Are you looking for the Best Mic For Guitar Cab? If so, you’ve come to the right place.
Choosing the Best Mic For Guitar Cab can be difficult as there are so many considerations, such as AKG, Shure, Audio-Technica, Neumann, Rockville, Lauten Audio, Andoer, ammoon. We have done a lot of research to find the top 20 Best Mic For Guitar Cab available.
The average cost is $349.30. Sold comparable range in price from a low of $17.00 to a high of $1279.00.
Based on the research we did, we think Sennheiser E609 Silver Dynamic Microphone is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Mic For Guitar Cab (20 Sellers)
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Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- A mix of lightweight voice-coil and rigid dome diaphragm helps maintain the enhanced quality
- The super-cardioid design helps in canceling unwanted sound for crisp audio output
- Rugged metal construction helps withstand the rigors of on-stage performances
$99.95
4.9
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- Rugged metal body
- Advanced shock-mount design
- Super-cardioid pick-up pattern
$129.99
4.9
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- Sturdy construction of this mike withstands a rough treatment
- Xlr cables facilitates professional singing practices
- Flexible mic cable lets you perform hassle-free
$824.95
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Its -33 dbv sensitivity offers a distortion-free sound for a clear sound quality
- Made with metal to help provide enhanced durability to this microphone
- The 3-pin connectivity of this microphone allows you to connect it with compatible device easily
$199.95
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Ease of use . Ease of setup
Features:
- Output impedance of 350 ohms helps reduce distortion for high-quality audio
- Made with rugged metal to offer enhanced durability to this microphone
- The flat shape of this microphone helps create a distinctive appeal
$199.95
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Ease of use . Ease of setup
Features:
- The cardioid e 906 instrument microphone was especially designed for guitar amps and is also excellent for percussion and horns.
- Features.
- Lively, full sound.
$1279.00
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Designed with large-diaphragm to provide enhanced vocal and instrumental sound
- Set this microphone conveniently with its 5 polar pattern control
- The metal build adds to the structural strength of the mic
$1220.07
5.0
Reviewers Noted:
Good sound quality
Features:
- Built with nickel to enhance the structural integrity of this microphone
- Designed with 300 ohm impedance to provide enhanced audio output
- Lightweight design makes it convenient to use and carry
$109.99
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Bundle includes the sm57, a tripod boom stand and a 20' xlr to xlr cable
- Frequency response of 40hz-15khz
- Tight cardioid polar pattern
$99.95
4.9
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- Rugged metal body
- Advanced shock-mount design
- Super-cardioid pick-up pattern
$115.00$69.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Designed for acoustic instruments
- Legendary akg sound quality
- Switchable 20db pad
Reviewers Noted:
Search . Good sound quality . Compact . Attractive . Quality build
Features:
- Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer)
- Compact neumann design
- Very high maximum sound pressure level (144 db)
Reviewers Noted:
Search . Good sound quality . Quality build . Visual appeal . Size
Features:
- Xls 9-pattern condenser microphone delivers enhanced sound quality
- 3 pre-attenuation pads helps eliminate low frequency noise
- Switchable bass cut filters helps minimize noise distortion for improved audio output
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Record your vocals in high quality with this condenser microphone
- Comes with a stainless steel cage to help protect it from corrosion
- Its multi-pattern design helps to reduce the ambient sound
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Easy to use
Features:
- High permissible sound pressure level and exceptional dynamic range makes the microphone particularly versatile
- Custom made 16mm low mass diaphragm, to provide extended frequency response and superior response to transitions
- Cardioid directivity for better isolation of the sound source and reduced side and rear sound pickup
Reviewers Noted:
Good sound quality . Ease of use . Build quality . Ease of setup
Features:
- To connect tothe phantom power input on your mixer or interface (22 gauge, 3m) 3.5mm to xlr cable
- Allows for bigger pickup area two large capacitors: 2250v and 4716v large diaphragm
- Prevents noise from shock and vibrations frequency response: 20hz
Reviewers Noted:
Search . Good sound quality . Quality build . Visual appeal . Ease of use
Features:
- Built-in spherical filter helps eliminate the noise for audio clarity
- Experience optimal sound accuracy with this dynamic microphone
- 150 ohms impedance helps amplify the signal for high-quality output
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Attractive
Features:
- Multi-purpose condenser microphone
- Excellent for vocals, pianos, stringed instruments, and percussion
- Balanced bass response with high end clarity
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Easy to set up
Features:
- 5 dsp preset modes (speech, singing, flat, acoustic instrument, loud)
- Automatically adjusts gain, eq, compression and limiting for optimal results
- Front panel touch controls for mode selection, headphone volume, microphone gain, and mute
Reviewers Noted:
Good sound quality . Easy to set up . Quality build . Attractive . Easy to use
Features:
- Dimensions (overall): 9.65 inches (h) x 3.94 inches (w) x 3.74 inches (d).
- Weight: 1.06 pounds.
- Connection type: micro usb.
1. Sennheiser E609 Silver Dynamic Microphone
Product Details:
The sennheiser e 609 microphone is a dynamic element, supercardiod polar pattern microphone that is primarily designed for capturing instruments. it excels when placed in front of guitar cabinets in sound reinforcement or recording. it has an attractive silver finish. the e 609's flat grill allows for easy placement and the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. the dynamic element is shock mounted and a hum compensation coil controls low frequency noise. the rugged construction is durable enough to withstand the rigors of the road. features designed for instrument capture the dynamic supercardiod e 609 excels placed in front of guitar cabinets or when used in sound reinforcement or recording. supercardioid polar pattern the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. dynamic transducer the dynamic element is capable of handling high sound pressure levels without noise and distortion. hum compensating coil the hum compensation coil reduces low frequency hum and noise. internal shock mounting the element is internally shock mounted for added protection against handling noise.
