Are you looking for the Best Gibson Electric Guitar? If so, you’ve come to the right place.
Choosing the Best Gibson Electric Guitar can be difficult as there are so many considerations, such as Glarry, Fender, Gibson, Ibanez, Epiphone, PRS. We have done a lot of research to find the top 20 Best Gibson Electric Guitar available.
The average cost is $2393.60. Sold comparable range in price from a low of $989.07 to a high of $6499.00.
Based on the research we did, we think Gibson 2015 Les Paul Studio Desert Burst Electric Guitar with Case is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Gibson Electric Guitar (20 Sellers)
| Product Image | Product Name | Features | Check Price |
|---|---|---|---|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
$989.07
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Used 2015 gibson les paul studio, desert burst finish, with original gibson hardshell case.
- Includes g-force auto-tuning system (with charger)!
- Excellent condition (virtually mint)! inspected and set up by our in-house technician.
$1359.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durability . Well made
Features:
- Gibson sg special ebony electric guitar.
- The sg special returns to the classic design that made it relevant, played, and loved — shaping sound across generations and genres of music.
- P-90 single coil pickup.
$1799.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Sg standard
- Detailed specifications
- Body shape: sgbody material: mahoganyfinish: gloss nitrocellulose lacquer
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- In almost new condition.
- No scratches, no wear.
- Comes with humbucker covers and pointers.
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Colour: translucent red
- Construction type: solid body with weight reliefs
- Body shape: les paul
$1500.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Gibson les paul with hard case (postage).
- It's called bbq burst and is a red and black burst.
- Mahogany body and neck with a flamed maple cap and a rosewood fretboard.
$2389.00
4.6
Reviewers Noted:
Good sound quality . Lightweight . Attractive . Lacks durability . Well made
Features:
- Body shape: sg
- Weight relief: none
- Profile: authentic '63 medium c-shape
$1399.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durability . Well made
Features:
- Some lovely grain on the body and a nice dark rosewood board.
- Absolutely killer sounding p90, i'd say very aggressive, rolled back to 7 it cleans up well and remains clear.
- Don't hesitate to ask any questions or put in an offer.
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- It pays tribute to gibson's golden era of innovation and brings authenticity back to life.
- The les paul standard 60s features a satin nitrocellulose lacquer finish that gives it the look and feel of a long-treasured musical companion.
- It has a solid mahogany body with an aa figured maple top and a slimtaper 60s-style mahogany neck with a rosewood fingerboard and trapezoid inlays.
$1799.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- ***disclaimer.
- I had this guitar and for some time and never noticed a few factory blemishes till now.
- They seem factory because there under the clear finish which tell me this was done before the finish.
$1299.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Description
- Mahogany body
- 490r neck pickup & 490t bridge pickup
$2144.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- A classic, reborn in a beautiful faded finish
- Body styles
- Body material
$5099.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Specs from the manufacturer below.
- Enjoy!
$1925.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- This is a very nice gibson 1961 re-issue sg with a sideways tremolo in cherry.
- This burstbucker loaded beauty is a tone powerhouse and it has a great set-up and playing action.
- Original case toolkit accessories and factory birth photo and original paperwork included.
$4199.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Durability . Lightweight . Craftsmanship
Features:
- Finish top: slight user wear scuffs bass side horn
- Finish sides: slight scuffing on inner lower cutaway
- Finish back: slight user wear
$1879.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Item: gbsg61vfooaynh1
- Serial # 225820141
- Weight 7lbs 3oz
$6499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Nitro-finished lightweight mahogany body with figured maple top
- 24.75"-scale long-tenon mahogany neck with 22-fret, 12"-radius rosewood fingerboard
- Abr-1 tune-o-matic bridge, stopbar tailpiece, kluson deluxe single-band tuners
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$1999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- The classic sg for any generation
- Body styles
- Body material
1. Gibson 2015 Les Paul Studio Desert Burst Electric Guitar With Case
Product Details:
The 2015 les paul studio from gibson usa takes the classic stripped-down lp design that has made the studio a favorite for gigging guitarists and adds some great features for the modern player. a zero fret nut with adjustable action and g force automatic tuning system makes it a breeze to play through your whole set with ease. standard on most 2015 models, gibson g force provides the best and simplest experience yet in an automatic tuning system. gibson les paul studio 2015 electric guitar features mahogany body with modern rout and figured maple top mahogany. slim taper neck with rosewood fingerboard 100 logo on the headstock in honor of les paul’s 100th birthday . trapezoid inlays. gibson 57 pickups. includes hardshell case.
