Are you looking for the Boss Guitar Synth Pedal? If so, you’ve come to the right place.
Choosing the Boss Guitar Synth Pedal can be difficult as there are so many considerations, such as Zoom, BOSS Audio Systems, NUX, BOSS, Electro-Harmonix. We have done a lot of research to find the top 20 Boss Guitar Synth Pedal available.
The average cost is $302.92. Sold comparable range in price from a low of $129.99 to a high of $959.99.
Based on the research we did, we think Boss SY-200 Synthesizer Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Boss Guitar Synth Pedal (20 Sellers)
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$316.99
4.6
Reviewers Noted:
Easy to use . Sound quality
Features:
- A world of synth tones at your feet.
- Standard features.
- Advanced boss polyphonic guitar synth technology in a streamlined 200 series pedal.
$129.99
4.7
Reviewers Noted:
Size
Features:
- Type: expression
- Controls: bluetooth button, power on/off switch
- Input ports: 1x ctl 1,2 trs
Reviewers Noted:
Easy to use . Compact . Good sound quality . Heavy . Portability
Features:
- Perfect condition.
- Great multi-effects unit.
- Perfect for live performance and on-the-fly preset customization and looping.
$242.99
4.6
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability
Features:
- Lead 1/2—a wide range of sounds suitable for single-note soloing.
- Pad—full tones that work great with chords, from layered pads to synth brass and more.
- Bass—fat synth bass sounds, including filtered and sub-octave tones.
$542.99
4.6
Reviewers Noted:
Ease of use . Sound quality
Features:
- All you need is this feature-packed pedal and a guitar with a gk-3 pickup to access any sound you can dream up.
- I bought this for that purpose but decided that i preferred to control synths from a keyboard.
- This pedal has never been gigged and doesn’t have a scratch on it.
$242.99
4.6
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability
Features:
- Lead 1/2—a wide range of sounds suitable for single-note soloing.
- Pad—full tones that work great with chords, from layered pads to synth brass and more.
- Bass—fat synth bass sounds, including filtered and sub-octave tones.
$199.99
4.8
Reviewers Noted:
Compact . Easy to use . Weight . Good sound quality . Portability
Features:
- Transforms the tone of your guitar or bass into that of a vintage synthesizer
- 9 presets that were created to emulate many of the most popular synthesizer sounds ever
- Works on guitar or bass without modifications, special pickups or midi implementation
$239.99
4.7
Reviewers Noted:
Easy to use . Compact . Portable . Weight . Sound quality
Features:
- Flagship-class boss sound engine squeezed into a light and compact floor unit
- Modern design with no hard edges enables safe transport in a guitar bag
- Easy select and easy edit functions for quickly choosing and tweaking patches
$219.99$199.99
4.7
Reviewers Noted:
Easy to use . Compact . Portable . Weight . Sound quality
Features:
- Premium tone for players on the go
- Specifications
- Sampling frequency
$249.99
4.6
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability
Features:
- Pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top.
- The sy-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing an easy, plug-and-play experience.
- With the send/return loop and dedicated mix controls, it’s also possible to blend one or more pedals in parallel with the sy-1’s synth voices.
Reviewers Noted:
Sound quality
Features:
- Great pedal in phenomenal condition just thinning the herd.
- A masterpiece returns in the modern era.
- Standard features.
$599.99
4.6
Reviewers Noted:
Ease of use
Features:
- Standard features
- Powerful, easy-to-use amp/effects processor for guitar and bass
- 24-bit ad/da, 32-bit floating-point processing, and 48 khz sampling rate
$133.95
4.8
Reviewers Noted:
Ease of use . Size
Features:
- Compact octave pedal that produces tones one or two octaves below the original note–or both
- Separate oct 1 and oct 2 controls, as well as direct level control for exact tonal shaping
- A classic effect for guitar and bass
$149.99
4.8
Reviewers Noted:
Ease of use . Size
Features:
- The 40 ma of current helps power your guitar pedal effectively
- Tune your guitar conveniently to get crisp tones with its multiple tone-shaping options
- Featured with 20 db impedance to deliver good amplification for optimal output
$153.61
4.1
Reviewers Noted:
Easy to use . Sound quality . Size
Features:
- Please note!
- The item is secondhand but in excellent condition.
- No problem with functionality of the item.
$959.99
4.5
Reviewers Noted:
Easy to use . Size
Features:
- Condition: new
- Brand: boss
- Model: sy-1000
$152.00
2.0
Features:
- 20 dbu input impedance 1 m ohms nominal output level.
- 20 dbu output impedance 1 k ohms recommended load impedance 10 k ohms or greater residual noise.
- 96 dbu (ihf-a, typ.
$149.99
5.0
Features:
- Me-80: guitar multiple effects.
- Hands-on access to a world of great tones.
- Compact and powerfu…
$359.99$279.99
4.8
Reviewers Noted:
Easy to use . Compact . Portable . Good sound quality . Build quality
Features:
- Me-80:guitar multiple effectshands-on access to a world of great tonesmobile, battery powered, and filled with a diverse selection of flagship-quality boss amps and effects, the me-80 is the ideal compact…
1. Boss Sy-200 Synthesizer Pedal
Product Details:
The boss sy-200 guitar synthesizer offers an incredible library of analogue-inspired polyphonic tones in a pedalboard-friendly enclosure. this blue inspiration machine is like the acclaimed sy-1, all grown-up – improvements include an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. dual footswitches allow for deep real-time performance control, which can be expenaded even further with external footswitches like the fs-6, expression pedals like the ev-30, and midi-equipped pedals and devices like es-5 and es-8 loop switchers. these dual footswitches are customisable, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more, with press-and-hold functionality available.
Specifications:
| Sampling Frequency | 44.1 kHz |
| AD/DA Conversion | 24 bits |
| Processing | 32-bit floating point |
| Memory | 128 |
| Bypass | Buffered bypass |
| Display | Graphic LCD (132 x 32 dots, backlit LCD) |
| CTL 2, 3/EXP jack | 1/4-inch TRS phone type |
| MIDI (IN, OUT) jacks | Stereo miniature phone type |
| USB port | USB micro B-type (program update only) |
| Current Draw | 230 mA |
| AC adaptor | PSA-S series |
| Footswitch | FS-5U |
| Dual footswitch | FS-6, FS-7 |
| Expression pedal | FV-500H, FV-500L, EV-30, Roland EV-5 |
| Height (including rubber foot) | 65 mm (2-9/16 inches) |
| Weight (including battery) | 700 g (1 lb 9 oz) |
Reviews:
If you liked the SY1 but wished it had presets, here ya go! In a nutshell it's the SY1 with presets. It's got the same sounds and same limited control features but now you can tweak and save. Programming is very easy, more so if you are already familiar with the Boss 200 style pedals. Check out the zillion YouTube videos to hear for yourself. Sounds just like that when you get it home 🙂 Of course I wish it was more powerful like an Enzo or C4 but those two require a PHD to get anything other than a Theremin on LSD type of sound. If you need simple 80's goodness added to your pedalboard then this is your ticket. It's fun and good for you. Buy one.AJB
Tried the Sy-1 and it sounded great but no presets. Bought an Sy-300 and to many effects cover the synth sounds and too complicated for me. The Sy-200 sits in the Goldilocks zone for me. It's just right. The synth sounds are beautiful and 80 percent of the factory presets are usable IMO. If I want effects I can add my own using the effects loop. I really like the Sy-200.Jack
Incredibly Pedal to use and so easy to make your own sounds. Thanks Better Music for a quick hassle free Delivery. RCRobert C.
2. Boss/ev-1-Wl
Product Details:
The boss ev-1-wl wireless expression pedal presents a pedal from the future. featuring bluetooth technology, the ev-1-wl liberates players' creative process with the freedom of wireless. this means you can connect it to your boss eurus gs-1 guitar, waza-air, and any other device that supports bluetooth midi. you can even connect to your mobile device and inject some expression control into your music-making.but what about those devices without bluetooth midi? well, fear not. coming equipped with both usb and trs midi connectivity options, the ev-1-wl is exceptional in delivering the control and nuance of a traditional expression pedal, too. so whether you're adding a little flair to your instruments, or discovering new sonic possibilities – this is a pedal that utilises endless potential for your sound. supporting communication with roland wm-1 and wm-1d wireless midi adaptors as well, this unique pedal is the next step in boss's vision for performance free of cables. are you ready to take the next step?
Specifications:
| Volume pedal | No |
| Boost function | No |
Reviews:
Great pedal to connect to iOS device with flexibility to connect to and control non iOS devices at the same time.Robert R.
