Are you looking for the Sennheiser Guitar Amp Mic? If so, you’ve come to the right place.
Choosing the Sennheiser Guitar Amp Mic can be difficult as there are so many considerations, such as Sennheiser, Shure, Countryman. We have done a lot of research to find the top 20 Sennheiser Guitar Amp Mic available.
The average cost is $221.08. Sold comparable range in price from a low of $99.95 to a high of $466.80.
Based on the research we did, we think Sennheiser E 906 Percussion and Guitar Amplifier Instrument Microphone – Stand & Cable Package is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Sennheiser Guitar Amp Mic (20 Sellers)
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$189.95
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Ease of use . Ease of setup
Features:
- Dynamic microphone
- Supercardioid polar pattern
- Designed for miking guitar cabinets
$199.95
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Ease of use . Ease of setup
Features:
- Output impedance of 350 ohms helps reduce distortion for high-quality audio
- Made with rugged metal to offer enhanced durability to this microphone
- The flat shape of this microphone helps create a distinctive appeal
$99.95
4.9
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- Rugged metal body
- Advanced shock-mount design
- Super-cardioid pick-up pattern
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- The microphone has been used, and has some usermarks, like a very small dent in the basket.
- The sound of the microphone is very rich and clear, and with a hugh bass response.
- The black table stand is not included in this offer.
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- A mix of lightweight voice-coil and rigid dome diaphragm helps maintain the enhanced quality
- The super-cardioid design helps in canceling unwanted sound for crisp audio output
- Rugged metal construction helps withstand the rigors of on-stage performances
$342.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Cardioid pattern offers feedback reduction
- The 5-bass control feature allows you to adjust bass easily
- The 5-bass roll-off feature helps reduce distortion
$466.80
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Rugged professional microphone
- Five position bass roll-off switch
- Effective feedback rejection
$99.95
4.9
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- Rugged metal body
- Advanced shock-mount design
- Super-cardioid pick-up pattern
$199.95
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Ease of use . Ease of setup
Features:
- The cardioid e 906 instrument microphone was especially designed for guitar amps and is also excellent for percussion and horns.
- Features.
- Lively, full sound.
$199.95
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Ease of use . Ease of setup
Features:
- Sennheiser e 906. microphone frequency: 40 – 18000 hz.
- Microphone operating mode: dynamic.
- Microphone input impedance: 350 u03a9. connectivity technology: wired. number of products included: 1 pc(s). dimensions (wxdxh): 55 x 34 x 134 mm.
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Attractive
Features:
- Very fast attack
- Flat shape of microphone body perfect for guitar amps
- Three adjustable sound characteristics (bright, normal, smooth)
$209.95
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Attractive
Features:
- Mzq 100 microphone clip
- Samson mb1 mini boom stand
- 20' 8mm xlr microphone cable*lively, full sound*very f
$399.95
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Rugged professional microphone
- Five position bass roll-off switch
- Effective feedback rejection
Reviewers Noted:
Good sound quality . Ease of use
Features:
- This advanced microphone is specially designed for high-quality audio input
- Get optimal positioning with its flexible gooseneck
- Easily mount it on the instrument without any noise distortion
Reviewers Noted:
Sound quality . Ease of use . Ease of setup
Features:
- Moving to chicago pretty soon, so i'm selling some equipment to fund the move!
- Not shown, but i also have the original box.
- Thanks!
Reviewers Noted:
Search . Good sound quality . Ease of use . Ease of setup . Build quality
Features:
- Rugged, lightweight aluminum body for stable positioning on long microphone boom arms
- Lightweight high-performance voice coil construction
- Fast transient response
Features:
- Rugged, lightweight aluminium body for stable positioning on long microphone boom arms
- Fast transient response
- Ideal for direct use on the most problematic bass signal
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Attractive
Features:
- Brand: sennheiser
- Binding: electronics
- Model number: 009422
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Easy to use
Features:
- Experience immersive sound quality with its frequency response of 40 hz to 16 khz
- Metal construction enhances the durability of this cardioid microphone
- Internal damping helps reduce the noise for crisp and clear audio
Reviewers Noted:
Search . Good sound quality . Quality build . Ease of use . Visual appeal
Features:
- Rugged metal body
- Advanced shock-mount design
- Consistent on-/off-axis response
1. Sennheiser E 906 Percussion And Guitar Amplifier Instrument Microphone – Stand & Cable Package
Product Details:
The sennheiser cardioid e 906 instrument microphone was especially designed for guitar amps and is also excellent for percussion and horns. the e 906 features a dynamic element with a supercardioid polar pattern that provides optimum rejection of off-axis signal and residual noise. the e 906 provides high headroom and low distortion when capturing signals at excessive sound pressure levels. the element responds to very fast attacks with extreme accuracy, without distortion. the e 906 is an excellent choice for guitar cabinets as well as percussion and brass instruments.
Specifications:
Transducer principle | Dynamic |
Frequency response | 40-18,000 Hz |
Pick-up pattern | Supercardioid |
Sensitivity (at 1-kHz) | 2.2 mV/Pa |
Nominal impedance (at 1-kHz) | 350 O |
Min. terminating impedance | 1,000 O |
Connector | XLR, gold-plated |
Center frequency of the presence filter | 4.2 kHz |
Dimensions (½ xwxh) | 55 x 134 x 134 mm |
Reviews:
I bought to of these to run as a stereo pair for guitar amplifiers in a live environment. They are terrific! They handle whatever two 100 watt amps can throw at them and do not color the sound in any sort of negative manner. They definitely let the amps tone shine right through. I went from two classic Sm57s to these and I just notice more clarity and detail than I did with the 57s. Mic placement is a breeze. I spent all of 5 minutes with a pre-recorded loop figuring out the most natural sound and its very easy to find the large sweetspot with these mics. Again, the 57 does not have a huge sweet spot.Blakemore
These mics came highly recommended by another sound engineer I know and, having owned the lesser e609 mics, I decided to take the plunge when I found these at a fantastic price. Pros: Excellent sound quality. Have used it in front of a few different types of bands guitar amps and found it did a fine job whether they played the blues or rock. The filter suggestions in the manual worked and I look forward to trying it with a heavier band to see how it does. Cons: None so far, but if the quality of the 609's that I own, one for over 20 years, is any indication, then this mic will provide years of quality sound reproduction. Brand new, these come with a soft cloth mic bag, mic clip, mic stand euro-adapter and manual.yankeemuso
I have a Demeter Silent Speaker Iso Box that I have been using a 57 and a 58 in with semi-satisfying results. I built a second box to put the Demeter in to even further cut down on the sound levels in my studio. I have taken the door off of the Demeter to let it breath and it takes away all the boxiness of the sound. The only thing missing was this mic! It sounds so much better I can't even believe it! It's so much more balanced and it has smoothed out the mids that have a tendency to build up in a small space like this. Blending the 58 in brings back a little of the "mid scoop" present in the 906. The super cardioid polar pattern of this mic is perfect for this application. From clean to crunch to distortion, my iso rig now sounds like a mic'd up cab in a dead room. All of my stomp boxes and guitars are now in play as they sound like real guitars and not mid range and nasally toys. I am blown away! Buy this mic and follow this recipe if you want an iso box to sound like an isolation room. I'm sure it sounds great in a room as well but the iso box is a more critical situation that only this mic works in. Buy it!radguitars
2. Sennheiser E906 Supercardioid Dynamic Mic For Guitar Amps
Product Details:
If you've been wondering what's the "right" microphone for guitar cabs, then congratulations, you've found it. based on the mythic sennheiser 409, the e906 gives your amp that super-present, in-your-face sound responsible for more that a fair share of the greatest guitar recordings ever. how do they do it? these mics are specially designed to sit right up against the grille of your amp, taking the full on abuse of extremely high spls. in fact, one of the coolest things about the e906 (like the 409) is that its actually designed to hang right in front of your amp. there's no need to bother with a stand at all just toss an e906 over the front, crank it up, and tear loose.
