Squier Guitar Amp Sp 10 For Sale (2024 Update)

Great value for price. Well constructed , durable, top of the line manufacture. Clarity of sound plus overdrive for fuzz. Wood frame with metal capped corners. Big sound for small amp.*vmonteith01

This amp is a beginner amp. Nothing more, nothing less. Anybody trying to pull more than about $20 for a used one of these (no matter how great of a condition its in) is trying to fool you. To the ear of somebody whos used some half decent budget amps, this thing sounds like garbage. Dont buy it unless your kid needs something to start off with. And if you do, buy it cheap cuz you can and should. $50 is WAY too much to ask. $20 max is what id pin this at. 🙂isstre-60

lightweight, easy to carry and maneuver, treble, bass and volume controls with separate input for a microphone. Input for one guitar or other instrument with a full 22 watts of power. Not big enough for use in a band setting.meightbits

I picked this up for my son so he could practice around the house. Killer stocking stuffer! When the son is away the dad will now play. I started playing my Mustang Bass through this and it did the job. It's a small amp, not a practice amp. This is perfect for camping trips, rocking at the office or kicking it in the backyard. Oh yeah and you can plug in 1/4 headphones and keep the concert to yourself. It runs on a 9-volt battery or you can plug in a 9-volt adapter.SERGIO

Took a chance on this and purchased it without every playing it. Watched video reviews on it and gave it a shot. Yes, I know that it's small in size, smaller than a kids lunchbox but I hoped it'd produce quality sound and what I got was muddy sounds at increased volumes. It's not clear sounding and my goal to play through an amp is to sound good and I felt if I actually played this in front of people, the muddyness would make me sound amateurish. So, for what you pay for this, yes, you get amplified but it's not real great quality, unless you're a metal player because you don't get a clean sound from this. I rate this 3 stars because it's convenient to have a portable battery operated tiny amp that you can plug into and get sound from, however, the quality almost makes you not even want to play it.Jesse

This ain't no micro cube or vox. This less than 20$ & runs on 1 9v battery or 9v plug in the wall.(transformer not included)& Holy Friggin' Smokes does this baby perform.Monster overdrive tone & super bright, clean tone.Headphone input.Probably exceeds 60 decibels,which is beyond city ords. could get U a fine it's so damn loud. My Strat Squire sounds soooo Fender good out of this lil sucka & my electric/acoustic, sooo crisp.Ultra light to carry around.I've been using the JOYO mini,I love it,plug in,no chord,fun but this Fender mini is a bit more.More tone options and louder.I've yet to find out how quick it eats batteries. The JOYO burns them up fast.Get the rechargeables.Also the JOYO has an MP3 input.This doesn't. I run guitar strap thru the handle so the chord is like non-existent or U can old school it and have a 10 or 20 ft chord.So light it can be pulled over by the chord.These mini amps also pick up radio signals. When I turn them on I can hear radio stations at certain angles. So get 1 for the road.It's all about the fun.annoyingted1

If you like Fender modelling amp sounds, you'll find this perfect for headphone practice. The selection of Amps is a bit more limited than in a Fender Modelling amp, and the Effects depths similarly limited, but hey, the thing is the size of a matchbox and it allows you to jam along with your online selections, via Bluetooth. Your headphones must be cable, not Bluetooth, however, to avoid latency. But as the headphone cable goes over your shoulder straight into the Mustang Micro, you are not hampered by any connecting cable to your playback device. Until you try this, you may not appreciate how liberating and convenient this is. Its pivoting jack also allows it to go into a Strat recessed socket, many others don't.Geoff

Overall: I'm very pleased with the Micro overall. Read my review below. It really is great. If I were to suggest any changes to the Mustang Micro, it would be this: 1. Include some earbuds with the amp…I mean, why not? You can buy decent earbuds for ten bucks these days…probably cost Fender fifty cents and would mean ready to go out of the box. 2. In the new model, set it up to have a bluetooth output for using wireless headphones. While not a huge deal, I'd really rather not have that wire running from the headset to the guitar. I always end up fumbling with it when taking the guitar off or putting it on. 3. Go ahead and print the basic amp settings on the Micro. The reference card works. But, just having the amp models printed on the amp itself would be handy. There is enough blank space on the Micro to accommodate this.These are just my ideas for improvements. The amp is already a great sounding and super handy device.Ericbstl

I picked this up on a friend's recommendation as a better than average headset amplifier. My Likes: In terms of sound quality it is quite good. It is compact and I do like the USB charging feature a lot. The amp models are better than I expected and sound different with each guitar I use, just like a good amp should. The effects were a nice bonus, simple and effective. I haven't tested bluetooth connectivity yet, but I presume that it will do its job. My concerns, Use while Seated – nearly impossible,as with most headset amplifiers, especially with a side mounted jack . With my Fender Stratocaster, it is more easily used because of the top mount, but with any side mount, it gets caught on my knee and can get pulled out when seated. EQ feature. It does not seem to impact the sound very much in clean or driven settings. I would have preferred paying an extra $20 for a small set of wheels for hi/mid/low Overall it is a B+ for Fender, which could be a quick A with some more mounting options and a small 3 band EQKAS