I own multiple expression pedals and have not been able to record or play in the box while using one. This pedal is a godsend. Just plug in to your computer via USB and you have digital MIDI and can assign the sweep to your digital wah, volume, etc. That coupled with MIDI TRS and wireless, you don't need anything else for PC recording or jamming. It's also a smaller form factor, I wouldn't say compact, maybe 75% the size of my other expression pedals. You need this!ScottyKnows
Premetto che non sono un chitarrista professionista, ma suono solo per diletto. Lo uso (in abbinamento a un Fw6 sempre di Boss) con il Katana Air e debbo dire che sono notevolmente soddisfatto perché mi permette di espandere le possibilità del Katana Air e il doppio funzionamento (come volume e come pedale di espressione ad esempio come wha) e la portabilità sono impagabili. Lo uso dappertutto. Il consumo della batteria è ragionevole e una volta dotato di una coppia di pile ricaricabili non fa rimpiangere assolutamente l'alimentatore che sarebbe solo un ingombro in più. Non ho messo le cinque stelle perché l'abbinamento con l'iphone o con lo smartphone Android va rifatto ogni volta e può essere noioso, ma ci vuole meno di un minuto. Se fossi un professionista sarebbe più fastidioso, ma per me il problema non è così dirimente. Lo ricomprerei.Valeriano Salve
3. Boss Gt-100 Guitar Multi-Effects Pedal
Product Details:
Meet the new boss effects flagship, the boss gt-100. the gt-100 amp/effects processor boasts next-generation amp modeling that re-creates vintage amps and provides new cosm tones that soar into the future with the dynamics, tone and feel you'd expect from a boutique unit. user interface is improved by a dual-lcd system, while ez tone has been enhanced with newly designed amp customize and od/ds customize features. the gt-100 is a powerhouse processor that spans from classic to futuristic in a friendly, rugged and roadworthy unit.
Specifications:
| AD Conversion | 24 bits + AF method |
| DA Conversion | 24 bits |
| Sampling Rate | 44.1 kHz |
| Dynamic Range | 100 dB or greater (IHF-A) |
| Displays | Graphic LCD (132 x 64 dots, backlit LCD) x 2 |
| Input jack | 1/4-inch phone type |
| AUX In jack | Stereo miniature phone type |
| Output jacks (L/MONO, R) | 1/4-inch phone type |
| Phones jack | Stereo 1/4-inch phone type |
| Amp Control jack | 1/4-inch phone type |
| SUB jacks (CTL1, 2/SUB EXP) | 1/4-inch TRS phone type |
| Power Supply | DC 9 V |
| Current Draw | 600 mA |
| Dimensions (WxDxH) | 21-3/8 x 10-11/16 x 3-3/16 inches |
| Included Accessories | AC Adaptor, USB Cap, Owner's Manual |
| Footswitch | Boss FS-5U |
| Dual Footswitch | Boss FS-6 |
| Expression Pedal | Boss FV-500L/500H, Roland EV-5 |
| Manufacturer Part Number (MPN) | GT-100 |
Reviews:
This unit is just incredible. I've been playing since the early 70's and with all the equipment that I've owned I really think the GT100 has possibly impressed me more than anything I've bought! There's some wonderful preset sounds in this tone monster and it's easy to edit the one's that you like. If you're already proficient at programming pedals then this one will be a dream for you to manipulate. This isn't my first multi effects pedal but I don't enjoy programming and this is by far the easiest to program of the one's I've owned. I can't say enough about the sound of this thing. It has every tone that you could ever need. It's extremely quiet too. I'm definitely glad that I made this purchase. I can see a lasting relationship building!Alan
Overall: I picked this up knowing it was at the end of it's market life, but I wanted to finally own one. COSM is starting to feel a little old, but it's still an amazing pedalboard. The amp modeling is good, especially the clean tones. The distortion can get a little "digital" sounding, but it's still very usable. The effects are top notch, especially the delay and reverb. What attracted me to this product was the routing options, specifically USB. I do a lot of home recording on my DAW and an underappreciated feature of this board is the ability to record both a dry and wet signal to your DAW at the same time. Reamping (routing the signal out of your DAW back into the device for processing after recording) is a great tool and something that is not found in a lot of boards. It really gives this kit an extended life off the stage and in the studio. 6 years after launch this is still a great product!Allan
I have to say I love his board, I've been through several multi effects and was recently building up an all analogue pedal board myself with some nice TRex and Keeley pedals in there. I was inspired after watching Johnny Marr and listening to some of the tones he got from the GT100 so I jumped when it was on offer. I run it through a small Behringer mixing desk into two Yamaha DBR12's and all I can say is that it sounds awesome. As a change to my usual random approach I went through each preset and made a note what it reminded me of or what it might be useful for,if I liked the patch. Its a testament to the board that out of the 200 presets I marked nearly 50 out for being useful out of the box. Now i just refer to that sheet and if I have a cover song I want to try or a feel for an original piece I just the closest preset as a starting point. There are so many features on this board its pointless trying to list them but suffice to say its got everything you are going to need, and there is always the effects loop if you are missing some random effect. What else can I say, oh yes its improving my playing as I use the metronome on it loads, really helping me improve my speed. The screens are clear and easy to view, and the whole menu is very intuitive to work with. Gets a definite thumbs up from me absolute winner of a product 🙂
4. Boss Sy-1 Guitar Synthesizer
Product Details:
Journey to new sonic frontiers with the sy-1, it’s never been easier to infuse your creative arsenal with boss’s legendary guitar synth technology. this amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a boss compact pedal that slides easily into any setup. best of all, it’s as simple to use as a standard stompbox, so you don’t need any background in synth programming to bring a new world of sonic textures to your music. sy-1 synthesizer sound tryout get interactive with our custom tonepedia player and explore hundreds of sound variations. select your instrument, tweak and choose pedal settings. expressive synth sounds, no programming needed the sy-1 transforms any guitar or bass into a versatile synthesizer that’s fun, inspiring, and ready to play. backed by advanced tech first developed for the sy-300, this super-cool pedal delivers a huge selection of analog-style synth sounds while occupying minimal space on your board. what’s more, all the sounds are polyphonic, allowing you to play both single notes and chords. plug-and-play and latency-free the sy-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing an easy, plug-and-play experience. thanks to custom dsp and the latest boss innovations, the sy-1 offers latency-free performance that’s a natural extension of your instrument, letting you to play freely and organically without altering your normal technique in any way. a universe of synth sounds inside with its 11 categories and 121 total sounds, the sy-1 puts an enormous array of synth colors at your fingertips. expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with. and with the grab-and-go tone/rate and depth knobs, you’re able to adjust any synth voice just how you like, including changing the pitch on some sounds. at home in any rig as a standard boss compact, the sy-1 drops into a serial pedal chain like any other stomp. but with the send/return loop and dedicated mix controls, it’s also possible to blend one or more pedals in parallel with the sy-1’s synth voices. for example, you can patch drive pedals in the loop, and then send the combined output to mod, delay, and reverb pedals for overall processing. the send can be used as a direct out as well, enabling you to route synth and guitar sounds to separate destinations. enhance performances with real-time control the sy-1 offers a numbers of ways to make your synth performances even more dynamic and expressive. pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top. you can also connect an external footswitch for tap tempo and octave-shift effects, or plug in an expression pedal for continuous tone/rate control. sy-1 sound types – lead 1/2—a wide range of sounds suitable for single-note soloing. – pad—full tones that work great with chords, from layered pads to synth brass and more. – bass—fat synth bass sounds, including filtered and sub-octave tones. – str—classic analog-style strings, including layered voices and sweeping textures. – organ—a large selection of organ sounds, including many with rotary-style modulation. – bell—percussive synth sounds with metallic resonance. – sfx 1/2—a variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more. – seq 1/2—pulsating sounds with rhythmic pitch or filter changes.