Specifications:
| Finish | Desert Burst |
| Year | 2015 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Studio |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
I'm not a rich guy but I don't want garbage guitar's. This review is more about American Musical supply than this single guitar. In the past 5 year's I have purchased 15 guitar's from American and every one of them have been really great guitar's. I could never afford to buy these guitar's outright being a disabled Veteran I don't make enough money, so American is for ME a life saver. I no longer think about how bad my life is when I pick up one of these beautiful guitar's and play my worries away.Randy
I have played guitar and bass for 20 years, and I have always had average guitars. I just received this Les Paul in wine red. This is my first high end instrument, and it is flawless. The fretwork, finish, and intonation are immaculate. The gold hardware adds luxury to an already classy instrument. I make it a point to play every guitar I own unplugged to hear it's inherit acoustic properties. The tone is rich and snappy. Plugged into my Blackstar HT 60 2×12, this LP gives me epic tone and sustain. I feel the need to learn every riff off of Elegant Gypsy by Al Di Meola to so this guitar justice. I now know why he, and so many of the greats used Les Paul's. Thanks AMS for helping me afford such a beautiful sounding work of art.El Doctor Boca-Dientes
Love the gold hardware on black. Looks sharp.This guitar is very versatile. Lots of sustain and resonance. The pickups have a very clear and transparent tone. Playability is excellent. Had to adjust the action and truss rod. I also dressed the fretboard to make it darker. To me the darker rosewood fretboard looks more attractive. My only complaint is a little bit of dark paint overspray on the fretboard. Hence I darkened the fretboard. Quality is not as good as my American made PRS but the Gibsons have more vibe and mojo to me.A.Santos
2. Gibson – Sg Special – Electric Guitar – Ebony
Product Details:
The sg special returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. this early 60's style sg special has the vibe and sound heard on countless classic rock recordings. the comfortable, slim taper mahogany neck and bound rosewood fingerboard is well known for fast, effortless playing. the two p-90 pickups are noted for their fat, snarl when driven and for their smooth, sweetness when played clean. the sg special is equipped with the 3-way toggle switch, handwired controls and orange drop capacitors. p-90 single coil pickup legendary tone first introduced in the early 1950s, gibson's legendary p90 single coil pickup produced a raw powerful tone that helped define the blues and rock and roll in their formative years. today, the p90's traditional combination of high output and brilliant tone is still considered a favorite among many top musicians. known by such familiar nicknames as the "soapbar" and the "cobalt," the p90 still cuts through any type of music, all while displaying amazing tonal sensitivity for everything from blues and rock to mellow jazz riffs. it's perfect as a vintage replacement, and features vintage, braided two-conductor wiring. it's also fully wax potted to eliminate any chance of unwanted microphonic feedback.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Compensated Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall happy with the gibson sg special. You can see on the guitar theres a couple of minor marks from the gibson factory. Nothing major. The string alignment is a little off. But dont mind. The low E string is closer to the top of the neck. I use my thumb alot so works out. If it was the other way around I might of sent it back. The electrics look good under the hood. Musicstore got the guitar very quickly to Ireland. Really good service with great updates. Very happy with the purchase:)
Alright, so the first one of these new SG Specials in Pelham Blue showed up with a giant crack (not finish checking) that wrapped from the input jack to the control panel. I knew I had to return it but tuned it up and noodled a bit and tested pickups to make sure it was worth the exchange. The guitar was so good I almost kept it. My girlfriend convinced me to return it for a new one and it's the best decision I've ever made regarding gear. I've had the new one for a few days and it is just better in every way compared to the damaged but also incredible guitar I originally received. The resonance, sustain, comfort, aesthetic, playability, P90s, even the smell… all perfect. Gibson even learned to cut a nut. The fretboard is darker (better), the setup and finish is better. It just feels and sounds better. There is no neck dive on this one, although the first one did have a neck heavy feel (nothing a leather/suede strap couldn't fix). I say all this to remind everyone that every guitar is different and just hope you get one with mojo. I went to a competitor today and played a new Les Paul Standard that was tagged at $1K higher than this SG. No comparison. I was laughing at how much better the SG was in every single department. I can't wait to take this on the road as my new #1 and I seriously doubt it will ever be topped. New or vintage. Gibson is taking this rebuild seriously, and these Original Collection models are the best step they could have taken.UglyRunnerMusic
I am astonished at how quiet the P90's are in this SG. The hum is negligible — substantially less than the high gains in my Rickenbacker and only barely more the Lace Sensors in my strat (which are 99% silent). I had anticipated ordering some hum-canceling Lindy's to go in there, but that won't be happening. These sound phenomenal. They're just about all I could ever want from a pickup. The guitar came with the neck set almost completely straight. Just a smidge of relief (the perfect amount, really). Fretwork is essentially perfect. No sharp ends, frets are perfectly even and well-polished. The action was set a bit high, but was fairly easy to remedy. So why 4 stars instead of 5? The lower set screw (high E side) on the lightning bar wraparound bridge arrived stuck. Under no tension, it could not be adjusted in or out with the 1/16 hex key on the included Gibson multi-tool. I had to use an extractor plier to get it out out of fear of grinding down the end of the hex. Upon inspection, some of the threads near the cup point on the screw were malformed. There were no issues with the screw on the upper (Low E) side. Tracking down a replacement #5-40 3/8" set screw in small (< 100) quantity was actually kind of difficult. A stuck screw on a bridge is not catastrophic, but it does seem like something that should have been caught in QA. Aside from the one issue, everything else was immaculate. Also, great service from Musicians Friend.Justin
3. Gibson Sg Standard Left-Handed Electric Guitar (Heritage Cherry)
Product Details:
The gibson sg. every guitarist knows one when they see it. and with good reason. this gibson sg standard left handed is a shining example of why these guitars are some of the most revered in the world. the sleek body, comfortable neck, and finely crafted contours make it a modern-day king, and its tone is beyond exceptional. two gibson 490 humbuckers in the neck and bridge give it plenty of firepower and crisp, articulate tone for an exceptional sound. with them, you'll be rocking like the legends who used this model throughout the decades. classic design, modern features. this model is the perfect blend of old and new, offering the same playing experience which the sgs of old, but with modern day reliability. you'll feel those vintage vibes coming to your fingers as you make your way across the smooth, supreme fretboard. whether you're into blues or straight-up rock 'n' roll, this guitar will satisfy your every desire.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
4. Gibson 2019 Les Paul Classic – Honeyburst
Product Details:
Top and back and neck and headstock are perfect. minor ding on side and some other blemishes on other side. take a look at the pictures. this is the 2019 with upgraded locking tuners and all splitting options the new 2019 gibson les paul classic boasts a traditional tone wood construction of a mahogany back and maple top coupled with a mahogany neck and bound rosewood fingerboard. a slim taper neck profile and 61 r and 61 t zebra pickups provide the playability and classic gibson tones from the era, 4 push-pull control assembly give a sonic variety to this complete guitar package.