Specifications:
| Width | 2.2 in |
| Depth | 1.3 in |
| Height | 5.3 in |
| Weight | 6.42 oz |
| Body Material | Metal |
| Microphone Technology | Dynamic |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Impedance | 350 Ohm |
| Frequency Response | 40 – 18000 Hz |
| Audio Input Details | Super cardioid – 40 – 18000 Hz |
| Connector Type | Microphone (XLR) |
| Included Accessories | Microphone clip |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
2. Sennheiser E 609 – Microphone – Silver
Product Details:
Specifications:
| Product Type | Microphone |
| Width | 2.2 in |
| Depth | 1.3 in |
| Height | 5.3 in |
| Weight | 4.94 oz |
| Color | Silver |
| Body Material | Metal |
| Recommended Use | Professional audio – instrument |
| Microphone Technology | Dynamic |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Frequency Response | 40 – 15000 Hz |
| Audio Input Details | Super cardioid – 40 – 15000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Carrying pouch |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
3. Sennheiser E609 Dynamic Guitar Mic With Stand And Cable
Product Details:
This package includes 1 sennheiser e609 dynamic guitar mic; 1 gear one 20' mic cable; and 1 musician's gear tripod mic stand with fixed boom. sennheiser e609 silver:the sennheiser e609 silver dynamic guitar mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. the e609 silver is based on the legendary md 409 mic, a longtime secret weapon of engineers for recording rock guitar with plenty of growl and punch. able to withstand high spls without distorting, the e609 silver's flat-profile capsule facilitates extremely close miking of guitar cabinets and is also suitable for drum miking, particularly toms. the e609 silver's supercardioid design improves isolation in live sound reinforcement and recording applications while its increased output and wider frequency response improves performance. its sound inlet basket, made of refined steel, is distinguished by a unique silver address side. gear one 20' mic cable:for serious-minded musicians, gear one's xlr cables have the strength and durability to withstand more than everyday use. since your cable is your sound, this xlr mic cable'ssennheiser e609 silver: – specially designed for miking guitar cabs – laterally mounted capsule for miking guitar cabs face on and extremely close to the signal source – supercardioid pattern provides isolation from other onstage signals – lightweight voice coil construction and rigid dome diaphragm provide extended high-frequency performance – long-wearing capsule assembly – also suitable for miking drums, especially toms – gear one mic cable: – sturdy construction for enhanced signal and performance – flexible mic cable design eliminates kinks and twists for a tangle-free performance in-studio and onstage.
Specifications:
| Product Type | Guitar Mic with Stand |
| Weight | Dynamic |
| Cable Weight | 6.3 oz |
| Frequency | 40 – 18,000Hz |
| Boom Length | 30-1/4" |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
4. Akg C414 Xlii Condenser Microphone
Product Details:
The akg c 414 xl ii condenser microphone is the successor to the famous akg c 414 b-tl ii mic. the akg c 414 xl ii mic shows the unique sonic signature of the highly sought after akg c 12 which enables lead vocals and solo instruments to be placed even in a dense mix. the unrivaled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking. the xl ii mic version differs from the xls version in one major respectthe capsule. both the slight presence boost and the impressive spatial reproduction is similar to the legendary akg c 12 microphones. the akg c 414 xl ii offers 9 pickup patterns for you to choose the perfect setting for every application. for live-sound applications and permanent installations, all controls can be disabled easily enabling trouble-free use. a peak-hold led displays even shortest overload peaks. akg ships the c 414 xl ii microphone complete with carrying case, pop filter, windscreen, and a spider-type shock mount. for over 60 years, leading musicians and engineers have used legendary akg microphones to capture their sound so their audience hears every nuance. the c 414 family has been one of the world's most widely-used and respected studio and stage microphones in audio history. akg has continually set new benchmarks for useful features, improved technical specifications, and ease of use to answer requests from ever-demanding recording studios, broadcast stations, and audio engineers. – sonic character of the famous akg c12 delivers astounding sound quality for lead vocals and solo instruments – nine selectable polar patterns for the perfect setting for every application – three attenuation levels (-6/-12/-18d – b) for close-up recording or high-output sources of up to 158d – b splthree switchable different bass-cut filters to reduce wind noise, stage vibration or proximity effect – overload warning with audio peak hold led to detect shortest audio peaks
Specifications:
| Width | 2" |
| Depth | 1.5" |
| Height | 6.3" |
| Weight | 10.58 oz |
| Color | Dark gray, gold |
| Body Material | Metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -33 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 88 dB |
| Noise Level | 6 dBA |
| Dynamic Range | 134 dB |
| Max Sound Pressure | 158 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz Hypercardioid – 20 – 20000 Hz Omni-directional – 20 – 20000 Hz |
| Included Accessories | Carrying case, shock mount, microphone windscreen, pop filter |
Reviews:
This microphone is fantastic for recording vocals. It picks up everything in the room clearly including the air conditioner. This is no problem as the mic has a built in filter that can get rid of the noise from the air conditioner. The included manual has a description for all of the different pickup patterns and their uses. The manual also says the C414 XLII is recommended for vocals, whereas the C414 XLS is recommended for overheads.Jared
When researching on the forums you will here people talk a lot of crap about this mic. But I used a pair at work (live sound) to mic an upright and I loved the results. I decided to trust my ears and not the forums. I was not disappointed! It is a true workhorse. In the few weeks I've had it I've used it on Cello Voice and Percussion with astounding results all around. The versatility and ease of use inspire creativity in the moment. I tried it on a cello in a beautiful sounding church and going from close mic'ing in Cardiod to far away in Omni mode for that awesome real reverb was as easy as pressing a button, literally. While it is not a perfect mic and you can certainly buy specific mics for certain purposes at a higher price, this mic will be with you your whole career. My only regret is not getting a pair!
5. Sennheiser E906 Supercardioid Dynamic Mic For Guitar Amps
Product Details:
If you've been wondering what's the "right" microphone for guitar cabs, then congratulations, you've found it. based on the mythic sennheiser 409, the e906 gives your amp that super-present, in-your-face sound responsible for more that a fair share of the greatest guitar recordings ever. how do they do it? these mics are specially designed to sit right up against the grille of your amp, taking the full on abuse of extremely high spls. in fact, one of the coolest things about the e906 (like the 409) is that its actually designed to hang right in front of your amp. there's no need to bother with a stand at all just toss an e906 over the front, crank it up, and tear loose.
Specifications:
| Nominal Impedance | 350 Ohm |
| Weight | 140 g |
| Frequency Response | 40 – 18000 Hz |
| Color | Black |
| Dimensions | 55 mm x 34 mm x 134 mm |
Reviews:
I bought to of these to run as a stereo pair for guitar amplifiers in a live environment. They are terrific! They handle whatever two 100 watt amps can throw at them and do not color the sound in any sort of negative manner. They definitely let the amps tone shine right through. I went from two classic Sm57s to these and I just notice more clarity and detail than I did with the 57s. Mic placement is a breeze. I spent all of 5 minutes with a pre-recorded loop figuring out the most natural sound and its very easy to find the large sweetspot with these mics. Again, the 57 does not have a huge sweet spot.Blakemore
These mics came highly recommended by another sound engineer I know and, having owned the lesser e609 mics, I decided to take the plunge when I found these at a fantastic price. Pros: Excellent sound quality. Have used it in front of a few different types of bands guitar amps and found it did a fine job whether they played the blues or rock. The filter suggestions in the manual worked and I look forward to trying it with a heavier band to see how it does. Cons: None so far, but if the quality of the 609's that I own, one for over 20 years, is any indication, then this mic will provide years of quality sound reproduction. Brand new, these come with a soft cloth mic bag, mic clip, mic stand euro-adapter and manual.yankeemuso
I have a Demeter Silent Speaker Iso Box that I have been using a 57 and a 58 in with semi-satisfying results. I built a second box to put the Demeter in to even further cut down on the sound levels in my studio. I have taken the door off of the Demeter to let it breath and it takes away all the boxiness of the sound. The only thing missing was this mic! It sounds so much better I can't even believe it! It's so much more balanced and it has smoothed out the mids that have a tendency to build up in a small space like this. Blending the 58 in brings back a little of the "mid scoop" present in the 906. The super cardioid polar pattern of this mic is perfect for this application. From clean to crunch to distortion, my iso rig now sounds like a mic'd up cab in a dead room. All of my stomp boxes and guitars are now in play as they sound like real guitars and not mid range and nasally toys. I am blown away! Buy this mic and follow this recipe if you want an iso box to sound like an isolation room. I'm sure it sounds great in a room as well but the iso box is a more critical situation that only this mic works in. Buy it!radguitars
6. Sennheiser Evolution E 906 – Microphone
Product Details:
The number one choice. the sennheiser e906 is renowned for its lively, full character. discover clear, focused sound from an ultra-tight supercardioid that eliminates background noise. this professional dynamic mic focusses on one thing only – your playing. tailor your sound. the three-position switch lets you choose between 'bright', 'normal', and 'smooth' modes. no matter what instrument you're wanting to capture, the e906 gets the best out of any type of playing. amazing on guitar, percussion, and brass. achieve punch and detail thanks to the 906's extremely fast transient response. its miniature size allows for positioning in tight spots, such as on snares or toms. whether you're on stage or in the studio, you'll get the best from your performance.
