Are you looking for the Fender Princeton 112 Plus Guitar Amp? If so, you’ve come to the right place.
Choosing the Fender Princeton 112 Plus Guitar Amp can be difficult as there are so many considerations, such as Marshall, Fender, Peavey, VOX, Blackstar, Laney, ENGL, Randall, MESA/Boogie, Dr. Z Amplification. We have done a lot of research to find the top 20 Fender Princeton 112 Plus Guitar Amp available.
The average cost is $1340.39. Sold comparable range in price from a low of $199.99 to a high of $2749.99.
Based on the research we did, we think Fender '64 Custom Princeton Reverb is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Fender Princeton 112 Plus Guitar Amp (20 Sellers)
| Product Image | Product Name | Features | Check Price |
|---|---|---|---|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
||
|
|
|
||
|
|
|
||
|
|
|
|
|
|
|
|
|
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Fender vintage blue tone capacitors
- 10” jensen alnico p10r speaker for sparkling clean tones and moderate
- Solid pine cabinet for resonance and lighter weight
$1399.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Lightweight . Portable
Features:
- Nice & clean in excellent condition!
- All tube.
- 12" jensen special design speaker.
$1299.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Lightweight . Portable
Features:
- 10” jensen c10r speaker
- Single channel and dual inputs
- Long-spring fender reverb and tube tremolo (“vibrato”)
Reviewers Noted:
Good sound quality . Heavy . Attractive . Quality build . Easy to use
Features:
- 15-watt all tube amp (including tube rectification) offers stellar tone for small stages and the studio.
- 1-10" jensen c-10r, 8 ohm, 40 watt speaker with ceramic magnet.
- Legendary long-spring fender reverb and tube vibrato.
$1336.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Attractive . Easy to use . Quality build
Features:
- Includes dust cover and footswitch.
- Found sound australia pty ltd.
- 155 elgin street (via markov place).
$600.00
4.8
Reviewers Noted:
Good sound quality . Heavy . Attractive . Easy to use . Quality build
Features:
- This amp is in great condition and works great, please check the actual photos for cosmetic condition.
- Serialized cr313531.
- Footswitch and cover are included.
Reviewers Noted:
Good sound quality . Attractive . Easy to use . Build quality . Weight
Features:
- You just can't go wrong with these amps.
- Add the real spring reverb and trem on top of that, and this is the perfect home amp.
- Power cable included.
$1399.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Lightweight . Portable
Features:
- 15-watt tube combo amp with an updated, vintage look
- 12" weber vintage 50-watt ceramic speaker is perfect for clean headroom
- Vintage-style lacquered tweed covering
$1700.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Lightweight . Portable
Features:
- A perfect amp to add to your collection.
- Selling from my own person collection. not entertaining any offers other than the listed price.
- And there's good reason! they are amazing amps! and they have the looks to match the tone!
$1200.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Quality build . Lightweight . Portable
Features:
- Amp output: 15 watts into 8 ohms.
- Speakers: 1-12" jensen c12q, 8 ohm, 40 watt speaker with ceramic magnet.
- Channels: 1 channel (2 inputs)features: blackface control panel with six silver-top numbered knobs.
$2349.99
5.0
Reviewers Noted:
Good sound quality . Build quality . Weight
Features:
- Fender '62 princeton chris stapleton edition 12w 1×12 tube guitar amp.
- Recently purchased and used a few hours but unfortunately must sell.
- I will include original sales receipt.
$899.00
4.8
Reviewers Noted:
Good sound quality . Portable . Lightweight . Ease of use . Build quality
Features:
- Selling a mint, barely used princeton.
- Less than 2 hours of play time.
- Never cranked.
$2349.99
5.0
Reviewers Noted:
Good sound quality . Build quality . Weight
Features:
- Bought it but ended up not using it so it’s practically unused except for when trying it out.
- No issues.
- Mint condition.
