Are you looking for the Cheapest Gibson Electric Guitar? If so, you’ve come to the right place.
Choosing the Cheapest Gibson Electric Guitar can be difficult as there are so many considerations, such as Glarry, Gibson, Epiphone. We have done a lot of research to find the top 20 Cheapest Gibson Electric Guitar available.
The average cost is $2371.83. Sold comparable range in price from a low of $825.00 to a high of $5162.26.
Based on the research we did, we think Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst) is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Cheapest Gibson Electric Guitar (20 Sellers)
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$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Body color: ebony
- Body style: les paul
- Body type: solid body
$2469.99
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Final price drop for 24 hours.
- Look at this aaaa top – it is simply amazing.
- Being a 'high performance' this les paul offers a great playability in addition to the tonal versatility with 4 push-pull knobs.
$1359.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durability . Well made
Features:
- Gibson sg special ebony electric guitar.
- The sg special returns to the classic design that made it relevant, played, and loved — shaping sound across generations and genres of music.
- P-90 single coil pickup.
$1831.77
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Comes with a gibson hard case and all the case candy.
- Gloss-nitro-finish aaa carved maple top on weight-relieved mahogany body.
- 24.75" scale mahogany set neck with 22-fret, 12"-radius richlite fretboard.
$3799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- Specifications
- 3-ply maple/poplar/maple
- Quarter-sawn adirondack spruce
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- In almost new condition.
- No scratches, no wear.
- Comes with humbucker covers and pointers.
$2999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durability . Well made . Weight
Features:
- Detailed specifications
- Body material
- Weight relief
$3183.19
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Made in america
- Burstbucker pro pickups
- 5-position dip switch
$2379.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Like new 2020 gibson les paul standard in stunning tobacco burst finish, never played.
- Hardshell case and all paper work.
- Out of the box only to test and photos.
$1599.00
4.8
Reviewers Noted:
Durable . Well made . Good sound quality . Attractive
Features:
- Timeless simplicity and performance
- Detailed specifications
- Body material
$1599.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Single dog ear p-90 pickup
- Mahogany neck and body
- Rosewood fingerboard
$3199.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Excellent condition and plays like a dream!
- Has some pick marks (see pics) since i did use it for a couple of recording sessions.
- Gibson and slash are proud to present the slash collection gibson les paul standard.
$2399.00$2049.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- It has been played about 3 times and comes from a smoke and pet free home. never gigged with.
- Has an excellent setup.
- Asymmetric neck (slim taper that isn't a symmetrical taper).
$2549.00
4.8
Reviewers Noted:
Attractive . Well made . Good sound quality . Weight . Durable
Features:
- Weighing in at a beautifully lightweight 6 lbs. 8 oz. this little beauty is clean!
- He never even took the plastic off of the pickguard!
- There aa couple of tiny, barely noticeable rub marks on the back which is the only reason i'm marking it excellent instead of mint.
$825.00
4.6
Reviewers Noted:
Lightweight . Good sound quality . Attractive . Durability
Features:
- Here is my 2015 gibson les paul cm.
- Excellent guitar with 61 zebra humbucker and g force tuning system.
- Rich gibson tone.
$5162.26
4.8
Reviewers Noted:
Weight . Craftsmanship
Features:
- Maple and poplar
- Body maple top mahogany neck
- Two mhs pickups
$1897.99
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back…
$1999.20
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifcations. as expected, the lp classic is crafted with a mahogany back…
$2239.20
4.9
Reviewers Noted:
Good sound quality . Well made . Durability . Visual appeal . Weight
Features:
- First released in 1969, the gibson les paul deluxe saw the introduction of the mini humbucker to the les paul lineup. mini humbuckers retain the hum-free performance of their full-sized…
1. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
2. Gibson Les Paul Classic – Ebony
Product Details:
Weight 9 lbs. 9 oz. the gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for functional and versatile sonic variety. price includes the original hard shell case and all original documentation.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
3. Gibson Les Paul Standard 2016 Hp Electric Guitar Tea Burst
Product Details:
Very nice hp model. not all original, but close. when i bought it the neck had a crack at the heel which was repaired, but was still visible. i just had the crack lacquered and smoothed so it's not visible anymore. very professional and solid repair. price is reflected in this. tuners have been upgraded to kluson locking, and the 3-way switch which the shaft was broken has been replaced with a standard switch. the original switch is included. with the neck repair and setup this guitar is solid as a rock and ready to play. gorgeous finish on the top and a comfortable weight. gibson locking hard case is included.