Specifications:
Nominal Impedance | 350 Ohm |
Weight | 140 g |
Frequency Response | 40 – 18000 Hz |
Color | Black |
Dimensions | 55 mm x 34 mm x 134 mm |
Reviews:
I bought to of these to run as a stereo pair for guitar amplifiers in a live environment. They are terrific! They handle whatever two 100 watt amps can throw at them and do not color the sound in any sort of negative manner. They definitely let the amps tone shine right through. I went from two classic Sm57s to these and I just notice more clarity and detail than I did with the 57s. Mic placement is a breeze. I spent all of 5 minutes with a pre-recorded loop figuring out the most natural sound and its very easy to find the large sweetspot with these mics. Again, the 57 does not have a huge sweet spot.Blakemore
These mics came highly recommended by another sound engineer I know and, having owned the lesser e609 mics, I decided to take the plunge when I found these at a fantastic price. Pros: Excellent sound quality. Have used it in front of a few different types of bands guitar amps and found it did a fine job whether they played the blues or rock. The filter suggestions in the manual worked and I look forward to trying it with a heavier band to see how it does. Cons: None so far, but if the quality of the 609's that I own, one for over 20 years, is any indication, then this mic will provide years of quality sound reproduction. Brand new, these come with a soft cloth mic bag, mic clip, mic stand euro-adapter and manual.yankeemuso
I have a Demeter Silent Speaker Iso Box that I have been using a 57 and a 58 in with semi-satisfying results. I built a second box to put the Demeter in to even further cut down on the sound levels in my studio. I have taken the door off of the Demeter to let it breath and it takes away all the boxiness of the sound. The only thing missing was this mic! It sounds so much better I can't even believe it! It's so much more balanced and it has smoothed out the mids that have a tendency to build up in a small space like this. Blending the 58 in brings back a little of the "mid scoop" present in the 906. The super cardioid polar pattern of this mic is perfect for this application. From clean to crunch to distortion, my iso rig now sounds like a mic'd up cab in a dead room. All of my stomp boxes and guitars are now in play as they sound like real guitars and not mid range and nasally toys. I am blown away! Buy this mic and follow this recipe if you want an iso box to sound like an isolation room. I'm sure it sounds great in a room as well but the iso box is a more critical situation that only this mic works in. Buy it!radguitars
3. Sennheiser E609 Silver Super Cardioid Instrument Microphone
Product Details:
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
4. Sennheiser Md 421 Ii Dynamic Microphone
Product Details:
The md 421 is one of the most recognized microphones in the world. its excellent sound qualities enable it to cope with the most diverse recording conditions and broadcasting applications. the 5-position bass control enhances its "all-round" qualities. features: rugged professional microphone 5-position bass roll-off switch. effective feedback rejection. clear sound reproduction. easy handling due to pronounced directivity. includes microphone clamp for 3/8" thread.
Specifications:
Product Type | Microphone |
Width | 1.8 in |
Height | 1.9 in |
Length | 8.5 in |
Weight | 13.58 oz |
Recommended Use | Professional audio – voice, broadcast |
Microphone Technology | Dynamic |
Microphone Operation Mode | Cardioid |
Connectivity Technology | Wired |
Sensitivity | 2 mV/Pascal |
Impedance | 200 Ohm |
Frequency Response | 30 – 17000 Hz |
Max Sound Pressure | 150 dB |
Audio Input Details | Cardioid – 30 – 17000 Hz |
Controls | Bass |
Connector Type | Microphone (3 pin XLR) |
Included Accessories | Microphone clamp |
Reviews:
Overall: Finally bought a couple of these for use primarily on drums, guitar cabs, & horns. I'm a former music performance major and audio engineering school grad, & have been building my studio for over 15 years. Got the 421's in the mail and immediately used them on a drum session with rack & floor tom, running through API preamps. The sound was excellent! I was very impressed with the tonal quality, the ambient pickup (or lack thereof), and will probably order at least two more. Different people have different opinions of this mic, but it's a workhorse for a reason. Every mic has its own 'thing', and this mic does what it does amazingly well. Dynamic mics are not condenser mics, and they have a different sound / vibe. The roll-off switch will come in handy for mic'ing guitar cabs, bass cabs, low toms & kick drum, and anything in close proximity. These mics handle louder sources very well. Of course, the only downside to this mic is the notoriously bad clip. It's okay if you don't have to move it, such as placing on drums or guitar cabs in a session. Obviously not meant to be moved once set in place. However, a very, very good dynamic mic that will get used a ton in my studio.Chuck
For podcasters wanting to upgrade their mic, you may have lost a deal of the century. This proven microphone was nearly half off earlier this year. It sold out, but BH honored the sale price when it was back ordered a month (other places didn't). All Sennheiser dynamic mics are time-tested over the years, and you'll see this model in use decades ago on live television. It is no frills, but great for voice. Almost nobody likes the mount, but it hasn't been an issue for me as I leave it in place all of the time. It is a good mic for the price it usually commands, but was an insane price earlier this year. And it wasn't a typo!Jeffery
My first Tom mics Where the Sennheiser 604’s they last over 10 years 1 died and I slowly lost the rest. So I picked 6 more mics but I stepped up to the Sennheiser 904s. These are an improvement and I still use them but I felt compelled to give the Sennheiser 421 a shot ,so I up six of those. And wow such a massive improvement. . They are so rich and full , capturing the true tone of my drums. Where they really shine is in the lower notes I really wish I would’ve bought 10 of these instead of 6 I want to try one out tonight on my snare drum and see how I like that as well. This is one of my best purchases if you can afford it I suggest you go for it and get you a set of these as well. Good luck and happy recording.Death Metal Jim
5. Sennheiser E609 Silver Dynamic Microphone
Product Details:
The sennheiser e 609 microphone is a dynamic element, supercardiod polar pattern microphone that is primarily designed for capturing instruments. it excels when placed in front of guitar cabinets in sound reinforcement or recording. it has an attractive silver finish. the e 609's flat grill allows for easy placement and the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. the dynamic element is shock mounted and a hum compensation coil controls low frequency noise. the rugged construction is durable enough to withstand the rigors of the road. features designed for instrument capture the dynamic supercardiod e 609 excels placed in front of guitar cabinets or when used in sound reinforcement or recording. supercardioid polar pattern the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. dynamic transducer the dynamic element is capable of handling high sound pressure levels without noise and distortion. hum compensating coil the hum compensation coil reduces low frequency hum and noise. internal shock mounting the element is internally shock mounted for added protection against handling noise.
