Are you looking for the Chibson Les Paul Guitar? If so, you’ve come to the right place.
Choosing the Chibson Les Paul Guitar can be difficult as there are so many considerations, such as Gibson, Epiphone. We have done a lot of research to find the top 20 Chibson Les Paul Guitar available.
The average cost is $2436.66. Sold comparable range in price from a low of $726.51 to a high of $6499.00.
Based on the research we did, we think Gibson Les Paul Standard '60s – Bourbon Burst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Chibson Les Paul Guitar (20 Sellers)
| Product Image | Product Name | Features | Check Price |
|---|---|---|---|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durability . Well made . Weight
Features:
- Detailed specifications
- Body material
- Aa figured maple
$825.00
4.6
Reviewers Noted:
Lightweight . Good sound quality . Attractive . Durability
Features:
- Here is my 2015 gibson les paul cm.
- Excellent guitar with 61 zebra humbucker and g force tuning system.
- Rich gibson tone.
$2799.00
4.8
Reviewers Noted:
Durable . Attractive . Well made . Sound quality
Features:
- Actionaction is low and plays great, but may need a quick tweak to your liking!
- Electronicsall electronics are original and work properly.
- Caseoriginal gibson hardshell case included!
$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comes with both black plastics and cream plastics, pictures show how dynamic the color of the finish is.
- Listed as very good condition, few scuffs and stamped mod on the headstock.
- Currently set up with cream plastics as shown, but im including the black plastics and tuners if you'd rather go that route.
$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Made in america
- Burstbucker 1 &2 pickups
- Orange drop capacitors
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Colour: translucent red
- Construction type: solid body with weight reliefs
- Body shape: les paul
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- The les paul tribute captures the vibe, feel and tonality of a traditional les paul and is available in four classic finishes.
- A tribute to the master and the model.
- Ultra-modern weight relief.
$2799.00
4.9
Reviewers Noted:
Good sound quality . Well made . Durability . Visual appeal . Weight
Features:
- Detailed specifications
- Body material
- Weight relief
$999.00$799.00
5.0
Features:
- Thicker hand-oiled fingerboard
- Single classic 61 humbucking pickup
- Traditional green kluson keys
$2999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durability . Well made . Weight
Features:
- Detailed specifications
- Body material
- Weight relief
$1395.75
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- Excellent conditionw/ original hardshell case
- Inverness green mahogany neck
- Trapeziod fingerboard inlaysrosewood fretboardgibson 490 r and 490 t humbuckers
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- In almost new condition.
- No scratches, no wear.
- Comes with humbucker covers and pointers.
$6499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Nitro-finished lightweight mahogany body with figured maple top
- 24.75"-scale long-tenon mahogany neck with 22-fret, 12"-radius rosewood fingerboard
- Abr-1 tune-o-matic bridge, stopbar tailpiece, kluson deluxe single-band tuners
$1070.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- This item is in very good condition, comes with original hard case.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$6499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Weight . Well made . Durability
Features:
- I just got another one of these, and it's also, pristine, basically unplayed.
- It's labeled as a tomato burst, but as you can see from the photos, it's actually a bit of a cross between that and an aged iced tea, brilliant!
- She weighs in at 8 lbs. 13 oz., so comfortable on the shoulder and beautifully balanced.
$1079.99
4.6
Reviewers Noted:
Sound quality
Features:
- Aluminum stop bar with steel post
- Pickups perfectly matched to the spirit of their historic models and classic gibson controls
- Polished 0.55 frets on top of our original 1.695" neck width and original gibson les paul heel
$726.51
4.1
Reviewers Noted:
Sound quality . Durability . Visual appeal . Weight
Features:
- Body shape: les paul
- Body type: solid body
- Body material: mahogany
$950.00
4.4
Reviewers Noted:
Sound quality . Lacks durability . Visual appeal . Well made . Weight
Features:
- The tail piece was upgraded to the aluminum gibson version and all the cavities have been very nicely shielded.
- The fretboard also received a full level and crown for nice smooth playing, a low action and no fret buzz.
- Plastics were all changed from creme to black, but the originals will be included if you'd like to change them back.
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Solid body les paul electric guitar with maple top, mahogany body, mahogany neck and rosewood fingerboard. features burstbucker 61 pickups. individually photographed and listed by serial number and weight. select…
1. Gibson Les Paul Standard '60s – Bourbon Burst
Product Details:
Sorry to see it go but needing the money. plays and sounds great! has been kept in a smoke free environment. i only see one scratch (which only looks deep because of the lighting) and that is pictured. the les paul standard returns to the classic design that made it relevant. played and loved – shaping sound across generations and genres of music. it pays tribute to gibsons golden era of innovation and brings authenticity back to life. the les paul standard 60's-style mahogany neck with rosewood fingerboard and trapezoid inlays. its equipped with a classic style tune-o-matic bridge, aluminum stop bar tailpiece, grover rotomatic 'kidney" tuners and gold top hat knobs with silver reflectors. the burstbucker (neck) burstbucker (bridge) pickups are loaded with alnico v magnets, audio taper potentiometers and orange drop capacitors.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | AA figured maple |
| Body wood | Mahogany |
| Body finish | Gloss nitrocellulose |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | HH |
| Neck | Burstbucker 61R |
| Bridge | Burstbucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6 string |
| Country of origin | United States |
Reviews:
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhkkkkk The new Standard 60s that I received was was being waited for like a scene in a movie when parents are waiting for a stork to bless them with a bundle of joy. Well the stork for me was gruff lookin FedEx driver that was delivering my new Gibson Les Paul Standard 60s. After it was delivered I placed it gently before me and began to unwrap the newest member of the family. So, you know those movies when you expect to see elation on the face of the actor after they open something up but instead it turns to the face of horror, well, that was me. As I opened up the the lid of the case I saw bits of gold flakes and plastic. It was the volume knob that had been smashed. I then looked at the case and the bottom of the case appeared to be damaged. After pulling picking up the pieces and placing them in a bag i played the LP and it was amazing but had obviously been knocked around too much for me to keep. It was tough though, the low end on this guitar was hypnotizing and the highs were like blissful chimes that rang clean yet without shrillness. The weight is amazing and the thus the sustain is like the Energizer Bunny. Anyway, I called AMS, they offered a replacement but I wouldn't be able to choose the serial number for the replacement, so I would have no idea what it looked like; I want to choose what guitar I am buying. So now I have a prepaid return shipping label in my email and a trip to the "stork" in my future. It's very unfortunate that this guitar was not packaged better because it is an amazing sounding guitar. I am buying another one.Mike
