Are you looking for the Best Acoustic Guitar Preamp Pedal? If so, you’ve come to the right place.
Choosing the Best Acoustic Guitar Preamp Pedal can be difficult as there are so many considerations, such as Zoom, Trace Elliot, NUX, Behringer, BOSS, Yamaha, Pigtronix. We have done a lot of research to find the top 20 Best Acoustic Guitar Preamp Pedal available.
The average cost is $255.20. Sold comparable range in price from a low of $93.03 to a high of $765.00.
Based on the research we did, we think Boss AC-3 Acoustic Simulator Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Acoustic Guitar Preamp Pedal (20 Sellers)
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$119.99
4.1
Reviewers Noted:
Easy to use . Good sound quality . Compact
Features:
- Built-in digital reverb lets you add an acoustic depth effect to your guitar
- Four knobs allow you to fine tune from standard, jumbo, enhanced, and piezo modes
- Led indicator offers the real-time working status of this simulator pedal
Reviewers Noted:
Ease of use
Features:
- Acoustic preamp with xlr and jack outputs
- High headroom with 18v power supply
- Tailor your tone with 3-band eq controls
$119.00
4.7
Reviewers Noted:
Ease of use
Features:
- Usb interface offers hassle-free connectivity between compatible devices
- The 3-band eq control lets you modify the frequency for a customized sound output
- Equipped with chorus and reverb effects to add a lively spark to your music
Reviewers Noted:
Ease of use
Features:
- Make sure this fits by entering your model number.
- 60 second looper with overdub and freeze functions.
- Usb port for firmware updates.
Reviewers Noted:
Easy to use . Size . Portability
Features:
- Preamp helps provide an amplified audio output
- Back-lit control panel offers enhanced visibility in the dark
- Eq controls let you create different sound effects conviniently
$259.99
4.7
Reviewers Noted:
Easy to use . Size
Features:
- Designed with 9 effects to provide multiple options for audio mixing
- Frequency response of 20 hz to 20 khz balances low and high tones effectively
- Built-in compressor offers crisp and clear sound quality
$409.99
4.8
Reviewers Noted:
Easy to use . Size . Build quality
Features:
- Led indicators let you know the working status of this preamp
- The 2-channel design helps you connect two compatible devices
- Designed with 3 band eqs to help you create immersive sounds conveniently
$141.99
4.2
Reviewers Noted:
Ease of use
Features:
- Dual footswitch design allows convenient connection with external devices
- The aluminum frame helps maintain the structural integrity of this stompbox
- Microphone preamp with phantom power delivers a crystal clear audio output
Reviewers Noted:
Compact . Ease of use
Features:
- This pedal helps provide a clear guitar output by eliminating ambient sound
- Comes with an led indicator to display the power status of this guitar effects pedal
- Sensitivity of +11db delivers an astounding sound output
$169.99
4.9
Reviewers Noted:
Easy to use . Good sound quality . Size
Features:
- Built-in sonic maximizer offers a clear soundscape
- Knob interface makes it easy to operate
- Frequency response of 50hz – 20 khz produces crisp and clear sound
$259.99
4.6
Reviewers Noted:
Size
Features:
- 2-channel tube preamp pedal with cabinet simulation
- Headphone output
- 2 footswitches
$549.00
4.7
Reviewers Noted:
Size . Ease of use . Sound quality . Build quality . Weight
Features:
- Three-band eq allows you to conveniently adjust different frequency levels
- Designed with four valves to create a variety of music effects
- Knob controls let you manage the tone intensity precisely
$130.00
4.9
Reviewers Noted:
Good sound quality . Ease of use . Durability . Visual appeal . Craftsmanship
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
Features:
- The 5-band eq produces dynamic and crisp sound effects
- Xlr and 1/4" outputs offer a smooth and reliable connection
- The 9v battery provides uninterrupted usage for a long time
$309.99
4.0
Features:
- Semi-parametric eq allows you to shape the tone of varying frequencies conveniently
- Multiple knobs assist in managing its control settings for an immersive sound output
- Led indicator lets you know the active status of this acoustic preamp pedal
Features:
- Open, musical and detailed instrument and mic preamp.
- Same eq as felix.
- Simple, clearly marked controls.
Features:
- Capturez l'empreinte vocale de votre guitare en un rien de temps
- Sculptez votre son avec l'application
- Synchronisez l'application avec votre pédale pour encore plus de possibilités
Reviewers Noted:
Easy to use . Size
Features:
- With reverb, echo, chorus and harmony
- Produces two additional voices that are controlled by the guitar
- Adaptive tone via smartphone integration (free app for ios and android)
Reviewers Noted:
Good sound quality
Features:
- Volume and mic blend control
- Microphone phase switch
- Three band eq
Features:
- Synchronize rhythms and produce crisp musical effects with this acoustic overdrive pedal
- Led-backlit knobs help enhance the visibility of control settings in low light conditions
- The chassis is crafted with anodized aluminum to help make this pedal durable
1. Boss Ac-3 Acoustic Simulator Pedal
Product Details:
Boss is pleased to offer another "authentic boss" compact pedal; the ac-3. how many times have you been onstage or in the studio with your electric guitar, and wished that you'd brought an acoustic along? for musicians who travel light, hauling an extra guitar isn't practical. the ac-3 gives electric guitarists an acoustic effect with a tap of the pedal. boss's cosm acoustic-modeling technology is beautifully showcased in this small but powerful pedal, which simulates an acoustic guitar much more precisely and realistically than previous technology has allowed. derived from boss top-of-the-line ad-8, the ac-3 pedal simulates the sound of an acoustic guitar with incredible precision. four simulation modes are provided: standard, jumbo, enhanced, and piezo-equipped; the latter supplies that famous "cut through the mix" direct piezo sound. previous compact acoustic-guitar modeling-pedals were promising, but now the bar has been raised with boss ac-3.
