Are you looking for the Cordoba Koa Ce Classical Acoustic Electric Guitar? If so, you’ve come to the right place.
Choosing the Cordoba Koa Ce Classical Acoustic Electric Guitar can be difficult as there are so many considerations, such as Kremona, Ortega, Taylor, Yamaha, Alvarez, Córdoba. We have done a lot of research to find the top 20 Cordoba Koa Ce Classical Acoustic Electric Guitar available.
The average cost is $590.89. Sold comparable range in price from a low of $235.00 to a high of $969.00.
Based on the research we did, we think Cordoba C7-CE Acoustic-Electric Classical Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Cordoba Koa Ce Classical Acoustic Electric Guitar (20 Sellers)
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Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- All-wood traditional rosette
- 4-ply maple and black top purfling
- 3-ply maple and black back purfling
Reviewers Noted:
Attractive . Craftsmanship . Sound quality
Features:
- Like new because no time to play. it.
- Perfect cosmetic.
- No scratch no dent.
$519.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- New cordoba nylon string model in the iberia series!
- Acoustic electric with fishman isys+ 2-band pickup and built-in tuner.
- Cutaway with solid sitka spruce top and beautiful sunburst finish.
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Lightweight
Features:
- Solid cedar top
- Handle: mahogany
- Back & sides: mahogany
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Entry-level crossover guitar featuring a comfortable, slim steel-string style neck (48mm nut width) with radiused fingerboard
- Your choice of solid canadian cedar top or european spruce top paired with mahogany back and sides
- Thoughtful touches include hand inlaid wooden rosette3 ply maple and ebony top purfling, and high gloss polyurethane finish
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- One of cordoba`s best selling crossover guitars
- Available with a solid canadian cedar top and rosewood back and sides
- Perfect blend of classic spanish designs with modern aesthetics
Features:
- The c1m-ce features a cutaway body shape for easier access to the higher frets and a cordoba gp-2 pickup system for amplified or acoustic playing.
- Like all córdoba instruments, c1m-ce models feature premium savarez strings and an adjustable truss rod for lifetime neck stability.
- Hand orientation: right.
$929.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Dimensions (overall): 5.1 inches (h) x 18.1 inches (w) x 40.5 inches (d).
- Weight: 5.7 pounds.
- Electronics condition: new.
$719.20
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Body type: classical
- Cutaway: single
- Bracing pattern: spanish fan
$764.95
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Thinner, narrower neck and built-in electronics make this an ideal crossover guitar.
- Rich, balanced tone courtesy of premium tonewoods.
- Excellent projection and dynamics due to the classic fan bracing constructi.
$379.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Condition: new
- Handedness: right-handed
- Model: c5ce
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Lightweight
Features:
- Great-sounding guitar at an amazing price
- Solid mahogany top for excellent definition and projection
- Traditional spanish fan bracing provides a balanced, lively sound
$349.00
5.0
Features:
- Small guitar, guitarlele or travel guitar
- Tuning: a-d-g-c-e-a
- Nylon strings
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Built with a solid european spruce top, cypress back and sides
- With a soft cutaway and fishman presys blend preamp, the gk studio is the ultimate gigging instrument and a córdoba best seller
- Made for the stage
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Made for the stage
- Rosewood back and sides
- Savarez strings
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Solid canadian cedar top
- Mahogany back and sides
- Lightweight, 3/4 size classical, 48mm nut width
$527.12
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- A traditional solid-topped classical pairing western red cedar and rosewood.
- *grain pattern may vary.
$969.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Great-sounding guitar at an amazing price
- Traditional spanish fan bracing provides a balanced, lively sound
- Mahogany back and sides for full-bodied frequency response
$650.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Solid canadian cedarback & sides.
- Solid mahoganybinding/bridge.
- Indian rosewood binding / indian rosewood bridgepurfling/inlay.
$489.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Traditional design
- Quality tonewoods
- Fishman electronics
1. Cordoba C7-Ce Acoustic-Electric Classical Guitar
Product Details:
Featuring a solid canadian cedar top and rosewood back and sides, the c7-ce adds a soft cutaway and fishman preamp to its sister model, the c7, and is a wonderful choice for beginner or intermediate guitarists who want to play on stage or record. the c7-ce's traditional fan bracing allows for maximum resonance and sustain, and offers a warm and well-balanced tone both acoustically or amplified through the fishman presys blend preamp, which includes an under-saddle pickup and an internal microphone. additional premium features such as a hand-inlaid wooden rosette, two-way adjustable truss rod, sleek high gloss pu finish, and onboard tuner makes this one of the best cutaway-electric nylon string guitars at this price. case sold separately.
Specifications:
| Build | Classical |
| Construction | Solid Top |
| Body Top | Solid Western Red Cedar |
| Top Bracing Pattern | Fan |
| Soundhole Diameter | 84mm (3 1/3") |
| Rosette | All Wood Traditional |
| Top Purfling Inlay | 4-ply Maple and Black |
| Top Binding | Rosewood |
| Side Purfling Inlay | 3-ply Maple and Black |
| Back and Sides Wood | Rosewood |
| Back Purfling Inlay | 3-Ply Maple and Black |
| Neck Material | Mahogany |
| Scale Length | 648mm (25 1/2") |
| Neck Shape | C Shape |
| Nut Width | 50mm (2") |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Rosewood |
| Fingerboard Inlays | N / A |
| Frets Total | 19 |
| Finish | Gloss Polyurethane |
| Bridge Material | Rosewood |
| Saddle Material | Bone |
| Nut Material | Bone |
| Tuning Machines | Cordoba Gold and Black with Black Buttons |
| Tap Plate | N / A |
| Electronics | Fishman Presys Blend |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Case Sold Separately |
| Upper Bout Width | 292mm (11 1/2") |
| Lower Bout Width | 371mm (14 5/8") |
| Body Depth Upper Bout | 95mm (3 3/4") |
| Body Depth Lower Bout | 100mm (4") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
| Dimensions (WxHxD) | No |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
2. Cordoba C7-Ce Cd Acoustic-Electric Nylon String Classical Guitar
Product Details:
The cordoba c7-ce cd/in has the same specifications as the c7 with an added cutaway and a fishman presys blend pickup with onboard digital tuner. perfect for gigging, clubs and other amplified uses. cordoba 100gb gig bag included. features- solid canadian cedar top. indian rosewood back and sides. rosewood binding and bridge with bone nut and saddle. maple and ebony top inlay purfling. all wood inlaid mosaic rosette. high gloss pu finish and natural color, mahogany neck/rosewood fingerboard. fishman presys blend pickup with 4 band eq and digital tuner.
