Are you looking for the Best Of Flamenco Guitar? If so, you’ve come to the right place.
Choosing the Best Of Flamenco Guitar can be difficult as there are so many considerations, such as Esteban, Raimundo, Fender, Gibson, Yamaha, Aria, Córdoba. We have done a lot of research to find the top 20 Best Of Flamenco Guitar available.
The average cost is $822.45. Sold comparable range in price from a low of $17.98 to a high of $2199.00.
Based on the research we did, we think Cordoba GK Studio Flamenco Acoustic-Electric Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Of Flamenco Guitar (20 Sellers)
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Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Built with a solid european spruce top, cypress back and sides
- With a soft cutaway and fishman presys blend preamp, the gk studio is the ultimate gigging instrument and a córdoba best seller
- Made for the stage
$749.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- On display in store
- Since been restring with standard clear nylons
- Fishman preamp
$399.99
4.8
Reviewers Noted:
Good sound quality . Well made . Visual appeal . Weight
Features:
- Yamaha cg shape
- Solid spruce top
- Cypress back & sides
$599.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Solid european spruce top.
- Cypress back and sides.
- Rosewood binding, bridge, and headstock veneer.
Reviewers Noted:
Good sound quality . Attractive . Durability . Craftsmanship
Features:
- Solid european spruce top
- Solid cypress back and sides
- Ebony fingerboard
$489.99
4.2
Reviewers Noted:
Sound quality . Craftsmanship
Features:
- Bi-level indian laurel/rosewood
- Wood mosaic rosette and mop headstock inlay
- Indian laurel/rosewood w/12th fret inlay
$599.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Offers a unique departure from traditional flamenco guitar tonewoods
- Solid canadian cedar top and indian rosewood back and sides
- Has a fuller, darker, less biting tone than the standard f7
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- European spruce top, spanish cypress back, sides
- Thin body with bright, snappy tone
- Soft cutaway
$699.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Solid european spruce top with cypress back and sides
- Fishman presys blend electronics with onboard tuner
- Savarez cristal corum strings in high tension, 500cj
$999.99
4.5
Reviewers Noted:
Sound quality
Features:
- Thinline flamenco body design
- Lower bout armest and single cutaway
- Fishman/ortega clasica blend preamp/pickup system with 3-band eq, mic blend, notch/phase filter and tuner
$1399.00$1199.99
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- European spruce top is paired with stunning flamed maple back and sides and a natural polyurethane finish. the condition of this 55fce is nearly new
- The playability of this guitar is wonderful
- No issues, clean response.
$849.00
4.8
Reviewers Noted:
Durability . Sound quality . Craftsmanship
Features:
- Alhambra 4f flamenco.
- Like its classic counterpart, the 4 p model, the flamenca 4 f is a very balanced instrument.
- It is also a guitar that defines the melody very well and has a good balance between bass and treble.
$918.03
4.7
Reviewers Noted:
Well made . Durability . Sound quality . Visual appeal . Weight
Features:
- Solid european spruce top with solid cypress back and sides
- Mahogany neck with ebony fingerboard
- Hand inlaid mother-of-pearl "esteso" rosette and ebony fingerboard
$2199.00
5.0
Reviewers Noted:
Sound quality
Features:
- Solid german spruce top with solid spanish cypress back and sides
- Signature gipsy kings flamenco model with custom thinbody depth
- Handmade in spain
Features:
- Solid european spruce top
- Cypress back and sides
- Nato neck
$1399.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Solid european spruce top
- Ebony fretboard
- Handmade in spain
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- True flamenco
- Cypress back and sides
- Full size
Features:
- Genre: new age music
- Guitar greats-best of new flamenco – vol. 3guitar greats-best of new flamenco [cd]
Features:
- Published by schott 92 pages
- Book/2-cd pack
Features:
- Book is in used-good condition. pages and cover are clean and intact. used items may not include supplementary materials such as cds or access codes. may show signs of minor…
1. Cordoba Gk Studio Flamenco Acoustic-Electric Guitar
Product Details:
Built with a solid european spruce top, cypress back and sides, soft cutaway and fishman presys blend preamp, the gk studio is the ultimate gigging instrument and a córdoba best-seller. made for the stage, the gk studio is constructed with a slightly thinner body depth, neck and nut width than a traditional spanish guitar. the gk studio’s neck is designed to have little or no relief, offering low action for ease of comfort and quick playability. flamenco players will love its bright, snappy tone designed to cut through a noisy venue. however, any guitarist looking for a new tone will feel right at home. like every córdoba guitar, this model has a two-way truss rod built into the neck. other premium features include a high-gloss finish, clear, flamenco-style tap plate and savarez strings. case sold separately.