Overall: I've had 4 other gibsons and this one is the prettiest of them all. The color, how it fades from a dark red, to bright red then amber. The flame is just right on both sides. It has nearly every different kind of flame in certain spots but consistently has horizontal flame from top to bottom. It's a killer top. It's set up well but the action does need to be lowered and some relief put on the neck but overall not bad. The slim 60s neck is very nice. Its not chunky but not thin either, its right in the sweet spot. It sounds amazing, alnico Vs are hotter than a firecracker. Now the cons- It had about a 4 inch surface scratch on the top where your right arm rests when I inspected it after opening the case. The Grover tuners are nice and keep it in tune but I wish this exact guitar was offered with Kluson deluxe tuners. I prefer the green tulip look. Then there's the graph tech nut. I wish it had a bone nut but ill take care of that later. All in all it's a keeper, for life. Thank yoy zZoundsRyan
I've had the guitar for a couple weeks now and it's been the main guitar I've played during that time and it's incredibly hard to put down. The neck is thin but not too thin. It's a good medium profile. This is also one of the lightest Les Pauls I've ever played. The guitar is extremely resonate and loud acoustically. This could just be luck of the draw finding this specific Les Paul, because I've played a few 60's standards and not all of them were like this one. This one was definitely the best one I tried of this model. I have yet to gig with it yet, but I can't wait to. I've tried it in Standard, Eb Standard, Drop D, and Drop C# and it sounded and reacted great in all four tunings with little need for adjustments. The only con I've found is occasionally the higher strings seem to choke out slightly, but that should be easily remedied with some minor adjustments, and they don't choke out enough to really hurt playability.Eric
2. Gibson Les Paul Cm 2015 Electric Guitar
Product Details:
Here's a super nice and clean 2015 gibson usa les paul cm finished in satin ebony. the pickup is the original burstbucker 61 lead with zebra bobbins. the wiring has been upgraded to top quality cts / wd music 550 k custom taper potentiometers and with mod .022 f oil-filled capacitor with 50s style wiring. gavitt vintage style braided shield pushback wire and a switchcraft #11 mono output jack were also used.the guitar plays like a dream. the neck is straight and the truss rod functions properly. the frets are in great shape and show virtually zero wear and have been cleaned a polished. the rosewood fretboard and been cleaned and conditioned as well.overall a fantastic playing guitar in fantastic condition – no notable blemishes outside of very light playing wear. comes complete with the original gibson literature, "baby photo", and gig bag. these models were produced for just 2 years and and are essential a thin body carve top les paul junior.
Specifications:
| Finish | Satin Ebony |
| Year | 2015 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul CM |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | H |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
First of all, don't believe everything you read about the 2015 Gibsons. I own about a dozen Gibsons with the oldest being a 1991 Les Paul Studio Lite and the newest being a 2017 SG Standard, the quality of the 2015 Gibsons I own are on par with all of them. Now on to this particular guitar… I really wasn't expecting much for the price. This is definitely a "no frills" model. That being said, it is a lot of fun to play! The thin, contoured body is very comfortable and a nice change from the usual Les Paul. And it is a good bit lighter on the shoulder! The sound from the single humbucker can be anywhere from crystal clear to gritty and crunchy depending on your volume, tone and amp settings. It is a lot more versatile than I was expecting. And I prefer the carved maple top and humbucker to the P90 and flat top of my Les Paul Jr. All in all, a great guitar for the money!JD
Overall, this is a fantastic guitar that does exactly what I hoped it would. The Good: The neck is, by far, the standout feature. Absolutely wonderful & comfortable, with just the right profile that's not too slim, nor too chunky. The slim body is a nice touch, and helps to make the guitar super lightweight. The wraparound bridge is totally adequate; not nearly as imprecise as the internet forums would have you believe. The Bad: there was a short or some issue with my output jack, so I've yet to really hear or form an opinion on the pickup. Now, I planned on putting a new pickup in this guitar before I bought it, so a more thorough re-wiring is not beyond the scope of what I'm prepared to do. I am a little disappointed it came from the factory like this, but it's not a deal breaker; it's just a faulty jack, certainly not worth returning the whole guitar to Sam Ash. The Ugly: The fretwork isn't too great. I did have to file them down a bit so they're flush to the neck, and not poking my hands. But again, I was prepared for this, and expect most guitars (especially ones in this price point) to need some minor fretwork. Finally, a few words on the much maligned G-Force tuners. Out of the box, they didn't work well — at all. Since the strings were installed on the guitar in 2015, I changed them (which is a bit of a process, to be honest) & it worked like a champ. I really like the idea of having multiple tunings available at the press of a few buttons. However, for me: this guitar is supposed to be simple — one pickup, two knobs, & a wraparound bridge. So the "robot" tuners clash with that motif, and I will be swapping them out when I re-wire the guitar. That being said, they're definitely not a reason to avoid this guitar — give 'em a fair chance, and make up your own opinions on them. Overall, I'm quite pleased with this guitar. The wiring issue is disappointing, for sure. But acoustically the guitar sounds great, plays well, & looks awesome!Nate
I've spent about 13 years buying relatively cheap guitars, as I just record music at home as a hobby. I never considered a Les Paul because they're so expensive. When I saw the CM 2015's price tag, I thought "this is probably not that great", but after a lot of research and watching videos, I decided to take a risk. I was not disappointed. This guitar feels great in the hands, it stays in tune, and it's really beautiful. But, most importantly, it sounds great. I'm producing music that sounds levels ahead of anything I've made in the past. So much, that I've been going back to older stuff and re-recording it. This is worth the price.Shane
3. Gibson Les Paul Standard '60s – Triburst
Product Details:
I'm selling a 2020 les paul standard 60s in tri burst that i received in trade. it has a few small marks on it, but none of them are terrible and none through the paint. i've tried to capture these marks in the pics. i'd give it excellent condition. it plays extremely well and all electronics perform flawlessly. it came to me without any case candy, but gibson did confirm it as authentic. i'm happy to send that email correspondence to anyone interested. it weighs 9lbs, 7oz on my postal scale and the neck is .81 – .92, 1st to 12th. i've included pics with overhead lighting as well as natural lighting. please let me know what other questions you have! thanks!