I was really surprised at how good this amp sounds. Years ago I tried Line 6 and was not at all happy with the tone; but this is another story. It does take me awhile to dial in a specific classic rock tone, but when I do, it sounds better than any other amp that I've tried. I have tried the Marshall Code, Blackstar id Core, Vox Valvetronix, Boss Katana; as well as some all tube amps. The only other amp that is a close 2nd is the Fender Mustang GTX; also a great amp. The Spider V is fairly easy to operate. It offers lots of choices for amp models and cabinets. I like that it has variations of a mic'd cabinet. The parametric eq is a plus. I haven't played around too much with the effects yet, so I can't comment on that. The only negative thing I could say is that when you're editing a preset and want to hear how it sounds before you save it, you only have a short time before it goes back to the Home Screen. This really is a small price to pay for the quality of the amp and all the versatility it has. I like the App too. Musicians Friend got me a great on this as well; and their agent is following up making sure that I'm satisfied. The funny thing is that I came across this by accident. I placed an order for a Peavey amp that was on back order. I called Peavey multiple times, but they never returned my call. I also emailed them, but they didn't respond to that either. As far as I'm concerned, Peavey doesn't have any customer support.crrkr

Been playing about a year, so my review is from the perspective of a complete newbie. The things I like- Lots of presets, mobile app functions, computer interface, and loads of user created effects available. Nice and loud, but no real basis of comparison to say if clarity is better or worse than other comparable amps. Don't likes- The micro-usb interface. I had to get an adapter and it's just not as good a connection as nearly anything else would be. IMHO, micro-usb is far too flimsy. Connecting to PC is far more problematic than just using the spider mobile app. It's probably a little more complicated than it should be for a beginner, but it's feature rich for the money.Nic T

I had a Line 6 120w amp for years that I regrettably sold a while ago and was looking for another amp. I looked at all the amp reviews I could find and decided that the new Katana was the way to go. I got the Katana home and absolutely loved it but the second day I had it it started a really loud buzzing that I couldn't stop. It probably was an easy fix but the fact is the amp was way too powerful for my purposes and their software wasn't compatible with the new Catalina OS. I returned and started looking again. I saw the 60w Spider V and the price was excellent so I made an on the spot decision to buy another Line 6 and I'm really glad I did. The tones this amp can get are incredible. There are so many amp models and cabs that you can dial in pretty much any tone you want from a crispy snapback country clean to the most vicious heavy metal and everything in between. You can use the presets as they are or you can use them as a baseline and tweak to your own liking or you can start from scratch and build your own rig from the ground up. The controls are intuitive and easy to use but there are some features where you'd have to be a professional to really know how to use or even care to use. The software and the mobile app are so easy to use and give you all the options at your fingertips. The amp comes with a lot of presets that I find are completely useless but there are a lot that are excellent as I already talked about. There are only four empty slots for your own custom presets and I wish there were more but if you use the mobile app you can have your own tone library on there. I bought the FBV3 foot controller so that gives me a lot of flexibility to have various effects. One of the limitations is the lack of good effects though. There's enough that if you work at it you can get a decent sound but there could be some better ones. Overall I would recommend the amp. Don't listen to the naysayers or the amp snobs, it's a quality amp and extremely versatile.Just Plain Joe

Amazing little tube amp! If you're looking at getting your first tube amp, this is a highly recommended starter amp. It sounds great as a studio amp and it gets plenty loud given it's 15W, which makes it suitable for smaller gigs. With the volume turned down, it sounds really clean, but it breaks up pretty nicely around 6-8. It also handles pedals and overdrive pretty well (especially with the fat switch engaged). The Jensen C-12N sounds really nice. The cabinet is particle board, which might be a con for some people, but it's not a deal breaker considering the price. Fender really got it right with the Gen IIIs, which is probably why they're still selling pretty well.Matt T.

I spent six months trying to decide between the tweed Blues Jr., the Blues Jr. IV, the Vox AC15, and the Roland JC40 (a bit of an outlier in this list), and finally decided to go with the tweed after several visits to GC and many side-by-side comparisons. I'm not a serious blues player, nor do I spend much time with classic rock influenced jamming/noodling, but was looking for an amp with a stellar clean sound for playing clean or as a canvas for pedals, decent distortion, and surfy spring reverb. The Vox is classic for a reason, but the clean tone was lacking personality. The built in tremolo is great, but the reverb wasn't heavy enough for me (although many others complain that it is a bit too much for them), and the overdrive tone wasn't exactly what I was looking for. Otherwise, it seemed well constructed and had a great look. The Roland JC40 is a solid state amp, so very quiet in comparison to the others in the list. I only was considering this because it has an incredible sounding chorus and is an otherwise perfect canvas for pedals, but the clean tone was bland and the drive couldn't compare to that of a tube amp. The standard Blues Jr IV sounds boxy and dark in comparison to the tweed, and the reverb tank is much more subtle. Although it has a good Fender clean tone, it is somehow lacking. The tweed is bright, really bright, but that is what I want. The reverb is killer. I imagine very few people will max it out, or even keep it above half-way, but I absolutely love to crank it up and get a super wet classic surf tone. Keeping the volume low and maxing out the master volume retains a good deal of clean chime without breaking too much, yet can begin to breakup if you have a heavy strum. Maxing out the (pre-amp) volume gives you a decent crunch, which only gets better as you turn up the master (Communication Breakdown sound). Yet, this gets LOUD, pushing beyond home use volumes. I am happy with my choice, but recommend you test your optionsRyan

