Best Acoustic Guitar Di Box (2024 Update)

The l.r. baggs venue di is a direct box that is musical sounding, extremely rugged and feature-packed. the l.r. baggs venue di will redefine the meaning of hi-fidelity stage di boxes. the venue di is designed with 100% discrete circuitry for the cleanest and sweetest sound possible and also features a transformer couple di for total ground loop elimination and a new chromatic tuner in an attractive and bulletproof foot pedal package. additional features include a 5-band eq with tunable low and hi mid bands, phase inversion, garrett null notch, precision vu meter for accurate gain adjustment, dc input for use without battery and a 4-segment battery check gauge. it has never been easier to get a great sounding plugged-in sound from your acoustic guitar than with the venue di.

¡ directbox. ¡ convertsanyunbalancedsignaltobalancedmicleveloutput. ¡ guitarandbasscanbeconnecteddirectlytothemixerwithoutlossoftoneduetoimpedancemismatch, longcables, cyclehum, etc.

Behringer active di-box – di100with the ultra-di di100, you can rest assured that your sound source will reach the console balanced and noise-free. the ultra-versatile di100 active di (direct injection) box gives you unparalleled functionality, durability and sound at a truly remarkable price. put the ultra-di di100 in your signal chain today and discover the authentic sound of your instrument. plug into the di100’s balanced ¼ " trs or xlr input, then send a signal to your console via the balanced xlr output. you can even plug your guitar or bass amp’s speaker output into the di100, which can handle ratings of up to 3,000 watts and still deliver a perfect signal. it also features a ¼ " link jack to send your signal to an on-stage amplifier. the di100 is equipped to handle “hot” signals, thanks to its switchable built-in attenuation pad for input levels of up to +50 db. also included is a superior ground-lift switch to eliminate ground loop issues. the di100 also features our highly-acclaimed ot-1 output transformer for the most pristine signal transfer. an essential tool for every stage and studio, the ultra-di di100 is wrapped in a rugged, road-proof aluminum case with stackable rubber corners – and delivers the exceptional sound your music deserves! find out how the ultra-affordable di100 can improve instantly your sound at your nearest behringer dealer – or get yours online today.

Fully functioning & in great shape. includes original box, which is a bit tattered. the ac-3 acoustic creator is an enhanced direct box with essential di features that help you achieve great tone no matter where you play. the ac-3 is equipped with an effects generator, stereo outputs, and a compressor. with these features plus the same high-quality preamp and 3-band eq as the ac-2, the ac-3 is an all-in-one acoustic toolkit that’s perfect for live performance and studio. with 16 source guitar presets, the ac-3 recovers the sonic characteristics of a variety of guitar types and body shapes. you can choose from dreadnought, upright bass, nylon strings, 12 string, and more. simply select your guitar of choice, then choose piezo or magnetic pickup. from there, the ac-3 is ready to reproduce and amplify your guitar’s tone with complete accuracy.

When you need a di, rely on the box the pros turn to the most! the prodi is the most affordable direct box made by radial, but it still incorporates the same tough-as-nails construction that makes radial the first-call di of engineers the world over. using 14-gauge steel welded i-beam construction, the prodi is virtually indestructible. that means you'll get years of trouble-free service – that's a lot of bang for the buck! a 15db pad reduces hot signals, keeping your input free of clipping. don't cut corners on a critical link in the chain – put radial's prodi to work for you!

The world s finest passive direct box, the radial jdi, brings unprecedented sonic transparency and simplicity allowing the artist to be free of hassle and focused in on their music. pure sound of the instrument the radial jdi is a passive direct box designed to handle extreme signal levels without distortion of any kind. at the heart, the radial jdi employs the world class jensen jt-db-epc audio transformer delivering a smooth, warm sounding bessel curve, reminiscent of the finest vintage gear. ruler flat from 10hz to 40khz and with virtually zero phase deviation, the jdi delivers the natural, pure sound of the instrument without artifact. by its no-power passive design, the radial jdi performs both high-to-low impedance conversion and signal balancing over a magnetic bridge that passes signal while rejecting stray dc voltage. this makes the jdi particularly adept at eliminating hum and buzz caused by ground loops. jdi with electric bass the jdi is often selected for high output bass guitars. it is able to handle huge signal levels without distortion or artifact. on stage it sends the pure sound of the bass to the pa with minimal loading. in studio, it is perfect for recording direct. jdi with acoustic guitar most acoustic guitars have built-in preamps that can be peaky. the jdi naturally smoothes out the transients for a warmer tone. and because the jdi is able to handle huge transients, it will not distort. this makes the jdi a great direct box for acoustic guitars. jdi with keyboards today's digital keyboards are not only very dynamic, some like digital pianos have a tremendously wide frequency response. the radial jdi is able to withstand excessive signal levels at all frequencies without introducing distortion or phase shift.