Specifications:
Width | 2.2 in |
Depth | 1.3 in |
Height | 5.3 in |
Weight | 6.42 oz |
Body Material | Metal |
Microphone Technology | Dynamic |
Microphone Operation Mode | Mono |
Connectivity Technology | Wired |
Impedance | 350 Ohm |
Frequency Response | 40 – 18000 Hz |
Audio Input Details | Super cardioid – 40 – 18000 Hz |
Connector Type | Microphone (XLR) |
Included Accessories | Microphone clip |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
6. Sennheiser Microphone
Product Details:
Sennheiser md421-ii has excellent off-axis rejection, even signal response at all distance, handles high spl, it is a cardioid dynamic microphone popularized by the recording and broadcast industry. it is favored for its ability to handle a variety of applications due to its flexible bass control. the microphone features a 5-position bass roll-off switch and frequency response of 30-17 000 hz. the cardioid polar pattern effectively rejects off-axis noise due to room acoustics and noise and also provides effective feedback rejection often caused by monitors positioned within close proximity. it features a dynamic capsule allowing even signal response whether close-up or at a reasonable distance. this is particularly useful for broadcast applications where announcers and djs can refrain from remaining absolutely stationary. it also handles very high sound pressure levels making it suitable for miking instruments high in transient (peak) response.
Specifications:
Pattern | Cardioid |
Number of Bass Control | 5 |
Number of Bass Roll-off | 5 |
Color | Black |
Reviews:
Overall: Finally bought a couple of these for use primarily on drums, guitar cabs, & horns. I'm a former music performance major and audio engineering school grad, & have been building my studio for over 15 years. Got the 421's in the mail and immediately used them on a drum session with rack & floor tom, running through API preamps. The sound was excellent! I was very impressed with the tonal quality, the ambient pickup (or lack thereof), and will probably order at least two more. Different people have different opinions of this mic, but it's a workhorse for a reason. Every mic has its own 'thing', and this mic does what it does amazingly well. Dynamic mics are not condenser mics, and they have a different sound / vibe. The roll-off switch will come in handy for mic'ing guitar cabs, bass cabs, low toms & kick drum, and anything in close proximity. These mics handle louder sources very well. Of course, the only downside to this mic is the notoriously bad clip. It's okay if you don't have to move it, such as placing on drums or guitar cabs in a session. Obviously not meant to be moved once set in place. However, a very, very good dynamic mic that will get used a ton in my studio.Chuck
For podcasters wanting to upgrade their mic, you may have lost a deal of the century. This proven microphone was nearly half off earlier this year. It sold out, but BH honored the sale price when it was back ordered a month (other places didn't). All Sennheiser dynamic mics are time-tested over the years, and you'll see this model in use decades ago on live television. It is no frills, but great for voice. Almost nobody likes the mount, but it hasn't been an issue for me as I leave it in place all of the time. It is a good mic for the price it usually commands, but was an insane price earlier this year. And it wasn't a typo!Jeffery
My first Tom mics Where the Sennheiser 604’s they last over 10 years 1 died and I slowly lost the rest. So I picked 6 more mics but I stepped up to the Sennheiser 904s. These are an improvement and I still use them but I felt compelled to give the Sennheiser 421 a shot ,so I up six of those. And wow such a massive improvement. . They are so rich and full , capturing the true tone of my drums. Where they really shine is in the lower notes I really wish I would’ve bought 10 of these instead of 6 I want to try one out tonight on my snare drum and see how I like that as well. This is one of my best purchases if you can afford it I suggest you go for it and get you a set of these as well. Good luck and happy recording.Death Metal Jim
7. Sennheiser Md 421 Ii Cardioid Dynamic Mic
Product Details:
The sennheiser md 421-ii microphone is a cardioid, dynamic microphone popularized by the recording and broadcast industry. the md 421-ii is favored for its ability to handle a variety of applications due to its flexible bass control. the microphone features a 5-position bass roll-off switch and frequency response of 30-17,000 hz. the cardioid polar pattern effectively rejects off-axis noise due to room acoustics and noise, and also provides effective feedback rejection often caused by monitors positioned within close proximity. the md 421 ii features a dynamic capsule, allowing even signal response whether close-up or at a reasonable distance. this is particularly useful for broadcast applications, where announcers and djs can refrain from remaining absolutely stationary. the md 421-ii also handles very high sound pressure levels, making it suitable for miking instruments high in transient (peak) response. dynamic capsule the md 421 ii features a dynamic capsule, resulting in even signal response in close and reasonable distances as well as the capacity to handle high spl levels. cardioid polar pattern the cardioid polar pattern is effective in attenuating off-axis noise and ambiance. the cardioid polar pattern is also effective in rejecting feedback due to monitors. 5-position bass roll-off the 5 position low frequency roll-off switch offers flexible bass attenuation allowing the microphone to be used in a variety of situations.
Specifications:
Release Date | 31-03-2011 |
Package Dimensions | 14.0 x 5.4 x 2.6 inches |
Reviews:
Overall: Finally bought a couple of these for use primarily on drums, guitar cabs, & horns. I'm a former music performance major and audio engineering school grad, & have been building my studio for over 15 years. Got the 421's in the mail and immediately used them on a drum session with rack & floor tom, running through API preamps. The sound was excellent! I was very impressed with the tonal quality, the ambient pickup (or lack thereof), and will probably order at least two more. Different people have different opinions of this mic, but it's a workhorse for a reason. Every mic has its own 'thing', and this mic does what it does amazingly well. Dynamic mics are not condenser mics, and they have a different sound / vibe. The roll-off switch will come in handy for mic'ing guitar cabs, bass cabs, low toms & kick drum, and anything in close proximity. These mics handle louder sources very well. Of course, the only downside to this mic is the notoriously bad clip. It's okay if you don't have to move it, such as placing on drums or guitar cabs in a session. Obviously not meant to be moved once set in place. However, a very, very good dynamic mic that will get used a ton in my studio.Chuck
For podcasters wanting to upgrade their mic, you may have lost a deal of the century. This proven microphone was nearly half off earlier this year. It sold out, but BH honored the sale price when it was back ordered a month (other places didn't). All Sennheiser dynamic mics are time-tested over the years, and you'll see this model in use decades ago on live television. It is no frills, but great for voice. Almost nobody likes the mount, but it hasn't been an issue for me as I leave it in place all of the time. It is a good mic for the price it usually commands, but was an insane price earlier this year. And it wasn't a typo!Jeffery
My first Tom mics Where the Sennheiser 604’s they last over 10 years 1 died and I slowly lost the rest. So I picked 6 more mics but I stepped up to the Sennheiser 904s. These are an improvement and I still use them but I felt compelled to give the Sennheiser 421 a shot ,so I up six of those. And wow such a massive improvement. . They are so rich and full , capturing the true tone of my drums. Where they really shine is in the lower notes I really wish I would’ve bought 10 of these instead of 6 I want to try one out tonight on my snare drum and see how I like that as well. This is one of my best purchases if you can afford it I suggest you go for it and get you a set of these as well. Good luck and happy recording.Death Metal Jim
8. Sennheiser E 609 – Microphone – Silver
Product Details:
Specifications:
Product Type | Microphone |
Width | 2.2 in |
Depth | 1.3 in |
Height | 5.3 in |
Weight | 4.94 oz |
Color | Silver |
Body Material | Metal |
Recommended Use | Professional audio – instrument |
Microphone Technology | Dynamic |
Microphone Operation Mode | Mono |
Connectivity Technology | Wired |
Frequency Response | 40 – 15000 Hz |
Audio Input Details | Super cardioid – 40 – 15000 Hz |
Connector Type | Microphone (3 pin XLR) |
Included Accessories | Carrying pouch |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
9. Sennheiser Evolution E 906 – Microphone
Product Details:
The number one choice. the sennheiser e906 is renowned for its lively, full character. discover clear, focused sound from an ultra-tight supercardioid that eliminates background noise. this professional dynamic mic focusses on one thing only – your playing. tailor your sound. the three-position switch lets you choose between 'bright', 'normal', and 'smooth' modes. no matter what instrument you're wanting to capture, the e906 gets the best out of any type of playing. amazing on guitar, percussion, and brass. achieve punch and detail thanks to the 906's extremely fast transient response. its miniature size allows for positioning in tight spots, such as on snares or toms. whether you're on stage or in the studio, you'll get the best from your performance.