Specifications:
| Product Type | Microphone |
| Width | 2.2 in |
| Depth | 5.3 in |
| Height | 1.3 in |
| Weight | 4.94 oz |
| Body Material | Metal |
| Microphone Technology | Dynamic |
| Connectivity Technology | Wired |
| Impedance | 350 Ohm |
| Frequency Response | 40 – 18000 Hz |
| Audio Input Details | Super cardioid – 40 – 18000 Hz |
| Connector Type | Microphone (XLR) |
| Plated Connector | Gold |
| Included Accessories | Carrying pouch, clamp |
Reviews:
I bought to of these to run as a stereo pair for guitar amplifiers in a live environment. They are terrific! They handle whatever two 100 watt amps can throw at them and do not color the sound in any sort of negative manner. They definitely let the amps tone shine right through. I went from two classic Sm57s to these and I just notice more clarity and detail than I did with the 57s. Mic placement is a breeze. I spent all of 5 minutes with a pre-recorded loop figuring out the most natural sound and its very easy to find the large sweetspot with these mics. Again, the 57 does not have a huge sweet spot.Blakemore
These mics came highly recommended by another sound engineer I know and, having owned the lesser e609 mics, I decided to take the plunge when I found these at a fantastic price. Pros: Excellent sound quality. Have used it in front of a few different types of bands guitar amps and found it did a fine job whether they played the blues or rock. The filter suggestions in the manual worked and I look forward to trying it with a heavier band to see how it does. Cons: None so far, but if the quality of the 609's that I own, one for over 20 years, is any indication, then this mic will provide years of quality sound reproduction. Brand new, these come with a soft cloth mic bag, mic clip, mic stand euro-adapter and manual.yankeemuso
I have a Demeter Silent Speaker Iso Box that I have been using a 57 and a 58 in with semi-satisfying results. I built a second box to put the Demeter in to even further cut down on the sound levels in my studio. I have taken the door off of the Demeter to let it breath and it takes away all the boxiness of the sound. The only thing missing was this mic! It sounds so much better I can't even believe it! It's so much more balanced and it has smoothed out the mids that have a tendency to build up in a small space like this. Blending the 58 in brings back a little of the "mid scoop" present in the 906. The super cardioid polar pattern of this mic is perfect for this application. From clean to crunch to distortion, my iso rig now sounds like a mic'd up cab in a dead room. All of my stomp boxes and guitars are now in play as they sound like real guitars and not mid range and nasally toys. I am blown away! Buy this mic and follow this recipe if you want an iso box to sound like an isolation room. I'm sure it sounds great in a room as well but the iso box is a more critical situation that only this mic works in. Buy it!radguitars
7. Akg C414 Xl Ii Condenser Microphone Set
Product Details:
The akg c414 xlii is a versatile large-diaphragm condenser microphone of the reference class. it initially offers five polar patterns: omnidirectional, cardioid, wide cardioid, hypercardioid and figure-of-eight. additionally, 4 intermediate stages can be selected. the current setting is indicated by an led. in addition, there are three pad circuits and three high-pass filters. with this great flexibility, the microphone can be perfectly adapted to different recording situations. its sound is open and high-resolution with a slight presence boost. this makes the akg c414 xlii ideal for recording voices and solo instruments. the recordings already stand out well in the mix, even without intervention. quiet passages are recorded with transparency and nuance thanks to the extremely low self-noise. the high limiting sound pressure level also allows drum recordings. especially the use as an overhead microphone or for snare and hi-hat is very useful. the akg c414 xlii is also suitable for demanding live applications. a lock mode prevents unintentional adjustment of the settings by a key lock. the peak hold led reliably indicates overdrive of the electronics, even with the shortest signal peaks. the microphone is supplied in a metal case with an elastic mount, pop screen, windscreen and dust protection bag. the akg c414 xlii is also available as a specially matched stereo set.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Depth | 1.5 in |
| Height | 6.3 in |
| Weight | 10.58 oz |
| Color | Dark gray, gold |
| Body Material | Metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -33 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 88 dB |
| Noise Level | 6 dBA |
| Dynamic Range | 134 dB |
| Max Sound Pressure | 158 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz Hypercardioid – 20 – 20000 Hz Omni-directional – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Carrying case, shock mount, microphone windscreen, pop filter |
Reviews:
This microphone is fantastic for recording vocals. It picks up everything in the room clearly including the air conditioner. This is no problem as the mic has a built in filter that can get rid of the noise from the air conditioner. The included manual has a description for all of the different pickup patterns and their uses. The manual also says the C414 XLII is recommended for vocals, whereas the C414 XLS is recommended for overheads.Jared
When researching on the forums you will here people talk a lot of crap about this mic. But I used a pair at work (live sound) to mic an upright and I loved the results. I decided to trust my ears and not the forums. I was not disappointed! It is a true workhorse. In the few weeks I've had it I've used it on Cello Voice and Percussion with astounding results all around. The versatility and ease of use inspire creativity in the moment. I tried it on a cello in a beautiful sounding church and going from close mic'ing in Cardiod to far away in Omni mode for that awesome real reverb was as easy as pressing a button, literally. While it is not a perfect mic and you can certainly buy specific mics for certain purposes at a higher price, this mic will be with you your whole career. My only regret is not getting a pair!
8. Royer Labs R-121 Ribbon Microphone
Product Details:
The excellent r-121 is the flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. royer labs did away with the large, heavy, fragile "classic" approach to ribbon microphones and went in a completely direction. the r-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the r-121. like many of the best classic ribbon mics, the r-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. but that's where the similarities end. by using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the r-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. cranked up electric guitars, close up brass, drums – you name it, the r-121 will help you record it with realism you have to hear to believe.