Specifications:
| Finish | Standard |
| Made In | Taiwan |
Reviews:
Sound: I’m really happy with the sound pallet available on the SY-1. You can get Metheny style saw wave/string style leads, several organ sounds, Bladerunner basses etc. It’s got a lot of 80’s synth vibe to it. The sound editing is somewhat limited yes, but that’s exactly why I went back to the SY1 from the other synth pedals I tried. Sound for sound, I found the SY1 had the most usable sounds for my style. Pair it up with some chorus, delay, and long decay reverb and it is capable of sounding incredible. Features: By far the best feature to me is that everything you need to make/change sounds is on the top. No PC editor required. While it does limit the capabilities it’s also much easier for an old guy like me to get musical sounds out of it without breaking out a manual or re-learning everything I have forgotten about synths LFO’s and filters from the '80s. Ease of Use: Very easy to use. Plug it in, turn some knobs until you smile. Pair it with an expression pedal for even more fun things to do. Quality: It’s Boss. It’s built like a tank. If zombies rush the stage it could be used as a weapon. Clean it up, plug it back in, and keep playing. Value: When compared to similar offerings from Source Audio, Meris, EHX, I think the SY1 is a fair value. A bit less functionality but what you get instead is easy access to usable sounds for a few bucks less. Manufacturer Support: In the 40 years I’ve been using Boss I’ve only contacted them once. No issues. The Wow Factor: Synth pedals aren’t for everyone, sure. But for that occasional something different on a lead or just for tooling around over ambient soundscapes they can be a lot of fun. Overall: I would consider myself your garden variety guitar player. I play rhythm and lead in a rock cover band and do some ambient and prog stuff on my own and this fits right in with the rest of the gear on my pedalboard. I’ve tried a few other guitar synth pedals from Boss, Meris, and Source Audio and ended up going back to this one because it fits my style and needs the best. The tracking is very, very good. In my humble opinion it tracks better than the C4. I’m not Alex Hutchings but I can play moderately fast and it keeps up with no issues. Compared to other synth pedals this is much more straightforward but also much more limited in sounds. It’s very 80’s vs some of the more experimental sounds you can get out of the others, but that’s what I was looking for. If you are looking for bleeps and boops sounds or want deep editing, this pedal probably isn’t for you. If you are looking for a more traditional GR style sounding synth then this is definitely worth checking out.Allan
This is a very enjoyable pedal. Would I recommend it, and is it good value? That depends on your expectations. It benefits from being used in conjunction with other pedals as on there own some of the synth tones are very dry and digital. I feed an overdrive into it, and a light reverb after. Adding fuzz to the effects loop also adds to make the overall effect more massive. That being said, I have struggled to find tones that I can use with my (rock) band in a live setting, and I was hoping it would enhance/thicken up my sound. The variations and possibilities are so vast that the sound(s) I am looking for may well still be out there…more fooling around in the bedroom required…ooer!pepsimax360
Build. It’s a Boss so it will probaat still be around when our sun has gone supernova. Sound. Nothing short of amazing when you consider you do not need to screw some kind of special pick-up on your guitar. And there are sounds galore, 11 types that have 11 subtypes each. That’s 121 in totaal! And all your favorites are there, Lead, Organ, Pad, you name it. Use. As straightforward as it could be. Choise your mail type, select a subtype, dial in tone and debt, adjust the mix with the original signal and you are good to go. Features. On the upside this pedal has it’s own effect loop, the sound of the unit can be manipulated with an external expression pedal, for driving the effect up an octave for instance and the front of the pedal (next to the powerinput) has a little switch where you can determine whether you are using the unit with a guitar or a bassguitar. Possible concerns are the facts that there is no MIDI compatibility, sound can’t be restored or recalled and, suprisingly enough, the unit is mono. Bang for the buck? For days! With these possabilities, features and sounds it is basicalky a steal, not to mention how little real estate this unit takes up on your pedalboard.
5. Boss Boss Gr-55 Guitar Synthesizer Without Pick Up Or Gk Cable, Black
Product Details:
While this pedal is a beast and lots of fun, it is way beyond my needs as a guitarist. in pristine condition. included is a gk-3 pickup (with various mounting hardware and adhesive strips), a 15 ft. 13 pin cable and the original power supply – in other words, everything you need to turn your guitar into a midi capable instrument. pick up this pedal and fire your keyboard player today!
Specifications:
| PCM | 2 tones |
| Modeling | 1 tone |
| MFX (Multi-Effects) | 20 types |
| AMP (Preamp) | 42 types |
| MOD(Modulation) | 14 types |
| DELAY | 7 types |
| REVERB | 5 types |
| CHORUS | 4 types |
| DA Conversion | 24-bit |
| Sampling Frequency | 44.1 kHz |
| OUTPUT jacks | -10 dBu |
| GUITAR OUT jack | -10 dBu |
| File Format | WAV, AIFF |
| Display | Graphic LCD-240 x 64 dots |
| Power Supply | DC 9 V |
| Current Draw | 700 mA |
Reviews:
My GR 20 is broken. I thought GR 55 a new product would be more better. I primarily use the brass and wind instruments synthesizer. The GR 20 was the best. I bought the Jamstik and attempted to connect to the Logic Pro on my IMac. It was terrible even thought Logic Pro has a great brass and wind synthesizer sampling. But the interface with Jamstik was horrible. Than I bought this GR 55, it is more complicated to use in comparing with GR 20. But the wind and brass synthesizer sampling doesn't even come close with the GR 20. After spending all that money, I went on reverb and bought another used GR 20. Now my music is alive again. I don't understand why the newer product is worse than the older model. It is shameful that Roland discontinued GR 20. GR 55 is good for those who likes to plays with different synthesizer functions. I don't need that. I just love the GR 20 sounds.Steve
I've had this unit for just over a year and can't believe how great this unit is. I saw a couple negative reviews and really don't understand where they were coming from. The default patches are really fantastic and the editing makes it a "no-limits" device. I use mine in my home studio, I like doing a lot of classic rock which includes a lot of later Beatles, Moody Blues, Eagles and the like, not into heavy metal so much but this would easily be my choice over my Zoom effects processor. The editing isn't nearly as hard as it first appears, the initial setup was actually more challenging, I have a pair of GK-3 on a Tele and a Strat as well as a Godin Multiac Nylon SA, all three have great response time but the Tele and Strat do have to be played exceptionally "clean" which isn't a bad thing and actually helps my overall playing because I am conscious of that fact. I run a separate line out from the guitar out to a Fender Mustang GT 40 (and no I do not use the speakers in the GT40 but rather run a line out from the headphones jack to my mixer) anyway the two played together present outstanding combinations and give single takes for tracks on the recorder a whole new influx of sounds. The string instruments are incredible, the violins and cellos so very realistic when combined with a "light foot" on the pedal to control start and stopping of notes played. The wind instruments sounded somewhat generic until I mastered the pedal effect, although I must say that the "breath" sounds with the flute have pushed me into some Jethro Tull that I never thought I would be able to replicate. The cons that I would mention would be with the piano patches, they sound poor but I have been tweaking with it and am getting closer to the Grand Piano sound I need, again these must be played very cleanly. The depth of editing is amazing, the reverbs, chorus, delays, panning and gain/distortion are as good as any pedal I've ever used. Great Tool and actually reasonably priced.Ken10652
The PC drivers for the GR-55GK apparently unload/uninstall after switching the device off and have to be reloaded from the Internet as far as I can make out. This takes up to 10 minutes which causes confusion when using a DAW. There is also a residual 'GR-55 unknown device' left lurking in Win 10 Device Manager. I would prefer to simply download the Win 10 drivers and install them once. Other than the driver issues the kit is working as expected but a bit of a learning curve as yet.Reviewed by guitarguitar custome
6. Boss Sy-1 Synthesizer Pedal
Product Details:
Greetings from the tweed hut music store, vacaville, ca. usa! sy-1 sound types lead 1/2 a wide range of sounds suitable for single-note soloing. pad full tones that work great with chords, from layered pads to synth brass and more. bass fat synth bass sounds, including filtered and sub-octave tones. str classic analog-style strings, including layered voices and sweeping textures. organ a large selection of organ sounds, including many with rotary-style modulation. bell percussive synth sounds with metallic resonance. sfx 1/2 a variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more. seq 1/2 pulsating sounds with rhythmic pitch or filter changes.