Specifications:
| Weight | 23 lb |
Reviews:
I'm very happy with my new guitar, I bought this after play many models for more than 2 hours in the local store in Orlando. The Cordoba was my selection because this have a sweet sound, is very soft to play acords that require a large elongation, is very comfortable, is a "Impeccable" guitar. Really I recommend this guitar for enthusiast players!
Overall: I have to say I am very happy with my guitar. It is great unplugged, and even better going through a PA. I play a lot of classical, but also James Taylor, Paul Simon, etc. and the guitar works perfectly for that style as well. I am also very impressed by the customer service at zZounds. I had a problem with the first guitar I purchased and without hesitation they found a solution for me. Overall very satisfied with everything, the guitar is beautiful. I played many others in looking and this one stood out right away, strong sound, easy to play. Highly recommend.
3. Cordoba C5-Ce-Sb Classical With Electronics Sunburst
Product Details:
Gorgeous guitar that sounds great plugged in or unplugged! new cordoba nylon string model in the iberia series! acoustic electric with fishman isys+ 2-band pickup and built-in tunercutaway with solid sitka spruce top and beautiful sunburst finish. maple & ebony top purfling inlaymaple back & sides purling inlayfor a limited time – free cordoba polyfoam case included! savarez cristal corum in high tension 500cjthe c5-ce sb gives the best-selling cordoba c5-ce a fresh spin and a whole new vibe. it s got everything you love about the original c5-ce, which has been a mainstay in the iberia series for years, but adds the distinctly modern touch of a solid european spruce top with sunburst finish. mahogany back and sides and traditional spanish fan bracing add to the warm, yet crisp tone of this contemporary take. a soft cutaway and fishman isys+ make this unique guitar perfect for gigging. additional features include rosewood binding, bridge, and fingerboard, an all wood inlaid rosette, …
Specifications:
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
4. Cordoba Iberia C5cet Thinbody Classical Acoustic Electric Guitar, Cutaway, Natural
Product Details:
The c5-ce features a solid canadian cedar top and mahogany back and sides. the construction is based upon the traditional spanish classical guitar with the exception of a soft cutaway and a slightly thinner neck than a full-sized classical guitar. the fishman isys+ 2-band pickup system produces a rich and natural sound when amplified, perfect for gigging and recording. solid canadian cedar top. mahogany back & sides. indian rosewood binding / indian rosewood bridge. maple & ebony top, maple back & sides, purfling and inlay. all natural inlaid wood mosaic rosette. high gloss finish. mahogany neck, rosewood fingerboard. truss rod 650mm (25.6") scale length50mm (1.96") nut width. mother of pearl fret marker inlays. bone nut/saddle12 frets to body, 19 total. spanish fan bracing. cordoba gold tuning machines. savarez cristal corum in high tension 500cj strings. fishman isys+ with on board tuner.
Specifications:
| Body Top | Solid Western Red Cedar |
| Upper Bout Width | 292mm (11 1/2") |
| Lower Bout Width | 371mm (14 5/8") |
| Body Depth Upper Bout | 95mm (3 3/4") |
| Body Depth Lower Bout | 100mm (4") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
| Soundhole Diameter | 84mm (3 1/3") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Mahogany |
| Top Binding | Composite |
| Rosette | All Wood Traditional |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Mahogany |
| Nut Width | 50mm (2") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Gold with Pearl Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Electronics | Fishman Isys+ |
| Tap Plate | No |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Dimensions (WxHxD) | No |
Reviews:
This guitar seems to be well built and has a nice deep sound. I’ve only had it for about 30 days, but I play it frequently for hours each time. I am excited everyday to play it during my breaks or when I am at home. The tuner is convenient, the controls are clear and the glossy finish is attractive. I took the guitar to GC for a truss rod adjustment which lowered the action. Frets and fingerboard are all up to par. Not much else to say. This is a good mid-level beginner’s guitar. Guitar is the third instrument that I am learning, after piano and drums. I look forward to playing this guitar during my breaks, at work, and when I come home. Most cordoba acoustic electric models are smaller than the standard 2 inch nut width. I teach music at a school who has the non-electric version, so it took a bit of time getting used to this. Overall, I am pleased with my purchase. I know that I can grow into this guitar, and if necessary I can “upgrade” if I become really good and dedicated. But in the meantime, I am content with enjoying the journey.Brian
I have had this guitar over 5 years. The Suarez high tension strings give it a clean sound. Warm bass string and higher treble strings. The guitar looks great and holds sound longer then some of the guitars I own in this price range. Plan to stick with Cordoba is I ever upgrade. Also enjoy the cutout and pickup. After you change your strings it does take 1-2 days before your strings tighten and settle. This is due to the high tension.Eloy
I purchased this guitar about 3 weeks ago and wanted to wait to give a review until after I'd played it for a while… turns out my first impressions were really accurate — this is an excellent guitar! The C4-CE is well-built, beautiful, and sounds warm and full. The frets are smooth, and overall this guitar seems better-constructed than some more expensive nylon-string models that were available at my local GC. This is my first nylon-string guitar, though I have played acoustics for nearly 20 years. I did a lot of research prior to purchasing the C4-CE, and the sound, quality, and playability are really exceptional for the cost. The solid wood top resonates beautifully and I think the volume is great for nylon strings. I really look forward to owning and playing this guitar for years to come! (Plus, it's beautiful!)Ann V.