Specifications:
Reviews:
This R-121 is incredibly versatile for a ribbon microphone – I never fear putting it in front of guitar cabs, raucous horn players, even drums. The sound is incredibly clear and true to what my ears are hearing (a little less abrasive top end). Without a doubt worth having in my microphone closet… or out of it which usually the case. A great microphone investment!Excellent microphone – I will be purchasing more. Worth every penny I paid for this – it is a go to microphone in most every session I do these days… which is to say it is paying for itself. My clients dig the sounds = my gear pays for itself.Fester Spunk
Great mic. works magic on guitars. however you do need a good mic and pre and a decent compressor to place in front of mic! If you can get this mic for a good price (less than $1300) I would buy it! make sure you read the manual before use! If you don't you can damage the ribbon and make the mic sound bad!!!surfgreen101
9. Shure Sm57 Stand Cable Package
Product Details:
The shure sm57 is one of the most popular professional instrument microphones of all time. the dynamic sm57 mic performs reliably delivering natural sound night after night. its durable, bulletproof design stands up to road travel and abuse. perfectly at home in the studio too. the shure sm57 boasts wide frequency response (40hz-15khz) and a tight cardioid polar pattern that are ideal for close-in speaker miking. this package includes the sm57, a tripod boom stand and a 20' xlr to xlr cable. natural sounding. durable bulletproof design. used widely in studios as well as on stage. frequency response: 40hz-15khz. tight cardioid polar pattern.
Specifications:
| Frequency response | 40Hz-15kHz |
| Connector | 3-pin professional audio connector (male XLR type) |
| Dimensions (inches) | 1-1/4 W (top) x 6-3/18 W x 29/32 (bottom) |
| Net weight (without cable) | 284g (10 oz.) |
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
10. Sennheiser E609 Silver Super Cardioid Instrument Microphone
Product Details:
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
11. Akg P170 Condenser Microphone
Product Details:
Akg p170 the akg p170 gives you a black, small-diaphragm condenser microphone. boasting a cardioid pattern, the p170 is perfect for capturing both acoustic and electric instruments whether you’re in a home studio or a live recording situation. a more affordable alternative than the renowned akg c451 b; the p170 is the perfect solution for recording guitars, strings, hats, percussion and so many more instruments! on top of that, the p170’s diaphragm is lightweight and 1/2′′ gold-sputtered. so you can expect a clear sound with fast transients that’s capable of handling sound pressure levels up to 155db. what’s more, the p170 features a switchable 20db pad that allows you to record extremely loud sounds without any distortion. housed in a solid all-metal body, the p170 improves the rejection of rf interference. so you can use your microphone near transmitter stations and wireless mics without experiencing any problems. it’s also built to resist high temperatures and humidity, while its rugged body and sturdy front grille protect it from the rigors of day-to-day use.
Specifications:
| Product Type | Microphone |
| Diameter | 0.9 in |
| Length | 6.3 in |
| Weight | 4.59 oz |
| Body Material | Metal |
| Recommended Use | Professional audio, home audio – instrument |
| Microphone Technology | Condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Impedance | 200 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 75 dB |
| Noise Level | 19 dBA |
| Dynamic Range | 135 dB |
| Max Sound Pressure | 155 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 200 Ohm |
| Controls | PAD button |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Microphone stand adapter |
| Voltage Required | DC 48 V |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
12. Neumann Tlm 102 Condenser Cardioid Microphone, Nickel
Product Details:
When you think industry standard you should automatically think neumann. the tlm 102 is one of their best studio recording mic for anyone looking to start studio or already has a studio, and we have one used in amazing condition. this mic is perfect for any vocals or instrument with its treble boost and distortion free sound. does not include the shock mount in the picture.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Height | 4.6 in |
| Weight | 7.41 oz |
| Color | Nickel |
| Recommended Use | Professional audio – instrument, vocal, voice, drum, broadcast, recording |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 82 dB |
| Noise Level | 12 dB |
| Max Sound Pressure | 144 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Microphone stand adapter |
Reviews:
Overall: Seeing the pictures online made me think one thing. But then seeing in my hand made me think another. This is a rather small microphone in comparison to what I've used in the past. Transitioning from a monsterous Sterling Audio ST-79 to the TLM-102 made a HUGE difference. The depth of the vocal is outstanding. The frequency range is great and the Higher SPL makes it able to withstand some of the loudmouth vocalist rappers it will be used on. I myself have a deeper raspier voice and this mic works wonders on the clarity of it. In the mix there is much more control on dialing in to get the sound you want. This little Big Dog is now my Go to mic for Vocals out of my collection which includes: a. (1) ST-79 -Sterling Audio – Condenser b. (1) ST-55 – Sterling Audio – Condenser c. (1) MXL 990 and (1) 991 – MXL – Condensers d. (2) Fathead I – Cascade – Ribbon e. (1) TLM-102 – Neumann – Condenser (these are just my Vocal specific mics) All in all I love the mic and the mixing flexablity, its smaller size, and its versatility in use. Sure there is not a bass roll-off, or pad switch so it may not be best for SOME RANDOM VERY SPECIFIC NEED. But for the typical use of a microphone this thing has become my best friend.Chris
I play acoustic fingerstyle guitar and I was looking at some mics options to do some recordings… this mic is absolutely brilliant ! It captures amazingly the sounds of an acoustic guitar, very detailed and all nuances can be heard. Very rich and natural sound and exactly what I was looking for acoustic guitar recordings. Furthermore the look is stunning and the quality amazing. Love it! I am now considering getting another one so I could pair it nicely with the one I owe. Highly recommended!! Here is a recoding I've made with this mic: https://www.youtube.com/watch?v=DIThVYPlJ5MReviewed by Andertons Music Co.
Overall: I just bought Neumann TLM 102 for a few sessions on my vocals and nylon & acoustic guitar. I do noticed, TLM 102 does have a little more presence and somewhat compressed on the bass. If you want to tame the bass, then you'll be happy with TLM 102 (note: There’s no cut low/high filter switch). If you're asking a flat sound, it's not here. Presence is strong? "yes." A lot more than mine Oktava MK 319. Treble? a little less than mine. If you want a little more treble for your vocals, you might want TLM 103. But remember, 103 is two times for you to pay. Do you want something "warm'ish" in your vocals? It's all right. It's not the best for a warm warm sound. BUT it is good though. You may have to turn up the mid a little more when you mixed. On my vocals and nylon & acoustic, I had to decrease -10 db on the bass. After my recording and testing, I decided to return mine TLM 102. For me, It's just not worth it –especially it’s 8x than my MK319. I really expected a lot more, but I know there are a lot of people that they love it. They say, they would pay 10 times. For the rest of my sessions, I went back to my MK 319. RECOMMENDATION?? Well, if you have a budget….sure. It would be nice recording a few acoustic rhythms. But, I know there are few more mics that are a lot cheaper than TLM 102 with the same quality sound.Xylor
13. Akg C414 Xls 9-Pattern Condenser Microphone
Product Details:
The c414 has been one of the best and most popular large-diaphragm condenser microphones in the world since its release in 1971. the c414 xls is based on the sound character of the legendary c414 b uls, the longest existing c414 model to date. it is particularly suitable for high-quality miking of instruments. more and more often, the c414 is also used for demanding live productions. optimised for this wide range of applications, the current version of the c414 xls not only has 9 directional characteristics for the best possible sound. a lock mode protects against unintentional setup changes by a key lock. the peak hold led reliably indicates overdrive of the electronics, even with the shortest signal peaks. in the tradition of its valued predecessors, the c414 xls is convincing in terms of functionality, performance, user-friendliness and the comprehensive range of accessories. the new, improved features have been developed to meet the ever-increasing demands of recording studios, stages, radio and tv studios without changing the typical sound quality of the c414.