Specifications:
| Finish | Blue Mist |
| Year | 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
I'm not a rich guy but I don't want garbage guitar's. This review is more about American Musical supply than this single guitar. In the past 5 year's I have purchased 15 guitar's from American and every one of them have been really great guitar's. I could never afford to buy these guitar's outright being a disabled Veteran I don't make enough money, so American is for ME a life saver. I no longer think about how bad my life is when I pick up one of these beautiful guitar's and play my worries away.Randy
I have played guitar and bass for 20 years, and I have always had average guitars. I just received this Les Paul in wine red. This is my first high end instrument, and it is flawless. The fretwork, finish, and intonation are immaculate. The gold hardware adds luxury to an already classy instrument. I make it a point to play every guitar I own unplugged to hear it's inherit acoustic properties. The tone is rich and snappy. Plugged into my Blackstar HT 60 2×12, this LP gives me epic tone and sustain. I feel the need to learn every riff off of Elegant Gypsy by Al Di Meola to so this guitar justice. I now know why he, and so many of the greats used Les Paul's. Thanks AMS for helping me afford such a beautiful sounding work of art.El Doctor Boca-Dientes
Love the gold hardware on black. Looks sharp.This guitar is very versatile. Lots of sustain and resonance. The pickups have a very clear and transparent tone. Playability is excellent. Had to adjust the action and truss rod. I also dressed the fretboard to make it darker. To me the darker rosewood fretboard looks more attractive. My only complaint is a little bit of dark paint overspray on the fretboard. Hence I darkened the fretboard. Quality is not as good as my American made PRS but the Gibsons have more vibe and mojo to me.A.Santos
4. Gibson – Sg Special – Electric Guitar – Ebony
Product Details:
The sg special returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. this early 60's style sg special has the vibe and sound heard on countless classic rock recordings. the comfortable, slim taper mahogany neck and bound rosewood fingerboard is well known for fast, effortless playing. the two p-90 pickups are noted for their fat, snarl when driven and for their smooth, sweetness when played clean. the sg special is equipped with the 3-way toggle switch, handwired controls and orange drop capacitors. p-90 single coil pickup legendary tone first introduced in the early 1950s, gibson's legendary p90 single coil pickup produced a raw powerful tone that helped define the blues and rock and roll in their formative years. today, the p90's traditional combination of high output and brilliant tone is still considered a favorite among many top musicians. known by such familiar nicknames as the "soapbar" and the "cobalt," the p90 still cuts through any type of music, all while displaying amazing tonal sensitivity for everything from blues and rock to mellow jazz riffs. it's perfect as a vintage replacement, and features vintage, braided two-conductor wiring. it's also fully wax potted to eliminate any chance of unwanted microphonic feedback.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Compensated Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall happy with the gibson sg special. You can see on the guitar theres a couple of minor marks from the gibson factory. Nothing major. The string alignment is a little off. But dont mind. The low E string is closer to the top of the neck. I use my thumb alot so works out. If it was the other way around I might of sent it back. The electrics look good under the hood. Musicstore got the guitar very quickly to Ireland. Really good service with great updates. Very happy with the purchase:)
Alright, so the first one of these new SG Specials in Pelham Blue showed up with a giant crack (not finish checking) that wrapped from the input jack to the control panel. I knew I had to return it but tuned it up and noodled a bit and tested pickups to make sure it was worth the exchange. The guitar was so good I almost kept it. My girlfriend convinced me to return it for a new one and it's the best decision I've ever made regarding gear. I've had the new one for a few days and it is just better in every way compared to the damaged but also incredible guitar I originally received. The resonance, sustain, comfort, aesthetic, playability, P90s, even the smell… all perfect. Gibson even learned to cut a nut. The fretboard is darker (better), the setup and finish is better. It just feels and sounds better. There is no neck dive on this one, although the first one did have a neck heavy feel (nothing a leather/suede strap couldn't fix). I say all this to remind everyone that every guitar is different and just hope you get one with mojo. I went to a competitor today and played a new Les Paul Standard that was tagged at $1K higher than this SG. No comparison. I was laughing at how much better the SG was in every single department. I can't wait to take this on the road as my new #1 and I seriously doubt it will ever be topped. New or vintage. Gibson is taking this rebuild seriously, and these Original Collection models are the best step they could have taken.UglyRunnerMusic
I am astonished at how quiet the P90's are in this SG. The hum is negligible — substantially less than the high gains in my Rickenbacker and only barely more the Lace Sensors in my strat (which are 99% silent). I had anticipated ordering some hum-canceling Lindy's to go in there, but that won't be happening. These sound phenomenal. They're just about all I could ever want from a pickup. The guitar came with the neck set almost completely straight. Just a smidge of relief (the perfect amount, really). Fretwork is essentially perfect. No sharp ends, frets are perfectly even and well-polished. The action was set a bit high, but was fairly easy to remedy. So why 4 stars instead of 5? The lower set screw (high E side) on the lightning bar wraparound bridge arrived stuck. Under no tension, it could not be adjusted in or out with the 1/16 hex key on the included Gibson multi-tool. I had to use an extractor plier to get it out out of fear of grinding down the end of the hex. Upon inspection, some of the threads near the cup point on the screw were malformed. There were no issues with the screw on the upper (Low E) side. Tracking down a replacement #5-40 3/8" set screw in small (< 100) quantity was actually kind of difficult. A stuck screw on a bridge is not catastrophic, but it does seem like something that should have been caught in QA. Aside from the one issue, everything else was immaculate. Also, great service from Musicians Friend.Justin
5. Gibson 2018 Les Paul Standard Hp-Ii Electric Guitar Hot Pink Fade
Product Details:
The gibson les paul standard hp-ii 2018, hot pink fade expands upon gibson's high-performance models with the addition of push/pull capabilities and 5 dip switches, providing players with over 150 instant wiring options to deliver a truly versatile performance. its classic les paul body is crafted from mahogany and topped with stunning aaa+ flamed maple, creating an incredibly unique aesthetic. the addition of an asymmetrical slim taper neck provides players with a smooth playing experience, designed to mimic the natural curve of the hand to provide excellent flexibility. equipped with rhythm pro and lead pro+ humbuckers, the les paul standard recaptures the magic of original paf pickups, delivering a meaty vintage tone with plenty of attitude. the gibson hp-ii guitar also features an aluminium tune-o-matic bridge and titanium zero-fret adjustable nut, providing incredible string stability and excellent intonation. finished off with a premium composite hardshell case and accessory pack, the 2018 gibson les paul standard hp-ii is the ultimate addition to any dedicated fan's collection.