Specifications:
Length | 18 in |
Height | 46 in |
Width | 8 in |
Reviews:
The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S
2. Cordoba Gk Studio Negra Flamenco Acoustic Electric Guitar
Product Details:
The gk studio negra is the ultimate gigging instrument. built with a solid european spruce top and indian rosewood back and sides, this nylon string guitar comes equipped with a soft cutaway and fishman presys blend pickup. the gk studio negra is a flamenco guitar made for the stage, constructed with a slightly thinner body depth, neck, and nut width than a traditional spanish guitar. the neck is designed to have little or no relief, offering low action for ease of comfort and quick playability. for flamenco players, this model offers a bassier and more robust tone in contrast to the bright, snappy sound of blanca flamenco guitars, but any guitarist looking for a new tone to add to the repertoire will feel right at home with the gk studio negra. with its comfortable body shape and classic tonewood combination, this model is the perfect choice for exploring the nuances in sound that can only be captured with nylon strings. like every cordoba guitar, this model also has a two-way truss rod built into the neck. other features include a rosewood fingerboard and bridge, high gloss finish, clear golpeadores (tap plates), and premium savarez cristal corum strings. the gk studio negra includes cordobas deluxe gig bag. back & sides: indian rosewood. top wood: solid european spruce. scale length: 650mm. neck wood: mahogany. fretboard: rosewood. neck shape: low profile. no. of frets: 19. nut width: 50mm. fretboard radius: flat. bridge: indian rosewood. pickup: fishman presys blend. controls: onboard. tuners: cordoba black & gold floral tuning machines. finish: high gloss pu.
Specifications:
Finish | Edge Burst |
Year | 2010s |
Made In | China |
Back Material | Rosewood |
Body Features | Cutaway |
Finish Style | Gloss |
Fretboard Material | Ebony |
Neck Material | Mahogany |
Number of Frets | 19 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Sides Material | Rosewood |
Top Material | Spruce |
Wood Top Style | Plain |
Reviews:
The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S
3. Yamaha Cg172sf Flamenco Guitar
Product Details:
Back by popular demand, a nylon-string flamenco guitar designed and built by yamaha guitars. the cg172sf nylon string flamenco guitar has a fresh perspective and contemporary features that deliver top level sound quality, performance and playability. designed with lower string action for flamenco style players, pop/rock guitarists will appreciate the response and attack that this instrument delivers. case sold separately. cypress body. solid european spruce top wood, 25-9/16" scale length. dovetail neck joint. nato neck wood. rosewood fretboard. low profile u neck shape. 18 frets, 2-1/16" nut. rosewood fretboard. rosewood bridge. gold tuners with pearloid pegs. gold hardware. natural satin finish.
Specifications:
Body Shape | Yamaha CG Shape |
Scale Length | 650 mm (25 9/16") |
Body Length | 490 mm (19 5/16") |
Total Length | 995 mm (39 3/16") |
Body Depth | 94 -100 mm (3 11/16" – 3 15/16") |
Top Material | Solid Spruce |
Back Material | Cypress |
Side Material | Cypress |
Neck Material | Nato |
Fingerboard Material | Rosewood |
Fingerboard Radius | Flat |
Bridge Material | Rosewood |
Nut Material | Urea |
Saddle Material | Urea |
Body Binding | Black + White |
Body Finish | Matte |
Neck Finish | Matte |
Reviews:
Overall: I have tried other nylon string guitars in higher price ranges, and this one put all of them in the shade. Nice action right out the box…………….just under 3mm on the bass side 12th fret, 2.5 mm on the treble side…….I added a Zero Nut, Tusq Saddle and upgraded the tuners, a set of Oasis HT strings, and this guitar competes with others costing 4 to5 times more. A nice hidden bonus, when I changed the nut, I found there is a hidden adjustable truss rod. Pleased with this, and the always great service from zZounds.
Since I bought this guitar from a Sam Ash store, it's only fair that I review it here as well. I am giving five stars for the guitar that I purchased. Other 172sf's would only only get three or four stars because of differences in their build quality. No two guitars ever play the same, even though they are identical models. This holds very true for luthier built guitars or the Yamaha CG172sf, which is mass produced in a factory in China. While each 172sf that I played, sounded fine and was put together well, this one had several characteristics that simply made it better than its conterparts. The solid Engelmann top has a much tighter, straighter grain pattern with zero run out. The top also shows a consistent silking throughout. The neck is perhaps a hair thinner than the average 172sf, making this guitar, for me, that much easier to play. The fretwork is exemplary, though none of the other 172sf's I tried fell short in this department. I simply cannot find a better sounding or playing instrument at this price! The inexpensive gold tunners are mounted perfectly. There are no creaks to be heard from the headstock when tunning up. The nut is as close to perfectly intonated as any builder could get. The only thing I replaced was the saddle which I made custom to set my own preference for the action. I play both flamenco and classical and this guitar is now perfect for both with my custom saddle. This is now the guitar I currently compare all other nylon string guitars to. It is that good! My guitar has those sonic qualities that one has trouble describing. I don't know what combination of factors truly are at work but the above mentioned traits I think are a good indication of why this particular 172sf sounds and plays so well. I would recomed playing several of these guitars before purchasing the one you will keep. For me, this is the perfect guitar. The top continues to age nicely, and there is a nice balanced sustaian somewhere between a flamenco guitar and a concert classical. The top responds well to being driven hard and percusive to being gently set in motion. I have been playing this guitar almost everyday for over two years, and it has held up superbly and only continued to improve with use. I can't say that for any of the other more expensive guitars I have owned in the past including my prize Ramirez.classical guitar aficionado
I bought the cedar top version at first but it was damaged in transit so I returned it and decided to go with the spruce version. I was a little concerned about the action being to high because I had purchased the cg192c and the action was totally unacceptable. However, I was able to sand down the saddle with enough remaining to get the action I wanted, I've owned more expensive Yamahas {cg 180 and 201s}, and I actually prefer the tone of the cg162s because of its lighter build; it has more clarity and better balance. Also, I think a lot of the so called "defects" are really accidents that happened in transit or are a result of poor storage conditions , especially warpage. I wouldn't buy an open box classical. I should also mention that the top has an amazingly tight grain all the way out to the edges. The ovankol back and sides look very much like rosewood,Mo'Brio
4. Cordoba F7 Paco Flamenco Guitar
Product Details:
This guitar plays and sounds great. it is setup and ready to play. it shows some fogging on the back, as shown, a dimple in the tap plate and surface marks from handling. the bridge is tight, the truss rod works and the action is 1/8" at the 12th fret. includes cordoba gig bag. in honor of the late paco de lucia, the handmade f7 paco sports rosewood back and sides with a canadian cedar top, for vibrant tones with a lively presence. the body depth is the thinner spanish flamenco style, for a snappy and bright sound. the solid mahogany neck provides excellent sustain and detail, and is set at a flat angle to give you low string action for excellent flamenco playability. and with the gloss polyurethane finish, maple binding, and a stylish rosette, the cordoba f7 paco looks as good as it plays.
