Are you looking for the 1950 Les Paul Guitar? If so, you’ve come to the right place.
Choosing the 1950 Les Paul Guitar can be difficult as there are so many considerations, such as Gibson, Epiphone. We have done a lot of research to find the top 20 1950 Les Paul Guitar available.
The average cost is $2036.55. Sold comparable range in price from a low of $45.00 to a high of $5399.00.
Based on the research we did, we think Gibson Les Paul Standard '50s P90 – Gold Top is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling 1950 Les Paul Guitar (20 Sellers)
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$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comes with both black plastics and cream plastics, pictures show how dynamic the color of the finish is.
- Listed as very good condition, few scuffs and stamped mod on the headstock.
- Currently set up with cream plastics as shown, but im including the black plastics and tuners if you'd rather go that route.
$2464.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Number of strings.
- Left-/right-handed.
- Right-handed.
$2379.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Like new 2020 gibson les paul standard in stunning tobacco burst finish, never played.
- Hardshell case and all paper work.
- Out of the box only to test and photos.
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Electric guitar with maple top, mahogany body, mahogany neck, and rosewood fingerboard. featuring 2 burstbucker 2 humbucking pickups. includes hard case. listed by weight and serial number…
$2799.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Solid body electric guitar with mahogany body, maple top, 50s style mahogany neck, rosewood fingerboard and calibrated burstbucker humbucker pickups. includes hardshell case…
$2799.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Bringing it home with the les paul model that started it all, gibson keeps classic les paul features and finishes with some modernistic perfection. this guitar has a beautiful maple…
$239.00
Features:
- Les paul lp electric guitar standard 50s/60s with chrome plated hardwares and flame maple top…
$130.00
Features:
- Here is something you never see.in years of collecting and amassing thousands of pieces of history, i only came across these 3 times. the first one was with a nos…
$499.99
Features:
- Epiphone les paul standard 1950s solid body electric guitar heritage cherry sunburst…
$5399.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This item is in great condition and is barely used, showing only minor signs of usage from display on our showroom floor. – for over 20 years gibson custom has…
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This guitar has a beautiful maple top on mahogany body, the finest gibson craftsmanship, and dual burstbucker pickups, for killer vintage tone. the les paul standard '50s is perfect for…
$2229.99
Features:
- Made in: united states. this product comes with a case. | gibson les paul standard 1950s neck solid body electric guitar tobacco sunburst…
$2099.99$1899.99
Features:
- This product comes with a case. | gibson les paul standard 1950s neck solid body electric guitar cherry sunburst…
$45.00
Features:
- Box of strings. missing the g. box is nice condition. nice candy….
$475.00
Features:
- Condition: new make / manufacturer: vintage model name / number: les paul size / dimensions: 39x13x3in…
$3143.00
Features:
- Gibson 50s les paul standard heritage cherry sunburst description gibson's classic electric guitar, the 50 60s series, which was especially popular and reprinted among les pauls. the top is a…
$1699.99
Features:
- Gibson electric guitars 6-string…
$2692.00
Features:
- Gibson les paul standard 1950s honey burst usa 2006 electric guitar condition : b+ / good condition!!! there are some scratches and dents. some parts have signs of wear, dullness,…
$549.99
Features:
- Epiphone les paul standard 1950s solid body electric guitar sunbburst…
$2890.00
Features:
- Description of itemguitar & base gibson payment methodsame as ebay payment method. shipping methodyour order will be dispatched to you from japan within the designated handling time from the date…
1. Gibson Les Paul Standard '50s P90 – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. tone of the ages. with two powerful p90 pickups loaded into this '50s guitar, it has a bright sound which gives your licks that unmistakable vintage twang. your licks will sing to the stars with a gritty voice as you pluck your way through riffs. the beautiful neck and fretboard are guaranteed to bring a smile to your face with their luxurious feel, offering an entirely pure playing experience. there's nothing else quite like it.
