Are you looking for the Gibson Les Paul Tribute T Electric Guitar? If so, you’ve come to the right place.
Choosing the Gibson Les Paul Tribute T Electric Guitar can be difficult as there are so many considerations, such as Gibson, Epiphone, G&L. We have done a lot of research to find the top 20 Gibson Les Paul Tribute T Electric Guitar available.
The average cost is $1756.73. Sold comparable range in price from a low of $825.00 to a high of $6999.00.
Based on the research we did, we think Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst) is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Les Paul Tribute T Electric Guitar (20 Sellers)
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$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$900.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Gibson les paul studio tribute w/orignal leather gig bag.
- Cosmetics: there are no major noticeable blemishes.
- Playability: professionally set up for a great playing instrument.
$887.09
4.6
Reviewers Noted:
Attractive . Durability . Well made . Good sound quality . Lightweight
Features:
- All original
- Gibson humbucking pickups and electronics
- Kluson tuning machines
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This is an example of the guitar you will receive.
- Satin nitrocellulose lacquer finish.
- Incudes gigbag.
$1099.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Beautiful l.p. tribute…lefty.
- This piece is in near mint condition.
- Comes with gibson goodie bag,soft case,baby picture & everything else i got with her.
$999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- Close to mint, slightly played. i am the original owner and i'm selling it to thin the herd. no upgrades made to this guitar.
- This exclusive 2019 cme/chicago music exchange tv yellow color/satin finish is amazing. if you know, you know.
- The wood grain on this one is pretty rad.
$1185.55
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Gibson les paul tribute sit, electric guitar, body: mahogany (swietenia macrophylla – origin: india/ indonesia), ""ultra modern weight relief"" – weight-reduced body, top: maple, neck: maple, fretboard: rosewood (dalbergia latifolia),…
$1699.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- Dropped for memorial day weekend. this is a $1,575 guitar
- Usa built gibson les paul studio pro
- Comes from a smoke free, pet free home studio
$1040.00
4.6
Reviewers Noted:
Attractive . Durability . Well made . Good sound quality . Lightweight
Features:
- Like new piece that looks and sounds amazing.
- Slim 60's style neck profile, not a mark on the guitar cosmetic or playwear wise.
- Message with questions.
$1444.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibuya store in tokyo …
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Gibson les paul 2019 tribute left handed w/gig bag.
- You are viewing pictures of the actual guitar being sold!
- Finish nickel – bridge aluminum nashville tune-o-matic – tailpiece aluminum stopbar – tuning machines vintage deluxe w/ keystone buttons – pick guard cream.
$6999.00
4.4
Reviewers Noted:
Good sound quality . Craftsmanship . Durability . Visual appeal
Features:
- Amazing…simply
- P-90 single coil pickup
- Legendary tone
$825.00
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Mahogany body
- Satin nitro lacquer finish
- Rounded maple neck
$869.99
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Body color: vintage cherry satin
- Body style: les paul
- Body type: solid body
$4799.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Finish back: small finish blemishes in the center.
- Finish neck: small finish blemishes in the center.
- Binding: mild colored lacquer bleed onto the fretboard sides.
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This les paul is the way to go.
- Three-dimensional tops like this one are very rare to find with the standard line.
- The guitar is also updated with ox4 low wind pickups.
$1444.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- A stage and studio workhorse
- Ultra-modern weight-relieved body allows for longer sets and sessions
- Mahogany slimtaper neck plays like a 60s favorite
$950.00
4.6
Reviewers Noted:
Attractive . Durability . Well made . Good sound quality . Lightweight
Features:
- Beautiful satin finish sets this paul apart from the pack.
- Description.
- See video demo of similar guitar below!
$1299.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Description
- Mahogany body
- 490r neck pickup & 490t bridge pickup
$2299.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Aluminum tune-o-matic bridge with steel thumbweels
- Aluminum stop bar with steel post
- Pickups perfectly matched to the spirit of their historic models and classic gibson controls
1. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
2. Gibson Les Paul Studio Tribute 2019 – Satin Tobacco Burst Guitar
Product Details:
Near mint gibson les paul studio tribute made 2019 in nashville, tn usa. solid mahogany body with maple carved cap, maple neck with rosewood fingerboard. gibson deluxe tuners. humbucker pickups are alnico 2 gibson 490r in neck and 490t in bridge. great vintage tone at around 8 ohms output. purchased new in janauary 2020. made in december 2018. virtually un-played. light indentation by switch as pictured. hard shell case included.
Specifications:
| Finish | Satin Cherry Sunburst |
| Year | 2019 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Studio |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
Reviews:
I'm not a rich guy but I don't want garbage guitar's. This review is more about American Musical supply than this single guitar. In the past 5 year's I have purchased 15 guitar's from American and every one of them have been really great guitar's. I could never afford to buy these guitar's outright being a disabled Veteran I don't make enough money, so American is for ME a life saver. I no longer think about how bad my life is when I pick up one of these beautiful guitar's and play my worries away.Randy
I have played guitar and bass for 20 years, and I have always had average guitars. I just received this Les Paul in wine red. This is my first high end instrument, and it is flawless. The fretwork, finish, and intonation are immaculate. The gold hardware adds luxury to an already classy instrument. I make it a point to play every guitar I own unplugged to hear it's inherit acoustic properties. The tone is rich and snappy. Plugged into my Blackstar HT 60 2×12, this LP gives me epic tone and sustain. I feel the need to learn every riff off of Elegant Gypsy by Al Di Meola to so this guitar justice. I now know why he, and so many of the greats used Les Paul's. Thanks AMS for helping me afford such a beautiful sounding work of art.El Doctor Boca-Dientes
Love the gold hardware on black. Looks sharp.This guitar is very versatile. Lots of sustain and resonance. The pickups have a very clear and transparent tone. Playability is excellent. Had to adjust the action and truss rod. I also dressed the fretboard to make it darker. To me the darker rosewood fretboard looks more attractive. My only complaint is a little bit of dark paint overspray on the fretboard. Hence I darkened the fretboard. Quality is not as good as my American made PRS but the Gibsons have more vibe and mojo to me.A.Santos
3. Gibson 2017 Les Paul Tribute T Electric Guitar, Faded Honey Burst
Product Details:
Selling a really nice 2017 gibson les paul tribute in very good condition. honeyburst finish. smooth satin body and neck. beautiful looking and fantastic playing guitar. seymour duncans in both pickup positions. this is a excellent guitar and sounds superior to many other gibson les pauls i've played. has a few blemishes, as can see seen in photos, plays as a gibson should play and one would expect to play. original gibson softshell case is included. see pictures. thanks!
