Are you looking for the Maestro Gibson Electric Guitar? If so, you’ve come to the right place.
Choosing the Maestro Gibson Electric Guitar can be difficult as there are so many considerations, such as Gibson, Epiphone. We have done a lot of research to find the top 20 Maestro Gibson Electric Guitar available.
The average cost is $2712.54. Sold comparable range in price from a low of $79.99 to a high of $9399.00.
Based on the research we did, we think Gibson Maestro Double Cutaway Electric Guitar Pack, Red is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Maestro Gibson Electric Guitar (20 Sellers)
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$99.99
3.9
Reviewers Noted:
Good sound quality . Well made . Durability . Visual appeal . Weight
Features:
- The weight is 6 lbs.. color
- This guitar comes in a sleek red color. maestro by gibson double cutaway (sg style) electric red guitar kit
$1879.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Item: gbsg61vfooaynh1
- Serial # 225820141
- Weight 7lbs 3oz
$5499.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Purchased last year, from a collector's estate. original receipt included. these go new for $5.5k.
- Weight is 7.95 lbs.
- 64 sg standard reissue main features.
$2039.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Lightweight . Well made
Features:
- Super clean!
- Excellent shape and plays like a dream.
- Ohsc and case candy!
$599.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Sharp guitar at a sharp price
- Lots of rocking 60's paf sound
- Full mahogany body and neck
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- In almost new condition.
- No scratches, no wear.
- Comes with humbucker covers and pointers.
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$2399.00$2049.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Compound radiussatin finish
- Includes gibson hardshell case, leather strap, truss rod adjustment tool & manuals-see picturescolor: satin iced tea
- Condition: near mint (please note that the switch tip and one of the volume knobs are missing- see pictures)
$1444.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- A stage and studio workhorse
- Ultra-modern weight-relieved body allows for longer sets and sessions
- Mahogany slimtaper neck plays like a 60s favorite
$6699.00
5.0
Reviewers Noted:
Visual appeal
Features:
- Discoloration at the back of the neck from being hung.
- Discoloration on the horns from, i'm guessing, the red of the case.
- Finish cracks in a few spots.
$79.99
4.4
Reviewers Noted:
Good sound quality . Well made . Durability . Visual appeal . Weight
Features:
- Full-size body with set neck
- Rosewood fingerboard & steel strings
- Die-cast tuners
$2399.00$1918.61
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- This throwback model features vintage '61 gibson sg build, maestro vibrola tailpiece on top of great specs, and burstbucker '61 pickups. this guitar is for the player who loves classic…
$1999.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- This throwback model features vintage '61 gibson sg build, maestro vibrola tailpiece on top of great specs, and burstbucker '61 pickups. this guitar is for the player who loves classic…
$4399.20
4.6
Reviewers Noted:
Attractive . Good sound quality . Durability . Lightweight . Craftsmanship
Features:
- When the flying v debuted in 1958, it was ahead of its time — about nine years ahead, to be exact. popular demand helped shape gibson's decision to reintroduce it…
$799.99
4.7
Reviewers Noted:
Attractive . Good sound quality . Weight . Well made . Durability
Features:
- 6 string – right handed…
$5600.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- Sometimes you have a guitar that just fills you with happiness from the moment with you set your eyes on it. this is one of those guitars. featuring all period…
$84.99
Features:
- Maestro electric guitars 6-string…
$5699.00
3.9
Reviewers Noted:
Sound quality . Visual appeal . Lightweight . Durable . Craftsmanship
Features:
- Gibson custom shop's 1963 firebird v is a masterwork in every sense of the word. this firebird recreates the offset classic with an authentic nitro lacquer vos finish and a…
$9399.00
3.9
Reviewers Noted:
Sound quality . Visual appeal . Lightweight . Durable . Craftsmanship
Features:
- With its offset shape, neck-through construction and scorching mini-humbuckers, the '63 firebird v became an instant classic. it features a maestro vibrola. it also features heavy aging by the skilled…
$164.99
Features:
- Maestro les paul solid body electric guitar alpine white…
1. Gibson Maestro Double Cutaway Electric Guitar Pack, Red
Product Details:
Start learning your favorite tunes right out of the box with a maestro by gibson electric guitar pack. maestro by gibson single cutaway electric guitar pack features: solid wood body, maple neck and rosewood fingerboard. humbucking pickup and diecast tuners. full size guitar with steel strings and double cutaway. includes 5 watt amp, cord, strap, strings, picks lesson, and dvd.
