Are you looking for the Best Budget Guitar Pedals? If so, you’ve come to the right place.
Choosing the Best Budget Guitar Pedals can be difficult as there are so many considerations, such as Zoom, MXR, ammoon, BOSS, DigiTech, Electro-Harmonix, MOOER, TC Electronic. We have done a lot of research to find the top 20 Best Budget Guitar Pedals available.
The average cost is $183.61. Sold comparable range in price from a low of $29.00 to a high of $544.99.
Based on the research we did, we think Zoom MS50G MultiStomp Guitar Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Budget Guitar Pedals (20 Sellers)
| Product Image | Product Name | Features | Check Price |
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Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability
Features:
- Engineered with 4 knobs to adjust the sound output
- Its 1/4" jacks let you attach the pedal with your guitar
- The screen allows you to check the modulation status
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality
Features:
- Three led indicator helps deliver real-time working status and makes the tuning easy
- Manual knobs let you change the swirl setting to rapid tremolo
- This multi-effect pedal helps produce various sound amplification
$29.00
4.6
Reviewers Noted:
Easy to use . Sound quality
Features:
- This metal distortion pedal is designed to provide a high-quality music experience
- 1.4" input jack makes it convenient to use it with your electric guitar
- Input impedance 500 kohms helps reduce the distortion while adding effect to your music
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Add various effects to your guitar's sound with this multi-effects processor
- Multi-function expression pedal allows you to switch between different effects easily
- Simple plug-and-play interface offers convenient installation
$29.00
4.6
Reviewers Noted:
Easy to use . Sound quality . Portability . Size . Weight
Features:
- Its 3-band equalizer allows you to optimize the sound for high-quality audio
- Constructed with metal chassis to enhance its structural integrity
- Built-in led indicator lets you check the status of the battery
$221.30
4.3
Reviewers Noted:
Ease of use
Features:
- This pedal allows you to optimize the sound for high-quality audio
- The built-in control knobs let you configure the bass levels individually
- Nine preset modes offer versatile audio effects
$324.30
4.5
Reviewers Noted:
Easy to use . Size
Features:
- Brand: boss audio systems
- Binding: electronics
- Publisher: boss
$299.99
4.7
Reviewers Noted:
Easy to use . Good sound quality . Compact . Build quality
Features:
- This pedal allows you to add effects to the guitar during your jamming sessions
- Adjust the playback volume, depth, and speed of the recordings conveniently with its multiple tabs
- Die-cast material offers enhanced durability to the pedal for prolonged usage
$59.99
4.4
Reviewers Noted:
Easy to use . Compact . Good sound quality
Features:
- Excellent clean condition, used only a few times.
- Includes rubber feet (attached), both original inserts, original box.
- Functions perfectly.
$123.50
4.4
Reviewers Noted:
Easy to use . Compact
Features:
- Create vocal harmonies with this 11 effects pedal
- Dry and synth control knobs allow you to control the output while jamming
- Manual knobs let you easily fine-tune tone and saturation levels
$104.48
4.6
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability
Features:
- Functions: headphone connection.
- Compatible: electric guitar.
- Black colour.
$94.01
4.8
Reviewers Noted:
Size
Features:
- Ordered this from amazon and they never sent me it
- So they sent me another and a week later i got the original
- So i m selling this cuz i don t need two
$217.20
4.9
Reviewers Noted:
Ease of use . Sound quality . Weight
Features:
- This multi-effect guitar pedal offers an enhanced audio equalization
- It features 6 toggles to deliver optimized audio effects
- Footswitch lets you make adjustments between songs
Reviewers Noted:
Compact . Easy to use . Build quality
Features:
- Impedance of 100 ohms helps reduce unwanted noise
- True bypass makes it easy to switch between multiple effects
- Knob control allows you to fine-tune the sound
Reviewers Noted:
Ease of use
Features:
- Improve your equipment's sound quality with this decimator pedal
- Built using isp technology for a ripple-free outcome of music notes
- This noise-reduction pedal offers efficient performance
Reviewers Noted:
Easy to use
Features:
- Great pedal.
- Has not left the house (smoke free house).
- Comes with the original mooer ge 300 pedalbag.
Reviewers Noted:
Compact
Features:
- Modulate the tone of your guitar with this multiple effects pedal
- Control knobs make it convenient to adjust the desired setting
- Led indicator offers the real-time working status of this pedal
Reviewers Noted:
Ease of use . Sound quality . Size
Features:
- Multiple knobs assist in adding effects to create a studio-quality sound
- Dual input and output ports allow you to connect various compatible devices
- Led indicator lets you show the power status of this pedal processor
Reviewers Noted:
Ease of use . Size
Features:
- 100 built-in drum rhythms and 90 seconds looper, 198 presets, adjustable signal chain with maximum 9 simultaneous effect blocks
- Powerful hd digital modeling system delivering organic living tone, 3rd party ir support (20 user slots) for creating custom unique sounds
- Usb audio interface with stereo audio streaming, support otg function for directly connecting to ios/android mobile devices
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Craftsmanship
Features:
- The 10v of input power delivers clear and crisp output
- True bypass switching minimizes the distortion to enhance the audio quality
- This pedal allows you to add multiple bass effects during your jamming sessions
1. Zoom Ms50g Multistomp Guitar Pedal
Product Details:
Choose from 55 classic effects and famous amps with the size and weight of a typical single stompbox, the ms-50g includes a thorough lineup of high-quality effects types. it features 47 stompbox effects and 8 amp models. along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio gear. intuitive, easy-to-use we have further refined the simple user interface that was revolutionary in our g3 and g5. the lcd shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. with this intuitive, easy-to-use interface, creating amazing sounds is a breeze. use up to six effects all at once the ms-50g allows you to utilize up to six effects simultaneously, as well as arrange them in any combination. this gives you the ability to craft classic sounds, as well as lush, complex tones. leave the rules you learned behind and enjoy creative freedom with the ms-50g.