Specifications:
Reviews:
Ok I felt the need to jump in here after reading some just off reviews about this guitar after purchasing mine. 1. Go to literally any guitar shop and play 5 of the same guitar and each one will play and sound slightly different with various levels of quality control which comes with any manufacturing environment. If you purchased one of these blind and did not play and examine it in store and got a lemon that's on you. Also the one dude that said these are repainted are simply false. Check out Trogly's show you Youtube where he does a full review of both Raven's. 2. Since it's release I'm lucky to have a few GC in my geographic area that I check out when I can. I played LP Studio's, Tribute's, SGs, and tone wise this one won all. These ceramic pickups are a step up from anything in the 1-2k price range in the Gibson line if you like to play overdriven and loud. Cleaned up they sound good but make no mistake this thing is built to roar. 3. STOP hating on Richlite. I simply don't get it. If you apply this same principle on materials guitar nerds are saying man that plane in 1930 flew beautiful so the materials used then are the ONLY materials we can use to build planes today. Pretty silly huh? Technology should advance to build better, more sustainable instruments. The fretboard feels great and the fret word is very good. But read I played many many over the past few months before I finally pulled the trigger. 4. One thing that gets an at mention but I think deserves some additional props is the fact that it's a mahogany body AND neck and it's a true solid body with no weight relief. It definitely adds extra ompf. 5. To wrap up, it's an awesome guitar and mine is well finished, set up, and assembled (including wiring). Do your homework, play a lot of rigs, and know what to look for in quality control and finish.Ryan
If I could give 0 stars, I would. I received this guitar new and it is, without a doubt, the worst $1100+ guitar available anywhere on the market. There is NO WAY this should have ever left the factory and ended up as my problem, but I'm not surprised considering Gibson's so called QC and "customer service". And don't expect them to care about your "cheap" guitar (quote from Gibson "customer service".) Just look at the pics- paint missing so you can see the bare wood underneath (not red underneath like the other reviewer said, just brown), scratches and scuffs and grey paint all over the neck and headstock, a bunch of the greying out over the dots was sanded off down to white, scuffs and what looks like grey paint all over the tuners, bridge pickup was a mess (the edge looked all chewed up and the tape was higher than the top edge of the pickup, it was also as low as it could possibly go), even the "baby pic" of the guitar that was included was a joke (washed out, borders on 2 sides, a dirty rag prominently displayed). I could go on, but you get the point. Gibson and Guitar Center should be ashamed of selling garbage like this, but of course, they are not.Eric
I have always enjoyed the tones of the 496R/500T pickup combination but they are hard to come by these days. My LP Traditional has a Duncan Distortion in the bridge but sounds nothing like this one. I already have an LP Special with the 490's in them and I'll grant that they are better for clean stuff, but these pickups have that gnarly, saturated gain tone that some us cherish. She plays like a dream as well. This guitar also comes with an excellent soft case (unlike the chintzy gig bag of my other Special) and a stop bar tail piece, rather than the wraparound bridge. I have had the Richlite fingerboard on higher-end Gibsons and have no complaints with that either. It looks a bit like ebony, but perhaps a bit warmer sounding. Oh, and please enough about the finish wearing quickly. ALL of the tributes do that. Some call them battle scars as it happens on high gloss nitro as well if played long enough. First they get shiny as your playing rubs on the top coat and then they can wear through. Would you rather have a polyester finish that feels like a plastic hard coat and muffles the tone? So… here is an American-made Gibson with a nice case for about a grand? Grab one while you can!Franco
4. Gibson Les Paul Tribute Left-Handed Electric Guitar Satin Cherry Sunburst
Product Details:
With all the attributes of the timeless design, the les paul tribute is a marvel of guitar craftsmanship. it features a mahogany body with ultra-modern weight relief, admirable gibson specs, and 490 humbuckers that'll blow you away. this guitar is for the les paul lover who wants to take home the classic model in all its glory, at a very reasonable price. mahogany body with ultra-modern weight relief the les paul body style is the quintessential single-cut design that the guitar world has been marveling at for decades. this lp tribute is shaped from mahogany, a tonewood that affords excellent resonance and powerful sound. this particular model also features gibson's ultra-modern weight relief to assure it's comfortable and playable for guitarists of all shapes and sizes. and, of course, the satin nitrocellulose lacquer finish guarantees it will age in the most beautiful, natural way. admirable gibson specs the appointments on this guitar are modern-made, but vintage tried-and-tested. the maple neck has a 24.75 inch scale length and features a rounded profile for boundless playing. the rosewood fretboard is gorgeously contrasted with acrylic trapezoid inlays, sitting between the 22 medium jumbo frets. the bridge is an aluminum nashville tune-o-matic with an aluminum stop bar tailpiece. for some great vintage gibson vibes, this les paul has vintage deluxe tuners with keystone buttons, as well as gold top hat control knobs. 490 humbuckers that'll blow you away with this level of excellent craftsmanship, it's important that the pickups in this guitar match its underlying power. gibson outfitted this lovely les paul with dual 490 pickups, for clear, bright tone that articulately handles gain and effects. with 2 volume and 2 tone controls, as well as a three-way toggle switch, there's little the les paul tribute can't handle.
