Are you looking for the Cordoba C5 Ce Acoustic Electric Classical Guitar? If so, you’ve come to the right place.
Choosing the Cordoba C5 Ce Acoustic Electric Classical Guitar can be difficult as there are so many considerations, such as Kremona, Ortega, Yamaha, Córdoba. We have done a lot of research to find the top 20 Cordoba C5 Ce Acoustic Electric Classical Guitar available.
The average cost is $530.94. Sold comparable range in price from a low of $235.00 to a high of $1299.00.
Based on the research we did, we think Cordoba C5 Limited Classical Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Cordoba C5 Ce Acoustic Electric Classical Guitar (20 Sellers)
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Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Build classical
- Construction solid top
- Body top: solid western red cedar
$519.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- New cordoba nylon string model in the iberia series!
- Acoustic electric with fishman isys+ 2-band pickup and built-in tuner.
- Cutaway with solid sitka spruce top and beautiful sunburst finish.
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Lightweight
Features:
- Classic tonewoods for classic sounds
- Traditional build quality meets modern playability
- Fishman isys+ preamp gets you heard
$489.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Based on córdoba's top-selling c5-ce, the c5-ce spruce adds a new option to a fan favorite
- Soft cutaway provides easy access to the upper register
- Fishman presys ii preamp amplifies your signal for stage and studio
$299.00
4.4
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Lightweight
Features:
- Mahogany back and sides for full-bodied frequency response
- Solid spruce top for excellent definition and projection
- Mahogany neck with pau ferro fingerboard is smooth and responsive
$929.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Dimensions (overall): 5.1 inches (h) x 18.1 inches (w) x 40.5 inches (d).
- Weight: 5.7 pounds.
- Electronics condition: new.
$369.60
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- The c5-cet includes the same features as the c5-ce but in a sleek thinline body size. a great guitar for the crossover player looking for a warmer nylon sound, it…
$555.92
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Body depth: 95mm (3.7") at upper bout, 100mm (3.9") at lower bout
- Body width and length: 375mm (14.57") width at lower bout; 290mm (11.42) width at upper bout; 485mm / 19.09" body length
- Electronics: fishman isys+ with onboard tuner
Features:
- The c1m-ce features a cutaway body shape for easier access to the higher frets and a cordoba gp-2 pickup system for amplified or acoustic playing.
- Like all córdoba instruments, c1m-ce models feature premium savarez strings and an adjustable truss rod for lifetime neck stability.
- Hand orientation: right.
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Solid canadian cedar top
- Mahogany back and sides
- Lightweight, 3/4 size classical, 48mm nut width
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Solid canadian cedar top
- Mahogany back and sides
- Lightweight, 1/2 size classical
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Made for the stage
- Rosewood back and sides
- Savarez strings
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Built with a solid european spruce top, cypress back and sides
- With a soft cutaway and fishman presys blend preamp, the gk studio is the ultimate gigging instrument and a córdoba best seller
- Made for the stage
$495.35
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Maple back and sides for full-bodied frequency response
- Solid spruce top for excellent definition and projection
- Mahogany neck with pau ferro fingerboard is smooth and responsive
$749.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Less use , no scratch, no ding, no dent any place.
- Look like new.
- Good sound with amplifier, and non amplifier.
$529.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Maple back and sides for full-bodied frequency response
- Solid spruce top for excellent definition and projection
- Mahogany neck with pau ferro fingerboard is smooth and responsive
$479.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Solid sitka spruce top
- African mahogany back and sides
- Rosewood bridge and fingerboard
Reviewers Noted:
Well made . Durability . Sound quality . Visual appeal . Weight
Features:
- Pro-arte classical guitar strings.
- Ej46ff carbon strings.
- Silver plated wrap, composite dynacore, carbon trebles.
Reviewers Noted:
Good sound quality . Well made . Durable . Attractive . Weight
Features:
- Catalpa sides/back
- Mahogany neck
- Rosewood fingerboard and bridge
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Lightweight
Features:
- Entry-level crossover guitar featuring a comfortable, slim steel-string style neck (48mm nut width) with radiused fingerboard
- Your choice of solid canadian cedar top or european spruce top paired with mahogany back and sides
- Thoughtful touches include hand inlaid wooden rosette3 ply maple and ebony top purfling, and high gloss polyurethane finish
1. Cordoba C5 Limited Classical Guitar
Product Details:
A beautiful limited edition for limited time only, the top-selling c5 is available with flamed mahogany back and sides. perfect as a first nylon-string guitar, this lightweight model is built with a solid canadian cedar top and produces a warm, well-rounded tone with beautiful sustain. handmade in the traditional spanish style, the c5's carved headstock, hand-inlaid wood rosette, indian rosewood binding, savarez strings, and glossy pu finish result in a guitar that truly stands out from all other entry-level options. a lightweight adjustable truss rod is built into the neck for stability.