Specifications:
| Musical Instrument Case | Not Included |
Reviews:
I have been playing for 50 years, and have played many electric guitars, some very expensive. This guitar is an amazing value,and plays better than some of the More expensive. The pickup is adequate, and with better strings it frets well. Blow the speaker out on that little amp, after all it's basically free. plug in to a good amp and you can make it sound surprisingly good For 80 bucks, just do it!Dano
Basically, it's a good guitar. I recommend to newbies and intermediate player. The head, neck and body are good. The finish is smooth just like mirror. The amp is good working as well as pick-up. Only one thing that i had been noticed are those fret-wires sharp-edge or burrs (top & bottom). I used small pile with lightly stokes to create chamfer at the edge, it takes me a couple of minutes to do that. It's fun to play this guitar.cyriescoba-0
It's no wonder Gibson is having financial difficulties, this guitar is a prime example of why. Purchased and delivered for around $75? Are you kidding me? Delivered? Gibson's main line guitars are priced beyond value these days. The other line they own, Epiphone, now makes some higher end guitars considered Gibson's near equal, while they are practically paying me to buy this. Subtract the costs of final delivery to my door, shipping from China to US, the extras like the flimsy gig bag, strings, DVD and the adorable amp(with KICKSTAND), they probably have about $30 in this guitar as it leaves the factory. Considering that, there is no better guitar made anywhere than this beautiful but awful guitar. Beautiful finish, solid feel and… well it is pretty. After a couple hours of filing away at frets that were sharp enough to cut skin on the edges and as level as a gently rolling MOUNTAIN RANGE, a restring with better strings, setting the action, tightening tuners and bridges and trying with almost no success to intonate it, I have a guitar that plays way outside it's price range. I'd say it plays more like a $100 guitar than the $30 guitar that Gibson sent. Sadly some may stumble upon this guitar kit as a starter, a way to learn guitar. In that respect, I hope it doesn'tstymie and stifle young potential talent who may not realize that the guitar can be improved upon, as the way it came out of the box would likely do. It sounded horrible, with good reason. Loose tuning pegs and bridges not being snugged along with crappy strings and a downright dangerous fretboard will do that. On the other hand, now it looks pretty AND sounds pretty… well OK, prettier. It's not a Gibson, it's not even an Epiphone, it's a Maestro. If you want to learn how to become a luthier, this starter set rocks.vc_computing
2. Gibson Sg Standard '61 Faded Maestro Vibrola – Vintage Cherry
Product Details:
As the name implies, the gibson sg standard '61 maestro vibrola faded also adds vibrato capability. the maestro vibrola offers smooth vibrato effects and the classic styling of the lyre engraving on the tailpiece cover. standard features include a slimtaper mahogany neck and a bound rosewood fingerboard. the mahogany body features a deeply sculpted body scarfing, a 5-ply teardrop pickguard, and a 22nd-fret neck joint. the nickel-plated hardware includes an abr-1 tune-o-matic bridge and keystone tuners in addition to the maestro vibrola. the pickups are open-coil 60s burstbucker for a classic voice with added power and top end. controls feature audio taper potentiometers and orange drop capacitors. the sg standard '61 maestro vibrola faded returns to the classic design that made it relevant, played, and loved –shaping sound across generations and genres of music. it features a satin nitrocellulose lacquer finish that fives it the look and feel of a long-treasured musical companion.
Specifications:
| Body type | Double cutaway |
| Body wood | Mahogany |
| Body finish | Satin nitrocellulose lacquer |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Scale length | 24.75" |
| Neck finish | Satin nitrocellulose lacquer |
| Number of frets | 22 |
| Inlays | Acrylic trapezoid |
| Nut width/material | 1.69" (43 mm) Graph Tech |
| Configuration | HH |
| Neck | Proprietary humbucker |
| Bridge | Proprietary humbucker |
| Control layout | Volume 1, Volume 2, Tone 1, Tone 2 |
| Special electronics | Hand-wired with Orange Drop capacitors |
| Bridge type | Tremolo/Vibrato |
| Bridge design | ABR-1 Tune-O-Matic |
| Tailpiece | Maestro Vibrola |
| Tuning machines | Vintage Deluxe with keystone buttons |
| Number of strings | 6 string |
| Orientation | Right-handed |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
3. Gibson Custom Murphy Lab 1964 Sg Standard Reissue With Maestro Ultra Light Aged Electric Guitar Cherry Red
Product Details:
Gibson s sg is an undisputed rock icon. immortalized by santana at woodstock and brutalized onstage by pete townshend, the venerable sg has seen its share of front-line action. the 1964 sg standard, in particular, has been seen in the capable hands of guitar greats such as eric clapton and george harrison. everything seemed to come together for the sg in that model year. in their wisdom, gibson reverted back to the beloved girthy neck shape of late- 50s les pauls and replaced the cumbersome side-pull vibrato with the smooth and reliable maestro vibrola tailpiece. today, the sg aficionados at gino guitars are excited to present to you the gibson custom 1964 sg standard reissue ultra-light aged.
Specifications:
| Builder | Gibson Custom Shop |
| Year | 2022 |
| Body Type | Solid |
| Body Wood | 1-Piece Solid Lightweight Mahogany |
| Finish Type | Nitrocellulose Lacquer |
| Finish Color | Cherry Red |
| Aging | Murphy Lab Ultra Light Aged |
| Neck Wood | Solid Mahogany |
| Fingerboard | Indian Rosewood, Hide Glue Fit |
| Neck Carve | Authentic '64 Medium C-Shape |
| Scale Length | 24.75′′ |
| Neck Radius | 12'' |
| Frets | 22 – Authentic Medium-Jumbo |
| Nut Width | 1.69" / 42.85mm |
| Nut Material | Nylon |
| Neck Finish | Nitrocellulose Lacquer |
| Inlays | Cellulose Nitrate Trapezoid |
| Neck Pickup | Custombucker Alnico 3 (Unpotted) |
| Bridge Pickup | Custombucker Alnico 3 (Unpotted) |
| Pickguard | Black Multi-Ply |
| Bridge | ABR-1 with Maestro Vibrola |
| Tuners | Kluson Single Line, Double Ring |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
4. Gibson Sg Standard '61 Maestro Vibrola Vintage Cherry
Product Details:
This gibson sg standard '61 is in excellent condition. does have very minor scratches on top/back of body and 4 small dimple dings on the top of the body. otherwise incredibly clean for a 2013 model. fitted with the famed maestro vibrola this guitar screams 1961. two gibson burstbucker pickups send this beautiful cherry red guitar into the tone zone. vintage specs in a modern package. comes with a gibson usa hard case.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R |
| Bridge | BurstBucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Tremolo/Vibrato |
| Bridge design | ABR-1 |
| Tailpiece | Vibrola |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
What can I say! This guitar plays like it's straight from 1961. Got this from Sweetwater about 5 months ago, and I can't put this guitar down. I was fighting it for a while, then I read someone else on here switched to 9's. Wow what a difference, I turned the trusted rod 1/4 of a turn to the left, and this thing plays like butter. Thanks to Zach for helping through the process. These pickups bite like crazy, I'm 69 years old, a pro player, have several Gibson's and Fenders, and this guitar is by all means, my favorite!