Specifications:
String Type | Nylon |
Number of Strings | 6 |
Body Shape | Spanish Classic |
Body Style | No Cutaway |
Orientation | Right-handed |
Finish | High Gloss Polyurethane |
Body Bracing | Spanish Fan |
Binding | Maple |
Neck Shape | Traditional Classical Style Neck |
Fingerboard Material | Rosewood |
Number of Frets | 19 |
Scale Length | 25.6" |
Bridge Material | Indian Rosewood |
Nut Width | 2.04" |
Overall Length | 39" |
Body Depth | 3.5" |
Reviews:
I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz
I went to a guitar store specializing in classical guitars, and tried out a whole lot. For the price, I could not find a better-sounding guitar (if you are after the flamenco sound). Other options: While I originally intended to buy a Cordoba with cutaway and electronics, I found that those guitars (despite from being 50% more expensive) lacked in the quality of sound. A pickup from something like Kremona would cost a lot less. Sound: This guitar has a very clear sound – something you want regardless of the type of guitar. The notes do not sound muffled or dead. The flamenco construction adds to this by producing a shorter sustain, and a very bright tone. At times, it sounds similar to bells ringing. Additionally, there is a little bit of fret buzz on the bass strings when played hard – nowhere near the amount of buzz a flamenco requires, but the bridge had a lot of room to be sanded down if that's what you are after. This should go without mention, but this guitar is made for a flamenco/percussive style of playing. It is entirely possible to play classical music on it, but that music will sound better on the classical equivalent (Cordoba C7). For percussive playing, tapping various regions of the top produces a range of sounds from dull to sharp and bring – lots of potential there. Construction: I found that this guitar is built very well. It would be nice to see book-matched top and bottom, but this is after all an entry level flamenco guitar. Value: I think this is a great guitar for the price. Nothing sounds better (flamenco-wise) in guitars up to two or three times the price. Not to mention the gig bag, and truss rod – something a lot of guitars do not come with.VladimirK
I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci
5. Kremona Rosa Blanca Flamenco Guitar
Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). the kremona flamenco series rosa blanca acoustic guitar offers players a clean look and sound. it snaps and rasps articulately, yet burns with warmth and just the right balance to carry dancers and percussionists. the cypress and spruce construction give the rosa blanca a bright and powerful sound. made of the finest materials by kremona's most celebrated luthiers, the rosa blanca is an essential flamenco guitar.kremona is a privately owned and operated facility in bulgaria that employs more than 100 people and craftsman. in a modern world kremona builds on its rich traditional history of workmanship and excellence. using only the finest in local materials as well as imported materials kremona continues to improve the look, feel and playability of its instruments.