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose Lacquer |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Gloss Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) Compensated |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Special electronics | Hand wired Orange Drop caps |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style High-ratio |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
I am a home hobbyist. I have played guitar for about 40 years and have had dozens of guitars over that time. I've owned several Les Paul's over the years including another Standard. This guitar had a great setup right from the factory. Very low action with no fret buzz. The neck feels great in my hand, the pickups sound great, and the finish (triburst) is amazing. The only negative thing I would mention is that it appears that Gibson is using a different color rosewood on their fingerboards these days. It's more of a gray color than the traditional reddish that I prefer. The fingerboard itself feels great but I like a darker red color than gray.Mark
I've been eyeballing this guitar for quit sometime in the GC website. Unfortunately, the local GC never had it in stock in their store. I asked the local GC store manger if he can check the other GC stores if they have one available. Fortunately he found a GC store that just received one. So, I drove 2 hours to the GC that had one. Arrived at the GC, walked in and long and behold, there it was on the very top display rack. I asked one of the GC sales rep if I can try it out, he replied that the store just received the guitar and that I'd be the first one to play it. Played it for 30mins, I love the feel of the 60's slim tapered neck and the sound of the Burstbucker pick-ups. I end up taking her home!Art
I am not going to say anything all the other reviewers did not. My only gripe is the solder joints were broken on both pickup covers causing some pretty bad Microphonics. Big deal. I swapped in a SD JB/Jazz set an now it even sounds better! I did not know about the busted solder until I realized that's what they do to keep the covers on. I will not get rid of the pickups and will fix them and drop them in another Paul I have. But the guitar plays so good. Also, with the TRI-burst limited we are just a little cooler than everyone else! Thank you Elvis at Clackamas GC!Ivan
4. Gibson Les Paul Standard '50s P90 – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. tone of the ages. with two powerful p90 pickups loaded into this '50s guitar, it has a bright sound which gives your licks that unmistakable vintage twang. your licks will sing to the stars with a gritty voice as you pluck your way through riffs. the beautiful neck and fretboard are guaranteed to bring a smile to your face with their luxurious feel, offering an entirely pure playing experience. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
5. Gibson Les Paul Standard '50s – Heritage Cherry Sunburst
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. pure tone, prime playability. two classic burstbucker humbuckers adorn this feisty '50s guitar, giving it that vibrant vintage crunch which sails through to your soul. your licks will sing powerfully as you strum and pick your way through songs, with each note shining with crystalline clarity. the beautiful neck and fretboard bring you the ultimate playing satisfaction, feeling chunky and dense whilst offering beautiful resonance. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | Probucker |
| Bridge | Probucker |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
6. Gibson Les Paul Standard '60s – Iced Tea
Product Details:
Fall in love with tone. a gibson les paul standard '60s is your ticket to the iconic sounds of classic les pauls. celebrated all over the world as one of the best guitars of all time, the les paul standard has been used by countless legendary guitarists in a wide range of genres. this guitar provides a truly authentic '60s gibson experience, perfectly encapsulating the look, feel, and most importantly, sound of a classic '60s les paul standard. perfect playability, pristine tone. when designing this guitar, gibson wanted to recreate the legendary feel and unmistakable sound of les pauls from the 1960s. the 61 burstbucker pickups deliver pure tones that let your sound shine through with ultimate clarity. and with a super fast, slim taper mahogany neck, you also get the effortless playing feel to match this guitar's amazing tone. experience something truly special.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | AA figured maple |
| Body wood | Mahogany |
| Body finish | Gloss nitrocellulose |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | HH |
| Neck | Burstbucker 61R |
| Bridge | Burstbucker 61T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6 string |
| Country of origin | United States |
Reviews:
I had a great experience with Musiciansfriend. I called my gear advisor, Scott, and he went the extra mile to answer all of my questions over about a two week period. My guitar weighs just under 10 pounds. The set up was superb with a low action and near perfect intonation. Phenomenal sound. Just amazing. Each string rings out clear and balanced. This is my first Gibson. I am a Fender player ('69 Jaguar, '97 Strat) so I was afraid I wouldn't like the warm tones of the humbuckers (nearly went with P90 because of this), but I can't compliment this guitar enough. It's a legend for a reason. The only bad thing is the case. It's obvious that Gibson doesn't take as much care in quality control for their cases. Pea sized bubble on the exterior and lining already coming unglued. However, musiciansfriend is working to right this for me.Jonathan
Overall: Ordered my 60's Les Paul in Unburst on Thursday February 10th. I paid for overnight shipping cause I couldn't wait & zZounds didn't disappoint. Guitar arrived on Friday the 11th before noon!!! Thank you zZounds. Now onto the review……amazing guitar. The figured top is beautiful. zZounds lets you pick the Les Paul you want by serial number & the top looks even better in person, I couldn't be happier. The fit & finish is excellent. Setup is perfect out of the box, plays like a dream. Sustain for days & the '61 Burstbucker R & T pickups just scream!!! Gibson's quality control is on point now!!! Just a beautiful guitar.James