Specifications:
| Construction | Solid Top |
| Body Top | Solid Western Red Cedar |
| Top Bracing Pattern | Fan |
| Soundhole Diameter | 84mm (3 1/3") |
| Rosette | All Wood Traditional |
| Top Binding | Composite |
| Back and Sides Wood | Flamed Mahogany |
| Neck Material | Mahogany |
| Scale Length | 650mm (25 1/2") |
| Neck Shape | C Shape |
| Nut Width | 52mm (2") |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Pau Ferro |
| Frets Total | 19 |
| Finish | Gloss Polyurethane |
| Bridge Material | Pau Ferro |
| Saddle Material | Bone |
| Nut Material | Bone |
| Tuning Machines | Cordoba Gold with Pearl Buttons |
| Upper Bout Width | 292mm (11 1/2") |
| Lower Bout Width | 371mm (14 5/8") |
| Body Depth Upper Bout | 95mm (3 3/4") |
| Body Depth Lower Bout | 100mm (4") |
| Body Length | 489mm (19 1/4") |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
2. Cordoba C5-Ce-Sb Classical With Electronics Sunburst
Product Details:
Gorgeous guitar that sounds great plugged in or unplugged! new cordoba nylon string model in the iberia series! acoustic electric with fishman isys+ 2-band pickup and built-in tunercutaway with solid sitka spruce top and beautiful sunburst finish. maple & ebony top purfling inlaymaple back & sides purling inlayfor a limited time – free cordoba polyfoam case included! savarez cristal corum in high tension 500cjthe c5-ce sb gives the best-selling cordoba c5-ce a fresh spin and a whole new vibe. it s got everything you love about the original c5-ce, which has been a mainstay in the iberia series for years, but adds the distinctly modern touch of a solid european spruce top with sunburst finish. mahogany back and sides and traditional spanish fan bracing add to the warm, yet crisp tone of this contemporary take. a soft cutaway and fishman isys+ make this unique guitar perfect for gigging. additional features include rosewood binding, bridge, and fingerboard, an all wood inlaid rosette, …
Specifications:
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
3. Cordoba C5-Cet Classical Thinline Acoustic-Electric Guitar
Product Details:
The c5-cetbk includes the same features as the c5-cebk but in a sleek thinline body size. a great guitar for the crossover player looking for a warmer nylon sound, it features a solid canadian cedar top and mahogany back and sides with a jet black finish. the construction is based upon the traditional spanish classical guitar with the exception of a soft cutaway and a slightly thinner neck. the fishman isys+ 2band pickup system produces a rich and natural sound when amplified, perfect for gigging and recording. thinbody cutaway-electric. solid canadian cedar top. mahogany back and sides. traditional spanish styling with soft cutaway and thinner neck. fishman isys+ 2band pickup system.
Reviews:
This guitar seems to be well built and has a nice deep sound. I’ve only had it for about 30 days, but I play it frequently for hours each time. I am excited everyday to play it during my breaks or when I am at home. The tuner is convenient, the controls are clear and the glossy finish is attractive. I took the guitar to GC for a truss rod adjustment which lowered the action. Frets and fingerboard are all up to par. Not much else to say. This is a good mid-level beginner’s guitar. Guitar is the third instrument that I am learning, after piano and drums. I look forward to playing this guitar during my breaks, at work, and when I come home. Most cordoba acoustic electric models are smaller than the standard 2 inch nut width. I teach music at a school who has the non-electric version, so it took a bit of time getting used to this. Overall, I am pleased with my purchase. I know that I can grow into this guitar, and if necessary I can “upgrade” if I become really good and dedicated. But in the meantime, I am content with enjoying the journey.Brian
I have had this guitar over 5 years. The Suarez high tension strings give it a clean sound. Warm bass string and higher treble strings. The guitar looks great and holds sound longer then some of the guitars I own in this price range. Plan to stick with Cordoba is I ever upgrade. Also enjoy the cutout and pickup. After you change your strings it does take 1-2 days before your strings tighten and settle. This is due to the high tension.Eloy
I purchased this guitar about 3 weeks ago and wanted to wait to give a review until after I'd played it for a while… turns out my first impressions were really accurate — this is an excellent guitar! The C4-CE is well-built, beautiful, and sounds warm and full. The frets are smooth, and overall this guitar seems better-constructed than some more expensive nylon-string models that were available at my local GC. This is my first nylon-string guitar, though I have played acoustics for nearly 20 years. I did a lot of research prior to purchasing the C4-CE, and the sound, quality, and playability are really exceptional for the cost. The solid wood top resonates beautifully and I think the volume is great for nylon strings. I really look forward to owning and playing this guitar for years to come! (Plus, it's beautiful!)Ann V.
4. Cordoba C5-Ce Sp Classical Acoustic-Electric Guitar Natural
Product Details:
A staple in the iberia series, the cordoba c5-cebk features a solid top, mahogany back and sides and a jet-black finish. the construction is based upon the traditional spanish classical guitar with the exception of a soft cutaway and a slightly thinner neck. the fishman isys+ 2band pickup system produces a rich and natural sound when amplified – perfect for gigging and recording. like all guitars in the iberia series, the c5-cebk has a truss rod built into its neck. it features a solid canadian cedar or spruce top and african mahogany back and sides. the top is braced with a 5 fan torres style bracing system for a warm and resonant sound. the c5-ce neck is made of lightweight mahogany and is thinner than a standard classical guitar, with a fingerboard width at the nut of 50mm (1.96 inches) rather than 52mm (2 inches). the c5-ce is handmade and includes several detailed refinements like an all rosewood binding, bridge, headstock veneer, and heel cap. the rosette that has been inlaid by hand is made using all natural woods. the bband t35 pickup includes an onboard digital tuner, hzzless preamp, 3 band eq and phase switch for a clean sound when amplified.
Specifications:
| Construction | Solid Top |
| Overall Length | 984mm (38 3/4 inches) |
| Body Length | 489mm (19 1/4 inches) |
| Body Depth Lower Bout | 100mm (4 inches) |
| Upper Bout Width | 292mm (11 1/2 inches) |
| Waist Width | 248mm (9 3/4 inches) |
| Lower Bout Width | 371mm (14 5/8 inches) |
| Body Top | Solid Engelmann Spruce |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Mahogany |
| Rosette | All Wood Traditional |
| Rosette Width | 18mm |
| Saddle Material | Bone |
| Saddle Length | 80mm |
| Neck Material | Mahogany |
| Fingerboard Side Inlays | 1.5mm White ABS Dots |
| Fingerboard Side Inlay Location | 3 5 7 9 12 (x2) |
| Fingerboard Radius | Flat |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets to Body | 12 |
| Frets Total | 19 |
| Tuning Machines | Cordoba Gold with Pearl Buttons |
| Tuning Machine Buttons | Pearl White |
| Neck Joint | Dovetail |
| Finish | Gloss Polyurethane |
| Electronics Type | Undersaddle Piezo Onboard Tuner |
| Battery Pack | Fishman Combination Battery Box/Output Jack – 9V |
| Battery Pack Installation Location | Lower Bout Treble Side |
| Tap Plate | No |
| Body Depth Upper Bout | 95mm (3 3/4 inches) |
| Soundhole Diameter | 84mm (3 1/3 inches) |
| Bridge String Spacing | 60mm (2 3/8 inches) |
| Saddle Width | 3mm |
| Scale Length | 650mm (25 1/2 inches) |
| Nut Width | 50mm (2 inches) |
| Neck Shape | C Shape |
| Headplate | Composite |
| Soundboard Thickness | 2.8 – 3.0 mm |
| Fingerboard Material | Pau Ferro |
| Bridge Material | Pau Ferro |
| Top Binding | Composite |
| Back Binding | Composite |
| Back Center Strip | Pau Ferro |
| Tail Strip | Composite |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
5. Cordoba C5 Acoustic Nylon String Classical Guitar
Product Details:
Solid canadian cedar top mahogany back and sides lightweight, full-size classical with 52mm nut width savarez cristal corum strings in high tension, 500cj includes cordoba gig bag a solid-topped, handcrafted student guitar from a respected luthier at a great price. perfect for any aspiring classical guitarist or steel-string/electric wizard looking to take a walk on the wild nylon-string side. one of the original models of the iberia series, the c5 is a full-size acoustic nylon-string guitar with a solid canadian cedar top, mahogany back and sides and a rosewood fingerboard. handmade in the traditional spanish style, the c5 also features an all-wood inlaid rosette, rosewood binding, hand-carved headstock, fan bracing system, and bone nut and saddle. case sold separately.
