Are you looking for the Godin A6 Ultra Acoustic Electric Guitar? If so, you’ve come to the right place.
Choosing the Godin A6 Ultra Acoustic Electric Guitar can be difficult as there are so many considerations, such as LR Baggs, Ovation Guitars, Fender, Gibson, Ibanez, Martin, Taylor, Schecter Guitar Research, Takamine, Seagull, Godin. We have done a lot of research to find the top 20 Godin A6 Ultra Acoustic Electric Guitar available.
The average cost is $1434.01. Sold comparable range in price from a low of $329.99 to a high of $3499.00.
Based on the research we did, we think Godin A6 Ultra Acoustic-Electric Guitar – Black is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Godin A6 Ultra Acoustic Electric Guitar (20 Sellers)
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$1199.00
4.8
Reviewers Noted:
Good sound quality . Lightweight . Well made . Durability . Attractive
Features:
- String configuration: 6 string
- Model: a6 black
- Body color: black
$1999.00
4.8
Reviewers Noted:
Good sound quality . Well made . Lightweight . Durability . Attractive
Features:
- Plays/sounds great, totally stock, what you see is what you get.
- Great range of tones, and a pretty loud acoustic sound as well from this one.
- Tric case is too big, but consignor has added towels to get it to sit comfortably.
$1629.00
4.8
Reviewers Noted:
Good sound quality . Well made . Lightweight . Durability . Attractive
Features:
- Two-chambered silver leaf maple with canadian laurentian basswood wings
- Fingerboard
- Scale length
$1579.00
4.7
Reviewers Noted:
Good sound quality . Well made . Attractive . Lightweight . Durability
Features:
- Ray mullin music
- Our instruments are tuned, cleaned, and cared for daily
- All instruments are in stored in a humidity and temperature controlled room
Reviewers Noted:
Good sound quality . Well made . Attractive . Lightweight . Durability
Features:
- Selling a lefty godin a6 ultra.
- Excellent condition.
- Electronics work perfectly.
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durable
Features:
- Layered sapele back and sides
- Tropical mahogany top
- Ebony fretboard
Reviewers Noted:
Lightweight . Good sound quality . Well made . Attractive . Durable
Features:
- 24" acoustic/electric travel guitar.
- Suitable for air transport bins. only 0.9 kg. 15oz and 28 inches long.
- Solid east american maple body.
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- Condition: new
- Brand: fender
Reviewers Noted:
Good sound quality . Well made . Attractive . Lightweight . Durable
Features:
- Taylor bbt that has rarely been played and looks and sounds amazing.
- Selling because i use a gs mini more.
- Comes with original taylor gig bag.
$2299.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durable
Features:
- Plain and simple, the godin multiac nylon deluxe is built to perform with the best.
- Premium tonewoods yield a superior sound.
$1299.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durable
Features:
- Silver leaf maple with canadian laurentian basswood wings neck
- Mahogany fingerboard
- Richlite scale length
$1749.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durable
Features:
- Custom fishman electronics, under-saddle transducer, blendable sound imaging mic with 4 individual mic settings
- Godin 3/3 custom tuners
- Includes gig bag
$1349.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durable
Features:
- Silver leaf maple with canadian laurentian basswood wings
- Solid cedar top
- Fingerboard
$1100.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durable
Features:
- Chambered mahogany body- solid spruce top
- Seymour duncan lipstick pickup with- seperate volume & tone controls
- Custom electronics with 13-pin output- for computer access & direct control of- roland gr series and axon guitar synths
$2149.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durable
Features:
- Solid spruce top
- Chambered mahogany body
- Mahogany neck
Reviewers Noted:
Well made . Sound quality . Visual appeal
Features:
- Previously owned 2021 taylor 352ce grand concert acoustic/electric guitar.
- This guitar is in excellent, well kept condition!
- Includes original case.
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Made in canada
- True vintage spirit of yesterday with today’s level of modern playability
- Wild cherry back & sides
Reviewers Noted:
Good sound quality . Visual appeal . Weight . Craftsmanship . Durability
Features:
- Very rich, sweet sound.guitar still looks new.
- Plays perfect (classic taylor set-up).
- What you see is what you get.
Reviewers Noted:
Attractive . Good sound quality . Durability
Features:
- Nex body style
- Flamed maple body w/ solid spruce top
- Maple neck w/ rosewood fretboard
Reviewers Noted:
Good sound quality . Attractive
Features:
- This guitar is in mint condition.
- Includes original hardshell case.
- Serial #: 1205102186.
1. Godin A6 Ultra Acoustic-Electric Guitar – Black
Product Details:
The godin a6 ultra guitar, black high gloss combines an acoustic sound with the feel and comfort of an electric guitar, and is the perfect choice for players making the transition from acoustic to electric or vice versa. the a6 features an electric feel neck, a godin humbucker at the neck, and dual electric and acoustic outputs. this stunning dual-voiced guitar provides optimum versatility and can handle many different genres and styles of play with equal ease. its acoustic tone delivers a bright sparkle contrasted with the warmth from its solid cedar top. the a6 features a chambered silver leaf maple body that eliminates undesirable feedback in live and loud applications, and delivers a unique tone. in addition to its full toned humbucker, the a6 also comes with an under saddle transducer and custom godin preamp, voiced specifically for the a6. the preamp enables players to control their tone via sliders for treble, mid, bass, acoustic volume, and independent controls for the electric humbucker volume, treble, and bass. whether plugged into the single acoustic mix or through both outputs, controlling tone is at the tip of a players fingertips, offering an extremely versatile guitar that sounds excellent in many different styles of play. also comes with gig bag, ideal for the gigging guitarist.
Reviews:
I bought this to use in a duo (sometimes piano/guitar, sometimes two guitars) and it was a great choice. I actually tried a very expensive Taylor T5 Deluxe/Koa first, and this Godin A6 is better. You don't buy a guitar like this for a collector's piece. You want something to play. It's great in my duo because I run it through a pedalboard and then into my Roland AC-60 amp. It has a nice acoustic sound and we can play James Taylor, Jim Croce, or Gordon Lightfoot, then right into Allman Brothers, rocking Eagles or Eric Clapton, with nice rich leads. Sure, I have an American Professional Telecaster that is a better standalone electric guitar, and a Martin HD-28 that is a better standalone acoustic guitar — to say the least. But this thing is actually better for a duo setup because I can play acoustic and electric, even within the same song. This is an excellent guitar for a working musician. Oh, and you will read about a thousand different opinions about the best strings and setup for this. I tried the Jazz Strings this comes with but finally settled on the Elixir bronze acoustic, 80/20, which is fine . It's important to have a decent wound g string to make the A6 work as an acoustic guitar, but the strings are still light enough to rip on some leads. There are two outputs on the guitar, one for both pickups, and one specifically designated for the humbucker. I just go the easy route and play with the output that runs both pickups, but some people use the dual output function, running one cable directly into the PA or an acoustic amp, and the humbucker output into an electric amp. I'm getting great sounds just with the dual output jack. Nice guitar.Dave from Atlanta
Performing 250+ acoustic shows a year over several decades has a taken a toll on my left shoulder, elbow and wrist, resulting in some pretty painful degenerative arthritis. I LOVE the tone of a larger body acoustic but regardless of the strap height and positions I've tried playing in, the damage is done, and I was starting to think "so am I". I tried a Taylor T5 for its form factor and though much more comfortable to play, it sounded horrible. I could not get past the plastic tone and sound quality was not something I was willing to sacrifice. A friend recommended the Godin A6 to me, and although I had heard positive reviews of the guitars, the aesthetic had always been unappealing to me – until I saw the Denim Blue Flame. OK, now you've caught my eye, but what about the tone? I saw some solid YouTube demos so I ordered it and gave it a trial run. When it arrived, I instantly noticed how good the guitar felt. The neck suited me well, it was light weight and the form factor, like an electric, took the stress on my damaged joints away. After tone tweaking with my L.R. Baggs Session and EQ pedals, and finding the sweet spot blend between the bridge piezo and humbucker in the neck, I had finally stumbled on a really sweet, warm tone. The A6 has its own voice for sure, so if you're expecting a Dreadnought tone, you'll likely be disappointed. That said, after getting familiar with the options on the A6, the guitar can absolutely produce a convincing, well balanced acoustic voice. Having used it now on a dozen or so gigs, it has revealed itself as a total keeper that will hopefully keep me gigging for decades more. Thanks Godin!
I received the Guitar and upon inspection found the build quality to be excellent. The set up was playable, better than other new guitars I have purchased. I bought it with the idea it would fit me better than my Acoustic and be easier to play. Bingo it was almost as easy to play and comfortable as my Strat. The neck was very comfortable making even barre chords easy to play. It was everything I had hoped for in the physical sense. There was something about the strings I didn't like, and this affected the strum slightly. Where I ran into trouble was the sound. The sound un-plugged is too trebelie, then you plug it in and it goes to the bass side. So this doesn't get too long, if I turned my amp up good and loud I dug the sound, but since I am using it for practice I turn the volume down, and the problem with that is I was hearing the "unplugged sound" which I don't like. So if I could have practiced with the volume up, I would have kept it instead of taking it back. It is a great Guitar just not for me. I think it sits in the middle between the Taylor T5 and Fender Acoustasonic having played all 3. IMHOColt
2. Godin A6 Ultra Koa
Product Details:
The godin a6 ultra guitar, koa high gloss combines an acoustic sound with the feel and comfort of an electric guitar, and is the perfect choice for players making the transition from acoustic to electric or vice versa. the a6 features an electric feel neck, a godin humbucker at the neck, and dual electric and acoustic outputs. this stunning dual-voiced guitar provides versatility and can handle many different genres and styles of play with equal ease. its acoustic tone is superb, delivering a bright sparkle contrasted with the warmth from its solid cedar top which offers a rich tone for both acoustic and electric settings. the a6 features a chambered silver leaf maple body that eliminates undesirable feedback in live and loud applications, and delivers a unique tone. in addition to its full toned humbucker, the a6 also comes with an under-saddle transducer and custom godin preamp, voiced specifically for the a6. the preamp enables players to control their tone via sliders for treble, mid, bass, acoustic volume, and independent controls for the electric humbucker volume, treble, and bass. whether plugged into the single acoustic mix or through both outputs, controlling the tone is at the tip of a player's fingertips, offering an extremely versatile guitar that sounds excellent in many different styles of play. also available in high-gloss natural, black, cognac burst, and this stunning koa laminate top edition. also comes with gig bag, ideal for the gigging guitarist.