Specifications:
| Neck Material | Maple |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Trapezoids |
| Bridge | Aluminum Nashville Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Vintage Deluxe w/ Keystone Buttons |
| Pickguard | Cream |
| Control Knobs | Gold Top Hats |
| Switch Tip | Cream |
| Switchwasher | Cream (Not Mounted) |
| Jack Plate Cover | Cream |
| Bridge Pickup | 490T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
5. Gibson Les Paul Tribute Left-Handed Electric Guitar (Satin Honeyburst)
Product Details:
A tribute to the master and the model the les paul tribute captures the vibe, feel and tonality of a traditional les paul and is available in four classic finishes. a rounded maple neck profile and ultra-modern weight relief make the gibson les paul studio tribute a pleasure to play. a mahogany body, maple top and pair of 490 r & t humbucking pickups with alnico ii magnets provide classic tone, power and sustain. ultra-modern weight relief the latest advancement in maintaining tone with weight relief ultra-modern weight relief was developed through a slight yet carefully calculated offsetting of the chambers around the perimeters of the guitar's body to further lighten the load, without degradation in tone. its engineered to provide a solid core through the center of the guitar to retain the classic les paul sound. unlike a full chambered design it is less prone to feedback or affecting the tonality and resonance of the guitar.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | Rounded |
| Neck Material | Maple |
| Depth at 1st (in) | .824 |
| Depth at 12th (in) | .986 |
| Nut Width (in) | 1.69 |
| Nut Material | Graph Tech |
| Scale | 24.75 |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Satin Nitro |
| Tuners | Kluson |
| Bridge | Nashville TOM |
| Neck Pickup | 490R |
| Bridge Pickup | 490T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Weight (lbs) | 8.1 |
| Finish | Satin Cherry Sunburst |
| Made In | United States |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Offset Body | No |
| Right / Left Handed | Left Handed |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
6. Gibson Les Paul Special Tribute Dc Tv Yellow
Product Details:
Close to mint, slightly played. i am the original owner and i'm selling it to thin the herd. no upgrades made to this guitar. this exclusive 2019 cme/chicago music exchange tv yellow color/satin finish is amazing. if you know, you know. -many of these guitars were blown out in early 2020. there are a lot of complaints about bad fret ends and a crappy satin finish on the necks. i'm happy to say this guitar has neither of those issues. leave it to a store like cme to demand higher quality of gibson. the qc in this one is quite high. the wood grain on this one is pretty rad. comes with all original gibson goodies like the baby photo, manual, etc but does not come with original gig bag.
Specifications:
| Finishes | Worn TV Yellow |
| Body Style | LP Special Double Cut |
| Finish | Satin |
| Neck | Maple |
| Neck profile | Slim Taper |
| Fingerboard | Rosewood |
| Inlay | Acrylic Dots |
| Plating | Chrome |
| Bridge | Compensated Wraparound |
| Knobs | Black Top Hats |
| Tuners | Vintage Deluxe w/White button |
| Neck pickup | P-90 |
| Bridge pickup | P-90 |
| Pickguard | Multi-Ply Tortoise Shell |
Reviews:
Was surprised how powerful the humbucker was, even when coil split this bass puts out a lot of power. Volume knob is really responsive as is the tone (it gets beefy, but not too muddy) Heck feels great, really nice profile compared to my old Mustang bass that felt like a baseball bat. Lightweight overall, which is good, and the light weight tuners really help with neck dive. Troy it, you might like it!
I’ll start out by saying I play out quite a bit. I’ve been a Stingray guy for the past 10 or so years. Recently however, I discovered how much I enjoy playing short scale. I got a hold of a short scale bass to mess around with and as kind of a modding platform. I realized that I really loved playing it. So when I decided to buy one I came across this one. I watched some YouTube videos, read some reviews… They seemed mostly favorable. With the price tag, and it being a USA Gibson, I figured if I didn’t like it I could just sell it and make what I got it for pretty easily. Man, was I surprised. I love how it plays. I love how it sounds. The only thing I didn’t love about it was the bridge, but I bought a Hipshot replacement, and now she sings. It’s now my main instrument. A set neck, USA made, tight sounding and playing bass for under a grand? You seriously can’t go wrong.Chris
Gibson Les Paul Junior, double cutaway. This guitar is simply beautiful, so well constructed and very light. The finish is superb on every aspect, but I particularly love the neck and long fretboard. They feel great to play, and the reach for higher notes is so accessible – a full 24 fret range. The tone is primarily rock, iris gritty with wonderful sustain. It is possible, however to get more subtle and mellow tones out of this single pick-up Gibson. The body finish is a gorgeous satin, and the neck is gloss for smooth movement. Everything about this guitar says quality but at a reasonable price. There are better guitars, obviously, but you would expect to pay a lot more for them. If you want a quality rock guitar at a reasonable price then this is one to try. I have a Fender Strat and Telecaster, which I love, but this Gibson is the guitar I tend to use the most. Excellent quality and Great value for money.5110nigel
7. Gibson Les Paul Tribute Sit
Product Details:
Gibson les paul tribute sit, electric guitar, body: mahogany (swietenia macrophylla – origin: india/ indonesia), ""ultra modern weight relief"" – weight-reduced body, top: maple, neck: maple, fretboard: rosewood (dalbergia latifolia), neck profile: rounded, tektoid nut, nut width: 43 mm, scale: 628 mm, 22 cryogenically treated medium frets, pickups: 490 r and 490 t humbuckers, aluminium tuneomatic bridge, aluminium stop bar, 2 x volume and 2 x tone controls, colour: satin iced tea, includes soft shell case, made in usa
Specifications:
| Neck | Maple |
| Fretboard | Rosewood (Dalbergia latifolia) |
| Neck profile | Rounded |
| Scale | 628 mm |
| Pickups | HH |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
8. Gibson Les Paul Studio Limited-Edition Electric Guitar Black Cherry Burst
Product Details:
Guitars in very good condition with light use. some small scratches etc. here and there as you might expect. small scuff area on the back as pointed out in one of the photos. neck is straight and frets are fine. the guitar plays well and sounds good. comes with aftermarket hardcase as shown. please check my other items for more great gear.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
When I first opened the box what I saw was a work of art, I only hoped it was as great as it looked. I pushed the power button on the G-Foece Tuners and the G string light up red, I picked the G and all ways in tune. I checked it with my Petersen Strobe Tuner, and yes it was spot on. I plugged into a Vox AC30 HW, the notes that came out of the speakers seem to bloom with harmonics I've never heard before. The fit and finish looked like someone went through the Les Paul with a fine tooth comb, I figured the Les Paul being a 2016 would need a set of fresh strings. The instruction for the G-Force Tuners states to do one string at a time, so the G-Force would not need to be recalibrate. So I set up the windup wind down menu on the G-Force unwound the low E. The rewind confused me a bit, usually i cut the string about 1 1/2 past the next tuner, not so with the G-Force only cut the string to the next tuner inline, too much string will cause the G-Force to lock up due to too many winds on the post. When you get to the G-B-E Strings 1 1/2 will work better so the Strings don't slip on the post and cause tuning issues. The 490R & 498T pickups really surprised me. The 490R is very articulate not muddy in any way, if fact I use it more that I've ever used a neck pickup…the middle position is great for Lead or Rhythm, I've heard Jimmy Page uses this position a lot now I understand why. The 498T is very hot 13.7 ohms as opposed to the 7.6 ohms neck. Even though the ohms are far apart they work well together. I set my Neck volume about 6 for a nice clean rhythm sound and the bridge I set at 8-9 so when I want that little more bark it's there. So to sum it all up this Les Paul is all I need to get the tones I need. This is my Desert island Guitar.Huncy Sound Studio