The magic started as soon as I turned the amp on. This little amp has personality, with the retro look I felt as I had traveled to a time long past. This amplifier sounds great, it's actually loud, and the tones are nice and simple. I pair it with my favorite pedals, and I blast off to a whole other world of pure creativity. If you're wanting a classic sound to fiddle with, I highly recommend this beauty. I even purchased a cover for it since I was worried it would get dirty or our cat would treat it as a scratching post. It not very heavy or big and doesn't consume much electricity and is capable of being loud enough to bother your neighbors, since it's a very simple amp, you'll have to get your pedal collection ready. I hooked my crybaby and fuzz pedals and I swear I connected in some way with Hendrix himself. This little amp isn't just for blues or jazz, crank up the volume and you'll get some loud distortion. My only con would be that I wish it had a built-in spring reverb just like the BJrIV. but I already have 2 different pedals that do the job. Anyway, you'll spend hours just mixing and matching all your favorite pedals. Have fun players, this is a good one.Kevin

I'm a Fender fan to the core. I love their electric guitars and amps but their Amps aren't even affordable anymore. They've completely out priced themselves and either you are going to pay for a severely overpriced bare bones amp or a severely overpriced amp with far more electronics than a lot of us care to deal with. This is a great sized combo amp that's easy to use and has a great sound and plenty of power and all at a great price!!! There is no reason Fender couldn't do more of this…combo's that aren't easy to use with plenty of effects and a fair price for blue collar musicians. I used a Fender Princeton Chorus combo this same size mic'd through a sound system for over two decades and it started having issues. This was the closest amp I could get (and afford). The 100 has everything you need in a combo amp and at a fraction of the price of everything else Fender makes. Buy it! You won't be disappointed!Josh

I bought this amp because my gig amp died a cyber twin 2-12s 100 watts that was about 16 years old. I have had many Fender amps they were great. I do country and 50s and 60s rock and roll. I figured 100 watts would put it out there and it does. At performing volume, the distortion is a pure heavy metal on the clean channel. Mine is not much good for high volume for my type of music. I have an old champion 110 75 watt that I will be using It has worked for me when the others were down. Not sure what to do.stev_majo

Sound: With the second channel .First it had the twin reverb and super sonic voicing with a chain loop for pedals I was set on that alone. When it got to the house and realized I didn't need my pedal chain and it sounds amazing even though ill still use my pedals here and there. The bassman, tweeds , Princeton all clean or dirty are amazing to play . again to get those sounds with out the tubes and speakers is amazing.. You get volumes that punch against you that are clear without any nasty whitenoise or unwanted sounds. the dirty settings added with the compression build in make all that possible. Outta all my guitars I enjoy to plug into this amp .My 63 firebird , g400 s.g. and my jaguar Ease of Use: Its real easy for me to get the sounds I need .I'm well aware of all the amps they used for the voicing.For new players it might take a little to understand but with no time you'll understand how to dial it in and add the right effects to the amp models to get those amazing fender amps . Quality: Only had it for a week but as for holding it up and down 3 flights of stairs at the studio in Philadelphia id say the strap is well build . Speakers have not blown but I have not had to dial all the way up amps loud as it is half way . Value: yes it is im surprised its not another $100 more.Wish more companies would do this. Manufacturer Support: No problems yet . But in the past fender has always been amazing to me. Overall: (DON'T LET THE $399 TRICK YOU)When dialed up there are so many different fender amps you have here. First off the blackface style clean channel is just amazing. id say that its a twin or deluxe especially when you dial in the spring reverb only thing missing to call it that are the speakers/tubes but fender has made it very clear they can accumulate that sound with out the tubes . I know the tubes will make a difference but not much to this amp unless you have the trained ear for tubes you can't tell.The 2nd channel with all the voice modeling Id say every setting is 99.7 spot on with the models . I love this amp .After watching a few videos online of the 100 I decided to go with it .My friend has the champion 50 so I have already played through this style of amp. When I saw the 2×12 combo version with a double channel pedal it was set in stone . I love combos more than any kind of amp . I came on zZounds looking for an amp to hit the road to the higher states of the new England area of the states in November and December and a long ride from New Jersey to Chicago and Milwaukee in January . the amazing price for a well build and sounding amp there was no way i wasn't gonna leave the website with out another toy.So after adding to the card I headed over to guitars and ordered the squier 70s classic vibe jaguar .One of my favorite things about this amp is I don't have to change out the speakers to get that sound I want. its easy for me to use because I know how to dial in the right sounds to get the sound of the amps in amp unit.Mike

I bought this amp to have a small, cheap portable amp to play harmonica through. For that, it is decent enough. I use a Shure bullet mic and the amp produces good enough tone and is plenty loud for practice or small gigs. When I plug my tele into it the clean channel is decent and clear, but the overdrive channel is junk and hurts my ears. I would rather run the clean channel and use a fuzz or distortion pedal. So that being said it is decent enough to practice licks on and it is tiny so it tucks away easy. If you look around you can find a bigger amp with more features used for the same price but if you want a new amp, this one is probably worth what they charge for it. I would only buy it if you have a specific purpose for it though.Roy