Specifications:
| Finish | Blue |
| Year | 2019 – 2022 |
| Made In | Taiwan |
| Pedal Format | Standard |
Reviews:
Sound: I’m really happy with the sound pallet available on the SY-1. You can get Metheny style saw wave/string style leads, several organ sounds, Bladerunner basses etc. It’s got a lot of 80’s synth vibe to it. The sound editing is somewhat limited yes, but that’s exactly why I went back to the SY1 from the other synth pedals I tried. Sound for sound, I found the SY1 had the most usable sounds for my style. Pair it up with some chorus, delay, and long decay reverb and it is capable of sounding incredible. Features: By far the best feature to me is that everything you need to make/change sounds is on the top. No PC editor required. While it does limit the capabilities it’s also much easier for an old guy like me to get musical sounds out of it without breaking out a manual or re-learning everything I have forgotten about synths LFO’s and filters from the '80s. Ease of Use: Very easy to use. Plug it in, turn some knobs until you smile. Pair it with an expression pedal for even more fun things to do. Quality: It’s Boss. It’s built like a tank. If zombies rush the stage it could be used as a weapon. Clean it up, plug it back in, and keep playing. Value: When compared to similar offerings from Source Audio, Meris, EHX, I think the SY1 is a fair value. A bit less functionality but what you get instead is easy access to usable sounds for a few bucks less. Manufacturer Support: In the 40 years I’ve been using Boss I’ve only contacted them once. No issues. The Wow Factor: Synth pedals aren’t for everyone, sure. But for that occasional something different on a lead or just for tooling around over ambient soundscapes they can be a lot of fun. Overall: I would consider myself your garden variety guitar player. I play rhythm and lead in a rock cover band and do some ambient and prog stuff on my own and this fits right in with the rest of the gear on my pedalboard. I’ve tried a few other guitar synth pedals from Boss, Meris, and Source Audio and ended up going back to this one because it fits my style and needs the best. The tracking is very, very good. In my humble opinion it tracks better than the C4. I’m not Alex Hutchings but I can play moderately fast and it keeps up with no issues. Compared to other synth pedals this is much more straightforward but also much more limited in sounds. It’s very 80’s vs some of the more experimental sounds you can get out of the others, but that’s what I was looking for. If you are looking for bleeps and boops sounds or want deep editing, this pedal probably isn’t for you. If you are looking for a more traditional GR style sounding synth then this is definitely worth checking out.Allan
This is a very enjoyable pedal. Would I recommend it, and is it good value? That depends on your expectations. It benefits from being used in conjunction with other pedals as on there own some of the synth tones are very dry and digital. I feed an overdrive into it, and a light reverb after. Adding fuzz to the effects loop also adds to make the overall effect more massive. That being said, I have struggled to find tones that I can use with my (rock) band in a live setting, and I was hoping it would enhance/thicken up my sound. The variations and possibilities are so vast that the sound(s) I am looking for may well still be out there…more fooling around in the bedroom required…ooer!pepsimax360
Build. It’s a Boss so it will probaat still be around when our sun has gone supernova. Sound. Nothing short of amazing when you consider you do not need to screw some kind of special pick-up on your guitar. And there are sounds galore, 11 types that have 11 subtypes each. That’s 121 in totaal! And all your favorites are there, Lead, Organ, Pad, you name it. Use. As straightforward as it could be. Choise your mail type, select a subtype, dial in tone and debt, adjust the mix with the original signal and you are good to go. Features. On the upside this pedal has it’s own effect loop, the sound of the unit can be manipulated with an external expression pedal, for driving the effect up an octave for instance and the front of the pedal (next to the powerinput) has a little switch where you can determine whether you are using the unit with a guitar or a bassguitar. Possible concerns are the facts that there is no MIDI compatibility, sound can’t be restored or recalled and, suprisingly enough, the unit is mono. Bang for the buck? For days! With these possabilities, features and sounds it is basicalky a steal, not to mention how little real estate this unit takes up on your pedalboard.
7. Electro-Harmonix Synth9 Synth Machine
Product Details:
The electro-harmonix synth9 synthesizer machine transforms your guitar or bass into a polyphonic treasure trove of vintage synths with 9 presets, each tuned by ear to emulate the rarest, deepest, most textured, vintage synthesizer sounds from the old school days! from cutting lead synths to canyon-like synth pads and deep, funky, synth bass grooves, its all directly at hand.
Specifications:
| Finish | Silver |
| Year | 2019 |
| Made In | United States |
| Pedal Format | Standard |
Reviews:
How odd. This review was flagged for writing Big Mu** using the two F's 🙂 For the money, this is a really hard pedal to beat. It goes from mild and laid-back to wild and intense. The controls feel great…like as in excellent quality. This is a reissue of the original Big Mu** PI. I tried a Big Mu** PI with Wicker and forget about it. It hissed so loud in Wicker mode that I couldn't even here myself think and it got even worse with the tone switch off. And even in the so-called Big Mu** PI mode, it didn't sound anywhere near as good as this Rams Head does. And, the Rams Head is quiet compared to the BM PI with Wicker. One more thing, The BM PI with Wicker does not say anywhere on it nor in the included paperwork where it's made, whereas the RH BM PI clearly says New York City on the face of it…Vincent
The tone sweep is nice and there are some interesting spots because it is linear while kind of non-linear at 10 to noon and about 1-2 on tone control. I can't say why but usually I had purchased like more expensive versions of ehx pedals. That being said, I think people need to realize that these are quite accurate reissues and circuits, and just because it is an affordable pedal doesn't mean it isn't great.
Overall: Floats like a stone and stings like a nest of angry hornets! This box has the buzzsaw sound down pat. The fuzz is a thick, smooth, and consistent. I like this kind of fuzz in particular because it’s less fuzzy and little more distortion-like. The Tone knob has a really wide sweep from boomy bass to mid-range Hades. It has plenty of gain on tap and even sounds pretty good with the guitar’s volume rolled back a skosh.I’ve never used the original Green Russian Muff and have only heard them compared through videos online, so I can’t speak as to how they’re different/alike. I got it because I didn’t want to haul my vintage Black Russian Muff around from gig to gig anymore because it’s getting valuable and since it was a pretty jenky design to begin with, it’s liable to break with heavy use. That being said, the reissue Green Russian Muff has a different sound than an original V8 Black Russian Muff. It doesn’t sound as good to me, but it’s not so different that I wouldn’t use the Green Russian live in lieu of the Black Russian for the aforementioned reasons. One huge plus for the Green Russian is its pedalboard friendly size. The Black Russian is the size of an 80s metal lunchbox and took up an awkward sized chunk of the pedalboard. Now there’s more room for other unnecessary boxes (gulp)! One noteworthy ding for this pedal is how difficult it is to see the script on the top of the pedal. The words are printed right underneath the knobs, so if it’s kinda dark (which it usually is) and the lights are all in front of you (which they usually are) the words are impossible to see. Overall it’s a nice fuzz especially for the price. It’s noisy, but once the music gets rolling you won’t even notice it.Brad
8. Boss Gt-1 Guitar Multi-Effects Processor
Product Details:
Ultra-portable and easy to use, the gt-1 delivers pro-level tones everywhere you play. driven by the powerful boss gt-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. a streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. and by connecting to boss tone central, you can download free pro patches, editing software, and more. a history of boss processing is at your fingers, from classics such as the od-1 overdrive to modern effects powered by innovative mdp technology. theres a huge selection of cosm amp tones on tap too, including vintage legends and boss original amps optimized for ideal tone and response. specialized effects like acoustic simulator, guitar simulator, and others provide numerous tonal options, and theres even a looper to enhance your practice sessions and stage performances. portable tone partner the gt-1 was designed for musicians on the move. its surprisingly lightweight and compact, yet still delivers the rugged durability that boss is famous for. the modern design is easy to slip in and out of a guitar bags accessory compartment, with no worries of hard edges causing damage to your axe. ac or battery power provides flexibility for any performing situation, and up to seven hours of battery life is available for street performing and other mobile gigs. easy patch selection and sound creation with the gt-1, its simple to find fantastic tones for your style, and just as simple to c.
Specifications:
| Batteries | 4 Aa Batteries Required |
| Color Name | Black |
| Battery Type | Alkaline |
| Standing Screen Display Size | 2 |
Reviews:
Sturdy unit full of good quality effects. This is the first "cheap" unit that has impressed me with its pre amps. It even manages a passable vox sound that others at this price point fail to achieve. My favourite things about this unit are as follows : 1. The amount of usable presets out the box. Even the more whacky ones can generally be quickly tweaked into something usable. Other brands tend to fill their presets with ridiculous over the top high gain, and what I would call low budget sci-fi sound effects. Boss have done a good job with the GT1. 2. Ease of editing. While you can access the effects chain easily through the menu system, the buttons along the top physically represent a typical effects chain. Press and hold for a second on any one and you are straight into the effect behind it for easy editing or changing to a different effect. Negatives: lack of an on/off switch. It switches on by plugging in an instrument cable – minor annoyance but that's just me. Only other thing is no battery indicator, and I seriously doubt the 7hr battery life claim. The supplied ones died after about 2-3 hrs and the duracells I replaced them with haven't fared much better. I do have a power supply but wanted to see how the battery's would hold up if I had to do a gig on them. Probably wouldn't trust them and would carry two sets as backup rather than one.David B.