$2749.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Attractive . Easy to use
Features:
- From fender: "terrific for any kind of music, fender s princeton is simply one of the most versatile and beloved guitar amplifiers of all time. it delivers quintessential fender tonal…
Features:
- 1-channel solid-state 1×10" guitar combo amplifier with reverb
- Selectable output power
- Cab simulation
$321.95
Features:
- Cool small transistor combo, sounds great…
$249.99
Features:
- Fender solid state guitar amps combos…
$199.99
Features:
- Fender princeton 112 guitar combo amp…
$1299.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Fender '65 princeton reverb 1×10" 15-watt tube combo amp condition: new brand: fendernumber of speakers: 1amplifier type: combompn: 2172000000mpn: 2172000000…
$1299.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Get a historically significant amp used on countless hit songs for decades – the fender '65 princeton reverb combo amp – the reissue fender '65 princeton reverb is easily versatile…
1. Fender '64 Custom Princeton Reverb
Product Details:
These hardwired princetons take the most famous fender amp to the next level. the tone is sweeter and more full without being spiked in the treble and the cabinet constructed from solid pine combined with the upgraded jensen alnico speaker really keeps the bottom end full without the flub that normal plagues the princeton. this particular amp is in mint condition with all documentation still included as well as foot switch and amp cover. i simply can t hold on to this one with current financial constraints. these are new at 2299 so get a deal on this one today!
Specifications:
| Country Of Origin | US |
| Amplifier Type | Tube |
| Control Knobs | Skirted Black Plastic with Numbered Indicators |
| Inputs | Two – (1/4", Input 2 operates at -6dB) |
| Rectifier | Tube (1 x 5AR4) |
| Cabinet Material | Solid Pine |
| Handle | Reinforced Plastic Strap with Nickel-Plated Caps |
| Speakers | One – 10" Jensen P10R Alnico |
| Total Impedance | 8 ohms |
| Power Tubes | 2 x 6V6 |
| Preamp Tubes | 1 x 12AT7, 3 x 12AX7 |
| Dimensions | 13.30×19.90×23.20 IN |
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
2. Fender Limited Edition '65 Princeton Reverb 15w 1×12 Tube Guitar Combo Amp, Bordeaux Reserve
Product Details:
In the pantheon of great amps, there are few that stand the test of time like the fender princeton and its signature clean tones. theres that long, luscious spring reverb that lets players dial in everything from ethereal echoes to cavernous swirls. theres that recognizable princeton tremolo, which pulses with pure fender character through every passage and performance. and then there's the unmistakable tonal character that only a princeton can offer; growling lows, shimmering highs and the classic breakup of the 6v6 tubes and 10 speaker when pushed to the brink. the princeton, in its most classic form, has been revered as a stage and studio must-have, and its presence on the most famous albums and riveting stage shows of all time further substantiates that claim. clearly, its rich tone and responsiveness have given it an unmistakable voice. fenders latest partnership with musicians friend and guitar center, however, proves that even the most perfect amplifier has room for modification. it incorporates one of the most popular princeton mods: the inclusion of a larger, 12 jensen p12q speaker, allowing for a fuller frequency response, a perceived volume boost and clearer midrange. power: 15 watts (tube). tubes: 12ax7, 12at7 (preamp); two 6v6 (power amp). single channel. two inputs. speaker: 12 jensen p12q. controls: volume, 3-band eq, reverb, speed, intensity. long-spring fender reverb and tube tremolo (vibrato). impedance: 8 ohms. 1/4 in. output jack. cabinet material: birch/pine. dimensions: 19.75 in. x 16 in. x 9.5 in. weight: 34 lbs.
Specifications:
Reviews:
I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911
This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben
I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.
3. Fender 65 Princeton Reverb 15w 1×10 Tube Guitar Combo Amp, Black
Product Details:
A historically significant amp used on countless hit songs for decades. today, the 65 princeton reverb is as phenomenal looking, sounding and performing as ever, and is easily versatile enough to go from the living room to the recording studio to the gig with the great sound, style, reliability and authentic vintage vibe that fender players know and love. one of the coolest amps around, period, it's ideal for anyone who demands top-notch tube tone, naturally dynamic clean and overdriven sound, and unmistakable long-spring fender reverb and tube vibrato.
Specifications:
| Length | 20 in |
| Height | 9.5 in |
| Width | 16 in |
Reviews:
I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911
This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben
I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.
4. Fender '65 Princeton Reverb 15-Watt 1×10-Inch Guitar Combo Amp
Product Details:
The original was a historically significant amp used on countless hits over the years, and the reissue ’65 princeton reverb is easily versatile enough to go from the living room to the recording studio to the small gig. it has the vintage vibe that fender die-hards know and love, but the ’65 princeton reverb isn’t only for those who played them 30 or 40 years ago – it’s for anybody who demands top-notch tube tone, naturally dynamic clean and overdriven tones, and unmistakable long-spring fender reverb and tube vibrato.