My Gibson SG Maestro came via FedEx yesterday and was very well packaged by double box. The fit and finish are first class as expected. It had a very good setup right out of the box. It plays and sounds excellent as expected. No problems that a few reviewers claim but maybe they are just Nay Sayers. I have a Gretsch White Falcon and this Gibson has great tone and playability as does the Gretsch. American Musical Supply is great to work with and I would not hesitate to purchase more gear. I may consider putting one of my own Compton Bridges on it but right now I see no issue with the stock bridge it came with. I had one of the original Gibson SG guitars back in the 60's and played a lot of gigs with it. I had given it to my Son and decided to get another one.Pop's
I'm completely happy with my purchase of a Gibson 61 SG with Maestro Vibrola. The guitar arrived quickly with no issues other than a rosewood fretboard that, like on so many new Gibsons was a bit too light and grainy feeling. This was easily resolved by doing what I've done on most of my instruments with either rosewood or Laurel fretboards, I darkened it using black leather shoe dye, then finished with lemon oil. The result is a fretboard that looks and feels like vintage, dark brown Brazilian rosewood. Onto the more important things to look for. Out of the box, frets were nicely dressed and crowned, and intonation was spot on. No need to raise or lower the action. The slim neck is very fast and suits my taste. The Maestro Vibrola took a bit of tweaking and adding graphite to stay reasonably in tune, but truth be told I bought this model mainly for the vintage aesthetic. The Burstbucker pickups sound great, and the craftsmanship overall was flawless. I purchased the last one in stock which happened to be pictured on the website so there were no surprises. A beautiful grain, tight and even. I'm a happy purchaser.Reviewed by Andertons Music Co.
5. Epiphone Sg Standard 61 Maestro Vibrola Electric Guitar Vintage Cherry
Product Details:
Selling my 2019 epiphone sg maestro. this is the inspired by gibson line introduced last year and they are actually really great guitars. i am going to upgrade to a gibson sg 61 reissue so this one needs to go. this is a light sg with really great epiphone humbuckers. i forget the name of the pickup modelbut they were retooled for this guitar line. the pickups are surprisingly balanced and really well voiced for a guitar in this price range. the guitar sounds great clean and has the sg growl when pushed. it really is a great sounding guitar this guitar has the throwback larger epiphone head stock. i am including a soft fender backpack case with this guitar. any questions please let me know.
Specifications:
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Laurel |
| Fingerboard Radius | 12" |
| Number of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.693" |
| Inlays | Trapezoid |
| Joint | Glued in |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | LockTone ABR Tune-o-matic |
| Tailpiece | Maestro Vibrola |
| Pickguard | Black |
| Truss Rod | Adjustable |
| Control Knobs | Black "Top Hats" with metal inserts |
| Pickup Covers | Nickel |
| Neck Pickup | ProBucker-2 |
| Bridge Pickup | ProBucker-3 |
| Controls | 2- Volume, 2- Tone CTS electronics |
| Pickup Selector | 3-way Epiphone toggle |
| Output Jack | 1/4" |
| Strings | .10, .13, .17, .26, .36, .46 |
| Manufacturer Part Number (MPN) | EISS61MVCNH1 |
Reviews:
Overall: This is my umpteenth Epiphone custom sg guitar ive bought since the last guitar i had which was the more lower end 61 standard i bought here used last year. The caps pots and Gibson USA burstbuckers are definitely a step up in the right direction and are true to the original reissue Sg standards back in the beginning of the Gibson sg. It sounds like a 2000 dollar Gibson reissue sg but at Epiphone import prices. I intend on keeping this guitar for a lifetime and is a good backup guitar to my similarly pricef esp ltd viper 1000 deluxe i bought a year ago from a competitor in the now disconnected tiger eye finish from zZounds. Lastly i also intend on getting a real Gibson sg custom 63 version used for a discounted price. One more thing i might buy a backup les Paul sg standard by Epiphone just in case this one gets stolen or lost. Thank you Epiphone custom for stepping up your game and making better sg custom shop guitars than in the past. The black Epiphone sg custom with gold hardware is no joke either and i might another one when i get done paying for this Les Paul sg standard first fron here.Isaac
I got this guitar in sparkling burgundy and the finish is beautiful. The workmanship on this guitar is great; it feels very high quality. The fretwork is also really good, with no fret ends sticking out to cut my hands. That being said, the pickups are not very good. I initially debated purchasing the guitar since it sounded very ice-picky and thin when I played it in the store. But I decided to take a chance, knowing the return policy that GC has. I brought it home and the first thing I did was go over it completely. The fretboard was very dry. Even my wife, who doesn't play guitar, looked at it and commented on that. So removed the strings and polished the frets and cleaned/conditioned the fretboard. Then I swapped out the Alnico Classic Pro pickups, which are rather bad, and put in a set of Probucker 2/3 pickups that I had sitting around. Better strings, polished frets, and some nicer alnico 2 pickups made a huge difference. It sounds full and thick and warm, and it plays like an angel. I highly recommend it, as long as you can swap out the pickups.Robert
I've had the guitar for almost a month now & decided to do the review after I had it for a while. Quality control on this guitar was not very good. There was a chip by the 22nd fret near the upper horn that was overlooked because it has the final coating sprayed over it. There is also a scratch on the headstock at the G string tuner, it looks like someone overtightened the nut & scrated the headstock with a nut driver. Plus there is some black paint that ran into the binding on the top part of the headstock. Also there is a nick/scratch on the pickguard right below the neck pickup. The guitar plays well, and it looks good except for the imperfections I expalined earlier. I took pictures of what I complained in case someone at AMS would like to see them. I'm not sure of the return policy for guitars or if this could be returned for another guitar of the same kind I have. In the end the playability has met expectations but the quality control was far below expectations. If a representative has any questions about my review or if they want to see the pics I took, please let me know.