I just bought a nice Candy Apple Deluxe Fender Strat a while back to upgrade to a REAL guitar, so a Les Paul was next on my list of guitars to get…someday down the road. Went to GC and traded in my bass to upgrade to a new one. On the wall I saw this deep cobalt blue Les Paul for under 2K. After 2 weeks I could not resist, said YOLO and ordered it online for store pickup. A wonderful instrument and offers a much different sound in contrast with the Strat, no regrets. I often just stare at it because it is a work of art, looks so nice next to my new strat and bass 🙂Anthony
While I still feel that the lower-end Epiphone Les Paul's (I had a Special II as my first electric) are great for the money, I decided to move up to my first actual Gibson Les Paul. The weight relief is what immediately caught my attention and I find this guitar a lot more comfortable to play. I'm also blown away by how much sustain it has over my previous Epiphone not to mention the overall finish and the ability to split the humbuckers. I went for the Cherry Burst but it wasn't easy to choose as the Midnight in Manhattan (blue) looked just as beautiful.Lloyd
9. Gibson Les Paul Tribute 2018 – Satin Gold Guitar
Product Details:
This guitar has barely been played. has all factory papers to go with it and heavily padded gibson soft case. the les paul tribute captures the historic character of the legendary les paul guitar. historic gibson tonewoods, carved top, cream pickguard, vintage-style tuners, trapezoid inlays, and boosted paf-inspired pickups give this impressive guitar classic looks and sound with an elegant, vintage touch. no weight relief for those players who like to feel the authenticity of history in their hands.
Specifications:
Reviews:
Ok I felt the need to jump in here after reading some just off reviews about this guitar after purchasing mine. 1. Go to literally any guitar shop and play 5 of the same guitar and each one will play and sound slightly different with various levels of quality control which comes with any manufacturing environment. If you purchased one of these blind and did not play and examine it in store and got a lemon that's on you. Also the one dude that said these are repainted are simply false. Check out Trogly's show you Youtube where he does a full review of both Raven's. 2. Since it's release I'm lucky to have a few GC in my geographic area that I check out when I can. I played LP Studio's, Tribute's, SGs, and tone wise this one won all. These ceramic pickups are a step up from anything in the 1-2k price range in the Gibson line if you like to play overdriven and loud. Cleaned up they sound good but make no mistake this thing is built to roar. 3. STOP hating on Richlite. I simply don't get it. If you apply this same principle on materials guitar nerds are saying man that plane in 1930 flew beautiful so the materials used then are the ONLY materials we can use to build planes today. Pretty silly huh? Technology should advance to build better, more sustainable instruments. The fretboard feels great and the fret word is very good. But read I played many many over the past few months before I finally pulled the trigger. 4. One thing that gets an at mention but I think deserves some additional props is the fact that it's a mahogany body AND neck and it's a true solid body with no weight relief. It definitely adds extra ompf. 5. To wrap up, it's an awesome guitar and mine is well finished, set up, and assembled (including wiring). Do your homework, play a lot of rigs, and know what to look for in quality control and finish.Ryan
If I could give 0 stars, I would. I received this guitar new and it is, without a doubt, the worst $1100+ guitar available anywhere on the market. There is NO WAY this should have ever left the factory and ended up as my problem, but I'm not surprised considering Gibson's so called QC and "customer service". And don't expect them to care about your "cheap" guitar (quote from Gibson "customer service".) Just look at the pics- paint missing so you can see the bare wood underneath (not red underneath like the other reviewer said, just brown), scratches and scuffs and grey paint all over the neck and headstock, a bunch of the greying out over the dots was sanded off down to white, scuffs and what looks like grey paint all over the tuners, bridge pickup was a mess (the edge looked all chewed up and the tape was higher than the top edge of the pickup, it was also as low as it could possibly go), even the "baby pic" of the guitar that was included was a joke (washed out, borders on 2 sides, a dirty rag prominently displayed). I could go on, but you get the point. Gibson and Guitar Center should be ashamed of selling garbage like this, but of course, they are not.Eric
I have always enjoyed the tones of the 496R/500T pickup combination but they are hard to come by these days. My LP Traditional has a Duncan Distortion in the bridge but sounds nothing like this one. I already have an LP Special with the 490's in them and I'll grant that they are better for clean stuff, but these pickups have that gnarly, saturated gain tone that some us cherish. She plays like a dream as well. This guitar also comes with an excellent soft case (unlike the chintzy gig bag of my other Special) and a stop bar tail piece, rather than the wraparound bridge. I have had the Richlite fingerboard on higher-end Gibsons and have no complaints with that either. It looks a bit like ebony, but perhaps a bit warmer sounding. Oh, and please enough about the finish wearing quickly. ALL of the tributes do that. Some call them battle scars as it happens on high gloss nitro as well if played long enough. First they get shiny as your playing rubs on the top coat and then they can wear through. Would you rather have a polyester finish that feels like a plastic hard coat and muffles the tone? So… here is an American-made Gibson with a nice case for about a grand? Grab one while you can!Franco
10. Gibson Les Paul Studio – Wine Red
Product Details:
The gibson les paul studio, finished in wine red, is perfect for the stage and the studio, with all the quintessential les paul components, plus a host of modern upgrades which enhance playability and sonic versatility. a mahogany body with a maple cap, set up the basis for classic les paul tone. ultra-modern weight relief maintains this tone, while reducing the weight of the guitar, thanks to its high-tech design which offsets relief chambers around the body perimeter, and maintains a solid core through the centre. a slim taper mahogany neck, and a rosewood fretboard with 22 medium jumbo frets, provide super fast playability and comfort. a 490r neck, and 498t bridge humbucker pump out tight, crunchy high-output tone, while two push-pull pots and a three-way pickup selector switch add a huge range of sonic versatility.