Specifications:
Product Type | Microphone |
Width | 2.2 in |
Depth | 5.3 in |
Height | 1.3 in |
Weight | 4.94 oz |
Body Material | Metal |
Microphone Technology | Dynamic |
Connectivity Technology | Wired |
Impedance | 350 Ohm |
Frequency Response | 40 – 18000 Hz |
Audio Input Details | Super cardioid – 40 – 18000 Hz |
Connector Type | Microphone (XLR) |
Plated Connector | Gold |
Included Accessories | Carrying pouch, clamp |
Reviews:
I bought to of these to run as a stereo pair for guitar amplifiers in a live environment. They are terrific! They handle whatever two 100 watt amps can throw at them and do not color the sound in any sort of negative manner. They definitely let the amps tone shine right through. I went from two classic Sm57s to these and I just notice more clarity and detail than I did with the 57s. Mic placement is a breeze. I spent all of 5 minutes with a pre-recorded loop figuring out the most natural sound and its very easy to find the large sweetspot with these mics. Again, the 57 does not have a huge sweet spot.Blakemore
These mics came highly recommended by another sound engineer I know and, having owned the lesser e609 mics, I decided to take the plunge when I found these at a fantastic price. Pros: Excellent sound quality. Have used it in front of a few different types of bands guitar amps and found it did a fine job whether they played the blues or rock. The filter suggestions in the manual worked and I look forward to trying it with a heavier band to see how it does. Cons: None so far, but if the quality of the 609's that I own, one for over 20 years, is any indication, then this mic will provide years of quality sound reproduction. Brand new, these come with a soft cloth mic bag, mic clip, mic stand euro-adapter and manual.yankeemuso
I have a Demeter Silent Speaker Iso Box that I have been using a 57 and a 58 in with semi-satisfying results. I built a second box to put the Demeter in to even further cut down on the sound levels in my studio. I have taken the door off of the Demeter to let it breath and it takes away all the boxiness of the sound. The only thing missing was this mic! It sounds so much better I can't even believe it! It's so much more balanced and it has smoothed out the mids that have a tendency to build up in a small space like this. Blending the 58 in brings back a little of the "mid scoop" present in the 906. The super cardioid polar pattern of this mic is perfect for this application. From clean to crunch to distortion, my iso rig now sounds like a mic'd up cab in a dead room. All of my stomp boxes and guitars are now in play as they sound like real guitars and not mid range and nasally toys. I am blown away! Buy this mic and follow this recipe if you want an iso box to sound like an isolation room. I'm sure it sounds great in a room as well but the iso box is a more critical situation that only this mic works in. Buy it!radguitars
10. Sennheiser E 906 Cardioid Instrument Microphone
Product Details:
Reviews:
I bought to of these to run as a stereo pair for guitar amplifiers in a live environment. They are terrific! They handle whatever two 100 watt amps can throw at them and do not color the sound in any sort of negative manner. They definitely let the amps tone shine right through. I went from two classic Sm57s to these and I just notice more clarity and detail than I did with the 57s. Mic placement is a breeze. I spent all of 5 minutes with a pre-recorded loop figuring out the most natural sound and its very easy to find the large sweetspot with these mics. Again, the 57 does not have a huge sweet spot.Blakemore
These mics came highly recommended by another sound engineer I know and, having owned the lesser e609 mics, I decided to take the plunge when I found these at a fantastic price. Pros: Excellent sound quality. Have used it in front of a few different types of bands guitar amps and found it did a fine job whether they played the blues or rock. The filter suggestions in the manual worked and I look forward to trying it with a heavier band to see how it does. Cons: None so far, but if the quality of the 609's that I own, one for over 20 years, is any indication, then this mic will provide years of quality sound reproduction. Brand new, these come with a soft cloth mic bag, mic clip, mic stand euro-adapter and manual.yankeemuso
I have a Demeter Silent Speaker Iso Box that I have been using a 57 and a 58 in with semi-satisfying results. I built a second box to put the Demeter in to even further cut down on the sound levels in my studio. I have taken the door off of the Demeter to let it breath and it takes away all the boxiness of the sound. The only thing missing was this mic! It sounds so much better I can't even believe it! It's so much more balanced and it has smoothed out the mids that have a tendency to build up in a small space like this. Blending the 58 in brings back a little of the "mid scoop" present in the 906. The super cardioid polar pattern of this mic is perfect for this application. From clean to crunch to distortion, my iso rig now sounds like a mic'd up cab in a dead room. All of my stomp boxes and guitars are now in play as they sound like real guitars and not mid range and nasally toys. I am blown away! Buy this mic and follow this recipe if you want an iso box to sound like an isolation room. I'm sure it sounds great in a room as well but the iso box is a more critical situation that only this mic works in. Buy it!radguitars
11. Sennheiser E906 Dynamic Microphone
Product Details:
The sennheiser e 906 is a supercardioid instrument microphone primarily designed for close capturing of guitar cabinets. the e 906 features a dynamic element with a supercardioid polar pattern that provides optimum rejection of off-axis signal and residual noise. the e 906 provides high headroom and low distortion when capturing signals at excessive sound pressure levels. the element responds to very fast attacks with extreme accuracy, without distortion. with its frequency response of 40 hz to 18 khz, the e 906 is an excellent choice for guitar cabinets, as well as percussion and brass instruments. features optimized for guitar cabinets the e 906's frequency and sensitivity response is optimized for accurate reproduction of guitar cabinets, brass and percussion. fast transient response the e 906 is capable of withstanding high sound pressure levels and fast attacks are reproduced accurately without distortion. supercardioid polar pattern the supercardioid polar pattern is effective in minimizing off-axis audio and residual noise that may cause feedback. hum compensation the built-in hum compensation coil suppresses hum and low-frequency noise. rugged construction the rugged, durable construction is capable of handling life on the road or in studio.
Specifications:
Product Type | Microphone |
Width | 2.2 in |
Depth | 5.3 in |
Height | 1.3 in |
Weight | 4.94 oz |
Body Material | Metal |
Microphone Technology | Dynamic |
Connectivity Technology | Wired |
Impedance | 350 Ohm |
Frequency Response | 40 – 18000 Hz |
Audio Input Details | Super cardioid – 40 – 18000 Hz |
Connector Type | Microphone (XLR) |
Plated Connector | Gold |
Included Accessories | Carrying pouch, clamp |
Reviews:
So I got two of these mics, not for guitar but for Latin percussion. I've used them live and to record bongos and tumbadoras (congas). Of course they work great on guitar cabs/combo amps but they do way more than that! I've also been messing around with them as close mics on upright piano and vibraphone. On bass I've tried them on a PJB 4×5 and they did the job. I think this mic would probably be fine on a 1×10 or 2×10 if paired with an additional condenser for more focused low-end.