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
5. Fender '65 Princeton Reverb
Product Details:
A historically significant amp used on countless hit songs for decades. today, the '65 princeton reverb is as phenomenal looking, sounding and performing as ever, and is easily versatile enough to go from the living room to the recording studio to the gig with the great sound, style, reliability, and authentic vintage vibe that fender players know and love. one of the coolest amps around, period, it's ideal for anyone who demands top-notch tube tone, naturally dynamic clean and overdriven sound, and unmistakable long-spring fender reverb and tube vibrato.
Specifications:
| Amplifier Type | Tube |
| Country Of Origin | US |
| Platform | Pro Tube |
| Channels | One |
| Connection Type | 1/4" |
| Control Panel | Volume, Treble, Bass, Reverb, Speed, Intensity |
| Controls | Volume, Treble, Bass, Reverb, Speed, Intensity |
| Effects | Reverb, Vibrato |
| Inputs | Two – (1/4", Input 2 operates at -6dB) |
| Voltage | 240V AUS |
| Wattage | 12 Watts |
| Power Tubes | 2 x 6V6 |
| Preamp Tubes | 3 x 12AX7, 1 x 12AT7 |
| Rectifier | Tube (1 x 5AR4) |
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
6. Fender Super-Sonic 112 2-Channel 60-Watt 1×12" Guitar Combo
Product Details:
Boost your overall performance with the super-sonic 112 combo guitar amplifier and give your audience a complete treat. the 60-watt power handling capacity of this fender guitar amplifier offers powerful audio output that escalates the ambience of the auditorium. this fender 60w guitar amp produces sparkly tones with smooth and crunchy touch to make your music sound like a dream. the super-sonic 112 combo also comes with 1-12-inch 8 ohm celestion "vintage 30-inch speaker which provides you with powerful and hard-hitting sound. this fender 60w guitar amp gives you dual cascading-gain preamp overdrive that delivers creamy tones to make the music sound better. the superb-quality baltic birch ply construction of this fender guitar amplifier adds to its durability and maximizes the resonance to a great level.in very good condition with some minor cosmetic wear. includes switch pedal.
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
7. Fender '68 Custom Princeton Reverb
Product Details:
I bought this amp new 5 or 6 years ago, and used it lightly on the road and on recordings with st. paul and the broken bones for a couple of years. the amp is cosmetically in good shape, but has developed a slight rattle in the baffle at various frequencies and volumes. i had the original 10" speaker swapped out for a 12" weber ferromax, and this operation is perhaps what eventually led to the rattle. regardless, i could have it fixed but am looking to get some different gear for my studio, and so have elected to sell it as-is instead. i am fairly sure that all of the electronics themselves are in good working order.hear the amp in the linked video, i'm playing my gibson 135 straight in on austin city limits. i can pull the road tape off and clean up the adhesive if desired! feel free to contact with additional questions or for more photos.
Specifications:
| Voltage | 120V |
| Wattage | 12 Watts |
| Controls | Volume, Treble, Bass, Reverb, Speed, Intensity |
| Channels | One |
| Inputs | Two – (1/4-inch, Input 2 operates at -6dB) |
| Speaker jack | Two – 1/4-inch Parallel |
| Effects | Reverb |
| Cabinet material | 7-Ply 3/4-inch Birch/Maple Plywood |
| Amplifier covering | Black Textured Vinyl |
| Grille cloth | Silver Turquoise |
| Amplifier Jewel | Blue Jewel |
| Front panel | Silver |
| Handle | Molded Plastic Strap with Nickel-Plated Caps |
| Speakers | One – 10-inch Celestion TEN 30 |
| Total impedance | 8 ohms |
| Speaker wattage | 30 Watts |
| Preamp tubes | 3 x 12AX7, 1 x 12AT7 |
| Power tubes | 2 x 6V6 |
| Rectifier | Tube (1 x 5AR4) |
| Amp height | 16-inch (40.6 cm) |
| Amp depth | 9.5-inch (24.13 cm) |
| Amp width | 19.875-inch (50.5 cm) |
| Amp weight | 34 lb (15.4 kg) |
Reviews:
I purchased the 68 CPR I believe about September 2017 and I also had a blues jr and ac10 at the time and wanted to add another flavor or what my mistake was to think I would have something closer to the traditional Fender sound. I noticed a few days later the control face plate was misaligned with a larger gap on the left side. I didn't get the floor model received one from backroom. To get right down to it this thing is incredibly dark and muddy. I kept mine and used it until February so I gave the amp and speaker time to open up. The bass knob is useless, 0 is like 6 on a 65 PRRI (I now own one). No matter what I threw at it single coils, filtertrons, p90, humbuckers, and teles. The neck pickups could be decent on the tele/strat, filtertrons, but sounded terrible on everything else. I own 20 guitars but maybe 15 at the time. Everything just sounded bloated I couldn't believe it