matter the price, you would think a guitar sitting in a warehouse for any length of time would need a setup. Not with this Wine Red Les Paul Custom! The only caveat is it was completely out of tune (to be expected); a little "nut sauce" and it was good as gold. And that lacquer smell still haunts my house! Well worth it…Mere words are not enough to describe the sound and the power with this guitar. It blows away my 2014 Traditional (a nice guitar in its own right); it is not even a comparison. The neck is so much easier to play. Fit and finish are flawless. In closing: save your money, eat Ramen noodles for a year if you must, wear your hole-in-the-crotch jeans for as long as necessary and BUY THIS GUITAR!Jeff

What a brilliant guitar and superb value package! I have owned ‘real’ Gibsons over the years and bought this outfit as a birthday gift for my granddaughter who is learning to play. She has had a fender acoustic for a couple of years and now wants her own electric guitar. I chose this outfit as having previously owned one in the past I like Epiphone guitars. Before giving it to her I thought it best to check it over and set it up but there was nothing to do really, after tuning this guitar was perfectly playable right out the box! The feel, balance and weight is very like my Gibson and the sound is superb. The amp is excellent and packs enough punch to put a smile on your face too. She’s delighted with the built in tuner as well as the other essentials included in the outfit. What’s not to like? I can’t find a better value package!W O.

My original review still stands, but I made cosmetic-only upgrades for less than an average couple's meal at a casual restaurant that makes this look much, much more expensive. No tuner, pickup or pot swaps. Replaced black plastic parts with cream, added cream pickguard, replaced chrome tuner knobs with Klausen-style ivory-look knobs. Installed chrome pickup covers. Replaced speed knobs with gold top-hats.Easily done to make this look like a proper Les Paul. I'm happy with the looks for the little extra money spent.Steve

As the song says: "I'm a Sucker for a Cheap Guitar". I own over 30 – some cheap, some not so cheap. This one arrived perfectly set up: low action, no buzzing, no sharp fret edges, easy to play – amazing for a guitar in this price range. Although not great, the pickups even sounded acceptable. It's heavy, which to me means good, though not as heavy as my Gibson. It's OK-looking, but needed something to enhance it – a pickguard. I added one and it looks much better – more expensive. Instead of cutting off part of the guard to accommodate the knob as I've seen some others do, I drilled a hole big enough for the nut on the body underneath the knob to fit through the guard (see photos). Since the guard isn't much thicker than the nut, it allowed the guard to fit flush with the body and the knob to turn without any restriction of motion, and the pickguard is not butchered. It's a very clean look – like it came that way – not modified. So, I am pleased with this instrument, and would recommend it to anyone for any purpose: especially beginners to play or someone like me who just collects cheap guitars to hang on the wall of their studiio.Steve

Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad

What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon

First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt

So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa

This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike

What a brilliant guitar and superb value package! I have owned ‘real’ Gibsons over the years and bought this outfit as a birthday gift for my granddaughter who is learning to play. She has had a fender acoustic for a couple of years and now wants her own electric guitar. I chose this outfit as having previously owned one in the past I like Epiphone guitars. Before giving it to her I thought it best to check it over and set it up but there was nothing to do really, after tuning this guitar was perfectly playable right out the box! The feel, balance and weight is very like my Gibson and the sound is superb. The amp is excellent and packs enough punch to put a smile on your face too. She’s delighted with the built in tuner as well as the other essentials included in the outfit. What’s not to like? I can’t find a better value package!W O.

My original review still stands, but I made cosmetic-only upgrades for less than an average couple's meal at a casual restaurant that makes this look much, much more expensive. No tuner, pickup or pot swaps. Replaced black plastic parts with cream, added cream pickguard, replaced chrome tuner knobs with Klausen-style ivory-look knobs. Installed chrome pickup covers. Replaced speed knobs with gold top-hats.Easily done to make this look like a proper Les Paul. I'm happy with the looks for the little extra money spent.Steve

As the song says: "I'm a Sucker for a Cheap Guitar". I own over 30 – some cheap, some not so cheap. This one arrived perfectly set up: low action, no buzzing, no sharp fret edges, easy to play – amazing for a guitar in this price range. Although not great, the pickups even sounded acceptable. It's heavy, which to me means good, though not as heavy as my Gibson. It's OK-looking, but needed something to enhance it – a pickguard. I added one and it looks much better – more expensive. Instead of cutting off part of the guard to accommodate the knob as I've seen some others do, I drilled a hole big enough for the nut on the body underneath the knob to fit through the guard (see photos). Since the guard isn't much thicker than the nut, it allowed the guard to fit flush with the body and the knob to turn without any restriction of motion, and the pickguard is not butchered. It's a very clean look – like it came that way – not modified. So, I am pleased with this instrument, and would recommend it to anyone for any purpose: especially beginners to play or someone like me who just collects cheap guitars to hang on the wall of their studiio.Steve

My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay

I'm reviewing the gold top model. I own a lot of guitars but I didn't have a gold top Les Paul and always wanted one. This is an amazing guitar for the price! Fit and finish are perfect. It sounds and plays great. I love it. Note, always put a new set of strings on a guitar that comes with strings on it. It's a simple fix for a lot of problems you thought you had, but don't. Who knows how long they've been on or what brand they are. Now, the details. Frets were perfectly level, no sharp ends. Slight amount of oxidization. I polished the crowns and ends with Micro-Mesh pads. I used 6000>8000>12,000 grit pads. I wasn't taking metal off, just polishing them to a jewelery finish. Really makes bends and vibrato silky and smooth. I do that to all my guitars. I like the Indian laurel fingerboard. It's a good alternative to rosewood. I cleaned it with alcohol, then applied a very light amount of fingerboard oil/conditioner. Let it sit a few minutes then wiped it dry. It has a beautiful look and feel now. As for setup, the only thing that was set correctly was the intonation. So I lowered the bridge to the (low) action I like, and it was pretty clean, a little buzz on the upper frets. The neck was trussed completely flat, so I loosened the truss rod about 1/4 turn and that gave it the right amount of relief. No more buzz. Next, I filed the nut slots slightly wider and deeper. Action was too high off the nut. I use XL strings (9-42) and the slots were even too tight for them! That was the only real glaring problem on this guitar. Tight nut slots cause tuning issues and your average customer isn't going to have the tools or skills to fix that. I have a set of precision nut slotting files and feeler gauges to cut them to the proper depth. Man, that was the magic touch. The action is amazing now, all the way up the neck. No problems with tuning stability. And that's all I needed to do. It plays like a dream. I thought I would need to swap out the pickups but I like these. I'm old and play mostly classic rock, and these sound just right for the Les Pauls of that era. I get that sound that Gary Richrath (REO Speedwagon), early Joe Walsh, Duane Allman, Dicky Betts, Joe Perry, Page, Billy G, had in the late 60's – 70's. I ran it through a Goat distortion simulator and got Tom Scholtz Boston sound perfectly. It was actually better than another LP I have with DiMarzio super distortion pups. Easier to control the overdrive. All in all, Epiphone has really raised their bar. If you have typical electric guitar setup skills, you'll make this a sweet playing guitar. If you don't, it's worth it to find someone who does. Just a few minor adjustments and you'll have a fine axe to play.Rich