Specifications:
| Body type | Classical |
| Cutaway | Non-cutaway |
| Top wood | Solid Canadian cedar |
| Bracing pattern | Spanish fan |
| Body finish | High Gloss Polyurethane |
| Orientation | Right handed |
| Neck shape | Traditional Classical |
| Nut width | 2.04" (52mm) |
| Fingerboard | Rosewood |
| Neck wood | Mahogany |
| Scale length | 25.6" |
| Number of frets | 20 |
| Neck finish | High Gloss |
| Pickup/preamp | No |
| Headstock overlay | Indian Rosewood |
| Tuning machines | Gold |
| Bridge | Indian Rosewood |
| Number of strings | 6-string |
Reviews:
This guitar seems to be well built and has a nice deep sound. I’ve only had it for about 30 days, but I play it frequently for hours each time. I am excited everyday to play it during my breaks or when I am at home. The tuner is convenient, the controls are clear and the glossy finish is attractive. I took the guitar to GC for a truss rod adjustment which lowered the action. Frets and fingerboard are all up to par. Not much else to say. This is a good mid-level beginner’s guitar. Guitar is the third instrument that I am learning, after piano and drums. I look forward to playing this guitar during my breaks, at work, and when I come home. Most cordoba acoustic electric models are smaller than the standard 2 inch nut width. I teach music at a school who has the non-electric version, so it took a bit of time getting used to this. Overall, I am pleased with my purchase. I know that I can grow into this guitar, and if necessary I can “upgrade” if I become really good and dedicated. But in the meantime, I am content with enjoying the journey.Brian
I have had this guitar over 5 years. The Suarez high tension strings give it a clean sound. Warm bass string and higher treble strings. The guitar looks great and holds sound longer then some of the guitars I own in this price range. Plan to stick with Cordoba is I ever upgrade. Also enjoy the cutout and pickup. After you change your strings it does take 1-2 days before your strings tighten and settle. This is due to the high tension.Eloy
I purchased this guitar about 3 weeks ago and wanted to wait to give a review until after I'd played it for a while… turns out my first impressions were really accurate — this is an excellent guitar! The C4-CE is well-built, beautiful, and sounds warm and full. The frets are smooth, and overall this guitar seems better-constructed than some more expensive nylon-string models that were available at my local GC. This is my first nylon-string guitar, though I have played acoustics for nearly 20 years. I did a lot of research prior to purchasing the C4-CE, and the sound, quality, and playability are really exceptional for the cost. The solid wood top resonates beautifully and I think the volume is great for nylon strings. I really look forward to owning and playing this guitar for years to come! (Plus, it's beautiful!)Ann V.
6. Cordoba Fusion Orchestra Ce Crossover Classical Acoustic-Electric Guitar Teardrop Sunburst
Product Details:
The orchestra ce is one of cordoba's best-selling crossover guitars. with a solid canadian cedar top and rosewood back and sides, this model's main feature is its slim neck profile and only 12 frets to the body, which maximizes the amount of resonance and vibration across the soundboard. it's the perfect blend of classic spanish designs with modern aestheticsa hand-inlaid wooden rosette, elegant mahogany binding and a high-gloss polyurethane finish. ready to plug in and play, the orchestra ce comes equipped with the fishman presys blend preamp.case sold separately.fusion seriesthe orchestra ce belongs to c? rdobas fusion series, a line of high-quality crossover/hybrid nylon-string guitars designed to play and feel like steel-string acoustics. with the option of 12 or 14 frets to the body on most models, these slimmer dimensions, combined with a radiused fingerboard, give the fusion series the feel and playability that most steel string and electric guitar players prefer. tonally, the fusion series models have all the warmth, body and resonance that traditionalclassical? nylon string guitars are known for, and are built using traditional spanish guitar methods like domed soundboards and fan bracing patterns.
Specifications:
| Body type | Crossover |
| Cutaway | Single |
| Top wood | Solid Western red cedar |
| Back and sides | Rosewood |
| Bracing pattern | Fan |
| Body finish | Gloss Polyurethane |
| Orientation | Right handed |
| Neck shape | Crossover C |
| Nut width | 1.875" (48 mm) |
| Fingerboard | Ebony |
| Neck wood | Mahogany |
| Scale length | 25.5" |
| Number of frets | 19 |
| Neck finish | Gloss |
| Pickup/preamp | Yes |
| Configuration | Sidemounted preamp |
| Preamp EQ | 4-band |
| Feedback filter | Notch, Phase |
| Tuner | Yes |
| Headstock overlay | Rosewood |
| Tuning machines | Cordoba silver with black buttons |
| Bridge | Rosewood |
| Saddle and nut | Bone |
| Number of strings | 6 |
| Country of origin | China |
Reviews:
It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY
Overall: Before I say anything about the guitar I need to say something special about zZounds. 12 equal payments for this fabulous instrument, are you kidding me? As long as zZounds sells what I need I will always buy from zZounds. The guitar is great. The Orchestra model is worth the extra $. I also bought the Gator case which is vault like protection. What sold me was the feel of the neck was made for steel string and electric guitar players. If you've ever wondered why traditional classical guitar necks feel like a baseball bat there's a reason. Classical guitars from the past (1500, 1600, etc) had NO TRUST ROD so the neck had to be really big. Why haven't they changed that in the modern era? Tradition is a hard habit to change so thank God Cordoba used some common sense.