Specifications:
| Finish | Blood Orange Fade |
| Year | 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
I had a great experience with Musiciansfriend. I called my gear advisor, Scott, and he went the extra mile to answer all of my questions over about a two week period. My guitar weighs just under 10 pounds. The set up was superb with a low action and near perfect intonation. Phenomenal sound. Just amazing. Each string rings out clear and balanced. This is my first Gibson. I am a Fender player ('69 Jaguar, '97 Strat) so I was afraid I wouldn't like the warm tones of the humbuckers (nearly went with P90 because of this), but I can't compliment this guitar enough. It's a legend for a reason. The only bad thing is the case. It's obvious that Gibson doesn't take as much care in quality control for their cases. Pea sized bubble on the exterior and lining already coming unglued. However, musiciansfriend is working to right this for me.Jonathan
Overall: Ordered my 60's Les Paul in Unburst on Thursday February 10th. I paid for overnight shipping cause I couldn't wait & zZounds didn't disappoint. Guitar arrived on Friday the 11th before noon!!! Thank you zZounds. Now onto the review……amazing guitar. The figured top is beautiful. zZounds lets you pick the Les Paul you want by serial number & the top looks even better in person, I couldn't be happier. The fit & finish is excellent. Setup is perfect out of the box, plays like a dream. Sustain for days & the '61 Burstbucker R & T pickups just scream!!! Gibson's quality control is on point now!!! Just a beautiful guitar.James
Wow, does this guitar growl. These pickups are so hot, I was startled when I turned up the amp. On clean, every note in a chord is articulated brilliantly. And the sustain is strikingly long and full. I thought the fit and finish was exceptional, and appreciate the quality considering the price. It makes my other guitars feel like I'm riding a bike with a flat tire. It's just not a fair comparison. I am afraid I will have to upgrade my entire fleet now – it has spoiled me. I am more gratified with the purchase than I anticipated.Howard
6. Gibson Es-345 Electric Guitar – Sixties Cherry
Product Details:
The gibson es-345 boasts a number of aesthetic enhancements over the flagship es-335. crafted with a thermally engineered maple centerblock, and thermally engineered quarter-sawn adirondack spruce bracing, players will be impressed by the lightweight feel and expanded range of tonal capabilities. the body is wrapped in multi-ply binding and the bound fingerboard is inlayed with split parallelogram inlays exclusive to this model in the es series. the es-345 is equipped with a variety of high-end appointments like our hand-wired control assembly with orange drop capacitors, gibson's new calibrated t-type humbucking pickups, vintage deluxe style tuners and lightweight aluminum abr-1 bridge and stop bar tailpiece anchored with steel thumb-wheels and studs. the es-345 can be finished in either a vintage antiqued gloss, sixties cherry or vintage burst.
Specifications:
| Body Type | Double Cutaway Semi-Hollow |
| Top wood | Bound Multi-wood laminate |
| Body wood | Multi-wood laminate |
| Body finish | Gloss Nitrocellulose Lacquer |
| Neck shape | Rounded C |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Split Parallelogram |
| Nut width/material | 1.69 in. (43 mm) Graph Tech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Overall: I live in a large city and it is still impossible to find a Gibson 335 that plays and sounds great, has no issues or questionable history and comes with a price tag lower than a new one to justify the gamble. As a result, I decided to pull the trigger on a new one and went for the figured, not so much for the flame but for the lower weight and select wood, knowing both my back would thank me and that the guitar would probably be a bit more open and resonant. Block inlays are certainly nice and that may have helped sway my decision too. The 335 arrived with an impeccable setup, right out of the box from the factory. In my 35 years of playing, I’ve never had this happen. I’ve heard of it happening but never to me. I always have to tweak the truss rod to straighten the neck a bit, adjust the bridge action, widen the nut slots and intimate the guitar. Every time. The only adjustment I’ve had to make is lower the pickups a bit for balance, that’s it! Plays like an absolute dream. Here is why you want this guitar rather than a used one—. the neck. None of that weird pencil thin 335 necks from the past or those horrible and slow baseball bat necks… this is perfect. I don’t know what Gibson is doing in Nashville now, but they are making these guitars better than they ever have. Having always been a fan of Classic ‘57 pickups, I read about these T Type pickups being bright. It is true that they are bright, however it works so well in this guitar. Roll back the tone knobs for the mellower and darker sounds, especially when in the neck position for a classic straight-ahead jazz sound, or rolled back in the bridge to fatten up rhythms…but the thing is, roll the tone up for that beautiful bite and thunk in single line solos. I have had bright guitars in the past and there is nothing you can do for them. No matter the pickups or amp, it remains bright and pingy. This is not a bright guitar and has such a beautifully balanced and mellow acoustic voice, the pickups suit it well and I will not replace them. Is it an insane amount of money? Yes. It is. In 10 years when I have blown through $4K many times over and have nothing to show for it, will I still have this 335? Yes. I will. It’s an investment and zZounds makes it possible for someone like me to have something nice. This is an absolutely breathtaking guitar. In playability, sound, and appearance—Gibson is on top of their game these days and I think the future will look back at this era as their new golden age.Michael
Upon opening the case, the case was hard to open, like it didn't fit top cover to bottom cover. The guitar smells of cheap carnauba wax (if you wax your own car you know there are great waxes that smell good) this is not the great smell of the past Gibson guitars I have purchased in the past. There was a light haze to the guitar like the wax was dried but not wiped off completely. The was not common of years pasts Gibson's. Its a very light weight guitar. Nice to hold and even sitting with it to play does not dig into the underarm like a thick acoustic does over time. The ice tea version does look great front to back. I can't tell if it's AAA but its very nice. The head stock look s like it wasn't cut symmetrically compared to the other side or sanded to much. The neck is nice and thick and wider top to bottom which I like for fitting all my fingers on the 1-5 frets for chords. Their is a lot of fret buzz on the G string throughout the range of the neck, It looks like the G string is higher than all the other strings in an attempt to reduce the buzz. I thought these were machine prepped ?? I can most likely (hopefully)make some adjustments for this. The frets feel thinner than my Les Paul's. Not sure if I like this but I can get used to it. The sound on a clean channel is great. I really like the sound. The volume knobs have no volume from 0 – almost 2, they don't change the volume a lot from 3-7, from 8-10 is almost all the volume change. I have never had this experience before. The tone knobs actually lowers the volume from 1-3 which I thought is also strange. I have no experience with a ES model so maybe this is normal. If it is, then I am not sure I would have purchased. I don't regret the purchase but I was expecting perfection for this price.Just Me
I love 335 but played several that I found meh. Preferred the Heritage H-535 I bought to most Gibbies I tried. Until I played that one at my local GC store. Was immediately captivated with the tone. Went back several times, and took the plunge despite the sticker shock. At home, in my amp it sounded even better than in the shop. Absolutely wonderful guitar, that feels and sounds as good and sometimes even better than vintage 60s 335 I tried or owned. I am in love! But what a price tag…Gibson CS is becoming unattainable fast.Stéphane
7. Gibson 2019 Les Paul Classic – Honeyburst
Product Details:
Top and back and neck and headstock are perfect. minor ding on side and some other blemishes on other side. take a look at the pictures. this is the 2019 with upgraded locking tuners and all splitting options the new 2019 gibson les paul classic boasts a traditional tone wood construction of a mahogany back and maple top coupled with a mahogany neck and bound rosewood fingerboard. a slim taper neck profile and 61 r and 61 t zebra pickups provide the playability and classic gibson tones from the era, 4 push-pull control assembly give a sonic variety to this complete guitar package.