Specifications:
Reviews:
I bought this to use in a duo (sometimes piano/guitar, sometimes two guitars) and it was a great choice. I actually tried a very expensive Taylor T5 Deluxe/Koa first, and this Godin A6 is better. You don't buy a guitar like this for a collector's piece. You want something to play. It's great in my duo because I run it through a pedalboard and then into my Roland AC-60 amp. It has a nice acoustic sound and we can play James Taylor, Jim Croce, or Gordon Lightfoot, then right into Allman Brothers, rocking Eagles or Eric Clapton, with nice rich leads. Sure, I have an American Professional Telecaster that is a better standalone electric guitar, and a Martin HD-28 that is a better standalone acoustic guitar — to say the least. But this thing is actually better for a duo setup because I can play acoustic and electric, even within the same song. This is an excellent guitar for a working musician. Oh, and you will read about a thousand different opinions about the best strings and setup for this. I tried the Jazz Strings this comes with but finally settled on the Elixir bronze acoustic, 80/20, which is fine . It's important to have a decent wound g string to make the A6 work as an acoustic guitar, but the strings are still light enough to rip on some leads. There are two outputs on the guitar, one for both pickups, and one specifically designated for the humbucker. I just go the easy route and play with the output that runs both pickups, but some people use the dual output function, running one cable directly into the PA or an acoustic amp, and the humbucker output into an electric amp. I'm getting great sounds just with the dual output jack. Nice guitar.Dave from Atlanta
Performing 250+ acoustic shows a year over several decades has a taken a toll on my left shoulder, elbow and wrist, resulting in some pretty painful degenerative arthritis. I LOVE the tone of a larger body acoustic but regardless of the strap height and positions I've tried playing in, the damage is done, and I was starting to think "so am I". I tried a Taylor T5 for its form factor and though much more comfortable to play, it sounded horrible. I could not get past the plastic tone and sound quality was not something I was willing to sacrifice. A friend recommended the Godin A6 to me, and although I had heard positive reviews of the guitars, the aesthetic had always been unappealing to me – until I saw the Denim Blue Flame. OK, now you've caught my eye, but what about the tone? I saw some solid YouTube demos so I ordered it and gave it a trial run. When it arrived, I instantly noticed how good the guitar felt. The neck suited me well, it was light weight and the form factor, like an electric, took the stress on my damaged joints away. After tone tweaking with my L.R. Baggs Session and EQ pedals, and finding the sweet spot blend between the bridge piezo and humbucker in the neck, I had finally stumbled on a really sweet, warm tone. The A6 has its own voice for sure, so if you're expecting a Dreadnought tone, you'll likely be disappointed. That said, after getting familiar with the options on the A6, the guitar can absolutely produce a convincing, well balanced acoustic voice. Having used it now on a dozen or so gigs, it has revealed itself as a total keeper that will hopefully keep me gigging for decades more. Thanks Godin!
I received the Guitar and upon inspection found the build quality to be excellent. The set up was playable, better than other new guitars I have purchased. I bought it with the idea it would fit me better than my Acoustic and be easier to play. Bingo it was almost as easy to play and comfortable as my Strat. The neck was very comfortable making even barre chords easy to play. It was everything I had hoped for in the physical sense. There was something about the strings I didn't like, and this affected the strum slightly. Where I ran into trouble was the sound. The sound un-plugged is too trebelie, then you plug it in and it goes to the bass side. So this doesn't get too long, if I turned my amp up good and loud I dug the sound, but since I am using it for practice I turn the volume down, and the problem with that is I was hearing the "unplugged sound" which I don't like. So if I could have practiced with the volume up, I would have kept it instead of taking it back. It is a great Guitar just not for me. I think it sits in the middle between the Taylor T5 and Fender Acoustasonic having played all 3. IMHOColt
3. Godin A6 Ultra Extreme Koa Hg
Product Details:
The a6 ultra continues with the innovative concepts found in all godin a-series guitars, such as combining amazing plugged-in acoustic sound with the feel of an electric neck, along with a chambered body design that virtually eliminates feedback in live & loud settings. these features stand true and better than ever in the a6 ultra with the added “oomph!” and full tone of a godin humbucker in the neck position, along with an under-saddle transducer, dual outputs (acoustic and electric) that combine for a huge sound and a custom godin preamp section voiced specifically for the a6 ultra. this preamp section gives a player the chance to control their tone via sliders for acoustic volume, treble, mid, bass and independent controls for the electric humbucker volume, treble and bass. whether plugging into the single acoustic mix or via both outputs, controlling your tone is at the tip of your fingers. and the a6 ultra delivers in all styles of music from jazz to rock to country and not to mention a great blues slide guitar.
Specifications:
| Product Dimensions | 30 x 16 x 2.5 inches |
| Batteries | 1 9V batteries required. |
| Is Discontinued By Manufacturer | No |
| Color Name | Natural |
| Fretboard Material | Rosewood |
| Guitar Pickup Configuration | H |
| Scale Length | 25.5 |
| Top Material | Koa |
| Neck Material Type | Maple |
| Number of Strings | 6 |
| Guitar Bridge System | Fixed |
| Battery type | Alkaline |
Reviews:
I bought this to use in a duo (sometimes piano/guitar, sometimes two guitars) and it was a great choice. I actually tried a very expensive Taylor T5 Deluxe/Koa first, and this Godin A6 is better. You don't buy a guitar like this for a collector's piece. You want something to play. It's great in my duo because I run it through a pedalboard and then into my Roland AC-60 amp. It has a nice acoustic sound and we can play James Taylor, Jim Croce, or Gordon Lightfoot, then right into Allman Brothers, rocking Eagles or Eric Clapton, with nice rich leads. Sure, I have an American Professional Telecaster that is a better standalone electric guitar, and a Martin HD-28 that is a better standalone acoustic guitar — to say the least. But this thing is actually better for a duo setup because I can play acoustic and electric, even within the same song. This is an excellent guitar for a working musician. Oh, and you will read about a thousand different opinions about the best strings and setup for this. I tried the Jazz Strings this comes with but finally settled on the Elixir bronze acoustic, 80/20, which is fine . It's important to have a decent wound g string to make the A6 work as an acoustic guitar, but the strings are still light enough to rip on some leads. There are two outputs on the guitar, one for both pickups, and one specifically designated for the humbucker. I just go the easy route and play with the output that runs both pickups, but some people use the dual output function, running one cable directly into the PA or an acoustic amp, and the humbucker output into an electric amp. I'm getting great sounds just with the dual output jack. Nice guitar.Dave from Atlanta
Performing 250+ acoustic shows a year over several decades has a taken a toll on my left shoulder, elbow and wrist, resulting in some pretty painful degenerative arthritis. I LOVE the tone of a larger body acoustic but regardless of the strap height and positions I've tried playing in, the damage is done, and I was starting to think "so am I". I tried a Taylor T5 for its form factor and though much more comfortable to play, it sounded horrible. I could not get past the plastic tone and sound quality was not something I was willing to sacrifice. A friend recommended the Godin A6 to me, and although I had heard positive reviews of the guitars, the aesthetic had always been unappealing to me – until I saw the Denim Blue Flame. OK, now you've caught my eye, but what about the tone? I saw some solid YouTube demos so I ordered it and gave it a trial run. When it arrived, I instantly noticed how good the guitar felt. The neck suited me well, it was light weight and the form factor, like an electric, took the stress on my damaged joints away. After tone tweaking with my L.R. Baggs Session and EQ pedals, and finding the sweet spot blend between the bridge piezo and humbucker in the neck, I had finally stumbled on a really sweet, warm tone. The A6 has its own voice for sure, so if you're expecting a Dreadnought tone, you'll likely be disappointed. That said, after getting familiar with the options on the A6, the guitar can absolutely produce a convincing, well balanced acoustic voice. Having used it now on a dozen or so gigs, it has revealed itself as a total keeper that will hopefully keep me gigging for decades more. Thanks Godin!
I received the Guitar and upon inspection found the build quality to be excellent. The set up was playable, better than other new guitars I have purchased. I bought it with the idea it would fit me better than my Acoustic and be easier to play. Bingo it was almost as easy to play and comfortable as my Strat. The neck was very comfortable making even barre chords easy to play. It was everything I had hoped for in the physical sense. There was something about the strings I didn't like, and this affected the strum slightly. Where I ran into trouble was the sound. The sound un-plugged is too trebelie, then you plug it in and it goes to the bass side. So this doesn't get too long, if I turned my amp up good and loud I dug the sound, but since I am using it for practice I turn the volume down, and the problem with that is I was hearing the "unplugged sound" which I don't like. So if I could have practiced with the volume up, I would have kept it instead of taking it back. It is a great Guitar just not for me. I think it sits in the middle between the Taylor T5 and Fender Acoustasonic having played all 3. IMHOColt
4. Godin A6 Ultra – Denim Blue Flame
Product Details:
Legendary acoustic guitars. designed and built in canada. the godin a6 ultra, denim blue flame is a truly outstanding guitar. designed around absolute quality. the godin a6 ultra demonstrates a commitment to consummate professionalism. after nearly 50 years of experience, godin is chief amongst high-end guitar craftsmen. from top to bottom, godin is proud to say the woods they use are all north american. designed in quebec, it shows a dedication to quality. the two-chambered silver leaf maple wood build gives the godin a6 ultra a resonant tonewood and looks beautiful too, featuring a stylish denim blue flame high gloss finish and the environmentally friendly richlite fretboard. the a6 ultra is a magnificent work of art and engineering.