and I using the "let the speaker break in and such" shot the return window. I'll never use that practice. If you don't like the sound of something a speaker breaking in is not going to cure it unless you think something is slightly off to your ears but not a miracle. I read a lot of bass heavy reviews on this all over the net with the random opposite opinion or right in the goldilocks zone. I even see them with greenbacks in them and man I cannot imagine how bass heavy that is on an already guitar amp that can take on a Fender Rumble. Yet.. I want to give it another shot but thinking more the deluxe as I have a better understanding of the build and amps in general. I just wanted to share my experience more than review. Everything else worked great tremolo and reverb but the faceplate was deplorable how that passed QC is beyond me having big gaps on each side and some noise from maybe the baffle or something but once the volume hit four you heard rattling. Still I will go play them in stores and if the one I play sounds good I'll buy it and not one from the back. I love Fender so I'll try..Gary G'nu
This amp is great. Unreal that anyone would say this is a negative purchase. If you need an amp with clean tones and good reverb this is exactly the one. I should mention that it takes pedals well which is great for such a light amp. I have played through many other in its class and this is second to none. I have Fenders from small to large, This Princeton, The Hot Rod Deluxe, and a Twin. They are all tubes and all great amps. You can't go wrong here.Al
After >50 years of playing, I've finally tired of lugging 45-65 lb amps to practice. I went to my local GC to check out smaller and low wattage amps. In my teens I had frequently played through my friend's Princeton Reverb (this was 1966…an original amp) and in fact we would both plug into it and I recall how great it sounded. I tried this 68 "whiteface" reissue and was blown away. Warm and fat sound even at low volume..with my Strat, Tele, LP, ES-335 and PRS CE 24…they all sound great. I bought it and I can't stop playing through it. I own a number of other great amps…Deluxe Reverb, Supro Dualtone, Orange TH-30, Marshall JTM 30. This amp, I think sounds better than any of them. As others have stated, extremely touch sensitive for those of you who appreciate how much of a tactile experience playing guitar can be. I predict it will be great for band practice and hope to use it in smaller venues. It works great with my effects pedals. I highly recommend this amp and only regret that I waited until retirement to purchase one.Bob the Stratplayer
8. Fender 65 Princeton Reverb Limited Edition Tweed G1265 – Used
Product Details:
It's an historically significant amp used on countless hit songs for decades. today, the '65 princeton reverb is as phenomenal looking, sounding and performing as ever, and is easily versatile enough to go from the living room to the recording studio to the gig with the great sound, style, reliability and authentic vintage vibe that fender players know and love. one of the coolest amps around, period, the '65 princeton reverb 12w combo amp is ideal for anyone who demands top-notch tube tone, naturally dynamic clean and overdriven sound, and unmistakable long-spring fender reverb and tube vibrato. this limited-edition amp features a solid pine cabinet, lacquered tweed covering, vintage bassman grille cloth and a celestion g12-65 ceramic speaker that increases low-end tightness and has a warm midrange that is unmistakably british.
Specifications:
Reviews:
I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911
This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben
I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.
9. Fender Fsr Blue Flower '65 Princeton Reverb 12 Watt Guitar Combo
Product Details:
Specifications:
Reviews:
I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911
This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben
I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.
10. Fender Limited Edition '65 Princeton Reverb C12q 1×12" Combo
Product Details:
For your consideration, garrett park guitars presents the fender ’65 princeton reverb c12q limited edition these amps are a limited run for fender, and are available through garrett park guitars. a historically significant amp used on countless hit songs for decades. today, the ‘65 princeton reverb is as phenomenal looking, sounding and performing as ever with a 12” jensen c12q speaker, and is easily versatile enough to go from the living room to the recording studio to the gig with the great sound, style, reliability and authentic vintage vibe that fender players know and love. one of the coolest amps around, period, it’s ideal for anyone who demands top-notch tube tone, naturally dynamic clean and overdriven sound, and unmistakable long- spring fender reverb and tube vibrato.