Specifications:
| Finish | Ebony |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Classic |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
8. Gibson – Adam Jones Les Paul Standard – Electric Guitar – Silverburst
Product Details:
This guitar in mint condition. just play couple times. clean and nice sound.gibson usa is proud to introduce a new artist model in collaboration with adam jones, one of rock s most talented and sonically innovative guitarists, from the multi-platinum selling and multiple grammy award winning band, tool. his new les paul standard is finished in antique silverburst and has an ebony fretboard with mother of pearl trapezoid inlays and grover rotomatic tuners with contemporary style buttons. it comes equipped with a chrome-covered burstbucker 1 in the neck position and an uncovered dc high-gain humbucker in the bridge position. the controls are hand-wired with orange drop capacitors. it also features adam s signature on the truss rod cover and custom adam jones artwork on the back of the headstock and comes with a modern hardshell case.
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Silver Burst |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Ebony |
| Bridge Type | Fixed |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | DC High-Gain Humbucker |
| Neck Pickup | Burstbucker 1 |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Chrome |
| Case Included | Hard Case |
Reviews:
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhkkkkk The new Standard 60s that I received was was being waited for like a scene in a movie when parents are waiting for a stork to bless them with a bundle of joy. Well the stork for me was gruff lookin FedEx driver that was delivering my new Gibson Les Paul Standard 60s. After it was delivered I placed it gently before me and began to unwrap the newest member of the family. So, you know those movies when you expect to see elation on the face of the actor after they open something up but instead it turns to the face of horror, well, that was me. As I opened up the the lid of the case I saw bits of gold flakes and plastic. It was the volume knob that had been smashed. I then looked at the case and the bottom of the case appeared to be damaged. After pulling picking up the pieces and placing them in a bag i played the LP and it was amazing but had obviously been knocked around too much for me to keep. It was tough though, the low end on this guitar was hypnotizing and the highs were like blissful chimes that rang clean yet without shrillness. The weight is amazing and the thus the sustain is like the Energizer Bunny. Anyway, I called AMS, they offered a replacement but I wouldn't be able to choose the serial number for the replacement, so I would have no idea what it looked like; I want to choose what guitar I am buying. So now I have a prepaid return shipping label in my email and a trip to the "stork" in my future. It's very unfortunate that this guitar was not packaged better because it is an amazing sounding guitar. I am buying another one.Mike
Overall: I've had 4 other gibsons and this one is the prettiest of them all. The color, how it fades from a dark red, to bright red then amber. The flame is just right on both sides. It has nearly every different kind of flame in certain spots but consistently has horizontal flame from top to bottom. It's a killer top. It's set up well but the action does need to be lowered and some relief put on the neck but overall not bad. The slim 60s neck is very nice. Its not chunky but not thin either, its right in the sweet spot. It sounds amazing, alnico Vs are hotter than a firecracker. Now the cons- It had about a 4 inch surface scratch on the top where your right arm rests when I inspected it after opening the case. The Grover tuners are nice and keep it in tune but I wish this exact guitar was offered with Kluson deluxe tuners. I prefer the green tulip look. Then there's the graph tech nut. I wish it had a bone nut but ill take care of that later. All in all it's a keeper, for life. Thank yoy zZoundsRyan
I've had the guitar for a couple weeks now and it's been the main guitar I've played during that time and it's incredibly hard to put down. The neck is thin but not too thin. It's a good medium profile. This is also one of the lightest Les Pauls I've ever played. The guitar is extremely resonate and loud acoustically. This could just be luck of the draw finding this specific Les Paul, because I've played a few 60's standards and not all of them were like this one. This one was definitely the best one I tried of this model. I have yet to gig with it yet, but I can't wait to. I've tried it in Standard, Eb Standard, Drop D, and Drop C# and it sounded and reacted great in all four tunings with little need for adjustments. The only con I've found is occasionally the higher strings seem to choke out slightly, but that should be easily remedied with some minor adjustments, and they don't choke out enough to really hurt playability.Eric
9. Gibson 2019 Les Paul Standard Electric Guitar – Seafoam Green
Product Details:
Designed for professional musicians, the 2019 gibson les paul standard guitar offers the sound and feel you've come to love and expect from a les paul model, but with improved modern performance and sound. burstbucker pro humbuckers provide modern and classic tones, while additional variety from comes from 4 push-pull knobs. tones that previously eluded the les paul are now possible with the new gibson les paul standard 2019, eliminating the need to switch guitars. consider also gibson's ultra-modern weight relief and a gorgeous mahogany body and highly-figured maple top; you'll just love the upgrades gibson presents to you in the les paul standard.