Specifications:
| Finish | Denim Blue |
| Year | 2010s |
| Body Shape | Single Cutaway |
| Body Type | Semi-hollow Body |
| Bridge/Tailpiece Type | Hardtail |
| Finish Style | Gloss |
| Fretboard Material | Composite |
| Fretboard Radius | 16" |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.6875" |
| Offset Body | No |
| Pickup Configuration | H |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
Hi I ordered the guitar and was told about the long delay and found that really honest and helpful, so many people nowadays don't mention the delay in advance then spend their time making excuses. When I reicieved the guitar I was very impressed, the action is perfect and I had spent lots of time worrying that I may find the action on a 12 string too much. It plays just as well as my six string acoustic and that's the best acoustic I've ever played, which is why I bought it. Overall I'm really impressed with the quality of the guitar and the service I received. I wouldn't hesitate to recommend either Richards Guitars or Godin. GrahamGraham H.
This was my 1st purchase from Richard and I am pretty sure it won’t be my last, whilst I am very much a beginner at guitar, returning after 20 years I have developed a habit for buying guitars that are somewhat inspirational to me, (well apart from my tele modern player, not my wisest purchase). I have always loved the sound of a 12 string acoustic, but was put off by the general implication they are not a good idea for beginners, however I came across a couple of YouTube reviews for the Godin A12, which suggested otherwise, one of which was Richards. I spoke with Richard fairly late one evening to enquire about stock via his live chat and he was still online which was surprising. The guitar was in stock and the order placed, each step of the process from order thru to workshop allocation, setup, testing and finally dispatch, were updated via email and on the website, the whole process took 10 days from ordering to my door step. Initial impressions were good, the guitar in its gig bag was very well packaged and arrived in perfect condition, after a quick tune up, the sound was amazing, the action is nice and low and it is considerably easier to play than I was expecting, in fact it only highlights how poor the initial setup on my tele was. Personally I have a long way to go but I definitely have an instrument that inspires me to pick it up anytime I have a few minutes to spare. If you are ever in need of a guitar and Richard stocks it then I would highly recommend Richard over some other online providers, you may not get it next day, but the wait is very much worth it. Thanks Richard, i’m one very happy customerPhillip H.
I received my Godin A6 a couple of weeks ago and I must say I am very impressed, not only with the guitar, but also the service from Richards Guitars. It arrived very well packed and ahead of the projected time. It's a little early to give a practical review of the guitar but suffice to say it's looking very promising, and will probably replace my Martin 000-28 for a lot of my gigs, especially when I'm playing in the full band. These tend to be longer than my solo gigs and a tad more frantic. One of the reasons I went for the A6 is because I have a bit of rheumatism in my thumbs and the narrower neck on the A6 helps a lot without sacrificing an acoustic guitar feel and sound. At the moment I'm experimenting with different strings. The guitar came with nickel wound but I thought I'd try some phosphor bronze which is more in keeping with my acoustics. The Jury is still out! I can certainly recommend Richards Guitars, their attention to detail and concerns over customer satisfaction are excellent.Brad B.
5. Godin A6 Ultra Left-Handed Natural
Product Details:
The a6 ultra continues with the innovative concepts found in all godin a-series guitars, such as combining amazing plugged-in acoustic sound with the feel of an electric neck, along with a chambered body design that virtually eliminates feedback in live & loud settings. these features stand true and better than ever in the a6 ultra with the added “oomph!” and full tone of a godin humbucker in the neck position, along with an under-saddle transducer, dual outputs (acoustic and electric) that combine for a huge sound and a custom godin preamp section voiced specifically for the a6 ultra. this preamp section gives a player the chance to control their tone via sliders for acoustic volume, treble, mid, bass and independent controls for the electric humbucker volume, treble and bass. whether plugging into the single acoustic mix or via both outputs, controlling your tone is at the tip of your fingers. and the a6 ultra delivers in all styles of music from jazz to rock to country and not to mention a great blues slide guitar.
Specifications:
Reviews:
Hi I ordered the guitar and was told about the long delay and found that really honest and helpful, so many people nowadays don't mention the delay in advance then spend their time making excuses. When I reicieved the guitar I was very impressed, the action is perfect and I had spent lots of time worrying that I may find the action on a 12 string too much. It plays just as well as my six string acoustic and that's the best acoustic I've ever played, which is why I bought it. Overall I'm really impressed with the quality of the guitar and the service I received. I wouldn't hesitate to recommend either Richards Guitars or Godin. GrahamGraham H.
This was my 1st purchase from Richard and I am pretty sure it won’t be my last, whilst I am very much a beginner at guitar, returning after 20 years I have developed a habit for buying guitars that are somewhat inspirational to me, (well apart from my tele modern player, not my wisest purchase). I have always loved the sound of a 12 string acoustic, but was put off by the general implication they are not a good idea for beginners, however I came across a couple of YouTube reviews for the Godin A12, which suggested otherwise, one of which was Richards. I spoke with Richard fairly late one evening to enquire about stock via his live chat and he was still online which was surprising. The guitar was in stock and the order placed, each step of the process from order thru to workshop allocation, setup, testing and finally dispatch, were updated via email and on the website, the whole process took 10 days from ordering to my door step. Initial impressions were good, the guitar in its gig bag was very well packaged and arrived in perfect condition, after a quick tune up, the sound was amazing, the action is nice and low and it is considerably easier to play than I was expecting, in fact it only highlights how poor the initial setup on my tele was. Personally I have a long way to go but I definitely have an instrument that inspires me to pick it up anytime I have a few minutes to spare. If you are ever in need of a guitar and Richard stocks it then I would highly recommend Richard over some other online providers, you may not get it next day, but the wait is very much worth it. Thanks Richard, i’m one very happy customerPhillip H.
I received my Godin A6 a couple of weeks ago and I must say I am very impressed, not only with the guitar, but also the service from Richards Guitars. It arrived very well packed and ahead of the projected time. It's a little early to give a practical review of the guitar but suffice to say it's looking very promising, and will probably replace my Martin 000-28 for a lot of my gigs, especially when I'm playing in the full band. These tend to be longer than my solo gigs and a tad more frantic. One of the reasons I went for the A6 is because I have a bit of rheumatism in my thumbs and the narrower neck on the A6 helps a lot without sacrificing an acoustic guitar feel and sound. At the moment I'm experimenting with different strings. The guitar came with nickel wound but I thought I'd try some phosphor bronze which is more in keeping with my acoustics. The Jury is still out! I can certainly recommend Richards Guitars, their attention to detail and concerns over customer satisfaction are excellent.Brad B.
6. Taylor Gs Mini Mahogany Acoustic Guitar
Product Details:
Purchased new. in excellent condition. no problems at all. my daughter played it a few times and decided to change to ukulele. scaled-down grand symphony body shape. solid mahogany top with a natural finish. layered sapele back and sides. x-braced soundhole. ebony fretboard and bridge. short 23.5-inch scale length. included premium gs mini gig bag, strap and extra set of elixir strings.
Specifications:
| Watchers | 0 |
| Scale Length | 23-1/2" |
| Pickguard | Black |
| Tuners | Die-Cast Chrome |
| Body Width | 14 3/8" |
| Truss Rod Cover | Black Plastic |
| Number of Frets | 20 |
| Body Length | 17 5/8" |
| Body Depth | 4 7/16" |
| Back Config | Laminate |
| Rosette Size | Three Ring |
| Back/Side Finish | Varnish |
| Armrest | No |
| Top Finish | Varnish |
| Rosette Material | Plastic |
| Neck Width | 1-11/16" |
| Type of Neck Joint | Taylor Neck |
| Fretboard Wood | West African Crelicam Ebony |
| Heel Length | 3" |
| Fretboard Inlay | 4mm Dot Italian Acrylic |
| Heel Cap Binding | Black |
| Neck/Heel | Sapele |
| Neck Finish | Varnish |
| Peghead Type | Standard |
| Headstock Overlay | Copafera |
| Peghead Logo | Printed on Headstock Overlay |
| Bridge Pins | Black |
| Buttons | Chrome |
| Finish Style | Satin |
| Right / Left Handed | Right Handed |
| Number of Strings | 6-String |
| Neck Material | Mahogany |
| Wood Top Style | Plain |
| Top Material | Mahogany |
| Back Material | Sapele |
| Nut Width | 1.6875" |
| Fretboard Material | Ebony |
| Body Shape | Travel |
| Sides Material | Sapele |
Reviews:
I’ve been playing a Taylor 310 for 25 years and was looking for something smaller and lighter to transport. Having read a lot of reviews and listened to the videos I thought I would try the GS Mini Koa and see what all the fuzz was about. This guitar sounds amazing! The Koa gives it a depth AND sparkle that you don’t expect from a small guitar. I keep asking myself does it lack depth compared to my dreadnought, technically it does but actually I don’t miss it because the sound is so full. The volume too is quite exceptional, I tend to strum a lot with a pick and don’t mind digging in hard….. this guitar just sings under those circumstances. It get’s louder and louder without noticeably going out of tune. At the other end there is such clarity and sustain that quiet finger picking also sounds great. You can easily hear a single note melody within a chord. Are there any downsides? Well if you have big hands then the reduced neck length may feel too cramped…. For me this is actually more comfortable than a full size neck but you wouldn’t want it any smaller. In summary I’m blown away, just amazing.David
Wow… what a stunner! Opening the case for the first time was quite an experience. This is a seriously beautiful guitar with beautiful craftsmanship. As a beginner with small hands (even for a lady) I have found acoustic guitars in the past to be very uncomfortable to play, the size of the body, the width of the neck, the high action, and after struggling with a Lorenzo Flame Series for the past year I decided enough was enough, electrics aren't almost impossible to play so why should I have to struggle with acoustic? I did some research and everything was pointing me towards the Taylor GS Mini-E series. Holding this guitar in my hands for the first time felt like a revelation. It felt like Taylor had made a guitar specifically for me – wearing a strap the body fits easily under my arm and my fingers just know exactly where they're meant to go. The sound of the guitar is rich and vibrant with a bright top tone – quite a feat in a parlour size guitar. After watching reviews it seems that this is due to the Koa body. The guitar also comes with soft, well-padded case that feels like it'll protect well from bumps and bruises whilst travelling. It has some nice shoulder straps so it feels like you're wearing a large (but light!) backpack. The best thing about this guitar though is that it's such a joy to hold and play that I can't put it down; my playing ability has increased so much in the past few weeks since buying it. As a beginner I absolutely recommend this guitar as an introduction to acoustic guitars. If you're a beginner and you've been playing an electric for while but want to get into playing acoustic, try out a Taylor GS Mini-e – it might be the one for you.Laura K.