Specifications:
| Finish | Ebony |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Classic |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
5. Gibson Les Paul Standard '60s – Iced Tea
Product Details:
Fall in love with tone. a gibson les paul standard '60s is your ticket to the iconic sounds of classic les pauls. celebrated all over the world as one of the best guitars of all time, the les paul standard has been used by countless legendary guitarists in a wide range of genres. this guitar provides a truly authentic '60s gibson experience, perfectly encapsulating the look, feel, and most importantly, sound of a classic '60s les paul standard. perfect playability, pristine tone. when designing this guitar, gibson wanted to recreate the legendary feel and unmistakable sound of les pauls from the 1960s. the 61 burstbucker pickups deliver pure tones that let your sound shine through with ultimate clarity. and with a super fast, slim taper mahogany neck, you also get the effortless playing feel to match this guitar's amazing tone. experience something truly special.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | AA figured maple |
| Body wood | Mahogany |
| Body finish | Gloss nitrocellulose |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | HH |
| Neck | Burstbucker 61R |
| Bridge | Burstbucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6 string |
| Country of origin | United States |
Reviews:
I had a great experience with Musiciansfriend. I called my gear advisor, Scott, and he went the extra mile to answer all of my questions over about a two week period. My guitar weighs just under 10 pounds. The set up was superb with a low action and near perfect intonation. Phenomenal sound. Just amazing. Each string rings out clear and balanced. This is my first Gibson. I am a Fender player ('69 Jaguar, '97 Strat) so I was afraid I wouldn't like the warm tones of the humbuckers (nearly went with P90 because of this), but I can't compliment this guitar enough. It's a legend for a reason. The only bad thing is the case. It's obvious that Gibson doesn't take as much care in quality control for their cases. Pea sized bubble on the exterior and lining already coming unglued. However, musiciansfriend is working to right this for me.Jonathan
Overall: Ordered my 60's Les Paul in Unburst on Thursday February 10th. I paid for overnight shipping cause I couldn't wait & zZounds didn't disappoint. Guitar arrived on Friday the 11th before noon!!! Thank you zZounds. Now onto the review……amazing guitar. The figured top is beautiful. zZounds lets you pick the Les Paul you want by serial number & the top looks even better in person, I couldn't be happier. The fit & finish is excellent. Setup is perfect out of the box, plays like a dream. Sustain for days & the '61 Burstbucker R & T pickups just scream!!! Gibson's quality control is on point now!!! Just a beautiful guitar.James
Wow, does this guitar growl. These pickups are so hot, I was startled when I turned up the amp. On clean, every note in a chord is articulated brilliantly. And the sustain is strikingly long and full. I thought the fit and finish was exceptional, and appreciate the quality considering the price. It makes my other guitars feel like I'm riding a bike with a flat tire. It's just not a fair comparison. I am afraid I will have to upgrade my entire fleet now – it has spoiled me. I am more gratified with the purchase than I anticipated.Howard
6. Gibson Les Paul Classic Electric Guitar (Translucent Cherry)
Product Details:
A traditional look and build techniques combine with some modern touches, resulting in a go-to axe for any stage or studio session! as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. taking its functionality to another level, the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for great versatility.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
7. Gibson Les Paul Studio 2019 Electric Guitar (Bbq Burst)
Product Details:
Beautiful 2019 gibson les paul studio only played a select few times. guitar is gorgeous and in great shape. i wish i could keep it but whoever gets it is going to receive a top of the line rock n roll machine. only thing to note about this guitar is that i removed the pick guard because i thought the bbq burst finish was just way too nice but i can either reinstall it prior to sending or just send it along with the guitar. guitar is equipped with gibson 490r and 498t humbucker pickups along with the modern style quick connect wiring harness to make it quick and easy to swap out pickups if you so choose. also note case not included. case shown not even standard case given with purchase of the guitar.
Specifications:
| Finish | BBQ Burst |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Studio |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
I'm not a rich guy but I don't want garbage guitar's. This review is more about American Musical supply than this single guitar. In the past 5 year's I have purchased 15 guitar's from American and every one of them have been really great guitar's. I could never afford to buy these guitar's outright being a disabled Veteran I don't make enough money, so American is for ME a life saver. I no longer think about how bad my life is when I pick up one of these beautiful guitar's and play my worries away.Randy
I have played guitar and bass for 20 years, and I have always had average guitars. I just received this Les Paul in wine red. This is my first high end instrument, and it is flawless. The fretwork, finish, and intonation are immaculate. The gold hardware adds luxury to an already classy instrument. I make it a point to play every guitar I own unplugged to hear it's inherit acoustic properties. The tone is rich and snappy. Plugged into my Blackstar HT 60 2×12, this LP gives me epic tone and sustain. I feel the need to learn every riff off of Elegant Gypsy by Al Di Meola to so this guitar justice. I now know why he, and so many of the greats used Les Paul's. Thanks AMS for helping me afford such a beautiful sounding work of art.El Doctor Boca-Dientes
Love the gold hardware on black. Looks sharp.This guitar is very versatile. Lots of sustain and resonance. The pickups have a very clear and transparent tone. Playability is excellent. Had to adjust the action and truss rod. I also dressed the fretboard to make it darker. To me the darker rosewood fretboard looks more attractive. My only complaint is a little bit of dark paint overspray on the fretboard. Hence I darkened the fretboard. Quality is not as good as my American made PRS but the Gibsons have more vibe and mojo to me.A.Santos
8. Gibson Custom 1963 Sg Junior Reissue Lightning Bar Cherry Red Vos
Product Details:
The sg junior was introduced to the world in the early 1960s as a lower-priced version of the sg to bring the model's signature sound to a broader audience of players, much like the les paul junior had a few years before. however, guitarists discovered that "junior" was somewhat of a misnomer — it had a big, bold, and totally unique sound that was embraced by bluesman, garage rockers, psychedelic guitarists, and proto-punks. for this stunning reissue, gibson went back to the very beginning of the sg junior, meticulously replicating the guitar's signature features, including an extended neck tenon, hide glue construction, and a single p-90 pickup. one look, and you'll be captured by the sg junior's classy, understated look. plug it in, and you'll be blown away by its inimitable rock 'n' roll tone!