Specifications:
| Neck Profile | Slim Taper |
| Neck Material | Mahogany |
| Depth at 1st (in) | .817 |
| Depth at 12th (in) | .923 |
| Nut Width (in) | 1.691 |
| Nut Material | Graph Tech |
| Scale | 24.75 In |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Grovers |
| Bridge | Nashville TOM |
| Neck Pickup | Burstbucker 61R |
| Bridge Pickup | Burstbucker 61T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Finish | BBQ Burst |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
I bought my first Les Paul in 1974. I was a little concerened about the new "lightend and improved" version but it turned out to be great. Pickups are better. Feels great, plays great and all around great guitar at a good price. Required minimal set up to play really good. I liked it so much, I bought another one 3 weeks later. I love my Strats but right out of the box, they require a lot of work to make them play and stay in tune. Got my first Strat in 72. If I was a kid (I'm in my 60's), I would choose this Les Paul Studio first. Because it is easier to set up and play right out of the box. I love my Strats, but this is a really good guitar.Stephen C
Still a novice player, but decided that I had stuck with it long enough to justify spending a bit more than I had spent on my used Squier Strat. After reading a ton of reviews and watching a bunch of YouTube videos, I chose the LP Studio in Smokehouse Burst. Wow! What an incredible difference. I find it easier to play with a wider fretboard and the sound is just amazing. I'm not sure if I just got a good one or if Gibson has stepped up their QA game as mine does not display the defects described by other reviews here. I have not found any cosmetic or fit/finish flaws. The color also closely resembles the photos with just a slightly darker shade on the burst. It is an absolutely gorgeous instrument and I couldn't be more satisfied with it. I know that Gibson switched over to the soft case rather than the hard one to save costs, but quite frankly, I don't see that they could have saved too much. The soft case is very high quality and with the exception of shipping or air travel, I feel that my guitar is well protected when put away. Although, I doubt that I'll ever be traveling to perform in this lifetime. Thanks Gibson. Great job on a beautiful instrument.ArmchairAstro
11. Gibson Les Paul Tribute (Left-Handed) Satin Tobacco Burst
Product Details:
A tribute to the master and the model the les paul tribute captures the vibe, feel and tonality of a traditional les paul and is available in four classic finishes. a rounded maple neck profile and ultra-modern weight relief make the gibson les paul studio tribute a pleasure to play. a mahogany body, maple top and pair of 490 r & t humbucking pickups with alnico ii magnets provide classic tone, power and sustain. ultra-modern weight relief the latest advancement in maintaining tone with weight relief ultra-modern weight relief was developed through a slight yet carefully calculated offsetting of the chambers around the perimeters of the guitar's body to further lighten the load, without degradation in tone. its engineered to provide a solid core through the center of the guitar to retain the classic les paul sound. unlike a full chambered design it is less prone to feedback or affecting the tonality and resonance of the guitar.
Specifications:
| Neck Material | Maple |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Trapezoids |
| Bridge | Aluminum Nashville Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Vintage Deluxe w/ Keystone Buttons |
| Pickguard | Cream |
| Control Knobs | Gold Top Hats |
| Switch Tip | Cream |
| Switchwasher | Cream (Not Mounted) |
| Jack Plate Cover | Cream |
| Bridge Pickup | 490T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
12. Gibson Custom 1957 Les Paul Junior Single Cut Reissue Electric Guitar – Murphy Lab Heavy Aged Tv Yellow
Product Details:
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | Mahogany |
| Body wood | Mahogany |
| Body finish | Gloss |
| Neck shape | C |
| Neck wood | Solid Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Radius | 12" |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.687"/Nylon |
| Configuration | H |
| Bridge | Proprietary Humbucker |
| Bridge type | Fixed Bridge |
| Bridge design | Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Sound: Sounds exactly as you’d want a Les Paul Junior to sound. Plenty of bite and cleans up extremely well. Very versatile in sounds with just the 2 knobs. Features: The bridge feels great and looks great, and makes the guitar so resonant and easy to play. Ease of Use: The easiest to use that you could ask for, sounds great with drive or clean. Quality: Very well made, parts seem top quality. Value: This is expensive for a Les Paul Junior compared to their former price points but I would pay it again if I knew the guitar was this good. Manufacturer Support: No The Wow Factor: Very high, I have plenty of guitars and didn’t REALLY need this one but I bought it and I have no regrets at all. Overall: I was scavenging the used market for weeks unable to find a “good deal” on any Juniors when I finally decided to purchase new which I was unsure of at first given how much Juniors are priced at these days but WOW. This guitar couldn’t have been any more perfect in my experience. The feel of this guitar specifically is just incredible, the neck is so comfortable and the frets are perfect and smooth. It feels better than any other guitar I own by a mile, some of which I’ve had professionally setup very recently. The finish looks amazing and feels great on the neck as well. I got the ebony with the tortoise shell pickguard which looks even better than Id hoped as well. The stock pickup in it leaves nothing more to be desired, plenty of growl and punch, sounds absolutely incredible on an open D chord. Nothing like it.
Purchased a 2020 LP Junior in ebony from AMS. Arrived with chipped and bubbling paint at the neck joint. Can't believe any respectable quality control engineer would allow this out of the factory. Having purchased a 2019 Les Paul Special last year through AMS, I thought Gibson had turned the corner! And although AMS has a great return policy, I can't purchase another until the guitar has been inspected and credited to my account. So 5-7 days before I can reorder! Total Disappointment! Looks like my Gibson buying days at AMS are over. Never had a problem with my Fenders!EJ Maynard
Very nice little guitar. The quality of the instrument is awesome. The case it came with is super nice. It was set up excellently at the factory. It even came with a picture of the guitar taken at the factory while it was being set up. The also included a nice little multi tool and polishing cloth. Really good attention to detail. The sound of the guitar is great. It's exactly what I was looking for when I bought it. I play in a few different cover bands and play a lot of different music. This guitar gave me the different sound I needed and couldn't get from my Telecaster, ESP, or Schecter guitars.Frank
13. Gibson Les Paul Special Tribute Humbucker Natural Walnut
Product Details:
Legendary slab-body rocker with humbuckersdo you want to harness the primal sound of rock? then strap on the gibson les paul special tribute, because that s exactly what it delivers. fitted with gibson's modern classic 490r and 490t humbucking pickups, this les paul special possesses a contemporary tone profile different from the old-school vibe of p-90-equipped specials. the mahogany-slab body undergirds the guitar's sound with a hefty bottom end and warm midrange. and, of course, the les paul special tribute's iconic stripped-down silhouette and finish will inspire your most raw-sounding riffs every time you pull it from its case.