Specifications:
| Number of Stompbox Effects | 47 |
| Indicator Type | LCD |
| Number of Amp Models | 8 |
| Output Jack Size | 0.25" |
| Number of Output Jacks | 2 |
Reviews:
I could spend all day yapping about this pedal…In my travels i've tried countless pedals, but got tired of having 'too many' pedals. The weight, the time it took to hook it all up. I also busk, or play where electricity isn't available, and wanted a setup where i could make one trip with everything, and keep the weight down. I've always been a fan of ZOOM products, so trying out the Multistomp series was a no-brainer for me. The 50G met all my requirements, and exceed them all after i got one and started using it. Tones that are as good as any higher priced pedal, the versatility is second to none, and the price is killer for what this pedal can do. I would say the the Bluetooth version was my favorite, then the 70CDR, then the 50G, with the 50G's new 3.0 update, the 50 G is now my favorite pedal…period. The 50G started with maybe 50 patches, now it has 172, and best of all it has the Exciter patch, which to me is required on any pedal board. All i can suggest is watch the countless demo videos of this pedal. I would recommend this pedal for any level of guitarist, i would also recommend the MS-70CDR, watch the demo videos of the 70-CDR vs Strymons…amazing I cant say enough good things about the 50G, i believe it's near the perfect all around pedal. The Multistomp series are easily, in my opinion, the best bang for the buck pedals madeLocorogue
The MS-50G pedal is first class. It is every bit as clean, quiet, and well built as the Boss pedals. It is not a replacement for the Boss line. Zoom pedals have a character of their own. Personally, I like the Zoom tone. But I'm not a guitar player. There is a great ~15 minute YouTube instructional video for the MS-50G. I got over the learning curve for writing and storing effects by watching this video, then I bought pedal. It replaces several pieces of my high quality studio gear when I need fast results that are of high level audio quality. Zoom delivers with this product. After I watched this video I purchased the pedal. I also like my G1X as a companion to this pedal. The G1X has a nice volume/expression pedal.Sean
I needed something for my living room and practicing while watching TV late at night without a full pedal board or multi-effects box. This along with a Boss RC-3 and a mini mixer for my wireless headphones provides everything I have in my studio at a mini level. The sounds are good enough. There are enough options in sound to play most anything. Eventually I'll try this little beast as a sub for my full pedal board and see how it works in a live jam. One pedal to do everything. It's not perfect but it is great. I wish Zoom would provide updates to it and a better manager. It's pretty old by today's standards and if Zoom provided updated files they would sell even more if these great little boxes. B&H had the best deal available and as always they provide excellent service. Thank you B&H. I'll Be Back, lolThomas G
2. Vox Stomplab Iig Guitar Modeling Effects Pedal
Product Details:
Get the big guitar tones you want in a small package with the vox stomplab iig multi-effects processor. this rugged, all-metal floor processor has the same sound engine as vox's tonelab processors and vt+ amps. the stomplab iig's easy-to-use interface gives you 100 presets at your fingertips. the sounds are separated into music styles. just select the style of music you want to play and then select a tone from that library. styles include rock, blues, metal, jazz, hard rock, and more. vox set aside 20 user programs for you to tweak or create your own sounds. with over 100 different effects you can really nail down your own signature sound. you can use up to eight effects simultaneously in each preset. the stomplab iig includes a built-in expression pedal for real-time control over volume and effects parameters. get a powerful modeling processor in a compact pedal with the vox stomplab iig.
Specifications:
| Material | Metal |
| Input | Mono |
| Color | Black |
| Number of Preset Programs | 100 |
| Output | Stereo |
Reviews:
I've had this pedal for about maybe 5 months, great pedal. The best thing to do is to always read your manual because this particular pedal shuts off. That feature is to save you battery power, or just being on too long when you walk away. I hadn't gotten use to that at first. It pays to read the manual to figure out how to do it. But the Selections in where the layout is for the different tones, for rock and roll, blues, heavy metal, and R&B is it great pedal.astringmusic
It' easy to blow an afternoon exploring the wide variety of sounds this pedal can produce. While many of the effects are great there are quite a few duds mixed in there. You just have to play. There doesn't seem to be that much logic as to how the effects are grouped. You really need to write down your favorites. Out of 100 effects I think almost anyone can find 20 that they really like. Great pedal for the money.Lenny G.
The Stomplab has some very good patches right out of the box better than most MultiFX units. I rarely get to say that. Since I like to try them all, I think it excels in areas that can outdo expensive pedals. The amps sound really realistic and have beefy snappy mids right in your face with great projection and pop. The tones are designed to sound good as you play with EQ settings the amps seem to stay in the zone of what you would expect an actual amp would do. The best way to really experience this is to plug into a Hi Fidelity home stereo etc. and listen to how detailed the mix is. There is a Tube Screamer that seems to actually enhance just about every amp you try it with when trying to get some edge. The clean amps are some of the best out of the box tube gain style sparkling U2 like rhythms with clearly defined picking separation. This is probably about as good as it gets for these type sounds. Very metal like ballading with chorus and delay. Def Leppard Bringing on the Heartache or Photagraph come off terrific. The crunch sounds are very realistic and the US Hi Gain is about as good as it gets for 80s Metal. I can compare this to the VT Plus series because I have it. This pedal sounds good and really excels with a Tube amp. The VT Plus is a tube hybrid and the 12ax7 single tube does add a touch of edge as it is cranked but the pedal is the same Engine and the edge is subtle and the Tube Screamer SIM sounds close. Any sound can be had and it records from the line out with very good definition. Most of the amp sims are very good with little tweaking and I think it has the most good amp Sims of any other multi fx unit. Has way more variables than the VT Plus amp series and it is one of my favorites for downright realistic amp sounds. Hard to believe it but, it stacks up well against the bigger floorboards in respect to tone alone. More controls on the bigger units sometimes can take you too far off base. It really is well designed and keeps you sounding good.
3. Behringer Hm300 Heavy Metal Distortion Pedal
Product Details:
Specifications:
| Power Source | Battery, DC power |
| Weight | 0.73 lb |
| Output Impedance | 1 kOhm |
| Input Port | 1/4" jack |
| Intput Impedance | 500 kOhms |
Reviews:
i wanted to compare this to my boss hm-2 pedal but i can't get to it at this time, so i'll have to do this by itself. this is a very nice distortion pedal. again the plastic casing is durable and inexpensive ,so you're getting a good pedal for the money.the level and distortion controls are sensitive- i consider a plus. i do wish there was more bass in the in the low frequency control. now you might be asking, "why don't i cut back on the high frequency control?". here's why : the high frequency control appears to be a combination high frequency/gain control! the more you turn it up, the more gain. combined with the sensitive dist/level controls this is a nice feature if you want that. i like it . i can always boost the bass on the amp/EQ/whatever. i like to use different dimensions of distortions and if you are like me ,i recommend this.thurstonnalley
I guess I'm more of a roady/studio guy than I am an artist, as I've always got more out of turning knobs then actually playing music lol. I bought this pedal for one reason and one sound only. The Swedish "chainsaw" guitar tone of the 90's that came out of Sunlight Studios that was popularized by bands like Entombed and Dismembered. I think it sounds incredibly good considering I bought it NEW for 25 bones plus shipping! The distortion is sometimes a bit over the top, but cleans up when you roll back the volume knobs on the guitar. I imagine you could really get some interesting tones going if you paired this pedal with a compressor and eq both before and after it in the signal chain (and with Behringer that's actually an affordable option), and of course, a tube amp, as most of the bands with that sound supposedly used Peavey 5150 tube heads. Very nasty distortion pedal, if you could travel back in time to the 90's you could probably sell this to a metal head for absolutely ridiculous amounts of money. If you are not buying this pedal for a certain "Swedish death metal" sound or just metal in general, I would not recommend this pedal, as there are probably much better pedals out there for what you need. Its made out of plastic which I personally don't mind, as I'm not a touring or gigging musician. If I stomped on it several times a night for half a year I dunno how that would work out. Not a big fan of the color, but then again, I didn't buy this pedal for aesthetic value. Behringer makes great stuff for less, I plan on buying a lot more Behringer pedals in the future!James the studio guy
Just great wee pedals and such a great cheap price too. Best discount around at the moment as far as I could see.Reviewed by Andertons Music Co.