Taylor is my dream acoustic guitar brand. And I always like the versatility and sound of a GS Mini in all versions: Mahogany, Spruce and also, Koa. Mine is Spruce 100% acoustic. It is worth to mention some details about how to extract the best sound of it: 1. The recommended string gauge is .13. Pay attention to all demos and YouTube video reviews. All of them use .13 string gauge. I recommend Elixir 16182 Phosphor Bronze Nanoweb HD Light Acoustic Strings 13-53. You can find here https://www.musicstore.de/en_DE/EUR/Elixir-16182-Phosphor-Bronze-Nanoweb-HD-Light-Acoustic-Strings-13-53/art-GIT0030955-000 2. For recording use two mics to get the best of it. See some youtube videos how to do it. 3. Increase the playability using a light strings. See the link in item 1. Pros 1. Excellent full sound. Easily mistaken for a full body western guitar because of the sound. 2. Highly portable 3. Excellent satin finish 4. Despite the size the playability is awesome with a more lighter string set 5. Despite to be not recommended to play on the sofa, it is so easy play on the couch with this guitar. Kinda made for it. 6. Comes with a well made not so soft bag, but still bag. Cons 1. Price, little bit steep 2. The back of the guitar is arched or little bit rounded. I’m sure this is by design to increase the resonance of the instrument but in some circumstances the guitar slips when playing it.
7. Traveler Guitar Ultra Light Acoustic Maple
Product Details:
The traveler guitar ultra-light is the smallest, lightest full-scale acoustic-electric travel guitar they make. the proprietary in-body tuning system uses standard tuning machines relocated into the body, eliminating the need for a headstock. as a result, youll have the same full-scale playing experience youre used to on an instrument thats 31% shorter and 43% lighter than a typical full-size acoustic.you can plug the ultra-light into your favorite amp or recording device thanks to its shadow acoustic piezo pickup and standard 1/4 inch output. the lap rest is detachable for easy transport, so guitar and bag fit easily in an airline overhead compartment. and, since the guitar weighs less than three pounds and is only 28 inch long, you can take it anywhere.the traveler guitar ultra-light is the perfect solution for traveling players who want a full-scale experience in the smallest, lightest package possible.
Specifications:
| Body type | Travel |
| Cutaway | Double |
| Top wood | Eastern American hard maple |
| Back and sides | Eastern American hard maple |
| Bracing pattern | Not specified |
| Body finish | Satin Natural |
| Orientation | Right handed |
| Neck shape | Not specified |
| Nut width | 1.75" (44.45 mm) |
| Fingerboard | Black walnut |
| Neck wood | Mahogany |
| Scale length | 24.75" |
| Number of frets | 22 |
| Neck finish | Satin |
| Pickup/preamp | Yes |
| Configuration | Sidemounted preamp |
| Preamp EQ | 3-band |
| Feedback filter | No |
| Tuner | Yes |
| Headstock overlay | Not specified |
| Tuning machines | Chrome 14:1 gear ratio (closed gear) |
| Bridge | Black walnut |
| Saddle and nut | Not specified |
| Number of strings | 6 |
| Country of origin | United States |
Reviews:
Im really digging this guitar. I needed a travel guitar for some upcoming trips and went through the rungs. Tried the martin backpacker and traveler rm sp, but neither met my needs. The martin limits you to 15 frets and the rm sp wasnt that much smaller than my Taylor GS mini. Weve got a young one and traveling with him brings a whole slew of extra things that have to be included in a trip. My wife was not having us give up one of our carry-ons for a guitar and case. The ultra-light is perfect, and I can throw it in my back pack (in its case) with just a little of the neck hanging out. Thus, not having to give up a carry-on. Its perfect. Went with the electric too over the acoustic/electric version because of the tune-o-matic type bridge and saddles. Stellar product. Lastly, the size and sound unplugged are perfection for playing around on with others in the room and not bothering them. It actually makes me play more now.
I never knew why some guitarists have a favorite guitar and even name them. (I own several higher-end guitars and to me, they're just tools.) I purchased a black Traveler Ultra-Light some time in 2019 thinking it was a "cheapie" but good enough to stuff in an overhead bin of an airliner whenever I traveled. I was certainly impressed at how the guitar played and how well it was made, despite the low price. Since then it's been with me everywhere. But that's not how it came to be my favorite guitar. Last November I was hospitalized for 4 days. Because of Covid going around, I couldn't have visitors so I asked my wife to bring me my Traveler so I wouldn't be bored to death. That's when I fell in love with this little guitar. Because I had my own room and because my vitals were checked every hour, I spent a LOT of time playing. And because of its size and how light it was, I could play it in bed. AND it kept my mind off of what I was going through… a big plus for the road to recovery. Today, I purchased my second one in Torino Red and ordered some blacked-out locking tuners so I can keep it at my other place out of state. As for the black one, I'm not leaving that anywhere…. it's staying here with me!
I love this little guitar. I bought mine from the GC store. I have Taylor GS mini for my RV, but it's still too big and too loud in a small rv with others. I saw the Traveller guitars and thought I'd go to a GC and try it out. I'm too new at this so got the GC sales person to play so I could hear the difference using a big amp. The ones with the pickups were hot and a little bitey for me as I only really play acoustic. The Piezo pickup acoustic sounded mellow and it was on the guitarathon sale for 100 dollars off. That tipped it for me. It's small, extremely light and when unplugged, extremely quite quiet. It's so small, I'm finding that I pick up this one more than the regular guitars. Bear in mind, it's not acoustic or electric, so it's not going to sound like anything else. I bought a headphone amp and also use a regular amp when I can be loud. When practicing unplugged at night, it's loud enough for me, but nobody else can hear it. Also, I've found that if I press it tightly to my side, the lower notes reverberate in my chest. With the acoustic pickup there is no tone or volume controls, so everything has to be done through the amp. I'm getting used to that. With no body and only the wire bottom, it takes a little time before it begins to feel normal. The only negative is if I don't hit the notes perfect, I can get some fret buzz. All in all, it's so different from any other guitar, I would suggest trying it in person first. You will either love it or hate it. And remember it's a small travel guitar you can also use regularly. Play it both amplified and unplugged and see if you think it will work for you.Mike
8. Fender Malibu Player Acoustic-Electric Guitar – Midnight Satin W/ Gig Bag
Product Details:
Everything you need to start playing immediately comes in one box. save yourself the hassle and save some money while you're at it. a gig bag is included so you can keep your instrument safely packed away when you're on the go. an easy-to-use clip-on tuner is included so you can keep your instrument in tune. a strap is included so you can practice or better yet perform while standing up. strings are included so you have extra for later. a string winder is included so you can restring in a flash. picks are included so you can start playing right out of the box. an austin bazaar instructional dvd is included so you can pick up some tips while learning your new instrument.
Specifications:
| Package Dimensions | 43.4 x 15.9 x 5.5 inches |
| Back Material | Mahogany |
| Color Name | Midnight Satin |
| Fretboard Material | Walnut |
| Top Material | Solid Sitka Spruce |
| Neck Material Type | Mahogany |
| Number of Strings | 6 |
| Guitar Bridge System | Modern Viking |
| Fretboard Material Type | Walnut Wood |
| Hand Orientation | Right |
Reviews:
I have a number of acoustic type guitars – both steel and nylon strung. When playing these I rarely strum – it's a finger style combination of rock, flamenco, folk, blues and jazz ( a real mixture). The first thing I did was to change the strings (D'Addario Silk & Steel). As a result this little Fender beauty has turned into an excellent parlour guitar: it's responsive, lovely to play and remarkably loud for its size. Build quality is good and the sound projects well. If you're a chord strummer, I wouldn't suggest that the Sonoran is for you – but it responds superbly to finger style playing. It's subtle and responsive. For the money, it's very, very good. And of course, it's very, very easy to lug around. Love it!Gillian B.
Pretty nice sounding instrument! Way less money than most solid wood, small bodied shorter scale guitars, & stacks up decently against “higher end” offerings. As a traditionalist, the onboard electronics were an annoying detraction, but in practice the pickup system sounds far more natural than I was expecting. And as a couch/practice guitar, having a tuner on the instrument is handy, I’ll grudgingly admit. If I were the type to plug in an acoustic on stage, I’d get good use out of these features. There are a few other general things that caught my attention, listed in no particular order. The dynamic range is an interesting departure from typical full scale acoustics. It’s quieter when finger picked softly, but as loud or louder when dug into with a pick. Definitely doesn’t sound small when played with authority, & generally has great resonance. I’ve yet to try lighter strings, but with 12 gauge phosphor bronze, it doesn’t feel too slinky or incredibly different than a longer scale length acoustic. I do find it a tad more comfortable, but not a night & day difference. The only lesser aspect is mostly down to the stock setup. Action was a little on the high side, & the G# fret under the low E string was a little high, so G chords buzzed on that string. This doesn’t detract from my over all impression, as I’m imagining most folks buying a decent instrument will end up setting it up & leveling fretwork to taste. All in all, mine’s a very nice acoustic guitar by any measure, & its sound punches way above its weight class in terms of cost. I dig it.WJJ
This Fender guitar is awesome. Out of the box it is almost perfectly set up. The intonation is off just by a little bit and only with 2 or 3 strings. The sound seems a little washed while playing chords, but single notes are loud and clear. All the frets have edge treatment, nice and smooth. The synthetic bone used for the nut and bridge are way better than plastic, allowing for a long sustain. The guitar could use better tuning keys, but the guitar stays in tune good enough. Over all my guitar was built well, and I'm glad it sounds good, too. I would recommend this guitar for all beginner guitar players because of the sound quality, and anyone else who don't have the money for their dream guitar.Tim
9. Taylor Bbt Big Baby Acoustic Guitar
Product Details:
The baby taylor's super-sized sibling responds with a full-size sound. the 15/16-scale dreadnought features layered sapele back and sides with a solid sitka spruce top, making it a handy and affordable songwriting partner for anyone. the guitar comes with a gig bag for easy portability. big baby the biggest of taylor's small bodies, the big baby is just shy of a full-size guitar. sitka spruce the soundboard choice for most guitars, sitka spruce produces a broad dynamic range and accommodates a versatile range of playing styles. layered sapele layered wood construction is used to offer attractive, durable and affordable models. non-cutaway the clean, symmetrical look of a traditional acoustic guitar. big baby taylor the baby taylor's super-sized sibling responds with a full-size sound. the 15/16-scale dreadnought features layered sapele back and sides with a solid sitka spruce top, making it a handy and affordable songwriting partner for anyone. the guitar comes with a gig bag for easy portability.