6. Gibson 2019 Les Paul Classic – Honeyburst
Product Details:
Top and back and neck and headstock are perfect. minor ding on side and some other blemishes on other side. take a look at the pictures. this is the 2019 with upgraded locking tuners and all splitting options the new 2019 gibson les paul classic boasts a traditional tone wood construction of a mahogany back and maple top coupled with a mahogany neck and bound rosewood fingerboard. a slim taper neck profile and 61 r and 61 t zebra pickups provide the playability and classic gibson tones from the era, 4 push-pull control assembly give a sonic variety to this complete guitar package.
Specifications:
| Finish | Ebony |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Classic |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
7. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
8. Gibson Les Paul Traditional Pro V Satin Electric Guitar Satin Iced Tea
Product Details:
Pickguard and pickup covers have pick scratches. a few minor dings on the top of the headstock. surface impression above the bridge. you've got to hold the guitar at the right angle, in the correct light, to be able to see it. light buckle rash.locking grover tuners. tradbucker pickups. internal dip switches to customize your tone. four push/pull pots for even more options. an absolute workhorse for the studio. there isn't much this one can't do. professionally uv inspected for breaks, cracks, repairs, and resprays. deep cleaned, frets polished, fingerboard oiled, and a new set of 10s installed. stored at a digitally controlled 45% humidity. 9 lbs 5.2 oz, bring your back brace. includes a gibson hard shell case.
Specifications:
| Body Type | Single cutaway |
| Top wood | Figured maple |
| Body wood | Mahogany |
| Body finish | Satin |
| Neck shape | Asymmetric |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | Compound |
| Number of frets | 22 |
| Inlays | Custom |
| Nut width/material | 1.687" (42.8 mm) |
| Configuration | HH |
| Neck | Proprietary humbucker |
| Bridge | Proprietary humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-way |
| Special electronics | Coil-split, Coil-tap, Phase switch |
| Bridge type | Fixed bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Locking vintage-style |
| Number of strings | 6 string |
| Orientation | Right-handed |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
9. Gibson Les Paul Studio – Smokehouse Burst
Product Details:
I am selling my late 2020 gibson les paul studio finished in smokehouse burst. it is a fantastic guitar and it has been set up perfectly from the factory. it has a few hairline scratches on the body but they re barely noticeable. it has an impression in the back, and some dings on the bottom of the side (photographed). it also has a little bit of hazing in the laquer on the top since its been played. it does come off with products for nitro finishes. it comes with the gibson soft case as well as all the goodies that it comes with from the factory. it also comes with the original box from the factory. the serial number for this guitar is 231600199. it s honestly the best guitar i ve owned so far and it s a great guitar to get if you want to get yourself into an inexpensive gibson.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
Not much to say about a GLP – its an amazing guitar as you'd expect and anyone can carry it and comparably price instruments. However, it's the Sweetwater service that makes the difference. Grant is great and super responsive to my questions and issues. You can tell that the people who work here play and love music. I completely trust Sweetwater with my musical instruments. I just purchased my second guitar with them yesterday and the process was fantastic. At this point, I'm only going to buy here. Even if I found an instrument at a cheaper price through one of their competitors, it wouldn't be worth the care and service you get at Sweetwater. 5-Stars guys! Customer 4-Life!
So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.
10. Gibson Custom Shop 1963 Les Paul Sg Custom Reissue W/ Maestro Vibrola Vos Classic White
Product Details:
Say hello to your inner maestro. the gibson custom 1963 les paul sg reissue maestro vibrola will take you on a whirlwind ride to the '60s. boasting the exact same design features as the first maestro vibrola from 1963, it's proud to fly the flag for outstanding vintage guitars. it contains three classic, custom humbuckers, offering a rich treasure trove of vintage tone for you to explore. you'll adore each finely crafted contour, as well as the guitar's luxurious feel and response. from the sleek neck to the pristine tremolo – every inch of this gem's design exhibits attention-to-detail and premium quality. whether you plan to hang it on the wall or take it on a professional tour, its stunning looks and equally stunning sound will hold up anywhere and everywhere. with charm, class, character, and one truckload of tone, it's hard not to fall in love with this one-of-a-kind wonder.
Specifications:
| Body Shape | SG |
| Finish | Nitrocellulose VOS (Vintage Patina) |
| Neck Material | Solid Mahogany |
| Scale Length | 24.75" / 628.65mm |
| Fingerboard Material | Solid Ebony |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Nut Material | Nylon |
| Nut Width | 1.69" / 42.85mm |
| End of Board Width | 2.24" / 56.89mm |
| Inlays | Mother of Pearl Block |
| Joint | Long Tenon, Hide Glue Fit |
| Hardware Finish | Gold |
| Tuner Plating | Gold |
| Bridge | ABR-1 |
| Tailpiece | Lightweight Aluminum Stop Bar |
| Tuning Machines | Grover Kidney |
| Pickguard | White Multi-Ply |
| Truss Rod Cover | Authentic Stepped 2-Ply |
| Control Knobs | Black Top Hats w/ Gold Inserts |
| Switch Tip | Cream |
| Switchwasher | Silkscreened Cellulose Acetate Butyrate |
| Control Covers | White |
| Strap Buttons | Brass |
| Mounting Rings | Black M69 |
| Pickup Covers | Authentic Profile Gold-plated Nickel Silver |
| Neck Pickup | Custombucker Alnico III (Unpotted) |
| Middle Pickup | Custombucker Alnico III (Unpotted) |
| Bridge Pickup | Custombucker Alnico III (Unpotted) |
| Pickup Selector | 3-Way Switchcraft |
| Output Jack | Switchcraft |
Reviews:
Happily this guitar lived up to its expectations given that it cost a pretty penny. Very nicely set up and beautiful to look at it also delivered a muscular sound. As you'd hope at this price point the guitar decimated my other SGs that I own making them sound puny in comparison. Glorious.Russell P.