It's small, and pretty portable. However, the sound quality is trash, given the speaker is tiny, but the overdrive is just horrible. If you buy this, try returning it. If you can't return it, just get a fuzz pedal and leave it on clean. Imo, just buy the mustang lt25-50Hotdog Games

I bought this amp to have a small, cheap portable amp to play harmonica through. For that, it is decent enough. I use a Shure bullet mic and the amp produces good enough tone and is plenty loud for practice or small gigs. When I plug my tele into it the clean channel is decent and clear, but the overdrive channel is junk and hurts my ears. I would rather run the clean channel and use a fuzz or distortion pedal. So that being said it is decent enough to practice licks on and it is tiny so it tucks away easy. If you look around you can find a bigger amp with more features used for the same price but if you want a new amp, this one is probably worth what they charge for it. I would only buy it if you have a specific purpose for it though.Roy

It's small, and pretty portable. However, the sound quality is trash, given the speaker is tiny, but the overdrive is just horrible. If you buy this, try returning it. If you can't return it, just get a fuzz pedal and leave it on clean. Imo, just buy the mustang lt25-50Hotdog Games

I started looking for a “real” Strat with Fender on the headstock. My budget would work with a Player Series Strat so i started doing my research. The first couple I played weren’t overly impressive, the necks didn’t feel great and the switch & pots felt just like the Squier guitars I had. I saw a couple Squier CV models but I was determined to have the name Fender on my next guitar. I finally picked one up and was blown away! I loved it so I checked the specs and tried another CV and came away impressed. That night I placed my order with AMS, used their payment plan and a couple days later had one of my own. My other guitars are not seeing much use these days – just too fun and easy to play my real Strat! Thanks Squier/Fender.BigBuzz

Sound: If you're looking for the Strat sound this will obviously work. Features: I'm impressed with the quality of it. It stays in tune and it came perfectly set up right out of the box. Ease of Use: It is not playable at all for me. This guitar would be much better suited for a small guy or a female. Certainly not for somebody with big hands. Quality: I managed to get a good look at the pickguard when I dropped a Seymour Duncan JB Jr pickup in the bridge position. Everything looked good. My only complaint is that the output jack was loose. Value: Yes, but I wouldn't pay more. Manufacturer Support: N/A The Wow Factor: I got it because I wanted to have a lefty Strat. I had planned on painting it and making modifications to it anyway but the neck is too thin and it's unplayable. Overall: The checkout, delivery and everything with the zZounds went fine. But be warned that this has a VERY thin neck and every time I play it, it makes my hand hurt so I have to set it back down after two minutes.Craig

Overall, this is a good guitar. I'm having a good time with it, the neck is comfortable, the pickups sound really good and handle high-ish gain surprisingly well, and the color (I got the Daphne blue) looks incredible. Taken as a whole, if you're in the market for a Jazzmaster with all the classic JM features but don't have a ton of money to spend, I'd recommend it for sure. If you're going to buy it though, just be aware of a few things… 1.) It'll need a setup. Out of the box, the tuning stability was fine but once I used the vibrato a little bit, it went way out. The action wasn't bad but could be better and the neck may need a half degree shim. I'm probably going to end up putting a Fender AVRI vibrato on it eventually but a decent setup should make the stock one perfectly usable. 2.) It needs a good cleaning. This could very well just be the specific one that I got but the neck and headstock had a lot of dust and a slightly cloudy residue on them, the fretboard was very dry, and the frets were scratchy. None of these were anything that a little lemon oil, fretboard conditioner, a microfiber cloth, and some 0000 steel wool couldn't take care of but it's still something to be aware of. Note though that, while the frets were scratchy, their weren't any sharp fret ends. 3.) It probably isn't a great first guitar. I've seen this said a few times in other reviews and I completely agree. That's not to say that it isn't a good guitar because it is. More that it's not the most user-friendly instrument right away and could be off-putting to a beginner. A pro setup will do it a world of good and make it much easier to play but if you're in the market for a first guitar, look elsewhere. Am I glad I bought it? Yes. I mean, it's a Daphne blue Jazzmaster with a comfortable neck and awesome pickups! I don't mind working on my guitars a bit though, so none of the problems I talked about above bother me in particular. However, if you're looking for a plug-in-and-play guitar right out of the box, this one might not be for you.Jackson

I waiting on this on backordered for a few months (shell pink) and started to worry after looking at a bunch of YouTube reviews. Action, fret ends and leveling were great out of the box (which I really am not up for fixing; esp on a bound fingerboard). Frets could prob use a polish, but that's a lesser concern to me. No shim needed with 09s so far. I feel like recent shipments corrected some of the common complaints of this line… YMMV. I think the the nut is pinching a bit and the trem pivot is jumping a bit so I might go in and see if I can smooth it out. Pickups are microphonic under gains and comp… and I'm not sure if they are RWRP yet. One of the reason I went with MF is that if I wasn't satisfied I could go right into GC and trade towards and CV Jazzmaster. But overall pretty satisfied and think this will be a good first offset and short scale add to the collection.David