Specifications:
| Finish | Natural |
| Year | 2020 – 2022 |
| Made In | Mexico |
| Back Material | Walnut |
| Body Shape | Dreadnought |
| Sides Material | Walnut |
| Top Material | Spruce |
| Shape | Big Baby |
| Body Wood | Layered Sapele |
| Scale length | 25-1/2" |
| Top Wood | Sitka Spruce |
| Neck/Heel | Sapele |
| Bracing | X-Bracing |
| Fretboard Wood | Ebony |
| Fretboard Inlay | 6mm Dots |
| Headstock Overlay | Lexan |
| Bridge Pins | Black |
| Tuners | Die-Cast Chrome |
| Back/Side Finish | Varnish |
| Top Finish | Varnish |
| Neck Finish | Varnish |
| Pickguard | Tortoise |
| Number of Frets | 20 |
| Back Config | Laminate |
| Buttons | Chrome |
| Peghead Logo | Printed on Headstock Overlay |
| Peghead Type | Standard |
| Rosette Mat. | Plastic |
| Rosette Size | Single Ring |
| Type of Neck Joint | Scarf |
Reviews:
I had bought one of these back in 2017 when I made the switch to Acoustic. I don't know why but, I got rid of it so I could make the move tpo the Martin X-Series only because I had always wanted a Martin. To make a long story short, the Martin didn't cut it for me, so last week I made the move back to Taylor and the Big Baby. These newer ones are so beautiful but it's a shame, that Taylor has discontinued them. The Brown headstock along with the Solid Spruce top and Walnut back and sides, have really IMO, improved this model. Once set up properly, it stays in tune and just sounds awesome ! I would say that it is the best Acoustic going today which is under the 500 dollar range. Plus seeing that I'm on a low budget, this was a no-brainer. It's a keeper and I am getting a lot of joy playing it.Jeffrey
I had bought one of these from here way back in 2017 , which I used when I was gigging . I'm now retired ( 63 ) and only play at home now. I had to take a couple of years away from playing, due to pain in my left hand , which built up from 50 years of playing. I came back to playing in August of 2021 and I had bpught a Martin X-Series which at the time, I thought was great . Well it turned out that I ended up having issues with it and got rid of it, so I went back to getting a new, Big Baby Taylor, which always served me well. It's too bad that Taylor discontinued these because, these newer models are IMO, a vast improvement over the older ones. Since I got it on this past Sunday, I can not put this down. It just sounds so amazing and it stays in tune forever. While the included gigbag is a plus, I went and bought a Hardshell case for it. For those who want a Taylor but are on a low budget, this is worth the asking price and then some.Jeff
Since I went back to playing last summer after a 3 year hiatus, due to wrist pain in my left hand, I was using a Martin X-Series OMCX1E which I had nothing but problems with such as not staying in tune, fret buzz, etc. So over a week ago, I made the decision to switch to a Big Baby Taylor. I am limited as far as funds go, so $500.00 was the most that I could afford and I did not want to get a Baby but the Big Baby which is pretty close to a standard dreadnought size , at least as th neck scale is concerned. The body is a tad smaller and lighter which for me at my age ( 63 ) , makes playing a lot easier. Thiis came already set up and strung with Elixirs , which I liked . I can not believe how light in weight this is and it stays in tune , which is a huge plus for me. As far as tone goes, this easily blows away any of the Martin X-Series .I love this guitar and I will be making some wonderful memories with it.jeffreyo46
10. Godin Multiac Nylon Deluxe Natural
Product Details:
The godin multiac, has proven to be the most popular and successful godin guitar for decades. now, this modern nylon string guitar is back, better than ever in a new and updated version: the godin multiac nylon deluxe. godin took everything that made the godin multiac unique, and incorporated a new lr baggs preamp, custom-designed to godin's specifications. this innovative system has two sound sources that can be combined: six individual hex pickups, and a lyric mic. the multiac nylon deluxe preamp is a technical marvel that compliments the guitar s natural acoustic capabilities, providing excellent tone and volume control via a three-band eq, master volume slider, phase switch, saturation slider, and a lyric mic volume slider. the solid chambered mahogany body design allows for feedback-free use in both the studio and on stage. a spruce top, mahogany neck, and richlite fingerboard and bridge, complete this impressive guitar that will inspire from the first notes played. two-chamb…
Specifications:
| String Type | Nylon |
| Number of Strings | 6 |
| Body Shape | MultiAc Deluxe |
| Finish | High Gloss |
| Top Wood | Solid Spruce |
| Neck Wood | Mahogany |
| Neck Shape | D |
| Radius | 16" |
| Fingerboard Material | Richlite |
| Fingerboard Inlay | Offset Dots |
| Number of Frets | 22 |
| Scale Length | 25.5" |
| Bridge Material | Richlite |
| Nut/Saddle Material | Graph Tech NuBone |
| Nut Width | 1.9" |
| Electronics | Custom Voiced LR Baggs |
| Case Included | Gig Bag |
Reviews:
OK, I got mine 5 or 6 years ago, because my arthritis was making steel string acoustics too difficult. The slightly wider neck and nylon strings have extended my career. I use it two ways, first, it's great for solo work, fingerstyle. I also play it with a pick, for jazzy and Willie Nelson country style. There's little feedback at normal volume, and it has a great tone. Just played out with it, and got many compliments on the sound.TGB
The picture on the AMS website doesn’t do the guitar justice, as it’s much more beautiful than that! The tuners are typical Godin proprietary, as they look good, and are smooth and stable in operation. I play with many alternative tunings, and am very happy with their smooth use. When running straight through my Roland Jazz Chorus 40, I can get any sound I expect from it. Hopefully, I’ll be able to get a GR-55 soon to experiment with all the synth sounds! With the exception of the heavy total weight, this guitar is perfect for my use.John K.
I've been Jonesin' for a nylon string guitar to add to my arsenal. I tried several, but the thing that I kept coming back to was the intonation issues inherent in a traditional design. So, I started looking for a nylon string that had different compensation on the saddle pieces. I came across this Godin, and since I already have two 13-pin synth access guitars, this seemed like a perfect match. When it arrived, I was surprised to find that it's actually a solid body guitar with some chambering. I mean, I knew it was a slim body, but I thought it was a slim hollow body. In retrospect, this has some advantages and some disadvantages… First of all, this is NOT the guitar that you're going to grab to sit around the campfire with your friends. It's as loud as a normal electric guitar that's not plugged in. The advantage, of course, is that you can jack this up as loud as you please in performance without worrying about body howl type feedback.Doug
11. Godin Multiac Acs Nylon Classical Acoustic-Electric Guitar, Black
Product Details:
The godin acs-sa nylon acoustic guitar with synth access combines dazzling acoustic sound with the feel and comfort of an electric guitar, making it the ultimate choice for players looking to transition from acoustic to electric, or vice versa. with a chambered body crafted from silver leaf maple, this guitar resonates with a bright, clear tone that has very little feedback. pure perfection. warmth and richness are then injected by a solid cedar top, enabling fingerstyle techniques to thrive. seamless playability is made possible by a slim, tapered neck, offering you a true electric playing experience with all the beauty of acoustic sound. the mahogany neck is then topped with a richlite fretboard for added resonance and sustain, as well as dreamy chord transitions. and you'll probably want some powerful amplification, too. well, that comes in the form of custom rmc electronics. they boast individual transducer saddles beneath each string and synth access capabilities.
Specifications:
| Finish Details | Original |
| Body Details | Maple body with basswood wings and cedar top |
| Fingerboard Material | Richlite |
| Neck Profile | Medium D |
| Neck Thickness (IN) | 1st – 0.85" 12th – 0.97" |
| Fingerboard Radius | 16.00" |
| Nut Width | 1-11/16" |
| Scale Length | 25 1/2" |
| Electronics | Original active piezo pickup and preamp |
| Case Details | Original hardshell case |
| Finish | Black Pearl |
| Year | 2010s |
| Back Material | Maple |
| Body Features | Cutaway |
| Fretboard Material | Composite |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Sides Material | Maple |
Reviews:
OK, I got mine 5 or 6 years ago, because my arthritis was making steel string acoustics too difficult. The slightly wider neck and nylon strings have extended my career. I use it two ways, first, it's great for solo work, fingerstyle. I also play it with a pick, for jazzy and Willie Nelson country style. There's little feedback at normal volume, and it has a great tone. Just played out with it, and got many compliments on the sound.TGB
The picture on the AMS website doesn’t do the guitar justice, as it’s much more beautiful than that! The tuners are typical Godin proprietary, as they look good, and are smooth and stable in operation. I play with many alternative tunings, and am very happy with their smooth use. When running straight through my Roland Jazz Chorus 40, I can get any sound I expect from it. Hopefully, I’ll be able to get a GR-55 soon to experiment with all the synth sounds! With the exception of the heavy total weight, this guitar is perfect for my use.John K.