Specifications:
| Technology | COSM |
| Indicator Type | LED |
| Built-In Reverb | Yes |
| Number of Knobs | 4 |
| Frequency Range | 50 Hz – 10 kHz |
Reviews:
Look, if you REALLY have to have a Martin D-45 sound, guess what Of course this pedal will never do that. BUT, if you need something that sounds somewhat acoustic-like in a band mix and don't want to carry an extra (not to mention fragile) instrument, then this will work just fine. Not authentic, not great, not amazingly life-like, just FINE. With realistic expectations this pedal is as good as any for what it intends to do. I use this in an A/B/Y rig. Tha A side goes to my regular pedalboard and amps. The B side goes to this pedal and a volume pedal direct to FOH via a direct box. I get the "acoustic" sound fed back to me through my monitor (or ears if that applies occasionally). I can have straight electric, straight "acoustic", or use the Y option to blend the two to my liking. Works for me, YMMV. I play "for-hire" mostly and my clients love the versatility of my setup. Also, DO NOT run this pedal through a tube amp if you want the best results. It will definitely work best either run straight to FOH or through a clean solid-state amp. Hope this helps some of you who may be on the fence.steveheroan2010
Overall: Here's it in a nutshell, if you have a song or two to play onstage it can work but won't be a great sound. Positive features are response time doesn't lag, and it does have a reverb feature. If you like the sound and feel of an acoustic you won't like this. To say you wouldn't bring an acoustic to a gig for fear of it being damaged is kind of lame, maybe keep the expensive acoustic home but take the cheap one, you will get a better sound. I plugged a strat into a clean amps and it sounded better.
Have read many reviews both positive and negative about this pedal. The negatives were not specific but didn't hear their guitar and amp give an acoustic sound with this pedal. The positives were sometimes vague but they liked it. Then some went on to say they liked it not through a tube amp but through an acoustic amp or a PA system. I HOOKED IT up through a very small practice amp set clean and used the emulation out into a mixer then into a low power full range PA type system. Sounded excellent with neck single coil. Didn't try it with the middle single coil nor the bridge humbucker. I am very happy to have this pedal.Kenmorek
2. Orange Acoustic-Pedal Preamp/eq
Product Details:
The orange acoustic pedal is an innovative preamp pedal that lets you sculpt your sound, eliminate feedback, and plug straight into the pa- and that's just the start. for the discerning acoustic guitarist looking to elevate their sound and expand functionality, this compact preamp could provide all the answers. the buffered fx loop keeps your signal pure while the 18v power supply delivers stunning headroom that instantly delivers professional, studio-quality sheen. using a low-noise jfet circuit design means no unwanted noise- no hiss, even with the treble control cranked. utilise the precise 3-band eq controls to carefully sculpt your tone to perfection. then, the genius xlr output means you can run straight out into a pa, for maximum ease of use. everything needed to make your acoustic sparkle, all in one pedal.
Specifications:
| Product Dimensions | 4.13 x 2.36 x 5.12 inches |
| Color Name | Orange |
| Signal Format | Analog |
| Voltage | 18 Volts |
| Controls Type | Knob |
Reviews:
Comprado como complemento para utilizar tanto con amplificador como directo a ordenador.
Habe das Pedal zu Hause probiert, gibt das Signal unverfälscht weiter. Habe einen Auftritt damit gespielt, und der Tontechniker konnte das Gitarrensignal problemlos und in guter Qualität verstärken. Gut ist, dass zwei Ausgänge vorhanden sind. Also neben XLR für PA/Monitor kann man noch einen Verstärker betreiben, wenn nötig. EQ ist eher dezent, reicht aber völlig aus, um das Signal deutlich zu färben.
3. Nux Stageman Floor Acoustic Preamp And Di
Product Details:
Specifications:
| Notch Filter Type | Adjustable |
| Input Size | 1/8” |
| Output Size | 1/4" |
| Interface | USB |
Reviews:
Sound und Handling super
Świetny preamp, już przerabiałem kilka tego typu przedwzmacniaczy akustycznych i ten sprawuje się najlepiej. Preamp z regulacją 3-zakresową+pogłos+chorus- Więcej nie trzeba do grania, także 'na żywo'. 3 wyjścia sygnału, idealne rozwiązanie w każdej niemal sytuacji. Jak będzie niezawodnie działał, to idealny sprzęt! Polecam w 100% produkt jak i Sklep.Przemek
4. Nux Stageman Floor Acoustic Preamp Di Pedal (173.338uk)
Product Details:
Nux stageman floor is an analog acoustic preamp with digital effects and looper function. the preamp features a highly sensitive 3-band eq with mid scoop toggle switch adjustable notch filter and input gain control. it is equipped with multi-functional chorus & reverb effects. high headroom gain stage with 3-band eq mid-scoop and switchable response for piezo or magnetic pickups. a built-in looper can make use of both pedals for freeze and overdub effects. a complete stage or studio tool for acoustic players.
Specifications:
Reviews:
Sound und Handling super
Świetny preamp, już przerabiałem kilka tego typu przedwzmacniaczy akustycznych i ten sprawuje się najlepiej. Preamp z regulacją 3-zakresową+pogłos+chorus- Więcej nie trzeba do grania, także 'na żywo'. 3 wyjścia sygnału, idealne rozwiązanie w każdej niemal sytuacji. Jak będzie niezawodnie działał, to idealny sprzęt! Polecam w 100% produkt jak i Sklep.Przemek
5. Trace Elliot Transit A Acoustic Preamp & Effects Pedal
Product Details:
This is the perfect pedal for any acoustic player. featuring all of the most commonly used effects, the transit a puts complete control at your feet. the built-in effects are reverb, delay, chorus, and boost. each effect can be turned on and off independently using their own dedicated footswitch. each effects section has its own controls. other features important to acoustic players are the eq and tone-shaping. the transit a delivers on this front with a phase switch, a pre-shape switch, and a piezo switch. also built in is a chromatic tuner. for quiet rehearsal, there is a headphones output. if you'd like to play with backing tracks, there is an auxiliary input. finally, with pre and post balanced xlr outputs, which include a ground lift, the transit a works perfectly as a di box.