Following extensive research on the Net, I purchased this microphone for general male and female live vocals home use, to replace an old AIWA vintage dynamic microphone. I particularly wanted a brighter, crisper vocals cadence. I am not at all qualified in sound engineering, therefore my opinion is based solely on personal taste. I am delighted with its sensitivity and clarity, appearance and robust construction, as well as the zipped bag, microphone clip and non-kinking microphone cable supplied with it. To me, this microphone appears to have a pleasing, slightly reduced proximity effect, in that vocals bass tone is not unduly exaggerated or muddy when singing very close to the microphone (e.g. approximately 50 mm from the mesh). Based on the research I did, for my personal taste, this appears to be an improvement on a Shure SM58 microphone. The manual states that this Sennheiser E835 requires phantom power. In view of its excellent performance, this is not an issue and I am using it with a TC Helicon VoicelivePlay which from memory provides 48v phantom power. This microphone doesn't have a switch, which for my limited budget kept the price down. At the price of AU$99.00 I paid, including delivery, I would definitely purchase another.2008_prado
Overall: For an extra $10 you also get a cable and boom stand?!? It would be foolish to pass on this mic if you are currently in the market for one!! I didn't purchase mine through zZounds, so I did not get the extras, which is a Great offer!! I will review it here anyway, since I Love this company and want people to know about this microphone. This mic is AMAZING!! Yes, it is wonderful on guitar cabs, but it sounds just Insanely GREAT on Any and All Acoustic instruments. Besides being a musician, I am also a serious, professionally-trained audio engineer…so, I am not a novice with no perspective. I mostly record (and play) Rock, Metal, Punk, Acoustic, etc etc types of music. However, I recently recorded a group I usually do not record…which was a Bluegrass group who also played a little bit of Country and Gospel. In fact, I had never recorded or played this type of music before this. They played Mostly Very Traditional songs (some very old) and wanted a VERY Natural sound and the way they put it was that they Only used instruments that would have existed and been available to mountain musicians back in the 1800s. Sadly (for me), this meant there were no drums. Regardless of the genre, I Always try to get the sound the client truly wants. I already knew the e906 sounds Great on guitar amps/cabs, whether distorted or not. But I decided to try it on some of the acoustic instruments in this situation. Among other mics used, I recorded some Banjo, Acoustic Guitar, and Mandolin using the e906. And……WOW did these instruments come out sounding nothing less than Spectacular!!! I did not try it on Bass or Vocals so I cannot comment on the e906's performance with them. But I have NEVER been disappointed with this mic on Anything…EVER!! If you are thinking of getting an e609 (a Great mic) and have the extra money….upgrade and get THIS MIC!!! Especially with the current offer of an extra $10 for a cable and boom standDavid
12. Sennheiser E906 Instrument Microphone Bundle With Amp Mic Stand And Cable
Product Details:
The sennheiser cardioid e 906 instrument microphone was especially designed for guitar amps and is also excellent for percussion and horns. the e 906 features a dynamic element with a supercardioid polar pattern that provides optimum rejection of off-axis signal and residual noise. the e 906 provides high headroom and low distortion when capturing signals at excessive sound pressure levels. the element responds to very fast attacks with extreme accuracy without distortion. the e 906 is an excellent choice for guitar cabinets as well as percussion and brass instruments.
Specifications:
Reviews:
So I got two of these mics, not for guitar but for Latin percussion. I've used them live and to record bongos and tumbadoras (congas). Of course they work great on guitar cabs/combo amps but they do way more than that! I've also been messing around with them as close mics on upright piano and vibraphone. On bass I've tried them on a PJB 4×5 and they did the job. I think this mic would probably be fine on a 1×10 or 2×10 if paired with an additional condenser for more focused low-end.
Following extensive research on the Net, I purchased this microphone for general male and female live vocals home use, to replace an old AIWA vintage dynamic microphone. I particularly wanted a brighter, crisper vocals cadence. I am not at all qualified in sound engineering, therefore my opinion is based solely on personal taste. I am delighted with its sensitivity and clarity, appearance and robust construction, as well as the zipped bag, microphone clip and non-kinking microphone cable supplied with it. To me, this microphone appears to have a pleasing, slightly reduced proximity effect, in that vocals bass tone is not unduly exaggerated or muddy when singing very close to the microphone (e.g. approximately 50 mm from the mesh). Based on the research I did, for my personal taste, this appears to be an improvement on a Shure SM58 microphone. The manual states that this Sennheiser E835 requires phantom power. In view of its excellent performance, this is not an issue and I am using it with a TC Helicon VoicelivePlay which from memory provides 48v phantom power. This microphone doesn't have a switch, which for my limited budget kept the price down. At the price of AU$99.00 I paid, including delivery, I would definitely purchase another.2008_prado
Overall: For an extra $10 you also get a cable and boom stand?!? It would be foolish to pass on this mic if you are currently in the market for one!! I didn't purchase mine through zZounds, so I did not get the extras, which is a Great offer!! I will review it here anyway, since I Love this company and want people to know about this microphone. This mic is AMAZING!! Yes, it is wonderful on guitar cabs, but it sounds just Insanely GREAT on Any and All Acoustic instruments. Besides being a musician, I am also a serious, professionally-trained audio engineer…so, I am not a novice with no perspective. I mostly record (and play) Rock, Metal, Punk, Acoustic, etc etc types of music. However, I recently recorded a group I usually do not record…which was a Bluegrass group who also played a little bit of Country and Gospel. In fact, I had never recorded or played this type of music before this. They played Mostly Very Traditional songs (some very old) and wanted a VERY Natural sound and the way they put it was that they Only used instruments that would have existed and been available to mountain musicians back in the 1800s. Sadly (for me), this meant there were no drums. Regardless of the genre, I Always try to get the sound the client truly wants. I already knew the e906 sounds Great on guitar amps/cabs, whether distorted or not. But I decided to try it on some of the acoustic instruments in this situation. Among other mics used, I recorded some Banjo, Acoustic Guitar, and Mandolin using the e906. And……WOW did these instruments come out sounding nothing less than Spectacular!!! I did not try it on Bass or Vocals so I cannot comment on the e906's performance with them. But I have NEVER been disappointed with this mic on Anything…EVER!! If you are thinking of getting an e609 (a Great mic) and have the extra money….upgrade and get THIS MIC!!! Especially with the current offer of an extra $10 for a cable and boom standDavid
13. Sennheiser Md 421-Ii With Mogami Gold 25ft Cable
Product Details:
The sennheiser md 421-ii microphone is a cardioid, dynamic microphone popularized by the recording and broadcast industry. the md 421-ii is favored for its ability to handle a variety of applications due to its flexible bass control. the microphone features a 5-position bass roll-off switch and frequency response of 30-17,000 hz. the cardioid polar pattern effectively rejects off-axis noise due to room acoustics and noise, and also provides effective feedback rejection often caused by monitors positioned within close proximity. output impedance: 200 ohms. dimensions: 8.375" l x 1.875" w x 2" h.