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | 2-piece Maple |
| Body wood | Solid Mahogany |
| Body finish | Nitrocellulose Lacquer |
| Neck shape | Custom C |
| Neck wood | 1-piece Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Celluloid Trapezoid |
| Nut width/material | 1.69 in. (43 mm) Nylon |
| Configuration | SS |
| Bridge | Proprietary Single Coil |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Wraparound |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style Sealed |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Overall happy with the gibson sg special. You can see on the guitar theres a couple of minor marks from the gibson factory. Nothing major. The string alignment is a little off. But dont mind. The low E string is closer to the top of the neck. I use my thumb alot so works out. If it was the other way around I might of sent it back. The electrics look good under the hood. Musicstore got the guitar very quickly to Ireland. Really good service with great updates. Very happy with the purchase:)
Alright, so the first one of these new SG Specials in Pelham Blue showed up with a giant crack (not finish checking) that wrapped from the input jack to the control panel. I knew I had to return it but tuned it up and noodled a bit and tested pickups to make sure it was worth the exchange. The guitar was so good I almost kept it. My girlfriend convinced me to return it for a new one and it's the best decision I've ever made regarding gear. I've had the new one for a few days and it is just better in every way compared to the damaged but also incredible guitar I originally received. The resonance, sustain, comfort, aesthetic, playability, P90s, even the smell… all perfect. Gibson even learned to cut a nut. The fretboard is darker (better), the setup and finish is better. It just feels and sounds better. There is no neck dive on this one, although the first one did have a neck heavy feel (nothing a leather/suede strap couldn't fix). I say all this to remind everyone that every guitar is different and just hope you get one with mojo. I went to a competitor today and played a new Les Paul Standard that was tagged at $1K higher than this SG. No comparison. I was laughing at how much better the SG was in every single department. I can't wait to take this on the road as my new #1 and I seriously doubt it will ever be topped. New or vintage. Gibson is taking this rebuild seriously, and these Original Collection models are the best step they could have taken.UglyRunnerMusic
I am astonished at how quiet the P90's are in this SG. The hum is negligible — substantially less than the high gains in my Rickenbacker and only barely more the Lace Sensors in my strat (which are 99% silent). I had anticipated ordering some hum-canceling Lindy's to go in there, but that won't be happening. These sound phenomenal. They're just about all I could ever want from a pickup. The guitar came with the neck set almost completely straight. Just a smidge of relief (the perfect amount, really). Fretwork is essentially perfect. No sharp ends, frets are perfectly even and well-polished. The action was set a bit high, but was fairly easy to remedy. So why 4 stars instead of 5? The lower set screw (high E side) on the lightning bar wraparound bridge arrived stuck. Under no tension, it could not be adjusted in or out with the 1/16 hex key on the included Gibson multi-tool. I had to use an extractor plier to get it out out of fear of grinding down the end of the hex. Upon inspection, some of the threads near the cup point on the screw were malformed. There were no issues with the screw on the upper (Low E) side. Tracking down a replacement #5-40 3/8" set screw in small (< 100) quantity was actually kind of difficult. A stuck screw on a bridge is not catastrophic, but it does seem like something that should have been caught in QA. Aside from the one issue, everything else was immaculate. Also, great service from Musicians Friend.Justin
9. Gibson Sg Junior Electric Guitar – Vintage Cherry
Product Details:
Excellent sg junior very resonant. light weight. awesome neck, plays like butter. intonation true throughout all scales/ octaves. screaming p-90, cleans up well with volume roll off. hand picked. great guitar. gibson hardshell brown case. interested in finding a nice vintage style strat. road worn fender 50's 60's.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Top wood | Mahogany |
| Body finish | Nitrocellulose Lacquer, Gloss |
| Neck shape | Slim Taper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Nitrocellulose lacquer, Gloss |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Acrylic Dot |
| Nut width/material | 1.69 in. (43 mm), GraphTech |
| Bridge | Proprietary Single Coil |
| Control layout | Master volume Master tone |
| Bridge type | Fixed Bridge |
| Bridge design | Compensated Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Overall happy with the gibson sg special. You can see on the guitar theres a couple of minor marks from the gibson factory. Nothing major. The string alignment is a little off. But dont mind. The low E string is closer to the top of the neck. I use my thumb alot so works out. If it was the other way around I might of sent it back. The electrics look good under the hood. Musicstore got the guitar very quickly to Ireland. Really good service with great updates. Very happy with the purchase:)
Alright, so the first one of these new SG Specials in Pelham Blue showed up with a giant crack (not finish checking) that wrapped from the input jack to the control panel. I knew I had to return it but tuned it up and noodled a bit and tested pickups to make sure it was worth the exchange. The guitar was so good I almost kept it. My girlfriend convinced me to return it for a new one and it's the best decision I've ever made regarding gear. I've had the new one for a few days and it is just better in every way compared to the damaged but also incredible guitar I originally received. The resonance, sustain, comfort, aesthetic, playability, P90s, even the smell… all perfect. Gibson even learned to cut a nut. The fretboard is darker (better), the setup and finish is better. It just feels and sounds better. There is no neck dive on this one, although the first one did have a neck heavy feel (nothing a leather/suede strap couldn't fix). I say all this to remind everyone that every guitar is different and just hope you get one with mojo. I went to a competitor today and played a new Les Paul Standard that was tagged at $1K higher than this SG. No comparison. I was laughing at how much better the SG was in every single department. I can't wait to take this on the road as my new #1 and I seriously doubt it will ever be topped. New or vintage. Gibson is taking this rebuild seriously, and these Original Collection models are the best step they could have taken.UglyRunnerMusic
I am astonished at how quiet the P90's are in this SG. The hum is negligible — substantially less than the high gains in my Rickenbacker and only barely more the Lace Sensors in my strat (which are 99% silent). I had anticipated ordering some hum-canceling Lindy's to go in there, but that won't be happening. These sound phenomenal. They're just about all I could ever want from a pickup. The guitar came with the neck set almost completely straight. Just a smidge of relief (the perfect amount, really). Fretwork is essentially perfect. No sharp ends, frets are perfectly even and well-polished. The action was set a bit high, but was fairly easy to remedy. So why 4 stars instead of 5? The lower set screw (high E side) on the lightning bar wraparound bridge arrived stuck. Under no tension, it could not be adjusted in or out with the 1/16 hex key on the included Gibson multi-tool. I had to use an extractor plier to get it out out of fear of grinding down the end of the hex. Upon inspection, some of the threads near the cup point on the screw were malformed. There were no issues with the screw on the upper (Low E) side. Tracking down a replacement #5-40 3/8" set screw in small (< 100) quantity was actually kind of difficult. A stuck screw on a bridge is not catastrophic, but it does seem like something that should have been caught in QA. Aside from the one issue, everything else was immaculate. Also, great service from Musicians Friend.Justin
10. Gibson Les Paul Standard '60s Faded Electric Guitar – Vintage Cherry Sunburst
Product Details:
The new les paul standard 60s faded returns to the classic design that made it relevant, played, and loved shaping sound across generations and genres of music. it pays tribute to gibson's golden era of innovation and brings authenticity back to life. the les paul standard 60s features a satin nitrocellulose lacquer finish that gives it the look and feel of a long-treasured musical companion. it has a solid mahogany body with an aa figured maple top and a slim taper 60s-style mahogany neck with a rosewood fingerboard and trapezoid inlays. it's equipped with an abr-i tune-o-matic bridge, aluminum stop bar tailpiece, grover@ rotomatic "kidney" tuners, and gold top hat knobs with silver reflectors and dial pointers. the open-coil burstbucker 6 ir (neck) and burstbucker 61 t (bridge) pickups are loaded with alnico 5 magnets and hand-wired to audio taper potentiometers and orange drop capacitors.