Specifications:
| Width | 12.3" W |
| Depth | 4.5" D |
| Height | 2.3" H |
| Weight | 2.6 lbs |
| Number of Equalizer Controls | 3 |
Reviews:
Overall: I was looking for something that would give me compact unit that would leave me prepared for any eventuality.This box with its outstanding effects for acoustic, and great options for output, leaves me feeling prepared for any eventuality. No direct box needed!Its very small footprint gives me a lot of functionality in a very small space, without chincing on quality. IT feels durable and substantial without being a tank.My Taylor K14C sounds awesome through it!Its hard to comment on customer service when you have had no need to contact the Mnfg. so don;t consider my rating on that since I cant really commentJoseph
I love this thing! Pairs well with my Taylor 110. The preamp is responsive, the boost is a nice touch, and the chorus and reverb are lush. Tap tempo delay is great. I will use this weekly for worship guitar at church. My only bone to pick was the power adapter was bad right out of the box. I had another so it worked out, but still. Great unit and you definitely get what you pay for.Imnotluckyjustsaved
I play mandolin and guitar in the church band and I have long since found that going direct through the P.A. system is the most efficient and quickest way to get a fidelity acoustic tone into the mix. The great thing about the Trace Elliot is that it is a quality direct box with XLR outputs with quality effects. I love the simplicity of the controls which allows me to individually dial in the effects such as reverb, delay, chorus, and, since I often take solos, a dedicated boost stomp for the extra punch I need for taking the lead with distinction. The simplicity of the controls allows me to make individual tweaks right on stage, unlike my Zoom A3, which has to go through several computer digitized manipulations, and actually requires pre-programmed patches. The Trace Elliot eliminates the digital windows through plain straightforward simplicity.randalcummings
6. Zoom Ac-3 – Acoustic Creator
Product Details:
Fully functioning & in great shape. includes original box, which is a bit tattered. the ac-3 acoustic creator is an enhanced direct box with essential di features that help you achieve great tone no matter where you play. the ac-3 is equipped with an effects generator, stereo outputs, and a compressor. with these features plus the same high-quality preamp and 3-band eq as the ac-2, the ac-3 is an all-in-one acoustic toolkit that’s perfect for live performance and studio. with 16 source guitar presets, the ac-3 recovers the sonic characteristics of a variety of guitar types and body shapes. you can choose from dreadnought, upright bass, nylon strings, 12 string, and more. simply select your guitar of choice, then choose piezo or magnetic pickup. from there, the ac-3 is ready to reproduce and amplify your guitar’s tone with complete accuracy.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| Number of Effects | 9 |
| Sampling Frequency | 44.1 kHz |
| Number of Bands | 3 |
| Built-In Compressor | Yes |
Reviews:
I’ve been searching for multi effects/DI pedal to compliment my Weissenborn style acoustic guitar. My sound hole passive pickup does a great job except for a somewhat weak output. Enter The Zoom AC-3 to the rescue. Now I have output headroom to spare. Everything about it is top shelf. Extremely flexible effects (kudos to ZOOM for using knobs rather than menu driven). And, it’s build quality is terrific. Very solid unit. I’m very glad I decided to try the ZOOM AC-3. BTW, the AMS payment options are unbeatable!SC n NC
I needed a DI box that could also boost the signal to the PA for solos and the Zoom does that well; the stage tuner is helpful, though I still use headstock tuners from habit and have accidentally muted my guitar stepping on the tuner switch when I wanted the boost switch. Providing presets for guitar body style should be useful, but once an effect is chosen I'll likely stick with it and use the equalizer knobs instead. Rarely use reverb playing with other instruments through the PA. The anti-feedback function and lift button haven't been needed though that was a big problem with my old DI box. Not using batteries, but two AA ones probably wouldn't last long.Mike
Makes a 200 dollar guitar sound like a 1000 dollar guitar. Makes a 1000 dollar guitar sound like a 2000 dollar guitar and so forth. The tape delay and tremolo sound so lush and amazing. The other effects sound amazing too, but I love the tape delay. What is amazing about this pedal is that it gets your little nuances and fixes them by smoothing them over. It's hard to find this pedal under 300 dollars, but if you have to own just one pedal for an acoustic then this is the one.satu87121
7. Radial Tonebone Pz Pre Acoustic Preamp
Product Details:
Acoustic instrument preamp the tonebone pz-pre is a powerful acoustic instrument preamplifier with a powerful eq and feedback control section and loads of connectivity options giving you complete control over your rig. features two channels to switch or blend instruments notch & resonance filters eliminate feedback pre & post radial di outputs for pa and monitors power booster and mute for more control on stage powerful control in a box the radial tonebone pz-pre is a powerful acoustic instrument preamplifier. the magic lies in the combination of high performance 100% discrete class-a pzb piezo boosters, an ultra-quiet preamp circuit that will adapt to any pickup system and a host of connectivity options that will put you in total control. the pz-pre is equipped with two inputs for quick instrument changes on stage, or, for blending two pickups together. powerful semi-parametric eq and feedback eliminating controls allow the user to fine-tune their sound while eliminating troublesome frequencies. offering both pre and post eq direct box outputs, the pz-pre can be used send a dry signal to the house and performer tailored sound to monitors. pz-pre applications using two acoustic guitars on stage the pz-pre is the perfect stage partner for switching between two acoustics. you can have one for backup, alternate tuning or switch from 6-string to 12-string with ease. using upright and electric acoustic switch between contrabass and electric or acoustic bass with a simple foot stomp! the pz-pre's input is easily optimized to work with finicky piezo pickups for a deeper, more natural tone. using the pz-pre on violin and mandolin using the pz-pre with a piezo transducer will give you more gain before feedback than a microphone. you will be surprised at how good a piezo can sound when connected to a pz-pre!