4. Line 6 Pod Go Guitar Multi Effects Processor
Product Details:
The pod go guitar multi-effects processor from line 6 is a pedalboard that models amplifiers, cabinets, and provides a mutitude of effects. it is designed for use both live and in the studio. all of the effects hail from line 6's venerated hx series of modeling processors. you'll find dynamics tools, distortions, pitch/modulators, filters, eqs, delays, wah/volume, and reverbs. in total, you'll find over 70 guitar and bass amps, 37 cab models, 16 mic emulations, and over 200 effects. thanks to the pod go edit app, you can edit and backup your favorite presets remotely. a big expression pedal on the box itself gives you variable control over multiple, assignable functions. the pod go has a guitar input, a reamp output, two 1/4" main outputs, a headphone out, a stereo fx loop, and more. you can connect the pod go to the front of your amp or directly to a pa mixer, allowing you to play shows without bringing your amplifier. its usb port allows you to connect directly to your favorite daw for recording use.
Specifications:
| Pedal Material | Cast-aluminum |
| Display Type | LCD |
| Interface | Plug-and-play |
| Number of Footswitches | 8 |
| Number of Push Encoders | 5 |
Reviews:
Overall: I've been playing through a Headrush gigboard and needed something different that was just as easy to use, had plenty of tones that were inspiring, that didn't cost as much. I've owned a few Line 6 products over the 30 years of playing music and decided to buy the Pod Go. So worth it! The tones were better than expected, and if you can't afford the Helix series, this is the best choice for a floor unit under $500. The built in expression pedal with toe switch is perfect. You can switch between volume and wah wah or other parameters just by pressing the toe switch in the expression pedal. Basically you don't have to have another expression pedal. The built in pedal can do what you need. I am not tech savvy, I bought the Headrush gigboard last year because of how easy it is to use. I didn't think a floor unit could be. Then comes the Pod Go. It's actually much easier to use than the Headrush. Granted the two have different features but I found making your own sounds easier with the Pod Go. It seems I make them in a shorter time. The color display along with color footswitches make organizing sounds easier than making coffee. If you need a floor unit under 500 the Pod Go is the best choice on the market. If you're a metal head or a traditional Jazz player or love the complexity of Fusion, the Pod Go has your sound.
I was looking at purchasing a Helix LT and upon researching I came across the Pod Go Wireless. It does everything I required from the Helix but at less than half the price, size and weight. You can dial in some great tones, I use it through an 80w Marshall combi straight into the FX return (turning off the cab sim on the Pod) and it sounds very impressive. The amount of effects to choose from is incredible and you can tweak so many variables to get that perfect tone. The wah treadle is very good but it’s not so great when used as a volume pedal as it doesn’t seem to gradually increase/decrease the volume, it’s almost on/off. The wireless feature is very good, I’ve not had any connection issues and don’t have to worry about treading on my cable, which I’m very prone to. Overall, for what I need in a jamming/garage band capacity it is perfect and I’m very, very pleased with the purchase. PMT delivered the next day, it was very well packaged and was the best price I found on the internet.Martin M.
Overall: I wish I could say something positive about this unit. Although it does have some great sounds and features, the fact that it is constantly having to be rebooted because it freezes up or shuts down on its own make it pretty much worthless (Yes I’ve done all the updates and other futile suggestions from the support folks at line 6). Add to that a power supply that is a complete piece of crap. It’s cheap, fragile and generally a bad design. It is almost impossible to find a replacement because line 6 wanted it that way. Simply using a Standard, generic replacement (9v 2500 mA) Is tricky and not guaranteed to work. My review for this product: Look for something else better from a company who is not obsessed with nickel and diming their customers to death over some ridiculous accessory.
5. Behringer Um300 Ultra Metal Distortion Pedal
Product Details:
The um300 effects pedal gives you the most extreme and sought-after hard rock or heavy metal sounds with super-thick, tube-like distortion plus endless sustain. the um300 features dedicated distortion, 3-band eq and level controls for awesome sound shaping. a cool blue status led for effect on/off and battery check plus a first-class electronic on/off switch for highest signal integrity in bypass mode are included. the um300 runs on a 9 v battery or a dc power supply (not included).
Specifications:
| Product Type | Guitar pedal |
| Pedal Type | Distortion |
| Battery Power | 9 V |
| Dimensions | 2.125" H x 2.75" W x 4.8" D |
| Weight | 0.73 lb |
Reviews:
This thing is unbelievably excellent. I’m down with serious chunk and couldn’t find a pedal anywhere that tickled my fancy of fatness of tones and clean as a whistle chugging. If you want metal, this will give you the sound you want, the thing has six knobs and they all do great differences in tone and distortion. My mate is a full blown metaller gtar ist and scoffed at me buying this thing. He came round and I said that I wanted to hear him thru this pedal so he did after I dialed him in to my liking amd he blew himself away with me alongside him He now has one too!!!! HahahaGeoff K.
The distortion operation is like MT-2. Sound and operation is similar, But it has differernt knobs for min settings. Distortion levels quickly passes overdrive/crunchy so it it not usable for that. Bass level is not usable after 2 o'clock setting. Treble and mid levels and mid frequency levels change a lot sound. Level setting is use fun if you don't want to load the amps input and cause additional distortion… Battery changing is easy.