5. Cordoba Fusion 12 Natural Classical Acoustic-Electric Guitar
Product Details:
The fusion 12 natural cedar classical electric guitar belongs to cordoba's fusion series, a line of high quality crossover or hybrid style nylon string guitars designed to play and feel like steel string acoustics. most notably, the necks are carved thinner than traditional spanish-style "classical" guitars and have a nut width of 48mm (1-7/8"). with 12 frets to the body, these slimmer dimensions combined with a radiused fingerboard give the fusion 12 series the feel and playability that most steel string and electric guitar players are used to. tonally the fusion series models have all the warmth, body, and resonance that traditional classical nylon string guitars are known for, and are built using traditional spanish guitar methods like domed soundboards and fan bracing patterns. the 12 natural is built with a canadian cedar top paired with mahogany back and sides. the rosette is hand inlaid using maple and rosewood rings, and it features 3 ply maple and ebony top purfling for a sleek aesthetic. it also comes equipped with the fishman presys pickup. the fingerboard and bridge are rosewood, neck has 12 frets to the body, and comes with a deluxe cordoba gig bag.
Specifications:
| Body Top | Solid Western Red Cedar |
| Upper Bout Width | 279mm (11") |
| Lower Bout Width | 368mm (14 1/2") |
| Body Depth Upper Bout | 85mm (3 1/3") |
| Body Depth Lower Bout | 95mm (3 3/4") |
| Body Length | 483mm (19") |
| Overall Length | 978mm (38 1/2") |
| Soundhole Diameter | 84mm (3 1/3") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Mahogany |
| Top Binding | Pau Ferro |
| Rosette | Maple and Black Rings |
| Top Purfling Inlay | Maple and Black |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Nut Width | 48mm (1 7/8") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Silver with Black Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Electronics | Fishman Presys |
| Tap Plate | No |
| Strings | Savarez Corum Alliance High Tension 500AJ |
| Included Case | Cordoba Deluxe Gig Bag |
Reviews:
It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY
Overall: Before I say anything about the guitar I need to say something special about zZounds. 12 equal payments for this fabulous instrument, are you kidding me? As long as zZounds sells what I need I will always buy from zZounds. The guitar is great. The Orchestra model is worth the extra $. I also bought the Gator case which is vault like protection. What sold me was the feel of the neck was made for steel string and electric guitar players. If you've ever wondered why traditional classical guitar necks feel like a baseball bat there's a reason. Classical guitars from the past (1500, 1600, etc) had NO TRUST ROD so the neck had to be really big. Why haven't they changed that in the modern era? Tradition is a hard habit to change so thank God Cordoba used some common sense.
Have been searching for an affordable and highly playable A/E nylon string for years. Started with a Cordoba C5-CE that I liked a lot (partial to cedar tops), but could never get the intonation and action right. Then tried the top of the line Lucero, but that one was bad luck – sound guy pulled on a cord without looking, and it fell forward and easily busted the headstock, which scared me away from getting another one. Then went cheap-o and bought a Harley Benton and put in Fishman electronics, but it just sounded cheap onstage. Tried this one out, and it's been lights-out ever since…can't put it down.Bob
6. Cordoba Fusion Orchestra Ce Cedar
Product Details:
The orchestra ce is a solid top, cutaway electro guitar from cordoba's fusion line. the purpose of this series is to offer a nylon-strung guitar to a player that prefers a thinner neck profile than a traditional classical guitar and also sports a radiused fingerboard.the top of the guitar is made from solid canadian cedar and features rosewood back and sides. this is a classic choice for nylon-strung guitars and with good reason – it sounds great! as mentioned, the guitar features a slim neck and the nut width is 48mm as opposed to a more traditional 50.8mm. the neck joins the body at the 12th fret. this gives a beautiful and mellow sound yet access to the higher frets is still easy due to the cutaway.this guitar is an excellent balance between traditional woods combined and modern design. the rosette is wooden and hand-inlaid, the body is bound in mahogany and the guitar has a gloss-finish – this all amounts to tremendous value for money. the guitar also includes fishman's presys blend pickup system. this is fantastic as it combines an under saddle piezo with an internal microphone that can be blended in. this will help re-create a natural sound without having to use an external mic.
Specifications:
| Build | Crossover |
| Construction | Solid Top |
| Body Top | Solid Western Red Cedar |
| Top Bracing Pattern | Fan |
| Soundhole Diameter | 84mm (3 1/3") |
| Rosette | Maple and Black Rings |
| Top Purfling Inlay | Maple and Black |
| Top Binding | Mahogany |
| Side Purfling Inlay | Maple and Black |
| Back and Sides Wood | Rosewood |
| Back Purfling Inlay | Maple and Black |
| Neck Material | Mahogany |
| Scale Length | 648mm (25 1/2") |
| Neck Shape | Crossover C Shape |
| Nut Width | 48mm (1 7/8") |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Ebony |
| Frets Total | 19 |
| Finish | Gloss Polyurethane |
| Bridge Material | Rosewood |
| Saddle Material | Bone |
| Nut Material | Bone |
| Tuning Machines | Cordoba Silver with Black Buttons |
| Electronics | Fishman Presys Blend |
| Strings | Savarez Corum Alliance High Tension 500AJ |
| Upper Bout Width | 279mm (11") |
| Lower Bout Width | 368mm (14 1/2") |
| Body Depth Upper Bout | 95mm (3 3/4") |
| Body Depth Lower Bout | 100mm (4") |
| Body Length | 483mm (19") |
| Overall Length | 978mm (38 1/2") |
Reviews:
It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY
Overall: Before I say anything about the guitar I need to say something special about zZounds. 12 equal payments for this fabulous instrument, are you kidding me? As long as zZounds sells what I need I will always buy from zZounds. The guitar is great. The Orchestra model is worth the extra $. I also bought the Gator case which is vault like protection. What sold me was the feel of the neck was made for steel string and electric guitar players. If you've ever wondered why traditional classical guitar necks feel like a baseball bat there's a reason. Classical guitars from the past (1500, 1600, etc) had NO TRUST ROD so the neck had to be really big. Why haven't they changed that in the modern era? Tradition is a hard habit to change so thank God Cordoba used some common sense.
