White Acoustic Electric Guitar For Sale (2024 Update)

The only thing I'm not entirely happy with is the action. It's just a little too high. Other than that, I love it. It's a very nice looking acoustic for the money. It stays in tune extremely well and I was shocked at how full the sound was even with such a thin body. Sounds even better plugged in. The thinner body is super comfortable to handle and hold. It makes the transition from electric to acoustic very easy. The built in tuner is one of my favorite features. It works great and seems to be as accurate as any other tuner I've ever used. Overall, I would recommend this acoustic to anyone on a budget looking for a great sounding and feeling acoustic who doesn't mind the action a little on the higher side. (Side Note – I might be too critical on the action since I'm used to my electrics set up for such low action.)

The only thing I'm not entirely happy with is the action. It's just a little too high. Other than that, I love it. It's a very nice looking acoustic for the money. It stays in tune extremely well and I was shocked at how full the sound was even with such a thin body. Sounds even better plugged in. The thinner body is super comfortable to handle and hold. It makes the transition from electric to acoustic very easy. The built in tuner is one of my favorite features. It works great and seems to be as accurate as any other tuner I've ever used. Overall, I would recommend this acoustic to anyone on a budget looking for a great sounding and feeling acoustic who doesn't mind the action a little on the higher side. (Side Note – I might be too critical on the action since I'm used to my electrics set up for such low action.)

I originally thought that as a multitalented Musician and singer songwriter and R&B JAZZ music Recording Artist. That the only acoustic electric guitar that would work for me was the RICK TURNER peanut styled Guitar. But needless to say…I am very surprised at the well constructed Ibanez acoustic electric guitar. It really does the trick. Yes it needed a truss rod adjustment when I first took it out of the box and observed the neck and checked the frets and string height. But other than that ? After a few minor tweeks.. it plays very well. I would like to thank the people at sweetwater for helping me with the order. And because it does have a limited lifetime warranty ? You cannot beat it for the cost. Now maybe I can get Ibanez or sweetwater to hook me up with a very cool deal I need a hard shell case for it. Hummm ? $ is out of my range at the moment. Not sure ..lol but I love this guitar.. looking forward to using it on my up and coming 2023 album release. Yeah it's all good babie….

Overall: A bit skeptical of it playing/sounding good, especially in this price range. My hopes were not high, but just to be ok as a couch guitar. Surprisingly this little baby sings! Exceeded my expectations by far! It has some minor imperfections, but it just sounds and plays amazing for this price! No set up required. Just tuned her up and started playing. For the price, you should not complain!

Overall: I purchased this guitar for practice, and to record licks for quick pre-production ideas. My Taylor GS Mini does not have electronics and I wanted to add a Martin to my collection anyway. When plugged in the Martin sounds very rich and there is almost no sound degradation between plugged and mic’d, very impressive! The fingerboard is wider than the one on my Taylor GS and as a result is much easier to play for me. This guitar is not as rich sounding or as comfortable as my Washburn 55 Comfort Series but the sound, the cut-away, and the small size makes this my choice for those quick pre-productions or gigs.Installation of an onboard tuner would make this guitar perfect in my opinion.

The only thing I'm not entirely happy with is the action. It's just a little too high. Other than that, I love it. It's a very nice looking acoustic for the money. It stays in tune extremely well and I was shocked at how full the sound was even with such a thin body. Sounds even better plugged in. The thinner body is super comfortable to handle and hold. It makes the transition from electric to acoustic very easy. The built in tuner is one of my favorite features. It works great and seems to be as accurate as any other tuner I've ever used. Overall, I would recommend this acoustic to anyone on a budget looking for a great sounding and feeling acoustic who doesn't mind the action a little on the higher side. (Side Note – I might be too critical on the action since I'm used to my electrics set up for such low action.)

Overall: For 100 bucks less than a Japanese made RG550 I'll say the quality of this Indonesian assembled guitar is sub-par albeit correctable. All hardware was loose. Blase switch wast rubbing against finish. Tone and volume pots were pushed down into contact with body. Gold playing on bridge pick-up shows nickel plating already. Action was set so low that it was unplayable. Some frets are razor sharp at the edge of the fretboard. Neck and fretboard are dry as a bone, and need to be sanded and sealed. The grain was raised when I unboxed. Which basically tells me that there was very little if any polyurethane applied to the neck or fretboard. As with all Indonesian guitars ai take this as an opportunity to fix these little things on my own, but you are better off getting an RG550 Genesis. The quality is far superior. Also the paint is awful, and the plating on all gold plated surfaces are sure to deteriorate quickly. One note: Sounds has nothing to do with these inadequacies or defects. Ibanez should just seize operations in Indonesia, as should all other guitar manufactures. Indonesian guitars are ok enough to correct, but even at the 800 dollar mark you should get a 100% gigable axe. This is not at that level.