I want to love this guitar. Unfortunately however, I will have to be taking this one to a luthier to be set-up due to the neck. Everything for the most part is beautiful, it's a Jazzmaster. Fantastic dark, spanky jazzmaster tones, beautiful tortoise-shell guard, and the very eye-catching very elusive shell pink finish. Switches all seem to be in working order, though due to the position of the neck pickup to the strings right out of the box, the rhythm circuit will be noticeably quieter. Easy fix. I am unsure about the stability of the bridge, which is a Mustang bridge- a HUGE improvement, as I've seen in other reviews that the screwposts loosen by vibration. Vibrato does not return to tune. There is a very strange, unclean grime of some sort on the metal plate of the vibrato piece. I was unfortunate enough to receive a poorly conditioned neck, with glue residue left behind surrounding the tuning pegs on the face of the headstock. The lacquer finish is beautiful and is fine to play on. The fretboard is noticeably dry as well as the frets are unfinished, both feeling scratchy, and the frets being too rough to perform clean bends on. Not sure if it's the neck, the frets, or the bridge piece, or any of the three in combination that is causing the strings to be unable to bend even a half note without losing vibration, or being pinched off. Fret markers are a dark, cheap pearl. Overall, the fretboard itself just feels like Squier Affinity line quality. My impression is that most of the cost of this guitar- to keep it in line with the technologically cheaper instruments (telecaster the same price as a jazz, etc)- went into the body finish, and electronics. However, in the end I still love this thing and cannot wait to hear it sing once I get it set-up.Tyler

This little amp is quite amazing in sound and features. With the Guitar input, Aux In, and headphone jack it nails the features desired for practice. EQ/Gain control and volume can make a huge difference. I read the one critical review below about no bass or treble/AM radio sounding, etc…I don't get that? Probably doesn't understand the gain/vol/ and boost…or his was pre-owned and maybe had issues. Hey, if you're expecting the Fender tube sound of a Princeton or Vibrolux or Deluxe…get real, this is a 10 watt practice amp. For the money, it's a quality Fender product and does everything needed to practice.madillac09

This is doing the job I wanted. It doesn't have fancy effects like reverb, but it produces a nice sound for practice. I don't do public performances, so can't say how well it works in that environment. For the price it's a winner.lndi2007_yrggd7or

Im really disappointed with this amp. I know its not supposed to be super loud because its only 10 W, but I was hoping that the sound quality would be better. The sound reproduction frequencies are all mid range. Sounds like cardboard. Color is grey. Bass and treble tones are all but nonexistent. The eq is useless because speaker cannot reproduce bass and treble frequencies. The sound is very cheap and does not give a representation of the Fender vibe whatsoever. You are better off just playing your guitar with no amplifier at all rather than using this, because it make a good guitar sound bad. I equate the sound to that of an a.m. transistor radio. Its really bad. I actually read some of the favorable reviews on this amplifier before I bought it, and Im seriously starting to think that none of those reviews are actually real. There are better practice amps with better fidelity out there, and I would avoid this one if your ear demands quality sound.mrmarksiii

Overall: overall – maybe the best sounding low wattage amp ever. only small difference in sound between this & a tube amp. weak point is lack of features. they really skimped. twice the price of other compared to other practice amps that have way more features. you're really extra paying for tone here.pro's – * truly terrific tones* even if you have a tube amp that sounds good at whisper volumes (i have a 15w egnater tweaker) it's so convenient to be able to play this on top of your desk.* clean and modern settings are fantastic. i don't use the other amp settings much, but they sound great as well. the only setting i don't like is brit hi.* effects sound good* tap tempo* good tuner* the features are weak* pricey – other practice amps have many more features. they sound pretty good themselves (just not quite as nice as this). so if features are important to you, get something else. digital amps these days all sound not bad to downright good.* are the tones here so much better that it's really worth double other companies' amps? honestly hard to say, but this one does sound the best* can't save settings* one knob control of all mod effects is really limiting* can use the software to tweak settings and effects, but as soon as you unplug, you lose them* max volume on delay is occasionally not enough. usually it's ok. but sometimes, you want a little more & doesn't have it* as mentioned, brit hi setting not that great* the name "modern" might be misleading. i mentioned that modern sounds good, but, it doesn't have enough gain to get you into mesa rectifier range. you're going to need a pedal for that.A

I have played through the almost decade old THR10c, which is a fantastic little amp. Through a SM57 in front of it and out to the PA and you can sound great. But I thought that by now, with Yamaha buying Line 6 about 5 years ago, the newest version of this little amp would have some state of the art effects. Wrong! The effects, and the apps that control it are seriously out of date. I mean, the reverb, tremolo and chorus are fine. But they remain exactly as they did ten years ago. No upgrades and nothing fancy. The app is poorly designed and not that easy to use. and there is no way that I have found access the THR10C classic blues models all in one place. So its actually hard to get the classic blues and country sounds that I need all in one place. I went back to my THR10c and sold the new one.Bruce