Having always been a steel string/electric player I wanted to add a classical/nylon string to the collection and after a lot of trials and research I ended up with one of these. Appearance and feel wise, it could easily stand up against guitars twice the price in my opinion and sound wise I'd have to say the same. It's got a wonderful rich warm sound but the highs just cut through beautifully and that's before plugging it, as it truly comes to life then. The pickups sound ace and the blended mic/pick up makes it sound absolutely mind blowing giving an airy clear sound, but with lows that resonate. Definitely recommend checking one of these out, especially if moving from steel strung.T M.
7. Cordoba C5-Cet Classical Thinline Acoustic-Electric Guitar Natural 194744753008
Product Details:
The c5-cet includes the same features as the c5-ce but in a sleek thinline body size. a great guitar for the crossover player looking for a warmer nylon sound, it features a solid canadian cedar top and mahogany back and sides with a jet black finish. the construction is based upon the traditional spanish classical guitar with the exception of a soft cutaway and a slightly thinner neck. the fishman isys+ 2-band pickup system produces a rich and natural sound when amplified – perfect for gigging and recording. – choose black or natural. – case sold separately.bodybody type:classical – cutaway:single cutaway – top wood:solid – canadian cedar – back & sides:mahogany – bracing pattern:spanish fan – body finish:high glosspolyurethaneorientation:right handedneckneck shape: cutaway-electric style neck – nut width:1.96" (50mm)fingerboard:rosewood – neck wood:mahogany – scale length:25.6"number of frets:20neck finish:high glosselectronicspickup/preamp:yesbrand:fishmanconfiguration:undersaddle piezo – preamp eq:2-band – feedback filter:phasetuner:yesotherheadstock overlay:indian rosewood – tuning machines:gold – bridge:indian rosewood – saddle & nut:bone – number of strings:6-string – special features:thinline body – case:sold separatelyaccessories:nonecountry of origin:info not available
Specifications:
| Body type | Classical |
| Cutaway | Single cutaway |
| Top wood | Solid Canadian Cedar |
| Bracing pattern | Spanish fan |
| Body finish | High Gloss Polyurethane |
| Orientation | Right handed |
| Neck shape | Cutaway-Electric Style Neck |
| Nut width | 1.96" (50mm) |
| Fingerboard | Rosewood |
| Neck wood | Mahogany |
| Scale length | 25.6" |
| Number of frets | 20 |
| Neck finish | High Gloss |
| Pickup/preamp | Yes |
| Configuration | Undersaddle piezo |
| Preamp EQ | 2-band |
| Feedback filter | Phase |
| Tuner | Yes |
| Headstock overlay | Indian Rosewood |
| Tuning machines | Gold |
| Bridge | Indian Rosewood |
| Number of strings | 6-string |
| Binding/Bridge | Indian rosewood binding / Indian rosewood bridge |
| Purfling/Inlay | Maple & ebony top, maple back & side |
| Rosette | All natural inlaid wood mosaic |
| Finish | High Gloss PU |
| Neck/Fingerboard | Mahogany neck / Rosewood fingerboard |
| Truss Rod | Yes |
| Scale Length | 650mm (25.6") |
| Nut Width | 50mm (1.96") |
| Fret Marker Inlays | Mother of Pearl at 3, 5, 7, 9, 12 |
| Nut/Saddle | Bone |
| Number of Frets | 12 to body, 19 total |
| Bracing/Build | Spanish fan bracing, cutaway electric, thinbody |
| Tuning Machines | Cordoba Black & Gold Floral Tuning Machines |
| Strings | Savarez Cristal Corum in High Tension (500CJ) |
| Electronics | Fishman Isys+ Pickup and Onboard Tuner |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
8. Cordoba C5-Ce Electric Nylon String Guitar W/ Cloth, Stand, Tuner, And Gig Bag
Product Details:
A staple in the iberia series, the c5-ce features a solid canadian cedar top and mahogany back and sides. the construction is based upon the traditional spanish classical guitar with the exception of a soft cutaway and a slightly thinner neck. the fishman isys+ 2band pickup system produces a rich and natural sound when amplified – perfect for gigging and recording. handmade in the traditional spanish style, the c5-ce also features an all wood inlaid rosette, rosewood binding, hand-carved headstock, fan bracing system, and bone nut and saddle. includes a geartree cloth, stand, tuner, and gig bag! solid canadian cedar top with mahogany back and sides soft cutaway with fishman isys+ pickup rosewood bridge and fingerboard savarez cristal corum strings in high tension, 500cj
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
9. Cordoba C1m-Ce – Acoustic Electric Classical Guitar
Product Details:
The cordoba c1m-ce classical guitar is the master of melodies. boasting resonant mahogany back and sides, it has a lusciously warm voicing which will caress your ears. you can also expect excellent projection thanks to the spruce top, which will project the sweetness of the nylon strings with plenty of volume. speaking of volume, if you want to crank it up, you can do so with ease thanks to the undersaddle piezo pickup and cordoba gp-2 preamp. prepare to bring your best music straight to your audiences' ears.
10. Cordoba Cadete 3/4 Size Acoustic Nylon String Classical Guitar
Product Details:
Slightly larger than the requinto 580, the cadete is a 3/4 size guitar (615mm scale length). it has the traditional spanish 7 fan bracing, a solid cedar top and mahogany back and sides. additional features include a hand inlaid wooden rosette, gold tuning machines with pearl buttons and a rosewood fingerboard. an adjustable truss rod is built into the neck. this is a great guitar for anyone looking for a lightweight, comfortable, and easy playing instrument.the cordoba cadete comes strung with high tension savarez guitar strings, which are meant to be used in standard e tuning only. for a guitar that is designed to withstand higher pitched tunings, consider cordoba's c1 1/4, c1 1/2, or requinto 580. case sold separately.