Having always been a steel string/electric player I wanted to add a classical/nylon string to the collection and after a lot of trials and research I ended up with one of these. Appearance and feel wise, it could easily stand up against guitars twice the price in my opinion and sound wise I'd have to say the same. It's got a wonderful rich warm sound but the highs just cut through beautifully and that's before plugging it, as it truly comes to life then. The pickups sound ace and the blended mic/pick up makes it sound absolutely mind blowing giving an airy clear sound, but with lows that resonate. Definitely recommend checking one of these out, especially if moving from steel strung.T M.
7. Cordoba C1m-Ce – Acoustic Electric Classical Guitar
Product Details:
The cordoba c1m-ce classical guitar is the master of melodies. boasting resonant mahogany back and sides, it has a lusciously warm voicing which will caress your ears. you can also expect excellent projection thanks to the spruce top, which will project the sweetness of the nylon strings with plenty of volume. speaking of volume, if you want to crank it up, you can do so with ease thanks to the undersaddle piezo pickup and cordoba gp-2 preamp. prepare to bring your best music straight to your audiences' ears.
8. Cordoba Fusion Orchestra Ce Crossover Classical Acoustic-Electric Guitar Teardrop Sunburst
Product Details:
The orchestra ce is one of cordoba's best-selling crossover guitars. with a solid canadian cedar top and rosewood back and sides, this model's main feature is its slim neck profile and only 12 frets to the body, which maximizes the amount of resonance and vibration across the soundboard. it's the perfect blend of classic spanish designs with modern aestheticsa hand-inlaid wooden rosette, elegant mahogany binding and a high-gloss polyurethane finish. ready to plug in and play, the orchestra ce comes equipped with the fishman presys blend preamp.case sold separately.fusion seriesthe orchestra ce belongs to c? rdobas fusion series, a line of high-quality crossover/hybrid nylon-string guitars designed to play and feel like steel-string acoustics. with the option of 12 or 14 frets to the body on most models, these slimmer dimensions, combined with a radiused fingerboard, give the fusion series the feel and playability that most steel string and electric guitar players prefer. tonally, the fusion series models have all the warmth, body and resonance that traditionalclassical? nylon string guitars are known for, and are built using traditional spanish guitar methods like domed soundboards and fan bracing patterns.
Specifications:
| Body type | Crossover |
| Cutaway | Single |
| Top wood | Solid Western red cedar |
| Back and sides | Rosewood |
| Bracing pattern | Fan |
| Body finish | Gloss Polyurethane |
| Orientation | Right handed |
| Neck shape | Crossover C |
| Nut width | 1.875" (48 mm) |
| Fingerboard | Ebony |
| Neck wood | Mahogany |
| Scale length | 25.5" |
| Number of frets | 19 |
| Neck finish | Gloss |
| Pickup/preamp | Yes |
| Configuration | Sidemounted preamp |
| Preamp EQ | 4-band |
| Feedback filter | Notch, Phase |
| Tuner | Yes |
| Headstock overlay | Rosewood |
| Tuning machines | Cordoba silver with black buttons |
| Bridge | Rosewood |
| Saddle and nut | Bone |
| Number of strings | 6 |
| Country of origin | China |
Reviews:
It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY
Overall: Before I say anything about the guitar I need to say something special about zZounds. 12 equal payments for this fabulous instrument, are you kidding me? As long as zZounds sells what I need I will always buy from zZounds. The guitar is great. The Orchestra model is worth the extra $. I also bought the Gator case which is vault like protection. What sold me was the feel of the neck was made for steel string and electric guitar players. If you've ever wondered why traditional classical guitar necks feel like a baseball bat there's a reason. Classical guitars from the past (1500, 1600, etc) had NO TRUST ROD so the neck had to be really big. Why haven't they changed that in the modern era? Tradition is a hard habit to change so thank God Cordoba used some common sense.
Having always been a steel string/electric player I wanted to add a classical/nylon string to the collection and after a lot of trials and research I ended up with one of these. Appearance and feel wise, it could easily stand up against guitars twice the price in my opinion and sound wise I'd have to say the same. It's got a wonderful rich warm sound but the highs just cut through beautifully and that's before plugging it, as it truly comes to life then. The pickups sound ace and the blended mic/pick up makes it sound absolutely mind blowing giving an airy clear sound, but with lows that resonate. Definitely recommend checking one of these out, especially if moving from steel strung.T M.