11. Maestro By Gibson Ma41bkch 41" Full Size Acoustic Guitar Kit
Product Details:
The maestro by gibson 41" full-size guitar packs offer outstanding playability. built by gibson innovations, a division of world-famous gibson guitars, the maestro full size guitar delivers a big, clear sound at an extremely moderate price. ideal for beginners, but built to satisfy experience players. the maestro ma41 series of guitars an easy to play 24 3⁄4" scale length, on a comfortable, fast neck profile. the rosewood fingerboard offers ivroid dot position markers. the laminated kauri back and sides separates the maestro ma41 series from all of the others. kauri wood is a renown tonewood, recognized for its' warm, clear tone. the guitar body offers a beautiful gloss finish, with white binding. the guitar is also equipped with high quality die-cast tuners for added tuning stability.
Specifications:
| Body Style | SOLID |
| Tax applies in | LA |
Reviews:
Guitar came on time and well protected. Pictures accurately showed condition of the item. Guitar also came with extra strings, pick, and strap which were unexpected and greatly appreciated! Needed tuning, but that was specified in the item description. Overall, great product at a lower price that is being thoroughly enjoyed!restwithpeace
I purchased this guitar when I decided I wanted to learn how to play a guitar and wanted an inexpensive one to try. This guitar has fit the bill perfectly. It is a good basic guitar. I've been following the training DVD that came with it, and it's made it easy to learn on. I would recommend the guitar to anyone looking for an inexpensive starter guitar.bbloomster
12. Gibson Sg Standard '61 Maestro Vibrola Electric Guitar (Vintage
Product Details:
This throwback model features vintage '61 gibson sg build, maestro vibrola tailpiece on top of great specs, and burstbucker '61 pickups. this guitar is for the player who loves classic rock sound and awesome rock looks, with the added bonus of a unique tailpiece. vintage '61 gibson sg build with its immediately recognizable dual "horns", the body of the sg standard is built from mahogany, shaped into double cutaway design. it has deep sculpted scarfing and a 5-ply teardrop pickguard. the mahogany neck features a 22nd fret neck joint, and runs right into the body for great sustain with every note. it also has a 24.75 inch scale length and slim taper profile, affording it a great feel. maestro vibrola tailpiece on top of great specs the centerpiece of this beautiful vintage axe is the maestro vibrola tailpiece. it allows for smooth action and vibrato effects, and sports an awesome lyre engraving on the cover. in conjunction with an abr-1 tune-o-matic bridge, you get fluid vibrato sound while keeping the strings secure. the fretboard on this sg standard '61 is bound rosewood, lined with acrylic trapezoid inlays. a graph tech nut allows the strings to move smoothly when using the vibrato. the headstock bears the gibson name and is adorned with vintage deluxe tuners with keystone buttons. burstbucker 61 pickups for killer vintage tone, gibson outfitted this awesome sg with dual burstbucker 61 pickups. these humbuckers give classic, clear sound, and extra trebly output, which articulately handles gain and effects. with 2 volume and 2 tone controls, as well as a three-way toggle switch, there's little the sg standard '61 can't handle.
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Vintage Cherry |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | SG |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Nut Width | 1.695" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Burstbucker 61T |
| Neck Pickup | Burstbucker 61T |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
13. Gibson Sg Standard Electric Guitar (Vintage Cherry)
Product Details:
This throwback model features vintage '61 gibson sg build, maestro vibrola tailpiece on top of great specs, and burstbucker '61 pickups. this guitar is for the player who loves classic rock sound and awesome rock looks, with the added bonus of a unique tailpiece. vintage '61 gibson sg build with its immediately recognizable dual "horns", the body of the sg standard is built from mahogany, shaped into double cutaway design. it has deep sculpted scarfing and a 5-ply teardrop pickguard. the mahogany neck features a 22nd fret neck joint, and runs right into the body for great sustain with every note. it also has a 24.75 inch scale length and slim taper profile, affording it a great feel. maestro vibrola tailpiece on top of great specs the centerpiece of this beautiful vintage axe is the maestro vibrola tailpiece. it allows for smooth action and vibrato effects, and sports an awesome lyre engraving on the cover. in conjunction with an abr-1 tune-o-matic bridge, you get fluid vibrato sound while keeping the strings secure. the fretboard on this sg standard '61 is bound rosewood, lined with acrylic trapezoid inlays. a graph tech nut allows the strings to move smoothly when using the vibrato. the headstock bears the gibson name and is adorned with vintage deluxe tuners with keystone buttons. burstbucker 61 pickups for killer vintage tone, gibson outfitted this awesome sg with dual burstbucker 61 pickups. these humbuckers give classic, clear sound, and extra trebly output, which articulately handles gain and effects. with 2 volume and 2 tone controls, as well as a three-way toggle switch, there's little the sg standard '61 can't handle.