Specifications:
Reviews:
I've been looking for a great, clean amp that would really accent my guitar's natural sound. I first tried the Blues Junior which was nice but didn't have quite enough warmth and power behind it, I needed something more. I did my research and landed on this beautiful Princeton. It has everything that I was looking for. I am an experienced player but also prefer not to have a super complicated setup with switches and pedals and knobs; this Princeton keeps the focus solely on the tone and sound. Yes, there is a reverb knob which can add a little more, but I usually keep that off. What's great about getting an amp like this is you really get CLEAN, crisp open/clean channels and can really hear your axe sing. Because of that, it also allows your pedals to shine without being bogged down with too much of this or that, or in my opinion not having enough power behind the amplification. This amp is perfect for those who just want a clean guitar sound, or who want to throw in an effect here and there and still get everything you want in the sound. 1000% recommend.GuitarGuy911
This is a fantastic amp after owning it for 5 months. I constantly wonder about getting rid of other amps and just playing this one all the time. It's a "just right" amp. It's extremely easy to get along with. It sounds good in any room, is less sensitive to placement in the room than other amps I've owned, it's easy to dial in with different guitars. The Reverb & Tremolo always seem just right and easy to adjust. It seemingly gets along with just about any pedal/effect you run into it, but you don't need any FX or pedals with this amp either if you don't want them. If I had to think of a negative it's the vintage style food switch that comes with it. You can't mount it on a pedal board because the back is just press fit and the cable doesn't detach. I usually just wrap up the cable and put the foot switch in the amp for transport. It's no surprise these have been popular for decades.Ben
I went back and forth between the Princeton Custom 68 and the 65 Reissue, and settled on the 65 as I will make better use of the clean headroom and 'pure' clean Fender tone (compared to the darker, snarlier sound of the 68). The amp is fairly light (compared to other Fender amps) and a compact size for transporting to gigs, it has plenty of headroom for small to medium-sized shows but is quiet enough for home recording. The tone is beautiful, clear and sparkling, with a very characterful spring reverb and a subtle but warm vibrato. It's a simple amp with 1 channel, no mid EQ control, no standby switch – but it has everything I ever actually need to use on an amp. It starts to break up around 6 on the dial, which is pretty loud in a small room, so if you're looking for a crunchy amp then this isn't for you.Robin M.
11. Fender '62 Princeton Chris Stapleton Edition Guitar Amplifier
Product Details:
Used fender '62 princeton chris stapleton 1×12 combo the 62 princeton chris stapleton edition takes everything you love about a 6g2 princeton and outfits it with the grammy award winning artist s preferred modifications. there s loads of snappy chime and twang on tap here; although if you crank it, this 6v6-loaded combo can snarl with the best of them. the 62 princeton kicks out the perfect amount of volume for studio sessions that said, it s loud enough to rock smaller venues. enjoy true-to-life vintage fender tone. embellish your playing with an output tube-biased tremolo circuit. beyond that, chris stapleton s chosen aesthetics make this amp look as great as it sounds. this amp is from a large collection and it is in mint condition. it is 100% functional with no issues and it includes its fender cover.
Specifications:
Reviews:
Overall: This amp sounds incredible. It sounded a little stiff at first, but after a few hours, it really came alive. The tube tremolo is outstanding and I use it more than I thought I would. I thought I would miss reverb, but I don't. It takes pedals well…if you want to use them…it sounds so good, you might end up selling your pedals. It's a very simple amp, but not in a bad way. The handwired 12 watts is perfect for me. You can turn it up enough so it sounds good at home, but you can also play gigs with a drummer without any issues. I was surprised how much headroom the amp had. I would highly recommend this amp unless you're looking to play hard rock/ heavy medal.
This amp is the one I've been looking for! Great tones at all levels, handles pedals nicely, Seems to be built like a tank and easy to transport. The 12'" speaker works great with this circuit especially in live situations, I don't think a 10" as in the originals do as well for live applications. If this amp was available 30+ yrs ago I would've saved a lot of money!pajita128189
This simple little amp is expensive, but the tone that it exudes is stunning. Just a whole lot of punchy and crispy cleans, and a sag-fest when you put some fuzz or bender like distortion. Has the 60's sound, and the tremolo is one of the warmest and fun to play. Little piece of history.Garrett
12. Fender ’68 Custom Princeton Reverb Guitar Amplifier | Silver/blue
Product Details:
Vintage princeton reverb with eminence copperhead speaker. this thing barks! perfect classic fender tones for days and plenty loud to gig these days. i have had this amp for 5 or 6 years and just don't play it enough. the transformers were replaced and can accept 6l6 tubes if you need more power (you dont). everything works perfect, with the exception of the tremolo. i had this fixed shortly after i bought, but it quit working years ago. i never use it so it doesn't bother me. can be easily remedied for a nominal fee.