9. Cordoba Fusion Orchestra Ce Crossover Classical Acoustic-Electric Guitar Natural 194744743191
Product Details:
The orchestra ce is one of cordoba's best-selling crossover guitars. with a solid canadian cedar top and rosewood back and sides, this model's main feature is its slim neck profile and only 12 frets to the body, which maximizes the amount of resonance and vibration across the soundboard. it's the perfect blend of classic spanish designs with modern aestheticsa hand-inlaid wooden rosette, elegant mahogany binding and a high-gloss polyurethane finish. ready to plug in and play, the orchestra ce comes equipped with the fishman presys blend preamp. – case sold separately. – fusion series – the orchestra ce belongs to crdobas fusion series, a line of high-quality crossover/hybrid nylon-string guitars designed to play and feel like steel-string acoustics. with the option of 12 or 14 frets to the body on most models, these slimmer dimensions, combined with a radiused fingerboard, give the fusion series the feel and playability that most steel string and electric guitar players prefer. tonally, the fusion series models have all the warmth, body and resonance that traditional classical nylon string guitars are known for, and are built using traditional spanish guitar methods like domed soundboards and fan bracing patterns. – maple and black rings rosette – maple and black top purfling – mahogany top binding – dual action truss rod – fishman presys blend electronics – savarez corum alliance high tension 500cj strings
Specifications:
| Body type | Crossover |
| Cutaway | Single |
| Top wood | Solid Western red cedar |
| Back and sides | Rosewood |
| Bracing pattern | Fan |
| Body finish | Gloss Polyurethane |
| Orientation | Right handed |
| Neck shape | Crossover C |
| Nut width | 1.875" (48 mm) |
| Fingerboard | Ebony |
| Neck wood | Mahogany |
| Scale length | 25.5" |
| Number of frets | 19 |
| Neck finish | Gloss |
| Pickup/preamp | Yes |
| Configuration | Sidemounted preamp |
| Preamp EQ | 4-band |
| Feedback filter | Notch, Phase |
| Tuner | Yes |
| Headstock overlay | Rosewood |
| Tuning machines | Cordoba silver with black buttons |
| Bridge | Rosewood |
| Saddle and nut | Bone |
| Number of strings | 6 |
| Country of origin | China |
Reviews:
It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY
Overall: Before I say anything about the guitar I need to say something special about zZounds. 12 equal payments for this fabulous instrument, are you kidding me? As long as zZounds sells what I need I will always buy from zZounds. The guitar is great. The Orchestra model is worth the extra $. I also bought the Gator case which is vault like protection. What sold me was the feel of the neck was made for steel string and electric guitar players. If you've ever wondered why traditional classical guitar necks feel like a baseball bat there's a reason. Classical guitars from the past (1500, 1600, etc) had NO TRUST ROD so the neck had to be really big. Why haven't they changed that in the modern era? Tradition is a hard habit to change so thank God Cordoba used some common sense.
Having always been a steel string/electric player I wanted to add a classical/nylon string to the collection and after a lot of trials and research I ended up with one of these. Appearance and feel wise, it could easily stand up against guitars twice the price in my opinion and sound wise I'd have to say the same. It's got a wonderful rich warm sound but the highs just cut through beautifully and that's before plugging it, as it truly comes to life then. The pickups sound ace and the blended mic/pick up makes it sound absolutely mind blowing giving an airy clear sound, but with lows that resonate. Definitely recommend checking one of these out, especially if moving from steel strung.T M.
10. Cordoba Fusion Orchestra Ce Cd Acoustic Electric Nylon String Classical Guitar
Product Details:
The cordoba fusion orchestra ce classical acoustic electric guitar blends steel string playability with the warm sound of a nylon-string guitar. this model features both the bracing and heel of a traditional spanish guitar in addition to a thinner neck and radiused fretboard, making it similar to steel string or electrics. the fusion orchestra ce features an added cutaway to provide easy access to the upper frets. the solid mahogany neck paired with the thinner 48 millimeters, 1 7/8 inches nut width, makes this guitar comfortable for any player to hold. the most notable characteristics of the orchestra ce are the dark and punchy bass tones, strong, round trebles and balanced mids. the fishman presys blend includes a 4band eq and convenient onboard tuner. this guitar comes with a deluxe padded cordoba gig bag.
Specifications:
| Back and Sides | Indian Rosewood |
| Binding/Bridge | Mahogany binding/Indian rosewood bridge |
| Purfling/Inlay | 3 ply maple and ebony top, back, and side purfling |
| Rosette | All natural inlaid wood rings |
| Finish | High gloss PU finish |
| Neck/Fingerboard | Mahogany neck/Ebony radiused fingerboard |
| Scale Length | 25.6 inches, 650 millimeters |
| Nut Width | 1 7/8 inches, 48 millimeters |
| Fret Marker Inlays | Mother of Pearl at 3, 5, 7, 9, 12, 15, 17 |
| Nut/Saddle | Bone |
| Number of Frets | 12 to body, 19 total |
| Bracing/Build | Spanish fan bracing, cutaway electric |
| Turning Machines | Cordoba Silver Tuning Machines |
| Strings | Savarez Corum Alliance High Tension, 500AJ |
Reviews:
It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY
Overall: Before I say anything about the guitar I need to say something special about zZounds. 12 equal payments for this fabulous instrument, are you kidding me? As long as zZounds sells what I need I will always buy from zZounds. The guitar is great. The Orchestra model is worth the extra $. I also bought the Gator case which is vault like protection. What sold me was the feel of the neck was made for steel string and electric guitar players. If you've ever wondered why traditional classical guitar necks feel like a baseball bat there's a reason. Classical guitars from the past (1500, 1600, etc) had NO TRUST ROD so the neck had to be really big. Why haven't they changed that in the modern era? Tradition is a hard habit to change so thank God Cordoba used some common sense.
Having always been a steel string/electric player I wanted to add a classical/nylon string to the collection and after a lot of trials and research I ended up with one of these. Appearance and feel wise, it could easily stand up against guitars twice the price in my opinion and sound wise I'd have to say the same. It's got a wonderful rich warm sound but the highs just cut through beautifully and that's before plugging it, as it truly comes to life then. The pickups sound ace and the blended mic/pick up makes it sound absolutely mind blowing giving an airy clear sound, but with lows that resonate. Definitely recommend checking one of these out, especially if moving from steel strung.T M.
11. Cordoba C5ce Cutaway Acoustic Electric Classical Guitar
Product Details:
12. Cordoba C4-Ce Acoustic Electric Guitar
Product Details:
The c4-ce's solid african mahogany top provides a crisp, articulate tone, combined with african mahogany back and sides for balanced volume and sustain. the construction is based upon our traditional spanish classical guitar, with the inclusion of a soft cutaway and a slightly thinner 50mm-width neck designed for comfortable playability and easy upper-register reach. premium design elements such as a maple binding, abalone rosette, and a striking edgeburst finish will help you stand out from the crowd. the fishman sonitone active pickup system produces a rich and natural sound when amplified, and puts the soundhole mounted controls at your fingertips – perfect for gigging and recording.