I've owned this guitar for a year. I own more than a few Ibanez, with about half of them being Prestige and the others being 80's/90's Fujigen Ibby's, 2010's Iron Labels and Premium. I love this RGA and it's remarkably well spec'ed for most anything a diverse player will want. What it isn't: it isn't a prestige and it doesn't feel like it. That's not a bad thing; the roasted maple neck is amazing, feels comfortable, but the fingerboard does feel a little different (given the wood type). The only real negative I find is that the finish (the actual finish) feels like it's very delicate. I can see this finish cracking easily with an everyday bump. I hang my guitars and pull them just to record, so not a n issue for me, but it definitely feels very delicate. The only other reasonable complaint is that for the pricepoint, it should include at least a gig bag. This is basically a 1,000 dollar guitar.

Out of the box it is a very attractive piece but getting it to tune is impossible. The neck bends, the springs flex, the upper point shape digs into your arm, the machine heads don't fine-tune and wont hold. The volume knob is too close to the playing area causing sudden volume changes when it's bumped while playing, the frets are too high causing the strings to bend when making even the simplest of chords causing a de-tuned sound, the Floyd Rose mechanism is made of too light and flimsy springs and machine parts to be stable. Thirty seconds of hearing this thing play would make anybody switch the station. Otherwise it is very attractive and has a nice gloss finish. The intonation is a joke. I tried everything – relocating the neck, locking the Floyd solid, hours of work . It did improve slightly but the neck bends while tuning making it impossible to get anything other than a noise maker and something you could hang on your wall for show. Since I made so many modifications in an attempt to make the thing even usable I now am unable to return it. I might be able to use the pots for another project but the rest of it is junk. I would try and get the seller to buy it back but even I wouldn't want it back so I'm sure they wont accept it. After I re-work a guitar it usually worth several thousand dollars. I spent the equivalent of $5,000.00 worth of labor on this thing and it is still worthless.

overall ths was a very sour experience rearding the guitar. i returned it and musicians friend is always absolutely wonderful with customer service and satisfaction. so im happy that i was able to return it features seem nice the guitar is beautiful and well put together maybe i got a defected model but the quality of the sound was very poor. it had a cheap guitar sound to it and the guitar had terrible buzz when playing, but i raised the action under the bridge saddle and it was better. also the guitar wouldnt stay in tune or even more when each string played open it was in tune and i would press down on a chord or press a string on a fret the tuning would be too sharp but play the string open and it was in perfect tune. i tried changing the strings but didnt help at all. very dissapointing but maybe that particular guitar was just flawed. this isnt the first time that ive played a guitar and sound quality was poor but normally its a cheap guitar this guitar sound not have sounded this way if my guitar wasnt flawed i would say the value would be great

Overall: For 100 bucks less than a Japanese made RG550 I'll say the quality of this Indonesian assembled guitar is sub-par albeit correctable. All hardware was loose. Blase switch wast rubbing against finish. Tone and volume pots were pushed down into contact with body. Gold playing on bridge pick-up shows nickel plating already. Action was set so low that it was unplayable. Some frets are razor sharp at the edge of the fretboard. Neck and fretboard are dry as a bone, and need to be sanded and sealed. The grain was raised when I unboxed. Which basically tells me that there was very little if any polyurethane applied to the neck or fretboard. As with all Indonesian guitars ai take this as an opportunity to fix these little things on my own, but you are better off getting an RG550 Genesis. The quality is far superior. Also the paint is awful, and the plating on all gold plated surfaces are sure to deteriorate quickly. One note: Sounds has nothing to do with these inadequacies or defects. Ibanez should just seize operations in Indonesia, as should all other guitar manufactures. Indonesian guitars are ok enough to correct, but even at the 800 dollar mark you should get a 100% gigable axe. This is not at that level.

I've owned this guitar for a year. I own more than a few Ibanez, with about half of them being Prestige and the others being 80's/90's Fujigen Ibby's, 2010's Iron Labels and Premium. I love this RGA and it's remarkably well spec'ed for most anything a diverse player will want. What it isn't: it isn't a prestige and it doesn't feel like it. That's not a bad thing; the roasted maple neck is amazing, feels comfortable, but the fingerboard does feel a little different (given the wood type). The only real negative I find is that the finish (the actual finish) feels like it's very delicate. I can see this finish cracking easily with an everyday bump. I hang my guitars and pull them just to record, so not a n issue for me, but it definitely feels very delicate. The only other reasonable complaint is that for the pricepoint, it should include at least a gig bag. This is basically a 1,000 dollar guitar.