Whether you?? re laying down tracks in the studio, or laying down the truth on stage c you need the amazing ultra-g gi100 di (direct injection) box to get your guitar sound to the console with full dynamics and power c and in absolutely pristine condition. the gi100 active di box gives you all the full-rockin?? glory of your favorite guitar running through a cranked 4 x 12 cabinet c at a fraction of the weight and floor space!

The radial hdi is a studio-quality direct box designed to create exceptional recordings with any instrument, utilizing premium jensen transformers and a unique color control that provides a familiar-sounding sonic palette to experiment with. despite the complex circuitry housed within the unit, the hdi has an elegant set of controls that allows the musician or engineer to dial up a record-ready sound with a minimal amount of tweaking required. the level control drives the inputs of the hdi with instant visual feedback from the responsive front panel meter, while the color knob provides seamless blending between an ultra-clean tone and amp-style distortion and saturation, so you can add just the right amount of character and grit to your instrument. a smooth opto compressor can be engaged to control the peaks of the input signal, and a high-pass filter clears up any excessive low frequencies added by the color control. lastly, a presence control accentuates the highs and high-mids, providing the ability to cut through the mix with results that are sure to impress. with its gunmetal anodized 1/2" thick milled front panel and distinctive styling reminiscent of classic outboard studio equipment, the hdi is sure to turn heads in any recording space. a custom output meter provides a level check at a glance, with oversized chrome knobs for precise adjustments and easy tweaking on-the-fly. the hdi is a stunning standalone unit, but it also comes complete with mounting hardware to install in standard 19" equipment racks. one or two hdi's can be installed side-by-side in a 2ru rack space, and like all radial products, they are built with rugged components and designed to easily withstand the rigors of concert touring.

The mackie mdb-1p is a passive direct box designed to connect a single instrument such as a guitar, bass, or keyboard to a microphone preamp for musicians and audio engineers in recording sessions, houses of worship, and live stage applications. it converts a high-impedance, instrument-level signal via its 1/4" ts unbalanced input to a low-impedance, mic-level output via its balanced xlr 3-pin jack. a 1/4" thru jack allows simultaneous connection to an amplifier or pedalboard. a -15 db pad reduces the input level to prevent distortion when using a high-gain source, and the ground-lift switch inhibits hum caused by ground loops. due to its passive design, the mdb-1p requires no batteries or power supply. a sturdy steel chassis enables confident use in the studio or on the road.

Convert the output of unbalanced devices. professional power a direct box, or di box, provides the facility for the direct insertion of an audio signal into a mixer or recorder. the pdc21 offers a variety of di solutions for live sound and recording applications. you can connect all kinds of audio signals like guitars, keyboards, outboard signal processors and even high-powered speaker output from an amplifier. this unit enables you to tap off the signal from a guitar or bass guitar and pass the signal from the para output to the on stage amplifier without affecting the original sound. this can eliminate the need for mixing the guitar amplifier, which in many cases is preferable, especially with bass guitar.

The radial stage bug sb-2 passive is a high-performance direct box made for players who are on the move made to fit inside of a guitar case, the sb-2 is ultra-compact yet is feature-packed to ensure great performance on any stage. the compact design begins with a " input and a thru-put to feed the on-stage amp. this connects to the custom-made eclipse et-db3 transformer which performs the impedance matching and balances the signal. when using extra high output instruments, a -15db pad can be inserted into the signal path. this enables the sb-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. an innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation, saving time and input channels on the pa. the sb-2 output features an xlr wired to the aes standard with pin-2 hot. once connected, the sb-2 delivers a smooth warm sound reminiscent of older vintage gear. the transformer also helps eliminate the hum and buzz caused by ground loops by isolating the input from the output. this is augmented with a ground lift switch that lifts pin-1 on the xlr for quiet, professional results.