This is overall a great pedal. This will give you a wide variety of tones and effects that you can personalize for whatever music you play. Other pedals will offer maybe one tone and you may have to try different ones and might not be happy with them or have to buy multiple ones and spend lots of money to have a well set up pedal board. You can literally spend all day picking out distortion pedals and feel lost on where to go. With this you can go through a wide variety and set it up however you want and save the settings. This isn't some plug and play kinda pedal. You will need to spend time with it and get to know it. It is kinda confusing and there are YouTube videos that help as well. I got more e set up with a clean tone and then a click over to distortion and and anther click on and of for a wha effectErik
The sounds are decent for the price. I downloaded all three pdfs are they are basically useless when it comes to setting up patches, adding an external pedal and the overall operation. I gave up on trying to assign functions to the FS-6 I bought with it. There are no real explications how to use the 6 assignment functions. I think the headphone output is mono as I can only hear in one ear. You can get some decent patches off of tone exchange I'll probably sell it .Kenneth
9. Boss (Gt-1) Guitar Multi-Effects Processor
Product Details:
Ultra-portable and easy to use, the gt-1 delivers pro-level tones everywhere you play. driven by the powerful boss gt-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. a streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. and by connecting to boss tone central, you can download free pro patches, editing software, and more. equally suited for beginners, weekend warriors, and traveling players, the gt-1 packs premium sound in a compact and rugged package.exceptional sound thanks to its flagship-class gt sound engine, the gt-1 provides tone quality and sound-shaping ability that far exceeds typical compact multi-effects. a history of boss processing is at your fingers, from classics such as the od-1 overdrive to modern effects powered by innovative.
Specifications:
| Length | 15 in |
| Height | 0.1 in |
| Width | 8.5 in |
Reviews:
Sturdy unit full of good quality effects. This is the first "cheap" unit that has impressed me with its pre amps. It even manages a passable vox sound that others at this price point fail to achieve. My favourite things about this unit are as follows : 1. The amount of usable presets out the box. Even the more whacky ones can generally be quickly tweaked into something usable. Other brands tend to fill their presets with ridiculous over the top high gain, and what I would call low budget sci-fi sound effects. Boss have done a good job with the GT1. 2. Ease of editing. While you can access the effects chain easily through the menu system, the buttons along the top physically represent a typical effects chain. Press and hold for a second on any one and you are straight into the effect behind it for easy editing or changing to a different effect. Negatives: lack of an on/off switch. It switches on by plugging in an instrument cable – minor annoyance but that's just me. Only other thing is no battery indicator, and I seriously doubt the 7hr battery life claim. The supplied ones died after about 2-3 hrs and the duracells I replaced them with haven't fared much better. I do have a power supply but wanted to see how the battery's would hold up if I had to do a gig on them. Probably wouldn't trust them and would carry two sets as backup rather than one.David B.
This is overall a great pedal. This will give you a wide variety of tones and effects that you can personalize for whatever music you play. Other pedals will offer maybe one tone and you may have to try different ones and might not be happy with them or have to buy multiple ones and spend lots of money to have a well set up pedal board. You can literally spend all day picking out distortion pedals and feel lost on where to go. With this you can go through a wide variety and set it up however you want and save the settings. This isn't some plug and play kinda pedal. You will need to spend time with it and get to know it. It is kinda confusing and there are YouTube videos that help as well. I got more e set up with a clean tone and then a click over to distortion and and anther click on and of for a wha effectErik
The sounds are decent for the price. I downloaded all three pdfs are they are basically useless when it comes to setting up patches, adding an external pedal and the overall operation. I gave up on trying to assign functions to the FS-6 I bought with it. There are no real explications how to use the 6 assignment functions. I think the headphone output is mono as I can only hear in one ear. You can get some decent patches off of tone exchange I'll probably sell it .Kenneth
10. Boss Sy-1 Synthesizer W/ Power Adapter
Product Details:
Pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top the sy-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing an easy, plug-and-play experience. expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with with the send/return loop and dedicated mix controls, it’s also possible to blend one or more pedals in parallel with the sy-1’s synth voices bundle includes the roland psa series power adapter, the recommended power supply for products including all new boss compact and twin pedals, multi-effects and more. a premium 10-foot roland black series instrument cable is included, as well as a 6-inch roland black series patch/pedal cable. save yourself the hassle and save some money while you're at it. a premium 10-foot roland black series instrument cable is included, as well as a 6-inch roland black series patch/pedal cable, both featuring multi-strand, oxygen-free copper core wire that translates the true tones of your instrument, while high-density spiral shielding eliminates unwanted noise. incorporating high-quality connectors and a low-capacitance design, these rugged cables give you pure, natural, and accurate sound everywhere you play. br br with the sy-1, it’s never been easier to infuse your creative arsenal with boss’s legendary guitar synth technology. this amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a boss compact pedal that slides easily into any setup. best of all, it’s as simple to use as a standard stompbox, so you don’t need any background in synth programming to bring a new world of sonic textures to your music. br br specifications br nominal input level: input, return: -20 dbu br input impedance: input, return: 2.2 m ohms br nominal output level: output, send: -20 dbu br output impedance: output, send: 1 k ohms br recommended load impedance: 10 k ohms or greater br bypass: buffered bypass br controls: pedal switch, guitar/bass switch, type knob, variation knob, tone knob, depth knob, effect knob, direct knob br indicator: check indicator (serves also as battery check indicator) br connectors: input jack: 1/4-inch phone type, output jack: 1/4-
Specifications:
| Package Dimensions | 9.72 x 9.53 x 3.86 inches |
Reviews:
Sound: I’m really happy with the sound pallet available on the SY-1. You can get Metheny style saw wave/string style leads, several organ sounds, Bladerunner basses etc. It’s got a lot of 80’s synth vibe to it. The sound editing is somewhat limited yes, but that’s exactly why I went back to the SY1 from the other synth pedals I tried. Sound for sound, I found the SY1 had the most usable sounds for my style. Pair it up with some chorus, delay, and long decay reverb and it is capable of sounding incredible. Features: By far the best feature to me is that everything you need to make/change sounds is on the top. No PC editor required. While it does limit the capabilities it’s also much easier for an old guy like me to get musical sounds out of it without breaking out a manual or re-learning everything I have forgotten about synths LFO’s and filters from the '80s. Ease of Use: Very easy to use. Plug it in, turn some knobs until you smile. Pair it with an expression pedal for even more fun things to do. Quality: It’s Boss. It’s built like a tank. If zombies rush the stage it could be used as a weapon. Clean it up, plug it back in, and keep playing. Value: When compared to similar offerings from Source Audio, Meris, EHX, I think the SY1 is a fair value. A bit less functionality but what you get instead is easy access to usable sounds for a few bucks less. Manufacturer Support: In the 40 years I’ve been using Boss I’ve only contacted them once. No issues. The Wow Factor: Synth pedals aren’t for everyone, sure. But for that occasional something different on a lead or just for tooling around over ambient soundscapes they can be a lot of fun. Overall: I would consider myself your garden variety guitar player. I play rhythm and lead in a rock cover band and do some ambient and prog stuff on my own and this fits right in with the rest of the gear on my pedalboard. I’ve tried a few other guitar synth pedals from Boss, Meris, and Source Audio and ended up going back to this one because it fits my style and needs the best. The tracking is very, very good. In my humble opinion it tracks better than the C4. I’m not Alex Hutchings but I can play moderately fast and it keeps up with no issues. Compared to other synth pedals this is much more straightforward but also much more limited in sounds. It’s very 80’s vs some of the more experimental sounds you can get out of the others, but that’s what I was looking for. If you are looking for bleeps and boops sounds or want deep editing, this pedal probably isn’t for you. If you are looking for a more traditional GR style sounding synth then this is definitely worth checking out.Allan
This is a very enjoyable pedal. Would I recommend it, and is it good value? That depends on your expectations. It benefits from being used in conjunction with other pedals as on there own some of the synth tones are very dry and digital. I feed an overdrive into it, and a light reverb after. Adding fuzz to the effects loop also adds to make the overall effect more massive. That being said, I have struggled to find tones that I can use with my (rock) band in a live setting, and I was hoping it would enhance/thicken up my sound. The variations and possibilities are so vast that the sound(s) I am looking for may well still be out there…more fooling around in the bedroom required…ooer!pepsimax360
Build. It’s a Boss so it will probaat still be around when our sun has gone supernova. Sound. Nothing short of amazing when you consider you do not need to screw some kind of special pick-up on your guitar. And there are sounds galore, 11 types that have 11 subtypes each. That’s 121 in totaal! And all your favorites are there, Lead, Organ, Pad, you name it. Use. As straightforward as it could be. Choise your mail type, select a subtype, dial in tone and debt, adjust the mix with the original signal and you are good to go. Features. On the upside this pedal has it’s own effect loop, the sound of the unit can be manipulated with an external expression pedal, for driving the effect up an octave for instance and the front of the pedal (next to the powerinput) has a little switch where you can determine whether you are using the unit with a guitar or a bassguitar. Possible concerns are the facts that there is no MIDI compatibility, sound can’t be restored or recalled and, suprisingly enough, the unit is mono. Bang for the buck? For days! With these possabilities, features and sounds it is basicalky a steal, not to mention how little real estate this unit takes up on your pedalboard.