I had initially ordered a PR150 at a screaming deal and was notified that it was on backorder (expected at the very low price). I then decided to step up and talked to Amber (CS) and she walked me through the whole process seamlessly and offered another screaming deal. The guitar arrived and upon inspection I saw that it was very attractive with no physical flaws. The next thing I noticed was that the strings had once been used to hold up the Golden Gate Bridge (expected and I have 3 different setsa to try). I tuned it and hit the strings—-WOW, despite the lousy strings this guitar had some very long sustain with a nice sound. I then checked the intonation—perfect up and down the fretboard. Having said all this YMMV. I will be playing it a bit and letting it acclimatize to this Central Ar. environ. I will then remove a very slight bow in the neck, dress the frets and install a lowered TUSQ saddle (I am not a guitar repairman, only a parts changer who likes to use his hands). The 5 stars is for the whole experience with customer service and the value/price point ratio of this guitar—once again YMMV. This is going to be a present to a luck graduate

I've never owned a full size acoustic but I've played on many, so I was looking at quite a few when I came to the Epiphone J-15. Obviously the price jumps right off the screen, so I figured why not pull the trigger, how bad could it be? Well surprise, it's not too bad at all! Upon unboxing the guitar I was immediately impressed with it's simple, yet elegant look. It's definitely a classic style you've seen a million times, but it looks much better in person than online. Mine came with no finish flaws or imperfections. Next it was to inspect the setup, and once tuned up I was pleasantly surprised to find the action was very close to the way I like it, and it has a comfortable, very playable neck. Now I'm not saying every one of these will come setup properly out of the box, but it's always nice when you get one that is. BUT all is not perfect, as to be expected at this entry level cost. Right about then is when I noticed that the fretboard is very raw and not too pleasant feeling to say the least. It's fine for chord strumming, but once you get into some more technical playing it can get a little "sticky" feeling moving up and down the fretboard. Fortunately that is an easy enough fix with a little sanding and finishing oil. Interestingly enough this acoustic guitar came packaged with a 1/4 inch TS cable from Epiphone, which is just plain odd considering it's in no way an electric instrument LOL! I'll take the freebie though, you can never have too many cables. All in all, if you're looking for a quality sounding dreadnought acoustic and don't want to pay too much, I think this Epiphone definitely hits the mark. Just be aware that you might need to put in a little work on the fretboard to bring it up to par.

I bought these with little to know experience in shopping for monitor speakers. The last speakers I owned were 20 years ago that came with zero application power and I had to hook them up to a stereo amp. I've attached these to a low end Behringer 12 channel mixer and am playing off my 6 year old Mac for Maschine work, and Korg synth. The first song was the first thing that came up on a Pandora station playing a song I had heard a hundred times. It sounded like the first time I had actually heard the song for real. I heard so much depth, so many independent instruments. Turning it up to see how loud they could go, I watched paper envelopes a foot behind one of them start waving in the wind of the low frequency bass. Two of these were easily the most expensive purchase of my new set up. They are also the absolute most important part of it. If I had to get rid of everything, these would be last to go.

I have had this guitar now for nearly a year and I can say that is a pretty cool guitar. i haven't had to change the string ones but it is getting to the point now that seeing change would be a good idea. depending on what you would use this for. i have had some trouble with the tuner but I use this mainly without it as I have my own for my other guitar

I was fortunate enough to get one of the last remaining Mahogany Burst models and the "look" is one of the nicest I've seen at any price point. The dark brown body finish reveals just enough of the wood grain to please. It flows well to the top blending into a more transparent finish that shows off the top grain very nicely. The fit and finish are flawless. It's a shame Epiphone is no longer offering it in this very beautiful unique finish. One thing that surprised me is that acoustically the guitar has less low end than I would have expected from a body style that is essentially a round shouldered Dreadnought. While this may disappoint some it actually helps a great deal when amplified. It lacks the "boominess" of many other large bodied models that needs to be dialed out when performing or recording. The low end is there when amplified but much cleaner, tighter, and more piano like. The Fishman pickup and Presys II preamp are a cut above what might typically be found in an acoustic in this price range and the overall tonality is nicely balanced across the board. Played through a quality acoustic amp or PA it's sounds great. I typically use a 7 band graphic EQ and a TC BodyRez effect with my acoustics to provide a bit more control over their voicing and the BodyRez provides a more natural close mic'd like body resonance. Any cons such as neck profile and scale length are minor niggles revolving primarily around personal preference and don't reduce the value of this model. But it would be nice if Epiphone saw fit to use a bone nut and bridge as and use the same Grover tuners used on the J-45 model even if it increased the price a bit. The stock 14:1 tuners are somewhat imprecise. Also, move the preamp to the top of bout so it can be seen more easily. As always Sweetwater's order processing and shipping were lightning fast. So a tip of the hat to those guys and to my rep Ian McGhee who has taken care of every order I've ever placed, even the smallest, in a very cordial and professional manner. This has resulted in my doing ever more business with Sweetwater because they're earned it.