dial in your sound in seconds not minutes, I look at it and then I want to play my best, those amp lights man, wow, dim the lights you will see. No instructions needed. if you need to move some Air for clubs shows or band practice this is not the one for you. What it does is creates a killer vibe for personal guitar growth, very organic and the tones? Man, you have got to play through it to believe it. It will cover any genre and crash most all the competition in the personal practice amp catagory. its about quality tones at lower DBI, it's not a marshal and it doesn't want to be. You can boot this sting up 3 at night and sound like your at an arena in your bedroom without waking up the neighbors and your flat-mates. No getting up or leaning over the amp to adjust setting like a marshal. No LCD's to mess with with or crummy menu diving. Traditional Bluetooth audio is pretty decent for using the amp speaker for guitar youtube vids and playing along instrumental tracks. Someone else said terrible sound, what??? you have got to be kidding me, id call that person an amateur guitarist. the biggest stars have these in the studio, tour buss and green room, hotel room. amazing for writing sounds, its the sound you have always wanted without going deaf sounds good anywhere. saves your hearing from the ringing. if you want to expand this sound on stage get the 30 which has proper outs for studio and stage, and re-amp it. leave it on a partially cleanish tone for your genre, then output to normal amp setup, the smiles will come. Of course many are still going to need their volume pedals but in a lot of situations, if you know how to gain control and then crank it for a lead/ chorus, (id drive it out to the mains / monitors for ramp) but it sounds amazing as you turn it up, the character truly changes, for the better. it's pretty wild. its pretty good about feedback. iv heard people hook these up on tour or use them in the greenroom preshow, it's that good. stick with the new models that are lighter and sound better. these are industry standard personal practice amps. again, if you are gigging you will need some sound reinforcement, but I would find a way myself, it's just not that hard to figure out. it's never fed back at me once and I'm jamming right infant of the cab on me desk. no surprise loud feedback sounds like other amps. small, light goes anywhere. probably need that case if you travel a lot. metal, country, hard rock, pop, blues jazz, hip hop, it nails it. the 30 could drive your current big amp. whatever magic is going on with the sound, full gain w guitar at full gain, is something that has to be heard not seen.J

Upgraded from the original cream colored THR10 after finding out that all three of the original THR10 amps (boutique, classic, and high gain) were consolidated in one amp and that the speakers underwent an upgrade (10W->20W). Sonically, the tones in this amp are superior to those of the original THR10, which makes practicing and playing very satisfying and inspiring. Note: Boutique and high gain amps can only be accessed through the desktop or mobile THR remote app. This isn't the case with the larger THR30 amp. All amp models can be access through the unit. The remote app also allows the user to change cabinets to further tweak tone. Here is why I rated this product 4 stars. * Mobile THR remote app crashes all the time. I've been using the remote app on my laptop exclusively. Yamaha rep informed me that this tends to be the case with iPhone users. Doesn't seem like they plan on fixing this anytime soon. * Setting the unit up as an audio interface was not clear at all. The original THR amps required downloading the yamaha steinberg usb driver and selecting this as your driver in your DAW. After configuring your MIDI and audio source in the DAW, you would then get sound. Well, that's not how it works on this amp. I reached out to yamaha after repeatedly getting errors from my DAW about the yamaha steinberg usb driver. Long story short, tech service couldn't figure out the issue and told me to request an exchange for a new unit at GC. After hooking up the new replacement, I got the same error. Turns out you have to download the ASIO THR10ii/30 driver on yamaha's site, not the most current yamaha steinberg usb driver. Select this driver in your DAW. Then you have to go into the app's settings and check the box for "record dry." Now you can configure your MIDI and audio source. I'm baffled about how yamaha's own techs did not know that the steinberg usb driver is not compatible with the THR10ii/30 amp.Ben G.

I am a 59 year old guitar player, had expensive and cheap gear over the years. I don't think I'm technically great but know how to get a good sound. When looking for a cheap guitar to sit with, my Les Paul and even my '88 Strat often got a bit uncomfortable , I decided to try one of these, you can return them after all, no trouble. What a great little guitar! Obviously GAK probably don't get these out of the box to check them, my box was still stapled shut from the factory, and this is OK at this level but I worry a beginner would be put off if the guitar is poorly set-up. First off the finish is superb, no rough edges to the frets, the colour and gloss on the body was perfect, the unvarnished neck just sits comfortably in the hand, I picked this above the more expensive 'Affinity' as apparently the nut width is a little wider. I didn't need to adjust the neck, I just cut the nut a little lower on the G,B and E strings for comfort. The frets needed a light rubbing with fine wet and dry and that was it, a perfect, light practise tool. I would even gig with this no problem. Each and every one of the tuners work smoothly and firmly. Sound wise, it sounds like a Tele to me and this is always a very subjective and personal thing anyway, I don't like overly powerful pickups (my Les Paul has '57's) I prefer to push the sound with pedals. All I can say is, if not sure, 'Buy one'. I have done nothing but played this to death since I got it 4 days ago, hard on the finger tips as I haven't played regularly for a while. I hope I haven't just got a 'good one' and would like to think any of them would be as good, all the reviews I read suggests so.Customer

I just bought this amp with the Line 6 FBV short board; they work well together of course. The amp is a lot of fun with the looper and presets and the endless ways you can tweak your tone. I love the amp but there are a few things which could be better. You must use a 2 gig or smaller SD card or it reboots if you try to save to a bigger card. So just get a bunch of small Sd cards before they are unavailable–only a few places still have them–which is kind of a pain. It does record nice but I haven't figured out how to record the mic input and the guitar input at the same time, so I always have to do two tracks. There is a switch which switches the input for recording back and forth from mic input to guitar jack. With the short board you can turn the looper and presets on on the fly, but you must put the foot pedal in the recording mode, and when the FBV is in the record mode you have to switch it back to channel mode to switch different guitar tones. So to switch to a different guitar tone you have to do another track to reset it. Anyway, I just thought these few drawbacks could have been easily figured out and fixed. Hopefully the next generation can take the more available SD cards, record more than one track at a time, and make the FVB do all the functions in one mode. However, it's nice having all the gimmicks for having fun in one package. Even thought I give it four stars instead of five, it "is" worth the low price, and I would buy it again knowing what I know now.Songwritunfool