Specifications:
Product Dimensions | 42 x 17 x 6 inches |
Country of Origin | Bulgaria |
Back Material | Cypress |
Color Name | Natural |
Fretboard Material | Ebony |
Guitar Pickup Configuration | No Pickup |
Scale Length | 650 |
String Gauge | Medium |
String Material | Nylon |
Top Material | Spruce |
Neck Material Type | Cedar |
Number of Strings | 6 |
Guitar Bridge System | Adjustable |
Fretboard Material Type | Ebony |
String Material Type | Nylon |
Hand Orientation | Right |
Reviews:
I own a 2013 Rosa Blanca and was pleasantly surprised upon arrival. Its a TRUE flamenco guitar with great neck shape for flamenco, shallow body depth and quick response with the right flamenco tone. The string spacing at saddle is 60mm separation which is exactly the same as Conde Hermanos and Manuel Reyes guitars. The build and quality is top notch and much better than guitars double the price that I used to own from Spain. The Kremona guys in Sophia just got the design right on these Rosa models as they truly are great guitarra flamencas!Don
6. Alvarez Cf6 Cadiz Flamenco Guitar
Product Details:
The alvarez cf6 cadiz flamenco acoustic guitar evolved from an intense study of some of the worlds great spanish luthiers such as ramirez and torres. everything about them is carefully considered and purposefully chosen. the body shape is slightly taller, narrower, and more elegant than past alvarez classical guitars. the soundbox is more lightly built, with graduated tops, and each brace is custom cut and sanded with 4 varying widths in total. the bracing design gives a slight nod to jose ramirez iii's asymmetric architecture in the fact that the cadiz guitars have a treble bar. this helps to stiffen up the treble side of the top a little more, which helps give these guitars a very round, bell like treble response on the first three strings. alvarez keeps the bass side of the top light by using slightly thinner braces, which contribute to its very open, clear and strong bass response. unlike traditional classical guitars, the hybrid models do have a trussrod to allow for relief to be adjusted on the radiused fingerboards. cadiz models are also made with a spanish heel neck joint. ramirez and other great luthiers also influenced alvarez when it came to choosing their scale length. the cadiz scale length is longer than the standard 650mm (25.6") you will find on many classical guitars. at 662mm (26.06"), this scale length raises the tension a bit, which helps deliver more energy into the soundbox for better response and projection.
Specifications:
Body type | Flamenco Classical |
Cutaway | No |
Top wood | Solid A+ |
Back and sides | Cypress |
Body finish | Natural Gloss |
Orientation | Right handed |
Neck shape | Not specified |
Nut width | 2.04" (52 mm) |
Fingerboard | Pau Ferro |
Neck wood | Mahogany |
Scale length | 25.98" |
Number of frets | 19 |
Neck finish | Satin |
Pickup/preamp | No |
Headstock overlay | Not specified |
Tuning machines | Chrome with ebony-style buttons |
Bridge | Bi-level rosewood/pau ferro |
Saddle and nut | Real bone |
Number of strings | 6 |
Country of origin | Not specified |
Reviews:
Overall: My review is based on only my first day of receiving it. It arrived one day late with no damage which in winter time is reasonable. The treble bar claim of improving the treble strings response was one of my reasons for purchase. I did notice a slight improvement in the high E string so no complaint there. Overall I’m pleased with the guitar, the price is fair, your getting your money’s worth. The neck and fingerboard are very good. The action is set high but that gives you plenty of room to set it to your desired height. If I was at a guitar store and could try the guitar before buying, I would buy it, so there is no buyers remorse from buying online without being able to try it first. The only reason I didn’t give it five stars is because I’ve only had it for part of a day and will need more play time on it to fully evaluate it.Richard
Just a lovely guitar for the price. The Alvarez Cadiz line are extremely well made, affordable guitars. These are hand crafted, not mass produced. Made by independent luthiers in China who have been making guitars for Alvarez for many years. Great midrange classical and flamenco guitars. Plays and sounds best with Savarez 540R Alliance Strings (carbon filament, not nylon). A bit crispier and louder and also thinner. I will put a set of genuine Schaller tuners on it with the real ebony knobs (basically the very ones that Alvarez copied for this guitar).Kevin
7. Cordoba Paco F7 Flamenco Nylon-String Guitar (Natural)
Product Details:
The f7 paco nylon-string flamenco acoustic guitar offers a unique departure from traditional flamenco guitar tonewoods. in honor of paco de lucias untimely passing in 2014, the f7 paco's design was inspired by several well-known instruments that were mainstays in the legendary guitarists collection. with its solid canadian cedar top and indian rosewood back and sides, the f7 paco has a fuller, darker, less biting tone than the standard f7. built in the spanish tradition, it is incredibly lightweight, with a slightly thinner body depth than a classical guitar. a high gloss finish, maple binding, and a clear flamenco-style tap plate complete this homage to a flamenco great. case sold separately.
Reviews:
The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S
8. Cordoba Gk Pro Nylon Flamenco Acoustic Electric Guitar
Product Details:
The gk pro is the first to pair the solid european spruce top with solid cypress back and sides. additionally, it features an upgraded fishman prefix problend pickup, and the headstock is finished with a flamed maple veneer. the 1920's esteso style rosette featured on the gk pro is the signature of every all solid guitar in the iberia series, representative of cordoba's penchant for subtly nodding to revered hallmarks. includes humicase protege. specifications: top: solid european spruce. back & sides: solid spanish cypress. binding/bridge: indian rosewood binding/indian rosewood bridge. purfling/inlay: 6 ply colored wood top purfling, 3 ply maple and ebony back and side purfling. rosette: mother of pearl and ebony "esteso" weave. finish: high gloss pu finish, honey amber tinted back and sides. neck/fingerboard: mahogany neck/ebony fingerboard/ cutaway, electric style neck. truss rod: yes. scale length: 650mm (25.6"). nut width: 50mm (1.96"). fret marker inlays: mother of pearl at 5, 7, 9. nut/saddle: bone. number of frets: 12 to body, 19 total. bracing/build: spanish fan bracing, flamenco style build, cutaway electric. body width & length: 285mm (11.2") at upper bout, 370mm (14.6") at lower bout. body depth: 88mm (3.5") at upper bout, 89mm (3.5") at lower bout. tuning machines: cordoba premium gold tuning machines. strings: savarez cristal corum in high tension 500cj. electronics: fishman prefix problend on board electronics with 3-band eq tap. plate/pick guard: clear spanish golpeador. case: humicase protege.