Specifications:
| Finish | Blueberry Burst |
| Year | 2019 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
10. Gibson Les Paul Standard '50s Electric Guitar (Tobacco Burst)
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. pure tone, prime playability. two classic burstbucker humbuckers adorn this feisty '50s guitar, giving it that vibrant vintage crunch which sails through to the soul. your licks will sing powerfully as you strum and pick your way through songs, with each note shining with crystalline clarity. the beautiful neck and fretboard bring you the ultimate playing satisfaction, feeling chunky and dense whilst offering beautiful resonance. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | Probucker |
| Bridge | Probucker |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
11. Gibson Les Paul Junior – Vintage Tobacco Burst Guitar
Product Details:
Pickguard has light pick scratches. a few #2 pencil lead sized dimples on the back of body, near the back plate. light swirling in the nitro. a few very small spots on the body where the nitro has a haze and a 1/4" then rub mark near the gibson logo. these will not show up in pics. to be able to see it, you have to have it at the right angle, in the right light. back plate still has the protective plastic. professionally uv inspected for breaks, cracks, repairs, and resprays. deep cleaned, frets polished, fingerboard oiled, and a new set of 10s installed. 6 lbs 15.3 oz. includes gibson ohsc with case candy.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Control layout | Master volume, tone |
| Bridge type | Fixed |
| Bridge design | Vintage-style compensated wraparound |
| Tuning machines | Vintage Deluxe white-key |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Ease of Use: Easy to get good sounds. Combines well with pedals. Very playable. Quality: Feels very well constructed. The Wow Factor: It looks amazing. Overall: I have owned this guitar for 5 months and I love it. I have to admit I have not played many guitars (I was drawn to this one because of Lukas Nelson and the sound he has). I really like the P90 pickup and how this guitar has nice simplicity and yet versatility at the same time. You can really make different tones despite having one pickup. It combines very well with the pedals I like to use, and when also adjusting the tone knob you can really do a lot of things to adjust your tone. It's an awesome guitar to hold and feels very high quality. It came set up well and was ready to go right out of the box. Overall I'm a big fan and I'm really glad to have this guitar which I foresee as my go-to for years to come.Nathan
Overall: This is my second Gibson. I had a gold top a few years ago that I just couldn't bond with. Being a "Telecaster guy" I loved the idea of one pickup and two knobs, like an Esquire without the switch. The shorter scale made it more enticing.The fit and finish is perfect. What I thought was black around the tobacco center and back is actually a maroon tinted mahogany. I didn't notice this until I took it outside in direct sunlight.The fretwork and tuners feel very nice as does all of the hardware. The case is very solid and there is a nice Gibson strap and multi-tool inside.Shipping was next day and free! I didn't leave a Manufacturer Support rating as I just recently received the guitar, and to be honest, I don't think I'll ever need it.Submitting the review I was notified that I needed a Manufacturer Support rating, so I'll give it one star.Tim
Really an awesome guitar. Gibson is back. It was immediately playable out of the box. Stretched the strings, tuned it up, and played. Frets are level. No issues with flat spots or buzzing. Intonation is fine… Close enough for rock n roll. Finish is immaculate. Fattest neck I've ever played. The P90 definitely snarls. Back off the volume, and it cleans up. Sounds incredible through my Marshall. Definite 60 cycle hum with lots of gain, but no surprise there. I bought this on sale here at MF and think it's a good value. Can't understand the reviews that talk about it being overpriced. They obviously thought theirs were with the price as they bought them. Price isn't often the sum of materials and labor plus a small percentage for profit. Look at the price of Apple products. Their cost of components and manufacturing labor per phone are probably in single digits. Anyway this guitar rocks.Honey Badger
12. Gibson Les Paul Junior – Ebony Guitar
Product Details:
Ex-demo serial number: 219010349 these instruments may show light signs of use, they are quality checked by our team of repair technicians to ensure that they meet high playing standards. any promotional materials, offers, software or subscriptions available when purchased as new may not be available with this ex-demo product. the gibson les paul junior is a guitar that needs no introduction. boasting an unmistakable tone and a classic design, its been played by a generation of musicians. originally designed as an affordable alternative for students and beginners, the les paul junior has since become a favourite amongst industry experts and the touring elite. now, it's back with all the charm of the 1950s and upgraded features for the modern player. it's that renowned vintage tone that has gifted this junior a place in the rock 'n' roll hall of fame. shred with snarl and bite from a single dogeared p90 neck pickup. whether you're riffing on a tasty lead or keeping it grounded with chords, you'll always get balanced mids, sharp highs, and fierce bottom end. all on a neck that boasts incredible sustain, and a body that's been tried and tested on the road.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | 50s Vintage |
| Neck Material | Mahogany |
| Depth at 1st (in) | .896 |
| Depth at 12th (in) | .994 |
| Nut Width (in) | 1.708 |
| Nut Material | Graph Tech |
| Scale | 24.75 |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Gibson Deluxe |
| Bridge | Wraparound |
| Bridge Pickup | P90 |
| Controls | 1 Volume, 1 Tone |
| Strings | .010, .013, .017, .026, .036, .046 |
| Finish | Ebony |
| Made In | United States |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
P90 purity. An absolutely iconic sound that can spirit you back to the 50s on normal gain – and melt faces through hi gain channel. Set neck sustain and the lower string tension of the Gibson scale make it a dream to play. It also looks amazing, the mirror-like ebony finish is a joy to behold.Richard F.
Purchased a 2020 LP Junior in ebony from AMS. Arrived with chipped and bubbling paint at the neck joint. Can't believe any respectable quality control engineer would allow this out of the factory. Having purchased a 2019 Les Paul Special last year through AMS, I thought Gibson had turned the corner! And although AMS has a great return policy, I can't purchase another until the guitar has been inspected and credited to my account. So 5-7 days before I can reorder! Total Disappointment! Looks like my Gibson buying days at AMS are over. Never had a problem with my Fenders!EJ Maynard
Very nice little guitar. The quality of the instrument is awesome. The case it came with is super nice. It was set up excellently at the factory. It even came with a picture of the guitar taken at the factory while it was being set up. The also included a nice little multi tool and polishing cloth. Really good attention to detail. The sound of the guitar is great. It's exactly what I was looking for when I bought it. I play in a few different cover bands and play a lot of different music. This guitar gave me the different sound I needed and couldn't get from my Telecaster, ESP, or Schecter guitars.Frank
13. Gibson Slash Les Paul Standard – November Burst Guitar
Product Details:
Your child may be sweet. but this'll be your new favourite member of the family. the gibson slash les paul is one ultra-special guitar, boasting all the premium features you'd expect from the signature of a true legend. belonging to gibson's slash collection series, its sublime sound comes from custom burstbucker alnico ii pickups, which emanate pure rock'n'roll groove. the aaa flamed maple top oozes professional style and class, whilst adding brightness to the resonance of the expertly carved mahogany body. it's no wonder slash is so good. this guitar is incredibly easy to play, with a sleek, c-shaped mahogany neck and pristine rosewood fingerboard for superbly smooth fret transitions. you can really dig in for solos, and keep your rhythm playing super tight on this pristine rock machine. an abr1 tune-o-matic bridge keeps your tuning in check and stable, whilst the included hardshell case will let you take this guitar on tour without so much as a scratch. take a trip to paradise city with the guitar of your dreams.