Specifications:
| Body Type | Single-Cutaway Solid Body |
| Body wood | Mahogany |
| Body finish | Satin |
| Neck shape | Rounded |
| Neck wood | Solid Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 10" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Acrylic Dot |
| Nut width/material | 1.695 in. (43.05 mm) GraphTech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Compensated wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
14. Gibson Les Paul Special Tribute P-90 – Vintage Cherry Satin Guitar
Product Details:
Timeless. just one of the many words that spring to mind when it comes to the les paul. and the gibson les paul special tribute p-90 demonstrates exactly why. featuring a plethora of vintage appointments, authentic gibson construction, and eye-catching, elegant style – this special tribute epitomises what makes the les paul so special; natural beauty. across every aspect of its design. loaded with a set of classic p-90 pickups, players can kick out a well-balanced tone of roaring character. along with enough versatility and clarity to excel on any stage. as for the feel, it's everything you'd expect out of a gibson. a sleek rosewood fretboard lets your fingers dance across its surface, making those rock 'n' roll riffs utterly effortless. combined with the rounded mahogany neck profile, it's safe to say that players have total control of their performance every time they play. as with every les paul – it's breathtaking. a stunning chrome wraparound bridge provides exceptional tuning stability, along with a stylish aesthetic that harks back to its roots. because this is a guitar that represents everything vintage. and it shows through its entirety.
Specifications:
| Number of Strings | 6 |
| Left-/Right-handed | Right-handed |
| Body Type | Solidbody |
| Body Shape | Les Paul Special Tribute |
| Body Finish | Satin Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Neck Shape | Rounded |
| Neck Joint | Set Neck |
| Radius | 12" |
| Fingerboard Material | Rosewood |
| Fingerboard Inlay | Acrylic Dots |
| Number of Frets | 22, Medium Jumbo |
| Scale Length | 24.75" |
| Nut Width | 1.695" |
| Nut Material | GraphTech |
| Bridge/Tailpiece | Compensated Wraparound |
| Tuners | Vintage Deluxe with White buttons |
| Neck Pickup | P-90 Single-coil |
| Bridge Pickup | P-90 Single-coil |
| Controls | 2 x volume, 2 x tone |
| Switching | 3-way toggle pickup switch |
| Strings | Gibson, .010-.046 |
| Case/Gig Bag | Gig Bag |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
15. Gibson Custom 1957 Les Paul Junior Single Cut Reissue Electric Guitar – Murphy Lab Ultra Light Aged Tv Yellow
Product Details:
Selling my 2022 gibson custom murphy lab 1957 lp junior. this is a rare cardinal red (from the factory) i have only seen one other jr in cardinal red, so this isnt your typical color for a junior. i am the original owner, bought new and local from chicago music exchange. ultra light murphy lab aging/relic makes this jr. feel and play like a dream. no issues, no mods (well i did change the knobs but i will be sure to put the correct ones back on) intonation is dead perfect and this thing stays in tuner better than any gibson i have ever owned. this is one of the good ones for sure! i package everything myself so that it arrives safely.
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | Mahogany |
| Body wood | Mahogany |
| Body finish | Gloss |
| Neck shape | C |
| Neck wood | Solid Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Radius | 12" |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.687"/Nylon |
| Configuration | H |
| Bridge | Proprietary Humbucker |
| Bridge type | Fixed Bridge |
| Bridge design | Wraparound |
| Tailpiece | Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Sound: Sounds exactly as you’d want a Les Paul Junior to sound. Plenty of bite and cleans up extremely well. Very versatile in sounds with just the 2 knobs. Features: The bridge feels great and looks great, and makes the guitar so resonant and easy to play. Ease of Use: The easiest to use that you could ask for, sounds great with drive or clean. Quality: Very well made, parts seem top quality. Value: This is expensive for a Les Paul Junior compared to their former price points but I would pay it again if I knew the guitar was this good. Manufacturer Support: No The Wow Factor: Very high, I have plenty of guitars and didn’t REALLY need this one but I bought it and I have no regrets at all. Overall: I was scavenging the used market for weeks unable to find a “good deal” on any Juniors when I finally decided to purchase new which I was unsure of at first given how much Juniors are priced at these days but WOW. This guitar couldn’t have been any more perfect in my experience. The feel of this guitar specifically is just incredible, the neck is so comfortable and the frets are perfect and smooth. It feels better than any other guitar I own by a mile, some of which I’ve had professionally setup very recently. The finish looks amazing and feels great on the neck as well. I got the ebony with the tortoise shell pickguard which looks even better than Id hoped as well. The stock pickup in it leaves nothing more to be desired, plenty of growl and punch, sounds absolutely incredible on an open D chord. Nothing like it.
Purchased a 2020 LP Junior in ebony from AMS. Arrived with chipped and bubbling paint at the neck joint. Can't believe any respectable quality control engineer would allow this out of the factory. Having purchased a 2019 Les Paul Special last year through AMS, I thought Gibson had turned the corner! And although AMS has a great return policy, I can't purchase another until the guitar has been inspected and credited to my account. So 5-7 days before I can reorder! Total Disappointment! Looks like my Gibson buying days at AMS are over. Never had a problem with my Fenders!EJ Maynard
Very nice little guitar. The quality of the instrument is awesome. The case it came with is super nice. It was set up excellently at the factory. It even came with a picture of the guitar taken at the factory while it was being set up. The also included a nice little multi tool and polishing cloth. Really good attention to detail. The sound of the guitar is great. It's exactly what I was looking for when I bought it. I play in a few different cover bands and play a lot of different music. This guitar gave me the different sound I needed and couldn't get from my Telecaster, ESP, or Schecter guitars.Frank
16. Gibson Les Paul Standard 2016 T – Honey Burst Guitar
Product Details:
Excellent condition. the former owner removed both original gibson pickups, and installed mojo tone pickups. the machine heads are klusons. i talked to gibson guitars, and they told me this 2016 model t should have come with grover locking tuners. gibson makes more changes to there guitars, then any other guitar company, so maybe these klusons were installed by gibson. i am not sure if gibson installed the klusons or the former owner did. the store i purchased it from told me they did not know, and they only told me that the pickups were changed.also the pickups features are only double coil sounds. there are no coil tap, out of phase, or boost to the bridge pickup that would normally come with a 2016 les paul standard t model. this must be because of the different brand of pickups installed by the former owner, or did not want the coil tap etc. sounds.the weight on a digital scale is 8 lb. 14.4 oz.