I've been Jonesin' for a nylon string guitar to add to my arsenal. I tried several, but the thing that I kept coming back to was the intonation issues inherent in a traditional design. So, I started looking for a nylon string that had different compensation on the saddle pieces. I came across this Godin, and since I already have two 13-pin synth access guitars, this seemed like a perfect match. When it arrived, I was surprised to find that it's actually a solid body guitar with some chambering. I mean, I knew it was a slim body, but I thought it was a slim hollow body. In retrospect, this has some advantages and some disadvantages… First of all, this is NOT the guitar that you're going to grab to sit around the campfire with your friends. It's as loud as a normal electric guitar that's not plugged in. The advantage, of course, is that you can jack this up as loud as you please in performance without worrying about body howl type feedback.Doug
12. Godin Multiac Nylon Duet Ambiance Acoustic-Electric Guitar Natural
Product Details:
The multiac nylon duet ambiance features state of the art custom electronics by fishman, that allows the player to select between 4 individual mic settings. choose between these blendable sound imaging mics via the 4-way selector switch. ideal guitar for players looking for a an incredible, amplified nylon string sound and feel in a live and loud band setting with virtually no feedback. the multiac duet ambiance nylon string, also features a 25 scale and slimmer nut width than the classically inspired grand concert duet ambiance, making it easy for electric steel string players to transition to nylon strings. this model features a chambered mahogany body with a solid spruce top, as well as a dual source preamp with feedback control and under saddle transducer.
Specifications:
| Product Dimensions | 44 x 16.5 x 5.75 inches |
| Back Material | Mahogany |
| Color Name | Natural |
| Fretboard Material | Ebony |
| Guitar Pickup Configuration | Piezoelectric |
| Scale Length | 25.5 |
| String Gauge | Hard Tension |
| String Material | Nylon |
| Top Material | Cedar |
| Neck Material Type | Mahogany |
| Number of Strings | 6 |
| Guitar Bridge System | Fixed |
Reviews:
OK, I got mine 5 or 6 years ago, because my arthritis was making steel string acoustics too difficult. The slightly wider neck and nylon strings have extended my career. I use it two ways, first, it's great for solo work, fingerstyle. I also play it with a pick, for jazzy and Willie Nelson country style. There's little feedback at normal volume, and it has a great tone. Just played out with it, and got many compliments on the sound.TGB
The picture on the AMS website doesn’t do the guitar justice, as it’s much more beautiful than that! The tuners are typical Godin proprietary, as they look good, and are smooth and stable in operation. I play with many alternative tunings, and am very happy with their smooth use. When running straight through my Roland Jazz Chorus 40, I can get any sound I expect from it. Hopefully, I’ll be able to get a GR-55 soon to experiment with all the synth sounds! With the exception of the heavy total weight, this guitar is perfect for my use.John K.
I've been Jonesin' for a nylon string guitar to add to my arsenal. I tried several, but the thing that I kept coming back to was the intonation issues inherent in a traditional design. So, I started looking for a nylon string that had different compensation on the saddle pieces. I came across this Godin, and since I already have two 13-pin synth access guitars, this seemed like a perfect match. When it arrived, I was surprised to find that it's actually a solid body guitar with some chambering. I mean, I knew it was a slim body, but I thought it was a slim hollow body. In retrospect, this has some advantages and some disadvantages… First of all, this is NOT the guitar that you're going to grab to sit around the campfire with your friends. It's as loud as a normal electric guitar that's not plugged in. The advantage, of course, is that you can jack this up as loud as you please in performance without worrying about body howl type feedback.Doug
13. Godin Acs Grand Concert Natural
Product Details:
If you are an electric player in the market for a nylon-string guitar with an ultra-easy-to-play neck and outstanding synth or midi capabilities, then the godin acs grand concert natural sg is the right choice for you. the acs has long been a pioneer as a nylon-string/synth guitar that can do it all in terms of latin or other world music styles ranging from the four corners of the globe. the latest rendition of the acs now comes in a grand concert format with a 2-inch nut width, a redesigned body shape, and a longer scale length. all the while, it still remains an affordable multiac alternative packed with great features for the modern musician. the acs grand concert natural sg is ready to take the stage.
Specifications:
| Neck | Mahogany |
| Fingerboard | Richlite |
| Fingerboard Radius | 24" (609.6 mm) |
| Scale Length | 25.66" (651.764 mm) |
| Nut Width | 2" (50.8 mm) |
| Nut Type | Graphtech |
| Frets | 19 |
| Machine Head Ratio | 16:1 |
| Bridge and Tailpiece | Richlite |
| Controls | On-Board Preamp |
| H.D.R | Not Included |
| String Set | HTC Nylon |
| String Gauges | .0285.0327.0410.030.036.044 |
Reviews:
OK, I got mine 5 or 6 years ago, because my arthritis was making steel string acoustics too difficult. The slightly wider neck and nylon strings have extended my career. I use it two ways, first, it's great for solo work, fingerstyle. I also play it with a pick, for jazzy and Willie Nelson country style. There's little feedback at normal volume, and it has a great tone. Just played out with it, and got many compliments on the sound.TGB
The picture on the AMS website doesn’t do the guitar justice, as it’s much more beautiful than that! The tuners are typical Godin proprietary, as they look good, and are smooth and stable in operation. I play with many alternative tunings, and am very happy with their smooth use. When running straight through my Roland Jazz Chorus 40, I can get any sound I expect from it. Hopefully, I’ll be able to get a GR-55 soon to experiment with all the synth sounds! With the exception of the heavy total weight, this guitar is perfect for my use.John K.
I've been Jonesin' for a nylon string guitar to add to my arsenal. I tried several, but the thing that I kept coming back to was the intonation issues inherent in a traditional design. So, I started looking for a nylon string that had different compensation on the saddle pieces. I came across this Godin, and since I already have two 13-pin synth access guitars, this seemed like a perfect match. When it arrived, I was surprised to find that it's actually a solid body guitar with some chambering. I mean, I knew it was a slim body, but I thought it was a slim hollow body. In retrospect, this has some advantages and some disadvantages… First of all, this is NOT the guitar that you're going to grab to sit around the campfire with your friends. It's as loud as a normal electric guitar that's not plugged in. The advantage, of course, is that you can jack this up as loud as you please in performance without worrying about body howl type feedback.Doug
14. Godin Multiac Spectrum Solid Spruce Top Acoustic/electric Guitar, Natural
Product Details:
The renowned electro-acoustic godin multiac series gets a steel string model with the addition of the multiac spectrum sa. it features a larger mahogany body design, seymour duncan lipstick pickup in the neck, custom godin electronics along with separate tone and volume controls for the lipstick pickup, as well as 13-pin capabilities for computer and synth access.
Specifications:
Reviews:
OK, I got mine 5 or 6 years ago, because my arthritis was making steel string acoustics too difficult. The slightly wider neck and nylon strings have extended my career. I use it two ways, first, it's great for solo work, fingerstyle. I also play it with a pick, for jazzy and Willie Nelson country style. There's little feedback at normal volume, and it has a great tone. Just played out with it, and got many compliments on the sound.TGB
The picture on the AMS website doesn’t do the guitar justice, as it’s much more beautiful than that! The tuners are typical Godin proprietary, as they look good, and are smooth and stable in operation. I play with many alternative tunings, and am very happy with their smooth use. When running straight through my Roland Jazz Chorus 40, I can get any sound I expect from it. Hopefully, I’ll be able to get a GR-55 soon to experiment with all the synth sounds! With the exception of the heavy total weight, this guitar is perfect for my use.John K.
I've been Jonesin' for a nylon string guitar to add to my arsenal. I tried several, but the thing that I kept coming back to was the intonation issues inherent in a traditional design. So, I started looking for a nylon string that had different compensation on the saddle pieces. I came across this Godin, and since I already have two 13-pin synth access guitars, this seemed like a perfect match. When it arrived, I was surprised to find that it's actually a solid body guitar with some chambering. I mean, I knew it was a slim body, but I thought it was a slim hollow body. In retrospect, this has some advantages and some disadvantages… First of all, this is NOT the guitar that you're going to grab to sit around the campfire with your friends. It's as loud as a normal electric guitar that's not plugged in. The advantage, of course, is that you can jack this up as loud as you please in performance without worrying about body howl type feedback.Doug
15. Godin Multiac Steel Hg Natural
Product Details:
Legendary acoustic guitars. designed and built in canada. the godin multiac steel with natural is a truly outstanding guitar. designed around absolute quality. the godin multiac steel demonstrates a commitment to consummate professionalism. after nearly 50 years of experience, godin is chief amongst high-end guitar craftsmen and this is evident with the multiac. from top to bottom, godin is proud to say the woods they use are all north american. designed in quebec, it shows a dedication to quality. the sitka spruce body gives the godin multiac steel a resonant tonewood and looks beautiful too, featuring a stylish natural high gloss finish and the environmentally friendly richlite fretboard. the godin multiac steel is a magnificent work of art and engineering.
Specifications:
| Body type | Multiac |
| Cutaway | Single |
| Top wood | Solid spruce |
| Back and sides | Mahogany |
| Bracing pattern | Scalloped X |
| Body finish | High gloss |
| Orientation | Right handed |
| Nut width | 1.72" (43.6 mm) |
| Fingerboard | Richlite |
| Neck wood | Mahogany |
| Scale length | 25.5" |
| Number of frets | 22 |
| Neck finish | Satin |
| Pickup/preamp | Yes |
| Configuration | Undersaddle transducer |
| Preamp EQ | 2-band |
| Feedback filter | No |
| Tuner | No |
| Headstock overlay | Not specified |
| Bridge | East Indian rosewood |
| Saddle and nut | GraphTech |
| Number of strings | 6 |
| Country of origin | Canada |
Reviews:
OK, I got mine 5 or 6 years ago, because my arthritis was making steel string acoustics too difficult. The slightly wider neck and nylon strings have extended my career. I use it two ways, first, it's great for solo work, fingerstyle. I also play it with a pick, for jazzy and Willie Nelson country style. There's little feedback at normal volume, and it has a great tone. Just played out with it, and got many compliments on the sound.TGB
The picture on the AMS website doesn’t do the guitar justice, as it’s much more beautiful than that! The tuners are typical Godin proprietary, as they look good, and are smooth and stable in operation. I play with many alternative tunings, and am very happy with their smooth use. When running straight through my Roland Jazz Chorus 40, I can get any sound I expect from it. Hopefully, I’ll be able to get a GR-55 soon to experiment with all the synth sounds! With the exception of the heavy total weight, this guitar is perfect for my use.John K.