Specifications:
| Indicator Type | LED |
| Number of Channels | 2 |
| Number of Band EQ | 3 |
| Connector Type | XLR |
| Dimensions | 13.2" x 5.5" x 3.4" |
Reviews:
I play acoustic guitar, mandolin and upright bass on stage and was looking for a professional-quality pre that I could easily plug them all into. Although there are only two inputs, most of the time that's enough. What really amazed me, though, is how little tweaking I have to do when switching between instruments. When I'm going from acoustic guitar to mandolin, all I really have to do is cut out most of the "Low." Otherwise, the tone is excellent for both instruments. I did notice, however, that making sure you've matched the Tonebone to the correct pickup type (magnetic or piezo), makes a HUGE difference. If they aren't matched, the sound is thin and noisy. Still, I mostly use the Tonebone through a Roland AC60 (except with the bass) and could not be more pleased. The "Boost" switch is very handy for solos. My only wish is that it also had compression, reverb, and chorus thrown in. If it did, I'd never need another acoustic box.Doofus1
Exceptionally powerful preamp with flat response and headroom. The Piezo Buffer feature ensures that a passive piezo has enough juice and impedance to sound its best and if you have an active pickup, turning off the PZB ensures ample headroom and adequate impedance. The EQ is super effective and the hi-pass filter is a great feature for pulling rumble out of your guitar and if that doesn't work, there's a 200hz hi-pass and a Notch Filter. No excuse for feedback. I've used mine with two guitars equipped with passive Baggs piezos (LB6 and iBeam) and the LB6 sounded its best with this unit. I think, in the future, I'm going to set up the PZ Pre to blend inputs instead of toggle between guitars. I'm possibly going to add an active mic to my guitar and I think it'll be interesting to experiment with its blending capabilities. This preamp does it all but I won't give it a perfect score as some might prefer separate EQs for separate sources. That said, it's pretty much perfect.Erik
Been doing an acoustic duo gig on a regular basis for a few years now. I was using the Boss A/B 2 which worked great switching between my acoustic guitar and my slide guitar. The problem was that my slide guitar (Fender FR50) didn't have the output that my Guild DC 1E did, and I had to reach for the volume on my guitar to turn up for my solos. Enter the Radial Tone Bone. I spent a day on the floor at the NAMM show specifically to find the right pedal. Unlike everyone else that has an acoustic preamp pedal, Radial made a pedal that you can: a) plug two guitars into with separate volume controls so you can match the outputs of each guitar b) a boost function that you can send to a volume knob, fx loop, or both c) extremely musical eq, it's almost impossible to find a bad sound on this thing. While everyone else had chorus, tap tempo delays and a bunch of other stuff that I would use in an ELECTRIC gig, Radial packed all of the features that I need into one reasonably priced unit. This was also the only acoustic preamp pedal that I found that had two inputs. What professional musician shows up to a gig with one guitar? Answer: The guy that's not gonna have a gig next week. Plugged a Carbon Copy into the loop for my gig last night, and I'm in awe of the tone listening to a playback of the performance. Go get this pedal!!!Dirtbag
8. Hotone A Station Acoustic Preamp/di Pedal
Product Details:
Hotone's performer series professional stompboxes have been designed by and for musicians to be the best tone shaping tools for the stage and studio. featuring a compact, yet rugged aluminum chassis, 100% analog circuit and other carefully chosen components, these stompboxes are built to produce high-quality sound and wide tonal range in any performance situation. each performer series stomp offers a dual footswitch design, as well as multiple i/o options for connecting to pa systems, audio interfaces, mixers, amplifiers and more. the first stompbox in the performer series is the a station, a powerful acoustic preamp with d.i. if you play an acoustic instrument (guitar, violin, mandolin, etc.) the a station is the ticket to make your tone really soar. it also offers a microphone preamp ideal for singers and worship leaders. a station is also a must-have for venues where performers are consistently playing through the house pa system. features acoustic guitar preamp/d.i. specifications dimension: 2.35" h x 6.5" w x 7.5" l weight: 1.48 lbs color: as shown.
Specifications:
| Product Length | 7.5" |
| Product Height | 2.35" |
| Product Width | 6.5" |
| Product Weight | 1.48 lbs |
| Equalizer Type | 3-band |
Reviews:
Not only are these durable, but sound great, crisp and very clean.Lee@ Sam Ash Cincinnati
This is an affordable DI from Hotone. It has all the necessary features to make it an essential tool for live acoustic players. The Phantom power comes in handy for eliminating the need for power supply or battery. Great for coffee houses or concert stages the 3 band EQ will help improve your sound and eliminate feedback. This is a hands on review by Jim at Sam Ash 36DrJ
The microphone input has to much gain and creates a lot of hiss when using the DI output.gk1219
9. Dunlop Echoplex Ep101 Preamp Guitar Effects Pedal
Product Details:
The echoplex preamp faithfully recreates the tone-conditioning magic of the ep-3, featuring a single fet stage, just like the original, and following the exact same signal path. the gain control allows you to boost your signal by up to +11db, seasoning your guitar tone with some light asymmetrical clipping at higher settings for some sweet organic grit.
Specifications:
| Sensitivity | +11dB |
| Voltage | 9 V |
| Dimensions | 4.5" x 5.5" x 2.75" |
| Weight | 0.75 lb |
Reviews:
I just bought this pedal a few weeks ago and it has made a big difference in the tone of my guitar amp. I am playing a Les Paul Studio 70's tribute through an Egnater Renegade. I was suprised that this little box would thicken up my tone so much and increase the natural harmonic prescence of my guitar. My guitar has mini-humbuckers, which have a really crisp clean tone but do not have the massive distorting ability of their humbucking big brothers. Not any more, my distorted guitar tone is so rich and thick now and I have no trouble doing pinch harmonics. I recommend this pedal to anyone wanting to overdrive their tube amp more without changing or coloring the natural tone of their amp. It might sound like a cliche but this is definitely a make your tone sound better pedal. Secret Sauce in a pedal!!!William
I love the analog warmth this pedal brings to my guitar tone. You can't really tell it's on sometimes, but if you turn it off you instantly notice the difference. It's a great pre-amp and you shouldn't bother trying any other brand. I've had the Katana clean boost, the ubiquitous LPB-1, and others. This pedal has that "zing" you can't really put your finger on.Louis The Musician
Well I was ify at first about getting this cus I had a Lovepedal Echophonics delay, that I used with its boost to use on my other pedals but I felt like I needed more and I had the EP Booster before which is awesome but wasn't for me. So on a limb I bought the Echoplex and yes its exactly what everyone says it is….pretty much secret sauce. I put it last in my chain right next to the Echophonics pedal and both push my fuzz pedals into a loud, fuzzy mid like tone that is easy to cut thru a band mix. Adding this guy to a big muf pedal does wonders to its mid scoop sound!!! If you want that extra mids, polished bass and clean treble get this pedal.Davey Cutthroat
10. Bbe Acoustimax Sonic Maximizer / Preamp Pedal
Product Details:
Basically new condition bbe sonic maximizer-excellent addition to either electric or acoustic. the best way to describe this is to say that it creates a extremely clear presence. three band, recording console quality eq with a sweepable mid band. low frequency notch filter. phase reversal. ground lift. line level out. dedicated tuner out. trs stereo effects loop. pre/post switchable balanced di output with pad. hardwire bypass. non-slip rubber bottom. 12v power supply included.