Specifications:
| Build | Small Body |
| Construction | Solid Top |
| Body Top | Solid Western Red Cedar |
| Top Bracing Pattern | Fan |
| Soundhole Diameter | 84mm (3 1/3") |
| Rosette | All Wood Traditional |
| Top Binding | Composite |
| Back and Sides Wood | Mahogany |
| Neck Material | Mahogany |
| Scale Length | 615mm (24.2") |
| Neck Shape | C Shape |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Frets Total | 19 |
| Finish | Gloss Polyurethane |
| Saddle Material | Bone |
| Nut Material | Bone |
| Tuning Machines | Cordoba Gold with Pearl Buttons |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Upper Bout Width | 260mm (10 1/4") |
| Lower Bout Width | 343mm (13 1/2") |
| Body Depth Upper Bout | 80mm (3 1/8") |
| Body Depth Lower Bout | 85mm (3 1/3") |
| Body Length | 457mm (18") |
| Overall Length | 940mm (37") |
| Country of Origin | China |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
11. Cordoba Requinto 580 1/2 Size Acoustic Nylon String Classical Guitar
Product Details:
The cordoba iberia requinto 580 1/2 size classical acoustic guitar is handmade with a solid cedar top and mahogany back and sides. the hand-inlaid all-natural wood rosette and indian rosewood detailing distinguishes the iberia requinto 580 from other guitars in this price range. it is designed with the traditional 5-fan torres style bracing to produce a rich spanish sound in spite of its diminutive string length. ideal for children learning how to play nylon string guitars. the requinto comes strung with high tension savarez guitar strings, which are meant to be used in standard e tuning. because the scale length of this guitar is slightly shorter than a full size guitar, the tension will be slightly lower than a full sized guitar as a result, but will still play very well in standard tuning. the requinto can be tuned up as high as a minor third up to g standard tuning, which will increase the tension, but any tunings higher than this are not recommended, as the added stress of the higher string tension of these tunings will compromise the long term health of the instrument.
Specifications:
| Body Top | Solid Western Red Cedar |
| Upper Bout Width | 254mm (10") |
| Lower Bout Width | 337mm (13 1/4") |
| Body Depth Upper Bout | 83mm (3 1/4") |
| Body Depth Lower Bout | 89mm (3 1/2") |
| Body Length | 425mm (16 3/4") |
| Overall Length | 895mm (35 1/4") |
| Soundhole Diameter | 84mm (3 1/3") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Mahogany |
| Top Binding | Composite |
| Rosette | All Wood Traditional |
| Saddle Material | Bone |
| Scale Length | 580mm (22 7/8") |
| Neck Material | Mahogany |
| Nut Width | 48mm (1 7/8") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Gold with Pearl Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Tap Plate | No |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
12. Cordoba Gk Studio Negra Acoustic-Electric Guitar
Product Details:
Built with a solid european spruce top, rosewood back and sides, soft cutaway and fishman presys blend preamp, the gk studio negra is the ultimate gigging instrument and a córdoba best-seller. made for the stage, the gk studio negra is constructed with a slightly thinner body depth, neck and nut width than a traditional spanish guitar. the neck is designed to have little or no relief, offering low action for ease of comfort and quick playability. flamenco players choose this model for a bassier and more robust tone in contrast to the bright, snappy sound of ‘blanca’ flamenco guitars. however, any guitarist looking for a new tone will feel right at home. like every córdoba guitar, this model has a two-way truss rod built into the neck. other premium features include a high gloss finish, clear flamenco-style tap plate, and savarez strings. case sold separately.
Specifications:
| Build | Flamenco |
| Construction | Solid Top |
| Body Top | Solid European Spruce |
| Top Bracing Pattern | Fan |
| Soundhole Diameter | 84mm (3 1/3") |
| Rosette | All Wood Traditional |
| Top Purfling Inlay | 3-ply Maple and Black |
| Top Binding | Maple |
| Back and Sides Wood | Rosewood |
| Neck Material | Mahogany |
| Scale Length | 648mm (25 1/2") |
| Neck Shape | C Shape |
| Nut Width | 50mm (2") |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Rosewood |
| Frets Total | 19 |
| Finish | Gloss Polyurethane |
| Bridge Material | Rosewood |
| Saddle Material | Bone |
| Nut Material | Bone |
| Tuning Machines | Cordoba Gold and Black with Black Buttons |
| Tap Plate | Yes |
| Electronics | Fishman Presys Blend |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Case Sold Separately |
| Upper Bout Width | 286mm (11 1/4") |
| Lower Bout Width | 368mm (14 1/2") |
| Body Depth Upper Bout | 85mm (3 1/3") |
| Body Depth Lower Bout | 90mm (3 1/2") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
Reviews:
The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S
13. Cordoba Gk Studio Flamenco Acoustic-Electric Guitar
Product Details:
Built with a solid european spruce top, cypress back and sides, soft cutaway and fishman presys blend preamp, the gk studio is the ultimate gigging instrument and a córdoba best-seller. made for the stage, the gk studio is constructed with a slightly thinner body depth, neck and nut width than a traditional spanish guitar. the gk studio’s neck is designed to have little or no relief, offering low action for ease of comfort and quick playability. flamenco players will love its bright, snappy tone designed to cut through a noisy venue. however, any guitarist looking for a new tone will feel right at home. like every córdoba guitar, this model has a two-way truss rod built into the neck. other premium features include a high-gloss finish, clear, flamenco-style tap plate and savarez strings. case sold separately.