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Vintage Cherry |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | SG |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Type | Fixed |
| Nut Material | Graph Tech |
| Nut Width | 1.694" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | 60s Burstbucker |
| Neck Pickup | 60s Burstbucker |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
14. Gibson Custom 1967 Mahogany Flying V Reissue W/ Maestro Vibrola Electric Guitar Sparkling Burgundy 194744737404
Product Details:
Specifications:
| Body wood | 2-piece Mahogany |
| Neck shape | C |
| Neck wood | 1-piece Mahogany |
| Joint | Neck-through |
| Scale length | 24.75" |
| Number of frets | 22 |
| Inlays | Pearloid Dot |
| Nut width/material | 1.687 in. (42.8 mm) Nylon |
| Configuration | HH |
| Neck | Proprietary Humbucker Alnico |
| Bridge | Proprietary Humbucker Alnico |
| Control layout | Individual volume Individual volume Master tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I'm a collector and player of the unique and unusual of the big brand and some off brand stuff. Never been a huge Gibby fan, even though in a classic rock guy. The flying v crescent moon is wonderful though, and has a vibe and feel all its own. When you think that legends from Hendrix to king played them, and had a style all they're own, the V just has its own place in the guitar world. I swapped the hot ceramic Gibby pups for some Seymour Duncan's with chrome covers, as I wanted a more dressed look and blues warmth from this lightweight but oh so solid beast. I did the graphitec saddles as well, again for a warm vibe. The result is amazing, period. I'll put her against anything from anybody in tone, weight, style, playability and feel. Even before the mods, still best of the best. All welds perfect, fret work perfect, finish accomplished the look of a vintage road warrior. Nickle hardware, true Ebony fretboard, feels like one gorgeous piece of mahogany in your arms as the neck and body are so perfectly set together.golfn64
This guitar sounds so good, it's hard to say if it's the wood or pickups. Who cares? It sounds good. Good tone and sustain. I look forward to playing it. Tuning is easy, playing it is comfortable. It has the original good looks that the Flying V was made with. I have heard people with Gibsons say that they with the knobs were like on my V. They also liked the placement of the jack. Which, I want to say, are 2 solid reasons I wanted this guitar. The Through-the=body stop and the jack at the end of the wing tip. Very nice.David
Gibson Flying V. Antique natural. Low action and great playability from factory. Awesome fretboard even though multiple tool marks around fret ends. Good access. Pickups sound good clean and can get hot enough for metal with a boost. Nice grain in wood. Couple small sand marks under nitro. Neck feels great. Giving it 4 stars for cosmetic issues but played so well did not send it back or even pursue price reduction. Case is very nice. AMS great as always. Killer payment plans and fast shipping.Todd
15. Gibson Guitar Electric Guitar Les Paul Studio
Specifications:
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
I just purchased my sunburst Les Paul studio on 11/20/21. The action is low and incredible. The neck is small which is perfect for me. This Les Paul is very suitable for professionals and young teenagers that are still learning. Playing it comes with ease and requires only a very light touch. It has a lot of the very same qualities that a Standard has. Especially the tone. Wait till you get yours. You won't be the least disappointed at all. It's worth every penny. I give it 5 stars or two thumbs up. 👍 👍Daniel Trimboli
So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.
16. Gibson Memphis '64 Es-345 With Maestro Sixties Cherry Vos
Product Details:
Sometimes you have a guitar that just fills you with happiness from the moment with you set your eyes on it. this is one of those guitars. featuring all period correct designs and just everything you could possibly love about a vintage es-345. it looks superb in the classic sixties cherry finish, parallelogram inlaysand the maestro system. it plays like a dream and sounds something special with its mhs humbuckers. featuring a 3 ply maple/poplar/maple body, you get that sweet jangling tone you expect from a high quality semi-acoustic instrument, but with that unmistakable gibson grunt that everyone loves. incudes period correct hard case.
Specifications:
| Finish | Sixties Cherry VOS |
| Year | 2015 |
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Model Sub-Family | Gibson ES-345 TD |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
Overall: I live in a large city and it is still impossible to find a Gibson 335 that plays and sounds great, has no issues or questionable history and comes with a price tag lower than a new one to justify the gamble. As a result, I decided to pull the trigger on a new one and went for the figured, not so much for the flame but for the lower weight and select wood, knowing both my back would thank me and that the guitar would probably be a bit more open and resonant. Block inlays are certainly nice and that may have helped sway my decision too. The 335 arrived with an impeccable setup, right out of the box from the factory. In my 35 years of playing, I’ve never had this happen. I’ve heard of it happening but never to me. I always have to tweak the truss rod to straighten the neck a bit, adjust the bridge action, widen the nut slots and intimate the guitar. Every time. The only adjustment I’ve had to make is lower the pickups a bit for balance, that’s it! Plays like an absolute dream. Here is why you want this guitar rather than a used one—. the neck. None of that weird pencil thin 335 necks from the past or those horrible and slow baseball bat necks… this is perfect. I don’t know what Gibson is doing in Nashville now, but they are making these guitars better than they ever have. Having always been a fan of Classic ‘57 pickups, I read about these T Type pickups being bright. It is true that they are bright, however it works so well in this guitar. Roll back the tone knobs for the mellower and darker sounds, especially when in the neck position for a classic straight-ahead jazz sound, or rolled back in the bridge to fatten up rhythms…but the thing is, roll the tone up for that beautiful bite and thunk in single line solos. I have had bright guitars in the past and there is nothing you can do for them. No matter the pickups or amp, it remains bright and pingy. This is not a bright guitar and has such a beautifully balanced and mellow acoustic voice, the pickups suit it well and I will not replace them. Is it an insane amount of money? Yes. It is. In 10 years when I have blown through $4K many times over and have nothing to show for it, will I still have this 335? Yes. I will. It’s an investment and zZounds makes it possible for someone like me to have something nice. This is an absolutely breathtaking guitar. In playability, sound, and appearance—Gibson is on top of their game these days and I think the future will look back at this era as their new golden age.Michael
Upon opening the case, the case was hard to open, like it didn't fit top cover to bottom cover. The guitar smells of cheap carnauba wax (if you wax your own car you know there are great waxes that smell good) this is not the great smell of the past Gibson guitars I have purchased in the past. There was a light haze to the guitar like the wax was dried but not wiped off completely. The was not common of years pasts Gibson's. Its a very light weight guitar. Nice to hold and even sitting with it to play does not dig into the underarm like a thick acoustic does over time. The ice tea version does look great front to back. I can't tell if it's AAA but its very nice. The head stock look s like it wasn't cut symmetrically compared to the other side or sanded to much. The neck is nice and thick and wider top to bottom which I like for fitting all my fingers on the 1-5 frets for chords. Their is a lot of fret buzz on the G string throughout the range of the neck, It looks like the G string is higher than all the other strings in an attempt to reduce the buzz. I thought these were machine prepped ?? I can most likely (hopefully)make some adjustments for this. The frets feel thinner than my Les Paul's. Not sure if I like this but I can get used to it. The sound on a clean channel is great. I really like the sound. The volume knobs have no volume from 0 – almost 2, they don't change the volume a lot from 3-7, from 8-10 is almost all the volume change. I have never had this experience before. The tone knobs actually lowers the volume from 1-3 which I thought is also strange. I have no experience with a ES model so maybe this is normal. If it is, then I am not sure I would have purchased. I don't regret the purchase but I was expecting perfection for this price.Just Me