The Line 6 spider jam changed my life in many ways. First and foremost you can save every idea that you come up with! 2nd it helped me to become a songwriter, it has everything you need so you dont have to rely on other people showing up to practice. Its allowed me to put the time into writing that I never could before, because face it most people dont want to rehearse 7 days a week, or even 5 for that matter! I thank God and Jesus for leading me too this life changing built in studio in a guitar amp!Skip Farfugnugen

If you are looking for a versatile and fun practice amp that you can record and gig with, this thing Rocks. I am primarily a bassist and just learning how to do leads on guitar and this amp fit the bill perfect. It does not have the warmth of a top of the line tube amp, but I did not need that as an intermidiate player. This thing has pretty awesome effects and tone varieties for about a couple hundred varieties and most I will never use. You can record, you can plug in a mic or a bass, you can jam tithe rhythm tracks, it has headphones so you play without waking the wife or neighbors, and a built-in tuner! That is just what I have discovered so far! The price makes this the perfect amp for practice, recording, and even small venue performances (half way up on the master and it is loud!) the only thing is it takes time to figure out and discover all the tones and capabilities, but that is also half the fun! Also the clean tones are good but not great. The distortions are fantastic! Not that the cleans are not useable, but they are bit thin for me. HIGHLY recommend!! Have fun!DFW_Bassman65

Purchased this guitar thinking that I could cross a lot of musical boundaries. Installed new strings and allowed for substantial break-in but the limitations began to surface after attempting a second intonation and realized you get what you pay for. With even a Mexican Strat or tele the limitations are minimal and I have handily moved from ballads to jazz and raunchy rock. The Squier series would be fine in the mix with other instruments. Just dont expect a silk purse from a sow's ear. Not going to happen. I have heard of a lot of players buying better necks and switching them out. So that is one option and for a Jaguar today you are probably going to save 2-300.00 by going that route as opposed to moving up to the MIM Jag Special series which is in 900.00 range. Conclusion. This is a fine entry level guitar.Randall

For the price I think this is a pretty damn good guitar. It came nicely finished with no visible cosmetic issues. Set up well out of the box and accurately intonated. Plays well and sounds very Jaguar like – suitably bright and dark in the right places using the many switch combinations. Once tuned, perfectly playable out of the box. Of course it looks a beast too. The pickups seem qood quality. Machine heads are perfectly serviceable and it holds tune reasonably well for a guitar with a trem system that allows such deep dives. The frets are well finished, sufficiently level and not rough at the ends (although they could be always be better, if being really, really picky). 12th fret action was around 2mm (0.080") and comfortably playable (nut end is a slightly different matter, see below). Only negatives or areas that need attention are the strings, nut and bridge (all well known issues if you do a Google search). It comes with a very light set of 9s – from what I've read Fender originally intended Jaguars to have 11s, so that's what I've now fitted. The nut is cut conservatively high, particulalry on the heavier strings, so could do with some filing to make really super comfortable (not something the inexperienced should probably have a stab at without some research and the – expensive – correct tools). I replaced the nut with a Zero Glide zero fret system and the action is now very low and comfy. Not the easist or indeed the most difficult job (some skills and tools required) but the benefits are manifold – I like a zero fret anyway. The ('Mustang' style – no string jumping like the earlier type) bridge is designed to float back and forth when using the trem – that's fine and works OK but after (only) playing for a few hours I found it had sunk down on the height adjusting screws (i.e. the screws are effectivley loose and due to the vibrations wind themselves up over time) causing too low action, loss of tuning and string buzz. Once all set-up to my liking and at the correct height I applied a drop of loctite to the bottom of the threads to just stop them moving too freely. One other thing is that the neck PU doesn't seem to want to adjust up very much – not yet taken it apart to see why exactly that is or if even it supposed to be like that. Doesn't seem to affect the sound for now though. In summary: great value, good enough out of the box and with a little set-up/some mods or the attention of a luthier not that far off a 'real' Fender Jaguar, for a fraction of the price. I've had vintage semi/hollow bodys before and I like this slightly non-standard solid body. A good project for somebody who likes/wants to tinker and end up with a really good playing/sounding guitar at the end (but isn't too shabby to start with) and that doesn't look like yet another Tele, Strat or Les Paul.Mr D. C.