I've been Jonesin' for a nylon string guitar to add to my arsenal. I tried several, but the thing that I kept coming back to was the intonation issues inherent in a traditional design. So, I started looking for a nylon string that had different compensation on the saddle pieces. I came across this Godin, and since I already have two 13-pin synth access guitars, this seemed like a perfect match. When it arrived, I was surprised to find that it's actually a solid body guitar with some chambering. I mean, I knew it was a slim body, but I thought it was a slim hollow body. In retrospect, this has some advantages and some disadvantages… First of all, this is NOT the guitar that you're going to grab to sit around the campfire with your friends. It's as loud as a normal electric guitar that's not plugged in. The advantage, of course, is that you can jack this up as loud as you please in performance without worrying about body howl type feedback.Doug
16. Taylor 352ce 12-String Acoustic-Electric Guitar
Product Details:
The taylor 352ce v-class 12-string grand concert is one of a kind. it's taylor's first ever v-class 12-string guitar, and it's ready to make history. combining revolutionary bracing, and innovative electronics with solid timbers, and taylor's expertise in acoustic performance., this really is acoustic excellence. bringing you an instrument with superior pitch consistency, a premium touch, and pure playability. this 352ce is certainly one you'll keep for a lifetime. it's time to experience world renowned quality that won't let you down.explore a distinct 12-string chime while solid timbers give you a truly dynamic tone, and a sound that gets even richer the more you play. plus, with a solid sitka spruce top, the 352ce v-class will always respond to your individual playing style. you'll also adore the comfort this ga cutaway body brings too. taylor wanted to break the tradition of big 12-string bodies; now you have a lap-friendly instrument that was born to perform. and, with es2 electronics, you can experience the magic of your natural tone in any live setting – it's truly majestic.
Specifications:
| Scale Length | 24-7/8" |
| Bracing | V-Class |
| Truss Rod Cover | Black Plastic |
| Pickguard | Black |
| Number of Frets | 18 |
| Tuners | Taylor Nickel |
| Body Length | 19 1/2" |
| Body Width | 15" |
| Body Depth | 4 3/8" |
| Binding/Edge Treatment | Black |
| Top Finish | Gloss |
| Back Config | 2-piece No Wedge |
| Rosette Size | Three Ring |
| Back/Side Finish | Satin |
| Rosette Mat. | Plastic |
| Stain/Sunburst | Medium Brown Stain Back/Sides/Neck |
| Armrest | No |
| Neck Width | 1-7/8" |
| Fretboard Inlay | Gemstone, Italian Acrylic |
| Fretboard Binding/Edge Treatment | Black |
| Heel Cap Binding | Black |
| Type of Neck Joint | Scarf |
| Neck/Heel | Tropical Mahogany |
| Fretboard Wood | West African Ebony |
| Neck Finish | Satin |
| Heel Length | 3-1/4" |
| Peghead Finish | Satin |
| eghead Type | Standard |
| Headstock Overlay | West African Ebony |
| Peghead Logo | Italian Acrylic |
| Bridge Pins | West African Ebony |
| Buttons | Nickel |
Reviews:
So far so great. This is my second Taylor ( 2008 914ce is my other) and I really love it. I have played twelve string acoustic and electric for decades but never had an American made acoustic. Compared to my other 12 strings, Epiphone and Yamaha, this feels like playing a six string. The action is great. It is not as loud as bigger acoustics but that is a good thing because it brings out all the strings and their nuance better. It sounds great with or without amplification.ktrip
This is an amazing, high quality instrument. The guitar is easy to play for a 12 string. It's resonant and responds to picking attack very well. Digging in a bit and using my picking hand for percussion on the top is very satisfying! The top is lively and there's lots of sustain. The set up seemed almost too good to be true. This is a precision built, beautiful 12 string guitar. I'm glad I took a chance and bought it. I think it's a great value for the money.Mandolin Player
17. Godin 050987 Cognac Burst 2021
Product Details:
The latest model in the 5th avenue line-up features a cutaway body design and the added sounds of two godin kingpin p90 single-coil pickups delivering all that classic, vintage tone with presence, clarity and a little attitude thrown in for good measure! with the soul of a 1950's archtop, the 5th avenue is a true vintage spirit of yesterday with today's level of modern playability. with more projection & volume in the low/mids than traditional archtop acoustic guitars, the dynamically rich tone of the 5th avenue makes this sophisticated instrument a dream to play, but not a nightmare to pay for. the godin 5th avenue now makes the affordable north american archtop guitar a reality! from alt-country, delta blues, slide, jazz to rock, the 5th avenue can really deliver both acoustically and electrically. made from canadian wild cherry, the body of the 5th avenue features a molded arched top and back, as well as an adjustable bridge, classic f-holes, contoured high-gloss headstock, floating pickguard and cream binding. also, the rustic beauty of its custom polished finish creates a gorgeous satin sheen reminiscent of the french polish of the 19th century.
Specifications:
| Package Dimensions | 45.3 x 20 x 8.5 inches |
| Country of Origin | Canada |
| Back Material | Cherry Wood |
| Color Name | Cognac Burst |
| Fretboard Material | Rosewood |
| Guitar Pickup Configuration | Godin Kingpin P90 Single Coil Pickups |
| Scale Length | 24.84 |
| String Material | Nickel |
| Top Material | Canadian Wild Cherry |
| Neck Material Type | Silver Leaf Maple |
| Number of Strings | 6 |
| Guitar Bridge System | Fixed Bridge |
| Fretboard Material Type | Rosewood |
| String Material Type | Nickel |
| Hand Orientation | Right |
Reviews:
Without a doubt, this instrument is on par with the most expensive jazz guitars I have ever picked up in 45 years. The workmanship, detail, and component quality are right up there with the best. I did change the strings to LaBella Flats because I like flat-wounds on jazz instruments rather than the round-wounds. The action was perfectly set at 5/64th on delivery. I readjusted the bridge for a flat intonation of the high E, but that's it. I have the HB model (humbuckers) because I prefer them to P90's both sonically and cosmetically. The humbuckers are wide response with excellent output level. The only things you might object to is 1) the matte finish if you prefer glossy, and 2) lack of individual Volume/Tone controls for each pickup – but the feel, sound, and action match the best. I am a Godin fan for life! What a great value.bbqbob
I have been using this guitar for 3 weeks now. Beautiful instrument, it really stands out from the crowded guitar market with its unique design. I do not see any technical or presentation flaw on the instrument. The neck is very comfortable to play up to the 12th fret. Beyond this, the continuous play is not terribly comfortable due to the size of the body (I always had solid body guitar in the past). But that is fine for jazz. The sound is great! when it is unplugged, it has a beautiful resonance and tone (especially with flat-wound strings). Furthermore, due to the strings beyond the bridge, there is great sustain and overtones. Maybe even a bit too much. When the guitar is plugged in, it has a beautiful rich tone. I had a gig with a jazz quartet when I played in front of the amp, and there was no feedback at all. The mini-humbucker pickup is a little quiet compared to my other guitar that has Seymour Duncan active pickups, but that is ok. I just need to turn the volume a bit more up. The guitar is super light weight! It is nothing compared to my mahogany solid body guitar. This is again a great feature when you have to stand for long during a gig. The body size is not too large, not too small, very comfortable to play for longer periods. The case is similarly superb: lightweight and really solid construction. The only problem is that it does not fit in the boot of my car anymore (Mazda 3).. Overall, great guitar, fully recommend it. In terms of delivery, the only issue was that it was not stated upfront that the guitar has to be ordered from Canada. My impression was that it was available in the store already, but after ordering, it turned out that there was a waiting time. It was not bad, I have received the guitar in 2 weeks (including professional setup). It could have been worse. Apart from this communication issue, Richard was really supportive and set the guitar up without a flaw. Everything went really smoothly, though I was really itchy during the waiting time to finally receive this great guitar.Attila L.
This is a very nice guitar. The only thing I did to it was lower the action and change the strings to flatwounds. Because it does not have a heavy lacquer finish the tone really comes through. It is not fancy, but the wood is beautiful. The humbucker pickups are very clear and the tone knob changes the tone without muting the sound. Only one volume and one tone controls, so not lot of choices. At this price point this guitar is a great value. I really hated the TRIC case that comes with this guitar. It is made from Styrofoam with stretch canvas over it. It has cheap plastic hinges and the zippers don't always want to work. The handle is to tight and hard to get your hand around and the Velcro will not stay together. It is very large and bulky. It has backpack straps on the back side, but is too large to carry on your back. I don't know what they were thinking when they design this thing. I pull out my guitars and found that an Epiphone Emperor hardshell case (SKU 540810) will fit it perfect. In the TRIC case the guitar would move around, but in the Epiphone case it stays put. (See picture). I just put a Made in Canada sticker over the Epiphone logo and you would not know that in did not come in this case. 5 stars for the guitar and 1 star for the TRIC case. 🙂DonV
18. Taylor Gt Grand Theater Urban Ash Acoustic Guitar
Product Details:
Designed from the ground up for comfort, playability and rich tone, the gt urban ash debuts a new compact body shape with a big, resonant acoustic voice. the gt (grand theater) shares the basic footprint of the jumbo-sized grand orchestra shape, but its proportions have been scaled down (including a shallower body depth), creating a fun, inviting feel in a package that you can take virtually anywhere. the gt also features a uniquely proportioned neck with a scale length of 24-, a bit longer than the gs mini and a bit shorter than the grand concert. the neck provides a slinky fretting feel thanks to reduced string tension. it comes together in the gt urban ash, built with solid back and sides of the responsibly sourced tonewood that gives the guitar its name. a solid spruce top helps charge the gts tonal response with projection that belies its small frame, powered by the new asymmetrical c-class bracing design, which translates the tone-enhancing properties of v-class bracing into a sonic engine thats appropriate for this new body shape. expect a warm, punchy midrange accentuated by crisp treble notes, with an impressive bass response that owes its surprising power to the new bracing scheme. a beautiful fretboard of responsibly sourced smoked eucalyptus delivers the feel of a rosewood fretboard with the tonal character of ebony, while a thin matte finish preserves the guitars resonance. a clean-cut appointment package includes pinnacle inlays in italian acrylic, a three-ring koa rosette and a dusky urban sienna stain on the ash back and sides. it includes a super-durable yet lightweight aerocase .