Specifications:
Reviews:
Fender has knocked it out of the park with this amp, in my opinion. The bias tremolo is better than the trem in my Princeton, it can be both less intense and more intense. The speed of the trem can be slower than on any other Fender amp I have used, and plenty fast as well. The reverb is more usable through the sweep of the knob, BUT it won't do the crazy washed out reverb of a Princeton or a Super Reverb. It has the warmth of the Princeton, nearly the power of the Super Reverb, and weighs 35 lbs. The box itself does not suffer from high volume. Mine has no rattle or vibration. The 6L6 tubes have a deeper, bass/low mids quality in the bottom than 6v6 tubes, so expect a deeper quality to the amp if you have used the Princeton or the Deluxe prior to this. The mids knob allows you to bring in high mids, and not the darker, nasal mids of a tweed. You can get the tweed tone (or close) by experimenting with high volume and bass, almost no treble, and mids to taste. The bright switch on mine is relatively subtle, but I leave it off when using pedals, as I feel they interact better with the cap off. Your mileage will probably vary though. Finally, contrary to popular belief, I think the more powerful, room-filling amps are the best practice amps. They sound awesome and full at low volume,. My 4-10 Super and 2×15 Bandmaster sound amazing at low volume (were talking even 75 dbls in the room here), and so does the Custom Pro. Fender, you listened to players, and you nailed it with this totally usable, portable, plug and play amp.Craig S.
I once owned a Fender Vibrolux and sold it and regretted it almost immediately. I tried a few boutique amps and a modeler but missed that warm chimey sound that my Vibrolux used to get. I went to GC to buy a new VL but decided to try the '68 Custom Pro and WOW! This thing sings! It has that same warm, chimey sound but has a beautiful breakup IF you have the chance to push it. I say IF because this bad boy gets LOUD! It is 40W but seems more powerful. I hooked up an attenuator so that I could really push those tubes without my wife filing for divorce. This is MY amp now. I love it!Derek
My original review was in depth and compared it to my SF Champ and Princeton Reverb. I still like the amp, but wish it didn't have the PC board, more for the repair capability down the line than any impact on sound. I did swap out the speaker. The poor Celestion 10-30 doesn't get much love among some people, then again it's not a $100 Celestion. It is what it is; I don't "dislike" the speaker, but wanted to see if I could eke out any improvements with a swap. Anyway, I thought I'd try a different speaker and went for the WGS Veteran 10. There's not a lot of 4 ohm 10" guitar speakers out there and luckily WGS does offer some 4 ohm options. I hooked the speakers to an old DOD A/B box so I could immediately switch back and forth. I found the WGS Veteran 10 to my liking over the Celestion, but j-u-s-t barely. Top end,low end and volume were about the same on both to my ears. Where I perceived a slight difference was in the midrange, where the WGS Veteran 10 seemed to have a bit more clarity, and after all, the guitar lives in the midrange for the most part. When I cranked it up to "10" though, I definitely preferred the Celestion, which had more clarity; the WGS 10 seemed a bit dark and muddy. To my ears the Celestion 10-30 handled the full out distortion better. Then again, sound is very subjective. Was the WGS 10 a "big" improvement? To my ears no; I could live with the Celestion 10-30. And if I was gonna dime the controls and go for that bluesy grind I'd keep the Celestion in there. But for the lower volume clean sounds I favor I'll go with the WGS 10 for now. Bottom line, in my opinion and to my ears, the Celestion 10-30 is a pretty good match for the amp, but feel free to experiment like I did. After playing it for a while I'm not bothered by the lack of a spring reverb, the digital HALL emulation works fine for me.
13. Fender '62 Princeton Amp Chris Stapleton Edition
Product Details:
Very cool little amp – the tremolo is particularly nice. the brown ’62 princeton amp’s sensitivity and smooth organic tremolo made it a longtime studio favorite and the ideal partner for grammy -winning country artist, chris stapleton. the hand-wired ’62 princeton chris stapleton edition combines the classic 6g2 circuit with stapleton’s favorite features and personally chosen aesthetic touches. this 12w combo features fender vintage “blue” tone caps, schumacher transformers, an upgraded eminence 12” special design “cs” speaker, and an output tube-biased tremolo circuit. the acoustically resonant solid pine cabinet wears rough brown textured vinyl covering, wheat grille cloth and thick dark brown leather handle, while the dark brown control panel sports dark brown “radio” knobs and the rear panel features an engraved brass plate with chris stapleton's signature. includes 1-button switch for tremolo and retro-styled filson rugged twill fabric cover.