6. Electro Harmonix Bass9 Bass Machine Guitar Pedal
Product Details:
Electro harmonix bass9 bass machine guitar pedal – turn your guitar into a bass with the electro harmonix bass9 bass machine guitar pedal – the polyphonic bass9 bass machine transforms a guitar into nine different basses and requires no special pickups, midi or instrument modifications. it relies on the same technology powering all ehx 9 series pedals, like the award winning mel9 tape replay machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking. – a rotary switch allows the user to select the sound of their choice, as follows:precision: pays homage to the iconic fender p bass – longhorn: emulates the danelectro 6-string bass, ideal for baritone type tones – fretless: features both electric and standup fretless basses. synth: a tribute to the classic taurus synthesizer – virtual: lets the user adjust the bass’s body density and neck length for a variety of bass sounds – bowed: classic bowed bass split bass: makes it possible for the guitarist to play bass on the lower strings (all notes below f#3) and chords or melody with the higher strings.3:03: a polyphonic salute to the sought after roland tb-303 vintage bass synth – flip-flop: inspired by ehx’s octave multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches. – the pedal is equipped with independent effect and dry volume controls so guitarists can precisely tune their mix at the effects output jack, plus an always-active dry output jack that outputs the input signal at unity gain. controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. for example, in precision, ctrl 1 controls the sub-octaves while ctrl 2 imitates the original instrument’s tone control. the bass9 comes equipped with a standard ehx 9.6dc200m – a power supply. guitar pedals, chuck levin's washington music center, electro harmonix, electro harmonix bass9 bass machine guitar pedal
Specifications:
| Product Type | Bass machine pedal |
| Pedal Type | Bass guitar modeling |
| Power Usage | 100 mA |
| Power Source | 9 V DC |
| Bypass Switching | Buffered |
Reviews:
Put in about two hours of playtime on this, stored it for a few months safely right next ot all my other EHX pedals. All of them work perfectly, this one just doesn't. Musician's Friend won't replace it, and EHX is making me pay to ship it back to fix it. Which is absurd as it's basically new.Ian
7. Boss Me-25 Guitar Multiple Effects
Product Details:
The affordable new me-25 is packed with powerful boss features to make you sound like a pro, yet it's as fun and easy to use as a stompbox. the built-in sound library gives you instant access to dozens of classic and modern effects. simply choose a category, select a variation, and play. customize your sound with simple twists of the drive, tone, and volume knobs. with cosm amp models onboard, plus super stack and phrase loop, the me-25 is a dream processor for upstart guitarists who want great sound and ease of use.
Reviews:
I use this pedal for my guitar and ukulele. It is very user friendly and easy to learn. Besides the power supply and USB cable sold seperately, the only negative that I can think of is that you have to scroll up or down to access your memory banks. The preprogrammed effects are cool, but very easy to reprogram to your liking. The tuner and loop work like a charm. My favorite feature is the ability to switch from volume control to wah on the pedal. It works fast for reggae music.Jeff
I bought this little devil for my classic Roland GR-500 analog guitar synth and found everything about this efxs great for the price, love the feature of it's headphones out, always 've liked Boss products but this one definitly takes the lead for the compact size! I no longer need an amp to rehearse, create or warm up my fingers, still haven't try the loop but it is good to have it, nice wha wha and killer distortion with amp modeling! it too comes with the Sonar LE USB studio but has limitations… ok the only thing I really think needs is a direct memory selection for faster access! I do own for years a Roland GS-6 rack mountable which I use for studio and performing live which has a foot controler to select banks and patches while playing, but hey I did pay 5 times more for than one who rivals this ME-25! Great gear! I told a friend in L.A. yesterday and today he bought his!exavierdotnet
The Boss ME-25 does pretty much everything you could ask for in an effects pedal, each effect can be tailored to suit your tastes. I recommend downloading the free ME-25 Edit program which allows you to see all of the settings that can be changed. It also has a built in looper and tuner that work very well. I cannot think of any cons so far as it does exactly what I want in a pedal. Sadly they are no longer available. However, they can be picked up from auction sites or private sales for a reasonable price.g4tvk
8. Digitech Whammy Pitch-Shifting Guitar Effects Pedal
Product Details:
Great condition and totally functional with only minor cosmetic wear as pictured. comes with original box, no power supply. a legendary effect that's spanned 23 years and graced over 700 million albums. there is no doubt that the digitech whammy pitch-shifting guitar effects pedal is a pedal board must have. pitch shifting effects help a guitar performance stand out, and the whammy pedal has been a core pitch shifting effect for influential artists for over 20 years. whammy artists have won over 60 grammys using the whammy pitch shifting sound to enhance their music. its songs echo the hallways of the rock & roll hall of fame, and can be found on over 700 million albums around the world. the legendary whammy pedal is the premier pitch shifting pedal for any guitarist's board, and it only gets better with classic single note whammy bends, chordal pitch shifting and true bypass.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| Length | 8" |
| Width | 6.3" |
| Height | 2.5" |
| Color | Red |
Reviews:
Overall: Finally got another Whammy V after missing my prior one in a "stupid-sell all-great new multi unit dumb idea". Not sure what to say about this pedal as it would seem of the many vids I have seen on it, I cast doubt if anyone really can understand how to use it without having one for a time. I constantly hear this "weeeeoooo" thing and really that might be of use now and then but what nails this pedal for me is the harmonizer mode section. 8va's and 4ths,5ths, utterly amazing. This is not so much a moving the pedal thing as everyone seems to want to do. Most of th etime mine is parked up or dwn for a specific harmony or maybe a sweep of low to high octave, play a version of Dazed and Confused using this and you may just never be the same. The lowered 5th harmonizer mode on this puppy is probably one of the best all time tones I have ever had the pleasure of playing. A harmonizer, with no set key or scale restriction, polyphonic tracking, true bypass, I'd pay more just for that. The DT model is cool but I am not really doing step tuning variants. Anyway, this pedal is sooooo much better than what you will hear being done on typical vids. Mastering this puppy will afford you a range of really cool tone possibilities nothing else can muster. Those who hate this pedal suffer from the terrible videos of it or the old models that glitch and burble from only being monophonic tracking. The buffer has been removed and this is improved poly tracking tech! Full bandwidth 1M ohm and out. Simply no comparison tech wise to the previous models.Whambam
I love how certain players use this pedal. Bucketed is the absolute master of the Digitech Whammy. I like Buckethead and got a whammy to try for myself. The only time I actually use it during performance as a ad-lib bit. The problem is that when its engaged it sucks the life out of your tone. Its like going from an all tube amp to using an iRig to play your guitar through your cell phones speakers. The effects are crazy awesome though. People that don't know gear that hear you play, bug out when they are trying to figure out how in the world you are getting those crazy sounds. The pedal needs recalibrate all the time. For no reason, even when you have the pedal on heel down, when you engage the unit the pitch will shift. The dive bomb effects are crazy for weird rumbling effects. All in all, typical of my experience with Digitech, they aren the best effects tonally. But if you want to go weeeee-ooohhhhh, weed-ohhhhhh a bunch for the fun of it, this is your pedalSpaceman Spiff
Bought this in a heartbeat to replace my Digitech Whammy IV, which is a fantastic pedal but lacks the sound quality and additional features of this latest version: the Whammy V. For the uninitiated: The Digitech Whammy is a versatile pitch-shifting, harmonizer, octave, drop-tune, and chorus pedal used extensively by at least one of your favorite pro guitarists: Johnny Greenwood, Tom Morello, Jack White, Matt Bellamy, Buckethead, and countless others. I use it not just to replicate parts of their songs–Johnny's +2-octave riff in "Just", the solo in "Like a Stone", the "bass" line in "Seven Nation Army"–but in plenty of my own songs, both live and in the studio. The construction is solid and designed for both touring and in-studio use–durable but not too heavy, big but not obnoxious. Next, the upgrades: This new Whammy comes with two huge improvements. The first is true-bypass switching. Previous models are well known for being tone-sucking beasts, and although there is still a noticeable change in your sound when this latest version is on, when it's off it's off. The other massive upgrade is polyphonic tracking while pitch-shifting, which means it can shift entire chords up or down without sounding glitchy or garbled (e.g., "My Iron Lung"). For people who like that glitchy Whammy IV sound and want the option to use it, there's now a Classic/Chords switch which lets you do just that. On the cosmetic side, Digitech renamed a few modes, reorganized the layout, and brought back the Whammy logo on the expression pedal. All of these upgrades are godsends for long-time users. Finally, the drawbacks: First, as always, there is no "intelligent" harmonizer setting, so you're still limited to choosing an interval–4th, 5th, 7th–and not a key–Bb, C#, E–for your harmonies. Also, this latest version keeps the MIDI jack but ditches the dry output, which is a bummer. Overall, the Whammy V is a phenomenal improvement over the IV and a unique pedal in its own right. 5/5Joe B.