Specifications:
| Number of Band EQ | 3 |
| Interface | Knob |
| Frequency Response | 50Hz – 20 kHz |
| Power Source | 12V DC |
| Indicator Type | LED |
Reviews:
Picked up a recent model Taylor to try the expression system II. Output is low, but with good potential. Needs something more, as the built in taylor preamp sucks. Not like old expression system. What's wrong with these folks at Taylor? BBE Acoustimax/sonic maximizer brings the taylor life, as it does my Breedlove mando with k&k pichup, and my solid body Jimenez bajo quinto with emg pickup. Bajo never sounded this great!Zookiman
I haven't had this product very long, but I can see that it is yet another fine product from BBE. I don't know exactly how they do what they do–I have unsuccessfully tried to duplicate it in the studio–but I sure do like it. This product has taken my live acoustic guitar sound, which was good to start with, and elevated it to a much better sound. I use the BBE Sonic Maximizer on my sound system and the BBE Sonic Sweet plugins in my studio, and it's plain to see that this BBE Acoustimax will become an important part of my sonic arsenal. The 3-band EQ with adjustable midrange frequency and the notch filter allow me to tune in my sound exactly where I want it with no feedback issues, and the TRS effect loop is a great idea. (I run my favorite delay pedal on this.) Then kick in the Sonic Maximizer and my guitar has never sounded better.J Glunt
To get this functionality for 50 more than a good Direct Box is a no-brainer. Gives you that tweakability you want before you send your signal to the sound technician. Also has an effects loop and tuner out. If you trust the technician at the board, they will appreciate that you're sending them a great raw signal. If you don't trust them, you have the power to tweak right at on the stage. My advice: have conversations with the sound crew about how they had to EQ your tone. If they start saying the same thing in different locations, you know you need to change your EQ accordingly. I started cutting at 500hz with the mid sweep because of this. Now I make a better impression on the house I come in there with a good raw tone.Dave
11. Two Notes Le Clean 2-Channel Tube Preamp Pedal
Product Details:
Leclean version of the two notes pedal series. awesome recording preamp, or the way i used it was a pedal platform that allowed me to run direct to foh in an ampless configuration. using the on board cab sim, i d run the two channels in series (hot fusion) and get a really warm clean tone. then run whatever pedal(s) i wished for distortion. i used anything from a tube screamer to a plexi-drive to a blackstar ht dual with great results. split all that and my effects between a powered monitor and the board and i was happy as a freshwater clam! the only reason this and a few of my other pedals are being sold is i m in the fortunate position to be using a real amp at gigs again. otherwise this would be staying right where it is.
Specifications:
Reviews:
Looking to downsize and I saw one of these preamps and decided to give it a try. These are a lot cheaper than the Helix and Kemper units and I think worth it. I put this on my board, run my effects in the effects loop, then out to a velocity power amp. Sounds excellent. Highly recommend.TheDude
Very happy with this preamp pedal. I am using it as a preamp on a small Marshall ampIgnace D.
12. Victory V4 The Sheriff Preamp Pedal
Product Details:
Very light use, many great tones in a box (of tubes)the new victory v4 series pedal preamps are serious tools for the modern musician! this version is based on the popular "sheriff" circuit, which gives you classic and "hot rodded" british flavored tones. the v4 pedal preamp is no ordinary overdrive, it boasts a set of a 4 tubes, including a trio of new old stock mullard cv4014 tubes and a single ec900 for the first gain stage. the pedal features 2 channels to bring you a range of tones from the edge of breakup to saturated hot-rod tones with impressive midrange punch. it also features a bright switch and powerful 3 band eq.
Specifications:
| Operating Voltage | 12 V |
| Weight | 3.6 lbs |
| Width | 8.9" |
| Depth | 5.5" |
| Height | 3.1" |
Reviews:
It's very well-engineered in build quality – quieter at high gain than most, but…the LEDs are too bright (on a dark stage you can't see beyond them to the controls), the 4 wiring option cuts out the amp reverb (Fender Supersonic) when the V4 is kicked in, and although Channel 2 is good for solo's the Ch1 is a bit fizzy for crunch. Overall disappointing, and does not sound as good to me as my HT Dual pedal made by a certain company from Northampton.Reviewed by Andertons Music Co.
Initially I struggled to find a sound that I liked from this pre-amp, probably because I am not a great Marshall fan but I persevered and by knocking back the mids a bit and playing with the bright switch, I eventually found the sound I was looking for. I am using this in a 4-cable configuration with a V4 'The Jack' amp, which is itself a fantastic piece of kit.Reviewed by Andertons Music Co.
Very well built. Overall sounds excellent with some issues. Single set of tone controls doesn't work well as the 2 channels are distinctly different. Doesn't do clean well at lower gain; you need plenty of headroom and it then cleans up OK. Will probably need a clean preamp of some sort to switch to for clean. Noticeable audio pop when switching channels. If you want that Plexi-type sound this will do the trick.Reviewed by Andertons Music Co.
13. Xotic Effects – Bb Preamp Pedal
Product Details:
This preamp over drive pedal is in excellent condition has one small scratch on paint near stomp switch (pictured) the pedal sounds excellent and works great. super quiet pedal has a true bypass built in as well as up to 30 db of clean boost and a low and high eq of up to 15 db per frequency. includes original box and candy. i love this pedal but i am taking a direction for a different sound and do not have much of a need for it anymore. can run off standard 9v power supply or battery. (not included) velcro will be removed when sold, unless requested to leave on.