Specifications:
| Frequency range | 20 to 20,000 Hz |
| Sensitivity | 20 mV/Pa (-34 dBV) ± 0.5 dB |
| Signal/noise ratio (A-weighted) | 88 dB |
| Preattenuation pad | 0 dB, -6 dB, -12 dB, -18 dB, switchable |
| Impedance | <=200 ohms |
| Recommended load impedance | >= 2,200 ohms |
| Supply voltage | 48 V phantom power to DIN/IEC |
| Powering | approximately 4 mA |
| Connector | 3-pin XLR to IEC |
| Finish | dark grey/gold |
| Dimensions | 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 inches) |
| Net weight | 300 g (10.6 oz.) |
Reviews:
Nah, that's probably a bit of false bravado– also not alot of Irish traditions in my family, and to say that my admiration for this mic will extend to my dying day, that I will breathe my last breath holding onto it and capturing some musical performance– a nice picture, but how realistic, really? I guess I just metaphorically, in a Clint Eastwood kinda way, want to impress on you that, if we were all cowboys, this mic would be the six-shooter that everyone longed to have– lawman, outlaw, everyone in between. There's a reason it's a standard of the industry and you've heard its coolly accurate wondrous alive-sounding exceptional capture on a gabazillion records. It gets and gives you what's really there. The self noise is so low, 6 decibels, that there is no self noise. Everything comes through crisply and clearly. I will confess to you– I've cobbled together a subsistence farming kind of audio life, recording singers and ensembles, and I've always made do with gear that checked in much lower on the food chain than this. So when the house tech at a classical quartet concert had a pair of these and set them up just basically at the front edge of the stage, and offered to feed them into my tape deck, I swooned. Back in the studio mixing that performance, the 414's were smooth and airy and cast a lovely perspective on the players. Okay, that's it, I am getting myself a pair! What did I hear when I set up a pair of these for the first time in front of a guitar player? Within the ringing density of the guitar sound, a whole rainbow of colors, a detailed picture down to the granular level. The dual capsule will give you any and every polar pattern, from omni to hypercardioid, with halfway settings in between each setting! Also, four versions of low-cut roll-off, and also three levels of volume pads. A finely crafted German-engineered shockmount, and double sided (the best kind!) pop filter to affix to a mic stand. And a windsock. There are going with me everywhere from now on. Although– this overblown elaborate packaging with all this cut-out foam– no, give me all-put-together-and-ready-to-go in the smallest space, please. (I attach a picture of the pair suited up and ready for the showdown.)Joel
14. Aston Microphones Spirit Multi-Pattern Condenser Microphone
Product Details:
Product description the aston spirit is a high-performance switchable pattern microphone utilising a 1” gold evaporated capsule. a switch on the mic body selects from omni, cardioid or figure-of-eight polar patterns. it is versatile enough to use with most instruments and excels on acoustic guitar and vocals. its aston 33 panel selected capsule is teamed with high-end transformer balanced circuitry using only the best components. the spirit is designed to deliver a beautifully open sound with sparkling harmonics. this highly accurate microphone gives a stunningly natural and transparent recording, capturing all the detail in the high range but without adding the harshness that some condenser microphones seem to.
Specifications:
| Cage Material | Stainless steel |
| Detailing | Engraved |
| Shock-Resistant | Yes |
| Connector | XLR |
| Color | Silver |
Reviews:
I spent a long time going through reviews and videos trying to decide between this microphone and a C414. Honestly, after buying this microphone I'm really glad I chose this one. Not only it is better on the wallet but the sound quality is insane for the price. Using the spirit I found no frequency gaps in my voice and acoustic guitars that I sometimes notice when using cheaper microphones. When I'm singing and have a live feed into my headphones. I can hear every single detail of my voice, it's actually crazy and as a result, it's helped me improve my singing performances whilst recording. This microphone really does show you what you put in and adds a little high-frequency sparkle to get that modern pop vocal sound. On the acoustic guitar, the spirit is natural and picks up a lot of the wood sound of the body, again no frequency gaps. It picks up my room beautifully as well even in cardioid mode. The microphone looks great and is very robust too. Personally, I cannot recommend trying the Aston brand and these microphones enough, and will definitely purchase more in the future. Watch the videos, do the research, and happy microphone hunting 🙂Reviewed by Andertons Music Co.