Specifications:
Body shape | Single cutaway |
Body type | Solid body |
Top wood | Maple |
Body wood | Mahogany |
Body finish | Gloss Nitrocellulose |
Orientation | Right handed |
Neck shape | '50s Vintage |
Neck wood | Mahogany |
Joint | Set-in |
Scale length | 24.75" |
Truss rod | Standard |
Neck finish | Gloss Nitrocellulose |
Radius | 12" |
Fret size | Medium jumbo |
Number of frets | 22 |
Inlays | Trapezoid |
Nut width/material | 1.69" (43 mm) GraphTech |
Configuration | SS |
Neck | P-90 |
Bridge | P-90 |
Active or passive pickups | Passive |
Series or parallel | Parallel |
Control layout | Volume 1, volume 2, tone 1, tone 2 |
Pickup switch | 3-way |
Bridge type | Fixed |
Bridge design | ABR-1 |
Tailpiece | Stopbar |
Tuning machines | Deluxe vintage |
Number of strings | 6-string |
Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
2. Gibson Exclusive 50s Les Paul Standard Aaa Flame Top Heritage Cherry Sunburst
Product Details:
The exclusive run les paul standard 50s aaa top guitar pays tribute to gibson's golden era of innovation and brings authenticity back to life. the les paul standard returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. the les paul standard 50's has a solid mahogany body with a "aaa" maple flame top, a rounded 50's-style mahogany neck with a rosewood fingerboard and trapezoid inlays. it's equipped with an abr-1, the classic-style tune-o-matic bridge, aluminum stop bar tailpiece, vintage deluxe tuners with keystone buttons, and amber top hat knobs. the calibrated burstbucker 1 (neck) and burstbucker 2 (bridge) pickups are loaded with alnico ii magnets, audio taper potentiometers and orange drop capacitors.
Specifications:
Body Style | Les Paul |
Back | Mahogany |
Neck | Mahogany Asymmetrical Slim Taper |
Nut width | 1.695 |
Fingerboard | Rosewood |
Scale length | 24.75 |
Number of frets | 22 |
Nut | Tektoid |
Inlay | Acrylic Trapezoids |
Bridge | Aluminum Nashville Tune-O-Matic |
Tailpiece | Aluminum Stopbar |
Knobs | Amber Top Hats |
Tuners | Grover Locking Rotomatics w/Keystone buttons |
Hardware Plating | Chrome |
Neck pickup | Burstbucker Pro |
Rhythm Bridge pickup | Burstbucker Pro Lead |
Finish | Cherry Aaa |
Year | 2019 |
Made In | United States |
Fretboard Material | Rosewood |
Right / Left Handed | Right Handed |
Number of Strings | 6-String |
Body Shape | Single Cutaway |
Offset Body | No |
Body Type | Solid Body |
Top Material | Maple |
Wood Top Style | Flamed |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
3. Gibson Les Paul Standard '50s Electric Guitar (Tobacco Burst)
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. pure tone, prime playability. two classic burstbucker humbuckers adorn this feisty '50s guitar, giving it that vibrant vintage crunch which sails through to the soul. your licks will sing powerfully as you strum and pick your way through songs, with each note shining with crystalline clarity. the beautiful neck and fretboard bring you the ultimate playing satisfaction, feeling chunky and dense whilst offering beautiful resonance. there's nothing else quite like it.
Specifications:
Body shape | Single cutaway |
Body type | Solid body |
Top wood | Figured Maple |
Body wood | Mahogany |
Body finish | Gloss Nitrocellulose |
Orientation | Right handed |
Neck shape | '50s Vintage |
Neck wood | Mahogany |
Joint | Set-in |
Scale length | 24.75 in. |
Truss rod | Standard |
Neck finish | Gloss Nitrocellulose |
Radius | 12 in. |
Fret size | Medium jumbo |
Number of frets | 22 |
Inlays | Trapezoid |
Configuration | HH |
Neck | Probucker |
Bridge | Probucker |
Active or passive pickups | Passive |
Series or parallel | Parallel |
Control layout | Volume 1, volume 2, tone 1, tone 2 |
Pickup switch | 3-way |
Bridge type | Fixed |
Bridge design | ABR-1 |
Tailpiece | Stopbar |
Tuning machines | Deluxe vintage |
Number of strings | 6-string |
Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
4. Gibson Les Paul Standard '50s Electric Guitar Heritage Cherry Sunburst
Product Details:
Specifications:
Finish | Ebony |
Year | 2019 – 2022 |
Made In | United States |
Body Shape | Single Cutaway |
Body Type | Solid Body |
Bridge/Tailpiece Type | Stop-Bar |
Fretboard Material | Rosewood |
Fretboard Radius | 12" |
Model Sub-Family | Gibson Les Paul Standard '50s |
Neck Construction | Set-Neck |
Neck Material | Mahogany |
Number of Frets | 22 |
Number of Strings | 6-String |
Nut Width | 1.695" |
Offset Body | No |
Pickup Configuration | HH |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Top Material | Maple |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
5. Gibson Les Paul Standard '50s Electric Guitar Tobacco Burst
Product Details:
Specifications:
Electric Guitar Type | Solid Body Electric Guitar |
Finish | Tobacco Burst |
Electric Guitar Body Style | Les Paul |
Orientation | Right-Handed |
Top Material | Maple |
Neck Material | Mahogany |
Fingerboard Material | Rosewood |
Nut Width | 1.695" |
Number of Pickups | 2 |
Pickup Configuration | H-H |
Bridge Pickup | BurstBucker 2 |
Neck Pickup | BurstBucker 1 |
Controls | 2 x Volume & 2 x Tone |
Switch | 3-way Toggle Switch |
Coil Tapping | No |
Case Included | Hard Case |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