11. Boss Re-202 Space Echo Pedal
Product Details:
I know what it is, you know what it is. had to buy one with all the hype to test out. it really does sound great and looks sexy on the board but i'm a simple analog delay-man and prefer the less buttons on the dm-2. it's got the package and power supply. dual lock on the bottom so ready to go. otherwise condition untouched. message for questions.
Specifications:
| Sampling Frequency | 48 kHz |
| D/A Conversion | 32-Bit |
| Processing | 32-Bit Floating Point |
| Modes | 12 |
| Memory | 127 + Manual |
| Nominal Input Level | Input A/MONO Input B- -10 dBu |
| Maximum Input Level | Input A/MONO Input B- +7 dBu |
| Input Impedance | Input A/MONO Input B- 1 Megohm |
| Nominal Output Level | Output A/MONO Output B- -10 dBu |
| Maximum Output Level | Output A/MONO Output B- +7 dBu |
| Output Impedance | Output A/MONO Output B- 1 Kilohm |
| Recommended Load Impedance | Output A/MONO Output B- 10 Kilohms or Greater |
| Bypass | Buffered |
| Power Supply | AC Adapter |
| Current Draw | 140 mA |
| Dimensions (W x D x H) | 7.6 x 5.2 x 2" / 19.2 x 13.3 x 5.2 cm |
| Box Dimensions (LxWxH) | 11.6 x 10.7 x 3.6" |
Reviews:
Even now, when there are hundreds of pedals and builders to choose from, Boss remains at the top. Not only does this sound amazing, it looks absolutely killer. This is a new benchmark for visual esthetics. All of the knobs and functions are perfectly laid out… it's just a spectacular job all the way around by the design team. I debated getting the smaller pedal but am very happy I didn't. The extra control over the sound is well worth it to me, as is the ability to save presets. I also happen to hate blinking tap tempo lights and avoid delays that have them. This has tap tempo, but it's possible to keep the light off on this pedal. So far I have made 3 presets that allowed me to kick my other delay pedals from my board: Single head slap back delay (best I've ever created), go to solo delay, and spaced out trippy delay set to heads 1,3 and 4. And on that last preset, this larger version adds a 4th tape head not found in the vintage unit or the new smaller unit. I find it useful. I can't find a single fault on this pedal. This will go down as one of the all time great accomplishments for Boss, and for me… it'll be on my board for years to come.Joe
12. Boss Gx-100 Guitar Effects Processor
Product Details:
The boss gx-100 is an incredible processor with a limitless number of musical paths to embark upon. with twenty-three simulated amplifiers, over one hundred and fifty boss effects, and fifteen effect blocks to construct your unique tone, there is little territory the gx-100 cannot travel. a large touchscreen with an intuitive tone-shaping interface allows any player to step up to the plate and start building their unique tones. freely customizable footswitches give the player power to tailor the gx-100 to their specific performance needs. in addition, off the stage, a built-in usb recording interface, midi connections, and an effects loop function help in any musical scenario. those seeking to get their tone down to the finest of details and prepare it for digital preservation or further interactivity have plenty of options to explore. the staggering number of paths to take with the gx-100 is an exciting prospect to take on.
Specifications:
| Sampling Frequency | 48 kHz |
| DA Conversion | 24 bits |
| Processing | 32-bit floating point |
| Effects | 154 Types |
| Memories | 200 (User) + 100 (Preset) |
| Tuner Internal Detection | +/-0.1 cent |
| INPUT | -10 dBu |
| PHONES | -10 dBu |
| SEND1 | -10 dBu |
| Display | Color Graphic LCD (480 x 272 dots) Touch screen |
| PHONES jack | Stereo 1/4-inch phone type |
| CTL3, 4/EXP2 jack, AMP CTL1, 2 jack | 1/4-inch TRS phone type |
| USB COMPUTER port | USB B type |
| Blutooth Adaptor port | BT-DUAL ADAPTOR |
| Power Supply | AC adaptor |
| Current Draw | 1.2 A |
| Weight (including battery) | 3.5 kg / 7 lbs 12 oz |
| Footswitch | FS-5U, FS-5L, FS-6, FS-7 |
| Expression Pedal | EV-30, FV-500L, FV-500H, Roland EV-5 |
Reviews:
I'm genuinely blown away by this unit… from ease of use to the sounds it produces. My band has recently gone to running a silent stage, and I wanted to try something other than running a line out from my Katana. I figured why lug and amp when I don't need to. I've used units like this before, (PD HD500X and an old Vox Tone Lab) but felt they still sounded artificial. The BOSS GX100 is amazing! The learning curve is hilariously easy, and the touch screen makes editing on the fly a breeze. The other guitar player in the band couldn't believe the sound coming through FOH… and the recording needed no tweaking in the studio. Incredibly happy with this purchase, as with everything I've purchased from Sweetwater. BOSS has outdone themselves again.
Overall: This is a heavy duty pedal with so many different great sounding amps and effects that I don't even know where to start. Well built is an understatement. The build of it screams professional. from the chassis to the knobs and expression pedal this thing feels Pro in every way.The amps are fewer than most companies offer but BOSS went the quality over quantity route here. From crystalline cleans to all out brutal and everything in between. The drives are excellent and so are the modulations, delays, and reverbs. I find them superior to my Helix actually. There's not enough room in this review box for me to go over everything I love. A couple things I do not love..There's no poly pitch in this unit. The assigns can be confusing at times especially when it comes to assigning the expression pedal. It was ok once I wrapped my head around it but it was definitely and obstacle I had to overcome. Overall this unit is well worth the 599 price tag. I have owned many modeling units for many years and this is one of the best I have had.Robert
13. Boss Oc-5 Octave Pedal
Product Details:
Get the best of classic and modern octave tones with the boss oc-5 super octave pedal for electric guitars and basses. this pedal combines a spot-on recreation of the legendary oc-2 with modern enhancements for scultping your octavized tone. vintage mode will give you the sound of the original pedal, albeit with better tracking for instantaneous octavized sounds. poly mode allows you to track chords perfectly, complete with its range knob on the -2 octave. new to the oc framework is an octave-up control, to give you sounds reminiscent of a 12-string guitar, or to enable you to play fat triple-octave lines. this pedal offers a bass/guitar switch, so you can better tune the voicing for your particular instrument. if you wish to route the isolated octavized tone to its own destination, you can, thanks to a dedicated direct output. otherwise, the pedal gives you the classic 1/4" instrument i/o path for traditional pedalboard implementations.
Specifications:
| Nominal Input Level | -20 dBu |
| Input Impedance | 1 M ohm |
| Nominal Output Level | -20 dBu |
| Output Impedance | 1 k ohm |
| Recommended Load Impedance | 10 k ohms or greater |
| Bypass | Buffered bypass |
| Power Supply | Alkaline battery (9 V, 6LR61 or 6LF22) |
| Current Draw | 55 mA |
| Battery Info | required, included |
| Battery Material | alkaline |
| Battery Type | 9-volt |
| Battery Quantity | 1 |
| Dimensions (W x D x H) | 2.87 x 5.08 x 2.32" (73 x 129 x 59mm) |
Reviews:
This pedal manages to deliver in every application. Vintage mode is my favorite, and the tracking is excellent (but also delightfully glitchy as was the OC-2). Poly mode with the adjustable lower octave is very useful as well. Unlike other octave pedals this thing sounds incredibly fat, with a nice mid-heavy octave sound that really cuts through a mix. And as usual, boss pedals are built like a tank.Todd
Still doing some tweaking since I've only had it a week. The tracking it pretty amazing and the option to dial in how many strings you want to have affected in the Poly mode is a great addition to it's multiple options. So far I've gotten some some very desireable sounds and expect to get many more out of this built like a tank great Boss pedal. If you want a great octave pedal, this is it IMO. The shopping experience with Sam Ash was first rate as well!Pat B
I`m using this effect on bass just to have another trick in the bag, to me it sounds better on the D & G strings. It doesn`t come with a power supply and it is very picky about it. I`m using it with rechargeable 9 V batteries in order to avoid another cable on the floor and it will last me for about 10 hours. With batteries pay attention to the LED, the moment you see it dim replace the battery or it will stop sounding in no time.If that happen performing, you can remove the output cable and plug it into the "direct out" jack until you can replace the battery. And yes, it will drain out the battery if you have the cable connected to the pedal even if the pedal is "off" that`s why I replace the battery before a performance or practice with the band.Or you can use a power supply and avoid all this.Made in Malaysia. It is solid and well made.Alex
14. Boss Mo-2 Multi Overtone Pedal
Product Details:
Comme neuve!!! boîte et papier. 3 modes d'octave possible. elle fait même une impression de guitare 12 cordes, surprenant. voir vidéo. the mo-2 produces incredibly distinctive and expressive tones only possible with the magic of mdp. using your guitar’s rich harmonic characteristics as a starting point, the mo-2 builds completely new voices that enhance and thicken your normal sound. three different modes offer diverse tone-shaping options, while the detune knob unlocks a wide range of impressive modulation effects. from shimmery multi-string resonance to flute-like transparency to powerful textures reminiscent of organs and synths, the mo-2 brings you an array of unique sonic tools that add all-new dynamic resonance characteristics to your guitar.