Specifications:
| Footswitch | 1-Button Footswitch Included |
| Included Accessories | 1-Button Footswitch, Filson Heavy Fabric Cover |
| Voltage | 120 V |
| Wattage | 12 Watts |
| Controls | Volume, Tone, Speed, Intensity |
| Channels | One |
| Inputs | Two – (1/4", Input 2 operates at -6dB) |
| Speaker Jack | Two 1/4" Parallel (Internal and External) |
| Effects | Tremolo |
| Cabinet Material | Solid Pine |
| Amplifier Covering | Brown Textured Vinyl |
| Grille Cloth | Wheat |
| Amplifier Jewel | Red Jewel |
| Front Panel | Brown |
| Speakers | One – 12" Eminence Special Design |
| Total Impedance | 8 ohms |
| Preamp Tubes | 2 x 12AX7 |
| Power Tubes | 2 x 6V6 |
| Rectifier | Tube (1 x 5Y3) |
| Amp Height | 23" |
| Amp Width | 20.5" |
| Amp Length | 12.75" |
| Amp Weight | 22.40 lbs |
Reviews:
Overall: This amp sounds incredible. It sounded a little stiff at first, but after a few hours, it really came alive. The tube tremolo is outstanding and I use it more than I thought I would. I thought I would miss reverb, but I don't. It takes pedals well…if you want to use them…it sounds so good, you might end up selling your pedals. It's a very simple amp, but not in a bad way. The handwired 12 watts is perfect for me. You can turn it up enough so it sounds good at home, but you can also play gigs with a drummer without any issues. I was surprised how much headroom the amp had. I would highly recommend this amp unless you're looking to play hard rock/ heavy medal.
This amp is the one I've been looking for! Great tones at all levels, handles pedals nicely, Seems to be built like a tank and easy to transport. The 12'" speaker works great with this circuit especially in live situations, I don't think a 10" as in the originals do as well for live applications. If this amp was available 30+ yrs ago I would've saved a lot of money!pajita128189
This simple little amp is expensive, but the tone that it exudes is stunning. Just a whole lot of punchy and crispy cleans, and a sag-fest when you put some fuzz or bender like distortion. Has the 60's sound, and the tremolo is one of the warmest and fun to play. Little piece of history.Garrett
14. Fender 64 Princeton Custom
Product Details:
From fender: "terrific for any kind of music, fender s princeton is simply one of the most versatile and beloved guitar amplifiers of all time. it delivers quintessential fender tonal response, reverb and tremolo; and it is the perfect size for guitarists who want a moderately powered amp for any stage or studio situation. and in the modern pedalboard era, it is the perfect platform for tone building. highly collectable 1960s models bring big money on the vintage gear market. these originals, as well as long-running fender reissue models, are used on every stage and in every venue worldwide. hand-wired in corona, calif., the 12-watt 64 custom princeton reverb joins this prestigious group. premium features include: hand-wired aa764 circuit with tube-driven spring reverb and tremolo, fender vintage blue tone capacitors, three 12ax7 and one 12at7 preamp tubes, 5ar4/gz34 rectifier tube, matched pair of 6v6 power tubes, 12 watts output power, 10 jensen alnico p10-r speaker for sparkli…
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
15. Fender Tone Master Princeton Reverb Guitar Combo Amp
Product Details:
The tone master princeton reverb is the latest addition to fender's acclaimed series of legendary amplifiers. using fender's proprietary tone master modeling process the tone master princeton is a perfect replication of the legendary tube amplifier. with player-centric features and modern conveniences it's sure to appeal to today's most demanding professionals. the tone master princeton reverb is versatile enough to go from the bedroom to the recording studio to the gig with the great sound and authentic vintage vibe that fender players know and love. it delivers classic fender tone, reverb and tremolo; and it's the perfect size for guitarists who want a moderately powered amplifier for any situation. additional rear-panel features deliver modern convenience and flexibility – including an output power selector for full power and five attenuated settings, balanced xlr line output with impulse response (ir) cabinet simulations captured with shure sm57 and royer r-121 microphones, mute switch for silent stage or recording use, usb port for firmware upgrades, and more.