Specifications:
Reviews:
Absolutely the best pedal that I have ever heard. For classic rock, blues, country edge, NOTHING I've heard can beat it. After playing 40 years and amassing more pedals than I care to admit, I lined them all up for a shootout and started selling off the losers. Just recently I became aware of the BB Preamp, after seeing a video of Andy Timmons set-up. It rocketed to the top of my list and knocked my previous favorite pedal (cmatmods Signa Drive) to the number two spot. I was amazed at the tone and responsiveness of the BB Preamp. It enhances your tone, but leaves it alone, with hardly any coloring at all – very transparent. I play a Mesa Boogie Lonestar Special, and honestly, this pedal sounds as good or better than the drive channel of that $2000 amp. Very glad I wasted some time on youtube and ran across this pedal!rs-guitar
gets that deafening svt sound at merely uncomfortable volume. bass knob has just the right freq to be low and fat without mud and boom. treble goes from warm and smooth to nasty. even without any gain it makes a better tone for your whole rig and band. don't let the lack off a clean blend dissuade you. this doesn't need it and sounds more focused and realistic by pushing your entire signal. easily does slight grit to lotsa grind. I use a EP booster in front of it to get more gain and volume when I want it and it sounds huge with tons of sustainJeff
The Xotic Bass BB Preamp was the first "Quality" pedal I purchased when I moved from Multi-Effects Units and Boss/Korg/DigiTech mass-produced effects to Individual Pedals, and while there are a number of high quality/high-end "SVT-In-A-Box" Overdrive/Distortion Pedals on the market now I still consider this to be among the top units. Firstly is it's perfect balance of ease-of-use vs variety of tone: between its overlapping Treble & Bass EQ section & Gain control, it's quite easy to go from adding just a touch of Overdriven "dirt" into an otherwise Clean Bass tone to Lemmy or Type O Negative's Peter Steele full-on "Lead Bass" Distortion, and many different examples in-between (Entwistle, Squire, Lee and Commerford). However, the amount of Gain you choose to use does not overwhelm the inherent sound of *your* playing style and *your* Bass and other gear. A Jazz Bass will continue to sound like a Jazz Bass, a Precision will sound like a Precision, StingRay, Ibanez, etc… Adding the 2-band EQ section into the equation will continue to give you more options: for example, if you're using a "60's"-type Jazz Bass (Alder Body, Rosewood Fretboard) you may very well want to add some additional treble EQ to sound closer to the stereotypically brighter "70's J-Bass" (Ash Body, Maple Fretboard)… or not, if you simply want to add overdrive/distortion. I've found that while other Bass Overdrive/Distortion pedals may have more functions and knobs/switches, I personally find Gain-increasing effects to be better with a minimum of controls. One feature is of great use both in the Studio/Recording setting, or if you should find yourself with a massive "Preamp/Head/Amp Failure" before a show: as its name implies, the Xotic Bass BB Preamp has enough output to drive a Power Amplifiler or to the Mixing Board on its own. This "Emergency Function" alone is worth its weight in gold if you don't have an alternative method of amplification should catastrofic failure happens. And you wouldn't even need to play the show using a distorted tone is your usual is a clean one – by simply not increasing the Gain you still have a perfectly good 2-band Preamp at your foot/fingertips. The quality of the pedal is also second to none. Hand-wired with top-of-the-line parts, its potentiometers & input/output Jacks are all heavy duty, and the footswitch clicks on and off with an audible (and forcefull) "click". The only negative that comes to mind is not only its but most modern pedal: it will drain a 9V battery very quickly. However, as most Bassists as well as myself are switching to pedalboard-mounted multiple pedal power supplies, I doubt this is a true negative to most players. Again, there are many Bass Overdrive/Distortion pedals on the market currently that give you a choice between multiple presets, more bands of EQ, XLR Outputs, and numerous other functions. However, I believe the Xotic Bass BB Preamp combines ease-of-use, a good deal of tones at its potential & high quality craftsmanship at a reasonable price of pedals of its caliber.
14. Lr Baggs Para Acoustic Di Guitar Preamp
Product Details:
The para di is the award winning preamp/direct box that fits right into your string pocket and gives you a 5-band eq with tunable notch and midrange. whether on stage or in a recording studio the para di brings out the best in any pickup. as a musician, you are an artist…a communicator. the notes, chords, rhythms, and melodies you play on your instrument need to be heard loud and clear by your audience. whether your focus is getting the best tone from your instrument on stage or in the studio – l.r. baggs products can help you sound great. they've spent 20 years developing the best sounding pickups and preamps on the planet. this is the sound you've heard from players like vince gill, pete townsend, doyle dykes, eric johnson, phil keaggy, earl klugh, alison krauss, lenny kravitz, kathy mattea, natalie merchant, jean luc ponty, james taylor, and countless other talented players around the world. so…are you ready to find the right gear to take your tone to the next level? their electronics are the product of 20 years of relentless improvement and the quest for perfection. their quality has been recognized with great reviews and numerous awards. they have also garnered a well deserved reputation as the most advanced and best sounding circuitry for pickups on the planet. they are magic. you can be assured that you will sound your absolute best when you use any l.r. baggs preamp. the acoustic guitar magazine players' choice award winner the para acoustic d.i. is a studio quality direct box combined with a feature packed, state-of-the-art preamp and equalizer. l.r. baggs' proprietary quasi-passive eq circuitry is totally transparent and allows control over voicing without sacrificing tone – a big advance over conventional equalizers. it brings out the best in any pickup and will make you sound better. the para acoustic d.i. is quickly becoming a key component in the acoustic setups of both professional and amateur musicians alike.