I might be slightly premature giving this mic such a high rating since I have only had it a relatively short time, but as of right now…this is a solid add to my studio. I have owned a mid sized studio for around 30+ years. I mainly record Acoustic based music up to about Medium Hard Rock styles. I have a decent Mic Locker that includes about 40 or so mics including some higher end Name Brands all the way down to the simplest of anything that works solid for my needs. I buy and only keep what works for me. I have Dynamics, Ribbons, Small and Large Diaphragm transformerless and transformered Condensers, as well as tubed versions. I had seen and heard many You-Tube reviews reviewing the Spirit and liked what I heard, but the quality of those reviews were all over the place, so I was a little skeptical. So far I have only did some preliminary vocal tracks and some Upright Bass tracks for a good friend of mine that is a Texas Singer Songwriter. On Voice the mic was clean, clear and weighty. The louder the singing the more weighty it got while staying clear and in control… no issues with overload or distorting. It also handled my soft Baritone Vocals with equal aplomb. I am predicting this is going to be a really good all-rounder in the studio and the Multi-Pattern option really are useful. I hope to write additionally once I get more time under my belt. the only nit I have… lol… is the shockmount. Looks great, the design is solid… but… the spring loaded pads,while extremely convenient, need to be slightly tighter while holding the Spirit as it allows it to lean a bit and not hold it upright solidly. If there is a way to tension up the springs a bit, it would be super excellent. Oh… and the Black finish is major cool!t_mix
This thing is such a huge improvement for my home studio. Arrived safe and in perfect condition. Packaging was done well. It has some versatility, which you can read about online in the electronic manual, but it works great right out of the box as a plug-n-wail upgrade. Worth every penny.Evan Vacek
15. Audio-Technica At2020 Large Diaphragm Condenser Microphone
Product Details:
The new at2020 usb microphone offers studio-quality articulation and intelligibility. it plugs right into your computer’s usb port, and functions seamlessly with your favorite recording software. equipped with a usb digital output, the at2020 usb is perfect for home studio recording, field recording, podcasting, and voiceover use. based on the renowned at2020 the at2020 usb is based on the design of audio-technica’s critically acclaimed at2020 cardioid condenser microphone. like the at2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. with low self-noise, the at2020 usb is perfectly suited for sophisticated digital recording equipment. audio-technica’s state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company’s renowned consistency and reliability standards. experience at2020 usb. plug it in and transform your sound.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Depth | 2 in |
| Height | 6.4 in |
| Weight | 12.17 oz |
| Recommended Use | Professional audio – voice, recording |
| Microphone Technology | Condenser |
| Connectivity Technology | Wired |
| Sensitivity | -37 dB |
| Impedance | 100 Ohm |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 74 dB |
| Noise Level | 20 dB |
| Dynamic Range | 124 dB |
| Max Sound Pressure | 144 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (XLR) |
| Included Accessories | Microphone stand adapter, protective pouch |
Reviews:
Sound: Being 16 bit this mic will not compete with professional analog mics or 24 bit digital mics, however for 16 bit it is exceptional. It is a flat EQ mic and if I had to say where the weakness lies it might be in the high end, but it might be perfect depending on the range of the vocalist. I feel any frequency issues could be corrected with EQ in the DAW. Features: Most useful feature is the ease and simple connection via USB. There is also a mini-jack in the mic, so you can plug in headphones and monitor directly from the mic itself. Meaning, you could hear raw audio as the mic hears it, then via another pair of headphones hear the audio or mix from the DAW. Very handy. Weakest feature is the 16bit convertor. Its good, just 16 bit, not 24. Ease of Use: Extremely easy mic to set up and begin recording with. Quality: Mic is solid, well crafted. Heavy to the feel, good paint and nice cables. Includes a little stand. Value: This mic is extremely cheap compared to other mics of the same quality. I think it is the best of its class by far. Manufacturer Support: I haven't dealt with AudioTechnica before, but there is the good reputation. The Wow Factor: Very appealing to beginners and semi professional musicians. Could even be a great mic for a professional musician for the road, random spontaneous recording, since it is portable and connects via USB so easily. Overall: After researching for many months, I decided on the AT 2020 USB mic. This is a high quality mic with excellent range and detail for instrument and vocals. There really is no question that the mic has excellent recording, the only fact you need to be aware of is that this is a 16bit input not a 24bit input. 16bit is 'just' enough quality for a semi-pro recording session. I believe in terms of 16bit mics and USB mics this is the best model.
I set up in my basement with it a few weeks ago and started messing around, have found nothing to be disliked. The overall sound is good, it has strong low end for my growls, and it doesn't have any problems with recording at any volume. I even put it in front of my drumset to see if it'd pick up okay, which it did surprisingly well with. I haven't been doing vocals for very long, but from what I can tell it easily competes with mics twice the price. 10/10 would recommend, worth it. P.s. get a pop filter toothe wheat man
I have one first generation version, which lacks the headphone jack, and this is my 2nd of the newer generation. If using this in an application where you want a shock mount, be sure to buy the Audio Technica shock mount that is made for this exact form factor. I have both of mine on boom arms. I like the side address form factor and the ability to get cheap pop filters that are semi-cylindrical. Compared to the much more expensive gold standard Shure SM7B, this sounds a bit brighter and has a wider, flatter frequency response. That makes the AT2020 better suited for instrumentals and other sound sources, whereas the SM7B tends to be very specifically suited to voices. I own USB and XLR versions of this mic, and the integrated analog-to-digital conversation seems very good, not introducing detectable noise.Matthew
16. Rockville Rcm Pro U Professional Cardioid Condenser Microphone
Product Details:
With it's large diaphragm it provides smooth, natural sound and low noise, it also delivers great bass, mids, and highs on all of your recordings. this microphone is very sensitive to incoming sounds to give you the best possible sound! in addition, it includes a 25mm cartridge that allows for a bigger pickup area to pick up incoming sound. the cartridge is the most important aspect that determines the sound quality, and the rcm pro has one of the best quality cartridges available for any microphone under $150. this microphone sounds better than other name brand microphones that cost twice the price! the body of the microphone is made of a special zinc metal material. the super strong construction prevents noises from shocks and vibrations. this is especially important when recording loud music including drums and bass. the microphone head is made of strong, high quality steel and features a one-piece microphone head design. most microphones will have a microphone head that is 2 pieces glued together. our one-piece microphone head ensures longer life, and better durability. in addition, it helps to eliminate unwanted vibrations that may occur. this microphone has two capacitors (22μ50v and 47μ16v). these are important to help stabilize the voltage so that your recordings are consistent throughout, even if there are sudden changes in the volume or frequency ranges.
Specifications:
| Two Large Capacitors | 22μ50V and 47μ16V |
| Frequency Response | 20Hz – 20 kHz |
| Open Circuit Sensitivity | -30dB ±2dB (0dB = 1V/Pa @ 1 kHz) |
| Impedance | 100 Ohms |
| Equivalent Noise Level | 23 dB A (IEC581-5) |
| Maximum Input Sound Level | 142dB SPL (THD = 1.0% @ 1 kHz) |
| Electrical Current | 500Ua |
| Noise | 20dB SPL |
| Dynamic Range (Typical) | 124 dB, 1 kHz @ Max SPL |
| Signal-to-Noise Ratio | 74 dB, 1 kHz @ 1 Pa |
| PCB Layout | Surface Mount |
| Fixed Crossover Filter Cutoff Frequency | 50Hz – 16 kHz |
| Power Requirements | 48V DC Phantom Power |
| Output Connector | 3-Pin XLR |
Reviews:
Makes me sound good, but feedback from guitar etc is HYPER sensitive….podre71
Love the mic sound crispness and also clarity will definitely be ordering one for my other studioihebu5003_01plo3qzv
Really I can not explain or compare this mic with any high end audio analyzer that tell us how good or bad it is. In my case I just use it direct into Audacity on my laptop using a Zoom H4s as phantom power and audio interface true my USB connection. Easy, ok yes it is, just plug and play in this configuration. Nice sound, yes very good and real for my taste. I like to set the input mic levels a little low and get around a meter or less with my instruments and amplify the recording level to -4.5 dB to have an standard volume level and no distortion or clipping. This mic help me record even strong sound instruments like the violin without any problem this way. If you want to talk it just record your voice with a very nice natural sound. For the price this mic is a real nice purchase.mriutort
17. Behringer Ultravoice Xm8500 Microphone – Black
Product Details:
It is perfect for live vocals or recording an amplified instrument. supplying a frequency response of 50 hz to 15 k hz, the xm8500 also includes a pop filter to reduce pop noises and breath. with its durable build and robust wind-screen, this microphone is guaranteed to be reliable for all of your gigging and studio needs. plus a hard shell case and mic clip with stand adapter is included for added features.