Specifications:
| Output Impedance | 20 dB |
| Current | 40 mA |
| Product Weight | 1 lb |
| Product Dimensions | 4” L x 6” W x 4” H |
Reviews:
Awesome pedal!! This thing is WILD! It actually gives your electric guitar that organ/ synth tone as well as mimicking a 12 string guitar reasonably well. Also gives you those tones at a octave below regular tone for some nice low end if you need it. It's like a little tool box for your guitar, great tones and LOTS of bang for your buck!!BILL
15. Boss Syb-5 Bass Synthesizer Pedal
Product Details:
This item was returned in mint condition. it is free of any performance issues, and has no scratches, blemishes, or other cosmetic flaws. with 11 dsp variations of saw, square, and pulse synth waves and an enhanced wave shape mode that sharpens them up, the boss syb-5 bass synthesizer travels into new realms beyond the syb-3. the synth has an onboard effects pedal that lets you hold notes while you play over the top of them. control filter cutoff and lfo rate via ev-5.
Specifications:
Reviews:
I've been wanting to try this pedal out for years. It's such a weird and fascinating device. Fair warning to bassists that like to play chords, most of the sound modes don't respond to chords and when playing more than one note at a time jumps around between the notes and octaves. It gives an interesting effect, though, so some could see this as an extra treat. I don't mind it personally because a lot of synths like the ones they model the sounds after have that single-note limitation, I don't remember what the technical term is if there is one. Anyway, this pedal has a lot of great synth sounds from square wave to saw, pulse modulation, etc. Some modes turn your bass's note spectrum a whole octave lower. The sound quality is pretty great and the range is pretty wide. I've played it through a 15 watt Ibanez practice bass amp and it still sounds like a real bass synth without any significant loss in quality or intensity. It's the perfect pedal for someone like me who loves the sounds of synths, likes to add bass synths to their recordings, and isn't so great at keyboard. I'm mainly a guitarist with a lot of bass experience as well and so recording/writing music with guitar/bass makes more sense for my mind. Now I can write and play bass synth riffs without having to program midi whenever I run into a tricky melody. Also, I figured this pedal was going to be like a matte dark grey, but it's a very shiny and attracted silver. It's one of the coolest looking pedals on my rig now.blackenedwhiplash
I have a lot of fun with this pedal. It could be used to create some unique intros and transition pieces in a live show, and fiddling with the "rate" knob allows you to do some DJ-style stuff too. I enjoy the different modes and the option to make the "effect" sound and the natural "bass" sound either higher or lower to each other. A few things to keep in mind: This device puts out a preprogrammed sound to whichever of the 12 notes you play into it. So it doesn't make a difference what other pedal effects you put through it via input, or what instrument you play through it for that matter. (I use it on my guitar as well.) Also, my biggest hangup is that the effect sound is not very sensitive to playing many notes quickly, like in a solo for example. You have to hit the string very distinctly and long enough for the pedal to process each note. This disappointed me because I play prog/power metal and wanted this pedal to help me replace keyboard solos with my better bass playing. It does not respond quickly enough to do that. This pedal is a great showoff toy for my pedal board, and non-musical audience people will be mildly impressed, but it is not a necessity to my general sound. For the price, I would buy general pedals like EQ, condensor, chorus, and overdrive before this one. A fun device, but not an economic purchase for a musician on a tight budget when considering how much you might use it (unless you find a great deal on ebay of course!)x_stout
I picked up this pedal to replace a digitech wah pedal. The digfitech was ok, but I felt it injected too much distorion, this pedal is an actual synth and give a much cleaner sound. I find it very useful for adding a little bit of funk, mixing it back into the clean signal from the bass. The controls are easy to understand and allow a wide range of variation in the sound. Glad I bought it, it has become a permanent part of my pedalboard!Baron Oz
16. Boss Sy-1000 Guitar Synthesizer And Multi-Effects Processor 194744809903
Product Details:
The boss sy-1000 is a breakthrough creation machine that transforms your guitar or bass rig with limitless sound design options. this powerhouse music tool opens a bold new chapter in the legacy of boss guitar synth innovation, fusing decades of r&d with their latest software and hardware advancements. backed by a cutting-edge sound engine, high-octane dsp, and evolved gk technology, the sy-1000 delivers the finest performance and most organic playing experience to date. – three simultaneous instruments and premium processing let you craft any sound you can imagineintense analog-style leads, warm pads, moving synth textures, modeled electric and acoustic tones, or all at once. and with freely configurable footswitches, outputs, and external controls, you can maximize the hardware for any workflow. sonically vast and deeply expressive, the sy-1000 is an infinite well of inspiration, energizing your musical vision with endless possibilities. – a new era of guitar synth innovation – the sy-1000 is the most advanced guitar/bass synth boss has ever made, hands down. custom dsp delivers six times the processing muscle of the sy-300, and the newly developed sound engine leverages the power of gk independent string processing for ultra-articulate performance, lightning-fast response, instantly variable tuning, sound panning/layering, and much more. – deep sound design tools – a standard sy-1000 patch includes three simultaneous instrumentseach with a number of distinctive types to choose fromand you can combine and layer them for an endless range of sounds. fed by the 13-pin gk input, every instrument offers an extensive set of parameters for tone shaping, mixing, and tuning. a normal 1/4-inch input is available as well, letting you blend regular guitar/bass pickup sounds alongside the three instruments. ultra-expressive dynamic synth – the all-new dynamic synth takes guitar synthesis further than its ever gone. gk processing and speedy dsp track your instruments characteristics with precision detail, allowing you to craft sounds never before possible. choose from ten oscillator waveformssine, triangle, pwm, three saw types (including rolands famous supersaw), and more. then shape the sound with six different filters, amplifier control, two lfos, and two powerful step sequencers. optimum performance is realized with the gk input, but its also possible to play the dynamic synth via the normal guitar/bass input. – two step sequencers bring sounds to life – after shaping a basic sound with the dynamic synth, the funs just startingwith two step sequencers, you can infuse it with movement to create complex textures that pulse, breathe, and groove. each sequencer features 16 customizable steps that control pitch, filter, and amplitude independently. better still, every step includes 13 different envelope curves for unprecedented sonic control. an
Reviews:
Bottom line up front: I’m blown away I’ve been playing guitar synths off and on for about 25 years. I’ve had the GR-1, 09, 20, and 33, and the VG-99. The GR-55 was always on my wish list, but it was never in the cards. With the advent of the SY-300 I was intrigued about the possibility of playing synth tones without the GK pickup and 13 pin cable. Wireless guitar synth?? Yes, please! Then Boss introduced the SY-1000. Alex Hutchings’ videos do an awesome job of showing you what it can do. But now that I’ve been able to play mine for a bit (thank you AMS for the 12 pay plan), I am truly blown away by just how powerful it is AND how easy it is to edit with the software editor. I’m inspired.Eric L
I use this product live. It has excellent emulations of other guitars, as well as sitar and banjo, so if you don't want to carry a lot of instruments, this could be the answer. As with other Boss/Roland products, it has a "clunky" interface (e.g., GR 55, GT1000), and in my view, Boss should really work on that. It takes a significant amount of time and experimentation to get usable sounds from the synths, and quite honestly, the presets are novel but mostly useless. You CAN use them as templates for your own sounds, but as I said, this takes a lot of tweaking…if you're into that sort of thing, this is your processor. Sound quality is very good, and effects are excellent. It isn't perfect, but it works, and I'm keeping mine.Old Rocker
It's like I got a bucket of assorted boss pedals. Great sounds! It's all about layering with this thing. After my second round through the interface I was moving patches editing affects programming expression pedals quite easily. With my touchscreen laptop running the PC software the editing is even easier. One of the neatest features for me was the effects send and return being able to be placed anywhere within the virtual effects chain. I can tell it's gonna take some time to really dial in the dynamic synthesizer and sequencer. Hours of fun.Joe
17. Boss Syb-5 Bass Synthesizer Pedal – Used
Product Details:
Boss syb-5 – the next-generation bass-synth pedal has arrived. and boss syb-3 was the worlds first bass synthesizer to be packed into a compact pedal, and it found favor with experimentalists and tone aficionados alike. using the latest in dsp technology, the boss syb-5 faithfully reproduces the classic sound characteristics of analog synthesizers with enhanced punch and power. features 11 dsp variations of saw, square, and pulse synth waves enhanced wave shape mode provides sharper sounds hold notes with the onboard pedal and jam over the top control filter cutoff and lfo rate via ev-5 expression pedal (sold separately) specifications nominal input level -20 dbu input impedance 1 m ohms nominal output level -20 dbu output impedance 1 k ohms recommended load impedance 10 k ohms or greater residual noise -96 dbu (ihf-a, typ.) all knobs at center
Reviews:
It does what it's supposed to do. Glad I finally got one.slj6758
18. Boss Sy1 Synthesizer Effect Pedal
19. Boss Me80 Multi
Product Details:
Specifications:
| Finish | Multi |
Reviews:
Second hand this represents amazing value. !!9481dennis
20. Boss Me-80 Guitar Multiple Effects
Product Details:
Me-80:guitar multiple effectshands-on access to a world of great tonesmobile, battery powered, and filled with a diverse selection of flagship-quality boss amps and effects, the me-80 is the ideal compact tone processor for performing guitarists. a friendly knob-based interface makes it simple to dial in great sounds in seconds, while easily selectable operation modes offer the flexibility of individual stompbox-style on/off or instant recall of complex multi-effects setups. unique new footswitches deliver twice the control of previous designs for efficient and intuitive effects switching, patch selection, and real-time sound shaping while playing on stage. the free boss tone studio software unlocks even more tonal possibilities, providing a cool graphical interface for tweaking and organizing sounds on your computer, plus a web connection to boss tone central for direct access to free gig-ready patches created by top pro guitarists and much more.