Wow, does this guitar growl. These pickups are so hot, I was startled when I turned up the amp. On clean, every note in a chord is articulated brilliantly. And the sustain is strikingly long and full. I thought the fit and finish was exceptional, and appreciate the quality considering the price. It makes my other guitars feel like I'm riding a bike with a flat tire. It's just not a fair comparison. I am afraid I will have to upgrade my entire fleet now – it has spoiled me. I am more gratified with the purchase than I anticipated.Howard
7. Gibson Les Paul Classic Electric Guitar (Translucent Cherry)
Product Details:
A traditional look and build techniques combine with some modern touches, resulting in a go-to axe for any stage or studio session! as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. taking its functionality to another level, the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for great versatility.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker 61R Open-coil |
| Bridge | BurstBucker 61T Open-coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
8. Gibson Les Paul Tribute Electric Guitar (Satin Cherry Sunburst)
Product Details:
A classic right in your hands! if you have ever wanted to add a classic les paul to your collection without breaking the bank, the gibson les paul tribute is here. this homage to the guitar that changed rock forever stays true to the original while incorporating a few modern updates. once it?? s in your hands, you will feel, hear, and see all the reasons this seminal axe has won over so many millions of players the world over since it was first released. the tribute features a weight-relieved mahogany body with a maple top for stellar resonance and lightweight feel. a beautiful satin nitrocellulose finish lets the tonewoods breathe and glow with their natural color. a smooth maple neck with rosewood fingerboard offers that classic les paul feel and response, and a pair of 490 humbucking pickups delivers vintage-style tone.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
9. Gibson Les Paul Deluxe '70s Electric Guitar – Goldtop
Product Details:
The gibson 70s les paul deluxe is more than a blast from the past. it's a shrine to gibson's insanely high standards of craftsmanship and knack for getting the feel and tone of their creations just right. you'll be blown away by the rich, purring tone of the mini humbuckers, which were first introduced in 1969 – they kicked off the sound of the '70s. hum-free, they deliver an ultra-clear sound, with slightly more brightness and punch than their larger counterparts – they'll shine in any genre. feel your riffs like never before. the rounded c mahogany neck gives a glimpse of what the player so the '70s would have felt in their hands. smooth, satisfying, and incredibly easy to play, it'll let you riff all night long. an indian rosewood fretboard provides unbeatable sustain and a powerful response, whilst the tune-o-matic bridge keeps your tuning steady as a rock. the maple top lends itself to a beautiful finish, whilst the cutaway design enables superb upper fret access. this is modern, professional craftsmanship combined with inimitable '70s gibson charm. prepare to be blown away.
Specifications:
| Finish | Cherry Sunburst |
| Year | 2021 – 2022 |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
| Binding | Cream |
| Neck | Mahogany |
| Nut width | 1.695" / 43.053mm |
| Fingerboard | Indian Rosewood, Cream Binding |
| Scale length | 24.75" / 628.65mm |
| Number of frets | 22 |
| Nut | Graph Tech |
| Inlay | Acrylic Trapezoids |
| Bridge | Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Knobs | Gold Top Hats with Silver Inserts |
| Tuners | Vintage Keystone |
| Plating | Chrome |
| Neck pickup | Mini Humbucker |
| Bridge pickup | Mini Humbucker |
Reviews:
I've wanted a deluxe since I played one in the late 70's. It's beautiful, plays great, and the fit and finish is perfect. Gibson has definitely fixed their past QC issues. The mini humbuckers are clear and crisp, no bucker mud. The neck is perfect to me. Fat but not huge. Frets are perfect. Minor action tweaks out of the box and I gigged it the next day. Highly recommend!
10. Gibson 2016 Les Paul Cm T Electric Guitar Satin Ebony
Product Details:
Here is a near mint 2016 les paul cm. love this guitar! this is basically a fresh take on the lp jr. instead of a p90 you get a cool '61 humbucker but on a carved top. it is simplicity at it's best. i liked this guitar so much that i bought two of them. i have decided to let this one go. the guitar has never been out of the house and has been played no more than 4/5 hrs. altogether. it comes with nice gig bag and charger for the tuners. no scratches or dents. please ask all questions you may have before making purchase.
Specifications:
| Finish | Satin Ebony |
| Year | 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul CM |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | H |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
This guitar is really great, its rocks, I use it for punk and metal !!Rene
As soon as I saw the sparse details, single bridge pick-up, and barren paint/stain, I knew I had to have this thing. No false intentions here, with no frills rhythm pickup. This ain't your papa's Les Paul here. This guitar is meant for one thing and one thing only. Metal, which just-so happens to be my thing. The price sure helps, and the attention to detail is no different from any other Gibson electric. Although I wish the Zebra '61 was hotter, there are no pretenses here, and with a dirtier pickup and some drop-strings, I'll have a little (budget) screamer with Gibson on the head-stock. All-in-all perfect for my application.Metallitubby
11. Gibson – Adam Jones Les Paul Standard – Electric Guitar – Silverburst
Product Details:
This guitar in mint condition. just play couple times. clean and nice sound.gibson usa is proud to introduce a new artist model in collaboration with adam jones, one of rock s most talented and sonically innovative guitarists, from the multi-platinum selling and multiple grammy award winning band, tool. his new les paul standard is finished in antique silverburst and has an ebony fretboard with mother of pearl trapezoid inlays and grover rotomatic tuners with contemporary style buttons. it comes equipped with a chrome-covered burstbucker 1 in the neck position and an uncovered dc high-gain humbucker in the bridge position. the controls are hand-wired with orange drop capacitors. it also features adam s signature on the truss rod cover and custom adam jones artwork on the back of the headstock and comes with a modern hardshell case.