Specifications:
| Number of EQ Band | 5 |
| Power Output | 9V |
| Output Size | 1/4" |
| Sensitivity | 24 dB |
| Phantom Power | Up to 48V |
Reviews:
Well you know how some people are when it comes to amplifiers on stage for church worship services. They don't want them because they think everyone will start cranking up and jockeying for sound. So I bought this direct box. Its amazing! You will like it a lot. I plug my acoustic guitar straight in and then send it to the house speakers. We have a Presonus 32.4.1 AI mixer in the new building. My favorite thing about this is the eq settings. I can dial in a sweet tone, my settings are bass at 2oclock, mids at 2 o'clock and presence and highs at 1 o'clock. Gain at 12 and volume at 3. This box is really all you need. I don't like tinny trebly sounding acoustic guitars. The bass and mids are wonderful for balancing out some highs and giving the guitar a "fullness". This box sounds very realistic. It is a very good representation of how the guitar sounds unplugged. I have a B Band pickup under the saddle so i have never had any frequency issues. I don't use the notch. I also use a TC electronic arena reverb pedal. Make sure you send the acoustic into the Para DI first and then to the reverb pedal or else it don't sound good. You can do this by getting an effects send return 1/4" cable and using the FX jack on the DI. Nice feature!! I will say i think this box sounded better on the old analog mixing board at our church, but I'm sure we can tweak it to the Presonus. Our church just moved from a 14,000 sq ft building into a 30,000 sq. ft. new building and new sound system so the room is playing into effect also. You need to keep this in mind. The old room had 12 ft. tile ceilings. The new building has 40 ft. ceilings. I think it sounds good coming out the house but it still sounds a bit digital in my headphones. Especially the b and e strings. That has more to do with the digital mixer though i think.guitarguy1981
If you've ever faced the problems of booming (or too thin) bass, acoustic feedback, "quacking," nasal sounding treble, or clicking picks, you will welcome this marvelous box. On my very first gig with the Baggs, I told the sound man to set the board flat and let me handle the EQ. With just a little experimentation and adjustment, I was able to boost the bass to the point where it was full but not booming, eliminate quacking and feedback, and balance the sound on my Taylor GS7 across the musical spectrum from low to high. When the sound man called down from the booth that he could hear my picks clicking on the strings, a few tweaks of the mid-high and presence knobs dialed that right out, without sacrificing volume or clarity on the treble strings. Admittedly, it's a bit tricky to master the somewhat complex settings on this sophisticated device, and the minimal instructions provided by Baggs don't help as much as one would wish. But there are some helpful videos on YouTube, and with a little experimentation you can get this box under control. I love the sound that it lets me get out of my guitar, and can't imagine that your experience would be any different. It's also extremely rugged — built like a tank, in fact — and should stand up to a lot of on-stage use. I can't imagine ever plugging in without it.marconelli
The best DI for acoustic guitar I've ever used. I bought one of these little gems at a local music store for almost ten years ago and it's like brand new. Quiet. Clean. I have a Tascam DP24 and there is ZERO hum or hiss in the signal. Onstage, I darned well won't use anything else for my Guild J series. The control over feedback in a live setting is incredible. I can notch out any hint of feedback with just a tiny alteration of the sweep knob. If my strings are a little old, I can dial in some crispness. The control in the lower mid to low high end is most sensitive–and very impressive. Most DI's give you a flat signal all across the spectrum which is okay for bass guitar or keys, but somehow this little guy gives me a certain springiness in the mid's, about 800 Hz to around 1.5 KHz. I frickin' love it. It turn my acoustic into a lead instrument that doesn't get lost in the mix.Michelle
15. Radial Pz-Deluxe Acoustic Preamp
Product Details:
The radial pz-deluxe is a studio quality instrument preamp that jam-packs a full array of features into a compact pedal for live stage use. and like most studio preamps, the pz-deluxe begins with a low noise front end that is capable of exceptional dynamics to adapt to all instruments including acoustic guitar, upright bass, mandolin and violin no matter what type of pickup system is being used. for piezo transducers, a special pzb gain stage may be engaged that increases the input impedance to 10 meg-ohms to eliminate squawk and explosive peaks that are common with other systems. this eliminates the need for a separate preamp – which is of particular importance for those that do not want to cut a hole into their vintage guitar. the control panel is well appointed with input gain, 3-band semi-parametric eq with variable mid-frequency, three position low frequency resonance filter and 180 degree polarity reverse switches to eliminate acoustic hot spots that cause runaway resonant feedback. a guitar level output delivers the sound to the artist's stage amp while the built-in radial direct box feeds the pa system. this balanced low impedance output enables the pz-deluxe to drive long cable runs of over 100 meters (300 feet) without noise. a separate tuner output enables quiet on-stage adjustments by depressing the mute switch. and for solos, a variable power booster with set & forget level control lets you punch through the mix when needed. the radial pz-deluxe is compact for easy transportation, made tough to handle the road, plug & play easy to use and delivers exceptional studio quality audio.
Specifications:
| Frequency Response | 20 Hz to 18 kHz |
| Dynamic Range | 105 dB |
| Equivalent Input Noise | -108 dBu |
| Intermodulation Distortion | 0.07% |
| Circuit Type | Class A FET Hybrid Input Stage |
Reviews:
more boost adjustment would be nice,the ground lift is useful in a room with a buzz.alderbash
16. Grace Design Alix Acoustic Instrument Preamp/eq/di/boost Pedal – Black
Product Details:
The black alix from grace is a single-channel preamp, eq, di, and boost pedal designed to bring studio-quality sound to the stage for acoustic string instruments with pickups, such as guitar, bass, banjo, and more. housed in a lightweight and roadworthy chassis with clearly marked controls for visibility, even in dark environments, it is portable enough to throw in your bag or strap to your pedalboard. the unit features a power supply and grounding circuit designed for a quiet signal path and professional-grade headroom & line-driving ability. the instrument input is equipped with a three-position impedance switch to match the requirements of specific pickup systems. phantom power (12v) is available in line-input mode to power electret and lavalier mics. the eq section allows for simple and intuitive tone shaping. the high-pass filter cuts 12 db per octave from 20 hz to 1 khz, and can also be set as a notch filter for eliminating problem feedback or rumble areas. high- and low-frequency shelving let you add bite to your instrument or push the bass. the boost switch activates up to 10 db of variable gain to provide a clean and distortion-free level increase to every output. the dedicated, level-controlled amplifier output can be used to drive a stage amp or personal monitor, while the isolated di output (with custom-wound transformer) delivers a clear signal with natural bass response and low noise. other features include a mute/tune foot switch for muting all outputs except the dedicated tuner out, a 9 vdc pedal-power-output jack so you can power your tuner and effects right from the unit, and a set of dip switches to let you customize eq & activate phantom power. the alix is designed and built in the usa.
Specifications:
| Weight | 10 lb |
Reviews:
I'm a jazz guitarist playing an 8-string classical guitar that goes higher and lower than a regular guitar. It has a K & K pickup and I my amp is a JBL EON powered speaker, which, for this instrument sounds better than any jazz guitar amp. I have used the Zoom A-3 preamp as well as an L.R. Baggs Venue DI. They are both very good but I'd say the Grace Alix is the best I've found. It has great features you can read about but I must say that the sound of my guitar with the EQ set flat is strong, clear and simply amazing! It's very well thought out. Worth the price.8-String Fred
17. L.r. Baggs Voiceprint Di Acoustic Guitar Impulse Response Effects Pedal
Product Details:
Lr baggs soundscape the product of nearly 3 years of intensive research and collaboration with a team of phds, lr baggs is thrilled to introduce voiceprint di, the next breakthrough chapter in acoustic amplification. voiceprint di measures the acoustic response of your guitar by leveraging the processing power of your iphone to accurately capture your guitar s one-of-a-kind voice.