Specifications:
| Finish | Blue Mist |
| Year | 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
17. Gibson Les Paul Studio – Smokehouse Burst
Product Details:
I am selling my late 2020 gibson les paul studio finished in smokehouse burst. it is a fantastic guitar and it has been set up perfectly from the factory. it has a few hairline scratches on the body but they re barely noticeable. it has an impression in the back, and some dings on the bottom of the side (photographed). it also has a little bit of hazing in the laquer on the top since its been played. it does come off with products for nitro finishes. it comes with the gibson soft case as well as all the goodies that it comes with from the factory. it also comes with the original box from the factory. the serial number for this guitar is 231600199. it s honestly the best guitar i ve owned so far and it s a great guitar to get if you want to get yourself into an inexpensive gibson.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
Not much to say about a GLP – its an amazing guitar as you'd expect and anyone can carry it and comparably price instruments. However, it's the Sweetwater service that makes the difference. Grant is great and super responsive to my questions and issues. You can tell that the people who work here play and love music. I completely trust Sweetwater with my musical instruments. I just purchased my second guitar with them yesterday and the process was fantastic. At this point, I'm only going to buy here. Even if I found an instrument at a cheaper price through one of their competitors, it wouldn't be worth the care and service you get at Sweetwater. 5-Stars guys! Customer 4-Life!
So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.
18. Gibson Les Paul Tribute 2018 – Faded Honey Burst Guitar
Product Details:
This beautiful limited edition version of the american classic lp has been completely refinished by a professional artist/fine furniture craftsman, leaving no detail overlooked. this guitar comes stock with 490r/496t pickup combination, which has become the signature set that gibson considers its premium modern era version of the iconic paf sound. what makes this guitar so unique custom hand shaped and sanded "ultra slim taper neck" for those who find the traditional neck too thick to play as comfortably as the alternative feel of a classic fender strat or tele. hand etched natural maple binding on the arched top. custom shaping of all plastic to ensure clean and tight fits. 12 coat hand buffed lacquer final finish over entire guitar. professional set up. comes with original plush gibson gig bag.
Specifications:
Reviews:
Ok I felt the need to jump in here after reading some just off reviews about this guitar after purchasing mine. 1. Go to literally any guitar shop and play 5 of the same guitar and each one will play and sound slightly different with various levels of quality control which comes with any manufacturing environment. If you purchased one of these blind and did not play and examine it in store and got a lemon that's on you. Also the one dude that said these are repainted are simply false. Check out Trogly's show you Youtube where he does a full review of both Raven's. 2. Since it's release I'm lucky to have a few GC in my geographic area that I check out when I can. I played LP Studio's, Tribute's, SGs, and tone wise this one won all. These ceramic pickups are a step up from anything in the 1-2k price range in the Gibson line if you like to play overdriven and loud. Cleaned up they sound good but make no mistake this thing is built to roar. 3. STOP hating on Richlite. I simply don't get it. If you apply this same principle on materials guitar nerds are saying man that plane in 1930 flew beautiful so the materials used then are the ONLY materials we can use to build planes today. Pretty silly huh? Technology should advance to build better, more sustainable instruments. The fretboard feels great and the fret word is very good. But read I played many many over the past few months before I finally pulled the trigger. 4. One thing that gets an at mention but I think deserves some additional props is the fact that it's a mahogany body AND neck and it's a true solid body with no weight relief. It definitely adds extra ompf. 5. To wrap up, it's an awesome guitar and mine is well finished, set up, and assembled (including wiring). Do your homework, play a lot of rigs, and know what to look for in quality control and finish.Ryan
If I could give 0 stars, I would. I received this guitar new and it is, without a doubt, the worst $1100+ guitar available anywhere on the market. There is NO WAY this should have ever left the factory and ended up as my problem, but I'm not surprised considering Gibson's so called QC and "customer service". And don't expect them to care about your "cheap" guitar (quote from Gibson "customer service".) Just look at the pics- paint missing so you can see the bare wood underneath (not red underneath like the other reviewer said, just brown), scratches and scuffs and grey paint all over the neck and headstock, a bunch of the greying out over the dots was sanded off down to white, scuffs and what looks like grey paint all over the tuners, bridge pickup was a mess (the edge looked all chewed up and the tape was higher than the top edge of the pickup, it was also as low as it could possibly go), even the "baby pic" of the guitar that was included was a joke (washed out, borders on 2 sides, a dirty rag prominently displayed). I could go on, but you get the point. Gibson and Guitar Center should be ashamed of selling garbage like this, but of course, they are not.Eric
I have always enjoyed the tones of the 496R/500T pickup combination but they are hard to come by these days. My LP Traditional has a Duncan Distortion in the bridge but sounds nothing like this one. I already have an LP Special with the 490's in them and I'll grant that they are better for clean stuff, but these pickups have that gnarly, saturated gain tone that some us cherish. She plays like a dream as well. This guitar also comes with an excellent soft case (unlike the chintzy gig bag of my other Special) and a stop bar tail piece, rather than the wraparound bridge. I have had the Richlite fingerboard on higher-end Gibsons and have no complaints with that either. It looks a bit like ebony, but perhaps a bit warmer sounding. Oh, and please enough about the finish wearing quickly. ALL of the tributes do that. Some call them battle scars as it happens on high gloss nitro as well if played long enough. First they get shiny as your playing rubs on the top coat and then they can wear through. Would you rather have a polyester finish that feels like a plastic hard coat and muffles the tone? So… here is an American-made Gibson with a nice case for about a grand? Grab one while you can!Franco
19. Gibson Sg Tribute – Vintage Cherry Satin
Product Details:
Full rich tones that sound awesome! the sg standard tribute boasts a traditional mahogany body and rounded profile maple neck with rosewood fingerboard. it is finished with a black, 5-ply full-face pickguard loaded with double black, open-coil 490r and 490t alnico ii loaded pickups. nickel plated hardware includes vintage deluxe tuners with keystone buttons, a nashville tune-o-matic bridge and aluminum stop bar tailpiece.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style Keystone |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: This is very nice guitar! Last year I ordered a 2019 SG standard that turned out have some QC issues. I sent it back and ended up getting a Gibson TV yellow special that's turned out to be the best guitar I've ever owned (go figure) but I still couldn't get the SG jones out of my system so I decided to order one of these tributes. I have always like the stripped down looks of the faded specials of the past but I never pulled the trigger on one. These new tributes look to be very similar to the old faded specials but I think that they've done some minor cosmetic upgrades to them. I like the lighter walnut stain on these tributes more than the darker worn brown specials. They also added a silk screen Gibby "thistle" to the head stock which really doesn't mean much to me but I guess it makes it look a little more like a standard. The satin or "vintage gloss" finish looks a little different than the old faded specials to me. It looks more like a semi gloss than the matte finish they applied to the faded specials. I may be in the minority but I like the looks of this SG more then the fancy but boring "cherry" or "ebony" of the standards. I like the visible texture of wood grain and the lighter shade of walnut stain they used on these tributes. The wood on mine was very well matched on the front. On the back you can tell that they used two, maybe three, pieces of mahogany for the body but from the front it looks like one solid piece of wood until you get right up on it. The fretboard on mine was dryish and needed a lemon oil treatment but it wasn't as bad as the fretboard on my Special. There were also no tool marks from dressing the neck binding (because there is none) like there was on my special. I feel as though this guitar would look better with nickel pickup covers and reflector knobs so I will probably add those as an upgrade. The "poker chip" was included in the gig bag but not installed on the guitar. I will probably leave it off as it makes the control area look cleaner and allows more of the beautiful wood grain to show through. The frets and dot makers were well done with no sharp ends. The fretboard played great and the frets appear to have been "plekked". Setup was great and ready to rip right out of the box. Tuning stability was good after I changed the strings and stretched them in good. Pots and controls seem sturdy and responsive. The satin maple neck felt nice as far as the texture but it was a little fat and wide for my liking. I was expecting it to be more like the neck profile on my Special which is fatter than a slim taper but it just fills the web of my hand, between my thumb and forefinger, and doesn't impede the "thumb over top" playing style that I use quite a bit. This SG has a flat area on the back of the neck and thicker shoulders and I fell like it favors more of a thumb behind the neck playing style that jazz players and shredders tend to prefer. It's not a thin "shredder" neck like an Ibanez but the flat spot on the back and thick shoulders made me have to shorten my strap and play the guitar higher up on my torso than I like in order to play some songs but I soon got used to it so it's not that big of a deal. The upper fret access was hindered IMO by the thickness of the shoulders and width of the neck which increases the farther up the neck you get but I use this guitar more for heavy rhythm playing so, again, it's not a big deal to me. If Gibson would improve the neck profile on this guitar I feel as though it would be a much more versatile guitar but then it would compete with higher end SG's so there ya go. The 490s in this guitar are very good pickups IMO. They are slightly hotter than PAF in output with prominent vocal like mids to my ears; great blues-rock p'ups for sure. They are noticeably lower in output than the P90s in my special which is okay because I use pedals to compensate for the differences in tone and output when switching between guitars during a set. They 490t in the bridge is probably my favorite. It can go from a jangly, chordy, rhythm to crunchy power chord riffs using the volume knob on the guitar and it retains clarity and definition when playing heavyish drop D rhythms with more gain. My LP Special is my go to guitar for playing "chordy stuff" (which is about 90% of the time) and soloing but the SG comes out when I need more chunk to my palm muted drop d riffs although the 490s are bright and articulate enough to do do the chordy stuff too. I use this guitar to do a drop D version of "Copperhead road". I play Steve's mandolin riff in the middle position then switch over to the bridge pickup after the "smell the whiskey burning" part and it sounds great never muddy or harsh. It also does the lower gain double drop D Neil Young rhythm stuff very well. The "soft case" that came with this guitar is the same as the ones that you get with the regular Standard. It's very nice as far as "soft cases" go I suppose but, IMHO, it's still not much better t
Absolutely love this guitar. Lighter than a Les Paul,with everything you need to rock! The only thing I don't like is the dot inlays. I am used to the trapezoids on my Les Paul. The tone is sharper and great for what I need it for. I've only had it 2 weeks, but already replaced a Paul part with the SG on my current project. It just got me the sound I was looking for. The body is comfortable and the neck is the slim taper which is perfect for my old fingers. I chose the brown because I think the red needs to be a lacquer finish and not the satin on the Tribute. Although I've only had it a short time, I can tell it has the soul of a beast. I feel more comfortable playing it than almost every other guitar I own. It just feels right. I love the maple neck, however, it does tend to want to neck-dive a little. Speaking of maple, I normally prefer a maple fret-board, but this one could change my mind. I'v been a Fender and Rick man for many years, but this guitar is well made, beautiful, and canplay just about any type of music. The low price does not mean low quality on this instrument. I would HIGHLY recommend the SG Tribute to anyone, novice to pro.A.J. Porter
As a bass player, I just want to have a couple six string electrics that I can mess around with. I am not a lead, though I wouldn't mind becoming more proficient. This axe was good for me because it allowed me to get my hands on proper Gibson SG at a low price. No frills, but it doesn't need them. You buy a guitar for how it plays and how it sounds and this instrument does both really, really well. The 490 pickups are great. Tuning is important to me, so I'll probably modify the tuners on this guitar, but that's it. I am very having this axe in the arsenal.BT
20. Gibson Les Paul Traditional T Desert Burst 2017
Product Details:
Specifications:
| Finish | Antique Burst |
| Year | 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Traditional |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
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