I love 335 but played several that I found meh. Preferred the Heritage H-535 I bought to most Gibbies I tried. Until I played that one at my local GC store. Was immediately captivated with the tone. Went back several times, and took the plunge despite the sticker shock. At home, in my amp it sounded even better than in the shop. Absolutely wonderful guitar, that feels and sounds as good and sometimes even better than vintage 60s 335 I tried or owned. I am in love! But what a price tag…Gibson CS is becoming unattainable fast.Stéphane
17. Used Maestro By Gibson Lp Style Electric Guitars Purple
18. Gibson Custom Shop 1963 Firebird V Vos With Maestro Vintage Sunburst
Product Details:
Gibson custom shop's 1963 firebird v is a masterwork in every sense of the word. this firebird recreates the offset classic with an authentic nitro lacquer vos finish and a striking patina in vintage sunburst that will immediately catch your eye. the guitar is a faithful reproduction of the '63 original, with authentic body contours, dimensions, and construction methods to match, so that every ounce of the original's stellar in-hand feel is intact. it even includes a maestro vibrola system, just like it came with in '63. the guitar's firebird alnico v pickups do a bang-up job at capturing the highly sought-after vintage mini-humbucker tone firebird lovers crave. you'll love this 'bird's 9-ply mahogany/walnut neck as well, with 22 medium jumbo frets over a hide-glued, 12" radius indian rosewood fingerboard for the absolute best in playability and fretting-hand feel while staying true to its sixties roots.
Specifications:
| Body Type | Offset Solid Body |
| Body wood | Multi-piece Mahogany/Walnut |
| Body finish | Aged Nitrocellulose Lacquer |
| Neck shape | Vintage Medium C |
| Neck wood | Multi-piece Mahogany/Walnut |
| Joint | Neck-through |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Aged Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Aged Celluloid Trapezoid |
| Nut width/material | 1.687 in. (42.8 mm) Nylon |
| Configuration | HH |
| Neck | Proprietary Alnico Humbucker |
| Bridge | Proprietary Alnico Humbucker |
| Control layout | Individual volume ,Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Hand-wired |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Vintage-style Individual saddle |
| Tailpiece | Vibrato |
| Tuning machines | Vintage-style Banjo tuners |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Horrible! This is such a wasted effort by GIBSON to even produce this guitar. I went through three units from MF and each unit had substantial faults. I bought a Blackberry, Pellham Blue and a Faded Pellham Blue unit. #1: Paint blemishes………..each unit had light and dark rough areas from poor paint work. There was impressions in the paint from being handled prior to curing. #2: Body routing………..was not consistent and very uneven around the entire perimeter. #3: Low output pickups……….The DS-C pickups measured just 7.25ohm across all three units I had. The bridge and neck pups are the same. They are stamped GIBSON on the underside but have a paper sticker displaying a different model number for each. They are exactly the same! #4: Improper pickup sizing……….the pups are designed as a one size fits all method which means they all measure exactly 48mm's pole spacing, yet the bridge spacing is 52mm's. This does not allow for correct string oscillation (and poor alignment). #5: Poor tuners………the tuners are 14-1 ratio and do not hold tuning well. I tried down tuning and they still had to be retuned after several minutes. #6: Cheap Head-stock design………it's a piece of plastic laminated to the wood (had poor routing on the edges). The truss rod cover is painted logo, not embossed. #7: Broken components……….one of the units came with a defective 3-way switch and another had screws falling out of the pick guard plastic. How does that get past QC Gibson? #8: Fret boards were unfinished………one unit had sanding dust still one it and another looked as though it was never finished out. It was as rough as an old rustic barn wall. The frets weren't dressed properly either. #9: Improper balance……..neck dives because GIBSON routed out TOO MUCH of the body cavity for the electronics. Hint to GIBSON = Less is More. #10: High action………could not be resolved. #11: Cheap metal components. GET THE PICTURE FOLKS?Speedforhire
Where to start. Loved this axe right off the wall. Great acoustic qualities. Easy on the shoulder with very good strap balance. 3 days later realized it needed some upgrades to truly live up to the Gibson logo on the headstock. I use a '65 Blackface Deluxe at low volumes, no pedals, and let the gear do their thing… This Bird fell short of what I expect. After a set of Gotoh nickle tuners, lightening bar bridge w/lags & studs, DR Pure Blues 11s, nickle covered P94 (neck), nickle covered 498 (bridge), CTS 300K linear pots, .002 Panasonic poly film cap as a treble bleed, .022 Orange Drop 100v cap for tone, vintage shielded wiring, Schaller mushroom head strap buttons, fret ends groomed, enlarge the side markers, shellac soak & buff the fret board, wet sand & buff the satin neck finish, wet sand & buff that stupid looking gloss from the body finish, Top hat knobs with pointers… This axe has the look & snap you'd expect from a neck thru Bird. Very sweet voice. Solid & stable on stage. I still want to knock some height & put a shoulder only crown on the frets. I'll put an amber toner on the neck at the same time. That can wait until a bit more of a break-in period. Still have less then 750. in it & it sounds, looks & plays like a million. How great a deal is that?Joe
I've read a LOT of negative reviews about these guitars.. fortunately, I decided to try it for myself. The ONLY way you will not enjoy this guitar is if you are expecting an expensive customshop instrument. There are obviously differences between a customshop guitar and a budget model, but NONE of the things I've read about these are accurate. It's a well constructed American made guitar.. quartersawn maple neck, poplar body, rosewood fingerboard. The bridge adjusts and intonates perfectly, the electronics and pickups work well and sound decent. There are NO corners cut on these guitars.. they are designed to be inexpensive to meet a price point and do this perfectly. If you are expecting a vintage holy grail instrument with all of the bells and whistles you will be disappointed (and probably aren't very clever). If you are expecting a decent instrument on a budget, you will be very pleasantly surprised.. I have MANY Gibsons that run the gammut from vintage to customshop reissues to floyd rose equipped Les Paul Axcess and I am very satisfied with this guitar. I recommend treating yourself and buying one, they are a joy to play.the realist
19. Gibson Custom 1963 Firebird V W/ Maestro Vibrola Electric Guitar – Murphy Lab Heavy Aged Antique Frost Blue
Product Details:
With its offset shape, neck-through construction and scorching mini-humbuckers, the '63 firebird v became an instant classic. it features a maestro vibrola. it also features heavy aging by the skilled artisans of the murphy lab. the murphy lab heavy aged finish treatment, paired with heavily aged hardware, simulates decades of heavy play wear, giving it the unique character, vibe, and feel of an original example from the gibson golden era.