Specifications:
| Length | 18 in |
| Height | 46 in |
| Width | 8 in |
Reviews:
The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S
14. Cordoba C5-Cet Spalted Maple Limited Guitar
Product Details:
Cordoba limited edition c5-cet spalted maple acoustic/electric classical guitar based on c rdoba's top-selling c5-ce, the c5-cet spalted maple limited adds a new option to the best selling c5 family. built with a solid spruce top, the c5-cet spalted maple limited also features stunning spalted maple back and sides, which lends this model strong, solid lows, soaring, distinct highs and sustain for days. this model's thin body style helps reduce on-stage feedback while a fishman presys ii pickup amplifies the c5-cet spalted maple limited's warm acoustic tone. handmade in the traditional spanish style, the c5-cet spalted maple limited's carved headstock, hand-inlaid wood rosette, rosewood binding, savarez strings, and glossy pu finish result in a guitar that truly stands out from all other entry-level options. a lightweight adjustable truss rod is built into the neck for stability.
Specifications:
| psid | 1 |
| Neck Construction | Traditional 3 Piece Neck |
| Neck Joint | Dovetail |
| Frets to Body | 12 |
| Number of Strings | 6 |
| Waist Width | 248mm (9 3/4") |
| Headplate | Composite |
| Back Center Strip | Composite |
| Headstock Logo | Cordoba Arches Logo – Maple |
| Battery Pack Installation Location | Lower Bout Treble Side |
| Battery Pack | Fishman Combination Battery Box/Output Jack – 9V |
| Pickup Type | Undersaddle Piezo, Onboard Tuner |
| Tuning Machine Buttons | Pearl White |
| Back Binding | Composite |
| Soundboard Thickness | 2.8 – 3.0 mm |
| pcid | 1 |
| Tail Strip | Composite |
| Tuning | EADGBE |
| Shipper Carton Dimensions | 104 x 47 x 14 |
| Exclusive to | N / A |
| Build | Thinbody |
| Construction | Solid Top |
| Body Top | Solid Spruce |
| Top Bracing Pattern | Fan |
| Soundhole Diameter | 84mm (3 1/3") |
| Rosette | All Wood Traditional |
| Top Binding | Composite |
| Side Purfling Inlay | N / A |
| Back and Sides Wood | Spalted Maple |
| Back Purfling Inlay | N / A |
| Neck Material | Mahogany |
| Scale Length | 650mm (25.6") |
| Neck Shape | C Shape |
| Nut Width | 50mm (2") |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Pau Ferro |
| Fingerboard Inlays | N / A |
| Frets Total | 19 |
| Finish | Gloss Polyurethane |
| Bridge Material | Pau Ferro |
| Saddle Material | Bone |
| Nut Material | Bone |
| Tuning Machines | Cordoba Gold with Pearl Buttons |
| Tap Plate | N / A |
| Electronics | Fishman Presys II |
| Controls | Tuner, Volume, Bass, Treble, and Phase Switch |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Included Case | Case Sold Separately |
| Upper Bout Width | 292mm (11 1/2") |
| Lower Bout Width | 371mm (14 5/8") |
| Body Depth Upper Bout | 65mm (2 1/2") |
| Body Depth Lower Bout | 70mm (2 3/4") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
15. Cordoba Gk Studio Acoustic / Electric Nylon String Guitar
Product Details:
The gk studio is the ultimate gigging instrument. built with a solid european spruce top and cypress back and sides, this nylon string guitar comes equipped with a soft cutaway and fishman presys blend pickup. the gk studio is a flamenco guitar made for the stage, constructed with a slightly thinner body depth, neck, and nut width than a traditional spanish guitar. the neck is designed to have little or no relief, offering low action for ease of comfort and quick playability. for flamenco players, this model is the quintessential flamenco guitar with its bright, snappy tone designed to cut through the sound of an accompanying dancer. however, any guitarist looking for a new tone to add to the repertoire will feel right at home with the gk studio. with its comfortable body shape and spruce/cypress wood combination, this model is the perfect choice for exploring the nuances in sound that can only be captured with nylon strings. like every cordoba guitar, this model also has a two-way truss rod built into the neck. other features include a rosewood fingerboard and bridge, high gloss finish, clear golpeadores (tap plates), and premium savarez cristal corum strings. the gk studio includes cordobas deluxe gig bag. nylon string. solid european spruce top. cypress back and sides. polyurethane finish. rosewood fretboard. scale: 25.59". nut width: 1.96", 19 frets. fishman presys blend system with tuner and mic/piezo blend. strings: savarez cristal corum in high tension, 500cj. includes cordoba gig bag.
Specifications:
| String Type | Nylon |
| Number of Strings | 6 |
| Body Shape | Flamenco |
| Left-/Right-handed | Right-handed |
| Finish | Gloss Polyurethane |
| Top Wood | Solid European Spruce |
| Body Bracing | Fan |
| Binding | Rosewood |
| Neck Wood | Mahogany |
| Neck Shape | C |
| Fingerboard Material | Rosewood |
| Number of Frets | 19 |
| Scale Length | 25.5" |
| Tuning Machines | Cordoba Gold |
| Bridge Material | Rosewood |
| Nut/Saddle Material | Bone/Bone |
| Nut Width | 2" |
| Electronics | Fishman Presys. Blend |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Overall Length | 38.75" |
| Body Length | 19.25" |
| Body Width | 14.25" lower bout, 11.25" upper bout |
| Body Depth | 3.5" lower, 3.3" upper |
Reviews:
The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S
16. Cordoba C5-Cet Limited, Nylon String Acoustic-Electric Guitar – Natural, Gator Stand Gfw-Gtr-1000, Ernieball Guitar Cable Bundle : Prosoundgear.com
Product Details:
The cordoba c5-cet is a quality nylon acoustic with a deep cutaway for effortless access to the high frets. featuring a solid spruce top with maple back and sides finished in a smooth gloss polyurethane, the c5-cet produces wonderful acoustic tone that touches on the high, mid, and low ranges in a beautifully balanced fashion. the c-shaped mahogany neck with pau ferro fingerboard is instantly playable and responsive. and when you are ready to plug in, onboard fishman presys+ electronics deliver outstanding amplified acoustic tone. fishman electronics your cordoba c5-cet nylon-string guitar comes with a built-in fishman presys+ pickup system for great plugged-in tone. whether you're playing live or just want an easy way to record, you'll love how the fishman presys+ system picks up every nuance of your performance. it also has a built-in tuner for accurate tuning anytime. fine appointments support tone the cordoba c5-cet features fine appointments normal…
Specifications:
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
17. Cordoba C5 Sb Nylon String Classical Acoustic Guitar – Sunburst
Product Details:
The c5 sb gives the best-selling cordoba c5 a fresh spin and a whole new vibe. it's got everything you love about the original c5, which has been a mainstay in the iberia series for years, but adds the distinctly modern touch of a solid sitka spruce top with sunburst finish. mahogany back and sides and traditional spanish fan bracing add to the warm, yet crisp tone of this contemporary take. additional features include rosewood binding, bridge, and fingerboard, an all-wood inlaid rosette, and stylish gold and pearl tuning machines. case sold separately.