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Silver Burst |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Ebony |
| Bridge Type | Fixed |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | DC High-Gain Humbucker |
| Neck Pickup | Burstbucker 1 |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Chrome |
| Case Included | Hard Case |
Reviews:
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhkkkkk The new Standard 60s that I received was was being waited for like a scene in a movie when parents are waiting for a stork to bless them with a bundle of joy. Well the stork for me was gruff lookin FedEx driver that was delivering my new Gibson Les Paul Standard 60s. After it was delivered I placed it gently before me and began to unwrap the newest member of the family. So, you know those movies when you expect to see elation on the face of the actor after they open something up but instead it turns to the face of horror, well, that was me. As I opened up the the lid of the case I saw bits of gold flakes and plastic. It was the volume knob that had been smashed. I then looked at the case and the bottom of the case appeared to be damaged. After pulling picking up the pieces and placing them in a bag i played the LP and it was amazing but had obviously been knocked around too much for me to keep. It was tough though, the low end on this guitar was hypnotizing and the highs were like blissful chimes that rang clean yet without shrillness. The weight is amazing and the thus the sustain is like the Energizer Bunny. Anyway, I called AMS, they offered a replacement but I wouldn't be able to choose the serial number for the replacement, so I would have no idea what it looked like; I want to choose what guitar I am buying. So now I have a prepaid return shipping label in my email and a trip to the "stork" in my future. It's very unfortunate that this guitar was not packaged better because it is an amazing sounding guitar. I am buying another one.Mike
Overall: I've had 4 other gibsons and this one is the prettiest of them all. The color, how it fades from a dark red, to bright red then amber. The flame is just right on both sides. It has nearly every different kind of flame in certain spots but consistently has horizontal flame from top to bottom. It's a killer top. It's set up well but the action does need to be lowered and some relief put on the neck but overall not bad. The slim 60s neck is very nice. Its not chunky but not thin either, its right in the sweet spot. It sounds amazing, alnico Vs are hotter than a firecracker. Now the cons- It had about a 4 inch surface scratch on the top where your right arm rests when I inspected it after opening the case. The Grover tuners are nice and keep it in tune but I wish this exact guitar was offered with Kluson deluxe tuners. I prefer the green tulip look. Then there's the graph tech nut. I wish it had a bone nut but ill take care of that later. All in all it's a keeper, for life. Thank yoy zZoundsRyan
I've had the guitar for a couple weeks now and it's been the main guitar I've played during that time and it's incredibly hard to put down. The neck is thin but not too thin. It's a good medium profile. This is also one of the lightest Les Pauls I've ever played. The guitar is extremely resonate and loud acoustically. This could just be luck of the draw finding this specific Les Paul, because I've played a few 60's standards and not all of them were like this one. This one was definitely the best one I tried of this model. I have yet to gig with it yet, but I can't wait to. I've tried it in Standard, Eb Standard, Drop D, and Drop C# and it sounded and reacted great in all four tunings with little need for adjustments. The only con I've found is occasionally the higher strings seem to choke out slightly, but that should be easily remedied with some minor adjustments, and they don't choke out enough to really hurt playability.Eric
12. Gibson 2016 Les Paul Studio T Electric Guitar – Inverness Green/chrome Hardware
Product Details:
Tuners: traditional manual tuners. neck width: traditional neck width of 1-11/16" at the nut. nut: graph tech nut. neck heel: classic les paul neck heel. case: traditional brown hard shell case. body: carved maple top over mahogany with modern weight relief. pickups: gibson's popular 490r and 498t humbuckers. fingerboard: thicker rosewood fingerboard. setup: comprehensive, hand-finished expert setup. finish: thin high-gloss nitrocellulose lacquer finish. hardware: gold.
Specifications:
| Finish | Alpine White |
| Year | 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Studio |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
Not much to say about a GLP – its an amazing guitar as you'd expect and anyone can carry it and comparably price instruments. However, it's the Sweetwater service that makes the difference. Grant is great and super responsive to my questions and issues. You can tell that the people who work here play and love music. I completely trust Sweetwater with my musical instruments. I just purchased my second guitar with them yesterday and the process was fantastic. At this point, I'm only going to buy here. Even if I found an instrument at a cheaper price through one of their competitors, it wouldn't be worth the care and service you get at Sweetwater. 5-Stars guys! Customer 4-Life!
So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.
13. Gibson 2019 Les Paul Classic – Honeyburst
Product Details:
Top and back and neck and headstock are perfect. minor ding on side and some other blemishes on other side. take a look at the pictures. this is the 2019 with upgraded locking tuners and all splitting options the new 2019 gibson les paul classic boasts a traditional tone wood construction of a mahogany back and maple top coupled with a mahogany neck and bound rosewood fingerboard. a slim taper neck profile and 61 r and 61 t zebra pickups provide the playability and classic gibson tones from the era, 4 push-pull control assembly give a sonic variety to this complete guitar package.