Specifications:
| Body Type | Offset Solid Body |
| Body wood | Multi-piece Mahogany/Walnut |
| Body finish | Aged Nitrocellulose Lacquer |
| Neck shape | C |
| Neck wood | Multi-piece Mahogany/Walnut |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Aged Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Celluloid Trapezoid |
| Nut width/material | 1.687"/Nylon |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Vintage-style individual saddle |
| Tailpiece | Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right-handed |
| Country of Origin | United States |
Reviews:
Horrible! This is such a wasted effort by GIBSON to even produce this guitar. I went through three units from MF and each unit had substantial faults. I bought a Blackberry, Pellham Blue and a Faded Pellham Blue unit. #1: Paint blemishes………..each unit had light and dark rough areas from poor paint work. There was impressions in the paint from being handled prior to curing. #2: Body routing………..was not consistent and very uneven around the entire perimeter. #3: Low output pickups……….The DS-C pickups measured just 7.25ohm across all three units I had. The bridge and neck pups are the same. They are stamped GIBSON on the underside but have a paper sticker displaying a different model number for each. They are exactly the same! #4: Improper pickup sizing……….the pups are designed as a one size fits all method which means they all measure exactly 48mm's pole spacing, yet the bridge spacing is 52mm's. This does not allow for correct string oscillation (and poor alignment). #5: Poor tuners………the tuners are 14-1 ratio and do not hold tuning well. I tried down tuning and they still had to be retuned after several minutes. #6: Cheap Head-stock design………it's a piece of plastic laminated to the wood (had poor routing on the edges). The truss rod cover is painted logo, not embossed. #7: Broken components……….one of the units came with a defective 3-way switch and another had screws falling out of the pick guard plastic. How does that get past QC Gibson? #8: Fret boards were unfinished………one unit had sanding dust still one it and another looked as though it was never finished out. It was as rough as an old rustic barn wall. The frets weren't dressed properly either. #9: Improper balance……..neck dives because GIBSON routed out TOO MUCH of the body cavity for the electronics. Hint to GIBSON = Less is More. #10: High action………could not be resolved. #11: Cheap metal components. GET THE PICTURE FOLKS?Speedforhire
Where to start. Loved this axe right off the wall. Great acoustic qualities. Easy on the shoulder with very good strap balance. 3 days later realized it needed some upgrades to truly live up to the Gibson logo on the headstock. I use a '65 Blackface Deluxe at low volumes, no pedals, and let the gear do their thing… This Bird fell short of what I expect. After a set of Gotoh nickle tuners, lightening bar bridge w/lags & studs, DR Pure Blues 11s, nickle covered P94 (neck), nickle covered 498 (bridge), CTS 300K linear pots, .002 Panasonic poly film cap as a treble bleed, .022 Orange Drop 100v cap for tone, vintage shielded wiring, Schaller mushroom head strap buttons, fret ends groomed, enlarge the side markers, shellac soak & buff the fret board, wet sand & buff the satin neck finish, wet sand & buff that stupid looking gloss from the body finish, Top hat knobs with pointers… This axe has the look & snap you'd expect from a neck thru Bird. Very sweet voice. Solid & stable on stage. I still want to knock some height & put a shoulder only crown on the frets. I'll put an amber toner on the neck at the same time. That can wait until a bit more of a break-in period. Still have less then 750. in it & it sounds, looks & plays like a million. How great a deal is that?Joe
I've read a LOT of negative reviews about these guitars.. fortunately, I decided to try it for myself. The ONLY way you will not enjoy this guitar is if you are expecting an expensive customshop instrument. There are obviously differences between a customshop guitar and a budget model, but NONE of the things I've read about these are accurate. It's a well constructed American made guitar.. quartersawn maple neck, poplar body, rosewood fingerboard. The bridge adjusts and intonates perfectly, the electronics and pickups work well and sound decent. There are NO corners cut on these guitars.. they are designed to be inexpensive to meet a price point and do this perfectly. If you are expecting a vintage holy grail instrument with all of the bells and whistles you will be disappointed (and probably aren't very clever). If you are expecting a decent instrument on a budget, you will be very pleasantly surprised.. I have MANY Gibsons that run the gammut from vintage to customshop reissues to floyd rose equipped Les Paul Axcess and I am very satisfied with this guitar. I recommend treating yourself and buying one, they are a joy to play.the realist
20. Maestro Les Paul Solid Body Electric Guitar Alpine White
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