Specifications:
| Product Type | Microphone |
| Weight | 8.46 oz |
| Recommended Use | Vocal |
| Microphone Technology | Dynamic |
| Sensitivity | -70 dB |
| Impedance | 150 Ohm |
| Frequency Response | 50 – 15000 Hz |
| Audio Input Details | Cardioid – 50 – 15000 Hz – Output Impedance 150 Ohm |
| Connector Type | Microphone (XLR) |
| Plated Connector | Gold |
| Service & Support | Limited warranty – 3 years |
Reviews:
Our church has a few aging SM58 mics. Some time ago I purchased an XM8500 and just recently added three more to our closet. Buying the Behringers was cheaper than upgrading the SM58 mics. The Behringers actually seem more brilliant than the Shures, but admittedly I am comparing them to the aging SM58s. Regardless, the sound is excellent. A big thumbs down for the mic clips, which were totally useless. I couldn't even slip a mic into them. I ended up forcing them onto an old mic and then I hit them with my heat gun to relax the plastic. That seems to have worked OK. At least I can get a mic into them now.rer-tar
To my ears, the XM8500 sounds just as good as any other XLR microphone. Its body is fully metal, and feels strong enough that I could throw it at a wall without so much as scratching it. It even comes in a hard plastic carrying case, which is much higher quality than the price would suggest. The included clip isn't amazing, you need to permanently stretch it to even be able to put the XM8500 in it, but it's still much better than nothing. If you're going to be close to the XM8500, I recommend getting some kind of foam windscreen, which DJ City doesn't sell for any kind of reasonable price. All in all, I highly recommend the XM8500 if you're after a high quality mic at a fair price.Charles M.
I heard a ham radio operator using one of these and his audio was simply GREAT! Based on this, I decided to invest $20 for one. It came promptly as scheduled. I connected it to my Elecraft K3S {an absolutely awesome radio} in place of either my Heil PR-781 or Shure SM-58. I immediately got GREATsounding audio reports. In comparing the specs and frequency response of the Shure SM58 {basically a $100 mike} and the Behringer XM8500, the 8500 has a wee bit more high end. Otherwise they are identical I've listened to my station and my voice in a critical listening environment, and I agree, it is a good sounding mike. Correctly interfaced to the radio and with the radio properly adjusted, it should produce great sounding audio on yours as well. Of note – I find with many mikes, and this one is no exception, the correct mike technique is the single most important factor to getting great audio reports. You can equalize and compress and process until you run out of knobs to turn and settings to adjust. If you don't use the correct mike-to-mouth distance and correct mike position, you'll never get great audio!k4tax
18. Mxl 770 Small-Diaphragm Cardioid Condenser Microphone (Black)
Product Details:
The mxl 770 vocal condenser microphone delivers professional sonics and features. a true, phantom powered, condenser microphone with a 6-micron, 20-mm. gold-sputtered diaphragm, the mxl 770 delivers a silky up-front high end and a solid low frequency sound. the mxl 770 has a high quality fet preamp and its output is balanced with a wide dynamic range. the mxl 770 is perfectly suited for digital and analog recording. mxl 770 features 20 mm. gold-sputtered, 6-micron, low distortion diaphragm fet preamp with balanced output switchable bass cut and -10db pad legendary mxl sonic characteristics comes with shock mount and rugged carrying case.
Specifications:
| Product Type | Microphone |
| Diameter | 2.3 in |
| Length | 6.2 in |
| Weight | 16 oz |
| Color | Black |
| Recommended Use | Professional audio – instrument, vocal |
| Microphone Technology | Condenser |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Frequency Response | 30 – 20000 Hz |
| Signal-To-Noise Ratio | 74 dB |
| Max Sound Pressure | 137 dB |
| Audio Input Details | Cardioid – 30 – 20000 Hz – Output Impedance 150 Ohm |
| Connector Type | Microphone |
| Included Accessories | Carrying case, shock mount |
| Service & Support | Limited warranty – 1 year |
Reviews:
I bought this mic a few weeks ago and I was able to use it at work for some podcasting. The shock mount slides over the mic easily and locks in place. I attached the shock mount to a Proline Desk Boom mic stand, plugged the mic, connected it to a mixer, and then connected it to a Tascam recorder. Off in running in about 5 minutes. I love that the mic comes with a case for transport. The foam protects the mic and shock mount and allows me to transport the mic without having to worry about moisture or having the mic battered around in the car. I looked at some of the audio samples today and I great great audio at a small price.Jonathan
We run Shure SM7b and Electrovoice Re20. For grand piano, this lowe cost unit exceeds them both. We were surprised. Granted, you can get better performance from other much higher priced units but for a budget unit, the MXL 770 is remarkable. It even comes with a case and shock mount. And B&H gives free shipping. Really, it is hard to beat this value proposition.Moses
I recently purchased the little MXL 770 mic through Best Buy. I LOVE it!! It’s perfect for my small home studio and didn’t break the bank. So far I’m really pleased with the clarity and warmth I’m getting with my vocals, and while it’s very sensitive and picks up well, I’m not noticing any unwanted noise. Great addition, I highly recommend it.Jude
19. Shure Microphone Mv51
Product Details:
The shure motiv mv51 usb condenser microphone delivers premium recording quality- straight to your device. boasting a stylish vintage design and sturdy metal construction, the mv51 offers the same incredible quality as shure's legendary studio microphones. inside the mv51 is a large diaphragm condenser – ideal for recording a huge range of voices and acoustic instruments. it will add a pleasing 'warmth' and 'presence' to your recordings, whilst the built-in pop filter keeps vocals sounding crystal clear. the onboard touch panel gives access to gain, mute and headphone volume control, as well as five sound shaping presets. allowing you to get great results at the push of a button. combined with a high-quality headphone output and an integrated desktop stand, the shure mv51 is a powerful, all-in-one recording solution. for creatives looking for quality.
Specifications:
| Product Type | Microphone – USB |
| Compatibility | Mac, Windows |
| Width | 3.4 in |
| Depth | 2.8 in |
| Height | 5 in |
| Weight | 20.27 oz |
| Body Material | Metal |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Cardioid |
| Connectivity Technology | Wired |
| Sensitivity | -39 dBFS/Pa |
| Frequency Response | 20 – 20000 Hz |
| Max Sound Pressure | 130 dB |
| Connector Type | Headphones (mini-phone stereo 3.5 mm) USB 2.0 (5 pin Micro-USB Type B) |
| Cable Details | Micro-USB to USB cable – 3.3 ft USB-C cable – 3.3 ft |
Reviews:
I've been recording my music and vocals with my phone for a while now, and I bought an SM7B last summer to replace my basic earbud mic I've always used. I wasn't aware at the time that I'd need an interface to get it working with my phone. Looking for interface suggestions online turned into a ton of mixed results no matter which brand or product I read about. Scarlett, Presonus, Focusrite, etc. Pros of those products were all met with users commenting plenty of cons involving all sorts of different issues. So, I emailed Shure and asked if their MVi would for sure work my iPhone. They responded quickly and told me that it's exactly what I needed to get the mic working. It came in the mail three days later and it's perfect for what I do here at home. Simple to set up and use with my phone. It works with my recording app as well as with recording videos or voice notes. I know very little about recording music beyond the very basics, but the MVi has made it possible for me to finally get to use my actual studio mic to start recording and learning with.David K.