Specifications:
| Finish | Ebony |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Classic |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
14. Gibson Custom 1959 Les Paul Standard Electric Guitar Dark Bourbon
Product Details:
Consider a "holy grail" by many guitarists, the '59 gibson les paul standard is nothing if not a pure icon of some of the world's great guitarists across multiple genres. this limited-edition standard is a painstaking replica of that hallowed original. includes deluxe lacquered hard case.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Lightweight Mahogany |
| Body finish | Lacquer Nitrocellulose |
| Orientation | Right handed |
| Neck shape | 1959 Les Paul |
| Neck wood | Mahogany |
| Joint | Set-in long tenon |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Lacquer Nitrocellulose |
| Radius | 9.5 in. |
| Fret size | Reissue |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | CustomBucker |
| Bridge | CustomBucker |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Kluson deluxe |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
I had a great experience with Musiciansfriend. I called my gear advisor, Scott, and he went the extra mile to answer all of my questions over about a two week period. My guitar weighs just under 10 pounds. The set up was superb with a low action and near perfect intonation. Phenomenal sound. Just amazing. Each string rings out clear and balanced. This is my first Gibson. I am a Fender player ('69 Jaguar, '97 Strat) so I was afraid I wouldn't like the warm tones of the humbuckers (nearly went with P90 because of this), but I can't compliment this guitar enough. It's a legend for a reason. The only bad thing is the case. It's obvious that Gibson doesn't take as much care in quality control for their cases. Pea sized bubble on the exterior and lining already coming unglued. However, musiciansfriend is working to right this for me.Jonathan
Overall: Ordered my 60's Les Paul in Unburst on Thursday February 10th. I paid for overnight shipping cause I couldn't wait & zZounds didn't disappoint. Guitar arrived on Friday the 11th before noon!!! Thank you zZounds. Now onto the review……amazing guitar. The figured top is beautiful. zZounds lets you pick the Les Paul you want by serial number & the top looks even better in person, I couldn't be happier. The fit & finish is excellent. Setup is perfect out of the box, plays like a dream. Sustain for days & the '61 Burstbucker R & T pickups just scream!!! Gibson's quality control is on point now!!! Just a beautiful guitar.James
Wow, does this guitar growl. These pickups are so hot, I was startled when I turned up the amp. On clean, every note in a chord is articulated brilliantly. And the sustain is strikingly long and full. I thought the fit and finish was exceptional, and appreciate the quality considering the price. It makes my other guitars feel like I'm riding a bike with a flat tire. It's just not a fair comparison. I am afraid I will have to upgrade my entire fleet now – it has spoiled me. I am more gratified with the purchase than I anticipated.Howard
15. Gibson 2018 Les Paul Classic Electric Guitar, Gold Top
Product Details:
These 2018 classics are exceptional instruments. non weight relieved, hand wired, orange drop caps and crisp, sweet p90 goodness. aside from the slim neck they have more in common with a 56 reissue than a typical classic. in fact i had both at the same time and sold the r6 because this particular classic was such a great player. these necks are rounder than previous classics which i thought were too flat and uncomfortable to play. it’s set up well, has almost zero noticeable wear and has never been played out. the truss rod cover was changed to a blank one to more closely resemble a reissue. weighs 10 lbs even according to my bathroom scale. rings like a bell, has fantastic resonance, and the grain on the neck, sides and back is gorgeous. comes with original hard case.
Specifications:
| Finish | Ebony |
| Year | 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Bridge/Tailpiece Type | Stop-Bar |
| Model Sub-Family | Gibson Les Paul Classic |
| Number of Frets | 22 |
| Pickup Configuration | SS |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
16. Gibson Custom 60th Anniversary 1960 Les Paul Standard V2 Tomato Soup Burst
Product Details:
I am re-listing this guitar (as going to keep it but have decided to let it go). never gigged and well taken care of. the v2 neck truly sits perfectly in-between a '59 les paul and my '61 es-335 and is, therefore, not too chunky nor too thin. pickups sound amazing! gibson really hit the ball out of the park with these alnico iii pickups. keep in mind that with this being an anniversary model it is limited to 2020. finish is a great tomato soup, and as you can see from the images has lots of flame and figuring in the wood. please note this is gibson's vos finish so it's made to look aged (not quite murphy lab aged) and it is used so there are going to be signs of use (pick marks, etc., though there are no missing paint, dents, or dings). action is set low with no buzz.
Specifications:
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood, Hide Glue Fit |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Authentic Medium-Jumbo |
| Nut Material | Nylon |
| Nut Width | 1.687" |
| End of Board Width | 2.24" |
| Inlays | Aged Cellulose Nitrate Trapezoid |
| Joint | Long Tenon, Hide Glue Fit |
| Body Shape | Les Paul |
| Back | 1-Piece Solid Lightweight Mahogany |
| Finish | Nitrocellulose Lacquer VOS (Vintage Patina) |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | No-Wire ABR-1 |
| Saddle Material | Nickel-plated Brass |
| Tailpiece | Lightweight Aluminum Stop Bar |
| Tuning Machines | Kluson Single Line, Double Ring |
| Pickguard | Laminated Cellulose Acetate Butyrate |
| Truss Rod Cover | Authentic Stepped 2-Ply |
| Control Knobs | Amber Butyrate Top Hats w/ Silver Inserts |
| Switch Tip | Amber Catalin |
| Switchwasher | Replica Cellulose Acetate Butyrate |
| Jack Plate Cover | Laminated Cellulose Acetate Butyrate |
| Control Covers | Black Royalite |
| Strap Buttons | Aluminum |
| Mounting Rings | M69 Cellulose Acetate Butyrate |
| Pickup Covers | Authentic Profile Nickel Silver |
| Neck Pickup | Custombucker Alnico III (Unpotted) |
| Bridge Pickup | Custombucker Alnico III (Unpotted) |
| Pickup Selector | 3-Way Switchcraft |
| Output Jack | Switchcraft |
| Strings | .010, .013, .017, .026, .036, .046 |