Specifications:
| Body type | Single cutaway |
| Top wood | AA figured maple |
| Body wood | Mahogany |
| Body finish | Satin nitrocellulose lacquer |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Neck finish | Satin nitrocellulose lacquer |
| Number of frets | 22 |
| Inlays | Acrylic trapezoids |
| Nut width/material | 1.69" (43 mm) Graph Tech |
| Configuration | HH |
| Neck | Proprietary humbucker |
| Bridge | Proprietary humbucker |
| Control layout | Volume 1, Volume 2, Tone 1, Tone 2 |
| Special electronics | Hand-wired with Orange Drop capacitors |
| Bridge type | Fixed bridge |
| Bridge design | ABR-1 Tune-O-Matic |
| Tailpiece | Aluminum stopbar |
| Tuning machines | Grover Rotomatic with kidney buttons |
| Number of strings | 6 string |
| Orientation | Right-handed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
11. Gibson Cme Exclusive Sg Standard With T-Type Pickups, Tortoise Pickguard Cherry
Product Details:
Serial 204500251 6lbs 7.4oz like the greatest sgs ever made, the sg standard starts with a foundation of solid mahogany, a tonewood with a long tradition at gibson. a solid mahogany body is crafted in the distinctive, thin asymmetrical dual-cutaway style, with iconic pointed horns and beveled edges to enhance playing comfort. a solid, grade-a, quarter-sawn mahogany neck is glued into the body in gibson s time-tested tradition, and carved to a fast, slim taper profile. it is topped with a bound fingerboard made from genuine grade-a rosewood with 22 medium-jumbo frets, and acrylic small block inlays. this sg has the standard specs for an sg but with a tortoise pickguard and t-type humbucker pickups!
Specifications:
| Finish | Cherry |
| Year | 2018 – 2020 |
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Wood Top Style | Plain |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
12. Gibson Sg Tribute – Vintage Cherry Satin
Product Details:
Full rich tones that sound awesome! the sg standard tribute boasts a traditional mahogany body and rounded profile maple neck with rosewood fingerboard. it is finished with a black, 5-ply full-face pickguard loaded with double black, open-coil 490r and 490t alnico ii loaded pickups. nickel plated hardware includes vintage deluxe tuners with keystone buttons, a nashville tune-o-matic bridge and aluminum stop bar tailpiece.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style Keystone |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: This is very nice guitar! Last year I ordered a 2019 SG standard that turned out have some QC issues. I sent it back and ended up getting a Gibson TV yellow special that's turned out to be the best guitar I've ever owned (go figure) but I still couldn't get the SG jones out of my system so I decided to order one of these tributes. I have always like the stripped down looks of the faded specials of the past but I never pulled the trigger on one. These new tributes look to be very similar to the old faded specials but I think that they've done some minor cosmetic upgrades to them. I like the lighter walnut stain on these tributes more than the darker worn brown specials. They also added a silk screen Gibby "thistle" to the head stock which really doesn't mean much to me but I guess it makes it look a little more like a standard. The satin or "vintage gloss" finish looks a little different than the old faded specials to me. It looks more like a semi gloss than the matte finish they applied to the faded specials. I may be in the minority but I like the looks of this SG more then the fancy but boring "cherry" or "ebony" of the standards. I like the visible texture of wood grain and the lighter shade of walnut stain they used on these tributes. The wood on mine was very well matched on the front. On the back you can tell that they used two, maybe three, pieces of mahogany for the body but from the front it looks like one solid piece of wood until you get right up on it. The fretboard on mine was dryish and needed a lemon oil treatment but it wasn't as bad as the fretboard on my Special. There were also no tool marks from dressing the neck binding (because there is none) like there was on my special. I feel as though this guitar would look better with nickel pickup covers and reflector knobs so I will probably add those as an upgrade. The "poker chip" was included in the gig bag but not installed on the guitar. I will probably leave it off as it makes the control area look cleaner and allows more of the beautiful wood grain to show through. The frets and dot makers were well done with no sharp ends. The fretboard played great and the frets appear to have been "plekked". Setup was great and ready to rip right out of the box. Tuning stability was good after I changed the strings and stretched them in good. Pots and controls seem sturdy and responsive. The satin maple neck felt nice as far as the texture but it was a little fat and wide for my liking. I was expecting it to be more like the neck profile on my Special which is fatter than a slim taper but it just fills the web of my hand, between my thumb and forefinger, and doesn't impede the "thumb over top" playing style that I use quite a bit. This SG has a flat area on the back of the neck and thicker shoulders and I fell like it favors more of a thumb behind the neck playing style that jazz players and shredders tend to prefer. It's not a thin "shredder" neck like an Ibanez but the flat spot on the back and thick shoulders made me have to shorten my strap and play the guitar higher up on my torso than I like in order to play some songs but I soon got used to it so it's not that big of a deal. The upper fret access was hindered IMO by the thickness of the shoulders and width of the neck which increases the farther up the neck you get but I use this guitar more for heavy rhythm playing so, again, it's not a big