Reviews:
This guitar seems to be well built and has a nice deep sound. I’ve only had it for about 30 days, but I play it frequently for hours each time. I am excited everyday to play it during my breaks or when I am at home. The tuner is convenient, the controls are clear and the glossy finish is attractive. I took the guitar to GC for a truss rod adjustment which lowered the action. Frets and fingerboard are all up to par. Not much else to say. This is a good mid-level beginner’s guitar. Guitar is the third instrument that I am learning, after piano and drums. I look forward to playing this guitar during my breaks, at work, and when I come home. Most cordoba acoustic electric models are smaller than the standard 2 inch nut width. I teach music at a school who has the non-electric version, so it took a bit of time getting used to this. Overall, I am pleased with my purchase. I know that I can grow into this guitar, and if necessary I can “upgrade” if I become really good and dedicated. But in the meantime, I am content with enjoying the journey.Brian
I have had this guitar over 5 years. The Suarez high tension strings give it a clean sound. Warm bass string and higher treble strings. The guitar looks great and holds sound longer then some of the guitars I own in this price range. Plan to stick with Cordoba is I ever upgrade. Also enjoy the cutout and pickup. After you change your strings it does take 1-2 days before your strings tighten and settle. This is due to the high tension.Eloy
I purchased this guitar about 3 weeks ago and wanted to wait to give a review until after I'd played it for a while… turns out my first impressions were really accurate — this is an excellent guitar! The C4-CE is well-built, beautiful, and sounds warm and full. The frets are smooth, and overall this guitar seems better-constructed than some more expensive nylon-string models that were available at my local GC. This is my first nylon-string guitar, though I have played acoustics for nearly 20 years. I did a lot of research prior to purchasing the C4-CE, and the sound, quality, and playability are really exceptional for the cost. The solid wood top resonates beautifully and I think the volume is great for nylon strings. I really look forward to owning and playing this guitar for years to come! (Plus, it's beautiful!)Ann V.
13. Cordoba Mini Koa Limited Koa/koa W/bag
Product Details:
The cordoba mini koa limited edition acoustic is exotic in every way. this rare beauty has a body crafted entirely from koa, a tonewood with hawaiian heritage. you'll have rich harmonies and textures flowing in abundance, granting you a gorgeous balance of warmth and brightness that is perfect for a range of playing styles. it's all possible with this distinctly beautiful, exquisitely voiced wood. let your inspiration find new heights, unleash your musical skill on the rosewood fretboard whilst the thin u-shaped neck sits comfortably on your palm, and become engulfed in a heavenly playing experience. everything about this instrument, from its sound to its seamless playability, are qualities you would expect in a full-sized model. and yet you'll still be able to relish the convenience of easy transportation. its compact, travel shape is wonderfully lightweight, making it effortless to carry and take with you from a to b. whether you're on your way to the studio, on the road to your next gig, or just wanting to jam with friends, this guitar will quickly become your go-to companion. better still, a gig bag is included, making travelling even easier and ensuring your prized possession stays in immaculate condition.
Specifications:
Reviews:
14. Cordoba Gk Studio Flamenco Acoustic-Electric Guitar
Product Details:
Built with a solid european spruce top, cypress back and sides, soft cutaway and fishman presys blend preamp, the gk studio is the ultimate gigging instrument and a córdoba best-seller. made for the stage, the gk studio is constructed with a slightly thinner body depth, neck and nut width than a traditional spanish guitar. the gk studio’s neck is designed to have little or no relief, offering low action for ease of comfort and quick playability. flamenco players will love its bright, snappy tone designed to cut through a noisy venue. however, any guitarist looking for a new tone will feel right at home. like every córdoba guitar, this model has a two-way truss rod built into the neck. other premium features include a high-gloss finish, clear, flamenco-style tap plate and savarez strings. case sold separately.
Specifications:
| Length | 18 in |
| Height | 46 in |
| Width | 8 in |
Reviews:
The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S
15. Cordoba Gk Studio Negra Acoustic-Electric Guitar
Product Details:
Built with a solid european spruce top, rosewood back and sides, soft cutaway and fishman presys blend preamp, the gk studio negra is the ultimate gigging instrument and a córdoba best-seller. made for the stage, the gk studio negra is constructed with a slightly thinner body depth, neck and nut width than a traditional spanish guitar. the neck is designed to have little or no relief, offering low action for ease of comfort and quick playability. flamenco players choose this model for a bassier and more robust tone in contrast to the bright, snappy sound of ‘blanca’ flamenco guitars. however, any guitarist looking for a new tone will feel right at home. like every córdoba guitar, this model has a two-way truss rod built into the neck. other premium features include a high gloss finish, clear flamenco-style tap plate, and savarez strings. case sold separately.
Specifications:
| Build | Flamenco |
| Construction | Solid Top |
| Body Top | Solid European Spruce |
| Top Bracing Pattern | Fan |
| Soundhole Diameter | 84mm (3 1/3") |
| Rosette | All Wood Traditional |
| Top Purfling Inlay | 3-ply Maple and Black |
| Top Binding | Maple |
| Back and Sides Wood | Rosewood |
| Neck Material | Mahogany |
| Scale Length | 648mm (25 1/2") |
| Neck Shape | C Shape |
| Nut Width | 50mm (2") |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Rosewood |
| Frets Total | 19 |
| Finish | Gloss Polyurethane |
| Bridge Material | Rosewood |
| Saddle Material | Bone |
| Nut Material | Bone |
| Tuning Machines | Cordoba Gold and Black with Black Buttons |
| Tap Plate | Yes |
| Electronics | Fishman Presys Blend |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Case Sold Separately |
| Upper Bout Width | 286mm (11 1/4") |
| Lower Bout Width | 368mm (14 1/2") |
| Body Depth Upper Bout | 85mm (3 1/3") |
| Body Depth Lower Bout | 90mm (3 1/2") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
Reviews:
The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S
16. Cordoba Cadete 3/4 Size Acoustic Nylon String Classical Guitar
Product Details:
Slightly larger than the requinto 580, the cadete is a 3/4 size guitar (615mm scale length). it has the traditional spanish 7 fan bracing, a solid cedar top and mahogany back and sides. additional features include a hand inlaid wooden rosette, gold tuning machines with pearl buttons and a rosewood fingerboard. an adjustable truss rod is built into the neck. this is a great guitar for anyone looking for a lightweight, comfortable, and easy playing instrument.the cordoba cadete comes strung with high tension savarez guitar strings, which are meant to be used in standard e tuning only. for a guitar that is designed to withstand higher pitched tunings, consider cordoba's c1 1/4, c1 1/2, or requinto 580. case sold separately.