9. Mxr M69 Prime Distortion Guitar Effects Pedal
Product Details:
Introducing the jim dunlop mxr prime distortion pedal, a 100% analog distortion pedal with hard-hitting amp like distortion in a compact, little box; a perfect addition to any guitarists toolkit. the mxr prime distortion pedal produces a range of raw, powerful distortion tones with incredible response times, much like the kind you may find on a quality tube amp. being 100% analog, the pedal is designed with low noise op amps, allowing you to increase the gain without any unwanted noise added to your signal. the pedal features output, tone, and distortion controls, giving you more freedom to tweak your sound to perfection. like all mxr pedals, the prime distortion wears a heavy-duty outer shell with road-worthy jacks and switches for extreme durability.
Specifications:
Reviews:
I love MXR products. I recorded an album heavily using the Classic Overdrive and have loved it. Decided to snag the Prime Distortion because I loved their other stuff and have not been disappointed. It's got an awesome warm tone and can get really crunchy for some excellent hard rock sound. Definitely glad I got this pedal!Don V
There is no unity gain on this. Even with the volume maxed it reduces the volume. I guess brown is a good color for it because it is muddy sounding too, lacks clarity and doesn't cut through a mix. I couldn't get a good sound out of it at any setting. Very disappointing distortion.Jonas
10. Electro Harmonix Guitar Mono Synth Pedal
Product Details:
The ehx mono synth transforms your guitar into eleven great sounding synthesizers from vintage synth emulations to fat, stacked voices to soaring lead sounds and more. the mono synth was designed to work on guitar without any modifications, special pickups or midi implementation. its intuitive layout makes it easy to use and easy to dial in cool sounds quickly. the pedals dry dial adjusts the dry guitar volume at the synth output while synth controls the volume of the synthesizer sound at the synth output. used together they let you create just the right mix. the sens control, short for sensitivity, adjusts how playing dynamics trigger the synthesizer and allows you to fine-tune the pedals response to your guitar and playing style. with the ctrl knob you can adjust a key parameter for each of the eleven synth types. it varies depending on the preset and provides extra tweakability for customizing your sound. theres also an exp input which lets you control an entirely different parameter in real-time with an expression pedal! using the built-in preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. the factory presets are also easy to restore should you wish to.
Specifications:
| Number of Effects | 11 |
| Output Jack Size | 1/4" |
| Connector Type | TRS |
| Number of Knobs | 5 |
| Input Jack Size | 1/4" |
Reviews:
I preordered this on AMS without, obviously, trying it out. I had only seen some clips from NAMM, etc. I wanted a ‘noisemaker’ more than anything…a little secret weapon with another flavor on my board. It’s a lot of fun so far. It mentions that it’s not intended for chords like several times in the manual. But honestly, that’s where it gets cool & weird. Like, seriously science fiction stuff. Try it with an expression pedal! I have one for my EQD Avalanche Run so I tried it out on the Mono Synth for kicks and it opened up a whole new level. This pedal is not for everyone but it’s definitely worth checking out.suede
An excellent pedal. Cool synth sounds with a reasonable amount of variation for each. Not perfect. Being monophonic, some of the sounds require you to be very deliberate when playing as even a slight slurring of notes can cause the pedal to have a little mental breakdown. Overall excellent. Would recommend.Michael
A brilliant pedal that adds so many options to your palette as a guitar player. Great that you can dial in authentic synth sounds (especially if you don't want to buy/soundcheck a synth just for a certain riffs) and loads of possibilities once it interacts with overdrives and fuzz.Steven K.
11. Mooer Ge150 Amp Modelling Multi Effects Pedal
Product Details:
The mooer ge150 is the newest entry in the ge line of multi-effects pedals from mooer. the ge150 comes packed with 55 high-quality amp models and 151 different effects, a straight forward and intuitive ui, topped off with a fully-functioning expression pedal. with otg capabilities, users can record directly into a compatible device from anywhere 55 high quality amp models that utilize mooer s non-linear digital amp modelling technology from the preamp series. up to 9 effect types. 151 different effects in total. 26 user slots to load in your favorite 3rd party ir files to recreate the dynamics and feel of a real tube amp. 200 preset patches. tap tempo function. programmable expression pedal. firmware update via usb port. up to 80 seconds recording time with a built-in looper. headphone output for silent practice. aux in allows you to play audio files from your device. 40 types of drum rhythms and 10 metronome settings. otg function supports smart phone recording.
Specifications:
| Num of Effect Block | 151 |
| Input | 1/4” mono jack |
| Output | 1/4” mono jack*2 |
| AUX IN | 1/8” stereo jack |
| OTG Port | MICRO USB |
| Sampling Rate | 44.1 KHz |
| Sampling Accuracy | 24 bit |
| IR Format | WAV |
| IR Sampling Rate | 44.1K |
| IR Sampling Points | 512 |
| Power Supply | DC 9V,300 mA,negative inside |
| Dimension | 230 mm X 155.99 mm X 32.8 mm |
Reviews:
This pedal works perfectly with my current gear. Using a tube amp with a lot of gain, I needed a noise gate wich reduced considerably the noise generated by my guitar. The result is amazing: – Really easy to use (only one parameter to manage) – The pedal reduce the noise without modifying the original sound of my guitar Above all of this, the shipping was, as always, really quick and in a well protected package. Thanks Musicstore!
12. Mooer E7 Polyphonic Guitar Synth Pedal
Product Details:
E7 can transform your guitar into a typical electronic synthesizer, without the need for special pickups or instrument modifications e7 is the mooer polyphonic guitar synth pedal. the second pedal of mooer new micro series. as a new micro series design, mooer have added 7 led indicators on the right side of the shell, providing more possibilities to the new micro series. e7 can transform your guitar into a typical electronic synthesizer, without the need for special pickups or instrument modifications. it is named as e7, for its seven different mooer custom synthesizer tones. each tone has an individual arpeggiator, high/low frequency cut, attack, speed function, allowing users to shape the tone easily. explore the horizon of tone with the e7.