Specifications:
| Scale Length | 24-1/8" |
| Pickguard | Tortoise |
| Tuners | Taylor Nickel Mini |
| Strings | Phosphor Bronze Light |
| Body Width | 15” |
| Truss Rod Cover | Black Plastic |
| Number of Frets | 20 |
| Body Length | 18-½” |
| Body Depth | 4-¼” |
| Back Config | 2-piece No Wedge |
| Rosette Size | Three Ring |
| Back/Side Finish | Matte |
| Stain/Sunburst | Urban Sienna |
| Top Finish | Matte |
| Rosette Material | Hawaiian Koa |
| Neck Width | 1-23/32" |
| Type of Neck Joint | Scarf |
| Fretboard Wood | Eucalyptus |
| Heel Length | 3-1/4" |
| Fretboard Inlay | 15" |
| Heel Cap Binding | Black |
| Neck/Heel | Tropical Mahogany |
| Neck Finish | Matte |
| Peghead Finish | Matte |
| Peghead Type | Standard |
| Headstock Overlay | Eucalyptus |
| Peghead Logo | Italian Acrylic |
| Bridge Pins | Black Plastic |
| Buttons | Nickel |
Reviews:
I was looking to get a really good solid wood acoustic and looked at every Martin and Taylor. I was nervous of getting a small scale but when it arrived it was perfect. I tend to use my fingers rather than pick on it as it has a very fast neck and the scale lends well to finger picking. The case is amazing! I wanted a hard case with the guitar I chose and almost went with another brand due to the case but this is not a gig bag. It is a hybrid and very sturdy. I can't say enough great things about the purchase…..best of all, mine was produced in Sep nearly a month before the release of the model so getting an early model of a guitar that will certainly become a best seller makes the purchase even more sweet.Ks
The small size made me feel at home instantly. As if I owned this guitar for years. The neck is very fast and the spacing of the frets isnt too tight. I suggest just raising the action a little bit, its gonna make it louder. Since it is so easy to play, you will barely notice. Great for finger picking.Peter 47
Great little guitar. I test 2 dozen guitars in search of a great guitar tone for fingerstyle. I've found the GTe to be a great workhorse guitar that is very fun and comfortable to play. The slightly narrower neck, lightweight body and short scale length are very comfortable and the intonation and electronics are very usable for plug and play gigs. It just works. Now, if you're looking for a great, loud strummer, I would probably look elsewhere. It is not bad for strumming and I've played singing/strumming gigs with it but I think it really shines for fingerpicking. It records very nicely and I'm a big fan of the Aerocase over a hardshell. A Martin HD28 is my usual go to guitar and fantastic for strumming and most of my playing, but I've found the Taylor GTe to be more convenient to take around and is a bit less dear to me. When teaching lessons, the Taylor is the one that stays on the stand to grab quickly and doesn't overpower the student guitars but holds its own. I do feel that it is overpriced. Non-precious/reclaimed woods, not the highest grade top visually, satin finish, plain look etc really should put these, in my opinion, about a third lower in price. That being said, I played a lot of guitars and this was the only one I cared enough to walk away with and I'm enjoying it. Even more…my wife came with me on my journey and told me it was special and I should buy. Specs and woods can be nice guides, but I've found the overall guitar and whether or not it helps your playing and inspires you to play is more important. If you try it, like it for your applications, and don't mind a few extra dollars, it really is a great guitar and sounds much nicer than it should.Steve
19. Takamine Gn75ce Acoustic Electric Guitar Wine Red
Product Details:
The gn75cewr nex-style acoustic/electric guitar from takamine features a scaled-down jumbo body constructed with a solid spruce top, and alluring quilted maple back and sides. aside from its good looks, this guitar delivers a rich and articulate tone with a bright edge that complements vocals beautifully, and works equally well for solo performance and playing with a full band. its maple neck includes a 21-fret rosewood fingerboard with a 12 radius, eye-catching oval pearloid inlays, and a rosewood headcap. additional features include a rosewood bridge, a synthetic bone nut and split bridge saddle, a set of gold tuning machines with white buttons, and an attractive grass flower pattern on a black pickguard which enhances the guitar's elegant wine red gloss finish. for electronics, this guitar is equipped with a takamine tp-4td preamp system, which includes a built-in tuner, a 3-band eq, and a gain adjustment knob, giving the player better control of the guitar's tone when used with amplification for live performance. nex body this original takamine body is a scaled-down jumbo at heart. the nex has a silky balance to the tone that supports vocals beautifully.
Specifications:
| Product Dimensions | 45 x 19 x 8 inches |
| Batteries | 1 Product Specific batteries required. (included) |
| Is Discontinued By Manufacturer | No |
| Back Material | Maple Wood |
| Color Name | Wine Red |
| Fretboard Material | Rosewood |
| Guitar Pickup Configuration | piezoelectric |
| String Gauge | Light |
| String Material | Bronze |
| Top Material | Maple Wood, Rose Wood, Spruce Wood |
| Neck Material Type | Maple |
| Number of Strings | 6 |
| Guitar Bridge System | Fixed |
| Battery type | Alkaline |
| Fretboard Material Type | Rosewood |
| String Material Type | Bronze |
| Hand Orientation | Right |
Reviews:
When I'm sitting at home, my go to guitar is my Martin 000-28. If that guitar is not in my hands then I have my gn75ce in my lap. This guitar was playable and set up well right out of the box. Good enough that it's not worth the money to take to luthier to have it dialed in. I don't use the electronics on this guitar so I can't comment on that. As far as everything else , this is a well-constructed durable mid-range priced guitar. I'm quite pleased that I purchased it. it makes a wonderful addition my collection. It's a beautiful looking axe. I would highly recommend this guitar to anybody just starting to learn how to play or somebody wanting to add to their collection without spending thousands of dollars.Matthew Topp
20. Taylor 724ce Grand Auditorium Koa Acoustic-Electric Guitar
Product Details:
The taylor 724ce electro acoustic is an instrument of utter beauty. just like taylor always do, they've created a guitar that displays only the best in visuals, playability, and sounds. and that all starts with the exceptional, select-grade hawaiian koa which forms the body and top of the guitar. displaying a striking natural grain and a sweet, complex tone, it'll inspire your craft. as for playing this exquisite instrument, it's just so effortless! a venetian cutaway and slim neck make it approachable so you can access the higher frets unhindered and enjoy fluid transitions on the smooth, luscious ebony board. whether you want to strum with passions, fingerpick with precision or even solo with freedom, the outstanding quality of the 724ce brings it all to life. and you can do that at any volume you like thanks to the expression system 2 electronics. plug in and hear a sound that's stunningly accurate and true. it's sure to become one of your favourites, the 724ce will take your playing that extra step further.
Specifications:
| Scale Length | 25-1/2" |
| Bracing | V-Class Bracing |
| Pickguard | Wood, Dark Stained Maple |
| Tuners | Taylor Polished Bronze |
| Body Width | 16" |
| Truss Rod Cover | West African Crelicam Ebony |
| Number of Frets | 20 |
| Body Length | 20" |
| Body Depth | 4 5/8" |
| Binding Edge Treatment | Indian Rosewood |
| Back Config | 2-piece or 4-piece Simons Wedge |
| Rosette Size | Single Ring |
| Back/Side Finish | Matte |
| Top Finish | Matte |
| Rosette Material | Wood and Shell, Indian Rosewood Frame, Paua Field |
| Neck Width | 1-3/4" |
| Fretboard Binding/Edge Treatment | West African Crelicam Ebony |
| Type of Neck Joint | Scarf |
| Fretboard Wood | West African Crelicam Ebony |
| Heel Length | 3-1/2" |
| Fretboard Inlay | 15" |
| Heel Cap Binding | West African Crelicam Ebony |
| Neck/Heel | Tropical Mahogany |
| Neck Finish | Matte |
| Peghead Finish | Matte |
| Peghead Logo | Shell/Mother of Pearl |
| Peghead Inlay | Fountain, Shell, Mother Of Pearl |
| Bridge Pins | West African Crelicam Ebony |
| Buttons | Polished Bronze |
| Edge Trim | Maple / Black / Maple, Indian Rosewood |
Reviews:
I've wanted a solid all koa for a long time; the K24 BE is my dream but wow the cost. So when Taylor announced this beast I refreshed the GC stock lists until I found one local. Wasn't even out of the box so an employee brought it out…what a beauty! High and tight (new koa) but full of potential. It came with Elixir PB lights; not my style I swapped for Martin Retro MM13 monel. Immediate improvement in clarity and less jangliness. I advise at least moving to medium *something* at least if you find the highs too jangly anyway. Koa can take a LONG time to open. I knew that beforehand but…I am not a patient man. I got a Tonerite believing it would be effective on this guitar at least. Boy I was right…it's only been 48 hours on and every time I pull it out to play the bass and resonance are notably better, so strong now! Already my favorite of my guitars and what time will bring is so exciting. If you like the sound of koa you will LOVE this guitar. But, it might take some good play time to get what it can really do.Jethro
I go to the local Tucson Orange Grove Guitar Center frequently and just enjoy trying a lot of different instruments. I'm a musician of 32+ years, did some professional gigs and I record from home often. I didn't intend to buy this but Evan there just had to "ruin my day" as he so eloquently put it (sarcasm of course). I've been a fan of Taylor for years but never pulled the trigger on buying one, just a bucket list item. Well, today was the day – this instrument is literally the best acoustic guitar I've ever played. I've played the 916CE for hours…this thing blows it away. The frequency response through the entire note range can't be much better. The action is superb, very little effort to make booming bass tones, full chords, or rip scales like it's nothing. The pickups and EQ are as smooth as silk and every good sound you want to come through an amplifier is there, all bad sounds are muted very well. But here's the kicker…you really don't need the amp. It is a true acoustic performance concert guitar and the Koa wood takes the response and sustain to a new level I've never experienced. I'm not a luthier by any means, but the quality of the wood seems on the back, neck, frets, ebony fret board, mahogany neck, bridge, pick guard, tuners, neck, and top nut, is as good as it gets. Koa is such a rich and incredibly gorgeous wood, and the sound just matches every bit of what it can do. I've played literally over 1000 guitars over my life, this one is one of the best and I bought it :).Mike
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