Specifications:
| Product Dimensions | 7.87 x 6.3 x 3.15 inches |
| Hardware Interface | Micro USB Type B, Bluetooth |
| Signal Format | Analog |
| Voltage | 9 Volts |
Reviews:
I looked everywhere for an amp, pedal, anything to make my acoustic sound natural. Finally LRBaggs did it with this pedal. I can't express enough if you play acoustic guitar you need this voice print di. I use mine straight to the mixer with the handy XLR out it has. The anti feedback works great, seems to take some of the thickness away though, but I probably just don't know how to fix it yet. I paid 400. Worth every penny.Craig W.
18. Tc Helicon Perform-Vg Vocal & Acoustic Guitar Processor
Product Details:
Perform-vg makes professional-grade live vocal production easy and legendary. with only the most essential vocal and acoustic guitar e ects, this unique vocal and guitar processor lets you sound fantastic – while letting you keep your mind on your performance. portable, expressive and most importantly simple, perform-vg will instantly satisfy your need for impeccable sound at the touch of a button. if you're a solo performer, you've probably felt like something was missing, and you are right; where are the harmonies? our proprietary naturalplay technology turns you into a trio by adding up to 2 harmony voices created by the chords you play on guitar. no backup singers – no problem! reverb and echo effects simulate adding physical space to your sound, allowing your voice to fit into the music perfectly. from the ambience of a small room to the echo of a massive cave, perform-vg's vocally tuned reverb/echo settings always bring out the best in your voice. perform-vg features our bodyrez algorithm, which gives your guitar a much fuller tone when you’re playing through a pa and restores some of the acoustic magic that is often lost when using a pickup. add in high quality chorus, reverb and echo effects and you've got all the tools you need to create a compelling performance.
Specifications:
| Product Dimensions | 6.7 x 6.5 x 3.6 inches |
| Country of Origin | China |
| Is Discontinued By Manufacturer | No |
| Color Name | Burgundy |
| Voltage | 12 |
Reviews:
I prefer pedals with foot switches and knobs, this thing is like some gizmo on the International Space Station..marvin-the-cat
19. Kepma Acoustifex Go Preamp/effects System
Product Details:
Imagine sitting in your living room playing your favorite acoustic guitar and hearing stunning acoustic tone with a nice short decay reverb and slapback delay, all without being plugged into an amp? want a chorus and reverb? no problem! the new kepma acoustifex go preamp and effects system turns your favorite guitar into an even better sounding instrument, all thanks to some amazing audio engineering. the sound of the acoustifex go will absolutely blow your mind. never before has such great sound and effects come from just an acoustic guitar alone no amplifier required! the kepma acoustifex go preamplifier and effects system mounts in seconds in your soundhole and consists of a magnetic pickup, an integrated high-quality condenser microphone and a transducer unit that mounts on the inside back of your guitar. you can choose to permanently install the kepma acoustifex go unit by installing the endpin jack into your guitar, or you can use the included leather output jack holder to temporarily install it.
Specifications:
| Product Dimensions | 7 x 6 x 22 inches |
| Country of Origin | China |
| Color Name | Black |
| Signal Format | Analog |
| Voltage | 9 Volts |
Reviews:
Overall: I installed this item on my guitar and plugged it in. Immediately, there was a bunch of static. I traced it to the jack on the bottom of the unit where the line from the input jack plugged in. I can't move my guitar without the noise. The pickup is unusable, and zZounds refuses to allow me to return the unit. I am very disappointed in both the Acoustifex Go and zZounds.Jim
The effects are awesome! And they sound amazing unplugged! Couldn't be happier with the purchase.Brandon
I was debating whether to buy a new acoustic electric guitar. But I love my yamaha acoustic and only wished it was acoustic electric. I was going to buy a cheap pickup and I decided to invest in this pickup. I feel it was worth the money. I've been recommending it to my buddies and can't wait to show it off to family when this pandemic is overSalTheBeardedBrewer
20. Fender Smolder Acoustic Overdrive Pedal
Product Details:
It s tough to add overdrive to acoustic guitars not only can it sound un-musical, it can also cause tone-destroying feedback. designed specifically for use with acoustic instruments, the all-analog smolder acoustic overdrive elegantly solves these issues with fender know-how. to soften the bright attack of a piezo pickup fender included a pickup compensation control that smooths out the highs. the drive knob controls the amount of distortion, while 3-band eq and filter controls let you shape your sound to taste. fender even included cabinet simulation to add some flavor when plugged into a full-range acoustic amp or pa. designed by fender's in-house team of experts, the smolder acoustic overdrive is an all-original fender circuit. the chassis is crafted from lightweight, durable anodized aluminum, and the amp jewel led gives your pedalboard the classic fender look. the switchable led-backlit knobs show your control settings on a dark stage at a glance.
Specifications:
| Backlight | LED |
| LED Type | Switchable |
| Chassis Material | Anodized aluminum |
Reviews:
I use this for my Taylor 412 acoustic – going directly to P.A. (I use a Fishman pre amp as well) I play in various acoustic trios and I needed something to boost volume for solos – plus add a little sustain/overdrive as needed. I was pleasantly surprised with the tone, and I had NO feedback problems at all. It really helps put my acoustic leads in the same proficiency level as my electric leads. It takes a bit of tweaking to find the sweet spot between enough sustain – yet not too much distortion – but the sweet spot is very much attainable. There's a slight pop when you click it on – but not enough to be overly noticeable or annoying. I'm VERY happy with this pedal !!Tom P.
The pluses: its solidly built and it has nice blue lights on the individual knobs. The minuses: not inexpensive and did not approach electric sounds for my piezo Epiphone acoustic. Maybe if you have a great pickup system? Or if you already have a magnetic soundhole pickup then this thing can give some sounds. Instead I just grabbed my cheapo Zoom multifx pedal and created a patch with eq–>overdrive—>compressor—>eq and it sounds a zillion times more realistic.Go_Pats
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