Specifications:
| Input | 1/4" mono jack (impedance 2.2M Ohms) |
| Output | 1/4" mono jack (impedance 100Ohms) |
| Current Draw | 150mA |
| Dimensions | 93.5mm(D) x 42mm(W) x 52mm(H) |
Reviews:
A fun little pedal if you want to experiment with synth tones on a budget and without taking up much board space. Solid construction with metal housing and easily understandable controls. In particular I've found mode 7, the "EDM/Pad", to give some really usable results for background synth drones and swells. Combining it with a compressor to add more sustain works well and I've also had nice results adding some chorus and flanger which can smooth out some of the harsher tones. Tracking and latency seem to be fine. Most modes cope well with chords too, except the organ one (mode 2). Works well with a bass too. On the downside, as a micro pedal the knobs are very small so it's not something you'll want to tweak mid-set, though it does allow for saving presets. If I was going to nitpick I think it would also be more practical if the hold-down-footswtich control changed between modes rather than toggling on the arpeggiator.Reviewed by Andertons Music Co.
Estoy usando este pedal con un violoncello con pastilla, ofrece múltiples opciones de sonido a la vez que la opción de arpegiar de manera automática la nota interpretada. Recomiendo su uso con un pedal de ecualización para calibrar de un modo más preciso el balance de sonido (ofrece demasiada ganancia al activar el pedal). En cuanto al cello, ofrece mejor respuesta en el balance grave y medio, no tanto en el agudo, aunque no lo considero un problema puesto que mi intención es realizar pedales y otras bases armónicas. Bastante satisfecho
13. Electro-Harmonix Turnip Greens Multi-Effect Pedal
Product Details:
Latest in electro harmonixs line of crazy and unique guitar pedals is the turnip greens dual effects pedal. despite its zany title, turnip greens combines 2 of electro harmonixs most accessible effects to make a powerful and fantastic sounding unit. the power of twositting in the turnip greens enclosure you will find a convenient combination of the soul food overdrive and the holy grail max reverb. with the option to switch them on separately or combine them together for a rich and detailed tone, there is a whole spectrum of individual guitar sounds that you can create. you can even swap the order of the two effects for even more control of how your tone behaves. the soul food produces a powerful yet transparent overdrive that wont destroy your existing guitar tone. stick it on low and you have a fantastic clean boost, or turn it right up loud for some vintage distortion. to control your tone you get a simple trio of volume, treble and drive that give responsive adjustments.the soul food is perfectly combined with the holy grail max, a truly versatile reverb pedal that provides all the ambience that you need for your performance. featuring 4 different reverb settings that consist of spring, hall, plate and the slightly unusual reverse reverb, you can feel like your performing anywhere, from a small room to a cathedral. even another dimension isnt out of the question. whatever your style from blues to surf rock, you will be able to find the right setting.inspirational powerwith the turnip greens pedal, you have a powerful tool at your disposal to create something completely new. the range of amazing tones you can get will fire your inspiration into overdrive and endless possibilities will keep you going when writers block approaches. with send/return jacks and the option of true bypass or buffered bypass via an internal switch, you can rest assured the turnip greens will fit nicely with the rest of your rig.
Specifications:
| Adapter Type | AC |
| Width | 4.75" |
| Length | 5.75" |
| Height | 2.5" |
| Number of Toggles | 6 |
Reviews:
Always heard a lot about the Holy Grail and the Soul Food pedals, and wondered what the fuss was all about. Found out.I have a half dozen od pedals ( Ts-808, BD,DOD) and they all have there place on the board, but this one has a different growl than the others. Not as brittle as the BD, yet not as smooth as the TS. Not overpowering, just the "right " amount. Needed a reverb pedal too.The Defender amp I use has Dark Vader spring reverb, but not on a foot switch. There is a switch that let's you choose between spring, hall, and plate reverbs, as well as a reverse reverb. The first three sound very good. Can't really find a use for the reverse though. Maybe it sounds different to me mites in Austrrrralia , since everything is supposed to be backwards down under. If I was stranded on a desert island and could only take one pedal, this would be it. Remember, life is too short NOT to have good tone!Gerald
14. Tc Electronic Mini Spark Booster Guitar Pedal
Product Details:
A tiny pedal with a loud bark, the tc electronic spark mini booster can provide up to 20db of clean boosted power. whether you want to kick it on periodically for some extra punch or leave it on all the time as a tone booster the spark mini can prove useful in many playing situations regardless of genre. because of its diminutive footprint the spark mini can be easily placed in any open space on your board. if you want to add more gain to your sound put the spark mini at the beginning of your signal chain to drive your pedals and amp harder. some guitarists have an always on boost in this configuration to impart some grit on their tone. if you want to just boost your overall volume stick the spark mini at the end of your signal chain either after all of your pedals or in your amp's effects loop. should you for whatever reason want to disengage the spark mini the true bypass switching ensures that the circuitry in the pedal won't affect your tone while disengaged.
Specifications:
| Sensitivity | 20 dB |
| Impedance | 100 ohm |
| Power Output | 9 V |
| Indicator Type | LED |
| Control Type | Knob |
Reviews:
I wanted a button to make me louder for solos etc. and this does exactly that without changing tone. Brilliantly simple: set how much volume jump you want and that’s it, I don’t think I have had the dial past 25% so far. The ‘latching’ function of the foot switch is a great idea. Great price as wellReviewed by Andertons Music Co.
Initially intended to buy an Xotic EP Booster because I wanted to try the Echoplex thing out, but saw this little guy and figured…why not? I like it so much, I don't see the point in ordering the EP Booster anymore! Hits the front end of my Soldano in a way no overdrive has yet, and with no noise. Works equally well in front of my OCD pedal for a lead boost. And to all the people whining about the switch not clicking…whatever. I like that about the TC stuff and wish all pedal companies would make their switches "clickless". Great value, just buy it already! Thanks TC and Sweetwater!