| Manufacturer Part Number (MPN) | LPR60VOTSBNH1 |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
I bought my first Les Paul in 1974. I was a little concerened about the new "lightend and improved" version but it turned out to be great. Pickups are better. Feels great, plays great and all around great guitar at a good price. Required minimal set up to play really good. I liked it so much, I bought another one 3 weeks later. I love my Strats but right out of the box, they require a lot of work to make them play and stay in tune. Got my first Strat in 72. If I was a kid (I'm in my 60's), I would choose this Les Paul Studio first. Because it is easier to set up and play right out of the box. I love my Strats, but this is a really good guitar.Stephen C
Still a novice player, but decided that I had stuck with it long enough to justify spending a bit more than I had spent on my used Squier Strat. After reading a ton of reviews and watching a bunch of YouTube videos, I chose the LP Studio in Smokehouse Burst. Wow! What an incredible difference. I find it easier to play with a wider fretboard and the sound is just amazing. I'm not sure if I just got a good one or if Gibson has stepped up their QA game as mine does not display the defects described by other reviews here. I have not found any cosmetic or fit/finish flaws. The color also closely resembles the photos with just a slightly darker shade on the burst. It is an absolutely gorgeous instrument and I couldn't be more satisfied with it. I know that Gibson switched over to the soft case rather than the hard one to save costs, but quite frankly, I don't see that they could have saved too much. The soft case is very high quality and with the exception of shipping or air travel, I feel that my guitar is well protected when put away. Although, I doubt that I'll ever be traveling to perform in this lifetime. Thanks Gibson. Great job on a beautiful instrument.ArmchairAstro
17. Gibson 2017 Les Paul Studio T Electric Guitar With Case, Wine Red
Product Details:
Beautiful yet simple, the les paul studio offers everything you demand from a true les paul and then some. lighter than ever, the 2017 les paul studio t benefits from gibson's new ultra-modern weight relief that offers endless sustain and hours of comfortable playing, while its slim-taper neck profile is ideal for fast yet comfortable playing. a combination of 490r and 498t humbuckers provides genuine gibson tones with a hint of modernity and aggression, wired to comprehensive controls and coil tapping for outstanding sonic versatility. this versatile performer is delivered in a classic gibson brown hardshell case, along with a premium leather strap, a gibson multi-tool and a polishing cloth. body shape:les paul. body type:solid body. body material:mahogany. top wood:grade a plain maple. body wood: mahogany. body finish: select finish. orientation:right handed. neck shape: slim taper. neck wood: mahogany. joint: set neck. scale length: 24.75". truss rod:single action. neck finish: select finish. fretboard material: rosewood. radius:12". fret size: medium. number of frets: 22. inlays: trapezoid. nut width:1.695" pickups – configuration: dual humbuckers. neck:490r. middle: n/a. bridge: 498t. brand: gibson.
Specifications:
| Finish | Black Cherry Burst |
| Year | 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Studio |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Ich habe mir dieses Gibson Model bei Kirstein gekauft, weil neben dem Koffer ein Gurt, ein Einstellwerkzeug und ein Reinigungstuch dabei waren. Am Anfang wollte ich mir eine günstige Gitarre kaufen, da aber in den Foren manche Musiker nicht mit den Pickups zufrieden waren, entschied ich mich für eine Gibson. Die Tonabnehmer zu wechseln lohnt sich nicht wirklich, besonders wenn man den Wiederverkaufswert berücksichtigt. Bei einem Preis von 1100€ bekommt man eine Gitarre die klanglich mit den weitaus teureren Modellen mithalten kann. An der Gitarre selber konnte ich keine Mängel feststellen. Einziger Punkt war das ich die Oktavreinheit ein- stellen musste. Vom Klang her bekommt das was man erwartet eine Gibson Les Paul.Karl-Heinz
Sehr fein gearbeitete Gitarre mit sehr schönem und breitem Soundspektrum, auch den Response mag ich sehr. Entäuscht bin ich von der Stimmstabilität, nach ein paar Minuten bespielen ist schnell einmal eine Neustimmung notwendig. Da sind meine Gitarren mit Tremoloblock selbst bei intensiver Verwendung stabiler, hier würde ich von der Preislage her und dem prestigeträchtigen Namen mehr erwarten deswegen gibt es nur 3 von 5 …Sigurd
A really nice guitar. It looks good with its translucent red finish and it plays well too. The first thing I did was change the supplied Gibson .010 strings for a set of .009 Ernie Ball super slinkies and this bid cause a bit of a buzz on the bottom E, but a minor adjustment to the bridge cured that. This has resulted in the easiest guitar to play that I have ever used. There is plenty of tonal variation available and the coil taps double your options.davladd-9
18. Gibson 2017 Les Paul Faded T Electric Guitar Worn Cherry
Product Details:
The gibson les paul faded t 2017 electric guitar wc worn cherry is a 6-string model featuring a maple top and neck, a mahogany back, a rosewood fretboard, and a worn cherry finish. this range of les paul faded t guitars are new for 2017 and boast the look of a legendary instrument, yet shaped by the guitarists hand for an ideal and comfortable fit. equipped with modern 490r and 490t humbucker pickups, this les paul produces the legendary sound the name is famous for, whilst 22 polished frets on a smooth rosewood fingerboard enable flexible bends and a comfortable feel. the mahogany neck has a slim-taper profile, which enhances soloing speed and articulation, and an ultramodern weight relief provides the player with comfort and increased resonance. a faded gloss finish gives each guitar an authentic vintage worn appearance. a padded gigbag is included.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | Slim Taper |
| Neck Material | Maple |
| Depth at 1st (in) | .841 |
| Depth at 12th (in) | .874 |
| Nut Width (in) | 1.69 |
| Nut Material | Graph Tech |
| Scale | 24.75 In |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Satin Nitro |
| Tuners | Kluson |
| Bridge | Nashville TOM |
| Neck Pickup | 490R |
| Bridge Pickup | 498T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Year | 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
Reviews:
Well worth its price. Cracking budget GibsonReviewed by Andertons Music Co.