deal to me. If Gibson would improve the neck profile on this guitar I feel as though it would be a much more versatile guitar but then it would compete with higher end SG's so there ya go. The 490s in this guitar are very good pickups IMO. They are slightly hotter than PAF in output with prominent vocal like mids to my ears; great blues-rock p'ups for sure. They are noticeably lower in output than the P90s in my special which is okay because I use pedals to compensate for the differences in tone and output when switching between guitars during a set. They 490t in the bridge is probably my favorite. It can go from a jangly, chordy, rhythm to crunchy power chord riffs using the volume knob on the guitar and it retains clarity and definition when playing heavyish drop D rhythms with more gain. My LP Special is my go to guitar for playing "chordy stuff" (which is about 90% of the time) and soloing but the SG comes out when I need more chunk to my palm muted drop d riffs although the 490s are bright and articulate enough to do do the chordy stuff too. I use this guitar to do a drop D version of "Copperhead road". I play Steve's mandolin riff in the middle position then switch over to the bridge pickup after the "smell the whiskey burning" part and it sounds great never muddy or harsh. It also does the lower gain double drop D Neil Young rhythm stuff very well. The "soft case" that came with this guitar is the same as the ones that you get with the regular Standard. It's very nice as far as "soft cases" go I suppose but, IMHO, it's still not much better t
Absolutely love this guitar. Lighter than a Les Paul,with everything you need to rock! The only thing I don't like is the dot inlays. I am used to the trapezoids on my Les Paul. The tone is sharper and great for what I need it for. I've only had it 2 weeks, but already replaced a Paul part with the SG on my current project. It just got me the sound I was looking for. The body is comfortable and the neck is the slim taper which is perfect for my old fingers. I chose the brown because I think the red needs to be a lacquer finish and not the satin on the Tribute. Although I've only had it a short time, I can tell it has the soul of a beast. I feel more comfortable playing it than almost every other guitar I own. It just feels right. I love the maple neck, however, it does tend to want to neck-dive a little. Speaking of maple, I normally prefer a maple fret-board, but this one could change my mind. I'v been a Fender and Rick man for many years, but this guitar is well made, beautiful, and canplay just about any type of music. The low price does not mean low quality on this instrument. I would HIGHLY recommend the SG Tribute to anyone, novice to pro.A.J. Porter
As a bass player, I just want to have a couple six string electrics that I can mess around with. I am not a lead, though I wouldn't mind becoming more proficient. This axe was good for me because it allowed me to get my hands on proper Gibson SG at a low price. No frills, but it doesn't need them. You buy a guitar for how it plays and how it sounds and this instrument does both really, really well. The 490 pickups are great. Tuning is important to me, so I'll probably modify the tuners on this guitar, but that's it. I am very having this axe in the arsenal.BT
13. Gibson Les Paul Standard '50s Faded Electric Guitar – Vintage Honey Burst
Product Details:
The new les paultm standard 50s faded returns to the classic design that made it relevant, played, and loved — shaping sound across generations and genres of music. it pays tribute to gibson's golden era of innovation and brings authenticity back to life. the les paul standard 50s features a satin nitrocellulose lacquer finish that gives it the look and feel of a long-treasured musical companion. it has a solid mahogany body with an aa figured maple top and a rounded 50s-style mahogany neck with a rosewood fingerboard and trapezoid inlays. it's equipped with an abr-1 tune-o-matictm bridge, an aluminum stop bar tailpiece, vintage deluxe tuners with keystone buttons, and gold top hat knobs with dial pointers. the open-coil burstbuckertm 1 and burstbucker 2 pickups are hand-wired to audio taper potentiometers and orange drop capacitors.
Specifications:
| Body type | Single cutaway |
| Top wood | AA figured maple |
| Body wood | Mahogany |
| Body finish | Satin nitrocellulose lacquer |
| Neck shape | Vintage '50s |
| Neck wood | Mahogany |
| Scale length | 24.75" |
| Neck finish | Satin nitrocellulose lacquer |
| Number of frets | 22 |
| Inlays | Acrylic trapezoid |
| Nut width/material | 1.69" (43 mm) Graph Tech |
| Configuration | HH |
| Neck | Proprietary humbucker |
| Bridge | Proprietary humbucker |
| Control layout | Volume 1, Volume 2, Tone 1, Tone 2 |
| Special electronics | Hand-wired with Orange Drop capacitors |
| Bridge type | Fixed bridge |
| Bridge design | ABR-1 Tune-O-Matic |
| Tailpiece | Aluminum stopbar |
| Tuning machines | Vintage Deluxe with keystone buttons |
| Number of strings | 6 string |
| Orientation | Right-handed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
14. Gibson Custom Shop Murphy Lab '64 Sg Standard Reissue Ultra Light Aged
Product Details:
Amazing neck carve and custombuckers sound incredible. in excellent condition uplayed condition and comes with murphy lab coa and all the included paperwork and vintage correct case. 7lbs. 9.6oz. features the '64 medium c neck carve, full with narrow shoulders and rolled edges. the most comfortable neck shape i've played in a long time. signature checking looks great and the "patina" hardware is very realistic. nylon saddles and nylon nut as on the originals and the spacing, both bridge and nut, are absolutely perfect on this guitar. i removed the trem arm but it is included with the original hardware. guitar is located in nashville, tn.