Specifications:
Body Top | Solid European Spruce |
Upper Bout Width | 286mm (11 1/4") |
Lower Bout Width | 368mm (14 1/2") |
Body Depth Upper Bout | 85mm (3 1/3") |
Body Depth Lower Bout | 90mm (3 1/2") |
Body Length | 489mm (19 1/4") |
Overall Length | 984mm (38 3/4") |
Soundhole Diameter | 84mm (3 1/3") |
Top Bracing Pattern | Fan |
Back and Sides Wood | Solid Cypress |
Top Binding | Rosewood |
Rosette | Pearloid Esteso Weave Pattern |
Top Purfling Inlay | Padauk, Maple and Black |
Side Purfling Inlay | Maple and Black |
Back Purfling Inlay | Maple and Black |
Bridge Material | Rosewood |
Saddle Material | Bone |
Scale Length | 650mm (25 1/2") |
Neck Material | Mahogany |
Fingerboard Material | Ebony |
Nut Width | 50mm (2") |
Nut Material | Bone |
Truss Rod | Dual Action |
Truss Rod Wrench | 4mm Allen Key |
Neck Thickness 1st Fret | 21mm |
Neck Thickness 9th Fret | 24mm |
Frets Total | 19 |
Tuning Machines | Cordoba Premium Gold with Black Buttons |
Neck Shape | C Shape |
Finish | Gloss Polyurethane |
Electronics | Fishman Prefix Pro Blend |
Strings | Savarez Cristal Corum High Tension 500CJ |
Included Case | Cordoba Deluxe Humidified Archtop Wood Case |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
9. Cordoba Gk Studio Negra Left Handed Acoustic-Electric Nylon String Flamenco Guitar W/ Case
Product Details:
The gk studio negra is the ultimate gigging instrument for left-handed guitarists. built with a solid european spruce top and indian rosewood back and sides, this nylon string guitar comes equipped with a soft cutaway and fishman presys blend pickup. the gk studio negra is a flamenco guitar made for the stage, constructed with a slightly thinner body depth, neck, and nut width than a traditional spanish guitar. the neck is designed to have little or no relief, offering low action for ease of comfort and quick playability. for flamenco players, this model offers a bassier and more robust tone in contrast to the bright, snappy sound of ‘blanca’ flamenco guitars, but any guitarist looking for a new tone to add to the repertoire will feel right at home with the gk studio negra. with its comfortable body shape and classic tonewood combination, this model is the perfect choice for exploring the nuances in sound that can only be captured with nylon strings. like every cordoba guitar, this model also has a two-way truss rod built into the neck. other features include a rosewood fingerboard and bridge, high gloss finish, clear golpeadores (tap plates), and premium savarez cristal corum strings. the gk studio negra includes cordoba’s deluxe gig bag.
Specifications:
Finish | Natural |
Made In | China |
Reviews:
The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S
10. Ortega Ben Woods Flametal-Two Signature Flamenco Guitar Natural
Product Details:
Formidable flamenco. with a sound which will win over hearts in a heartbeat, the ortega flametal-two ben woods electro nylon string guitar was made to create the most exciting, dramatic music imaginable. built for percussive, elegant, flamenco-like playing, it will naturally emphasise your fingerpicked notes and give them a beautiful, pronounced resonance. the solid western red cedar top brings out a lovely warmth in your tone, whilst providing great note projection. you'll have no trouble creating sweet melodies on this supreme instrument. metal and flamenco. ben woods is known for his blending of flamenco technique with classic metal songs, which has led to the creation of a new genre: flametal. now you can explore the flametal wonders of this beautiful instrument yourself, with its exceptional playability facilitating experimentation and the ability to play multiple different styles with ease. coming with a flamenco double scratch plate, you can also use a pick with this innovative instrument should you wish. being both dynamic and of the highest quality, the flametal-two is sure to get your inspiration fired up.
Specifications:
Body type | Flamenco |
Cutaway | Single |
Top wood | Solid Western red cedar |
Back and sides | Walnut |
Bracing pattern | Not specified |
Body finish | Gloss |
Orientation | Right handed |
Nut width | 1.875" (48 mm) |
Fingerboard | Pao ferro |
Neck wood | Mahogany |
Scale length | 25.5" |
Number of frets | 20 |
Neck finish | Satin |
Pickup/preamp | Yes |
Configuration | Sidemounted preamp |
Preamp EQ | 4-band |
Feedback filter | Notch, Phase |
Tuner | Yes |
Headstock overlay | Not specified |
Tuning machines | Die-cast Ortega gold |
Bridge | Pao ferro |
Saddle and nut | Bone |
Number of strings | 6 |
Country of origin | United States |
Reviews:
I really enjoy the guitar. It sounds great even with the thinner body which is very comfortable to play. The gig bag is great! I get many compliments on this guitar when I play out. I wish this had 14 frets before the body, and as previously mentioned the back of the neck is odd to me but I am getting used to it.Jeff
11. Cordoba 55fce Flamenco Nylon String Classical Acoustic-Electric Guitar
Product Details:
The cordoba 55fce is the ultimate crossover nylon-string guitar for any style of guitarist. played by the gipsy kings and a roster of countless other professional musicians, the 55fce's thin body design, deep cutaway, and slightly narrower neck width give the guitar a comfortable feel at home, on stage, or in the studio. the fishman prefix problend onboard electronics with 3-band eq make this cordoba 55fce the perfect guitar for fiery improvisation and a beautiful and dynamic amplified sound. a solid german spruce top generates bold low-mids and mids with cutting high-end enhanced by gorgeous flamed maple back and sides. the natural ebony fingerboard and ebony reinforced spanish cedar neck with multi-ply headstock veneer looks great and feels silky smooth. cordoba's 55 series of acoustic electric guitars come with all the hand detail work and visual presentation of the 55r, and feature cordoba's 5 fan-strut bracing system that gives cordoba guitars their rich and rhobust natural sound. thinline humidified guitar case included.