Specifications:
Reviews:
Overall: Finally bought a couple of these for use primarily on drums, guitar cabs, & horns. I'm a former music performance major and audio engineering school grad, & have been building my studio for over 15 years. Got the 421's in the mail and immediately used them on a drum session with rack & floor tom, running through API preamps. The sound was excellent! I was very impressed with the tonal quality, the ambient pickup (or lack thereof), and will probably order at least two more. Different people have different opinions of this mic, but it's a workhorse for a reason. Every mic has its own 'thing', and this mic does what it does amazingly well. Dynamic mics are not condenser mics, and they have a different sound / vibe. The roll-off switch will come in handy for mic'ing guitar cabs, bass cabs, low toms & kick drum, and anything in close proximity. These mics handle louder sources very well. Of course, the only downside to this mic is the notoriously bad clip. It's okay if you don't have to move it, such as placing on drums or guitar cabs in a session. Obviously not meant to be moved once set in place. However, a very, very good dynamic mic that will get used a ton in my studio.Chuck
For podcasters wanting to upgrade their mic, you may have lost a deal of the century. This proven microphone was nearly half off earlier this year. It sold out, but BH honored the sale price when it was back ordered a month (other places didn't). All Sennheiser dynamic mics are time-tested over the years, and you'll see this model in use decades ago on live television. It is no frills, but great for voice. Almost nobody likes the mount, but it hasn't been an issue for me as I leave it in place all of the time. It is a good mic for the price it usually commands, but was an insane price earlier this year. And it wasn't a typo!Jeffery
My first Tom mics Where the Sennheiser 604’s they last over 10 years 1 died and I slowly lost the rest. So I picked 6 more mics but I stepped up to the Sennheiser 904s. These are an improvement and I still use them but I felt compelled to give the Sennheiser 421 a shot ,so I up six of those. And wow such a massive improvement. . They are so rich and full , capturing the true tone of my drums. Where they really shine is in the lower notes I really wish I would’ve bought 10 of these instead of 6 I want to try one out tonight on my snare drum and see how I like that as well. This is one of my best purchases if you can afford it I suggest you go for it and get you a set of these as well. Good luck and happy recording.Death Metal Jim
14. Sennheiser E 908b Cardioid Condenser Instrument Mic
Product Details:
The sennheiser 908bew is a miniature condenser instrument microphone, specifically optimized for capturing brass instruments in recording and live performances. the cardioid capsule captures audio in vivid detail and clarity while exhibiting excellent rejection of off-axis noise and feedback. the 908b handles high sound pressure levels without peak distortion, enabling close proximity placement without noise. the miniature capsule remains out of sight during performances and the flexible gooseneck allows for easy positioning. the mounting clamp features dampening materials to eliminate extraneous vibrations, impact and handling noise. the 908bew features a locking miniature 1/8" connector for use with ew series belt-pack transmitters. features – exceptionally lively, clear sound – quick and flexible set-up; comes with mounting clamp – optimal positioning with long-necked, flexible boom – integrated shock absorber eliminates handling noise wired or wireless operation the e908bew features an 1/8" locking mini connection for ew series belt-pack transmitters. clamp mount the 908d includes a clamp style mount for sturdy, noise-free placement on the rims of drums and percussion instruments. cardioid polar pattern the cardioid polar pattern provides an even frequency response and excellent directivity. gooseneck mount the capsule rests on a flexible gooseneck for easy microphone positioning. clamp dampening the sturdy clamp features dampening materials for reducing vibration and handling noise. specifications – transducer: condenser – polar pattern: cardioid – frequency response: 40hz to 20khz – dynamic range (typical): not specified by manufacturer – signal-to-noise ratio: 30db (a) – maximum input sound level: 147db – power requirements: 12 to 48v phantom power – output impedance – nominal: 100 ohms – min. terminal: 2000 ohms – output connectors: 3-pin xlr supplied on mza 900p – pad: no – low frequency roll-off: below 125hz switchable on the mza 900p power supply / preamp – dimensions: 7.59 x 1.85" (193 x 47mm) (length x diameter) – weight: 311 g (10.97 oz)
Specifications:
Product Type | Instrument microphone |
Signal-to-Noise Ratio | 30dB (A) |
Frequency Response | 40Hz to 20kHz |
Pattern | Cardioid |
Power Requirements | 12 to 48V |
Reviews:
The product arrived in perfect condition on time! Excellent serviceJose
A good quality product with wide dynamic range.Robert B.
15. Sennheiser E901 Boundary Condenser Microphone
Product Details:
The sennheiser e 901 is a professional, condenser boundary microphone optimized for capturing kick drums, bass, and leslie cabinets, and other low-frequency sound sources on stage or in the studio. the e 901 features a capsule with an extremely thin, high-strength diaphragm that delivers exceptional signal reproduction with low bass response and fast transient signals without peak distortion. the half-cardioid polar pattern eliminates unwanted noise and reflections from the mounting surface for a clean and present sound. no stand is needed as the e 901 can be positioned inside a kick drum laying over a towel or pillow—close to the beater for picking up the attack. alternately, it can also be used on a lectern, conference table, altar, theatrical stage, or pianos and percussion to capture full-bodied voice or instrument sound. the mic is ruggedly constructed, with a slip-free rubber pad underneath so it will stay put.
Specifications:
Product Type | Microphone |
Additional Functions | Amplifier |
Width | 4.1 in |
Depth | 5 in |
Height | 1.1 in |
Weight | 1.32 lbs |
Body Material | Metal |
Microphone Technology | Electret condenser |
Connectivity Technology | Wired |
Impedance | 100 Ohm |
Frequency Response | 20 – 20000 Hz |
Max Sound Pressure | 154 dB |
Audio Input Details | Cardioid – 20 – 20000 Hz |
Connector Type | Microphone (XLR) |
Plated Connector | Gold |
Included Accessories | Carrying pouch |
Reviews:
I've tried them all and this is the best bass drum microphone (for a rock cover band) under $250. I have 2 of them and they sound fantastic in my IEM and just thunderous through FOH. Sound engineers just love it and have not needed to double mic for any venue. I use the mic with the Kelly Shu Flatz e901 shock mount system and it's perfect!dachit
Makes my bass drum thump nicely. Very flat – I absolutely love it. The right head is important in addition to tuning.Ash
This microphone is producing the best kick drum sound I have ever made. With a well tuned, slightly dampened and equalized bass drum, the e901 does everything I want, excellent 40hz thump and the 10k snap that's not harsh. You don't need another mic "outside" the drum for low end, the e901 does it all. Get this microphone.
16. Sennheiser E602 Ii Cardioid Dynamic Microphone
Product Details:
The sennheiser e602 ii is an instrument microphone suitable for low-frequency instrument pickup such as bass drums, bass guitar cabinets, tuba, etc. the microphone features a dynamic element with a cardioid polar pattern for picking up loud sources without noise and distortion. the cardioid polar pattern minimizes off-axis noise and feedback that might occur near monitor speakers or other instruments. an integrated stand mount enables easy placement and features a pivoting angle for optimum positioning. the e602 ii is a cost effective, reliable solution for sound reinforcement and recording applications. extended low-frequency response the e602 ii features an extended low-frequency response that is suitable for kick drum, bass guitar and other low-frequency instruments. integrated stand mount the integrated mount enables easy placement and positioning. rugged construction the rugged construction is ideal for rigorous use in live sound reinforcement applications.