This pedal does exactly what it claims and does it better than other pedals of the same purpose. It is constructed extremely well. For around $50 this pedal's physical casing and switch assembly is made better than pedals I own costing hundreds of dollars more. I don't foresee this pedal ever needing replacement or repair. I'm not particularly fond of the "momentary volume boost" feature but that doesn't change my overall opinion. It's a great item.ethan1957
15. Isp Technologies – Decimator G-String Pedal Ii Noise Reduction
Product Details:
This pedal follows the signal directly from the guitar, allowing you to switch from clean to high gain sound without changing the threshold setting. its new design allows you to plug your pedal into an effects loop or after your high gain pedal or preamp. thanks to a mini-jack you can chain 2 decimator pedals (whether ii or ii g string) to obtain 2 noise reduction channels or for a stereo system. this connection allows each pedal to directly follow the instrument like the brand's rack versions. the decimator g string provides a fully independent decimator noise reduction channel that can be inserted into an effects loop in series or after a preamp section, the advantage being that the decimator's level meters will follow the signal. directly. with the g string pedal you can adjust the threshold of the reducer and whatever the noise level the decimator will follow it without any problem. thanks to its complete transparency, you won't have to worry about the threshold being too high or having to turn off the decimator when you go from a high gain guitar sound to a clear sound. it offers an input to connect a guitar directly and a buffer output that can be plugged directly into your amp, as well as a second processed audio output as well. you can connect other pedals between the output of the decimator and the input of your amp, this allows the g string to remove any unwanted noise you may have, even with overdrive pedals located before your amp.
Specifications:
| Technology | Noise Reduction, IPS |
| Noise Reduction Rating | 60 dB |
| Length | 5" |
| Width | 2.7" |
| Height | 2.3" |
Reviews:
The coolest noise reduction effect on the market. Allows only one handle to achieve optimal noise reduction. The presence of the loop makes it even more versatile. The only minus is weight, but the pedal is so strong that you can only break it with a tank. The best noise reduction pedal for life in your pedal board. The pedal is 100% working out its price.
16. Mooer Ge300 -Effects Pedal Multi
Product Details:
This is a very intuitive and great sounding unit with excellent reviews. feature-rich with plenty of effects as well as a 30 minute(!) looper and synthesizer. cosmetically it's in quite nice shape with home studio use only. after the latest firmware was installed, for some reason the backlight on the display will sometimes flicker. it's always legible and everything works like it should. maybe just a simple software bug, though as stated perfectly usable/readable at all times. original power included with a repair on the cord as shown. overall an excellent user piece.
Specifications:
Reviews:
Das Pedal nutze ich aktuell mit Anschluß an die Return Buchse eines Röhren Amps. Für die Inbetriebnahme habe ich zunächst die Studio Software auf dem Notebook installiert und danach zunächst die Firmware des Boards aktualisiert (völlig problemlos). Nach dem Einschalten überraschen zunächst die blinkenden LEDs, die Verwirrung hat sich bei mir aber sofort gelegt da man auf Anhieb auch ohne Bedienungsanleitung direkt einen Überblick über die wichtigsten Funktionen erhalten kann. Positiv für mich ist das sehr gut ablesbare TFT Display, lediglich die Beschriftungen auf dem darunter liegenden Effektblock sind für mich als Brillenträger etwas zu klein. Auch die sonstige Optik lässt im Hinblick auf dezente Farbgestaltung keine Beanstandung zu. Die Umschaltung der Presets über die Bänke mit je 4 Sounds pro Bank war bereits beim 2. Blick als gute Idee eingestuft. Die Navigation wird durch sinnvolle Eigengestaltung der Bänke enorm erleichtert. Klanglich stufe ich die normalen Effekte als sehr gehobenes Mittelfeld ein. Die Klangvielfalt "erschlägt" im ersten Moment (sooo viele Effekte brauche ich eigentlich gar nicht). Innerhalb weniger Minuten konnte ich bereits eigene Presets mit Amp Modelling und Effekten herstellen (intuitiv ohne Anleitung). Aufgrund fehlender Expertise kann ich den Sound schwer mit anderen Boards vergleichen. Jedenfalls klingen die Sounds sehr gut. Testweise habe ich ein eigenes Preset basierend auf einem Cleanen Mesa Mark IV erstellt und mit dem Klang des physischen Mesa Studio Caliber DC2 verglichen. Der Board Sound ist in der Default Einstellung vielleicht etwas transparenter im Klang es fehlt im direkten Vergleich jedoch etwas an tiefen Mitten und Bässen. Mit etwas Tweeking konnte dies sehr schnell mitigiert werden. Der physische Verstärker hat zusammengefasst deutlich mehr Druck und ein wenig bessere Ansprache. Betonen möchte ich dass durch den Synthie und das ToneCap Feature das Board einen enormen Zusatzwert generiert. Die Synthie Presets finde ich bereits sehr gut und der erste ToneCap einer Jazz Gitarre war ebenfalls erfolgreich (sehr einfach durchzuführen und das Resultat hat mich sehr positiv überrascht – einen Jazz-Sound mit einer Strat hinzubekommen war bisher nicht in meinem Ideenfeld). Zusammengefasst bin ich bisher sehr zufrieden.
I love it. Great product.poject
After loads of research, I finally found the floor effects board for me. Great sounds and effects.Steve S.
17. Donner Guitar Delay Pedal Yellow Fall Analog Delay Guitar Effect Pedal Vintage Delay True Bypass
Product Details:
The donner yellow fall delay pedal is a cost-efficient and space saving pedal from one of the more well known pedal makers to come out of china in the past few years. along with mooer and joyo, donner is at the forefront of the mini/micro pedal movement that has recently taken hold, and currently offers quite a selection of pedals, many of which are inexpensive homages to well-known, and significantly higher priced, pedals. the donner yellow fall is the company's take on a classic delay circuit. features the donner yellow fall delay features true bypass wiring, and a three knob design with controls for time, echo, and feedback. the pedal's signal path is based around a pt2399 echo/delay processor chip, and provides from 20 ms of delay up to about 620 ms of delay. although on its own, this chip does provide longer delay times than the quite popular bucket brigade device mn3007 analog chip, the pt2399 is still limited to a maximum of 340 ms. however, at the expense of the signal quality, the total delay time of the pt3007 can be stretched to about a full second. as such, the yellow fall delay provides repeats that are clean but not-too-clean, making it a very vintage-y feeling and sounding pedal.
Specifications:
| Indicator Type | LED |
| Material | Aluminum alloy |
| Control Type | Knob |
| Power Supply | 9 V |
| Weight | 240 g |
Reviews:
like taking a warm bath after being out in the cold for hours!harmenv2006
18. Tc Electronic Mimiq Doubler Pedal
Product Details:
This is a really cool and unique pedal that adds a doubling effect to your sound with varying degrees of tightness depending on how you set it so it can sound like a chorus, delay, or it can just thicken up your sound. with 1,2, or 3 dubs it can really add a minor or very noticeable effect depending on how you set it and it can really sound fantastic while being very versatile. only letting this go because i'm changing to a multi fx pedal. not looking for trades. don't have the original box.