Reviews:
Sound: OK, so the pre-set programs are hit and miss for me. But that had to be expected, as I am not plugging a guitar into it, but rather a Korg RK100-S2 keytar. For obvious reasons, the cleaner patches, and patches designed around arpeggios sound decent, while the shredding metal patches sound like ass. I'm sure they would both sound good if I was hooked up with an actual 6 string. Features: The most useful feature as far as I'm concerned, are all of those knobs all over the front of the unit. They make it so easy to dial in the sound. Especially when compared to the all digital products like the GT-1. I had a GT-1B last year, and it was aggravating to modify sounds on the fly. The other most useful feature is the Tone Central app. OMG!!! Last month, I trashed Korg's design decision in their app for modifying the keytar's sounds. The window can't be resized, the lines of text are nearly microscopic, it isn't REMOTELY intuitive to figure out how to re-write the patches. Boss' Tone Central app is the EXACT OPPOSITE of all of that. Full screen, each effect section is on screen alone and has 3 different ways to modify the settings. Get things the way you want, name your patch, and click "write," then choose where you want it saved, and click "OK." It couldn't be simpler. Ease of Use: If the preset patches are hit and miss, the "manual mode" is why I bought this board. The keytar really needs some effects to come alive. This board is simply a placeholder until I can build a quality keytar/synth specific pedal board. Compression, delay, and/or phasers can add a lot of depth to my sound depending on what I'm currently using. Those dials make it super easy to get the sound right quickly. It does sort of suck that they are on the floor, but how could that have been avoided without bluetooth and a phone app? And, if that was the case, I wouldn't have bought it in the first place! Quality: I bought this "blemished." My guess, based on the condition of the box that the factory shipped to zZounds, is that this took a fall off of a shelf in the warehouse. One end of the box was mangled badly! Thanks to Boss' attention to detail in packaging, and legendary build quality, I got this product without a scuff, scratch, or dent for 20% off. I like that build quality. (Feel free to play football with some of those synth specific stomp boxes guys! *wink-wink*) Value: Before my fretting hand got too badly damaged to play bass anymore, I wanted the bass version of this product. I believe that it was discontinued, and I missed my chance. I got the GT-1B but didn't like working with it. When I saw that this was available, I didn't hesitate to put it into my cart. Only then, after the fact, did I realize that it was in "blemished" condition. I almost went back and put a new, full priced one in my cart simply because I didn't want the hassle of potentially returning a broken product. So, yes, I do believe this is worth the normal retail price. Manufacturer Support: In the 12 years I've been playing, I've owned several Boss products from tuners to metronomes to multi effects pedals and I have NEVER had to reach out for support. In my estimation, that's the BEST form of customer service! The Wow Factor: G.A.S.! I can't play guitar a lick. But I've bought guitars in the past simply to hang them on the wall. I can't say that I would ever buy THIS product if I didn't need it. But I'm sure that it will still find some place in my home studio, even after the actual pedal board is complete Overall: An easy recommendation for the guitarist on a budget. Depending on one's needs, stomp boxes and pedal boards can become quite pricey. Between this, the Tone Central app, and the hundreds of additional patches available there, if you can't get the sound you're looking for, the problem lies mostly with you.
I have been buying and selling multi effects for many years. I loved them all, even the silly ones such as the RP50, 505, ME30..too many. I guess my favorites were the Korg AX3000G(which I thought was ahead of its time) and the Digitech RP500(awesome reverbs, mods and filters),and even some Pods for their amp sims too. Yes yes.. they all had their short comings in different avenues.. Boss reliability is were a part of Ny early playing days since the 80s..and to this day, I use Boss single pedals almost exclusively as my main rig. I just love the simplicity of their individual pedals and this unit is the only one that comes close in terms of the logic of its settings. I love KNOBS, and the ME80 has plenty to go around with. SIMPLICITY is the key . No more scrolling up n down a screen on the floor which I can hardly see. Now is the ME80 the best sounding multi-effect out there? No sir! With all the current technologies which can produce units such as The Kemper, Fractals, Boss GT1000, and other high res IR capable units from Zoom and Line 6(including some very capable Chinese newcomers), the ME80 can be seen as kind of outdated to some, The ME80 is certainly not what the top guns use these days, especially when occupying an arena concert stages I'm sure(but I bet they still use one or two boss pedals in their rig lol)..Also, Let's not forget that the ME80 initial introduction day to the world was just about eight years ago.. shall we? But guess what, it's still alive and kicking! And that is exactly why you still see it here for sake in 2022 ar least until Boss comes out with some new monster that can handle the GT1000 chipsets and adding more KNOBS to its chassis. The ME80 is gorgeous, it sounds good, and it has a personality. It also has more to offer than its predecessors such as the ME50/70..I mean, the addition of a separate footswitch for reverb,EQ and a simple patch recall?? I would recommend this unit for any small club or a tight rehearsal space for a quick setup and a speedy wrap-up after a show, when it's finally time to go home, no patch cables required.I AM KEEPING THIS ONE FOR MYSELF! Till I get to warm up for Bruno Mars(not happening soon lol),My main Boss rig is staying home, and that goes to my crybaby and the Budda volume pedal with all them patch cables entourage.James
I don't want to program guitar effects. I don't want to read cheesy names for effects that I can't immediately recognize or understand. The young people like that stuff but I am old and old school. The ME-80 gives me my old stomp boxes but grouped on a modern platform. It is basically foot pedal controlled with a very nice expression pedal and 8 on-off pedals. The foot pedals work flawlessly. But the thing that makes this unit awesome is the knobs. You can turn a knob, set a value and get instant feedback on what you did and look at it anytime to see what it is set at. If you know stomp boxes then you know exactly how this thing works. It has by my estimation about $4K worth of stomp box effects and amp emulations. Whether you want an old Tube Screamer or a Big Muff Fuzz. This thing has it. And it has many new stomp box effects like the amazing Tera Echo, Harmonist, Freeze and a Looper. It has just about every effect you could want and you can play multiple effects at the same time. As far as I am concerned this is the greatest thing since sliced bread. And I am an original POD user. I still plug into the POD now and then. But the POD is history. The ME-80 is what I like today. I even commissioned a guy to build me an angled stand to boost up the knobs and pedal to make it easier for me to dial in changes. I had it painted orange to match my Orange Crush 35RT amp where I port the ME-80 output. Lastly, if you insist on being a programmer, they let you do that as well and offer a ton of presets online. You can hook up by USB to your computer and program away. Brilliant. The one down side… you have to buy an AC/DC adaptor for $30 or use up a lot of batteries. Well since I figure that I saved over $3,600 compared to the cost of all these effects bought stand-alone, I happily coughed up the $30.Brianne
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