Specifications:
Product Type | Microphone |
Diameter | 2.4 in |
Length | 6 in |
Weight | 11.29 oz |
Body Material | Aluminum |
Microphone Technology | Dynamic |
Connectivity Technology | Wired |
Impedance | 350 Ohm |
Frequency Response | 20 – 16000 Hz |
Audio Input Details | Cardioid – 20 – 16000 Hz |
Connector Type | Microphone (XLR) |
Included Accessories | Carrying pouch |
Reviews:
This mic sounds so good right out of the box and needs hardly any eq. The sound on kick drum has a nice click attack and deeper low end than some other mics I could mention. Very satisfying thud. Built ver rugged, but also a little lighter and easier position than some other kick mics which are quite heavy and topple the stand! Overall, love it!Lenny P.
I've had this mic for several years now, but never really gave it much of a chance. I bought it because it was fairly cheap and I needed another LD Dynamic for when I record live bands. It wasn't until a few months ago that a friend of mine was showing me a recording he was working on, I asked what he used on the kick, because it sounded so warm, and there was no sibilance in it. I was pretty shocked when he told me it was the e602 II. The next chance I got I did a shootout with my usuals. A beta 52a, D112, and D6. The end result is that I have now made the beta 52a my backup mic, the D6 my snap/beater mic, and the e602 II for my outside mic. The D112 is now my bass cab mic for live bands. I'm surprised that such a warm tone comes out of this relatively budget mic. Its pretty solid but really light weight. I gave it 4 stars because its output level is a little low, it doesn't have an internal shock mount, and no gold contacts. But I believe thats where the e802 comes in… that might be next on my list. Don't over think this mic just because its not as popular as some of the other standards.
This e 602 II has been in my possession for a week now and I've had no issues so far. It has been without a doubt a great purchase. It give great lows and body to my kick drum before I've even mixed or EQ'd it! I'm interested in seeing how durable it will be in the future. Great buy and great price!TRoss
17. Sennheiser Evolution E 602 – Microphone
Product Details:
Specifications:
Product Type | Microphone |
Diameter | 2.4 in |
Length | 6.1 in |
Weight | 19.4 oz |
Body Material | Metal |
Connectivity Technology | Wired |
Sensitivity | -80 dB |
Impedance | 250 Ohm |
Frequency Response | 20 – 16000 Hz |
Audio Input Details | Cardioid – 20 – 16000 Hz |
Connector Type | Microphone (XLR) |
Included Accessories | Protective case |
Reviews:
So I got two of these mics, not for guitar but for Latin percussion. I've used them live and to record bongos and tumbadoras (congas). Of course they work great on guitar cabs/combo amps but they do way more than that! I've also been messing around with them as close mics on upright piano and vibraphone. On bass I've tried them on a PJB 4×5 and they did the job. I think this mic would probably be fine on a 1×10 or 2×10 if paired with an additional condenser for more focused low-end.
Following extensive research on the Net, I purchased this microphone for general male and female live vocals home use, to replace an old AIWA vintage dynamic microphone. I particularly wanted a brighter, crisper vocals cadence. I am not at all qualified in sound engineering, therefore my opinion is based solely on personal taste. I am delighted with its sensitivity and clarity, appearance and robust construction, as well as the zipped bag, microphone clip and non-kinking microphone cable supplied with it. To me, this microphone appears to have a pleasing, slightly reduced proximity effect, in that vocals bass tone is not unduly exaggerated or muddy when singing very close to the microphone (e.g. approximately 50 mm from the mesh). Based on the research I did, for my personal taste, this appears to be an improvement on a Shure SM58 microphone. The manual states that this Sennheiser E835 requires phantom power. In view of its excellent performance, this is not an issue and I am using it with a TC Helicon VoicelivePlay which from memory provides 48v phantom power. This microphone doesn't have a switch, which for my limited budget kept the price down. At the price of AU$99.00 I paid, including delivery, I would definitely purchase another.2008_prado
Overall: For an extra $10 you also get a cable and boom stand?!? It would be foolish to pass on this mic if you are currently in the market for one!! I didn't purchase mine through zZounds, so I did not get the extras, which is a Great offer!! I will review it here anyway, since I Love this company and want people to know about this microphone. This mic is AMAZING!! Yes, it is wonderful on guitar cabs, but it sounds just Insanely GREAT on Any and All Acoustic instruments. Besides being a musician, I am also a serious, professionally-trained audio engineer…so, I am not a novice with no perspective. I mostly record (and play) Rock, Metal, Punk, Acoustic, etc etc types of music. However, I recently recorded a group I usually do not record…which was a Bluegrass group who also played a little bit of Country and Gospel. In fact, I had never recorded or played this type of music before this. They played Mostly Very Traditional songs (some very old) and wanted a VERY Natural sound and the way they put it was that they Only used instruments that would have existed and been available to mountain musicians back in the 1800s. Sadly (for me), this meant there were no drums. Regardless of the genre, I Always try to get the sound the client truly wants. I already knew the e906 sounds Great on guitar amps/cabs, whether distorted or not. But I decided to try it on some of the acoustic instruments in this situation. Among other mics used, I recorded some Banjo, Acoustic Guitar, and Mandolin using the e906. And……WOW did these instruments come out sounding nothing less than Spectacular!!! I did not try it on Bass or Vocals so I cannot comment on the e906's performance with them. But I have NEVER been disappointed with this mic on Anything…EVER!! If you are thinking of getting an e609 (a Great mic) and have the extra money….upgrade and get THIS MIC!!! Especially with the current offer of an extra $10 for a cable and boom standDavid
18. Sennheiser E945 Supercardioid Dynamic Handheld Vocal Microphone With Tripod Microphone Stand & 20' Xlr Cable
Product Details:
The sennheiser e945 is a dynamic handheld microphone designed to capture lead vocals with a rich and smooth response, on stage or in the studio. made for the working musician, it features a rugged metal construction and a shockmounted capsule for low sensitivity to impact and handling noise. the capsule has a supercardioid polar pattern, which effectively rejects off-axis ambient noise and feedback, and a neodymium magnet with a hum-compensating coil, which reduce noise caused by electrical interference and ensure a reliable performance regardless of climate conditions. with ripod microphone stand features durable, steel construction. an ergonomic twist-action clutch adjusts the height of the stand from 36.2 to 63", while the reinforced tripod base and non-slip feet keep it firmly and sturdily in place. the auray ms-5230's tripod base collapses for easy transport & 20' xlr-xlr cable.
Specifications:
Reviews:
So I got two of these mics, not for guitar but for Latin percussion. I've used them live and to record bongos and tumbadoras (congas). Of course they work great on guitar cabs/combo amps but they do way more than that! I've also been messing around with them as close mics on upright piano and vibraphone. On bass I've tried them on a PJB 4×5 and they did the job. I think this mic would probably be fine on a 1×10 or 2×10 if paired with an additional condenser for more focused low-end.