Specifications:
| Body Top | Solid Sitka Spruce |
| Upper Bout Width | 292mm (11 1/2") |
| Lower Bout Width | 371mm (14 5/8") |
| Body Depth Upper Bout | 95mm (3 3/4") |
| Body Depth Lower Bout | 100mm (4") |
| Body Length | 489mm (19 1/4") |
| Overall Length | 984mm (38 3/4") |
| Soundhole Diameter | 84mm (3 1/3") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Mahogany |
| Top Binding | Composite |
| Rosette | All Wood Traditional |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Mahogany |
| Nut Width | 52mm (2") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Gold with Pearl Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Tap Plate | No |
| Strings | Savarez Cristal Corum High Tension 500CJ |
| Dimensions (WxHxD) | No |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
18. Cordoba C10 Parlor Sp Classical Guitar
Product Details:
The cordoba c10 parlor is ideal for the player looking for the feel, comfort, and ease of playability that a smaller instrument provides, while retaining the sweet, warm tone created by all-solid wood construction. built with either a solid canadian cedar or solid european spruce top with solid indian rosewood back and sides, the c10 parlor features a 7/8 body size, 50mm nut width, and the fan bracing pattern found on most cordoba guitars. this bracing pattern gives the center of the soundboard more surface area to vibrate and respond to the tension of the strings. a more responsive soundboard makes the guitar louder, and provides better tone. like every guitar in the luthier series, the c10 parlor is built with spanish heel construction, where the top of the guitar is attached to the neck, the sides are added next, and the guitar’s body is sealed by the installation of the back. this construction technique allows the entire instrument to vibrate as one unified piece. aesthetic touches like the mother-of-pearl weave rosette inspired by a 1920’s domingo esteso guitar add a touch of vintage elegance to this best-seller. other premium features include an ebony fingerboard, rosewood bridge, high gloss finish, and savarez cristal corum strings. the c10 parlor includes cordoba’s lightweight polyfoam case.
Specifications:
| Product Dimensions | 46 x 8 x 18 inches |
| Is Discontinued By Manufacturer | Yes |
| Back Material | Indian Rosewood |
| Color Name | Spruce, Parlor |
| Fretboard Material | Rosewood |
| Top Material | Spruce |
| Neck Material Type | Mahogany |
| Number of Strings | 6 |
| Guitar Bridge System | Fixed |
| Fretboard Material Type | Rosewood |
| Hand Orientation | Right |
Reviews:
I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz
I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci
Overall: It is a pleasure and privilege to own the Cordoba C-10 cedar classical guitar because it has the most beautiful balance across the strings. Clearly, this depends on your playing style, and the strings you choose to use. On this instrument i use "rectified-lightly polished bass" strings. While they may not last as long as unpolished strings, the sound they produce is well worth the extra expense and restringing. I can best describe the sounds from this guitar/string combination as lyrical, poetic, and warmly human. No string requires compensation while playing, not even the intrusive G, as this is not clear nylon, but has a mixture of another compound to help "tame" this unruly member.The frets are nearly perfect, with only one area near the sound hole on the low E and A, that is rarely played by anybody, though I will have it remedied eventually. The neck is straight, fingerboard true ebony, and the saddle was perfect out of the box at 2.5 mm and 3. mm clearance at the 12th fret on the 1st and 6th strings. At this low string height, I do have to be sure that strings are constantly tuned up to avoid any buzzing, but that is a small price to pay for such fine and easy play ability.It is so gratifying to find a product that meets its billing, and the stated philosophy of Cordoba's CEO to "bring fine guitars within everybody's reach." That is absolutely true of this guitar, as the first entry into a true classical guitar it proves to be worthy of far more than its cost.Kudos must be extended to zZounds as well for their "pay and play" plan which makes such a great instrument available to mere mortals. Now that I've played this guitar, the cost has become irrelevant.Finally, the most ineffable feature of this guitar only becomes apparent when you play, especially during soft passages, as you pay attention to the celestial aroma of cedar wafting through your consciousness. I do like the sound of spruce-top guitars, but find that most are stuck in "bright to brighter" tones, and they cannot come down to a warm fireplace beside a beautiful guitar played for a beloved wife. Thank you Cordoba
19. Washburn C5ce Classical Acoustic/electric Guitar
Product Details:
Acoustic guitars – get the mellow sound of nylon strings with the washburn c5ce acoustic-electric classical guitar. the select spruce top and catalpa back and sides deliver warm tones with great projection. a comfortable mahogany neck and rosewood fretboard offer an ideal shape, width, and string spacing for the classical player. the classical guitar is perfect for beginning students due to the ease of play and low-tension strings. gold hardware and pearloid-buttoned tuners give the c5ce acoustic-electric classical guitar a touch of class. the c5ce sports a built-in preamp and pickup for those times when you need to plug in. this affordable instrument is great for students and more advanced players. from flamenco to jazz to classical, the washburn c5ce acoustic-electric is ready to perform. washburn c5ce acoustic-electric nylon-string guitar features at a glance: full-sounding, affordable nylon-string guitar. wide nut width is perfect for classical guitar finger techniques. spruce top provides a bright and lively sound. rosewood fretboard and bridge. mahogany neck. get an affordable nylon-string guitar with the washburn c5ce acoustic-electric classical guitar. classical/nylon string guitars.