The warm direct box passive is designed for use with electric instruments with active pickups such as basses and guitars as well as line-level instruments. the design is based around renowned electrical components such as the custom-wound cinemag transformer at its core. with its rugged extruded aluminum enclosure, its rugged metal switches, and pad knob it will provide a warm tone over long cable runs as well as durability on the road. on the front of the unit, you'll find a 1/4" input and an amp/instrument toggle switch. this toggle switch selects between line-level and instrument-level settings so you can use the box with either your high-impedance instruments (guitars and such) or line-level keyboards. now you can feed your amp on stage and send mic-level signal to the house mixer at the same time. on the rear, you'll see an xlr output and a variable pad knob that lets you attenuate your signal between -3 and -30 db, giving you another useful gain-stage. you can switch the pad out entirely with the engage toggle switch. this is the passive model, which is better suited for balancing the signal of instruments with active electronics such as electric guitars geared towards heavy metal and many electric basses. however, the di box sports a frequency range of 20 hz to 70 khz at ±0.5 db, so it can still handle passive instruments with a range that eclipses many other di boxes. passive di boxes do not require power to operate.

The ar-133 active di box from bss audio uses an enhanced version of the same audio path as the ar-116, now regarded by many people as a reference standard. the sound quality is legendary, particularly on acoustic and bass guitars. numerous applications can be satisfied by the ar-133. for example, as well as the traditional guitar use, the ar-133 can be used with keyboards, dj consoles, amplifier outputs, and other electronic sources. an additional bonus is the ability to use the ar-133 as an active balancing device. input connectors are both 1/4" jack sockets and an xlr socket, the latter meaning that the ar-133 can be used to convert unbalanced signals to a balanced output on xlrs throughout. the arched case allows cables to run back underneath the unit from the end for neat cable management. input attenuation is 0, -20 or -40db, making the box suitable for instrument, line or amplifier levels on inputs. on the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. the bss ar-133 includes phantom power and battery supplies as standard. should the phantom power from the console fail or be accidentally switched off, the ar-133 automatically switches over to the internal 9v battery providing uninterrupted use. this unit is housed in a rugged aluminum extrusion case, with robust polyurethane end-cheeks which give the ar-133 a very distinctive look.

Art z directthe art zdirect is a high quality totally passive interface that lets you connect instrument, line, or speaker level signals to a mixer or other balanced input thru a high performance audio isolation transformer. the high impedance single-ended 1/4 input is on the art zdirect converted by the transformer into an isolated balanced low impedance signal source. the art zdirect's audio transformer has an extremely flat and wide frequency response and can handle high signal levels while still maintaining an isolated balanced low impedance output. this gives the art zdirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments.what further sets the art zdirect apart from other "di" boxes are its extended features and versatility. a switchable low pass filter cuts out all very high frequency interference. the filter is also very effective in reducing any digital computer noise artifacts when using the art zdirect as an interface between a computer based audio workstation and your monitors. the phase invert switch, while not normally included with your run of the mill d.i. box, has been added to allow you to switch signal polarity right at the source. this feature is especially handy when you are combining a direct tap with a microphone feed in the mix.the compact black anodized all aluminum case and it's passive design allow the art zdirect to provide years of trouble free service in live sound, permanent/fixed install, d.j., and virtually any pa application. it's full feature set, rugged construction, and high-end specifications make the art zdirect the obvious choice.

Cp-40 is a pre-amp and di box for acoustic guitars and acoustic situations, makes the sound of the guitar more focused, melodious, bright, and mellow control feedback and add eq (treble and bass) adjustable volume by the input knob. there is no sonic boom when you amplified sound product dimensions: 4.7(l)*3.7(w)*1.5(h) inch, product weight: 0.5kgs mini size, space-saving and portable for guitarists carry. with aluminum alloy shell, durable and stable cp-40 di box for acoustic guitars cp-40 is a preamp and d.i. box for acoustic guitars. when using this d.i. box, you must use the input knob of this d.i. box in order to avoid overloading your acoustic guitar e.q. if overload occurs, please reduce the volume. turn on the anti feedback foot switch, and adjust the anti feedback knob to avoid volume feedback. turn on treble boost foot switch, to increase the brightness of the tone. features: true bypass power requirement: 9v dc center negative current consumption: 50ma product dimensions: 11.9×9.4×3.8cm weight: 0.5kgs package included: 1 x guitar effect pedal 1 x battery cable suggestions: 1. di is that you should use longer cable and grounding. 2. suggest that use the cannon, guarantee that the signal will not be attenuated and ensure the clearness of the signal and the dynamic effect of the sound. 3. at the same time the cannon grounding will prevent the low noise caused by the grounding problem of some instrument.