Specifications:
Body Top | Solid European Spruce |
Upper Bout Width | 276mm (10 7/8") |
Lower Bout Width | 368mm (14 1/2") |
Body Depth Upper Bout | 65mm (2 1/2") |
Body Depth Lower Bout | 70mm (2 3/4") |
Body Length | 483mm (19") |
Overall Length | 972mm (38 1/4") |
Soundhole Diameter | 88mm (3 1/2") |
Top Bracing Pattern | Fan |
Back and Sides Wood | Flamed Maple |
Top Binding | Indian Rosewood |
Rosette | All Wood Traditional |
Top Purfling Inlay | Ebony and Maple |
Side Purfling Inlay | Ebony and Maple |
Back Purfling Inlay | Ebony and Maple |
Bridge Material | Indian Rosewood |
Saddle Material | Bone |
Scale Length | 650mm (25 1/2") |
Neck Material | Spanish Cedar |
Fingerboard Material | Ebony |
Nut Width | 50mm (2") |
Nut Material | Bone |
Truss Rod | Dual Action |
Truss Rod Wrench | 4mm Allen Key |
Neck Thickness 1st Fret | 21.5mm |
Neck Thickness 9th Fret | 25mm |
Frets Total | 19 |
Tuning Machines | Cordoba Premium Gold with Black Buttons |
Neck Shape | C Shape |
Finish | Gloss Polyurethane |
Electronics | Fishman Prefix Pro Blend |
Tap Plate | Yes |
Strings | Savarez Cristal Corum High Tension 500CJ |
Included Case | Humicase Protégé Thinbody Classical |
Dimensions (WxHxD) | No |
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
12. Alhambra 4f Flamenco Guitar – Xguitars
Product Details:
The alhambra 4f flamenco guitar has a big personality! this upgraded version of the 3f model brings with it some extra tone and volume. it shares some of the same elements as the 3f, namely that it is constructed from quality noble woods. the 4f also comes with gold-plated machine heads, an ebony fingerboard, and its attractive finish color is unique, bringing some extra visual warmth to the instrument. made with a solid german spruce top and sycamore for the back and sides, the alhambra 4f has an appearance that goes hand-in-hand with the look of flamenco. like the 3f model, the alhambra 4f is a guitar with a true flamenco sound – snappy and percussive with the potential for plenty of volume. when you start with even the most straighforward of strumming patterns, you will soon realize what powerful sounds and wonderful tones you have at your fingertips. it is also a guitar that defines melody very well and has a good balance between bass and treble frequencies. the 4f is an instrument of the conservatory line, made with the same quality that alhambra guitar guarantees from every one of their instruments. the alhambra 4f is an excellent choice for anyone who wants to study the flamenco style.
Specifications:
Body type | Classical |
Cutaway | Single |
Top wood | German Spruce |
Bracing pattern | Fan |
Body finish | Natural Gloss |
Orientation | Right handed |
Neck shape | U |
Nut width | 2.04 in. (52 mm) |
Fingerboard | Ebony |
Neck wood | Mahogany |
Scale length | 25 in. |
Number of frets | 18 |
Neck finish | Natural Gloss |
Pickup/preamp | No |
Headstock overlay | Rosewood |
Tuning machines | Gold |
Bridge | Rosewood |
Number of strings | 6-string |
Country of origin | Spain |
Reviews:
Perfect for all: flamenco, casual and classical pieces.Andrew
Excellent sound quality. Very well structure and finishzithir_intl
13. Cordoba F10 Flamenco Guitar Natural
Product Details:
The all-solid f10 flamenco guitar features a solid european spruce top with solid cypress back and sides. it is built with the traditional spanish flamenco body style – a flat neck angle to give the guitar low action and a flamenco buzz. the built-in truss rod makes adjusting the neck angle on this guitar a breeze. includes a golpeador (tap plate), the domingo esteso mother-of-pearl rosette and a comes with a hardshell cordoba humidified archtop case.