Specifications:
| Handedness | Right-Handed |
| Shape | Classical Cutaway |
| Top wood | Spruce |
| Back Wood | Catalpa |
| Side wood | Catalpa |
| Bracing | Quarter Sawn Scalloped Sitka Spruce bracing |
| Rosette | Mosaic |
| Neck Material | Mahogany |
| Neck Fretboard | Rosewood with 19 Frets |
| Neck Nut | Graphtech Nubone |
| Neck Nut width | 52mm |
| Neck Scale | 25.5 |
| Preamp system | EVT |
| Bridge | Rosewood |
| Tuners | Classical Chrome with Pearloid Button |
Reviews:
Hands down, Washburn gives the best bang for the buck in guitars. I hobby in repairing/building guitars and was very impressed with the quality of this guitar. You could pay a couple hundred dollars more and get something not as good. I have bought other Washburns and continue to be impressed with their products. One was a Washburn steel string Mahogany acoustic. I set it up with a new, bone nut and saddle. The $150 guitar now plays like a $1500 one. I gave it as a gift to my brother and still marvel when I pick it up. Anyway This C5CE clssical is another great product.aleface781
The guitar came promptly within a few days. I haven't found any flaws in this guitar. Action is nice and low with no fret buzz. Came with a nice long cord and truss rod tool. I registered the warranty which i have never had any problems with Wasburn customer service. The electronics amplify all strings evenly. The built in tuner works spot on. The look and quality of this guitar is very nice.reagle63
So I was looking to get the Ibanez GA35TCE or This Washburn classical guitar. Acoustically both guitars are nice except that the Ibanez was a bit flat from G-E nylon strings. It also had a buzz in the bridge that I did not like however the electrics of the Ibanez were flawless, clean and no hum or hiss. Now the Wshburn, the guitar is a beautiful guitar, nice finish and well made. Acoustically the tone is clearer and more balanced throughout all 6 strings compared to the Ibanez. The ibanez probaby could do with better quality strings to fix the flat sound issue. The Washburn has very good sustain and resonance such that at times other strings start resonating and dirtying the sound – especially when playing solo sections. This may be fixed with a new set of higher end strings which I will chnage after I use the ones that came with it or changing the bridge and nut to graphtech. Maybe I'll switch in the future. The electrics are ok. The electric pickup reporoduced the guitar sound pretty well except that there is a lot of Hiss with the BBand system. The pickup has treble, mid and bass EQ plus a presence knob where you can mold the tone as youplease. It also has a built in tuner that work well. So I sent back the Ibanez and kept the Washburn. The tonal character was much better. If the ibanez goes as a SDOTD sale dirt cheap I will pick it up just because of the cleaner pickup system.Afee
20. Cordoba Fusion 12 Natural Classical Acoustic-Electric Guitar
Product Details:
The fusion 12 natural cedar classical electric guitar belongs to cordoba's fusion series, a line of high quality crossover or hybrid style nylon string guitars designed to play and feel like steel string acoustics. most notably, the necks are carved thinner than traditional spanish-style "classical" guitars and have a nut width of 48mm (1-7/8"). with 12 frets to the body, these slimmer dimensions combined with a radiused fingerboard give the fusion 12 series the feel and playability that most steel string and electric guitar players are used to. tonally the fusion series models have all the warmth, body, and resonance that traditional classical nylon string guitars are known for, and are built using traditional spanish guitar methods like domed soundboards and fan bracing patterns. the 12 natural is built with a canadian cedar top paired with mahogany back and sides. the rosette is hand inlaid using maple and rosewood rings, and it features 3 ply maple and ebony top purfling for a sleek aesthetic. it also comes equipped with the fishman presys pickup. the fingerboard and bridge are rosewood, neck has 12 frets to the body, and comes with a deluxe cordoba gig bag.
Specifications:
| Body Top | Solid Western Red Cedar |
| Upper Bout Width | 279mm (11") |
| Lower Bout Width | 368mm (14 1/2") |
| Body Depth Upper Bout | 85mm (3 1/3") |
| Body Depth Lower Bout | 95mm (3 3/4") |
| Body Length | 483mm (19") |
| Overall Length | 978mm (38 1/2") |
| Soundhole Diameter | 84mm (3 1/3") |
| Top Bracing Pattern | Fan |
| Back and Sides Wood | Mahogany |
| Top Binding | Pau Ferro |
| Rosette | Maple and Black Rings |
| Top Purfling Inlay | Maple and Black |
| Saddle Material | Bone |
| Scale Length | 650mm (25 1/2") |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Nut Width | 48mm (1 7/8") |
| Nut Material | Bone |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 24mm |
| Frets Total | 19 |
| Tuning Machines | Cordoba Silver with Black Buttons |
| Neck Shape | C Shape |
| Finish | Gloss Polyurethane |
| Electronics | Fishman Presys |
| Tap Plate | No |
| Strings | Savarez Corum Alliance High Tension 500AJ |
| Included Case | Cordoba Deluxe Gig Bag |
Reviews:
It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY
Overall: Before I say anything about the guitar I need to say something special about zZounds. 12 equal payments for this fabulous instrument, are you kidding me? As long as zZounds sells what I need I will always buy from zZounds. The guitar is great. The Orchestra model is worth the extra $. I also bought the Gator case which is vault like protection. What sold me was the feel of the neck was made for steel string and electric guitar players. If you've ever wondered why traditional classical guitar necks feel like a baseball bat there's a reason. Classical guitars from the past (1500, 1600, etc) had NO TRUST ROD so the neck had to be really big. Why haven't they changed that in the modern era? Tradition is a hard habit to change so thank God Cordoba used some common sense.
Have been searching for an affordable and highly playable A/E nylon string for years. Started with a Cordoba C5-CE that I liked a lot (partial to cedar tops), but could never get the intonation and action right. Then tried the top of the line Lucero, but that one was bad luck – sound guy pulled on a cord without looking, and it fell forward and easily busted the headstock, which scared me away from getting another one. Then went cheap-o and bought a Harley Benton and put in Fishman electronics, but it just sounded cheap onstage. Tried this one out, and it's been lights-out ever since…can't put it down.Bob
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