Specifications:
| Build | Small Body |
| Construction | Solid Top |
| Body Top | Solid Western Red Cedar |
| Top Bracing Pattern | Fan |
| Soundhole Diameter | 84mm (3 1/3") |
| Rosette | All Wood Traditional |
| Top Binding | Composite |
| Back and Sides Wood | Mahogany |
| Neck Material | Mahogany |
| Scale Length | 615mm (24.2") |
| Neck Shape | C Shape |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Frets Total | 19 |
| Finish | Gloss Polyurethane |
| Saddle Material | Bone |
| Nut Material | Bone |
| Tuning Machines | Cordoba Gold with Pearl Buttons |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Upper Bout Width | 260mm (10 1/4") |
| Lower Bout Width | 343mm (13 1/2") |
| Body Depth Upper Bout | 80mm (3 1/8") |
| Body Depth Lower Bout | 85mm (3 1/3") |
| Body Length | 457mm (18") |
| Overall Length | 940mm (37") |
| Country of Origin | China |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
17. Cordoba C7 Cd Classical Nylon Acoustic Guitar In Natural
Product Details:
A traditional solid-topped classical pairing western red cedar and rosewood. the c7 is a wonderful choice for beginner or intermediate guitarists. a step up from our c5, the c7 offers rosewood back and sides with the choice of a solid cedar top to achieve a warm classic nylon string sound, or a solid european spruce top for a brighter tone. the c7's traditional fan bracing allows for maximum resonance and sustain and premium features such as a hand-inlaid wooden rosette, two-way adjustable truss rod, and a sleek high gloss pu finish. available at ken stanton music. *grain pattern may vary
Specifications:
| Neck Joint | Dovetail |
| Fret Dimensions | 2.0mm (W) x 1.1mm (H) |
| Back Binding | Rosewood |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
18. Cordoba C9 Classical Nylon String Guitar
Product Details:
One of the original models in cordobas luthier series, the cordoba c9 is built with the choice of a solid canadian cedar top or solid european spruce top with solid mahogany back and sides. the c9 features a fan bracing pattern, which gives the center of the soundboard more surface area to vibrate and respond to the tension of the strings. a more responsive soundboard makes the guitar louder, and provides better tone. the c9 is the perfect choice for the serious classical guitarist, or for any player looking to upgrade to a concert level instrument at an affordable price. like every guitar in the luthier series, the c9 is built with spanish heel construction, where the top of the guitar is attached to the neck, the sides are added next, and the guitars body is sealed by the installation of the back. this construction feature allows the entire instrument to vibrate as one unified piece. the c9 has the neck shape and flat fingerboard characteristic of traditional classical guitars and includes the added benefit of a two way truss rod built into the neck. cordoba recently expanded upon the c9, offering two new options that appeal to guitarists from all backgrounds: the c top: solid canadian ceder. back sides: solid mahogany. binding/bridge: indian rosewood binding / indian rosewood bridge. purfling inlay: 6 ply colored wood top purfling, 3 ply maple and ebony back and side purfling. rosette: mother of pearl and ebony "esteso" weave. finish: high gloss. fingerboard: mahogany neck. rosewood fingerboard. truss rod: two way adjustable, 4mm. scale length: 650mm (25.6"). nut width: 52mm (2.04"). string spacing at saddle: 59mm. fret marker inlays: mother of pearl at 5, 7, 9. nut/saddle: bone. number of frets: 12 to body, 19 total. bracing: spanish fan bracing. body length: 290mm (11.4") at upper bout, 370mm (14.6") at lower bout. overall length: 39". body depth: 95mm (3.7") at upper bout, 97mm (3.8") at lower bout.