Specifications:
| Finish | Anaconda Burst |
| Year | 2020 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.687" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
A few points to mention, the neck is 1.687 wide, the tail piece is aluminum, the pickups are alnicoII @8+ electrical reading, the case is TKL all leather made in Canada, the straps are locking, the neck is less than C but more than D ( perfect for me). no pick guard and no pickup covers, matching hardware those are the differences from the other Standard Models. I have been playing since 14 and I'm now 50+ (OUCH!)I can testify that the playability and feel of the fretboard on this model is the best I have ever played. The quality of the construction is better than a $5000 and up Japanese models LP's. The sound of the pick ups are are extremely pleasing and ADDICTIVE! My ears do not tire. I can honestly tell you that the sound is and upgrade from the LP Classic models for sure! The color of this November Burst model on the GC site picture IS NOT THE COLOR you must check it out in person to see if you like. I do is FREEKING gorgeous! Folks the bottom line is that GIBSON is an American icon and the reason they are expensive is because all things are made outside of the USA if things where made here they would be cheaper and better. The closing of the Memphis Factory is a SHAME to the leaders and citizens of the state of Tennessee they should have not let that happen SUPPORT USA PEOPLE! it ROCKS!John
Overall: About 34 years ago, I saw the coolest guy I'd ever seen play a guitar playing an awesome guitar in the awesomest band I'd ever heard. This is the guy that made me want to play the guitar and the guy I imagined I was when I got my first guitar and posed with it in front of the mirror. I've been a huge fan of both GNR and Slash most of my life and decided it was time to get the guitar that inspired me to start playing.The guitar is gorgeous! The pictures are great but it's so much more beautiful in person! I just sat looking at it in awe for half an hour before I took it out of the case! The tone is right on. I wasn't expecting anything less. The pickups are super hot and responsive.It plays like a dream! Right out of the case it was perfect!The case candy is added bonus! I've never owned a Gibson and they definitely won me over as a future customer with it.So, if you love Slash, love sexy Les Pauls, or just love beautiful works of art, I would recommend this guitar!Michael
A follow up from my previous review. Sorry for the USA rant, but here is more of what I think of this guitar. I'm just a joe blow musician but if you play in stadiums with four 4×12 cabs and two 100w amps running at full blast then the " Burstbuckers" aren't going to cut it, you're going to have to swap the pickups to Seymor Duncan Slash ,those will do the job perfectly and it will be your dream guitar. But if you just do venues and social gigs and practice on your own then this is a fine guitar This model will have the least QC issues. I just wanted a good QC Gibson USA L that spoke to me with standard Gibson LP pickups and no pick guard, this is the one no big deal. I have a gut feeling that Gibson USA will not exist in 5 years from now. Gibson will Take the International Company Parent Epiphone and call It Gibson. Maybe a good thing? time will tell. Enjoy your guitars everyone chao!John
14. Gibson Les Paul Traditional Pro V Satin Electric Guitar Satin Wine Red
Product Details:
This guitar plays and sounds great! it has some general playwear, but is overall good condition with pretty much no noticeable fret wear, and it is set up with low action. it has a little belt rash on the bottom of the body. it includes the original case, and original case candy seen in the photos. it is hard to see in the photos, but the satin finish really compliments the wood grain nicely, and it is very pretty. the neck plays very nicely with the finish as well! what a bang for the buck! check all photos to get an understanding of the condition.
Specifications:
| Body Type | Single Cutaway Other |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Satin |
| Neck shape | Asymmetric |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | Compound |
| Number of frets | 22 |
| Inlays | Custom |
| Nut width/material | 1.687" (42.8 mm) |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Coil-split, Coil-tap, Phase switch |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Locking Vintage-style |
| Number of strings | 6 String |
| Orientation | Right Handed |
| Country of Origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
15. Gibson Es-339 Electric Guitar – Cherry
Product Details:
The gibson es-339 figured guitar truly stands out as a masterpiece of modern design. mhs ii humbuckers provide all the juicy, articulate tones which make for them most exceptional music. your riffs, chords, and solos will leap out in impeccable style, with superb definition and am perfectly balanced voicing. your dream guitar. a quarter sawn mahogany neck makes for perfect playing. made to a rounded 'c' profile, it offers unrivalled comfort, allowing you to master the fretboard in no time. the dark rosewood fretboard not only looks stunning, but also sounds exceptional, adding a touch of warmth and plenty of sustain to this instrument. and premium hardware ensures that it always plays exceptionally well, and can easily withstand the rigours of professional touring. the es-339 is sure to ignite your guitar playing passion like nothing else.