Specifications:
Reviews:
I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz
I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci
Overall: It is a pleasure and privilege to own the Cordoba C-10 cedar classical guitar because it has the most beautiful balance across the strings. Clearly, this depends on your playing style, and the strings you choose to use. On this instrument i use "rectified-lightly polished bass" strings. While they may not last as long as unpolished strings, the sound they produce is well worth the extra expense and restringing. I can best describe the sounds from this guitar/string combination as lyrical, poetic, and warmly human. No string requires compensation while playing, not even the intrusive G, as this is not clear nylon, but has a mixture of another compound to help "tame" this unruly member.The frets are nearly perfect, with only one area near the sound hole on the low E and A, that is rarely played by anybody, though I will have it remedied eventually. The neck is straight, fingerboard true ebony, and the saddle was perfect out of the box at 2.5 mm and 3. mm clearance at the 12th fret on the 1st and 6th strings. At this low string height, I do have to be sure that strings are constantly tuned up to avoid any buzzing, but that is a small price to pay for such fine and easy play ability.It is so gratifying to find a product that meets its billing, and the stated philosophy of Cordoba's CEO to "bring fine guitars within everybody's reach." That is absolutely true of this guitar, as the first entry into a true classical guitar it proves to be worthy of far more than its cost.Kudos must be extended to zZounds as well for their "pay and play" plan which makes such a great instrument available to mere mortals. Now that I've played this guitar, the cost has become irrelevant.Finally, the most ineffable feature of this guitar only becomes apparent when you play, especially during soft passages, as you pay attention to the celestial aroma of cedar wafting through your consciousness. I do like the sound of spruce-top guitars, but find that most are stuck in "bright to brighter" tones, and they cannot come down to a warm fireplace beside a beautiful guitar played for a beloved wife. Thank you Cordoba
14. Cordoba Fcwe Gipsy Kings Reissue Nylon-String Flamenco Acoustic-Electric Guitar
Product Details:
Our first guitar originally released in the late 1990s, the spanish-made fcwe is a piece of crdoba history. it features a solid european spruce top and solid spanish cypress back and sides with spanish fan bracing for optimal projection. design features ready to take the stage with you, the fcwes powerful built-in fishman prefix problend preamp and thinbody design helps reduce feedback when the guitar is amplified at high volumes. low action and little relief in the neck make this guitar comfortable and easy to play. a two-way truss rod is built into the spanish cedar neck for longterm stability. other premium features include an ebony fingerboard, indian rosewood binding and bridge, a clear flamenco-style tap plate, and savarez cristal corum strings. comes in a humidified humicase protege case.
Specifications:
Build | Thinbody |
Finish | Gloss Polyurethane |
Country of Origin | Spain |
Shipper Carton Dimensions | 1160 x 460 x 190 mm |
Construction | All Solid Woods |
Body Top | Solid European Spruce |
Top Bracing Pattern | Fan |
Back Binding | Indian Rosewood |
Top Binding | Indian Rosewood |
Top Purfling Inlay | Ebony and Maple |
Soundhole Diameter | 3.5 inches / 88 mm |
Soundboard Thickness | 2.5 mm |
Body Length | 19 inches / 483 mm |
Overall Length | 38.25 inches / 972 mm |
Neck Material | Spanish Cedar |
Fingerboard Material | Ebony |
Neck Joint | Spanish Heel |
Neck Shape | U Shape |
Neck Thickness | 21.5 mm 1st Fret, 25 mm 9th Fret |
Scale Length | 25.6 inches / 650 mm |
Fret Type | Medium High |
Headplate | Rosewood |
Pickup Type | Undersaddle Piezo + Microphone |
Reviews:
As good a thin body as you can get. Especially for the price. Cordoba, what else can I sayNuroe
I am an experienced player. Thought that this guitar would keep me, intonation-wise, in flamenco realm. I was wrong. Use it with much pleasure and effect on any musical situation (bossa, blues, jazz, latin). Would take any playing style (finger-style, with a pick, or strumming). Excellent and beautiful construction. And, most importantly, great tones. Cordobas are the best in its price point and easily among the best guitars in the 3 to 5 thou range.Ricardo Moraes Pinto
15. Yamaha Cg172sf Nylon String Flamenco Guitar
Product Details:
Classical & nylon-string guitars by yamaha. details:drawing upon the vast knowledge and techniques of our master craftsmen, the cg series nylon string guitars where developed to deliver top level sound quality, performance and playability. the cg172sf is a flamenco model with a cedar top and cypress back and sides.
Specifications:
String Type | Nylon |
Number of Strings | 6 |
Body Style/Shape | Classical |
Finish | Natural |
Top Wood | Solid Engelmann Spruce |
Binding | Yes |
Neck Shape | Flamence |
Scale Length | 25.6" |
Number of Frets | 18 |
Nut Width | 2.0625" |
Fingerboard Material | Rosewood |
Body Depth | 3.7" – 3.94" |
Bridge Material | Rosewood |
Tuning Machines | Classical Style |
Electronics | No Electronics Onboard |
Case Included | No Case Included |
16. Cordoba 55fce Thinbody Acoustic-Electric Nylon String Flamenco Guitar
Product Details:
The ultimate crossover nylon-string guitar for any style of guitarist. played by the gipsy kings, the 55fce's thin body design, deep cutaway, and slightly narrower neck width give the guitar a comfortable feel at home, on stage, or in the studio. the fishman prefix problend on board electronics with 3-band eq make the 55fce the perfect guitar for improvisation with an amplified sound. comes with a humicase thinbody protege case.