Specifications:
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Features | Relic |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
15. Gibson Sg Standard '61 Sideways Vibrola Electric Guitar Vintage Cherry
Product Details:
New almost unplayed condition. the sg standard 61 sideways vibrola returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. as the name implies, the gibson sg standard '61 sideways vibrola is equipped with the unique sideways side-pull action vibrato similar to those found on the early 60's models. standard features include a slim taper mahogany neck and a bound rosewood fingerboard. the mahogany body features a deeply sculpted body scarfing, a 5-ply teardrop pickguard and a 22nd-fret neck joint. the nickel plated hardware includes a classic-style tune-o-matic bridge and keystone tuners in addition to the sideways vibrola tailpiece. the pickups are 61r and 61t humbuckers for a classic voice with added power and top end. controls feature audio taper potentiometers and orange drop capacitors.buyer responsible for any import duties or taxes.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R |
| Bridge | BurstBucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Vibrato/Tremolo |
| Bridge design | ABR-1 |
| Tailpiece | Sideways-style Vibrola |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
16. Gibson Custom Shop 1967 Mahogany Flying V With Vibrola – Sparkling Burgundy – New
Product Details:
When the flying v debuted in 1958, it was ahead of its time — about nine years ahead, to be exact. popular demand helped shape gibson's decision to reintroduce it in 1967, this time with a sleek new look and a vibrola tailpiece. every profile, contour and detail has been rendered in exceptional detail for an unforgettable playing and ownership experience.
Specifications:
| Body wood | 2-piece Mahogany |
| Neck shape | C |
| Neck wood | 1-piece Mahogany |
| Joint | Neck-through |
| Scale length | 24.75" |
| Number of frets | 22 |
| Inlays | Pearloid Dot |
| Nut width/material | 1.687 in. (42.8 mm) Nylon |
| Configuration | HH |
| Neck | Proprietary Humbucker Alnico |
| Bridge | Proprietary Humbucker Alnico |
| Control layout | Individual volume Individual volume Master tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I'm a collector and player of the unique and unusual of the big brand and some off brand stuff. Never been a huge Gibby fan, even though in a classic rock guy. The flying v crescent moon is wonderful though, and has a vibe and feel all its own. When you think that legends from Hendrix to king played them, and had a style all they're own, the V just has its own place in the guitar world. I swapped the hot ceramic Gibby pups for some Seymour Duncan's with chrome covers, as I wanted a more dressed look and blues warmth from this lightweight but oh so solid beast. I did the graphitec saddles as well, again for a warm vibe. The result is amazing, period. I'll put her against anything from anybody in tone, weight, style, playability and feel. Even before the mods, still best of the best. All welds perfect, fret work perfect, finish accomplished the look of a vintage road warrior. Nickle hardware, true Ebony fretboard, feels like one gorgeous piece of mahogany in your arms as the neck and body are so perfectly set together.golfn64
This guitar sounds so good, it's hard to say if it's the wood or pickups. Who cares? It sounds good. Good tone and sustain. I look forward to playing it. Tuning is easy, playing it is comfortable. It has the original good looks that the Flying V was made with. I have heard people with Gibsons say that they with the knobs were like on my V. They also liked the placement of the jack. Which, I want to say, are 2 solid reasons I wanted this guitar. The Through-the=body stop and the jack at the end of the wing tip. Very nice.David
Gibson Flying V. Antique natural. Low action and great playability from factory. Awesome fretboard even though multiple tool marks around fret ends. Good access. Pickups sound good clean and can get hot enough for metal with a boost. Nice grain in wood. Couple small sand marks under nitro. Neck feels great. Giving it 4 stars for cosmetic issues but played so well did not send it back or even pursue price reduction. Case is very nice. AMS great as always. Killer payment plans and fast shipping.Todd
17. Gibson Sg Standard '61 Faded Maestro Vibrola – Vintage Cherry
Product Details:
As the name implies, the gibson sg standard '61 maestro vibrola faded also adds vibrato capability. the maestro vibrola offers smooth vibrato effects and the classic styling of the lyre engraving on the tailpiece cover. standard features include a slimtaper mahogany neck and a bound rosewood fingerboard. the mahogany body features a deeply sculpted body scarfing, a 5-ply teardrop pickguard, and a 22nd-fret neck joint. the nickel-plated hardware includes an abr-1 tune-o-matic bridge and keystone tuners in addition to the maestro vibrola. the pickups are open-coil 60s burstbucker for a classic voice with added power and top end. controls feature audio taper potentiometers and orange drop capacitors. the sg standard '61 maestro vibrola faded returns to the classic design that made it relevant, played, and loved –shaping sound across generations and genres of music. it features a satin nitrocellulose lacquer finish that fives it the look and feel of a long-treasured musical companion.