Following extensive research on the Net, I purchased this microphone for general male and female live vocals home use, to replace an old AIWA vintage dynamic microphone. I particularly wanted a brighter, crisper vocals cadence. I am not at all qualified in sound engineering, therefore my opinion is based solely on personal taste. I am delighted with its sensitivity and clarity, appearance and robust construction, as well as the zipped bag, microphone clip and non-kinking microphone cable supplied with it. To me, this microphone appears to have a pleasing, slightly reduced proximity effect, in that vocals bass tone is not unduly exaggerated or muddy when singing very close to the microphone (e.g. approximately 50 mm from the mesh). Based on the research I did, for my personal taste, this appears to be an improvement on a Shure SM58 microphone. The manual states that this Sennheiser E835 requires phantom power. In view of its excellent performance, this is not an issue and I am using it with a TC Helicon VoicelivePlay which from memory provides 48v phantom power. This microphone doesn't have a switch, which for my limited budget kept the price down. At the price of AU$99.00 I paid, including delivery, I would definitely purchase another.2008_prado
Overall: For an extra $10 you also get a cable and boom stand?!? It would be foolish to pass on this mic if you are currently in the market for one!! I didn't purchase mine through zZounds, so I did not get the extras, which is a Great offer!! I will review it here anyway, since I Love this company and want people to know about this microphone. This mic is AMAZING!! Yes, it is wonderful on guitar cabs, but it sounds just Insanely GREAT on Any and All Acoustic instruments. Besides being a musician, I am also a serious, professionally-trained audio engineer…so, I am not a novice with no perspective. I mostly record (and play) Rock, Metal, Punk, Acoustic, etc etc types of music. However, I recently recorded a group I usually do not record…which was a Bluegrass group who also played a little bit of Country and Gospel. In fact, I had never recorded or played this type of music before this. They played Mostly Very Traditional songs (some very old) and wanted a VERY Natural sound and the way they put it was that they Only used instruments that would have existed and been available to mountain musicians back in the 1800s. Sadly (for me), this meant there were no drums. Regardless of the genre, I Always try to get the sound the client truly wants. I already knew the e906 sounds Great on guitar amps/cabs, whether distorted or not. But I decided to try it on some of the acoustic instruments in this situation. Among other mics used, I recorded some Banjo, Acoustic Guitar, and Mandolin using the e906. And……WOW did these instruments come out sounding nothing less than Spectacular!!! I did not try it on Bass or Vocals so I cannot comment on the e906's performance with them. But I have NEVER been disappointed with this mic on Anything…EVER!! If you are thinking of getting an e609 (a Great mic) and have the extra money….upgrade and get THIS MIC!!! Especially with the current offer of an extra $10 for a cable and boom standDavid
19. Sennheiser 3-Pack E835-S Dynamic Cardioid Microphone
Product Details:
Sennheiser is pleased to announce the addition of the evolution e835-s to their evolution series of wired microphones. the e835-s will bundle 3 switched e835-s cardioid dynamic microphones in a value-added package. the e835-s dynamic cardioid microphone is designed for speech and vocals. this rugged handheld mic offers excellent feedback rejection, minimal proximity effect and a gentle presence boost for clarity, projection and consistently clear bass. the e835 is a first choice for rehearsal rooms and stages, and a top seller for lectures, presentations or conferences where speech intelligibility is critical. the e835-s adds a noiseless on/off switch, providing greater flexibility.
Specifications:
Polar Pattern | Cardioid |
Connector Type | XLR |
Number of Units | 3 |
Frequency Response | 40 Hz to 16 kHz |
Microphone Type | Dynamic |
Reviews:
I've used the Sennheiser e835 as the main mic for my Mobile DJ system for about a decade. It's solid, stands up to the wear and tear, and the sound cuts through delivering crystal clear vocals every time. It still looks and sounds great. I wanted one for a second system and one for my home studio. The third one in the package went to my brother who compared it to the $400 & $700 tube mics in his professional studio – his comment was Sennheiser wins!Dave
Solid performer with lovely and durable fit and finish. Probably my favorite vocal microphone of all time (I have been using vocal microphones since 1968 for live music, spoken word, computer speech recognition, ham radio, and other applications. I really like the way this handles and sounds – good heft and balance in the hand – very low handling noise (much quieter than the HEIL PR-20) – this has been a real workhorse and sounds as good today as the day I purchased it. Very balanced sound across the its useful frequency range. Clear, articulate, and rugged. I am confident you will like this microphone. TTJames
20. Sennheiser E935 Handheld Cardioid Dynamic Microphone
Product Details:
If you're a performing vocalist who is serious about your craft, then the sennheiser e935 is a microphone you should definitely consider. at a price point just a little above that of the "standard" vocal mics, the e935 will help you capture all of the subtleties and dynamics that you've worked so hard to develop. the e935 is a cardioid vocal stage microphone specially designed to perform under pressure while cutting through the mix with its high output. a smooth and sophisticated sound and, not to mention a very stylish look. made for the working musician. excellent sound results guaranteed, day to day, 365 days a year. ten year sennheiser warranty.
Specifications:
Product Type | Microphone |
Diameter | 1.9 in |
Length | 5.9 in |
Weight | 12.52 oz |
Recommended Use | Professional audio – vocal |
Microphone Technology | Dynamic |
Microphone Operation Mode | Cardioid |
Connectivity Technology | Wired |
Sensitivity | 2.8 mV/Pascal |
Impedance | 350 Ohm |
Frequency Response | 40 – 18000 Hz |
Connector Type | Microphone (3 pin XLR) |
Included Accessories | Carrying pouch, clamp |
Reviews:
I was expecting the mic to be good but is much better than I expected. Extremely clear lead vocals with plenty of punch! I have been using an Electro-voice for as long as I can remember. They are great mics with excellent anti feedback circuits. However, they tend to be a little flat at times presumably as part of the anti feedback circuit. The Sennheiser has much more punch and also does not feed back even with the mic in front of my Bose PA system. If youre looking for a great vocal mic that wont the bank, I highly recommend considering this one!halowe
I have two Audio Technica condensers and was looking for a good dynamic mic. In the past, I've had two Electro Voice dynamic mics but sold them for the condensers. But always needing phantom power was proving to be inconvenient, especially when wanting to plug my mic directly into a powered speaker. I did a lot of research and I narrowed my choice between this mic and an Electro Voice N/D767a. I owned a 767 and I liked it a lot but I wanted to try something I've never had before and this model received high marks from users. So I took a chance without an in-store audition, and bought it. My voice is bass to low tenor. I do not like a boomy proximity effect or a harsh sound when increasing the distance from the mic. I really have not been able to capture the true sound of my voice in other mics. Most have seemed to slice off most of my voice's characteristics and leave what sounds like only a sliver of my voice coming through the speakers. Then when I go up close, the sound becomes too full or boomy. This mic allows me to sing very close and wile it does add bass response, does not add the boomy sound that I object too. I really can hear my natural full voice and that allows me to sing with more expression and personality. It's not as hot as the EV 767 but it really has a full, non harsh sound. I also play jazz flute and while this is specifically tailored for voice, it picks up my flute very well. Since this mic is a cardioid and not a super cardioid, I can play a few inches away and off center to avoid the wind sound from my breath during playing. The microphone has a nice solid (all metal) feel. Some may like lighter equipment but I like the reassuring heft this solid mic provides. The "Made in Germany" is a nice read and is not seen on many mics at this price point. I like the appearance too with the color of the wind screen. I am very happy I made the decision to buy this mic.Walt
I'm really picky about vocal mics and have a few favorites that have just taken a back seat to the 935. The mics that I've been using for years now have been the Sennheiser 845, Audio Technica AE-6100 and the Heil PR35. Bought a pair of these on a whim, knowing I could sell them to one of my friends if I didn't like them enough, but they're the only mics I've been using for over a month now, both for rehearsal and performance. With all my other mics being hypercardioid designs, I'm enjoying a bit more freedom in working range, but the same crisp/warm sound that I've enjoyed with the others, without the ultra tight pickup pattern. Sennheiser came up with another winner here with the 935.akamino
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