I love the looks of my little Fender tweed amp and it lives on a table in my home office. I like it for my workbench to test guitar wiring. Most of all, it's become my go to amp when I just want to kick back and play an acoustic-electric or an electric guitar…anywhere. It is truly portable. By the way, I play Taylor's, Gibson's, and Fenders and they sound fine through it. You can dial in a decent clean sound or dirty it up a bit, but come on guys, what do you expect from 2-3" speakers and a 9volt battery. Personally, I think it sounds good. I have tube amps for all the sounds I need. Sometimes I just want to make some noise and I can move the little tweed amp to the edge of the table, plug a 36" cable into the amp and guitar and turn it on and play. Pretty simple. By the way, it also has a 1/4" jack for headphones. It will take a 9volt power supply but I don't have one. It's been living on the Fender battery that came with the amp and doing fine. By the way, it's lightweight but solidly built. It's a plastic looking toy. It's real tweed baby.Bart

I really like this because of how it looks. It is functional, but there's basically limited control. Right now it's in my kitchen. I can plug in a guitar and hear myself play drills but trust me, the sound quality is so bad you don't want to push this unless your hearing is extremely twisted somehow. The controls will confound you. Your money could be better spent, but Musician's Friend has it for less than anyone, anywhere else I've seen it, but if the few extra duckets aren't too big an issue for you and you like to collect stuff related to your favorite thing in life (anything music) I would buy it again just to have it to look at. But if it will be the only amp you'll have you'll be sorry. Maybe look at a Pignose. Those are cool and the sound will make you happy with your purchase. Theyre battery operated, lightweight and more. This thing isn;t much more than a toy for children of all ages though except a child might not be inspired to pursue guitar playing after hearing it just once. Too discouraging, it would be, I'm positive. If you don't have another amp and money's tight save a little longer or finance the Pignose. This thing is just a pig, period. But it's cool looking.WFnN

I love this amp. It is such a nice sound and so small and convenient to carry around or move from place to place. I am excited about the clean and also dirty sounds you can get. It has the best of both. Very clear and clean. I was absolutely amazed at the fullness of the sound. The biggest drag for any musician is carrying equiptment around and this is the answer to your prayers. I think that this sound will be prolific enough to play small bars with a little bit of microphoning the amp.travelcheapflorida

This has to be one of the best stamps I've ever had with the exception of one little hiccup. This is replacing a Fender Blues Deville, which I absolutely loved. I had access to almost every Fender amp when I bought my Blues Deville and it just spoke to me. Well, they don't make Blues Devilles anymore, and I knew the Hot Rod Deville existed, so I went for it. To my ears, it's the same as my previous amp. This is a two channel amp in which each channel is independent of the other with the exception of the tone knobs, which are the same for both channels, which is not a problem for me. When I plugged it in, I couldn't believe how incredible it sounded clean. It absolutely blew my mind. I used both a Stratocaster and a Les Paul. Then, I took the second channel and add a little bit of gain to it, which distorted it. The distortion on this amp is so creamy that I don't even need to use my TS9. It has to be one of the best distortions I have ever heard from an amplifier. I usually use an Orange TH30C for my distortion. My Fender amp was always a clean amplifier. I may be using this one for the distortion and my Orange may get sidelined. The reason I'm giving this amp four stars is because of the following; when you go to switch channels using the included foot switch, there's a loud pop that happens every time you switch channels while you're playing. Apparently, it's inherent to the amplifier. It's the only reason I cannot use this amplifier with clean and dirty at the same time unless I use a TS9 on the clean channel. That really was not a well thought out process from Fender. For the price of this amp, I would think that problem would've been fixed, but it is what it is. I still love the amplifier and I'm still glad I bought it, although I will have to use my Orange when I want a distorted sound.Chuck

I bought my new Fender Blues Jr v4 about 2 months ago from a guy who decided he was more of a "Marshall Guy After All" so I got a bargain, but that was just the beginning. I wanted to spend some time and several sessions playing with this thing before I rushed into a review, but it turns out my first impressions have been even more reinforced since playing this thing for several hours, and the big word here is WOW. I have been playing for over 62 years (that's right, got my first guitar at 7) and bought my first Strat in high school. I've played and owned a LOT of different amps, and even now I have a few pieces for which I have some sentiment, but now it seems I will have to seriously reconsider. Good thing there is no "Amp Limit Law", but if there was I could finally happily liquidate all the others if I could have just my new Blues Jr. I have read voraciously for years about concepts such as "touch sensitive", "controlling breakup with the guitar volume", "takes pedals well", etc. Turns out these have only been myths to me all this time until now. Everything good and superlative that's been written about this amp is absolutely true. The preamp section is like pure magic in shaping the tone and delivering it to my favorite-EL84 power amp section. I have never been a fan of the usual Fender tube lineup, and when I heard this runs EL84s I was already excited. I am still a Strat guy to this day and love everything about it. But I have never even dreamed it could sound so good. I have an Egnater Rebel 20, a vintage Crate 15 watt blonde with a Dr Z speaker, and my prior favorite-a 5 watt Epiphone Valve Jr into a 12" Eminence Lady Luck. I have some others, but nothing I own or have owned can even come close to this thing. And what has been said about the Celestion speaker choice is again, absolutely right on. The sound from this amp would be as if you had an old Deluxe Reverb, did a cap job, retube, and maybe speaker upgrade. I guess I'm trying to say that it soundsMark, R

Simplicity itself, with great tone and a big sound from a small package. I've a few amps, ranging from heads and cabs to combos, but had a hankering for a small tube combo – one that could do a rehearsal if needed. This has a great sound with a 335 and a Telecaster, and so easy to dial in a fantastic tone – infact hard to get a bad tone. Plenty loud enough, I would happily take this out and gig it. I love the fact you can unplug the internal speaker and plug it into a cab, makes it a great package. No perceivable noise when winding it up, and the stock speaker is great, good tight bass and nice and chimey on top. Seems solidly built, but I guess time will tell on that front. All in all, very pleased with this, and great value.Customer