Specifications:
| Number of Knobs | 3 |
| Voltage | 9V |
| Current | 100mA |
| Number of Input Ports | 2 |
| Power Source | Battery |
Reviews:
I track usually 4 rhythm tracks, two of the exact same then two more of the same but with accents or harmonies etc as my main rhythm and I like it to be tight and sound like one guitar performance, the variations and accents and harmonies blend and widen the sound, also I use hard panning and other panning to make the guitar sound huge. With the guitar sound very close performance wise and tone/distortion quality wise, I find that it just sounds like one massive performance and the listener perceived it as a Randy Rhoads kind of singular performance. I'm the only guitarist and I play complex chords, this also let's be play parts of the chord separately for more even intonation and harmonics definition. It goes towards the big sound, I kind of learned from Alex Lifeson, Rhoads, and Hatfield and Wolf of Accept this approach as they all do the main rhythms and it sounds tight and huge. Mimiq helps me get the 4 tracks with only two performances and it adds natural sounding random variations that do what the multitrack stacking of individual performances does, it doesn't just uniformly cancel out all the interesting variations, which can happen if you just copy the same track and reamp. It does what I wanted to do, with less than half the effort.Mindcage
This replaced the signal splitter on my board with the added benefit of actually making my stereo sound better. I have it right after my tuner and it splits into an HM-2 LHP on the dry side and a Blackened Fuzz on the wet "double" side. Makes my stereo rig sound better. I only use the 1 dub mode, so Dry and 1 Double L/R and I use it pretty tight, just enough to make it sound "different" but not sloppy. Does exactly what I had hoped it would do.
Bought to run a slight delay to a second amp more so than the "double track" thing. But actually this effect seems pretty decent. Did i immediately notice you can get phase issues? Yes of course. Did i get some of that notorious left right jump thing? Yes. But it seems to relate to using the pedal at the limits of what its happy with. For the price this thing is a keeper…because otherwise im having to spend big dosh on either the 30ms or the Deco. Buy this but be prepared to accept some limitations and bug bears. It aint bad at all.Rich
19. Valeton Gp-200 Multi-Effects Processor
Product Details:
Full metal rock-solid chassis ready for wear and tear. straight forward ui, user-friendly operation. gp-100 multi-effects pedal offers you 20 user ir storage slots. customize your own tone now! it offers a potent effects processing platform and complete feature set, so you can improve your skill and experiment with different guitar effects, all with one simple-to-use, portable device. use the built-in looper, drum machine, and aux input to play with your own tracks. the looper features max. 90 seconds looping time, and the drum machine gives you 100 different patterns (incl. metronomes). you can turn gp-100 guitar pedal into a usb audio interface by simply connecting your unit to a computer/mobile phone (for mobile devices, a usb otg cable is needed). then you can record, mix, and share your songs whenever you want.
Specifications:
| Sampling Frequency | 44.1 kHz |
| Patch Memory | 256 Patch slots, 100 Factory Patches |
| Guitar Input | 1/4′′ Unbalanced (TS) |
| Aux Input | 1/8′′ Stereo (TRS) |
| Send Output | 1/4′′ Unbalanced (TS) |
| Headphone Output | 1/8′′ Stereo (TRS) |
| USB Port | USB 2.0 Type-C Port |
| Sample Rate | 44.1 kHz Bit |
| Dimensions | 345mm(W) x 220mm(D) x 62.5mm(H) |
Reviews:
Best price in town on a great little piece of equipment. Honestly, it's amazing what tech is doing these days. This unit is fully staged worthy and has nearly everything anyone could want. There is a learning curve to the unit but it isn't too bad. It isn't perfect out of the box but can be tweaked to preference. Many of the presets are great and as good launch point for sounds you are looking for. As for delivery, my unit came very fast. I think i waited 4 days for my order (which was 5 days earlier than initially estimated).Jeffrey
The GP-200 is a very flexible multi-effects/modeler whose price may suggest something of lower quality, but it's actually a great-sounding and fun unit. I play acoustic and electric guitar with an Acoustasonic Telecaster, and the GP-200 works great for both sounds. You get what's probably hundreds of thousands of dollars' worth of amps, effects, and cabinets for a fraction of the cost. The factory presets probably aren't for most people, but the fun is in creating your own anyway. I definitely recommend using the PC/Mac software for this, as it's a little easier on the eyes and a bit more intuitive as far as the interface goes, but working with the unit itself just takes a little time and experimenting to get used to as the documentation isn't as detailed as it could be for the depth of options available. The acoustic guitar IRs are helpful for buffing up a standard piezo pickup; they won't fill anyone into thinking that your $200 guitar is a vintage Martin or whatnot, but they do bring a bit more depth to the sound. I find them a bit brittle-sounding, but perhaps with more EQ tweaking I could minimize that. I highly recommend this unit for people who want a good, flexible modeling solution without paying thousands. I haven't had the opportunity to play with big-name modelers, but this will definitely do the trick for most.Josh
20. Xotic Effects – Sl Drive Pedal
Product Details:
Famous for its woody, organic and beautiful sounds of saturation, these legendary british amplifiers, the super lead & super bass, have been delivering one of the all-time classic sounds for almost 50 years. players like jimmy page, paul kossoff and countless other relied on this type of tone for their signature sound. xotic has recreated this vintage masterpiece in a rugged small enclosure. the sl drive offers very amp-like response and cleans up nicely with a roll of your guitar’s volume knob. the internal dip switches allow you to choose the sound characteristics of both 1959 models. the “super lead” setting offers a brighter tone with more gain, while the “super bass” setting has more low end with less highs. this compact design is a powerful tool for the working musicians. the sl drive is equipped with true bypass switching and eliminates any signal interference when switched off. power requirements are either 9v battery or ac adaptor (optional).
Specifications:
| Dimensions | 3.5" W x 1.5" D x 1.5" H |
| Input Power | 9V |
| Input Impedance | 1M ohm |
| Output Impedance | 1K ohm |
| Number of Tone Settings | 2 |
Reviews:
From slight dirt to full on creamy plexi distortion. It’s all there. Cleans up with the guitar volume knob. Pairs well with other exotic effects. I have two SL drives, one for grit and the other set for lead, as well as an exotic AC booster before to add a bit of boost. I run the EP booster at the end for nice volume boost. Synergy with all exotic effects.Charlie
I chose the SL Drive from a huge amount of drives on the market as I wanted something that fit on a small pedalboard, could provide a Marshall style sound at all gain levels as an alternative to amp gain, and which could work well with the BB MB pre-amp also by Xotic. This pedal really delivers. Although it takes time to set up and find the best sounds for personal preference, it provides a variety of useful tones across the spectra of volume, gain, and equalisation. The design is just so thoughtful and I like the possibility of running it at 18v, although at the moment 9v is better to my ears. Recommended as a piece of gear that should fit with most set-ups.Reviewed by Andertons Music Co.
I've had the SL drive for awhile now and try as I might I can't find anything that can kick it off my board. I've tried numerous other amp in a box pedals(Marshall and otherwise),overdrives and distortions but I keep coming back to this little guy. I guess I keep trying because I find it hard to believe that a pedal this small and this inexpensive(relatively) can't be outdone. I use this in conjunction with a standard Tumnus and the 2 together just can't be beat for me and I'm done spending $ trying.mike smith
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