Specifications:
| Body type | Double cutaway |
| Body wood | Mahogany |
| Body finish | Satin nitrocellulose lacquer |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Scale length | 24.75" |
| Neck finish | Satin nitrocellulose lacquer |
| Number of frets | 22 |
| Inlays | Acrylic trapezoid |
| Nut width/material | 1.69" (43 mm) Graph Tech |
| Configuration | HH |
| Neck | Proprietary humbucker |
| Bridge | Proprietary humbucker |
| Control layout | Volume 1, Volume 2, Tone 1, Tone 2 |
| Special electronics | Hand-wired with Orange Drop capacitors |
| Bridge type | Tremolo/Vibrato |
| Bridge design | ABR-1 Tune-O-Matic |
| Tailpiece | Maestro Vibrola |
| Tuning machines | Vintage Deluxe with keystone buttons |
| Number of strings | 6 string |
| Orientation | Right-handed |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
18. Gibson Custom 1959 Les Paul Standard Electric Guitar Dark Bourbon
Product Details:
Consider a "holy grail" by many guitarists, the '59 gibson les paul standard is nothing if not a pure icon of some of the world's great guitarists across multiple genres. this limited-edition standard is a painstaking replica of that hallowed original. includes deluxe lacquered hard case.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Lightweight Mahogany |
| Body finish | Lacquer Nitrocellulose |
| Orientation | Right handed |
| Neck shape | 1959 Les Paul |
| Neck wood | Mahogany |
| Joint | Set-in long tenon |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Lacquer Nitrocellulose |
| Radius | 9.5 in. |
| Fret size | Reissue |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | CustomBucker |
| Bridge | CustomBucker |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Kluson deluxe |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
I had a great experience with Musiciansfriend. I called my gear advisor, Scott, and he went the extra mile to answer all of my questions over about a two week period. My guitar weighs just under 10 pounds. The set up was superb with a low action and near perfect intonation. Phenomenal sound. Just amazing. Each string rings out clear and balanced. This is my first Gibson. I am a Fender player ('69 Jaguar, '97 Strat) so I was afraid I wouldn't like the warm tones of the humbuckers (nearly went with P90 because of this), but I can't compliment this guitar enough. It's a legend for a reason. The only bad thing is the case. It's obvious that Gibson doesn't take as much care in quality control for their cases. Pea sized bubble on the exterior and lining already coming unglued. However, musiciansfriend is working to right this for me.Jonathan
Overall: Ordered my 60's Les Paul in Unburst on Thursday February 10th. I paid for overnight shipping cause I couldn't wait & zZounds didn't disappoint. Guitar arrived on Friday the 11th before noon!!! Thank you zZounds. Now onto the review……amazing guitar. The figured top is beautiful. zZounds lets you pick the Les Paul you want by serial number & the top looks even better in person, I couldn't be happier. The fit & finish is excellent. Setup is perfect out of the box, plays like a dream. Sustain for days & the '61 Burstbucker R & T pickups just scream!!! Gibson's quality control is on point now!!! Just a beautiful guitar.James
Wow, does this guitar growl. These pickups are so hot, I was startled when I turned up the amp. On clean, every note in a chord is articulated brilliantly. And the sustain is strikingly long and full. I thought the fit and finish was exceptional, and appreciate the quality considering the price. It makes my other guitars feel like I'm riding a bike with a flat tire. It's just not a fair comparison. I am afraid I will have to upgrade my entire fleet now – it has spoiled me. I am more gratified with the purchase than I anticipated.Howard
19. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
20. Gibson Sg Standard '61 Left-Handed – Vintage Cherry Guitar
Product Details:
The sg standard 61 returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. in 1961, the les paul model was put on hiatus and an all new design evolved into what is today known as the sg or 'solid guitar'. the gibson sg standard '61 retains the styling of the original featuring a slim taper mahogany neck and a bound rosewood fingerboard. the mahogany body features deeply sculpted body scarfing, a 5-ply teardrop pickguard and a 22nd-fret neck joint. the nickel plated hardware includes a classic-style tune-o-matic bridge and keystone tuners. the pickups are 61r and 61t humbuckers for a classic voice with added power and top end. controls feature audio taper potentiometers and orange drop capacitors.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Left handed |
| Neck shape | Rounded |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Now that I'm in my 60's, jumping around on the stage with a 10lb Les Paul is no longer an option. I'd never even consider an SG, but it was so lightweigh I thought I'd give it a try. OMG why did I wait so long? This thing is a Rock 'n Roll time machine! Besides being incredibly lightweight and resonant, it sound amazing. And due to the double cut and neck joint construction, it's soo easy to play all the way to the 22nd fret. The wide slim taper neck is incredibly fast… and its light weight means no neck dive. I should have picked one of these up years ago!Steve
Yes, this guitar is 100% worth it. I wanted to wait a full year of owning the guitar to write this so that I'd be certain. There's too much good to write about this SG to be honest so to summarize I can't even call this guitar a rock and machine id call it a musical weapon. It sounds absolutely phenomenal which for me was the most important part. I'm used to strats which id been playing the last 18 or so in terms of playability, it def plays different but it plays really nicely. It has a lot more pop and feels stiffer. The finishing and everything else is top quality as well. Guitar is beautiful. Not only does the guitar sound awesome with literally any type of gain, but the cleans are extremely nice sounding as well. This guitar is the real deal, I waited a long time to pull the trigger on this thing and it was 1000% the right decision.Pd
If you're buying and enjoying an SG you're probably aware it's a unique and quirky instrument. The body is very light despite being all mahogany and it does suffer the classic neck dive and tuning stability issues common with Gibson guitars. But these are aspects of the guitar more than negatives in my opinion. It's a classic shape. It's very light weight and plays easily. If you don't like the Les Paul because of its chunky neck and thick neck pocket you may be pleasantly surprised by the thinner neck and upper fret access of the SG! It tends to be a darker sounding guitar with it's all mahogany body and neck with rosewood board and classic nickel fret wire. But I'm nit picking here. You only need listen to Angus Young's classic tones to hear how this guitar can cut thru a mix with the right amp. The medium jumbo frets and shorter scale length are great for easy bends. With volume and tone controls for each pickup you get a lot of control over the sound of the guitar. If tuning stability is an issue try pencil graphite or Nut Sauce to lube the well cut (usually well cut) nut. Gibson is unfortunately known for let's say less than perfect fit and finish on their instruments. You will probably see imperfections in the paint job and finish if you look closely enough. That's just par for the course with Gibson. But I'm a Gibson fan. They make instruments that don't sound like anything else and the SG is one of those iconic rock and roll machines! I highly recommend it!Donnie
Related posts:
- Gibson Baldwin Epoch Electric Guitar For Sale (2023 Update)
- Gibson Black Electric Guitar For Sale (2023 Update)
- Gibson Electric Guitar Black For Sale (2023 Update)
- Gibson Epiphone Electric Guitar For Sale (2024 Update)
- Gibson Epoch Black Electric Guitar For Sale (2024 Update)
- Gibson Les Paul Special Guitar For Sale (2023 Update)
- Gibson Les Paul Tribute Electric Guitar For Sale (2023 Update)
- Gibson Les Paul Tribute T Electric Guitar For Sale (2023 Update)
- Maestco By Gibson Electric Guitar For Sale (2023 Update)
- First Gibson Electric Guitar For Sale (2023 Update)