Specifications:
| Body Body Shape | 339 |
| Back | 3-ply Maple/Poplar/Maple |
| Bracing | Spruce |
| Centerblock | Maple |
| Binding | Single-ply Cream |
| Finish | Gloss Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Dots |
| Hardware Finish | Nickel |
| Bridge | ABR-1 Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Grover Rotomatics w/ Kidney Buttons |
| Pickguard | Black 5-ply |
| Control Knobs | Black Top Hats with Silver Reflector |
| Switch Tip | Cream |
| Electronics Neck Pickup | 57 Classic |
| Bridge Pickup | 57 Classic + |
| Controls | 2 Volumes, 2 Tones & Toggle Switch |
| Miscellaneous Strings | .010, .013, .017, .026, .036, .046 |
Reviews:
Overall: I am very very happy with this guitar. It is not a perfect instrument, but for the price, you can't really get a better semi hollow, and with the 339 body, its almost impossible to find a sub $500 model. Was really happy with the specs that Epiphone has upgraded to, the grover tuners and graphtech nut really help sell the package, (i hate switching out sub-par parts). The paint job on the F holes was a little lacking but I was able to touch up with a paint marker and the plywood top was sanded a little to much in some places, revealing the ply, but I really can't complain. the stock pickups sound great and while setting the instrument up, I was very impressed at how solidly put together it is and how well it plays. Great fret work, usually the frets are lacking on a guitar in this price range. It would be great to see a deluxe model for the 339 with some more cosmetic upgrades and pickups but this instrument is a steal, get it now!
I have always wanted a 335, but did not like the larger size. I saw this 339 and stepped up and bought it home. Had to wait 6 weeks, but was it ever worth it. This is the best guitar I have ever played or been around. Cannot make my mind up if it plays better than it looks, or if it looks better then it sounds. It came set up really well, intonation and all. All I had to do was tune it and go. Cannot find one flaw in the paint, assembly or anything wrong at all. It rings so true, holds a note and there is a major difference when selecting either pickup or both, and the tone and volume controls lets you have an infinite setting control on tone and volume. Set the bridge to really ring out and the neck one a little muddy and together it is killer, but can flip the switch and brighten a solo up good. An absolute joy to play. Just strike your favorite chord and let it ring…beautiful fun. I was worried about the neck thickness, but it is a non issue. Easy to chord, simple to fret in any way you please. I cannot express just how happy I am with this guitar. Michael at musicians friend was a great help in every way getting it here.Keith
Very comfortable to hold and play, with a slightly chunky neck which is my preference. Combines the best aspects of 335s and Les Pauls. It's also heavier than I thought it would be (again for me a good thing, I don't like feather-light guitars) I was expecting SG weights and annoying neck dive. As suggested already it seems to sound somewhere between a full-sized 335 type and a solid body, which again isn't much of a surprise. Seems to have more twang than my LP which is good for my taste, which is more soul and funk. The finish is also perfect, though slightly different to the one advertised at the time of purchase. The neck fades into a natural varnish rather than the all-black paint. Also the sides are solid natural varnish rather than the fading between black and natural effect.Reviewed by Andertons Music Co.
16. Gibson Les Paul Cm 2015 Electric Guitar
Product Details:
Here's a super nice and clean 2015 gibson usa les paul cm finished in satin ebony. the pickup is the original burstbucker 61 lead with zebra bobbins. the wiring has been upgraded to top quality cts / wd music 550 k custom taper potentiometers and with mod .022 f oil-filled capacitor with 50s style wiring. gavitt vintage style braided shield pushback wire and a switchcraft #11 mono output jack were also used.the guitar plays like a dream. the neck is straight and the truss rod functions properly. the frets are in great shape and show virtually zero wear and have been cleaned a polished. the rosewood fretboard and been cleaned and conditioned as well.overall a fantastic playing guitar in fantastic condition – no notable blemishes outside of very light playing wear. comes complete with the original gibson literature, "baby photo", and gig bag. these models were produced for just 2 years and and are essential a thin body carve top les paul junior.
Specifications:
| Finish | Satin Ebony |
| Year | 2015 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul CM |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | H |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
First of all, don't believe everything you read about the 2015 Gibsons. I own about a dozen Gibsons with the oldest being a 1991 Les Paul Studio Lite and the newest being a 2017 SG Standard, the quality of the 2015 Gibsons I own are on par with all of them. Now on to this particular guitar… I really wasn't expecting much for the price. This is definitely a "no frills" model. That being said, it is a lot of fun to play! The thin, contoured body is very comfortable and a nice change from the usual Les Paul. And it is a good bit lighter on the shoulder! The sound from the single humbucker can be anywhere from crystal clear to gritty and crunchy depending on your volume, tone and amp settings. It is a lot more versatile than I was expecting. And I prefer the carved maple top and humbucker to the P90 and flat top of my Les Paul Jr. All in all, a great guitar for the money!JD
Overall, this is a fantastic guitar that does exactly what I hoped it would. The Good: The neck is, by far, the standout feature. Absolutely wonderful & comfortable, with just the right profile that's not too slim, nor too chunky. The slim body is a nice touch, and helps to make the guitar super lightweight. The wraparound bridge is totally adequate; not nearly as imprecise as the internet forums would have you believe. The Bad: there was a short or some issue with my output jack, so I've yet to really hear or form an opinion on the pickup. Now, I planned on putting a new pickup in this guitar before I bought it, so a more thorough re-wiring is not beyond the scope of what I'm prepared to do. I am a little disappointed it came from the factory like this, but it's not a deal breaker; it's just a faulty jack, certainly not worth returning the whole guitar to Sam Ash. The Ugly: The fretwork isn't too great. I did have to file them down a bit so they're flush to the neck, and not poking my hands. But again, I was prepared for this, and expect most guitars (especially ones in this price point) to need some minor fretwork. Finally, a few words on the much maligned G-Force tuners. Out of the box, they didn't work well — at all. Since the strings were installed on the guitar in 2015, I changed them (which is a bit of a process, to be honest) & it worked like a champ. I really like the idea of having multiple tunings available at the press of a few buttons. However, for me: this guitar is supposed to be simple — one pickup, two knobs, & a wraparound bridge. So the "robot" tuners clash with that motif, and I will be swapping them out when I re-wire the guitar. That being said, they're definitely not a reason to avoid this guitar — give 'em a fair chance, and make up your own opinions on them. Overall, I'm quite pleased with this guitar. The wiring issue is disappointing, for sure. But acoustically the guitar sounds great, plays well, & looks awesome!Nate