Specifications:
| CONTROL PANEL | Volume, Treble, Bass, Reverb, Speed, Intensity |
| INPUTS | Two – (1/4", Input 2 operates at -6dB) |
| CHANNELS | One |
| EFFECTS | Reverb, Tremolo |
| CONNECTIVITY | USB For Firmware Updates |
| CONNECTION TYPE | 1/4" |
| VOLTAGE | 120V |
| WATTAGE | 12 Watts (Simulated) |
| CONTROL KNOBS | Vintage-Style Skirted Black Plastic |
| AMPLIFIER COVERING | Black Textured Vinyl |
| CABINET MATERIAL | Lightweight Solid Pine |
| GRILLE CLOTH | Silver-Strand |
| HANDLE | Molded Plastic Strap with Nickel-Plated Caps |
| AMPLIFIER JEWEL | Red (Power), Red/Amber (Warmup), Amber (Mute) |
| FRONT PANEL | Black |
| REVERB TANK | DSP |
| REVERB TANK TYPE | DSP |
| SPEAKERS | One – 10" Jensen C10R with Ceramic Magnet |
| TOTAL IMPEDANCE | 8 ohms |
| FOOTSWITCH | 2-Button Footswitch Included |
16. Fender Princeton 112 Plus 2-Channel 65-Watt 1×12" Solid State Guitar Combo
17. Used Fender Princeton 112 Plus Solid State Guitar Amps
18. Fender Princeton 112 Guitar Combo Amp
19. Fender '65 Princeton Reverb 1×10" 15-Watt Tube Combo Amp
Product Details:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
20. Fender '65 Princeton Reverb Combo Amp – Black – Floor Model
Product Details:
Get a historically significant amp used on countless hit songs for decades – the fender '65 princeton reverb combo amp – the reissue fender '65 princeton reverb is easily versatile enough to go from the living room to the recording studio to the small gig. it has the vintage vibe that fender die-hards know and love, but the 12-watt fender '65 princeton reverb isn't only for those who played them 30 or 40 years ago – it's for anybody who demands top-notch tube tone, naturally dynamic clean and overdriven tones, and unmistakable long-spring fender reverb and tube vibrato. – tube circuitrysimply put, there's really nothing quite like the pure, powerful sound of a fender tube amplifier. for decades, the tonal richness and touch-sensitive dynamics of real tubes have given fender amps a defining and unmistakable voice, as heard on most professional recordings and performances of the past 60 years-the music you've known your whole life. – spring reverbamong their many fine sonic attributes, fender guitar amps like this one are prized in particular for their luscious spring reverb. for that wet, shimmering ambient sound ranging from subtle to cavernous, fender lets you dial it in exactly to taste. – tremolorich, pulsating tremolo in any shade from subtle to stupendous is simply part of fender's guitar-amp dna. always has been and always will be. – classic blackface toneheard on countless recordings, this is the fantastic sparkling-clean sound, warm breakup when pushed, and cavernous reverb of fender's famous –"blackface–" amps of the early 1960s and subsequent decades, prized by guitarists everywhere. – assembled in the u.s.a.just like the great fender guitar amps of the 1950s and '60s that founded our amp legacy and defined the essence of pure tone and power, this amplifier is assembled in the united states. – jensen speakerjensen and fender go way back-to the very beginning, in fact. jensen speakers are the traditional fender speakers, with sweet articulation for clean sounds and cool vintage-style breakup when pushed.
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
Related posts:
- Fender Princeton Chorus Guitar Combo Amp For Sale (2024 Update)
- Peavey Acoustic Electric Guitar With Amplifier For Sale (2024 Update)
- Fender Precision Bass Guitar For Sale (2024 Update)
- Fender Hollow Body Guitar For Sale (2024 Update)
- Effects Pedal For Acoustic Electric Guitar For Sale (2024 Update)
- Peavey Evh Wolfgang Special Electric Guitar For Sale (2024 Update)
- Yamaha G231 Ii Classical Guitar For Sale (2024 Update)
- Epiphone Les Paul Special Ii Guitar For Sale (2024 Update)
- Epiphone Les Paul Traditional Pro Iv Limited-Edition Electric Guitar For Sale (2024 Update)
- Epiphone Les Paul Traditional Pro-Iii Plus Limited Edition Electric Guitar Ocean Blue For Sale (2024 Update)