Reviews:
This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T
I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David
I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH
17. Cordoba Cordoba F7 Flamenco Iberia Top Nylon String Guitar Solid
Product Details:
The f7 is our entry-level flamenco model featuring the traditional combination of a solid european spruce top paired with cypress back and sides. it's a perfect fit for both beginner and intermediate flamenco players. incredibly lightweight, the f7 is built in the spanish tradition with a slightly thinner body depth than a classical guitar. additionally, its flat neck angle gives this guitar low action, and the bright, snappy tone characteristic of flamenco guitars. a clear flamenco-style tap plate comes installed on the top for an added layer of protection and like all crdoba guitars, the f7 includes a two-way truss rod inside the neck for action adjustment and long term stability.
Specifications:
Build | Flamenco |
Construction | Solid Top |
Body Top | Solid European Spruce |
Top Bracing Pattern | Fan |
Soundhole Diameter | 84mm (3 1/3") |
Rosette | All Wood Traditional |
Top Purfling Inlay | 4-ply Maple and Black |
Top Binding | Pau Ferro |
Side Purfling Inlay | N / A |
Back and Sides Wood | Cypress |
Back Purfling Inlay | N / A |
Neck Material | Mahogany |
Scale Length | 648mm (25 1/2") |
Neck Shape | C Shape |
Nut Width | 52mm (2") |
Neck Thickness 1st Fret | 21mm |
Neck Thickness 9th Fret | 24mm |
Truss Rod | Dual Action |
Truss Rod Wrench | 4mm Allen Key |
Fingerboard Material | Pau Ferro |
Fingerboard Inlays | N / A |
Frets Total | 19 |
Finish | Gloss Polyurethane |
Bridge Material | Pau Ferro |
Saddle Material | Bone |
Nut Material | Bone |
Tuning Machines | Cordoba Gold and Black with Black Buttons |
Tap Plate | Yes |
Electronics | N / A |
Strings | Savarez Cristal Corum High Tension 500CJ |
Included Case | Case Sold Separately |
Upper Bout Width | 286mm (11 1/4") |
Lower Bout Width | 368mm (14 1/2") |
Body Depth Upper Bout | 85mm (3 1/3") |
Body Depth Lower Bout | 90mm (3 1/2") |
Body Length | 489mm (19 1/4") |
Overall Length | 984mm (38 3/4") |
Reviews:
I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz
I went to a guitar store specializing in classical guitars, and tried out a whole lot. For the price, I could not find a better-sounding guitar (if you are after the flamenco sound). Other options: While I originally intended to buy a Cordoba with cutaway and electronics, I found that those guitars (despite from being 50% more expensive) lacked in the quality of sound. A pickup from something like Kremona would cost a lot less. Sound: This guitar has a very clear sound – something you want regardless of the type of guitar. The notes do not sound muffled or dead. The flamenco construction adds to this by producing a shorter sustain, and a very bright tone. At times, it sounds similar to bells ringing. Additionally, there is a little bit of fret buzz on the bass strings when played hard – nowhere near the amount of buzz a flamenco requires, but the bridge had a lot of room to be sanded down if that's what you are after. This should go without mention, but this guitar is made for a flamenco/percussive style of playing. It is entirely possible to play classical music on it, but that music will sound better on the classical equivalent (Cordoba C7). For percussive playing, tapping various regions of the top produces a range of sounds from dull to sharp and bring – lots of potential there. Construction: I found that this guitar is built very well. It would be nice to see book-matched top and bottom, but this is after all an entry level flamenco guitar. Value: I think this is a great guitar for the price. Nothing sounds better (flamenco-wise) in guitars up to two or three times the price. Not to mention the gig bag, and truss rod – something a lot of guitars do not come with.VladimirK
I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci
18. Guitar Greats: The Best Of New Flamenco – Volume 3
Product Details:
Guitar greats – the best of new flamenco volume 3 features the masters of today's new flamenco sound. each artist, 14 in all, showcases their own unique talent for composing and performing the very best flamenco guitar music. artists included on this compilation are jesse cook, behzad, govi, johannes linstead, armik, novamenco, young & rollins, oscar lopez, nocy, pavlo, luis villegas, lawson rollins, incendio and david correa & cascada.
Specifications:
Reviews:
Just the music I was looking forchug-99
19. Gipsy Guitar: Rumbas Flamencas . Rumba Styles Of The Flamenco Guitar
Product Details:
Flamenco is once again incredibly popular and modern flamenco groups like the gipsy kings are topping the charts with international hits like "rumba flamenca." in gipsy guitar the author shows guitarists how to enter the world of the rumba flamenca, and demonstrates the techniques necessary for solo playing and accompaniment. the publication contains printed music (staves and tablature) and two excellent companion cds. german/english text.
Specifications:
Language | English |
Release Date | March 2000 |
Length | 92 Pages |
Dimensions | 0.3" x 9.0" x 12.0" |
20. Classical And Flamenco Guitar Solos And Etudes
Product Details:
Specifications:
Published by | Mel Bay Publications, Inc., 2018 |
Binding | Soft cover |
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