I've spent about 13 years buying relatively cheap guitars, as I just record music at home as a hobby. I never considered a Les Paul because they're so expensive. When I saw the CM 2015's price tag, I thought "this is probably not that great", but after a lot of research and watching videos, I decided to take a risk. I was not disappointed. This guitar feels great in the hands, it stays in tune, and it's really beautiful. But, most importantly, it sounds great. I'm producing music that sounds levels ahead of anything I've made in the past. So much, that I've been going back to older stuff and re-recording it. This is worth the price.Shane
17. Gibson Memphis Es-Les Paul Faded Light Burst
Product Details:
Producing powerful tones, the es les paul has been an iconic symbol of the gibson memphis line. by combining the best elements of the les paul standard and the es-335, the es-les paul has emerged as one of the most appealing new gibson designs in decades. now the es-les paul takes it up a notch with a highly desirable custom color finish. top-notch details include quarter-sawn adirondack spruce braces, two paf-like mhs humbuckers that are calibrated for each position, rolled neck binding for an improved playing feel, titanium bridge saddles, historic truss rod, genuine bone nut and more. gibson 2016 le es les paul electric guitar with case features les paul styling meets semi-acoustic es-335 construction rosewood fingerboard mhs humbucking pickups hardshell case included redesigned neck dimensions and added thickness to the peghead transition provides great strength and stability. with the historic truss rod which has superior adjustability due to the larger diameter rod, original brass anchor and larger wash, this guitar is ready to rock. the es-les paul has a bone nut for smooth tuning and excellent durability. the neck has rolled binding which means the binding is rounded off to comfortably fit the contours of the player's hand. it also has low profile frets that give you smooth playability and accurate intonation. and if that wasn’t enough, this guitar is loaded with the mhs humbucker pickups.
Specifications:
| Finish | Blue Stain |
| Year | 2014 – 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul ES |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
Très bon instrument qui m'est malheureusement parvenu avec un problème de blindage de micro manche qui a été résolu par mon luthier pour la somme de 65 euros car je voulais éviter un retour.Sans difficulté stars-music a accepté de me rembourser cette somme et je les en remercie chaleureusement.Je n'hésiterai pas une seconde à faire d'autres achats chez eux bien que l'instrument aurait dû être vérifié avant l'envoi.
Five stars ~ hands down, one of the finest Gibson guitars ever made. I used to own a solid body Les Paul, but, I sold it to buy two Les Paul ES models ~ yep, these guitars are THAT impressive. Best choices I made was to own one flametop LP ES with the MHS PAF pickups and also, own the second LP ES ~ a goldtop sporting the P90 pickups. Centerblock construction of the Les Paul ES helps control feedback, as I have two 50's Gibson ES models to compare to. The LP ES is very comparable to my little parlor, 1953 140 ES, but with unbelievable control with feedback and wider range of tones with the two pickups instead of one. As far as her body lines, she has a very lovely, one piece maple back. Compared to the back plastic cover 'cuts' Les Paul solid bodies have for the wiring/control knobs, the LP ES is much more appealing as a one piece, dark stain, maple back. The front top is a laminate, and sports the lovely 3-D sculpt Les Paul's are sought after for. AAA flame tops or painted tops, they are a work of art, stunning craftsmanship and attention to detail throughout. At less than 5 lbs., what a light experience she offers, sailing on your shoulder ~ instead of after only a few minutes, suddenly feeling like you are wearing a shoulder anchor! If you are a true fan of Les Paul guitars, you owe it to yourself to check out the ES model! The price is right for a limited run issue Les Paul, as Gibson only makes 200 of any one ES model. The goldtop Bigsby has an even lower number for production. ENJOY!fayewrey
Very light and nice sounding guitar.casthe
18. Gibson Les Paul Classic Left-Handed Electric Guitar (Ebony)
Product Details:
The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching, and pure bypassing for functional and versatile sonic variety.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Left handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
19. Gibson Les Paul Classic Electric Guitar Honey Burst 194744743153
Product Details:
The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifcations. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features four push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for functional and versatile sonic variety. – gloss-finished maple top on weight-relieved mahogany body24.75"-scale mahogany neck, 22-fret rosewood fingerboard – dual gibson burst – bucker 61 pickups, coil tap, phase and bypass on push/pull pots – nashville-style tune-o-matic bridge, grover tuners
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
20. Gibson Les Paul Deluxe '70s Electric Guitar Cherry Sunburst 194744626500
Product Details:
First released in 1969, the gibson les paul deluxe saw the introduction of the mini humbucker to the les paul lineup. mini humbuckers retain the hum-free performance of their full-sized cousins but with a clearer and brighter tonality. this reimagined version has features inspired by those early models from the 1970s, with a mahogany body, bound maple top and bound mahogany neck. additionally, the les paul deluxe 70s includes vintage-style keystone tuners, a graph – tech nut and a traditional les paul control layout with two volume and two tone controls wired with orange drop capacitors. – maple top and mahogany body – mahogany neck with rounded "c" profile – indian rosewood fingerboard – dual mini humbucker pickup set
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | Maple |
| Body wood | Mahogany |
| Neck shape | Rounded C |
| Neck wood | Mahogany |
| Scale length | 24.75" |
| Truss rod | Standard |
| Number of frets | 22 |
| Inlays | Acrylic Trapezoid |
| Nut width/material | 1.69"/GraphTech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Bridge type | Fixed Bridge |
| Bridge design | Tune-O-Matic |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right-Handed |
| Country of Origin | United States |
Reviews:
I've wanted a deluxe since I played one in the late 70's. It's beautiful, plays great, and the fit and finish is perfect. Gibson has definitely fixed their past QC issues. The mini humbuckers are clear and crisp, no bucker mud. The neck is perfect to me. Fat but not huge. Frets are perfect. Minor action tweaks out of the box and I gigged it the next day. Highly recommend!
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