I bought Shure MVi thinking it would be 'ready to use out of the box' to use with an iPhone. Was I ever wrong! The older ones came with a 'micro usb to a lighting cable'. The newer ones do not. The cables are hard to find and in the $30 to $40 range. Shure don't tell you this. (The tech. support person at Shure said he didn't know this.) There is a work around to this. Get a 'usb C to a lighting adapter and a 2 input adapter for a second power input. This will supplement the power loss at the adapters. I know it sounds crazy, but it works! Come on, Shure, get with the program and send the correct cable!Joe S
Ok the mic makes GREAT reproductions. Especially for a usb mic! And the connectivity to iphones, and androids, and computers & tablets whooo buddy. I don't know of anything else on the market that can accomplish this laundry list. It's visually beautiful and a work horse to boot! This device solves so many problems for me! But there is one big draw back here… A draw back I can cope with due to this mics other strengths, but one wold really like to see redesigned on the next release of this mic. You can't adjust the mix between mic monitor signal – and audio that is being played back over USB. Nor can you adjust the monitor levels independently. You can accomplish this by altering settings in whatever app you're using, but the onboard controls leave something to be desired. I'd much rather have control over the monitor mix rather than all the DSP, compression & EQ features that they offer on board. MORE DETAILS BELOW ON WHAT THIS LOOKS LIKE IN PRACTICE: V So let's say you're on a zoom call and you want to monitor your own voice in your headphones while you talk to a friend… The MV51's functionality allows you to monitor your self with no latency, fantastic!…. but to adjust the volume of your friend on the other end you have to do this via the output settings within the zoom app… and if your chosen app doesn't have out put settings, well you're out of luck because the MV51 is an audio interface – so you can't adjust the output volume via your system settings… at least on a mac, because the mv51 overrides these controls.Dan P
20. Jbl Quantum Stream Dual Pattern Usb Microphone – Black
Product Details:
Designed as an easy-to-use solution for gaming, streaming, and recording, the jbl quantum stream is a versatile usb microphone that offers high-resolution recording, a removable rgb stand, and two pickup pattern choices. choose the omnidirectional setting to record in a 360° circle around the mic—great for picking up multiple people—or opt for the cardioid pattern to focus audio capture more narrowly on the subject for less background sound. the quantum stream supports impressive recording resolutions up to 24-bit / 96 khz for high-quality digital audio. plug-and-play operation via the usb connector and a convenient mute button make the mic simple to use, while the 3.5mm headphone jack allows you to monitor your audio in real time. an indenting front-panel knob controls the headphone volume; pressing it allows you to adjust the mic input gain and switch between pickup patterns. the included rgb desktop stand is especially well suited to gaming, but can be removed to reveal a standard 5/8" threading that lets you mount the mic to boom arms and floor stands.
Specifications:
| Product Type | Microphone – USB |
| Additional Functions | Amplifier |
| Width | 3.1 in |
| Depth | 3.1 in |
| Height | 6.9 in |
| Weight | 8.75 oz |
| Color | Black |
| Body Material | Metal, aluminum |
| Recommended Use | Recording, streaming |
| Recommended Placing | Tabletop |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Cardioid, omni-directional |
| Directivity Angle | 360° |
| Connectivity Technology | Wired |
| Sensitivity | -37 dB |
| Sensitivity Margin | +/- 3dB |
| Microphone Power Source Voltage (DC) | 5 V |
| Frequency Response | 20 – 20000 Hz |
| Max Sound Pressure | 110 dB |
| Features | Mute function |
| Connector Type | USB (24 pin USB-C) Headphones (mini-phone stereo 3.5 mm) |
| Cable Details | USB-C to USB-A cable – detachable |
Reviews:
The JBL Quantum STREAM is a very good and recommendable, as well as affordable microphone, it is perfect for private as well as professional everyday life. It is very suitable for live games, online conferences like zoom, podcasts, etc. The directionality of the microphone can be easily switched by simply pressing and holding the volume button on the main unit. The main body can be rotated 360 degrees and e.g. mounted on a tripod and placed on a table depending on the location. One can toggle mute on or off with a simple tap of the button on the top of the main unit, making it a model that combines high functionality and ease of use. The illumination, which is also a feature of the JBL Quantum series, is designed so that the ring on the bottom of the main unit lights up and you can see the operating status by changing colors. The stylish and highly durable design and the stable aluminum stand should also be emphasized.Katharina1984
I got this JBL Quantum Stream for testing and my 13 year old son catched it immediately and take it to his room. The packaging was good and not to much waste, just paper and cardboard. It was very easy to install and connect to the PC, just plug and play. My son don't need any help. He used the microphone for gaming and for his YouTube videos. To turn it on and off you just have to tap on the top and the colored ring at the bottom will show you green – on or red – off. My husband tried the microphone also for telephone conferences at work. It was totally easy, just plug the mic in and it was ready for teams and others. With the control dial you can adjust the volume. If you push this dial you can adjust the sensitivity of the mic which is shown in the brightness of the colored ring at the bottom. All very easy and intuitive. We will recommend this mic as a good and valuable helper for work and fun.aidu
As someone who works in IT, remotely from home – you can never have too many or too good of a microphone (or speakers, etc). I think most of us have had that person or coworker speaking over the phone or in a meeting and they sound like they are in a fishbowl or 300 feet away – no issue there with this microphone. I typically enjoy the build quality of JBL products – not much different here, it is solid (won't tip over easy) – with a metal base that is padded and can swivel. Can't really ask for much else with a microphone of this style. It is a little on the big side for my taste – but I have OCD and enjoy as clutter free of desktop real estate as I can get (hence monitors on monitor arm). The LED light is a nice touch and can be changed – not much to report there – not a big deal in my eyes since I don't have a flashy setup it will co-mingle with in that sense. My coworkers commented on the clarity of it the first time I got on to a meeting so that was a promising sign upon first use – no complaints or issues since. Only "gripes" I have are the USB power placement (underside pointing towards the base) and the oddly colored striped USB cord they provide – orange seems a bit out there and doesn't really go with anything I can see most people having on their desks but its a minor thing and getting another cable is no biggie. The software for this (JBL Quantum) seems pretty robust and the windows interface is nifty looking but for me personally I likely will not mess with it much – I could see if I was into actual streaming etc it would probably be nice to be able to fine tune settings.jbarnr
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