This guitar looks great from afar. And is comfortable on the hand. With that being said, frets need filing down on the sides, the fretboard had a 1/8 inch gap between it and the neck of the guitar in some places all along it, the volume/tone knobs had different depths with one sticking out what seemed like way too far, the strap buttons are massive and takes a while to get the strap on (at least the strap should never fall off then), and the pick up in it are okay. The finish was blotchy is some areas as well. Personally, if you're just looking for a guitar that has the Gibson name on it, this will work. If you're looking for a great guitar that's worth the investment, then this isn't it. More work than trouble when you get it. Also could use upgrading of the tuners. I returned mine. My Epiphone Les Paul Custom Pro is significantly better than this Gibson.Whiplash
Insgesamt bin ich sehr zufrieden mit dem genialen Klang der Gitarre. Das Aussehen und die Bespielbarkeit der Gitarre ist wirklich toll. Aber für eine Spitzen-Bewertung gibt es dann doch 3 minimale Dinge, bei der man bemerkt, dass es sich um das Einstiegermodell von Gibson handelt. Die Tonabnehmer sind etwas lieblos und nicht ganz sauber mit Klebeband verklebt worden. Es gibt eine 1cm lange Abschürfung der obersten Klarlackschicht des Bodies, die man allerdings noch im spiegelnden Licht sieht (fand ich für eine neue Gitarre trotzdem etwas schade). Auf ganz kleine minimale Mikrokratzer des schwarzen Schlagbrettes hatte mich ein Mitarbeiter von Kirchstein vorab tel. hingewiesen, dass fand ich sehr gut und es ist wirklich nur minimal, zumal man das Schlagbrett für kleines Geld auch später austauschen kann. Der Versand ging schnell und die Gitarre wurde gut verpackt zum angegebenen Zeitfenster mit DPD geliefert.Oliver
19. Gibson Les Paul Studio 50s Tribute 2016 T Guitar With Gig Bag, Gold Top
Product Details:
Following in the footsteps of the incredibly popular 2010 les paul studio 50's tribute, which was released with a set of p-90 pickups… comes the new 50's tribute les paul loaded with paf-style humbuckers. keeping the look and feel of the original run of guitars with the goldtop finish and rounded 50's neck profile, this model offers slightly more modern rock and roll tone with the uncovered 490r and 498t humbuckers. a fantastic les paul at a price that the everyday musician can afford.
Specifications:
Reviews:
I've owned a few Epiphone Les Pauls and a couple Gibsons and this is absolutely my favorite. The action was rather high but all new guitars should be set up when you get them anyway. After I lowered the action it's been a dream to play. The pickups are very responsive and deliver a great tone as well. I haven't had any issues with it staying in tune. I stretched the strings a bit and tuned it up and it hasn't lost its tuning yet. The satin good top is just beautiful. It has a slight copper color to it in some light but it still looks amazing. The satin finish still lets it shine through. The only flaw I could find was under the pick guard, but any Les Paul with a pick guard will have that mark. The fretboard is pretty nice. There are a couple of spots that look like they were gouged slightly but not where it causes any problems. For me the neck is comfortable and fast. Not too much stiction going on at all. And those knobs! I love reflector knobs. Against the gold top they just make the whole thing pop. I've always been a fan of binding on a guitar but this one doesn't need it. The guitar just stands out so well that it wouldn't even be noticed. Out of all of the more affordable Les Pauls this one really leads the crowd. Such a good guitar that not only sounds great, but looks beautiful as well. Now for my single complaint. Ship these with a case!!! The gig bag is nice, but it really needs a classic looking brown case to round it all out.StephenM
When I first opened the box what I saw was a work of art, I only hoped it was as great as it looked. I pushed the power button on the G-Foece Tuners and the G string light up red, I picked the G and all ways in tune. I checked it with my Petersen Strobe Tuner, and yes it was spot on. I plugged into a Vox AC30 HW, the notes that came out of the speakers seem to bloom with harmonics I've never heard before. The fit and finish looked like someone went through the Les Paul with a fine tooth comb, I figured the Les Paul being a 2016 would need a set of fresh strings. The instruction for the G-Force Tuners states to do one string at a time, so the G-Force would not need to be recalibrate. So I set up the windup wind down menu on the G-Force unwound the low E. The rewind confused me a bit, usually i cut the string about 1 1/2 past the next tuner, not so with the G-Force only cut the string to the next tuner inline, too much string will cause the G-Force to lock up due to too many winds on the post. When you get to the G-B-E Strings 1 1/2 will work better so the Strings don't slip on the post and cause tuning issues. The 490R & 498T pickups really surprised me. The 490R is very articulate not muddy in any way, if fact I use it more that I've ever used a neck pickup…the middle position is great for Lead or Rhythm, I've heard Jimmy Page uses this position a lot now I understand why. The 498T is very hot 13.7 ohms as opposed to the 7.6 ohms neck. Even though the ohms are far apart they work well together. I set my Neck volume about 6 for a nice clean rhythm sound and the bridge I set at 8-9 so when I want that little more bark it's there. So to sum it all up this Les Paul is all I need to get the tones I need. This is my Desert island Guitar.Huncy Sound Studio
After playing for over 40 years, I must admit I am really blown away by the tonality, feel, and general quality of this guitar. The cleans are vibrant yet warm, and the crunchy over driven tones will compete with just about anything when pushed through a classic tube amp. It really is a step way up from any $400 guitar I've recently played; and would highly recommend spending the extra bread. You don't need to get a $2500 Les Paul to crab that classic Gibson tone and vibe. This is really a quality instrument at a good price!twiggypine
20. Gibson Les Paul Standard '60s Electric Guitar Bourbon Burst
Product Details:
Specifications:
| Finish | Bourbon Burst |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Standard '60s |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
Related posts:
- Epiphone Les Paul Standard Guitar For Sale (2024 Update)
- Epiphone Les Paul Standard Left Handed Electric Guitar For Sale (2024 Update)
- Epiphone Les Paul Standard Plustop Pro Electric Guitar Heritage Cherry Sunburst For Sale (2024 Update)
- Gibson Les Paul Epiphone Guitar For Sale (2024 Update)
- Les Paul Classic Guitar For Sale (2024 Update)
- Les Paul Guitar Left Handed For Sale (2024 Update)
- Les Paul Left Handed Guitar For Sale (2024 Update)
- Epiphone Guitar And Amp For Sale (2024 Update)
- Epiphone Left Handed Electric Guitar For Sale (2024 Update)
- Epiphone Les Paul 100 Electric Guitar Ebony For Sale (2024 Update)