6. Gibson Les Paul Standard 50s Electric Guitar Tobacco Burst
Product Details:
Bringing it home with the les paul model that started it all, gibson keeps classic les paul features and finishes with some modernistic perfection. this guitar has a beautiful maple top on mahogany body, the finest gibson craftsmanship, and dual burstbucker pickups, for killer vintage tone. the les paul standard '50s is perfect for the rocker that appreciates an awesome playing guitar with a vintage tilt. beautiful maple top on mahogany body the timeless single cutaway design of this les paul is built from mahogany and topped with maple. it's finished in gloss nitrocellulose lacquer for a gleaming shine. the neck is also cut from mahogany into a vintage '50s profile. the 24.75 inch scale length neck is topped with a 12 inch rosewood fretboard. the finest gibson craftsmanship the les paul standard '50s guitar is built with stylish rock aesthetics and fantastic playability in mind. all the specs go towards that end. the fretboard of this les paul sports 22 medium jumbo frets and acrylic trapezoid inlays. it's got a graph tech nut for smooth string movement. the bridge on this les paul is a classic abr-1 tune-o-matic with a stopbar tailpiece. it even sports the vintage style amber top hat knobs with pointers. burstbucker pickups for killer vintage tone, gibson outfitted this awesome lp with dual burstbucker pickups. there's a burstbucker 1 at the neck and a burstbucker 2 at the bridge. these humbuckers give classic, clear sound, and extra trebly output, which articulately handles gain and effects. the circuitry includes 2 volume and 2 tone controls, as well as a three-way toggle switch, and is wired with orange drop capacitors. no matter your musical proclivity, there's nothing the les paul standard '50s can't handle. features: maple top on mahogany body 24.75 inch scale mahogany neck in vintage '50s profile rosewood fretboard with 22 medium jumbo frets and acrylic trapezoid inlays dual burstbucker humbucker pickups, three-way switch, 2 volume and 2 tone kno
Specifications:
Electric Guitar Type | Solid Body Electric Guitar |
Finish | Tobacco Burst |
Electric Guitar Body Style | Les Paul |
Orientation | Right-Handed |
Top Material | Maple |
Neck Material | Mahogany |
Fingerboard Material | Rosewood |
Nut Width | 1.695" |
Number of Pickups | 2 |
Pickup Configuration | H-H |
Bridge Pickup | BurstBucker 2 |
Neck Pickup | BurstBucker 1 |
Controls | 2 x Volume & 2 x Tone |
Switch | 3-way Toggle Switch |
Coil Tapping | No |
Case Included | Hard Case |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
7. Les Paul Lp Electric Guitar Standard 50s/60s With Chrome Plated Hardwares And Flame Maple Top
Product Details:
8. Gibson Late 50 S/early 60 S Dealer Order Form Rare Collector Flying V Les Paul Burst Sg Es Burst 1950 S – 1960 S
Product Details:
Here is something you never see.in years of collecting and amassing thousands of pieces of history, i only came across these 3 times. the first one was with a nos 1950 s gibson dealer binder. the second one was with a nos enveloppe containing the 1960 catalog and the third time is today with unused one.this is the perfect case candy for your late 50 s, early 60 s gibson.international buyers welcome
9. Epiphone Les Paul Standard 1950s Solid Body Electric Guitar Heritage Cherry Sunburst
Product Details:
10. Gibson 1958 Les Paul Standard Plain Top Cherry Tea Burst
Product Details:
This item is in great condition and is barely used, showing only minor signs of usage from display on our showroom floor. – for over 20 years gibson custom has been carrying on their legacy of american craftsmanship and human ingenuity. they firmly believe that there remains a place in the world for the best of the best, and the value of their achievement extends well beyond the glossy sheen and gratifying weight of a well crafted les paul guitar. – gibson custom takes pride in knowing they bring the most discerning players and collectors in the world some of the most refined historic reissue, archtop and custom guitars available today. their achievements reflect decades of a passionate commitment to their position as the world s finest guitar maker. – model number: lpr58psl16761serial number: cme01147finish package: vosconstruction: all hide-glue construction – weight: 8lbs 11.2oz – neck material: mahogany (cme hand-selected)peghead: 2019 gibson reissue les paul – head veneer: holly 2019dimensions: …
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
11. Gibson Les Paul Standard '50s Electric Guitar (Gold Top)
Product Details:
This guitar has a beautiful maple top on mahogany body, the finest gibson craftsmanship, and dual burstbucker pickups, for killer vintage tone. the les paul standard '50s is perfect for the rocker that appreciates an awesome playing guitar with a vintage tilt. beautiful maple top on mahogany bodythe timeless single cutaway design of this les paul is built from mahogany and topped with maple. it's finished in gloss nitrocellulose lacquer for a gleaming shine. the neck is also cut from mahogany into a vintage '50s profile. the 24.75" scale length neck is topped with a 12" rosewood fretboard. the finest gibson craftsmanshipthe les paul standard '50s guitar is built with stylish rock aesthetics and fantastic playability in mind. all the specs go towards that end. the fretboard of this les paul sports 22 medium jumbo frets and acrylic trapezoid inlays. it's got a graph tech nut for smooth string movement. the bridge on this les paul is a classic abr-1 tune-o-matic with a stopbar tailpiece. it even sports the vintage style amber top hat knobs with pointers. burstbucker pickupsfor killer vintage tone, gibson outfitted this awesome lp with dual burstbucker pickups. there's a burstbucker 1 at the neck and a burstbucker 2 at the bridge. these humbuckers give classic, clear sound, and extra trebly output, which articulately handles gain and effects. the circuitry includes 2 volume and 2 tone controls, as well as a three-way toggle switch, and is wired with orange drop capacitors. no matter your musical proclivity, there's nothing the les paul standard '50s can't handle. features: maple top on mahogany body 24.75" scale mahogany neck in vintage '50s profile rosewood fretboard with 22 medium jumbo frets and acrylic trapezoid inlays dual burstbucker humbucker pickups, three-way switch, 2 volume and 2 tone knobs abr-1 tune-o-matic bridge with stop bar tailpiece and amber top hat knobs with pointers includes hardshell case
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
12. Gibson Les Paul Standard 1950s Neck Solid Body Electric Guitar Tobacco Sunburst
Product Details:
13. Gibson Les Paul Standard 1950s Neck Solid Body Electric Guitar Cherry Sunburst
Product Details:
14. Gibson Les Paul Original 1959
Product Details:
15. Vintage Les Paul Electric Guitar Brand New – New
Product Details:
16. Gibson 50s Les Paul Standard Heritage Cherry Sunburst
Product Details:
Gibson 50s les paul standard heritage cherry sunburst description gibson's classic electric guitar, the 50 60s series, which was especially popular and reprinted among les pauls. the top is a neat flame maple with a one-piece mahogany body and a bewitching rosewood fingerboard. it has a relatively body weight and is characterized by a warm and core sound. web recommended. scratches, dents, paint chips and burns, corrosion of parts, etc. have a great feeling of use. good playing condition. b there are some scratches and feeling of use, but there is no problem for normal use year of manufacture: 2006 country of manufacture: usa weight: 4.14kg serial number: 008360443 remaining frets: about 70% 80% truss rod: there is room in the direction of tightening and loosening neck condition: good case: hard case genuine accessories: none year of manufacture unknown serial number 008360443 shipping shipping by ems or fedex,ups (international express mail service, with tracking and insurance, handling cost). ems takes 1-2
17. Used Gibson Les Paul Standard 50s Electric Guitars Cherry Sunburst
18. Gibson Les Paul Standard 1950s Honey Burst Usa 2006 Electric Guitar,
Product Details:
Gibson les paul standard 1950s honey burst usa 2006 electric guitar condition : b+ / good condition!!! there are some scratches and dents. some parts have signs of wear, dullness, etc. there is no problem in performance!! neck condition: straight! fret remaining: about 80% truss rod: adjustable electric system: great! condition: used (please see the pictures.) notice : import duties, taxes and charges are not included in the item price or shipping charges. these charges are the buyer's responsibility. please check with your country's customs office to determine what these additional costs will be prior to bidding/buying. items on the list are used or vintage. there is a possibility they may be rusty, faded, scratched, cracked, dented, etc. please view the picture carefully. it is difficult to see light scratches and/or small damage in the pictures, please contact us if you'd like to know the details before purchasing items. items on the list are sold in actual stores in japan as sale items. there is a possi
19. Epiphone Les Paul Standard 1950s Solid Body Electric Guitar Sunbburst
Product Details:
20. Gibson Les Paul Standard 50s Tobacco Burst
Product Details:
Description of itemguitar & base gibson payment methodsame as ebay payment method. shipping methodyour order will be dispatched to you from japan within the designated handling time from the date of payment. transaction matterspacking state: we will carefully pack your items with the most appropriate protection materials to avoid your items from getting damaged during transport to you. feedback:you will receive a positive feedback from our store as soon as you successfully complete your order and payment. we would very much appreciate if you could leave us one, too! we are a japanese store specializing in japanese high-quality products. please let us hear from you with any inquiries you may have about our products. happy shopping! to overseas buyers-notes:please be aware of customs fees – such as taxes and duties – when your order arrives. since these fees vary from location to location, customs fees are not included in the item price or shipping charges. please check with your local customs office for more i
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