Specifications:
| Body Top | Solid Western Red Cedar |
| Upper Bout Width | 292mm (11 1/2") |
| Lower Bout Width | 371mm (14 5/8") |
| Body Depth Upper Bout | 95mm (3 3/4") |
| Body Depth Lower Bout | 100mm (4") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
| Soundhole Diameter | 84mm (3 1/3") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Solid African Mahogany |
| Top Binding | Rosewood |
| Rosette | Pearloid Esteso Weave Pattern |
| Top Purfling Inlay | Padauk, Maple and Black |
| Side Purfling Inlay | Maple and Black |
| Back Purfling Inlay | Maple and Black |
| Bridge Material | Ebony |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Mahogany |
| Fingerboard Material | Ebony |
| Nut Width | 52mm (2") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Premium Gold with Black Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Tap Plate | No |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Cordoba Polyfoam Case |
| Dimensions (WxHxD) | No |
Reviews:
I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz
I went to a guitar store specializing in classical guitars, and tried out a whole lot. For the price, I could not find a better-sounding guitar (if you are after the flamenco sound). Other options: While I originally intended to buy a Cordoba with cutaway and electronics, I found that those guitars (despite from being 50% more expensive) lacked in the quality of sound. A pickup from something like Kremona would cost a lot less. Sound: This guitar has a very clear sound – something you want regardless of the type of guitar. The notes do not sound muffled or dead. The flamenco construction adds to this by producing a shorter sustain, and a very bright tone. At times, it sounds similar to bells ringing. Additionally, there is a little bit of fret buzz on the bass strings when played hard – nowhere near the amount of buzz a flamenco requires, but the bridge had a lot of room to be sanded down if that's what you are after. This should go without mention, but this guitar is made for a flamenco/percussive style of playing. It is entirely possible to play classical music on it, but that music will sound better on the classical equivalent (Cordoba C7). For percussive playing, tapping various regions of the top produces a range of sounds from dull to sharp and bring – lots of potential there. Construction: I found that this guitar is built very well. It would be nice to see book-matched top and bottom, but this is after all an entry level flamenco guitar. Value: I think this is a great guitar for the price. Nothing sounds better (flamenco-wise) in guitars up to two or three times the price. Not to mention the gig bag, and truss rod – something a lot of guitars do not come with.VladimirK
I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci
19. Cordoba C9 Sp/mh Acoustic Nylon String Classical Guitar
Product Details:
One of the original models in cordoba's luthier series, the cordoba c9 is built with solid european spruce top with solid mahogany back and sides. the c9 features a fan bracing pattern, which gives the center of the soundboard more surface area to vibrate and respond to the tension of the strings. a more responsive soundboard makes the guitar louder, and provides better tone. like every guitar in the luthier series, the c9 is built with spanish heel construction, where the top of the guitar is attached to the neck, the sides are added next, and the guitar' body is sealed by the installation of the back. this construction feature allows the entire instrument to vibrate as one unified piece. the c9 has the neck shape and flat fingerboard characteristic of traditional classical guitars, and includes the added benefit of a two-way truss rod built into the neck. cordoba recently expanded upon the c9, offering two new options that appeal to guitarists from all backgrounds: the c9 parlor, which has a 7/8 size body shape and 50mm nut width, and the c9 crossover, which is a full size guitar with a slim neck profile, radiused fingerboard, and 48mm nut width. aesthetic touches like the mother-of-pearl weave rosette inspired by a 1920's domingo esteso guitar add a touch of vintage elegance to this best-seller. other premium features include an rosewood fingerboard, rosewood bridge, high gloss finish, and savarez cristal corum strings. the c9 includes cordoba's lightweight polyfoam case.
Specifications:
| Body Top | Solid European Spruce |
| Upper Bout Width | 292mm (11 1/2") |
| Lower Bout Width | 371mm (14 5/8") |
| Body Depth Upper Bout | 95mm (3 3/4") |
| Body Depth Lower Bout | 100mm (4") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
| Soundhole Diameter | 84mm (3 1/3") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Solid African Mahogany |
| Top Binding | Rosewood |
| Rosette | Pearloid Esteso Weave Pattern |
| Top Purfling Inlay | Padauk, Maple and Black |
| Side Purfling Inlay | Maple and Black |
| Back Purfling Inlay | Maple and Black |
| Bridge Material | Ebony |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Mahogany |
| Fingerboard Material | Ebony |
| Nut Width | 52mm (2") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Premium Gold with Black Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Tap Plate | No |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Cordoba Polyfoam Case |
Reviews:
I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz
I went to a guitar store specializing in classical guitars, and tried out a whole lot. For the price, I could not find a better-sounding guitar (if you are after the flamenco sound). Other options: While I originally intended to buy a Cordoba with cutaway and electronics, I found that those guitars (despite from being 50% more expensive) lacked in the quality of sound. A pickup from something like Kremona would cost a lot less. Sound: This guitar has a very clear sound – something you want regardless of the type of guitar. The notes do not sound muffled or dead. The flamenco construction adds to this by producing a shorter sustain, and a very bright tone. At times, it sounds similar to bells ringing. Additionally, there is a little bit of fret buzz on the bass strings when played hard – nowhere near the amount of buzz a flamenco requires, but the bridge had a lot of room to be sanded down if that's what you are after. This should go without mention, but this guitar is made for a flamenco/percussive style of playing. It is entirely possible to play classical music on it, but that music will sound better on the classical equivalent (Cordoba C7). For percussive playing, tapping various regions of the top produces a range of sounds from dull to sharp and bring – lots of potential there. Construction: I found that this guitar is built very well. It would be nice to see book-matched top and bottom, but this is after all an entry level flamenco guitar. Value: I think this is a great guitar for the price. Nothing sounds better (flamenco-wise) in guitars up to two or three times the price. Not to mention the gig bag, and truss rod – something a lot of guitars do not come with.VladimirK
I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci
20. Cordoba C5-Ce Cd, Nylon String Acoustic-Electric Guitar – Cedar, Cahaya Guitar Bag Bundle : Prosoundgear.com
Product Details:
The cordoba c5-ce is a great value in a nylon-string acoustic-electric guitar. the c5-ce sports a mahogany back and sides, with a solid canadian red cedar top, for rich tone with a lively presence. the solid mahogany neck provides excellent sustain and detail. you'll also appreciate the playability of the slightly thinner neck and cutaway design for easy access to the upper frets. whether you're a beginner or experienced player, the c5-ce is a great deal. and with the gloss polyurethane finish, indian rosewood binding, and a stylish rosette, the cordoba c5-ce looks as good as it plays. cordoba c5-ce nylon-string acoustic-electric guitar at a glance: traditional design quality tonewoods fishman electronics traditional design the cordoba c5-ce classical guitar doesn't skimp on construction. the c5-ce features traditional handmade classical guitar design, including the solid red cedar top (choice top wood for classical guitars) and spanish-style fan bracing. fan bracing…
Specifications:
| String Type | Nylon |
| Number of Strings | 6 |
| Body Shape | Spanish Classic |
| Body Style | Single Cutaway |
| Finish | Gloss Polyurethane |
| Top Wood | Solid Canadian Cedar |
| Body Bracing | Fan Bracing |
| Binding | Indian Rosewood |
| Neck Shape | Cutaway-Electric Style Neck |
| Fingerboard Material | Rosewood |
| Number of Frets | 19 |
| Scale Length | 25.6" |
| Electronics | Fishman Isys+ with tuner |
| Overall Length | 39" |
| Body Depth | 3.7"-3.9" |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
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