The para di is the award winning preamp/direct box that fits right into your string pocket and gives you a 5-band eq with tunable notch and midrange. whether on stage or in a recording studio the para di brings out the best in any pickup. as a musician, you are an artist…a communicator. the notes, chords, rhythms, and melodies you play on your instrument need to be heard loud and clear by your audience. whether your focus is getting the best tone from your instrument on stage or in the studio – l.r. baggs products can help you sound great. they've spent 20 years developing the best sounding pickups and preamps on the planet. this is the sound you've heard from players like vince gill, pete townsend, doyle dykes, eric johnson, phil keaggy, earl klugh, alison krauss, lenny kravitz, kathy mattea, natalie merchant, jean luc ponty, james taylor, and countless other talented players around the world. so…are you ready to find the right gear to take your tone to the next level? their electronics are the product of 20 years of relentless improvement and the quest for perfection. their quality has been recognized with great reviews and numerous awards. they have also garnered a well deserved reputation as the most advanced and best sounding circuitry for pickups on the planet. they are magic. you can be assured that you will sound your absolute best when you use any l.r. baggs preamp. the acoustic guitar magazine players' choice award winner the para acoustic d.i. is a studio quality direct box combined with a feature packed, state-of-the-art preamp and equalizer. l.r. baggs' proprietary quasi-passive eq circuitry is totally transparent and allows control over voicing without sacrificing tone – a big advance over conventional equalizers. it brings out the best in any pickup and will make you sound better. the para acoustic d.i. is quickly becoming a key component in the acoustic setups of both professional and amateur musicians alike.

Passive stereo direct box with level control the trim-two is a passive stereo direct box designed for use with laptop computers and other consumer playback devices, eliminating hum and buzz from ground loops while providing an easy-access level control for quick adjustments on stage. a noise-free interface for your audio devices the trim-two allows you to connect any playback device and interface it with balanced pro audio equipment without signal loss or hum and buzz from ground loops. it features two transformers which isolate and balance the audio output from your source device, eliminating noise and allowing you to use long cable runs without signal degradation. a handy mono sum switch makes it easy to reduce the output channel count or send the same signal to two destinations at once, and an accessible level control gives you the ability to adjust levels in an instant. multiple input connector types make it easy to hook up any consumer line level playback source, from laptops & smartphones to dj equipment. the completely passive design means that you never have to worry about powering the trim-two, making it truly plug & play. using the trim-two in a keyboard setup use your laptop as a sound source with the trim-two connected to control the volume and send a balanced signal to the pa system. using the trim-two with a dj setup simplify your dj setup using a pc to play sound files and the trim-two to balance the signal. the handy volume control makes it easy to manage. using the trim-two with a tablet play your sound files using the trim-two by connecting it from the headphone output to the 3.5mm input. use the variable level control to trim the level and avoid distortion.

Throw the sound block in a bag, trunk, or anywhere cable and misc. audio supplies are stored. the heavy-duty construction and passive electronics make the sound block nearly indestructible. this direct interface is extremely versatile as a lo to hi-z transformer for electric instruments and devices to xlr mic inputs or as lo-hi-z to use a microphone with a guitar amp (not recommended only because guitar amps make terrible pas). high level outputs from active instruments and even speaker outputs are not a problem when using the -20 or -40 db attenuator switch. the sound block is a very easy to use passive device. simply plug your 1/4 output from a guitar or electric piano, plug an xlr cable into your mixers channel input, and youre done. a ground lift is provided for use in older buildings with janky wiring or if circuits are different from stage to where the sound system is located.

Convert your hi-z 1/4" signal to lo-z xlr. you do not need a battery or phantom power for this direct box. great for keyboardists, acoustic & electric guitarists, bassists, and other instrumentalists needing to plug into the snake on stage. please be sure to read the description thoroughly to make sure that this is the item you want before making a purchasing decision. please be aware that slight variations in color may be due to differences in lighting and computer monitor resolutions. boxes or apos. an adult signature will be required. please be sure to have available help on hand to assist you with moving the item to the desired location in or outside of your home. you can request a refund if you are dissatisfied for any reason with your product. only factory defects are accepted as a reason for a return. the item and package should be in original and perfect condition.

Only used this a few times. learned later about, and ended up getting, the keylargo instead as i'm a keyboardist. my jdi duplex, functionally, is in perfect shape. everything sounds good though this. a small piece of paint got scratched off the logo somehow. other than that, this thing is in near-new condition. swiss army knife of di boxes. got it because you can run 2 keyboards (or 4 mono tracks) in stereo using the sum feature. ground switch is a lifesaver on gigs. radial builds tanks and makes great stuff. priced as is.